James Haxall explained this to Rosemary. Elim, standing aside, could see that the girl neither assented nor raised objection. She seemed utterly listless; a fleet emotion at the knowledge of her father's death had, in that public place, been immediately repressed. The sloop, Elim learned, was ready to start at once. The afternoon was declining; to reach Bramant's Wharf would take them through the night and into the meridian of tomorrow. They had made no preparations for the trip, there was neither bedding nor food; but Elim and Haxall agreed that it was best for Rosemary Roselle to leave the city at the price of any slight momentary discomfort.
Elim looked about for a place where he might purchase food. A near-by eating house had been completely wrecked, its floor a debris of broken crockery. Beyond, a baker's shop had been deserted, its window shattered but the interior intact. The shelves, however, had been swept bare of loaves. Elim searched behind the counters—nothing remained. But in walking out his foot struck against a round object, wrapped in paper, which on investigation proved to be a fruit cake of satisfactory solidity and size. With this beneath his arm he returned to Rosemary Roselle, and they followed Haxall to the wharf where the sloop lay.
The tiller was in charge of an old man with peering pale-blue eyes and tremulous siccated hands. Yet he had an astonishingly potent voice, and issued orders, in tones like the grating of metal edges, to a loutish youth in a ragged shirt and bare legs. The cabin, partly covered, was filled with bagged bales; a small space had been left for the steersman, and forward the deck was littered with untidy ropes and swab, windlass bar and other odds.
Elim Meikeljohn moved forward to assist Rosemary on to the sloop, but she evaded his hand and jumped lightly down upon the deck, Indy, grumbling and certain of catastrophe, was safely got aboard, and Elim helped the youth to push the craft's bow out into the stream. The grimy mainsail rose slowly, the jib was set, and they deliberately gathered way, slipping silently between the timbered banks, emerging from the thin pungent influence of the smoking ruins.
Behind them the sun transfused the veiled city into a coppery blur that gradually sank into a tender-blue dusk. Indy had arranged a place with the most obtainable comfort for Rosemary Roselle; she sat with her back against the mast, gazing toward the bank, stealing backward, at the darkening trees moving in solemn procession.
After the convulsed and burning city, the uproar of guns and clash of conflict, the quiet progress of the sloop was incredibly peaceful and withdrawn. Elim felt as if they had been detached from the familiar material existence and had been set afloat in a stream of silken shadows. The wind was behind them, the boom had been let far but, the old steersman drowsed at his post, and the youth had fallen instantly asleep in a strange cramped attitude.
Elim was standing at the stern—he had conceived it his duty to stay as far away from Rosemary Roselle as her wish plainly indicated; but, in this irrelated phase of living, he gradually lost his sense of responsibility and restrained conduct. He wanted extravagantly to be near Rosemary, to be where he could see her clearly. Perhaps, but this was unlikely, she would speak to him. His desire gradually flooded him; it induced a species of careless heroism, and he made his way resolutely forward and sat on a heap of rope at a point where he could study her with moderate propriety and success. She glanced at him momentarily when he took his place—he saw that her under lip was capable of an extremely human and annoying expression—and returned to her veiled scrutiny of the sliding banks.
An unfamiliar emotion stirred at Elim's heart; and in his painstaking introspective manner he exposed it. He found a happiness that, at the same time, was a pain; he found an actual catch in his throat that was a nebulous desire; he found an utter loneliness together with the conviction that this earth was a place of glorious possibilities of affinity. Principally he was conscious of an urging of his entire being toward the slight figure in black, staring with wide bereft eyes into the gathering evening. On the other side of the mast, Indy was sleeping with her head upon her breast. The feeling in Elim steadily increased in poignancy—faint stars appearing above the indefinite foliage pierced him with their beauty, the ashen-blue sky vibrated in a singing chord, the river divided in whispering confidences on the bow of the sloop.
Elim Meikeljohn debated the wisdom of a remark; his courage grew immeasurably reckless.
“The wind and river are shoving us along together.” Pronounced, the sentence seemed appallingly compromising; he had meant that the wind and river together, not—
She made no reply; one hand, he saw, stirred slightly.
Since he had not been blasted into nothingness, he continued:
“I'm glad the war's over. Why,” he exclaimed in genuine surprise, “you can hear the birds again.” A sleepy twitter had floated out over the stream. Still no response. He should not, certainly, have mentioned the war. He wondered desperately what a fine and delicate being like Rosemary Roselle talked about? It would be wise to avoid serious and immediate considerations for commonplaces.
“Ellik McCosh,” he said, “a girl in our village who went to Boston, learned to dance, and when she came back she taught two or three. Her communion medal was removed from her,” he added with complete veracity. “Perhaps,” he went on conversationally, “you don't have communion medals in Richmond—it's a little lead piece you have when you are in good standing at the Lord's table. Mine was taken away for three months for whistling by the church door. A long while ago,” he ended in a different voice. He thought of the fruit cake, and breaking off a piece offered it to the silent girl. “It's like your own,” he told her, placing it on a piece of paper at her side; “it's from Richmond and wasn't even paid for with strange silver.”
At this last a sudden uneasiness possessed him, and he hurriedly searched his pockets. He had exactly fifty cents. Until the present he had totally overlooked the depleted state of his fortune. Elim had some arrears of pay, but now he seriously doubted whether they were collectible. Nothing else. He had emerged from the war brevetted major but as penniless as the morning of his enlistment. He doubted whether, in the hurry of departure, Rosemary Roselle had remembered to bring any money.
Still, she would be cared for, supplied with every necessity, at Bramant's Wharf. There he would leave her ... his breathing stopped, for, incredibly, he saw that her hand was suspended over the piece of cake. She took it up and ate it slowly, absently. This, he felt, had created a bond between them; but it was a conviction in which, apparently, she had no share. She might have thanked him but she didn't.
An underhanded and indefensible expedient occurred to him, and he sat for a perceptible number of minutes concentrating his memory upon a dim and special object. Finally he raised his head.
“Indy,” he quoted, “a large light mulatto, hasn't much sense but a great deal of sensibility. That,” he added of himself, “is evidently very well observed.” He saw that Rosemary turned her head with an impatient curiosity. “She is very unfortunate,” he continued uncertainly; “she lost a present of money and couldn't work till it was given back.”
“But how,” demanded Rosemary Roselle, “did you know that?” Curiosity had betrayed her.
Elim Meikeljohn concealed a grin with difficulty. It was evident that she profoundly regretted the lapse, yet she would not permit herself to retreat from her position. She maintained a high intolerant aspect of query.
“Have you forgotten,” he went on, “how the dread day rolled around?” He paused wickedly. “The slough of despond?” he added.
“What silly stuff!” Rosemary pronounced.
“It was,” he agreed, “mostly. But the paper about Indy was a superior production. B plus, I think.”
A slow comprehension dawned on her face, blurred by the night.
“So that's where they went,” she observed; “you marked them.” He would have sworn that a smile hovered for the fraction of a moment on her pale lips. She drew up her shoulders slightly and turned away.
His best, his only hope had flickered for a minute and died away. Her silence was like impregnable armor. A puff of wind filled the sails, there was a straining of cordage, an augmented bubbling at the sloop's bow, and then the stir subsided. He passed into a darkness of old distresses, forebodings, grim recollections from his boyhood, inherited bleak memories. Rosemary Roselle's upright figure gradually sank. He realized that she was asleep on her arm. Elim bent forward shamelessly and studied her worn countenance. There was a trace of tears on her cheek. She was as delicate, as helpless as a flower sleeping on its stalk.
An impulse to touch her hair was so compelling that he started back, shaken; a new discordant tumult rose within him, out of which emerged an aching hunger for Rosemary Roselle; he wanted her with a passion cold and numbing like ether. He wanted her without reason, and in the desire lost his deep caution, his rectitude of conscience. He was torn far beyond the emotional possibilities of weak men. The fact that, penniless and without a home, he had nothing to offer was lost in the beat and surge of his feelings. He went with the smashing completeness of a heavy body, broken loose in an elemental turmoil. He wanted her; her fragrant spirit, the essence that was herself, Rosemary Roselle. He couldn't take it; such consummations, he realized, were beyond will and act, they responded from planes forever above human desire—there was not even a rift of hope. The banks had been long lost in the night; the faint disembodied cry of an owl breathed across the invisible river.
She woke with a little confused cry, and sat gazing distractedly into the dark, her hands pressed to her cheeks.
“Don't you remember,” Elim Meikeljohn spoke, “Haxall and the sloop; your relatives at Bramant's Wharf?”
She returned to a full consciousness of her surroundings.
“I was dreaming so differently,” she told him. It seemed to Elim that the antagonism had departed from her voice; he even had a feeling that she was glad of his presence. Indy, prostrate on the deck with her chin elevated to the stars, had not moved.
The darkness increased, broken only by the colored glimmer of the port and starboard lights and a wan blur about the old man bent over the tiller. Once he woke the youth and sent him forward with a sounding pole, once the sloop scraped heavily over a mud bank, but that was all; their imperceptible progress was smooth, unmarked.
Elim, recalling Joshua, wished that the sloop and night were anchored, stationary. Already he smelled the dawn in a newly stirring, cold air. The darkness thickened. Rosemary Roselle said:
“I'm dreadfully hungry.”
He immediately produced the fruit cake.
“It's really quite satisfactory,” she continued, eating; “It's like the rest of this—unreal.... What is your name?” she demanded unexpectedly.
“Elim Meikeljohn.”
“That's a very Northern sort of name.”
“It would be hard to come by one more so,” he agreed. “It's from the highlands of Scotland.”
“Then if you don't mind, I'll think of you as Scotch right now.”
He conveyed to her the fact that he didn't.
“Look!” she exclaimed. “There's the morning!”
A thin gray streak widened across the east. Almost immediately the night dissolved. They were sweeping down the middle of a river that surprised Elim with its width and majesty. The withdrawn banks bore clustered trees, undulating green reached inland, the shaded facades of houses sat back on lawns that dipped to the stream.
Rosemary Roselle's face was pale with fatigue; her eyes appeared preternaturally large; and this, for Elim, made her charm infinitely more appealing. She smoothed her dress, touched her hair with light fingers. The intimacy of it all thrilled him. A feeling of happy irresponsibility deepened. He lost sight of the probable unhappiness of tomorrow, the catastrophe that was yesterday; Elim was radiantly content with the present.
“You look Northern too,” she went on; “you are so much more solemn than the Virginia men—I mean your face is.”
“I suppose I've had a solemn sort of existence,” he agreed. “Life's an awful serious thing where I was born. The days are not long enough, life's too short, to get your work done. It's a stony pasture,” he admitted. He described the Meikeljohn farm land, sloping steeply to swift rocky streams, the bare existence of the sheep, the bitter winters. He touched briefly on Hester and his marriage.
“It's no wonder,” she pronounced, “that you have shadows in your eyes. You can't imagine,” she continued, “how wonderful everything was in Richmond, before—I simply can't talk about it now. I suppose we are ruined, but there isn't a man or woman who wouldn't do the same thing all over again. I'm almost glad that father isn't—isn't here; misery of any kind made him so wretched ... perfect memories.” She closed her eyes.
Her under lip, he saw, projected slightly, her chin was fine but stubborn. These details renewed his delight; they lent a warm humanity to her charm.
“Any one would know,” she said, regarding him, “that you are absolutely trustworthy. It's a nice quality now, but I don't think I would have noticed it even a month ago. You can see that I have grown frightfully old in the littlest while. Yes, you are comfortable to be with, and I suspect that counts for a great deal. It's quite sad, too, to grow old. Oh, look, we've changed! Where do you suppose he is going? This can't nearly be Bramant's.”
The mainsail had been hauled in, and the course of the sloop changed, quartering in toward the shore. The youth, moving forward, stopped to enlighten them. He jerked a thumb in the direction of the old man.
“He's got kin here at Jerico,” he explained; “and we're setting in to see them. We won't stop long.”
The mainsail came smoothly down, the jib fluttered, and the sloop slid in beside a sturdy old wharf, projecting from a deep fringe of willows. No sign of life or habitation was visible.
The youth made fast a hawser, the old man mounted painfully to the dock, and Indy stirred and rose.
“I must have just winked asleep,” she declared in consternation.
Rosemary Roselle lightly left the boat, and Elim followed. “If we explored,” he proposed, “perhaps we could get you a cup of coffee.” She elected, however, to stay by the river, and Elim went inward alone. Beyond the willows was an empty marshland. The old man had disappeared, with no trace of his objective kin. A road, deep in yellow mire, mounted a rise beyond and vanished a hundred yards distant. Elim, unwilling to get too far away from the sloop, had turned and moved toward the wharf, when he was halted by the sound of horses' hoofs.
He saw approaching him over the road a light open carriage with a fringed canopy and a pair of horses driven by a negro in a long white dust coat. In the body of the carriage a diminutive bonneted head was barely visible above an enormous circumference of hoops. Elim saw bobbing gray curls, peering anxious eyes, and a fluttering hand in a black silk-thread mit.
“Gossard,” a feminine voice cried shrilly to the driver, at the sight of Elim on the roadside, “here's a Yankee army; lick up those horses!”
The negro swung a vicious whip, the horses started sharply forward, but the carriage wheels, sinking in a deep slough, remained fixed; the harness creaked but held; the equipage remained stationary. The negro dismounted sulkily, and Elim crossed the road and put his shoulder to a wheel. Together with the driver, he lifted the carriage on to a firmer surface. The old lady was seated with tightly shut eyes.
“This here man ain't going to hurt you,” the driver exclaimed impatiently. “This exdus is all nonsense anyways,” he grumbled. “I got a mind to stop—I'm free.”
She directed upon him a beady black gaze.
“You get right into this carriage,” she commanded; “you'd be free to starve. You are a fool!” The man reluctantly obeyed her. “I thank you for your clemency,” she said to Elim. She fumbled among her flounces and hoops and produced an object carefully wrapped and tied. “Here,” she proclaimed; “I can still pay for a service. Gossard—” the carriage moved forward, was lost in the dip in the road. Elim opened the package in his hand and regarded, with something like consternation, a bottle of champagne.
Beyond the wharf the great yellow flood of the river gleamed in the sun; choirs of robins whistled in trees faintly green. Rosemary Roselle was seated with her feet hanging over the water.
“Champagne for breakfast,” she observed, shaking her head; “only the most habitual sports manage that.” He recounted the episode of the “Yankee army,” delighted by her less formal tone, then the old man returned as enigmatically as he had disappeared. The ropes were cast off, the sloop swung out into the current, and their smooth progress was resumed.
A few more hours and they would be at Bramant's Wharf. There, Elim knew, he would be expected to leave Rosemary. There would be a perfunctory gratitude from her relatives, perhaps a warmer appreciation from herself—a moment—a momentary pressure of her hand—and then—where? He would never again come in contact with so exquisite a girl; they were, he realized, customarily held in a circle where men like himself, outsiders, rarely penetrated; once more with her family and he would be forgotten. Anyhow, he had nothing.
But in spite of these heavy reflections his irresponsible happiness increased. In this segment of existence no qualifications from the shore were valid. Time, himself, at the tiller, seemed drifting, unconcerned. Rosemary Roselle regarded Elim with a franker interest. She took off a small slipper and emptied some sand from the shore; the simple act seemed to him burdened with gracious warmth. Now she was infinitely easier than any girl he had known before. Those about his home met the younger masculine world either with a blunt sarcasm or with an uneasy voiceless propriety. Rosemary, propped on an elbow, was as unconcerned as a boy. This made her infinitely more difficult of approach. Her slight beautiful body, not hidden by clothes—as decency demanded in the more primitive state—was delightfully marked, suggested. Here was beauty admitted, lauded, even studied, in place of the fierce masking and denouncement of his father and the fellow elders.
He remembered, from collegiate hours, the passion of the Greeks for sheer earthly strength and loveliness—Helen and Menelaus, Sappho on the green promontories of Lesbos. At the time of his reading he had maintained a wry brow ... now Elim Meikeljohn could comprehend the siege of Troy.
He said aloud, without thinking and instantly aghast at his words:
“You are like a bodied song.” He was horrified; then his newer spirit utterly possessed him, he didn't care; he nodded his long solemn head.
Rosemary Roselle turned toward him with a cool stare that was lost in irresistible ringing peals of laughter.
“Oh!” she gasped; “what a face for a compliment. It was just like pouring sirup out of a vinegar cruet.”
He became annoyed and cleared his throat in an elder-like manner, but her amusement strung out in silvery chuckles.
“It's the first I've said of the kind,” he admitted stiffly; “I've no doubt it came awkward.”
She grew more serious, studied him with thoughtful eyes. “Do you know,” she said slowly, “I believe you. Compliments in Virginia are like cherries, the trees are full of them; they're nice but worth—so much.” She measured an infinitesimal degree with a rosy nail against a finger. “But I can see that yours are different. They almost hurt you, don't they?”
He made no reply, struggling weakly against what, he perceived, was to follow.
“You're like a song that to hear would draw a man about the world,” said Elim Meikeljohn, pagan. “He would leave his sheep and byre, he'd drop his duty and desert his old, and follow. I'm lost,” he decided, in a last perishing flicker of early teaching; and then he smiled inexplicably at the wrath to come.
Rosemary Roselle grew more serious.
“But that's not a compliment at all,” she discovered; “it's more, and it makes me uncomfortable. Please stop!”
“About the world,” echoed Elim, “and everything else forgotten.”
“Please,” she repeated, holding up a prohibitory palm.
“Rose petals,” he said, regarding it. His madness increased. She withdrew her hand and gazed at him with a small frown. She was sitting upright, propped on her arms. Her mouth, with its slightly full under lip, was elevated, and an outrageous desire possessed him. His countenance slowly turned hotly red, and slowly a faint tide of color stained Rosemary Roselle's cheeks. She looked away; Elim looked away. He proceeded aft and learned that Bramant's Wharf lay only a few miles ahead.
The old man cursed the wind in his stringent tones. Elim hadn't noticed anything reprehensible in the wind. It appeared that for a considerable time there hadn't been any. A capful was stirring now, and humanity—ever discontented—silently cursed that.
“We're nearly there,” he said, returning to Rosemary Roselle.
He was unable to gather any intelligence from her expression.
She rose, and stood with a hand on Indy's shoulder, murmuring affectionately in the colored woman's ear. The sloop once more headed at a long angle for the shore. Bramant's Wharf grew visible, projecting solidly from a verdant bank. They floated silently up to the dock, and the youth held the sloop steady while Rosemary Roselle and Indy mounted from its deck. Elim followed, but suddenly he stopped, and his hand went into his pocket. A half dollar fell ringing into the boat. Elim indicated the youth; he was now penniless.
“The house,” Rosemary explained, “is almost a mile in. There is a carriage at the wharf when they expect you. And usually there is some one about.”
Elim, carrying the cake and bottle, followed over a grassy road between tangles of blackberry bushes. On either hand neglected fields held a sparse tangle of last year's weeds; beyond, trees closed in the perspective. The sun had passed the zenith, and the shadows of walnut trees fell across the road. Elim's face was grim, a dark tide rose about him, enveloping his heart, bothering his vision. He wanted to address something final to the slim girl in black before him, something now, before she was forever lost in the gabble of her relatives; but he could think of nothing appropriate, expressive of the tumult within him. His misery deepened with every step, grew into a bitterness of rebellion that almost forced an incoherent reckless speech. Rosemary Roselle didn't turn, she didn't linger, there were a great many things that she might say. The colored woman was positively hurrying forward. A great loneliness swept over him. He had not, he thought drearily, been made for joy.
“It's queer there's no one about,” Rosemary Roselle observed. They reached the imposing pillars of an entrance—the wooden gate was chained, and they were obliged to turn aside and search for an opening in a great mock-orange hedge. Before them a wide sweep of lawn led up to a formal dark façade; a tanbark path was washed, the grass ragged and uncut. Involuntarily they quickened their pace.
Elim saw that towering brown pillars rose to the roof of the dwelling and that low wings extended on either hand. Before the portico a stiffly formal garden lay in withered neglect.
The flower beds, circled with masoned rims and built up like wired bouquets, held only twisted and broken stems.
A faint odor of wet plaster and dead vegetation rose to meet them. On the towering wall of the house every window was tightly shuttered. The place bore a silent and melancholy air of desertion.
The girl gave a dismayed gasp. Elim hastily placed his load on the steps and, mounting, beat upon the door. Only a dull echo answered. Dust fell from the paneling upon his head.
“Maybe they have shut up the front for protection,” he suggested. He made his way to the rear; all was closed. Through the low limbs of apple trees he could see a double file of small sad brick quarters for the slaves. They, too, were empty. The place was without a living being. He stood, undecided, when suddenly he heard Rosemary Roselle calling with an acute note of fear.
He ran through the binding grass back to the garden.
“Elim Meikeljohn!” She stumbled forward to meet him. “Oh, Elim,” she cried; “there's no one in the world——” A sob choked her utterance.
He fell on his knees before her:
“There's always me.”
She sank in a fragrant heap into his arms.
Elim Meikeljohn laughed over her shoulder at his entire worldly goods on the steps—the fragmentary fruit cake and a bottle of champagne.
Here they are lost on the dimming mirror of the past.
Harry Baggs came walking slowly over the hills in the blue May dusk. He could now see below him the clustered roofs and tall slim stack of a town. His instinct was to avoid it, but he had tramped all day, his blurred energies were hardly capable of a detour, and he decided to settle near by for the night. About him the country rose and fell, clothed in emerald wheat and pale young corn, while trees filled the hollows with the shadowy purple of their darkening boughs. A robin piped a belated drowsy note; the air had the impalpable sweetness of beginning buds.
A vague pleasant melancholy enveloped him; the countryside swam indistinctly in his vision—he surrendered himself to inward sensations, drifting memories, unformulated regrets. He was twenty and had a short powerful body; a broad dusty patient face. His eyes were steady, light blue, and his jaw heavy but shapely. His dress—the forlorn trousers, the odd coat uncomfortably drawn across thick shoulders, and incongruous hat—held patently the stamp of his worldly position: he was a tramp.
He stopped, looking about. The road, white and hard, dipped suddenly down; on the right, windows glimmered, withdrawn behind shrubbery and orderly trees; on the left, a dark plowed field rose to a stiff company of pines and the sky. Harry Baggs stood turned in the latter direction, for he caught the faint odor of wood smoke; behind the field, a newly acquired instinct told him, a fire was burning in the open. This, now, probably meant that other wanderers—tramps—had found a place of temporary rest.
Without hesitation he climbed a low rail fence, found a narrow path trod in the soft loam and followed it over the brow into the hollow beyond. His surmise was correct—a fire smoldered in a red blur on the ground, a few relaxed forms gathered about the wavering smoke, and at their back were grouped four or five small huts.
Harry Baggs walked up to the fire, where, with a conventional sentence, he extended his legs to the low blaze. A man regarded him with a peering suspicious gaze; but any doubts were apparently laid, for the other silently resumed a somnolent indifference. His clothes were an amazing and unnecessary tangle of rags; his stubble of beard and broken black hat had an air of unreality, as though they were the stage properties of a stupid and conventional parody of a tramp.
Another, sitting with clasped knees beyond the fire, interrupted a monotonous whining recital to question Harry Baggs. “Where'd you come from?”
“Somewhere by Lancaster.”
“Ever been here before?” And, when Baggs had said no: “Thought I hadn't seen you. Most of us here come back in the spring. It's a comfortable dump when it don't rain cold.” He was uncommonly communicative. “The Nursery's here for them that want work; and if not nobody's to ask you reasons.”
A third, in a grimy light overcoat, with a short bristling red mustache and morose countenance, said harshly: “Got any money?”
“Maybe two bits.”
“Let's send him in for beer,” the other proposed; and a new animation stirred the dilapidated one and the talker.
“You can go to hell!” Baggs responded without heat.
“That ain't no nice way to talk,” the second proclaimed. “Peebles, here, meant that them who has divides with all that hasn't.”
Peebles directed a hard animosity at Harry Baggs. His gaze flickered over the latter's heavy-set body and unmoved face. “Want your jaw slapped crooked?” he demanded with a degree of reservation.
“No,” the boy placidly replied.
A stillness enveloped them, accentuated by the minute crackling of the disintegrating wood. The dark increased and the stars came out; the clip-clip of a horse's hoofs passed in the distance and night. Harry Baggs became flooded with sleep.
“I s'pose I can stay in one of these brownstones?” he queried, indicating the huts.
No one answered and he stumbled toward a small shelter. He was forced to bend, edge himself into the close damp interior, where he collapsed into instant unconsciousness on a heap of bagging. In the night he cried out, in a young strangely distressed voice; and later a drift of rain fell on the roof and ran in thin cold streams over his still body.
He woke late the following morning and emerged sluggishly into a sparkling rush of sunlight. The huts looked doubly mean in the pellucid day. They were built of discarded doors and variously painted fragments of lumber, with blistered and unpinned roofs of tin, in which rusted smokepipes had been crazily wired; strips of moldy matting hung over an entrance or so, but the others gaped unprotected. The clay before them was worn smooth and hard; a replenished fire smoked within blackened bricks; a line, stretched from a dead stump to a loosely fixed post, supported some stained and meager red undergarb.
Harry Baggs recognized Peebles and the loquacious tramp at the edge of the clearing. The latter, clad in a grotesquely large and sorry suit of ministerial black, was emaciated and had a pinched bluish countenance. When he saw Baggs he moved forward with a quick uneven step.
“Say,” he proceeded, “can you let me have something to get a soda-caffeine at a drug store? This ain't a stall; I got a fierce headache. Come out with a dime, will you? My bean always hurts, but to-day I'm near crazy.”
Harry Baggs surveyed him for a moment, and then, without comment, produced the sum in question. The other turned immediately and rapidly disappeared toward the road.
“He's crazy, all right, to fill himself with that dope,” Peebles observed; “it's turning him black. You look pretty healthy,” he added. “You can work, and they're taking all the men they can get at the Nursery.”
The boy was sharply conscious of a crawling emptiness—hunger. He had only fifteen cents; when that was gone he would be without resources. “I don't mind,” he returned; “but I've got to eat first.”
“Can't you stick till night?” his companion urged. “There's only half a day left now. If you go later there'll be nothing doing till tomorrow.”
“All right,” Harry Baggs assented.
The conviction seized him that this dull misery of hunger and dirt had settled upon him perpetually—there was no use in combating it; and, with an animal-like stoicism, he followed the other away from the road, out of the hollow, to where row upon row of young ornamental trees reached in mathematical perspective to broad sheds, glittering expanses of glass, a huddle of toolhouses, and office.
His conductor halted at a shed entrance and indicated a weather-bronzed individual.
“Him,” he said. “And mind you come back when you're through; we all dish in together and live pretty good.”
Harry Baggs spent the long brilliant afternoon burning bunches of condemned peach shoots. The smoke rolled up in a thick ceaseless cloud; he bore countless loads and fed them to the flames. The hungry crawling increased, then changed to a leaden nausea; but, accepting it as inevitable, he toiled dully on until the end of day, when he was given a dollar and promise of work to-morrow.
He saw, across a dingy street, a small grocery store, and purchased there coffee, bacon and a pound of dates. Then he returned across the Nursery to the hollow and huts. More men had arrived through the day, other fires were burning, and an acrid odor of scorched fat and boiling coffee rose in the delicate evening. A small group was passing about a flasklike bottle; a figure lay in a stupor on the clay; a mutter of voices, at once cautious and assertive, joined argument to complaint.
“Over this way,” Peebles called as Harry Baggs approached. The former inspected the purchased articles, then cursed. “Ain't you got a bottle on you?”
But when the bacon had been crisped and the coffee turned into a steaming thick liquid, he was amply appreciative of the sustenance offered. They were shortly joined by Runnel, the individual with the bluish poisoned countenance, and the elaborately ragged tramp.
“Did you frighten any cooks out of their witses?” Peebles asked the last contemptuously. The other retorted unintelligibly in his appropriately hoarse voice. “Dake knocks on back doors,” Peebles explained to Harry Baggs, “and then fixes to scare a nickel or grub from the women who open.”
Quiet settled over the camp; the blue smoke of pipes and cigarettes merged imperceptibly into the dusk of evening. Harry Baggs was enveloped by a momentary contentment, born of the satisfaction of food, relaxation after toil; and, leaning his head back on clasped hands, he sang:
“I changed my name when I got freeTo Mister, like the res'.But now ... Ol' Master's voice I hearsAcross de river: 'Rome,You damn ol' nigger, come and bringDat boat an' row me home!'”
His voice rolled out without effort, continuous as a flowing stream, grave and round as the deep tone of a temple bell. It increased in volume until the hollow vibrated; the sound, rather than coming from a single throat, seemed to dwell in the air, to be the harmony of evening made audible. The simple melody rose and fell; the simple words became portentous, burdened with the tragedy of vain longing, lost felicity. The dead past rose again like a colored mist over the sordid reality of the present; it drifted desirable and near across the hill; it soothed and mocked the heart—and dissolved.
The silence that followed the song was sharply broken by a thin querulous question; a tenuous bent figure stumbled across the open.
“Who's singing?” he demanded.
“That's French Janin,” Peebles told Harry Baggs; “he's blind.”
“I am,” the latter responded—“Harry Baggs.”
The man came closer, and Baggs saw that he was old and incredibly worn; his skin clung in dry yellow patches to his skull, the temples were bony caverns, and the pits of his eyes blank shadows. He felt forward with a siccated hand, on which veins were twisted like blue worsted over fleshless tendons, gripped Harry Baggs' shoulder, and lowered himself to the ground.
“Another song,” he insisted; “like the last. Don't try any cheap show.”
The boy responded immediately; his serious voice rolled out again in a spontaneous tide.
“'Hard times,'” Harry Baggs sang; “'hard times, come again no more.'”
The old man said: “You think you have a great voice, eh? All you have to do to take the great roles is open your mouth!”
“I hadn't thought of any of that,” Baggs responded. “I sing because—well, it's just natural; no one has said much about it.”
“You have had no teaching, that's plain. Your power leaks like an old rain barrel. What are you doing here?”
“Tramping.”
Harry Baggs looked about, suddenly aware of the dark pit of being into which he had fallen. The fires died sullenly, deserted except for an occasional recumbent figure. Peebles had disappeared; Dake lay in his rags on the ground; Runnel rocked slowly, like a pendulum, in his ceaseless pain.
“Tramping to the devil!” he added.
“What started you?” French Janin asked.
“Jail,” Harry Baggs answered.
“Of course you didn't take it,” the blind man commented satirically; “or else you went in to cover some one else.”
“I took it, all right—eighteen dollars.” He was silent for a moment; then: “There was something I had to have and I didn't see any other way of getting it. I had to have it. My stepfather had money that he put away—didn't need. I wanted an accordion; I dreamed about it till I got ratty, lifted the money, and he put me in jail for a year.
“I had the accordion hid. I didn't tell them where, and when I got out I went right to it. I played some sounds, and—after all I'd done—they weren't any good. I broke it up—and left.”
“You were right,” Janin told him; “the accordion is an impossible instrument, a thing entirely vulgar. I know, for I am a musician, and played the violin at the Opéra Comique. You think I am lying; but you are young and life is strange. I can tell you this: I, Janin, once led the finale of Hamlet. I saw that the director was pale; I leaned forward and he gave me the baton. I knew music. There were five staves to conduct—at the Opéra Comique.”
He turned his sightless face toward Harry Baggs.
“That means little to you,” he spoke sharply; “you know nothing. You have never seen a gala audience on its feet; the roses—”
He broke off. His wasted palms rested on knees that resembled bones draped with maculate clothing; his sere head fell forward. Runnel paced away from the embers and returned. Harry Baggs looked, with doubt and wonderment, at the ruined old man.
The mere word musician called up in him an inchoate longing, a desire for something far and undefined. He thought of great audiences, roses, the accompaniment of violins. Subconsciously he began to sing in a whisper that yet reached beyond the huts. He forgot his surroundings, the past without light, the future seemingly shorn of all prospect.
French Janin moved; he fumbled in precarious pockets and at last produced a small bottle; he removed the cork and tapped out on his palm a measure of white crystalline powder, which he gulped down. Then he struggled to his feet and wavered away through the night toward a shelter.
Harry Baggs imagined himself singing heroic measures; he finished, there was a tense pause, and then a thunderous acclamation. His spirit mounted up and up in a transport of emotional splendor; broken visions thronged his mind of sacrifice, renouncement, death. The fire expired and the night grew cold. His ecstasy sank; he became once more aware of the human wreckage about him, the detritus of which he was now a part.
He spent the next day moving crated plants to delivery trucks, where his broad shoulders were most serviceable, and in the evening returned to the camp, streaked with fine rich loam. French Janin was waiting for him and consumed part of Harry Baggs' unskilfully cooked supper. The old man was silent, though he seemed continually at the point of bursting into eager speech. However, he remained uncommunicative and followed the boy's movements with a blank speculative countenance. Finally he said abruptly:
“Sing that song over—about the 'damn ol' nigger.'”
Harry Baggs responded; and, at the end, Janin nodded.
“What I should have expected,” he pronounced. “When I first heard you I thought: 'Here, perhaps, is a great voice, a voice for Paris;' but I was mistaken. You have some bigness—yes, good enough for street ballads, sentimental popularities; that is all.”
An overwhelming depression settled upon Harry Baggs, a sense of irremediable loss. He had considered his voice a lever that might one day raise him out of his misfortunes; he instinctively valued it to an extraordinary degree; it had resembled a precious bud, the possible opening of which would flood his being with its fragrant flowering. He gazed with a new dread at the temporary shelters and men about him, the huts and men that resembled each other so closely in their patched decay.
Until now, except in brief moments of depression, he had thought of himself as only a temporary part of this broken existence. But it was probable that he, too, was done—like Runnel, and Dake, who lived on the fear of women. He recalled with an oath his reception in the village of his birth on his return from jail: the veiled or open distrust of the adults; the sneering of the young; his barren search for employment. He had suffered inordinately in his narrow cell—fully paid, it had seemed, the price of his fault. But apparently he was wrong; the thing was to follow him through life—and he would live a long while—; condemning him, an outcast, to the company of his fellows.
His shoulders drooped, his face took on the relaxed sullenness of those about him; curiously, in an instant he seemed more bedraggled, more disreputable, hopeless.
French Janin continued:
“Your voice is good enough for the people who know nothing. Perhaps it will bring you money, singing at fairs in the street. I have a violin, a cheap thing without soul; but I can get a thin jingle out of it. Suppose we go out together, try our chance where there is a little crowd; it will be better than piggin' in the earth.”
It would, Baggs thought, be easier than carrying heavy crates; subtly the idea of lessened labor appealed to him. He signified his assent and rolled over on his side, staring into nothingness.
French Janin went into the town the following day—he walked with a surprising facility and speed—to discover where they might find a gathering for their purpose. Harry Baggs loafed about the camp until the other returned with the failing of light.
“The sales about the country are all that get the people together now,” he reported; “the parks are empty till July. There's to be one tomorrow about eight miles away; we'll try it.”
He went to the shelter, where he secured a scarred violin, with roughly shaped pegs and lacking a string. He motioned Harry Baggs to follow him and proceeded to the brow of the field, where he settled down against a fence, picking disconsolately at the burring strings and attempting to tighten an ancient bow. Baggs dropped beside him. Below them night flooded the winding road and deepened under the hedges; a window showed palely alight; the stillness was intense.
“Now!” French Janin said.
The violin went home beneath his chin and he improvised a thin but adequate opening for Harry Baggs' song. The boy, for the first time in his existence, sang indifferently; his voice, merely big, lacked resonance; the song was robbed of all power to move or suggest.
Janin muttered unintelligibly; he was, Harry Baggs surmised, speaking his native language, obscurely complaining, accusing. They tried a second song: “Hard times, hard times, come again no more.” There was not an accent of longing nor regret.
“That'll do,” French Janin told him; “good enough for cows and chickens.”
He rose and descended to the camp, a bowed unsubstantial figure in the gloom.
They started early to the sale. Janin, as always, walked swiftly, his violin wrapped in a cloth beneath his arm. Harry Baggs lounged sullenly at his side. The day was filled with a warm silvery mist, through which the sun mounted rayless, crisp and round. Along the road plum trees were in vivid pink bloom; the apple buds were opening, distilling palpable clouds of fragrance.
Baggs met the morning with a sullen lowered countenance, his gaze on the monotonous road. He made no reply to the blind man's infrequent remarks, and the latter, except for an occasional murmur, fell silent. At last Harry Baggs saw a group of men about the fence that divided a small lawn and neatly painted frame house from the public road. A porch was filled with a confusion of furniture, china was stacked on the grass, and a bed displayed at the side.
The sale had not yet begun; A youth, with a pencil and paper, was moving distractedly about, noting items; a prosperous-appearing individual, with a derby resting on the back of his neck, was arranging an open space about a small table. Beyond, a number of horses attached to dusty vehicles were hitched to the fence where they were constantly augmented by fresh arrivals.
“Here we are!” Baggs informed his companion. He directed Janin forward, where the latter unwrapped his violin. A visible curiosity held the prospective buyers; they turned and faced the two dilapidated men on the road. A joke ran from laughing mouth to mouth. Janin drew his bow across the frayed strings; Harry Baggs cleared the mist from his throat. As he sang, aware of an audience, a degree of feeling returned to his tones; the song swept with a throb to its climax: