It was only the twentieth of September, when Agnes and the children reached Paris. Mrs. Norbury and her brother Francis had then already started on their journey to Italy—at least three weeks before the date at which the new hotel was to open for the reception of travellers.
The person answerable for this premature departure was Francis Westwick.
Like his younger brother Henry, he had increased his pecuniary resources by his own enterprise and ingenuity; with this difference, that his speculations were connected with the Arts. He had made money, in the first instance, by a weekly newspaper; and he had then invested his profits in a London theatre. This latter enterprise, admirably conducted, had been rewarded by the public with steady and liberal encouragement. Pondering over a new form of theatrical attraction for the coming winter season, Francis had determined to revive the languid public taste for the ballet by means of an entertainment of his own invention, combining dramatic interest with dancing. He was now, accordingly, in search of the best dancer (possessed of the indispensable personal attractions) who was to be found in the theatres of the Continent. Hearing from his foreign correspondents of two women who had made successful first appearances, one at Milan and one at Florence, he had arranged to visit those cities, and to judge of the merits of the dancers for himself, before he joined the bride and bridegroom. His widowed sister, having friends at Florence whom she was anxious to see, readily accompanied him. The Montbarrys remained at Paris, until it was time to present themselves at the family meeting in Venice. Henry found them still in the French capital, when he arrived from London on his way to the opening of the new hotel.
Against Lady Montbarry's advice, he took the opportunity of renewing his addresses to Agnes. He could hardly have chosen a more unpropitious time for pleading his cause with her. The gaieties of Paris (quite incomprehensibly to herself as well as to everyone about her) had a depressing effect on her spirits. She had no illness to complain of; she shared willingly in the ever-varying succession of amusements offered to strangers by the ingenuity of the liveliest people in the world—but nothing roused her: she remained persistently dull and weary through it all. In this frame of mind and body, she was in no humour to receive Henry's ill-timed addresses with favour, or even with patience: she plainly and positively refused to listen to him. 'Why do you remind me of what I have suffered?' she asked petulantly. 'Don't you see that it has left its mark on me for life?'
'I thought I knew something of women by this time,' Henry said, appealing privately to Lady Montbarry for consolation. 'But Agnes completely puzzles me. It is a year since Montbarry's death; and she remains as devoted to his memory as if he had died faithful to her—she still feels the loss of him, as none of us feel it!'
'She is the truest woman that ever breathed the breath of life,' Lady Montbarry answered. 'Remember that, and you will understand her. Can such a woman as Agnes give her love or refuse it, according to circumstances? Because the man was unworthy of her, was he less the man of her choice? The truest and best friend to him (little as he deserved it) in his lifetime, she naturally remains the truest and best friend to his memory now. If you really love her, wait; and trust to your two best friends—to time and to me. There is my advice; let your own experience decide whether it is not the best advice that I can offer. Resume your journey to Venice to-morrow; and when you take leave of Agnes, speak to her as cordially as if nothing had happened.'
Henry wisely followed this advice. Thoroughly understanding him, Agnes made the leave-taking friendly and pleasant on her side. When he stopped at the door for a last look at her, she hurriedly turned her head so that her face was hidden from him. Was that a good sign? Lady Montbarry, accompanying Henry down the stairs, said, 'Yes, decidedly! Write when you get to Venice. We shall wait here to receive letters from Arthur and his wife, and we shall time our departure for Italy accordingly.'
A week passed, and no letter came from Henry. Some days later, a telegram was received from him. It was despatched from Milan, instead of from Venice; and it brought this strange message:—'I have left the hotel. Will return on the arrival of Arthur and his wife. Address, meanwhile, Albergo Reale, Milan.'
Preferring Venice before all other cities of Europe, and having arranged to remain there until the family meeting took place, what unexpected event had led Henry to alter his plans? and why did he state the bare fact, without adding a word of explanation? Let the narrative follow him—and find the answer to those questions at Venice.
The Palace Hotel, appealing for encouragement mainly to English and American travellers, celebrated the opening of its doors, as a matter of course, by the giving of a grand banquet, and the delivery of a long succession of speeches.
Delayed on his journey, Henry Westwick only reached Venice in time to join the guests over their coffee and cigars. Observing the splendour of the reception rooms, and taking note especially of the artful mixture of comfort and luxury in the bedchambers, he began to share the old nurse's view of the future, and to contemplate seriously the coming dividend of ten per cent. The hotel was beginning well, at all events. So much interest in the enterprise had been aroused, at home and abroad, by profuse advertising, that the whole accommodation of the building had been secured by travellers of all nations for the opening night. Henry only obtained one of the small rooms on the upper floor, by a lucky accident—the absence of the gentleman who had written to engage it. He was quite satisfied, and was on his way to bed, when another accident altered his prospects for the night, and moved him into another and a better room.
Ascending on his way to the higher regions as far as the first floor of the hotel, Henry's attention was attracted by an angry voice protesting, in a strong New England accent, against one of the greatest hardships that can be inflicted on a citizen of the United States—the hardship of sending him to bed without gas in his room.
The Americans are not only the most hospitable people to be found on the face of the earth—they are (under certain conditions) the most patient and good-tempered people as well. But they are human; and the limit of American endurance is found in the obsolete institution of a bedroom candle. The American traveller, in the present case, declined to believe that his bedroom was in a complete finished state without a gas-burner. The manager pointed to the fine antique decorations (renewed and regilt) on the walls and the ceiling, and explained that the emanations of burning gas-light would certainly spoil them in the course of a few months. To this the traveller replied that it was possible, but that he did not understand decorations. A bedroom with gas in it was what he was used to, was what he wanted, and was what he was determined to have. The compliant manager volunteered to ask some other gentleman, housed on the inferior upper storey (which was lit throughout with gas), to change rooms. Hearing this, and being quite willing to exchange a small bedchamber for a large one, Henry volunteered to be the other gentleman. The excellent American shook hands with him on the spot. 'You are a cultured person, sir,' he said; 'and you will no doubt understand the decorations.'
Henry looked at the number of the room on the door as he opened it. The number was Fourteen.
Tired and sleepy, he naturally anticipated a good night's rest. In the thoroughly healthy state of his nervous system, he slept as well in a bed abroad as in a bed at home. Without the slightest assignable reason, however, his just expectations were disappointed. The luxurious bed, the well-ventilated room, the delicious tranquillity of Venice by night, all were in favour of his sleeping well. He never slept at all. An indescribable sense of depression and discomfort kept him waking through darkness and daylight alike. He went down to the coffee-room as soon as the hotel was astir, and ordered some breakfast. Another unaccountable change in himself appeared with the appearance of the meal. He was absolutely without appetite. An excellent omelette, and cutlets cooked to perfection, he sent away untasted—he, whose appetite never failed him, whose digestion was still equal to any demands on it!
The day was bright and fine. He sent for a gondola, and was rowed to the Lido.
Out on the airy Lagoon, he felt like a new man. He had not left the hotel ten minutes before he was fast asleep in the gondola. Waking, on reaching the landing-place, he crossed the Lido, and enjoyed a morning's swim in the Adriatic. There was only a poor restaurant on the island, in those days; but his appetite was now ready for anything; he ate whatever was offered to him, like a famished man. He could hardly believe, when he reflected on it, that he had sent away untasted his excellent breakfast at the hotel.
Returning to Venice, he spent the rest of the day in the picture-galleries and the churches. Towards six o'clock his gondola took him back, with another fine appetite, to meet some travelling acquaintances with whom he had engaged to dine at the table d'hote.
The dinner was deservedly rewarded with the highest approval by every guest in the hotel but one. To Henry's astonishment, the appetite with which he had entered the house mysteriously and completely left him when he sat down to table. He could drink some wine, but he could literally eat nothing. 'What in the world is the matter with you?' his travelling acquaintances asked. He could honestly answer, 'I know no more than you do.'
When night came, he gave his comfortable and beautiful bedroom another trial. The result of the second experiment was a repetition of the result of the first. Again he felt the all-pervading sense of depression and discomfort. Again he passed a sleepless night. And once more, when he tried to eat his breakfast, his appetite completely failed him!
This personal experience of the new hotel was too extraordinary to be passed over in silence. Henry mentioned it to his friends in the public room, in the hearing of the manager. The manager, naturally zealous in defence of the hotel, was a little hurt at the implied reflection cast on Number Fourteen. He invited the travellers present to judge for themselves whether Mr. Westwick's bedroom was to blame for Mr. Westwick's sleepless nights; and he especially appealed to a grey-headed gentleman, a guest at the breakfast-table of an English traveller, to take the lead in the investigation. 'This is Doctor Bruno, our first physician in Venice,' he explained. 'I appeal to him to say if there are any unhealthy influences in Mr. Westwick's room.'
Introduced to Number Fourteen, the doctor looked round him with a certain appearance of interest which was noticed by everyone present. 'The last time I was in this room,' he said, 'was on a melancholy occasion. It was before the palace was changed into an hotel. I was in professional attendance on an English nobleman who died here.' One of the persons present inquired the name of the nobleman. Doctor Bruno answered (without the slightest suspicion that he was speaking before a brother of the dead man), 'Lord Montbarry.'
Henry quietly left the room, without saying a word to anybody.
He was not, in any sense of the term, a superstitious man. But he felt, nevertheless, an insurmountable reluctance to remaining in the hotel. He decided on leaving Venice. To ask for another room would be, as he could plainly see, an offence in the eyes of the manager. To remove to another hotel, would be to openly abandon an establishment in the success of which he had a pecuniary interest. Leaving a note for Arthur Barville, on his arrival in Venice, in which he merely mentioned that he had gone to look at the Italian lakes, and that a line addressed to his hotel at Milan would bring him back again, he took the afternoon train to Padua—and dined with his usual appetite, and slept as well as ever that night.
The next day, a gentleman and his wife (perfect strangers to the Montbarry family), returning to England by way of Venice, arrived at the hotel and occupied Number Fourteen.
Still mindful of the slur that had been cast on one of his best bedchambers, the manager took occasion to ask the travellers the next morning how they liked their room. They left him to judge for himself how well they were satisfied, by remaining a day longer in Venice than they had originally planned to do, solely for the purpose of enjoying the excellent accommodation offered to them by the new hotel. 'We have met with nothing like it in Italy,' they said; 'you may rely on our recommending you to all our friends.'
On the day when Number Fourteen was again vacant, an English lady travelling alone with her maid arrived at the hotel, saw the room, and at once engaged it.
The lady was Mrs. Norbury. She had left Francis Westwick at Milan, occupied in negotiating for the appearance at his theatre of the new dancer at the Scala. Not having heard to the contrary, Mrs. Norbury supposed that Arthur Barville and his wife had already arrived at Venice. She was more interested in meeting the young married couple than in awaiting the result of the hard bargaining which delayed the engagement of the new dancer; and she volunteered to make her brother's apologies, if his theatrical business caused him to be late in keeping his appointment at the honeymoon festival.
Mrs. Norbury's experience of Number Fourteen differed entirely from her brother Henry's experience of the room.
Falling asleep as readily as usual, her repose was disturbed by a succession of frightful dreams; the central figure in every one of them being the figure of her dead brother, the first Lord Montbarry. She saw him starving in a loathsome prison; she saw him pursued by assassins, and dying under their knives; she saw him drowning in immeasurable depths of dark water; she saw him in a bed on fire, burning to death in the flames; she saw him tempted by a shadowy creature to drink, and dying of the poisonous draught. The reiterated horror of these dreams had such an effect on her that she rose with the dawn of day, afraid to trust herself again in bed. In the old times, she had been noted in the family as the one member of it who lived on affectionate terms with Montbarry. His other sister and his brothers were constantly quarrelling with him. Even his mother owned that her eldest son was of all her children the child whom she least liked. Sensible and resolute woman as she was, Mrs. Norbury shuddered with terror as she sat at the window of her room, watching the sunrise, and thinking of her dreams.
She made the first excuse that occurred to her, when her maid came in at the usual hour, and noticed how ill she looked. The woman was of so superstitious a temperament that it would have been in the last degree indiscreet to trust her with the truth. Mrs. Norbury merely remarked that she had not found the bed quite to her liking, on account of the large size of it. She was accustomed at home, as her maid knew, to sleep in a small bed. Informed of this objection later in the day, the manager regretted that he could only offer to the lady the choice of one other bedchamber, numbered Thirty-eight, and situated immediately over the bedchamber which she desired to leave. Mrs. Norbury accepted the proposed change of quarters. She was now about to pass her second night in the room occupied in the old days of the palace by Baron Rivar.
Once more, she fell asleep as usual. And, once more, the frightful dreams of the first night terrified her, following each other in the same succession. This time her nerves, already shaken, were not equal to the renewed torture of terror inflicted on them. She threw on her dressing-gown, and rushed out of her room in the middle of the night. The porter, alarmed by the banging of the door, met her hurrying headlong down the stairs, in search of the first human being she could find to keep her company. Considerably surprised at this last new manifestation of the famous 'English eccentricity,' the man looked at the hotel register, and led the lady upstairs again to the room occupied by her maid. The maid was not asleep, and, more wonderful still, was not even undressed. She received her mistress quietly. When they were alone, and when Mrs. Norbury had, as a matter of necessity, taken her attendant into her confidence, the woman made a very strange reply.
'I have been asking about the hotel, at the servants' supper to-night,' she said. 'The valet of one of the gentlemen staying here has heard that the late Lord Montbarry was the last person who lived in the palace, before it was made into an hotel. The room he died in, ma'am, was the room you slept in last night. Your room tonight is the room just above it. I said nothing for fear of frightening you. For my own part, I have passed the night as you see, keeping my light on, and reading my Bible. In my opinion, no member of your family can hope to be happy or comfortable in this house.'
'What do you mean?'
'Please to let me explain myself, ma'am. When Mr. Henry Westwick was here (I have this from the valet, too) he occupied the room his brother died in (without knowing it), like you. For two nights he never closed his eyes. Without any reason for it (the valet heard him tell the gentlemen in the coffee-room) he could not sleep; he felt so low and so wretched in himself. And what is more, when daytime came, he couldn't even eat while he was under this roof. You may laugh at me, ma'am—but even a servant may draw her own conclusions. It's my conclusion that something happened to my lord, which we none of us know about, when he died in this house. His ghost walks in torment until he can tell it—and the living persons related to him are the persons who feel he is near them. Those persons may yet see him in the time to come. Don't, pray don't stay any longer in this dreadful place! I wouldn't stay another night here myself—no, not for anything that could be offered me!'
Mrs. Norbury at once set her servant's mind at ease on this last point.
'I don't think about it as you do,' she said gravely. 'But I should like to speak to my brother of what has happened. We will go back to Milan.'
Some hours necessarily elapsed before they could leave the hotel, by the first train in the forenoon.
In that interval, Mrs. Norbury's maid found an opportunity of confidentially informing the valet of what had passed between her mistress and herself. The valet had other friends to whom he related the circumstances in his turn. In due course of time, the narrative, passing from mouth to mouth, reached the ears of the manager. He instantly saw that the credit of the hotel was in danger, unless something was done to retrieve the character of the room numbered Fourteen. English travellers, well acquainted with the peerage of their native country, informed him that Henry Westwick and Mrs. Norbury were by no means the only members of the Montbarry family. Curiosity might bring more of them to the hotel, after hearing what had happened. The manager's ingenuity easily hit on the obvious means of misleading them, in this case. The numbers of all the rooms were enamelled in blue, on white china plates, screwed to the doors. He ordered a new plate to be prepared, bearing the number, '13 A'; and he kept the room empty, after its tenant for the time being had gone away, until the plate was ready. He then re-numbered the room; placing the removed Number Fourteen on the door of his own room (on the second floor), which, not being to let, had not previously been numbered at all. By this device, Number Fourteen disappeared at once and for ever from the books of the hotel, as the number of a bedroom to let.
Having warned the servants to beware of gossiping with travellers, on the subject of the changed numbers, under penalty of being dismissed, the manager composed his mind with the reflection that he had done his duty to his employers. 'Now,' he thought to himself, with an excusable sense of triumph, 'let the whole family come here if they like! The hotel is a match for them.'
Before the end of the week, the manager found himself in relations with 'the family' once more. A telegram from Milan announced that Mr. Francis Westwick would arrive in Venice on the next day; and would be obliged if Number Fourteen, on the first floor, could be reserved for him, in the event of its being vacant at the time.
The manager paused to consider, before he issued his directions.
The re-numbered room had been last let to a French gentleman. It would be occupied on the day of Mr. Francis Westwick's arrival, but it would be empty again on the day after. Would it be well to reserve the room for the special occupation of Mr. Francis? and when he had passed the night unsuspiciously and comfortably in 'No. 13 A,' to ask him in the presence of witnesses how he liked his bedchamber? In this case, if the reputation of the room happened to be called in question again, the answer would vindicate it, on the evidence of a member of the very family which had first given Number Fourteen a bad name. After a little reflection, the manager decided on trying the experiment, and directed that '13 A' should be reserved accordingly.
On the next day, Francis Westwick arrived in excellent spirits.
He had signed agreements with the most popular dancer in Italy; he had transferred the charge of Mrs. Norbury to his brother Henry, who had joined him in Milan; and he was now at full liberty to amuse himself by testing in every possible way the extraordinary influence exercised over his relatives by the new hotel. When his brother and sister first told him what their experience had been, he instantly declared that he would go to Venice in the interest of his theatre. The circumstances related to him contained invaluable hints for a ghost-drama. The title occurred to him in the railway: 'The Haunted Hotel.' Post that in red letters six feet high, on a black ground, all over London—and trust the excitable public to crowd into the theatre!
Received with the politest attention by the manager, Francis met with a disappointment on entering the hotel. 'Some mistake, sir. No such room on the first floor as Number Fourteen. The room bearing that number is on the second floor, and has been occupied by me, from the day when the hotel opened. Perhaps you meant number 13 A, on the first floor? It will be at your service to-morrow—a charming room. In the mean time, we will do the best we can for you, to-night.'
A man who is the successful manager of a theatre is probably the last man in the civilized universe who is capable of being impressed with favourable opinions of his fellow-creatures. Francis privately set the manager down as a humbug, and the story about the numbering of the rooms as a lie.
On the day of his arrival, he dined by himself in the restaurant, before the hour of the table d'hote, for the express purpose of questioning the waiter, without being overheard by anybody. The answer led him to the conclusion that '13 A' occupied the situation in the hotel which had been described by his brother and sister as the situation of '14.' He asked next for the Visitors' List; and found that the French gentleman who then occupied '13 A,' was the proprietor of a theatre in Paris, personally well known to him. Was the gentleman then in the hotel? He had gone out, but would certainly return for the table d'hote. When the public dinner was over, Francis entered the room, and was welcomed by his Parisian colleague, literally, with open arms. 'Come and have a cigar in my room,' said the friendly Frenchman. 'I want to hear whether you have really engaged that woman at Milan or not.' In this easy way, Francis found his opportunity of comparing the interior of the room with the description which he had heard of it at Milan.
Arriving at the door, the Frenchman bethought himself of his travelling companion. 'My scene-painter is here with me,' he said, 'on the look-out for materials. An excellent fellow, who will take it as a kindness if we ask him to join us. I'll tell the porter to send him up when he comes in.' He handed the key of his room to Francis. 'I will be back in a minute. It's at the end of the corridor—13 A.'
Francis entered the room alone. There were the decorations on the walls and the ceiling, exactly as they had been described to him! He had just time to perceive this at a glance, before his attention was diverted to himself and his own sensations, by a grotesquely disagreeable occurrence which took him completely by surprise.
He became conscious of a mysteriously offensive odour in the room, entirely new in his experience of revolting smells. It was composed (if such a thing could be) of two mingling exhalations, which were separately-discoverable exhalations nevertheless. This strange blending of odours consisted of something faintly and unpleasantly aromatic, mixed with another underlying smell, so unutterably sickening that he threw open the window, and put his head out into the fresh air, unable to endure the horribly infected atmosphere for a moment longer.
The French proprietor joined his English friend, with his cigar already lit. He started back in dismay at a sight terrible to his countrymen in general—the sight of an open window. 'You English people are perfectly mad on the subject of fresh air!' he exclaimed. 'We shall catch our deaths of cold.'
Francis turned, and looked at him in astonishment. 'Are you really not aware of the smell there is in the room?' he asked.
'Smell!' repeated his brother-manager. 'I smell my own good cigar. Try one yourself. And for Heaven's sake shut the window!'
Francis declined the cigar by a sign. 'Forgive me,' he said. 'I will leave you to close the window. I feel faint and giddy—I had better go out.' He put his handkerchief over his nose and mouth, and crossed the room to the door.
The Frenchman followed the movements of Francis, in such a state of bewilderment that he actually forgot to seize the opportunity of shutting out the fresh air. 'Is it so nasty as that?' he asked, with a broad stare of amazement.
'Horrible!' Francis muttered behind his handkerchief. 'I never smelt anything like it in my life!'
There was a knock at the door. The scene-painter appeared. His employer instantly asked him if he smelt anything.
'I smell your cigar. Delicious! Give me one directly!'
'Wait a minute. Besides my cigar, do you smell anything else—vile, abominable, overpowering, indescribable, never-never-never-smelt before?'
The scene-painter appeared to be puzzled by the vehement energy of the language addressed to him. 'The room is as fresh and sweet as a room can be,' he answered. As he spoke, he looked back with astonishment at Francis Westwick, standing outside in the corridor, and eyeing the interior of the bedchamber with an expression of undisguised disgust.
The Parisian director approached his English colleague, and looked at him with grave and anxious scrutiny.
'You see, my friend, here are two of us, with as good noses as yours, who smell nothing. If you want evidence from more noses, look there!' He pointed to two little English girls, at play in the corridor. 'The door of my room is wide open—and you know how fast a smell can travel. Now listen, while I appeal to these innocent noses, in the language of their own dismal island. My little loves, do you sniff a nasty smell here—ha?' The children burst out laughing, and answered emphatically, 'No.' 'My good Westwick,' the Frenchman resumed, in his own language, 'the conclusion is surely plain? There is something wrong, very wrong, with your own nose. I recommend you to see a medical man.'
Having given that advice, he returned to his room, and shut out the horrid fresh air with a loud exclamation of relief. Francis left the hotel, by the lanes that led to the Square of St. Mark. The night-breeze soon revived him. He was able to light a cigar, and to think quietly over what had happened.
Avoiding the crowd under the colonnades, Francis walked slowly up and down the noble open space of the square, bathed in the light of the rising moon.
Without being aware of it himself, he was a thorough materialist. The strange effect produced on him by the room—following on the other strange effects produced on the other relatives of his dead brother—exercised no perplexing influence over the mind of this sensible man. 'Perhaps,' he reflected, 'my temperament is more imaginative than I supposed it to be—and this is a trick played on me by my own fancy? Or, perhaps, my friend is right; something is physically amiss with me? I don't feel ill, certainly. But that is no safe criterion sometimes. I am not going to sleep in that abominable room to-night—I can well wait till to-morrow to decide whether I shall speak to a doctor or not. In the mean time, the hotel doesn't seem likely to supply me with the subject of a piece. A terrible smell from an invisible ghost is a perfectly new idea. But it has one drawback. If I realise it on the stage, I shall drive the audience out of the theatre.'
As his strong common sense arrived at this facetious conclusion, he became aware of a lady, dressed entirely in black, who was observing him with marked attention. 'Am I right in supposing you to be Mr. Francis Westwick?' the lady asked, at the moment when he looked at her.
'That is my name, madam. May I inquire to whom I have the honour of speaking?'
'We have only met once,' she answered a little evasively, 'when your late brother introduced me to the members of his family. I wonder if you have quite forgotten my big black eyes and my hideous complexion?' She lifted her veil as she spoke, and turned so that the moonlight rested on her face.
Francis recognised at a glance the woman of all others whom he most cordially disliked—the widow of his dead brother, the first Lord Montbarry. He frowned as he looked at her. His experience on the stage, gathered at innumerable rehearsals with actresses who had sorely tried his temper, had accustomed him to speak roughly to women who were distasteful to him. 'I remember you,' he said. 'I thought you were in America!'
She took no notice of his ungracious tone and manner; she simply stopped him when he lifted his hat, and turned to leave her.
'Let me walk with you for a few minutes,' she quietly replied. 'I have something to say to you.'
He showed her his cigar. 'I am smoking,' he said.
'I don't mind smoking.'
After that, there was nothing to be done (short of downright brutality) but to yield. He did it with the worst possible grace. 'Well?' he resumed. 'What do you want of me?'
'You shall hear directly, Mr. Westwick. Let me first tell you what my position is. I am alone in the world. To the loss of my husband has now been added another bereavement, the loss of my companion in America, my brother—Baron Rivar.'
The reputation of the Baron, and the doubt which scandal had thrown on his assumed relationship to the Countess, were well known to Francis. 'Shot in a gambling-saloon?' he asked brutally.
'The question is a perfectly natural one on your part,' she said, with the impenetrably ironical manner which she could assume on certain occasions. 'As a native of horse-racing England, you belong to a nation of gamblers. My brother died no extraordinary death, Mr. Westwick. He sank, with many other unfortunate people, under a fever prevalent in a Western city which we happened to visit. The calamity of his loss made the United States unendurable to me. I left by the first steamer that sailed from New York—a French vessel which brought me to Havre. I continued my lonely journey to the South of France. And then I went on to Venice.'
'What does all this matter to me?' Francis thought to himself. She paused, evidently expecting him to say something. 'So you have come to Venice?' he said carelessly. 'Why?'
'Because I couldn't help it,' she answered.
Francis looked at her with cynical curiosity. 'That sounds odd,' he remarked. 'Why couldn't you help it?'
'Women are accustomed to act on impulse,' she explained. 'Suppose we say that an impulse has directed my journey? And yet, this is the last place in the world that I wish to find myself in. Associations that I detest are connected with it in my mind. If I had a will of my own, I would never see it again. I hate Venice. As you see, however, I am here. When did you meet with such an unreasonable woman before? Never, I am sure!' She stopped, eyed him for a moment, and suddenly altered her tone. 'When is Miss Agnes Lockwood expected to be in Venice?' she asked.
It was not easy to throw Francis off his balance, but that extraordinary question did it. 'How the devil did you know that Miss Lockwood was coming to Venice?' he exclaimed.
She laughed—a bitter mocking laugh. 'Say, I guessed it!'
Something in her tone, or perhaps something in the audacious defiance of her eyes as they rested on him, roused the quick temper that was in Francis Westwick. 'Lady Montbarry—!' he began.
'Stop there!' she interposed. 'Your brother Stephen's wife calls herself Lady Montbarry now. I share my title with no woman. Call me by my name before I committed the fatal mistake of marrying your brother. Address me, if you please, as Countess Narona.'
'Countess Narona,' Francis resumed, 'if your object in claiming my acquaintance is to mystify me, you have come to the wrong man. Speak plainly, or permit me to wish you good evening.'
'If your object is to keep Miss Lockwood's arrival in Venice a secret,' she retorted, 'speak plainly, Mr. Westwick, on your side, and say so.'
Her intention was evidently to irritate him; and she succeeded. 'Nonsense!' he broke out petulantly. 'My brother's travelling arrangements are secrets to nobody. He brings Miss Lockwood here, with Lady Montbarry and the children. As you seem so well informed, perhaps you know why she is coming to Venice?'
The Countess had suddenly become grave and thoughtful. She made no reply. The two strangely associated companions, having reached one extremity of the square, were now standing before the church of St. Mark. The moonlight was bright enough to show the architecture of the grand cathedral in its wonderful variety of detail. Even the pigeons of St. Mark were visible, in dark closely packed rows, roosting in the archways of the great entrance doors.
'I never saw the old church look so beautiful by moonlight,' the Countess said quietly; speaking, not to Francis, but to herself. 'Good-bye, St. Mark's by moonlight! I shall not see you again.'
She turned away from the church, and saw Francis listening to her with wondering looks. 'No,' she resumed, placidly picking up the lost thread of the conversation, 'I don't know why Miss Lockwood is coming here, I only know that we are to meet in Venice.'
'By previous appointment?'
'By Destiny,' she answered, with her head on her breast, and her eyes on the ground. Francis burst out laughing. 'Or, if you like it better,' she instantly resumed, 'by what fools call Chance.' Francis answered easily, out of the depths of his strong common sense. 'Chance seems to be taking a queer way of bringing the meeting about,' he said. 'We have all arranged to meet at the Palace Hotel. How is it that your name is not on the Visitors' List? Destiny ought to have brought you to the Palace Hotel too.'
She abruptly pulled down her veil. 'Destiny may do that yet!' she said. 'The Palace Hotel?' she repeated, speaking once more to herself. 'The old hell, transformed into the new purgatory. The place itself! Jesu Maria! the place itself!' She paused and laid her hand on her companion's arm. 'Perhaps Miss Lockwood is not going there with the rest of you?' she burst out with sudden eagerness. 'Are you positively sure she will be at the hotel?'
'Positively! Haven't I told you that Miss Lockwood travels with Lord and Lady Montbarry? and don't you know that she is a member of the family? You will have to move, Countess, to our hotel.'
She was perfectly impenetrable to the bantering tone in which he spoke. 'Yes,' she said faintly, 'I shall have to move to your hotel.' Her hand was still on his arm—he could feel her shivering from head to foot while she spoke. Heartily as he disliked and distrusted her, the common instinct of humanity obliged him to ask if she felt cold.
'Yes,' she said. 'Cold and faint.'
'Cold and faint, Countess, on such a night as this?'
'The night has nothing to do with it, Mr. Westwick. How do you suppose the criminal feels on the scaffold, while the hangman is putting the rope around his neck? Cold and faint, too, I should think. Excuse my grim fancy. You see, Destiny has got the rope round my neck—and I feel it.'
She looked about her. They were at that moment close to the famous cafe known as 'Florian's.' 'Take me in there,' she said; 'I must have something to revive me. You had better not hesitate. You are interested in reviving me. I have not said what I wanted to say to you yet. It's business, and it's connected with your theatre.'
Wondering inwardly what she could possibly want with his theatre, Francis reluctantly yielded to the necessities of the situation, and took her into the cafe. He found a quiet corner in which they could take their places without attracting notice. 'What will you have?' he inquired resignedly. She gave her own orders to the waiter, without troubling him to speak for her.
'Maraschino. And a pot of tea.'
The waiter stared; Francis stared. The tea was a novelty (in connection with maraschino) to both of them. Careless whether she surprised them or not, she instructed the waiter, when her directions had been complied with, to pour a large wine-glass-full of the liqueur into a tumbler, and to fill it up from the teapot. 'I can't do it for myself,' she remarked, 'my hand trembles so.' She drank the strange mixture eagerly, hot as it was. 'Maraschino punch—will you taste some of it?' she said. 'I inherit the discovery of this drink. When your English Queen Caroline was on the Continent, my mother was attached to her Court. That much injured Royal Person invented, in her happier hours, maraschino punch. Fondly attached to her gracious mistress, my mother shared her tastes. And I, in my turn, learnt from my mother. Now, Mr. Westwick, suppose I tell you what my business is. You are manager of a theatre. Do you want a new play?'
'I always want a new play—provided it's a good one.'
'And you pay, if it's a good one?'
'I pay liberally—in my own interests.'
'If I write the play, will you read it?'
Francis hesitated. 'What has put writing a play into your head?' he asked.
'Mere accident,' she answered. 'I had once occasion to tell my late brother of a visit which I paid to Miss Lockwood, when I was last in England. He took no interest at what happened at the interview, but something struck him in my way of relating it. He said, "You describe what passed between you and the lady with the point and contrast of good stage dialogue. You have the dramatic instinct—try if you can write a play. You might make money." That put it into my head.'
Those last words seemed to startle Francis. 'Surely you don't want money!' he exclaimed.
'I always want money. My tastes are expensive. I have nothing but my poor little four hundred a year—and the wreck that is left of the other money: about two hundred pounds in circular notes—no more.'
Francis knew that she was referring to the ten thousand pounds paid by the insurance offices. 'All those thousands gone already!' he exclaimed.
She blew a little puff of air over her fingers. 'Gone like that!' she answered coolly.
'Baron Rivar?'
She looked at him with a flash of anger in her hard black eyes.
'My affairs are my own secret, Mr. Westwick. I have made you a proposal—and you have not answered me yet. Don't say No, without thinking first. Remember what a life mine has been. I have seen more of the world than most people, playwrights included. I have had strange adventures; I have heard remarkable stories; I have observed; I have remembered. Are there no materials, here in my head, for writing a play—if the opportunity is granted to me?' She waited a moment, and suddenly repeated her strange question about Agnes.
'When is Miss Lockwood expected to be in Venice?'
'What has that to do with your new play, Countess?'
The Countess appeared to feel some difficulty in giving that question its fit reply. She mixed another tumbler full of maraschino punch, and drank one good half of it before she spoke again.
'It has everything to do with my new play,' was all she said. 'Answer me.' Francis answered her.
'Miss Lockwood may be here in a week. Or, for all I know to the contrary, sooner than that.'
'Very well. If I am a living woman and a free woman in a week's time—or if I am in possession of my senses in a week's time (don't interrupt me; I know what I am talking about)—I shall have a sketch or outline of my play ready, as a specimen of what I can do. Once again, will you read it?'
'I will certainly read it. But, Countess, I don't understand—'
She held up her hand for silence, and finished the second tumbler of maraschino punch.
'I am a living enigma—and you want to know the right reading of me,' she said. 'Here is the reading, as your English phrase goes, in a nutshell. There is a foolish idea in the minds of many persons that the natives of the warm climates are imaginative people. There never was a greater mistake. You will find no such unimaginative people anywhere as you find in Italy, Spain, Greece, and the other Southern countries. To anything fanciful, to anything spiritual, their minds are deaf and blind by nature. Now and then, in the course of centuries, a great genius springs up among them; and he is the exception which proves the rule. Now see! I, though I am no genius—I am, in my little way (as I suppose), an exception too. To my sorrow, I have some of that imagination which is so common among the English and the Germans—so rare among the Italians, the Spaniards, and the rest of them! And what is the result? I think it has become a disease in me. I am filled with presentiments which make this wicked life of mine one long terror to me. It doesn't matter, just now, what they are. Enough that they absolutely govern me—they drive me over land and sea at their own horrible will; they are in me, and torturing me, at this moment! Why don't I resist them? Ha! but I do resist them. I am trying (with the help of the good punch) to resist them now. At intervals I cultivate the difficult virtue of common sense. Sometimes, sound sense makes a hopeful woman of me. At one time, I had the hope that what seemed reality to me was only mad delusion, after all—I even asked the question of an English doctor! At other times, other sensible doubts of myself beset me. Never mind dwelling on them now—it always ends in the old terrors and superstitions taking possession of me again. In a week's time, I shall know whether Destiny does indeed decide my future for me, or whether I decide it for myself. In the last case, my resolution is to absorb this self-tormenting fancy of mine in the occupation that I have told you of already. Do you understand me a little better now? And, our business being settled, dear Mr. Westwick, shall we get out of this hot room into the nice cool air again?'
They rose to leave the cafe. Francis privately concluded that the maraschino punch offered the only discoverable explanation of what the Countess had said to him.