If Sabina had known what was before her when she got into the Baroness Volterra's carriage and was driven up to the Via Ludovisi, followed by a cab with her luggage, she would probably have begged leave to go with her elder sister to the convent. Her mother would most likely have refused the permission, and she would have been obliged to accept the Volterras' hospitality after all, but she would have had the satisfaction of having made an effort to keep her freedom before entering into what she soon looked upon as slavery.
Her mother would have considered this another evidence of the folly inherent in all the Conti family. Sabina lived in a luxurious house, she was treated with consideration, she saw her friends, and desirable young men saw her. What more could she wish?
All this was true. The Baroness was at great pains to make much of her, and the Baron's manner to her was at once flattering, respectful and paternal. During the first few days she had discovered that if she accidentally expressed the smallest wish it was instantly fulfilled, and this was so embarrassing that she had since taken endless pains never to express any wish at all. Moreover not the slightest allusion to the misfortunes of her family was ever made before her, and if she was in total ignorance of the state of affairs, she was at least spared the humiliation of hearing that the palace was for sale, and might be sold any day, to any one who would pay the price asked.
From time to time the Baroness said she hoped that Sabina had good news of her mother, but showed no curiosity in the matter, and the girl always answered that she believed her mother to be quite well. Indeed she did believe it, for she supposed that if the Princess were ill some one would let her know. She wrote stiff little letters herself, every Sunday morning, and addressed them to her uncle's place in Poland; but no one ever took the least notice of these conscientious communications, and she wondered why she sent them, after all. It was a remnant of the sense of duty to her parents instilled into her in the convent, and she could not help clinging to it still, from habit.
She had a few friends of her own age, and they came to see her now and then. They were mostly companions of her recent convent days, and they asked her many questions, to most of which she had no answer. She noticed that they looked surprised, but they were well brought up girls, and kept their reflections to themselves, until they were at home.
The Conti had fewer near relations than most Roman families, for of late they had not been numerous. The Prince's only sister had died childless, the dowager Princess was a Pole, and her daughter-in-law was a Tuscan. Sabina and her generation had therefore no first cousins; and those who were one degree or more removed were glad that they had not been asked to take charge of the girl after the catastrophe. It would have been all very well merely to give her a room and a place at table, but the older ones shook their heads, and said that before long the Baroness Volterra would have to dress her too, and give her pocket-money. Her good-for-nothing brother would not do anything for her, if he could, and the Princess, who was amusing herself in Poland, if not in Paris, was capable of forgetting her existence for a year at a time.
All these things greatly enhanced the outward and visible merit of the Volterra couple, but made Sabina's position daily less endurable. So the Baroness laid up treasures in heaven while Sabina unwillingly stored trouble on earth.
She was proud, to begin with. It was bad enough to have been ordered by her mother to accept the hospitality of people she did not like, but it was almost unbearable to realize by degrees that she was living on their effusive charity. If she had been as vain as she was proud, she would probably have left their house to take refuge in her sister's convent, for her vanity could not have borne the certainty that all society knew what her position was. The foundation of pride is the wish to respect oneself, whatever others may think; the mainspring of vanity is the craving for the admiration of others, no matter at what cost to one's self-respect. In the Conti family these qualities and defects were unevenly distributed, for while pride seemed to have been left out in the character of Sabina's brother, who was vain and arrogant, she herself was as unspoilt by vanity as she was plentifully supplied with the characteristic which is said to have caused Lucifer's fall, but which has been the mainstay of many a greatly-tempted man and woman. Perhaps what is a fault in angels may seem to be almost a virtue in humanity, compared with the meanness of worse failings.
Sabina was not suspicious, yet she could not help wondering why the Baroness had been so very anxious to take her in, and sometimes she thought that the object might be to marry her to one of Volterra's two sons. One was in a cavalry regiment stationed in Turin, the other was in the diplomacy and was now in Washington. They were both doing very well in their careers and their father and mother often talked of them.
The Baron was inclined to be playful now and then.
"Ah, my dear young lady," he would cry, shaking one fat finger at Sabina across the dinner table, "take care, take care! You will lose your heart to both my boys and sow discord in my family!"
At this he never failed to laugh, and his wife responded with a smile of motherly pride, followed by a discreet side glance at Sabina's delicate face. Then the finely-pencilled eyebrows were just the least bit more arched for a second, and the slender neck grew slightly straighter, but that was all, and the Baron did not even see the change. Sometimes Sabina said nothing, but sometimes she asked if the sons were coming home on leave. No, they were not coming at present. In the spring Volterra and his wife generally spent a few weeks in Turin, to see the elder son, on their way to Aix and Paris, but his brother could hardly expect to come home for another year. Then the couple would talk about both the young men, until Sabina's attention wandered, and she no longer heard what they were saying.
She did not believe that they really thought of trying to marry her to one of the sons. In her own opinion they could gain nothing by it; she had no dowry now, and her mother had always talked of marriage as a business transaction. It did not occur to her that they could care to be allied with a ruined family, and that her mere name could be worth anything in their scale of values. They were millionaires, of course, and even the dowry which she might formerly have expected would have been nothing compared with their fortune; but her mother had always said that rich people were the very people who cared the most for money. That was the reason why they were rich. This explanation was so logical that Sabina had accepted it as the true one.
Her knowledge of the world was really limited to what she had learned from her mother, after she had come back from the convent six months before the crash, and it was an odd mixture of limitations and exaggerations. When the Princess was in a good humour she believed in everybody; when she was not, which was when she had no money to throw away, she attributed the basest motives to all mankind. According to her moods, she had encouraged Sabina to look forward to a life of perpetual pleasure, or had assured her with energy that all men were liars, and that the world was a wretched place after all. It was true that the Princess entertained the cheerful view more often than not, which was perhaps fortunate for her daughter; but in her heart the young girl felt that she would have to rely on her own common sense to form any opinion of life, and as her position became more difficult, while the future did not grow more defined, she tried to think connectedly about it all, and to reach some useful conclusion.
It was not easy. In her native city, living under the roof of people who held a strong position in the society to which she belonged, though they had not been born to it, she was as completely isolated as if she had been suddenly taken away and set down amongst strangers in Australia. She was as lonely as she could have been on a desert island.
The Volterra couple were radically, constitutionally, congenitally different from the men and women she had seen in her mother's house. She could not have told exactly where the difference lay, for she was too young, and perhaps too simple. She did not instinctively like them, but she had never really felt any affection for her mother either, and her own brother and sister had always repelled her. Her mother had sometimes treated her like a toy, but more often as a nuisance and a hindrance in life, to be kept out of the way as much, as possible, and married off on the first opportunity. Yet Sabina knew that far down in her nature there was a mysterious tie of some sort, an intuition that often told her what her mother would say or do, though she herself would have spoken and acted otherwise. She had felt it even with her brother and sister, but she could not feel it at all with the Baron or his wife. She never could guess what they might do or say under the most ordinary circumstances, nor what things they would like and dislike, nor how they would regard anything she said or did; least of all could she understand why they were so anxious to keep her with them.
It was all a mystery, but life itself was mysterious, and she was little more than a child in years though she had never had what one calls a real childhood.
She often used to sit by her window, the sliding blinds partly drawn together, but leaving a space through which she could look down at the city, with a glimpse of Saint Peter's in the distance against the warm haze of the low Campagna. Rome seemed as far from her then as if she saw it in a vision a thousand miles away, and the very faint sounds from the distance were like voices in a dream. Then, if she closed her eyes a moment, she could see the dark streets about the Palazzo Conti, and the one open corner of the palace, high up in the sunlight; she could smell the acrid air that used to come up to her in the early morning when the panes were opened, damp and laden with odours not sweet but familiar in the heart of Rome; odours compounded of cabbages, stables, cheese and mud, and occasionally varied by the fumes of roasting coffee, or the sour vapours from a wine cart that was unloading stained casks, all wet with red juice, at the door of the wine shop far below, a dark little wine shop with a dry bush stuck out through a smoky little grated window, and a humble sign displaying the prices of drink in roughly painted blue and red figures. For her room had looked upon the narrowest and darkest of the streets, though it had been stately enough within, and luxuriously furnished, besides containing some objects of value and beauty over which there would be much bidding and squabbling of amateurs and experts when the great sale took place.
It had been gloomy and silent and loveless, the life down there; and yet she would have gone back to it if she could, from the sunshine of the Via Ludovisi, and from the overpowering freshness of the Volterra house, where everything was modern, and polished, and varnished, and in perfect condition, suggesting that things had been just paid for. She had not liked the old life, but she liked her present surroundings even less, and at times she felt a furious longing to leave them suddenly, without warning; to go out when no one would notice her, and never to come back; to go she knew not where, out into the world, risking she knew not what, a high-born, penniless, fair-haired girl not yet eighteen.
What would happen, if she did? She rarely laughed, but she would laugh at that, when she thought of the consternation her flight would produce. How puzzled the fat Baron would look, how the Baroness's thin mouth would be drawn down at the corners! How the invisible silk bellows would puff as she ran up and down stairs, searching the house for Sabina!
There was more than one strain of wild blood in the delicate girl's veins, and the spring had come suddenly, with a bursting out of blossom and life and colour, and a twittering of nesting birds in the old gardens, and a rush of strange longings in her heart.
Then Sabina told herself that there was nothing to keep her where she was, but her own will, and that no one would really care what became of her in the wide world; certainly not her mother, who had never written her so much as a line, nor sent her a message, since they had parted on the day of the catastrophe; certainly not her brother; probably not even her sister, whose whole being was absorbed in the tyrannical government of what she called her soul. Sabina, in her thoughts, irreverently compared Clementina's soul to a race-horse, and her sister to a jockey, riding it cruelly with whip and spur to the goal of salvation, whether it liked it or not.
Sabina rose from her seat by the window, when she thought of liberty, and she walked up and down her room, driven by something she could not understand, and yet withheld by something she understood even less. For it was not fear, nor reflection, nor even common sense nor the thought of giving pain to any one that hindered her from leaving the house at such moments. It was not even the memory of the one human being who had hitherto loved her, and for whom she had felt affection and gratitude,—one of the nuns at the convent school, a brave, quiet little lady who made her believe in good. She meant to do no harm if she were free, and the nun would not really blame her, if she knew the truth.
It was not that. It was the secret conviction that there was harm in the world from which mere courage could not protect her; it was the sort of instinct that warns young animals not to eat plants that are poisonous; it was the maiden intuition of a strange and unknown danger.
She sat down again disconsolately. It was absurd, of course, and she could not run away. Where could she go? She had no money, and she would have to starve or beg before one day was out. She would be homeless, she would be driven to some house of charity, for a meal and a place to sleep, or else to sleep out under the sky. That would be delightful for once. She had always longed to sleep out of doors, to feel the breeze playing with her feathery hair in the dark, to watch the constellations turning slowly westwards, to listen to the night sounds, to the low rhythmical piping of the tree toad, the sorrowful cry of the little southern owl and the tolling of the hour in a far-off belfry.
But it might rain. At the idea, Sabina laughed again. It would be very unpleasant to be caught in a shower while napping on a bench in a public garden. Besides, if the policemen found her there, an extremely young lady, extremely well dressed but apparently belonging to no one, they would in all likelihood ask her name, and she would have to tell them who she was; and then she would be brought back to Baron Volterra's house, unless they thought it more prudent to take her to a lunatic asylum.
At that stage in her imaginings it was generally time to go out with the Baroness for the daily drive, which began with the leaving of cards and notes, then led to the country or one of the villas, and generally ended in a turn or two through the Corso before coming home. The worst part of the daily round was dinner when the Baron was at home. It was then that she felt most strongly the temptation to slip out of the house and never to come back. Often, however, he and his wife dined out, and then Sabina was served alone by two solemn men-servants, so extremely correct that they reminded her a little of her old home. These were the pleasantest evenings she spent during that spring, for when dinner was over she was free to go to her own room and curl herself up in a big armchair with a book, and read or dream till bedtime, as she pleased.
When she was alone, her life seemed less objectless, less inexplicably empty, less stupidly incomprehensible, less lonely than in the company of those excellent people with whom she had nothing in common, but to whom she felt that she was under a great obligation. In their company, it was as if her life had stopped suddenly at the beginning and was never to go on again, as if she had stuck fast like a fly in a drop of amber, as if nothing of interest could ever happen to her though she might live a hundred years.
She could hardly remember anything which had given her great pleasure. She did not remember to have been ever radiantly happy, though she could not recall much unhappiness since she had left the convent school. The last thing that had really hurt her had been the death of her pet canary, and she had kept her feelings to herself as well as she could, with the old aristocratic instinct of hiding pain.
It was all idle and strangely empty, and yet hard to understand. She would have been much surprised if she could have guessed how much its emptiness interested other people in Rome; how the dowagers chattered about her over their tea, abusing her mother and all her relations for abandoning her like a waif; how the men reasoned about Baron Volterra's deep-laid schemes, trying to make out that his semi-adoption of Sabina, as they called it, must certainly bode ruin to some one, since he had never in his life done anything without a financial object; how the young girls unanimously declared that the Baroness wanted Sabina for one of her sons, because she was such a dreadful snob; how Cardinal Della Crusca shook his wise old head knowingly, as he, who knew so much, always did on the rare occasions when he knew nothing about the matter in hand; how a romantic young English secretary of Embassy christened her the Princess in the Tower; and how old Pompeo Sassi went up to his vineyard on Monte Mario every Sunday and Thursday and sat almost all the afternoon under the chestnut-tree thinking about her and making unpractical plans of his own.
If Baron Volterra did not choose to sell the Palazzo Conti to the first comer, he doubtless knew his own business best, and he was not answerable to every one for his opinion that the fine old building was worth a good deal more than the highest offer he had yet received. Everybody knew that the palace was for sale, and some of the attempts made to buy it were openly discussed. A speculator had offered four hundred thousand francs for it, a rich South American had offered half a million; it was rumoured that the Vatican would give five hundred and fifty thousand, provided that the timbers of the carved ceilings were in good condition, but Volterra steadily refused to allow any of the carvings to be disturbed in order to examine the beams. During several days a snuffy little man with a clever face poked about with a light in dark places between floors, trying to find out whether the wood were sound or rotten, and asking all sorts of questions of the old porter, and of two workmen who went with him, and who had been employed in repairs in the palace, as their fathers had been before them, perhaps for generations. But their answers were never quite satisfactory, and the snuffy man disappeared to the mysterious regions beyond the Tiber, and did not come back.
Some people, knowing the ways of the Romans, might have inferred that the two workmen, a mason and a carpenter, had not been treated by Baron Volterra in such a way as to make them give a favourable report; and as he seemed perfectly indifferent about the result this is quite possible. At all events the carpenter made out that he could not get at the beams in question, without moving the decorations which covered them, and the mason affirmed that it was quite impossible to get a view of the foundations of the north-west corner of the palace, which were said to be weak, without knocking a hole through a wall upon which depended such solidity as there was. It was useless, he said. The snuffy gentleman could ask the Baron, if he pleased, and the Baron could do what he liked since the property now belonged to him: but he, the mason, would not lay hand to pick or crowbar without the Baron's express authorization. The Baron was a Senator of the Kingdom, said the mason, and could therefore of course send him to penal servitude in the galleys for life, if he pleased. That is the average Roman workman's idea of justice. The snuffy expert, who looked very much like a poor priest in plain clothes, though he evidently knew his business, made no reply, nor any attempt to help the mason's conscience with money.
But he stood a little while by the wall, with his lantern in his hands, and presently put his ear to the damp stones, and listened.
"There is running water somewhere not far off," he said, looking keenly at the workman.
"It is certainly not wine," answered the man, with a rough laugh, for he thought it a very good joke.
"Are there any 'lost waters' under the palace?" asked the expert.
"I do not know," replied the mason, looking away from the lantern towards the gloom of the cellars.
"I believe," said the snuffy gentleman, setting down his lantern, and taking a large pinch from a battered silver snuff-box, on which the arms of Pius Ninth were still distinguishable, "I believe that the nearest 'lost water' to this place is somewhere under the Vicolo del Soldati."
"I do not know."
The expert skilfully inserted the brown dust into his nostrils with his right thumb, scarcely wasting a grain in the operation.
"You do not seem to know much," he observed thoughtfully, and took up his lantern again.
"I know what I have been taught," replied the mason without resentment.
The expert glanced at him quickly, but said nothing more. His inspection was finished, and he led the way out of the intricate cellars as if he knew them by heart, though he had only passed through them once, and he left the palace on foot when he had brushed some of the dust from his shabby clothes.
The porter looked enquiringly at the two men, as they filled little clay pipes that had cane stems, standing under the deep entrance.
"Not even the price of half a litre of wine," said the mason in answer to the mute question.
"Church stuff," observed the carpenter discontentedly.
The porter nodded gravely, and the men nodded to him as they went out into the street. They had nothing more to do that day, and they turned into the dark little wine shop, where the withered bush stuck out of the blackened grating. They sat down opposite each other, with the end of the grimy board of the table between them, and the carpenter made a sign. The host brought a litre measure of thin red wine and set it down between them with two tumblers. He was ghastly pale, flabby and sullen, with a quarter of an inch of stubbly black beard on his unhealthy face.
The carpenter poured a few drops of wine into one of the tumblers, shook it about, turned it into the other, shook it again, and finally poured it on the unctuous stone floor beside him. Then he filled both glasses to the brim, and both men drank in silence.
They repeated the operation, and after the second glass there was not much left in the measure. The flabby host had retired to the gloomy vaults within, where he played cards with a crony by the light of a small smoking lamp with a cracked chimney.
"That was the very place, was it not?" asked the carpenter at last, in a low tone, and almost without moving his lips.
The mason said nothing, but shrugged his shoulders, in a sort of enigmatic assent. Both drank again, and after a long time the carpenter smiled faintly.
"He was looking for the 'lost water,'" he said, in a tone of contempt.
The faint smile slowly reflected itself in the mason's face. The two finished their wine, lit their pipes again, left the price of their drink on the table without disturbing the host and went away.
So far as any outsider could have judged, the expert's curiosity and the few words exchanged by the workmen referred to the so-called "lost water," which might be somewhere under the north-west corner of the Palazzo Conti, and no one unacquainted with subterranean Rome could possibly have understood what any of the three meant.
The "lost waters" of Rome are very mysterious. Here and there, under old streets and far down amongst the foundations of ancient palaces, there are channels of running water which have no apparent connection with any of the aqueducts now restored and in use. It is a water that comes no one knows whence and finds its way to the Tiber, no one knows how. It is generally clear and very cold, and in the days when the aqueducts were all broken and most people drank of the river, the "lost water" was highly prized. It appears in the most unexpected places, sometimes in great quantities and seriously interfering with any attempt to lay the foundations of a new building, sometimes black and silent, under a huge flagstone in an old courtyard, sometimes running with an audible rush through hidden passages deeper than the deepest cellars. It has puzzled archaeologists, hydraulic engineers and architects for generations, its presence has never been satisfactorily explained, there seems not to be any plan of the city which shows its whereabouts, and the modern improvements of the Tiber's banks do not appear to have affected its occult courses. By tradition handed down from father to son, certain workmen, chiefly masons and always genuine Romans, claim to know more about it than other people; but that is as much as can be said. It is known as the "lost water," and it rises and falls, and seeks different levels in unaccountable ways, as water will when it is confined under the earth but is here and there confronted by the pressure of the air.
But though the old-fashioned Roman workman still looks upon all traditional information about his trade as secret and never to be revealed, that fact alone might seem insufficient to account for the behaviour of Gigi the carpenter and of Toto the mason under the particular circumstances here narrated, still less for the contempt they showed for the snuffy expert who was apparently looking for the "lost water." An invisible witness would have gathered that they had something of more importance to conceal. To the expert, their conduct and answers must have been thoroughly unsatisfactory, for the Vatican was even said to have refused to pay the additional fifty thousand francs, On the ground that the state of the foundations was doubtful and that the timbers of the upper story were not sound.
Baron Volterra's equanimity was not in the least disturbed by this. On the contrary, instead of setting the price lower, he frankly told all applicants, through his agent, that he was in no hurry to sell, as he had reason to believe that the land about the Palazzo Conti would soon rise in value. He had settled with the representatives of the Conti family, and it was said that he had behaved generously. The family had nothing left after the crash, which might partially account for such an exhibition of generosity; but it was hinted that Baron Volterra had given them the option of buying back the palace and some other property upon which he had foreclosed, if they should be able to pay for it in ten years.
Soon after the visit of the snuffy expert, Volterra's agent informed the porter that a gentleman had taken the small apartment on the intermediate story, which had formerly been occupied by a chaplain but had been disused for years. It had been part of the Conti's folly that they had steadily refused to let any part of the vast building since the old Prince's death.
On the following day, the new-comer moved in, with his belongings, consisting of a small quantity of new furniture, barely sufficient for himself and his one servant, and a number of very heavy cases, which turned out to be full of books. Gigi, the carpenter, was at once sent for to put up plain shelves for these, and he took stock of the lodger while the latter was explaining what he wanted.
"He is a gentleman," said Gigi to Toto, that very evening, as they stood filling their pipes at the corner of the Vicolo del Soldati. "His name is Malipieri. He is as black as the horses at a funeral of the first-class, and he is not a Roman."
"Who knows what race of animal this may be?" Toto was not in a good humour.
"He is of the race of gentlemen," asserted Gigi confidently.
"Then he will end badly," observed Toto. "Let us go and drink. It is better."
"Let us go and drink," repeated Gigi. "You have a sensible thought sometimes. I think this man is an engineer, or an architect. He wants a draughtsman's table."
"Evil befall his little dead ones, whatever he is," returned the other, by way of welcome to the young man who had moved into the palace.
"He advanced me ten francs to buy wood for the shelves," said Gigi, who was by far the more cheerful of the two.
"Come and drink," returned Toto, relevantly or irrelevantly. "That is much better."
So they turned into the wine shop.
Baron Volterra introduced Marino Malipieri to the two ladies. The guest had come punctually, for the Baron had looked at his watch a moment before he was announced, and it was precisely eight o'clock.
Malipieri bowed to the Baroness, who held out her hand cordially, and then to Sabina.
"Donna Sabina Conti," said the Baron with extreme distinctness, in order that his guest should be quite sure of the young girl's identity.
Sabina looked down modestly, as the nuns had told her to do when a young man was introduced to her. At the same moment Malipieri's eyes turned quietly and quickly to the Baron, and a look of intelligence passed between the two men. Malipieri understood that Sabina was one of the family in whose former palace he was living. Then he glanced again at the young girl for one moment, before making a commonplace remark to the Baroness, and after that Sabina felt that she was at liberty to look at him.
She saw a very dark man of average height, with short black hair that grew rather far back from his very white forehead, and wearing a closely clipped black beard and moustache which did not by any means hide the firm lines of the mouth and chin. From the strongly marked eyebrows downward his face was almost of the colour of newly cast bronze, and the dusky hue contrasted oddly with the clear whiteness of his forehead. He was evidently a man who had lately been living much out of doors under a burning sun. Sabina thought that his very bright black eyes and boldly curved features suggested a young hawk, and he had a look of compact strength and a way of moving which betrayed both great energy and extreme quickness.
But there was something more, which Sabina recognized at the first glance. She felt instantly that he was not like the Baron and his wife; that he belonged in some way to the same variety of humanity as herself; that she would understand him when he spoke, that she would often feel intuitively what he was going to say next, and that he would understand her.
She listened while he talked to the Baroness. He had a slight Venetian accent, but his voice had not the soft Venetian ring. It was a little veiled, and though not at all loud it was somewhat harsh. Sabina did not dislike the manly tone, though it was not musical, nor the Venetian pronunciation, although that was unfamiliar. In countries like Italy and Germany, which have had many centres and many historical capital cities, almost all educated people speak with the accents of their several origins, and are rather tenacious of the habit than anxious to get rid of it, generally maintaining that their own pronunciation is the right one.
"Signor Malipieri," said the Baron to Sabina, as they went in to dinner, "is the celebrated archaeologist."
"Yes," Sabina answered, as if she knew all about him, though she had never heard him mentioned.
Malipieri probably overheard the Baron's speech, but he took no notice of it. At dinner, he seemed inclined to be silent. The Baron asked him questions about his discoveries, to which he gave rather short answers, but Sabina gathered that he had found something extraordinary in Carthage. She did not know where Carthage was, and did not like to ask, but she remembered that Marius had sat there among some ruins. Perhaps Malipieri had found his bones, for no one had ever told her that Marius did not continue to sit among the ruins to his dying day. She connected him vaguely with AEneas and another person called Regulus. It was all rather uncertain.
What she saw clearly was that the Baron wished to make Malipieri feel at his ease, but that Malipieri's idea of being at his ease was certainly not founded on a wish to talk about himself. So the conversation languished for some time.
The Baroness, who knew about as much about Carthage as Sabina, made a few disconnected remarks, interspersed with laudatory allusions to the young man's immense learning, for she wished to please her husband, though she had not the slightest idea why Malipieri was asked to dinner. Finding that he was not perceptibly flattered by what she said, she began to talk about the Venetian aristocracy, for she knew that his name was historical, and she recognized in him at once the characteristics of the nobility she worshipped. Malipieri smiled politely, and in answer to a direct question admitted that his mother had been a Gradenigo.
The Baroness was delighted at this information.
"To think," she said, "that by a mere accident you and Donna Sabina should meet here, the descendants of two of the oldest families of the Italian aristocracy!"
"I am a republican," observed Malipieri quietly.
"You!" cried the Baroness in amazement. "You, the offspring of such races as the Malipieri and the Gradenigo a republican, a socialist, an anarchist!"
"There is a difference," said Malipieri with a smile. "A republican is not an anarchist!"
"I can never believe it," answered the Baroness solemnly.
She ate a few green peas and shook her head.
"I went to Carthage because I was condemned to three years' confinement in prison," replied Malipieri with calm.
"Prison!" exclaimed the Baroness in horror, and she looked at her husband, mutely asking why in the world he had brought a convict to their table.
The Baron smiled benignly, as he disposed of an ample mouthful of green peas, before he spoke.
"Signor Malipieri," he said, when he had swallowed the last one, "founded and edited a republican newspaper in the north of Italy."
"And you were sent to prison for that?" asked Sabina with indignation.
"It is one thing to send a man to prison," said Malipieri. "It is another to make him go there. I escaped to Switzerland, and I came back to Italy quite lately, after the amnesty."
"I am amazed!" The Baroness looked at the servants timidly, as if she expected the butler and the footman to express their disapprobation of the guest.
"I have left politics for the present," Malipieri replied, looking atSabina and smiling.
"Of course!" cried the Baroness. "But—" she stopped short.
"My wife," said the financier with a grin, "is afraid you have dynamite about you."
"How absurd!" The Baroness felt that she was ridiculous. "But I do not understand how you can be friends," she added, glancing from her husband to Malipieri.
"We are at least on good terms of acquaintance," said the younger man a little markedly.
Sabina liked the speech and the way in which it was spoken.
"We have a common ground for it in our interest in antiquities. Is it not true, Signer Malipieri?"
The Baron looked at him and smiled again, as if there were a secret between them, and Malipieri glanced at Sabina.
"It is quite true," he said gravely. "The Baron has read all I have written about Carthage."
Volterra possessed a sort of rough social tact, together with the native astuteness and great knowledge of men which had made him rich and a Senator. He suddenly became voluble and led the conversation in a new direction, which it followed till the end of dinner.
Several people came in afterwards, as often happened, before the coffee was taken away. They were chiefly men in politics, and two of them brought their wives with them. They were not the sort of guests whom the Baroness preferred, for they were not by any means all noble Romans, but they were of importance to her husband and she took great pains to make them welcome. To one she offered his favourite liqueur, which happened to be a Sicilian ratafia; for another she made the Baron send for some of those horribly coarse black cigars known as Tuscans, which some Italians prefer to anything else; for a third, she ordered fresh coffee to be especially made. She took endless trouble.
Malipieri seemed to know none of the guests, and he took advantage of the Baroness's preoccupation for their comforts to sit down by Sabina. He did not look at her, and she thought he looked bored, as he sat a moment in silence. Then a thin deputy with a magnificent forehead and thick grey hair began to hold forth on the subject of a projected divorce law and the guests gathered round him. Sabina had never heard of Sydney Smith, but she had a suspicion that nobody could be as great as the speaker looked. While she was thinking of this, Malipieri spoke to her in a low voice.
"I suppose that you are stopping in the house," he said.
"Yes."
Sabina turned her eyes a little, but did not look straight at him. She saw, however, that he was still watching the people in the room, and still looked bored, and she was quite unprepared for what followed.
"Are the affairs of your family finally settled?" he enquired, without changing his tone.
Sabina was so much surprised that she waited a moment before answering. Her first instinct was to ask him stiffly why he put such a question, and she would have replied to it in that way if it had come from any other guest in the room; but she changed her mind almost instantly.
"No one has told me anything," she said simply, in a low voice. Malipieri turned his head a little with a quick movement, and clasped his brown hands over one knee.
"You know nothing?" he asked. "Nothing whatever about the matter?"
"Nothing."
He bit his lip as if he were indignant, and were repressing an exclamation.
"No one has written to me—for a long time," Sabina said, after a moment.
She had been on the point of saying that she had never received a line from any member of her family since the crash, but that seemed to sound like a confidence, and what she really said was quite true.
"Has not the Senator told you anything either?" Malipieri asked.
"No. I suppose he does not like to speak about our misfortunes before me."
"Have you, I mean you yourself, any interest in the Palazzo Conti now?Can you tell me that?"
"I know nothing—nothing!" Sabina repeated the word with a slight tremor, for just then she felt her position more keenly than ever before. "Why do you ask?"
She could not help putting the question which rose to her lips the second time, but there was no coldness in her voice. She was very lonely, and she felt that Malipieri was speaking from some honourable motive.
"I am living in the palace," Malipieri answered.
Sabina looked up quickly, with an expression of interest in her pale young face. The thought that the man beside her was living in her old home was like a bond of acquaintance.
"Really?" she cried. "In which part of the house?"
"Do not seem interested, please," said Malipieri, suddenly looking very bored again. "If you do, we shall not be allowed to talk. I am living in the little apartment on the intermediate story. They tell me that a chaplain once lived there."
"I know where it is," answered Sabina, "but I was never in the rooms.They used to be shut up, I think."
The deputy who was haranguing on the subject of divorce seemed to be approaching his peroration. His great voice filled the large room with incessant noise, and everybody seemed anxiously waiting for a chance to contradict him. Malipieri was in no danger of being overheard.
"If it happens," he said, "that I wish to communicate with you on a matter of importance, how can I reach you best?"
He asked the question quite naturally, as if he had known Sabina all his life. At first she was so much surprised that she could hardly speak.
"I—I do not know," she stammered.
She had never received letters from any one but her own family or her school friends, and a very faint colour rose in her pale cheek. Malipieri looked more bored and weary than ever.
"It may be absolutely necessary for me to write to you before long," he said. "Shall I write by post?"
Sabina hesitated.
"Is there no one in all Rome whom you can trust to bring a note and give it to you when you are alone?"
"There is Signor Sassi," Sabina answered almost instinctively. "But really, why should you—"
"How can I find Sassi?" asked Malipieri, interrupting the question."Who is he?"
"He was our agent. Is he gone? The old porter will know where to find him. I think he lived near the palace. But perhaps the porter has been sent away too."
"He is still there. Have you been made to sign any papers since you have been here?"
"No."
"Will you promise me something?"
Sabina could not understand how it was that a man who had been a stranger two hours earlier was speaking to her almost as if he were an intimate friend, still less why she no longer felt that she ought to check him and assert her dignity.
"If it is right, I will promise it," she answered quietly, and looking down.
"It is right," he said. "If the Senator, or any one else asks you to sign a paper, will you promise to consult me before doing so?"
"But I hardly know you!" she laughed, a little shyly.
"It is of no use to waste time and trouble on social conventions," saidMalipieri. "If you do not trust me, can you trust this Sassi?"
"Oh yes!"
"Then consult him. I will make him consult me, and it will be the same—and ten times more conventional and proper."
He smiled.
"Will you promise that?" he asked.
"Yes. I promise. But I wish you would tell me more."
"I wish I could. But I hardly know you!" He smiled again, as he repeated her own words.
"Never mind that! Tell me!"
"No. I cannot. If there is trouble I will tell you everything—throughSassi, of course."
Sabina laughed, and all at once she felt as if she had known him for years.
At that moment the deputy finished his speech, and all who had anything to say in answer said it at once, in order to lose no time, while the speaker relighted his villainous black cigar, puffing tremendously.
The Baroness suddenly remembered Sabina and Malipieri in the corner, and after screaming out several incoherent phrases, which might have been taken for applause or dissent and were almost lost in the general din, she moved across the room.
"It is atrocious!" she cried, as she reached Sabina. "I hope you have not heard a word he said!"
"When a man has such a voice as that, it is impossible not to hear him," said Malipieri, rising and answering before Sabina had time to speak.
Sabina rose, too, rather reluctantly.
"And of course you agreed with everything he said," the Baroness replied. "All anarchists do!"
"I beg your pardon. I do not agree with him at all, and I am really not an anarchist."
He smiled politely, and Sabina noticed with an unaccountable little thrill of satisfaction that the smile was quite different from the one she had seen in his face more than once while they had been talking together. As for the deputy's discourse, she had not heard a word of it.
The Baroness sat down on the sofa, and Sabina slipped away. She was not supposed to be in society yet, as she was not quite eighteen, and there was certainly no reason why she should stay in the drawing-room that evening, while there were many reasons why she should go away. The Baroness breathed an audible sigh of relief when she was gone, for it was never possible to predict what some excited politician might say before her in the heat of argument.
In the silence of her own room she sat down to think over the unexpected events of the evening. Very young girls love to look forward to the moment when they shall be able to "think" of what has happened, after they have met men they are inclined to like, and who interest them. But when the time really comes they hardly ever think at all. They see pictures, they hear voices, they feel again what they have felt, they laugh, they shed tears all alone, and they believe they are thinking, or even reasoning. Their little joys come back to them, the little triumphs of their vanity, and also all the little hurts their sensitiveness has suffered, and which men do not often guess and still more rarely understand.
There must be some original reason why all boys call girls silly, and all girls think boys stupid. It must be part of the first manifestation of that enormous difference which exists between the point of view of men and women in after life.
Women are, in a sense, the embodiment of practice, while men are the representatives of theory. In practice, in a race for life, the runner who jumps everything in his way is always right, unless he breaks his neck. In theory, he is as likely to break his neck at the first jump as at the second, and the chances of his coming to grief increase quickly, always in theory, as he grows tired. So theory says that it is safer never to jump at all, but to go round through the gates, or wade ignominiously through the water. Women jump; men go round. The difference is everything. Women believe in what often succeeds in practice, and they take all risks and sometimes come down with a crash. Men theorize about danger, make elaborate calculations to avoid it and occasionally stick in the mud. When women fall at a stone wall they scream, when men are stuck in a bog they swear. The difference is fundamental. In nine cases out of ten it is the woman who enjoys the ecstatic delight of saying "I told you so," and there are plenty of women who would ask no greater joy in paradise than to say so to their husbands for ever and ever. Indeed, eternal reward and punishment could thus be at once combined and distributed in a simple manner.
Sabina took her first fence that evening, for when she put out her candle she was sure that Malipieri was already her friend, and that she could trust him in any emergency. Moreover, though she would not have acknowledged it, she inwardly hoped that some emergency might not be far in the future.
But Malipieri walked all the way from the Via Ludovisi to the Palazzo Conti, which is more than a mile, without noticing that he had forgotten to light the cigar he had taken out on leaving Volterra's house.