Malipieri was beginning to realize that his work in the vaults had been watched with much more interest than he had supposed possible, and that in some way or other news of his progress had reached various quarters. In the first place, his reputation was much wider than he knew, and many scholars and archaeologists throughout Europe had been profoundly impressed both by what he had discovered and by the learning he had shown in discussing his discoveries. It followed that many were curious to see what he would do next, and there were paragraphs about him in grave reviews, and flattering references to him in speeches made at learned conventions. He had friends whose names he had never heard, and enemies, too, ready to attack him on the one side and to defend him on the other. Some praised his modesty, and others called it affectation. His experience of the wider world was short, so far, and he did not understand that it had taken people a year to appreciate his success. He had hoped for immediate recognition of his great services to archaeology, and had been somewhat disappointed because that recognition had not been instantaneous. Like most men of superior talent, in the same situation, when praise came in due time and abundantly, he did not care for it because he was already interested in new work. To the man of genius the past is always insignificant as compared with the future. When Goethe, dying, asked for "more light," he may or may not have merely meant that he wished the window opened because the room seemed dark to his failing eyes; the higher interpretation which has been put upon his last words remains the true one, in the spirit, if not in the letter. He died, as he had lived, the man of genius looking forward, not backward, to the last, crying for light, more light, thinking not of dying and ending, but of living, hoping, doing, winning.
Besides the general body of students and archaeologists, the Italian government was exceedingly interested in Malipieri's explorations. The government is rightly jealous in such matters, and does its very best to keep all artistic objects of real value in the country. It is right that this should be so. The law relating to the matter was framed by Cardinal Pacca, under the papal administration many years ago, and the modern rulers have had the intelligence to maintain it and enforce it. Like other laws it is frequently broken. In this it resembles the Ten Commandments and most other rules framed by divine or human intelligence for the good of mankind and the advancement of civilization. The most sanguine lovers of their fellow-men have always admitted the existence of a certain number of flagitious persons who obstinately object to being good. David, who was hasty, included a large proportion of humanity amongst "the wicked"; Monsieur Drumont limited the number to David's descendants; and Professor Lombroso, whatever he may really mean, conveys the impression that men of genius, criminals and lunatics are different manifestations of the same thing; as diamonds, charcoal and ham fat are all carbon and nothing else. We should be thankful for the small favours of providence in excepting us from the gifted minority of madmen, murderers and poets and making us just plain human beings, like other people.
There is no international law forbidding a man from making digressions when he is telling a story.
Malipieri was watched by the government, as Volterra had told him, because it was feared in high quarters that if he found anything of value under the palace, he would try to get it out of the country. He had always hated the government and had got himself into trouble by attacking the monarchy. Besides, it was known in high quarters that Senator Baron Volterra held singular views about the authenticity of works of art. It would be inconvenient to have a scandal in the Senate about the Velasquez and the other pictures; on the other hand, if anything more of the same sort should happen, it would be very convenient indeed to catch a pair of culprits in the shape of Malipieri, a pardoned political offender, and his ex-convict servant.
Then, too, in quite another direction, the Vatican was very anxious to buy any really good work of art which might be discovered, and would pay quite as much for it as the government itself. Therefore the Vatican was profoundly interested in Malipieri on its own account.
As if this were not enough, Sabina's brother, the ruined Prince Conti, had got wind of the excavations and scented some possible advantage to himself, with the vague chance of more money to throw away on automobiles, at Monte Carlo, and in the company of a cosmopolitan young person of semi-Oriental extraction whose varied accomplishments had made her the talk of Europe.
Lastly, the Russian embassy was on the alert, for the dowager Princess had heard from her maid, who had heard it from her sister in Rome, who had learned it from the washerwoman, who had been told the secret by the porter's wife, that the celebrated Malipieri was exploring the north-west foundations of the palace. The Princess had repeated the story, and the legend which accounted for it, to her brother Prince Rubomirsky, who was a very great personage in his own country. And the Prince, though good-natured, foresaw that he might in time grow tired of giving his sister unlimited money; and it occurred to him that something might turn up under the palace, after all, to which she might have some claim. So he had used his influence in Saint Petersburg with the Minister of Foreign Affairs, and the latter had instructed the Russian Ambassador in Rome to find out what he could about the excavations, without attracting attention; and Russian diplomatists have ways of finding out things without attracting attention, which are extremely great and wonderful. Also, if Russia puts her paw upon anything and declares that it is the property of a Russian subject, it often happens that smaller people take their paws away hastily.
It follows that there must have been a good deal of quiet talk, in Rome, not overheard in society, about what Malipieri was doing in the Palazzo Conti, and as the people who occupied themselves with his affairs were particularly anxious that he should not know what they said, he was in ignorance of it. But Volterra was not. He had valuable friends, because his influence was of value, and he was informed of much that was going on. If he was anxious to get rid of the architect, it was not so much because he wanted for himself the whole price which the statue or statues might bring, as because he feared lest the government should suddenly descend upon Malipieri and make an enquiry which would involve also the question of the pictures. So far, Volterra had created the impression that the young man had been concerned with a dealer in smuggling them out of the country; but in case of an investigation it could easily be proved that they were gone before Malipieri had arrived in Rome in answer to Volterra's invitation. Besides, the Senator had discovered that the young archaeologist was much more celebrated than was convenient. In private affairs there is nothing so tiresome and inconvenient as the presence of a celebrity. Burglars, when exercising their professional functions, are not accompanied by a brass band.
Toto was very docile and quiet all that day. Masin thought him philosophical, and continued to like him, after his fashion, providing him with a plentiful supply of tobacco, a good meal at noon, and a bottle of wine. The man's stony face was almost placid. At rare intervals he made a remark. After eating he looked out of the window and said rather regretfully that he thought the rain was over for the day.
Masin took this to mean that he wished he might go out, and offered him more wine by way of consolation. But Toto refused. He was a moderate man. Then he asked Masin how many rooms Malipieri occupied, and learned that the whole of the little apartment was rented by the architect. The information did not seem to interest him much.
In the morning, when Malipieri had come back from his visit to Sassi, he had given Masin the keys of the vaults, and had told him to buy a stout ladder and take it into the dry well. But Toto said that this was a useless expense.
"There is a strong ladder about the right length, lying along the wall at the other end of the west cellar," he said. "You had better take that."
Malipieri looked at him and smiled.
"For a prisoner, you are very obliging," he said, and he gave him a five-franc note, which Toto took with a grunt of thanks.
Masin was gone an hour, during which time Malipieri busied himself in the next room, leaving the door open. He went out when Masin came back. When the two men were together Toto produced the five francs.
"Can you change?" he enquired.
"Why?" asked Masin with some surprise.
"Half is two francs fifty," answered Toto. "That is your share."
Masin laughed and shook his head.
"No," he said. "What is given to you is not given to me. Why should I share with you?"
"It is our custom," Toto replied. "Take your half."
Masin refused stoutly, but Toto insisted and grew angry at last. So Masin changed the note and kept two francs and fifty centimes for himself, reflecting that he could give the money back to Malipieri, since he had no sort of right to it. Toto was at once pacified.
When Malipieri returned, Masin went out and got dinner for all three, bringing it as usual in the three tin cases strapped one above the other.
Toto supposed that he was not to be left alone in the apartment that day; but at half-past four Malipieri entered the room, with a padlock and a couple of screw-eyes in his hand.
"You would not think it worth while to risk jumping out," he said in a good-humoured tone. "But you might take it into your head to open the window, and the porter might be there, and you might talk to him. Masin and I shall be out together for a little while."
Masin shut the tall window, screwed the stout little eye-bolts into the frame and ran the bolt of the padlock through both. He gave the key to Malipieri. Toto watched the operation indifferently.
"If you please," he said, "I am accustomed to have a little wine about half-past five every day. I will pay for it."
He held out half a franc to Masin and nodded.
"Nonsense!" interposed Malipieri, laughing. "You are my guest, MasterToto." Masin brought a bottle and a glass, and a couple of cigars.
"Thank you, sir," said Toto politely. "I shall be very comfortable till you come back."
"You will find the time quite as profitable as if you were working," said Malipieri.
He nodded and went out followed by Masin, and Toto heard the key turned twice in the solid old lock. The door was strong, and they would probably lock the front door of the apartment too. Toto listened quietly till he heard it shut after them in the distance. Then he rose and flattened his face against the window pane.
He waited some time. He could see one half of the great arched entrance, but the projecting stone jamb of the window hindered him from seeing more. It was very quiet, and he could hear footsteps below, on the gravel of the courtyard, if any one passed.
At the end of ten minutes he heard a man's heavy tread, and knew that it was Masin's. Masin must have come out of the great archway on the side of it which Toto could not see. The steps went on steadily along the gravel. Masin was going to the vaults.
Toto waited ten minutes, and began to think that no one else was coming, and that Malipieri had left the palace, though he had been convinced that the architect and his man meant to go down to the vaults together. Just as he was beginning to give up the idea, he saw Sassi under the archway, in a tall hat, a black coat and gloves, and Malipieri was just visible for a moment as he came out too. He was unmistakably speaking to some one on his right, who was hidden from Toto's view by the projecting stonework. His manner was also distinctly deferential. The third person was probably Baron Volterra.
The footsteps took a longer time to reach the other end of the court than Masin had occupied. After all was silent, Toto listened breathlessly for five minutes more. There was not a sound.
He looked about him, then took up a chair, thrust one of the legs between the bolt and the body of the padlock and quietly applied his strength. The wood of the frames was old, and the heavy strain drew the screw-eyes straight out.
Toto opened the window noiselessly and looked out with caution. No one was in sight. By this time the three were in the vaults, with Masin.
Toto knew every inch of the palace by heart, inside and out, and he knew that one of the cast-iron leaders that carried the rain from the roof to the ground was within reach of that particular window, on the left side. He looked out once more, up and down the courtyard, and then, in an instant, he was kneeling on the stone sill, he had grasped the iron leader with one hand, then with the other, swinging himself to it and clutching it below with his rough boots. A few moments later he was on the ground, running for the great entrance. No one was there, no one saw him.
He let himself out quietly, shut the postern door after him, and slouched away towards the Vicolo dei Soldati.
Sabina had the delightful sensation of doing something she ought not to do, but which was perfectly innocent; she had moreover the rarer pleasure, quite new to her, of committing the little social misdeed in the company of the first man she had ever liked in her life. She knew very well that old Sassi would not be able to reach the inner chamber of the excavation, and she inwardly hoped that Malipieri's servant would discreetly wait outside of it, so that she might be alone with Malipieri when she first set eyes on the wonderful statue. It was amusing to think how the nuns would have scolded her for the mere wish, and how her pious sister would have condemned her to eternal flames for entertaining the temptation.
Malipieri had told her to put on an old frock, as she might spoil her clothes in spite of the efforts he had made to enlarge and smooth the way for her to pass. Her mother had a way of calling everything old which she had possessed three months, and for once Sabina was of her mother's opinion. She had a very smart cloth costume, with a rather short skirt, which had come home in February, and which she had worn only four times because the spring had been warm. It was undoubtedly "old" for she could not wear it in summer, and next winter the fashion would change; and it had rained all the morning, so that the air was damp and cold. Besides, the costume fitted her slender figure to perfection—it was such a pity that it was old already, for she might never have another as smart. The least she could do was to try and wear it out when she had the chance. It was of a delicate fawn colour; it had no pocket and it was fastened in a mysterious way. The skirt was particularly successful, and, as has been said, it was short, which was a great advantage in scrambling about a damp cellar. In order to show that she was in earnest, she put on russet leather shoes. Her hat was large, because that was the fashion, but nothing could have been simpler; it matched the frock in colour, and no colour was so becoming to her clear girlish pallor and misty hair as light fawn.
Malipieri had carried out his intention of getting rid of the porter, and was waiting inside the open postern when the cab drove up. Hitherto he had only seen Sabina indoors, at luncheon and in the evening, and when he saw her now he received an altogether new impression. Somehow, in her walking dress, she seemed more womanly, more "grown up" as she herself would have called it. As she got out of the wretched little cab, and came forward to greet him, her grace stirred his blood. It was final; he was in love.
Her intuition told her the truth, of course. There was something in his look and voice which had not quite been in either on the previous evening. He had been glad, last night, because she had come to the drawing-room, as he had hoped that she would; but to-day he was more than glad, he was happy, merely because he saw her. There never was a woman yet that could not tell that difference at a glance.
She was proud of being loved by him, and as he walked by her side, she looked up at the blue sky above the courtyard, and was glad that the clouds had passed away, for it must be sweeter to be loved when there was sunshine overhead than when it rained; but all the time, she saw his face, without looking at it, and it was after her own heart, and much to her liking. Besides, he was not only a manly man, and strong, and, of course, brave; he was already famous, and might be great some day; and she knew that he loved her, which was much to his advantage. As for being madly, wildly, desperately in love with him herself, she was not that yet; it was simply a very delicious sensation of being adored by somebody very sympathetic. Some women never get nearer to love than that, in all their lives, and are quite satisfied, and as they grow older they realize how much more convenient it is to be adored than to adore, and are careful to keep their likings within very manageable limits, while encouraging the men who love them to behave like lunatics.
Sabina was not of that kind; she was only very young, which, as Pitt pointed out, is a disadvantage but not a real crime.
They walked side by side, almost touching as they moved; they were drawn one to another, as all nature draws together those pairs of helpless atoms that are destined to one end.
Old Sassi went gravely with them. To him, it was a sad thing to see Sabina come to the palace in a way almost clandestine, as if she had no right there, and he shook his head again and again, silently grieving over the departed glory of the Conti, and wishing that he could express his sympathy to the young girl in dignified yet tender language. But Sabina was not in need of sympathy just then. Life in the Volterra establishment had been distinctly more bearable since Malipieri's appearance on the scene, and her old existence in the palace had been almost as really gloomy as it now seemed to her to have been. Moreover, she was intensely interested in what Malipieri was going to shew her.
Masin was waiting at the head of the winding stair with lanterns already lighted. When they had all entered, he turned the key. Sassi asked why he did this, and as they began to go down Malipieri explained that it was a measure of safety against the old porter's curiosity.
Sabina stepped carefully on the damp steps, while Malipieri held his lantern very low so that she could see them.
"I am sure-footed," she said, with a little laugh.
"This is the easiest part," he answered. "There are places where you will have to be careful."
"Then you will help me."
She thought it would, be pleasant to rest her hand on his arm, where the way was not easy, and she knew instinctively that he hoped she would do so. They reached the floor of the cellar, and Masin walked in front, lighting the way. Sassi looked about him; he had been in the cellars two or three times before.
"They did not get in by this way when the first attempt was made," he said.
"No," answered Malipieri. "I cannot find out how they made an entrance."
"There used to be a story of an oubliette that was supposed to be somewhere in the house," said Sabina.
"I have found it. You will see it in a moment, for we have to pass through the bottom of it."
"How amusing! I never saw one."
They came to the first breach in the cellar wall. A small lamp had been placed on a stone in a position to illuminate the entrance, and was burning brightly. Masin had lighted two others, further on, and had covered the bones in the dry well with pieces of sacking. Malipieri went up the causeway first. At first he held out his hand to Sabina, but she shook her head and smiled. There would be no satisfaction in being helped over an easy place; she should like him to help her where it would need some strength and skill to do so. She drew her skirt round her and walked up unaided, and followed by Sassi, leaning on his stick with one hand and on Masin with the other.
The descent into the first chamber was less easy. Standing at the top, Sabina looked down at Malipieri, who held his lantern to her feet. She felt a delicious little uneasiness now, and listened to the ghostly gurgle from the channel in the dark.
"What is that?" she asked, and her voice was a little awed by the darkness and strangeness of the place.
"The 'lost water.' It runs through here."
She listened a moment longer, and began to descend, placing her feet on the stones upon which Malipieri laid his hand, one after another, to show her the way.
"Perhaps you might help me a little here," she said.
"If you will let me put your feet on the right step, it will be easier," he answered.
"Yes. Do that, please. Show me the place first."
"There. Do you see? Now!"
He laid his hand firmly upon her small russet shoe, guided the little foot to a safe position and steadied it there a moment.
"So," he said. "Now the next. There are only four or five more."
She was rather sorry that there were so few, for they seemed delightfully safe, or just dangerous enough to be amusing; she was not quite sure which. Women never analyze the present, unless it is utterly dull.
At the bottom of the descent, both looked up, and saw at a glance that poor old Sassi could never get down, even with assistance. He seemed unable to put his foot down without slipping, in spite of Masin's help.
"I think you had better not try it," said Malipieri quietly. "In a few days I am sure that the Senator will have a way broken through from above, and then it will be easy enough."
"Yes," answered the old man regretfully. "I will go back again to the other side and wait for you."
"I am so sorry," said Sabina untruthfully, but looking up with sympathy.
"Take Signor Sassi back to the cellar," said Malipieri to Masin. "Then you can follow us."
Sassi and Masin disappeared through the breach. Malipieri led the way into the dry well, where there was another light. In her haste to reach the end, Sabina did not even glance at the sacking that covered the skeletons.
"Can you climb a ladder?" asked Malipieri.
"Of course!" Such a question was almost a slight.
Malipieri went up nimbly with his lantern, and knelt on the masonry to hold the top of the ladder. Sabina mounted almost as quickly as he had done, till she reached the last few steps and could no longer hold by the uprights. Then she put out her hands; he grasped then both and slid backwards on his knees as she landed safely on the edge. She had not felt that she could possibly fall, even if her feet slipped, and she now knew that he was strong, and that it was good to lean on him.
"You will have to stoop very low for a few steps," he said, taking up his lantern, and he kept his hold on one of her hands as he led her on. "It is not far, now," he added encouragingly, "and the rest is easy."
He guided her past the boards and stones that covered the overflow shaft, and down the inclined passage and the steps to the space between the vaults. A third lamp was burning here, close to the hole beneath which the statue lay. Malipieri lowered his lantern for her to see it.
She uttered an exclamation of surprise and delight. The pure gold that covered the bronze was as bright as if it had not lain in the vault for many centuries, twelve, fourteen, fifteen, no one could tell yet. The light fell into the huge ruby as into a tiny cup of wine.
"Can one get down?" asked Sabina breathlessly, after a moment's silence.
"Certainly. I have not gone down myself yet, but it is easy. I wanted you to be the first to see it all. You will have to sit on the edge and step upon the wrist of the statue."
Sabina gathered her skirt neatly round her, and with a little help she seated herself as he directed.
"Are you sure it will not hurt it, to step on it?" she asked, looking up.
"Quite sure." Malipieri smiled, as he thought of Toto's hobnailed shoes. "When you are standing firmly, I will get down too, if there is room."
"It is not a very big hole," observed Sabina, letting herself down till her feet rested on the smooth surface. She did not quite wish to be as near him as that; at least, not yet.
"I will creep down over the arm," she said, "and then you can follow me. I hope there are no beasts," she added. "I hate spiders."
Malipieri lowered his lantern beside her, and she crept along towards the statue's head. In a few moments he was beside her, bringing both the lantern and the lamp with him. They had both forgotten Masin's existence, as he had not yet appeared. Sabina looked about for spiders, but there were none in sight. The vault was perfectly dry, and there was hardly any dust clinging to the rough mortar that covered the stones. It was clear that the framework must have been carefully removed, and the place thoroughly cleaned, before the statue had been drawn into the vault from one end.
"He is perfectly hideous," said Sabina, as they reached the huge face. "But it is magnificent," she added, passing her gloved hand over the great golden features. "I wonder who it is meant for."
"A Roman emperor as Hercules, I think," Malipieri answered. "It may be Commodus. We are so near that it is hard to know how the head would look if the statue were set up."
He was thinking very little of the statue just then, as he knelt on its colossal chest beside Sabina, and watched the play of the yellow light on her delicate face. There was just room for them to kneel there, side by side.
It was magnificent, as Sabina had said, the great glittering thing, lying all alone in the depths of the earth, an enormous golden demigod in his tomb.
"You are wonderful!" exclaimed Sabina, suddenly turning her face toMalipieri.
"Why?"
"To have found it," she explained.
"I wish I had found something more practical," he answered. "In my opinion this thing belongs to you, and I suppose it represents a small fortune. But the only way for you to get even a share of it will be by bringing a suit against Volterra. Half a dozen rubies like the one in the ring would have been enough for you, and you could have taken them home with you in your pocket."
"I am afraid I have none!" Sabina laughed.
"This one will be safe in mine," Malipieri answered.
"You are not going to take it?" cried Sabina, a little frightened.
"Yes. I am going to take it for you. I daresay it is worth a good deal of money."
"But—is it yours?"
"No. It is yours."
"I wonder whether I have any right to it." Sabina was perhaps justly doubtful about the proceeding.
"I do not care a straw for the government, or the laws, or Volterra, where you are concerned. You shall have what is yours. Shall we get down to the ground and see if there is anything else in the vault?"
He let himself slide over the left shoulder, and the lion's skin that was modelled over it, and Sabina followed him cautiously. By bending their heads they could now stand and walk, and there was a space fully five feet wide, between the statue and the perpendicular masonry from which the vault sprang.
Malipieri stopped short, with both lights in his hand, and uttered an exclamation.
"What is it?" asked Sabina. "Oh!" she cried, as she saw what he had come upon.
For some moments neither spoke, and they stood side by side, pressed against each other in the narrow way and gazing down, for before them lay the most beautiful marble statue Sabina had ever seen. In the yellow light it was like a living woman asleep rather than a marble goddess, hewn and chipped, smoothed and polished into shape ages ago, by men's hands.
She lay a little turned to one side and away; the arm that was undermost was raised, so that the head seemed to be resting against it, though it was not; the other lying along and across the body, its perfect hand just gathering up a delicately futile drapery. The figure was whole and unbroken, of cream-like marble, that made soft living shadows in each dimple and hollow and seemed to quiver along the lines of beauty, the shoulder just edging forwards, the bent arm, the marvellous sweep of the limbs from hip to heel.
"It is a Venus, is it not?" asked Sabina with an odd little timidity.
"Aphrodite," answered Malipieri, almost unconsciously.
It was not the plump, thick-ankled, doubtfully decent Venus which the late Greeks made for their Roman masters; it was not that at all. It was their own Aphrodite, delicate, tender and deadly as the foam of the sea whence she came to them.
Sabina would scarcely have wondered if she had turned and smiled, there on the ground, to brush the shadows of ages from her opening eyes, and to say "I must have slept," like a woman waked by her lover from a dream of kisses. That would have seemed natural.
Malipieri felt that he was holding his breath. Sabina was so close to him that it was as if he could feel her heart beating near his own, and as fast; and for a moment he felt one of those strong impulses which strong men know when to resist, but to resist which is like wrestling against iron hands. He longed, as he had never longed for anything in his life, to draw her yet closer to him and to press his lips hard upon hers, without a word.
Instead, he edged away from her, and held the lights low beside the wonderful statue so that she might see it better; and Aphrodite's longing mouth, that had kissed gods, was curved with a little scorn for men.
The air was still and dry, and Sabina felt a strange little thrill in her hair and just at the back of her neck. Perhaps, in the unknown ways of fruitful nature, the girl was dimly aware of the tremendous manly impulse of possession, so near her in that narrow and silent place. Something sent a faint blush to her cheek, and she was glad there was not much light, and she did not wish to speak for a little while.
"I hate to think that she has lain so long beside that gilded Roman monster," said Malipieri presently.
The vast brutality of the herculean emperor had not disgusted him at first; it had merely displeased his taste. Now, it became suddenly an atrocious contrast to the secret loveliness of unveiled beauty. That was a manly instinct in him, too, and Sabina felt it.
"Yes," she said softly. "And she seems almost alive."
"The gods and goddesses live for ever," Malipieri answered, smiling and looking at her, in spite of himself.
Her eyes met his at once, and did not turn away. He fancied that they grew darker in the shadow, and in the short silence.
"I suppose we ought to be going," she said, still looking at him. "Poor old Sassi is waiting in the cellar."
"We have not been all round the vault yet," he answered. "There may be something more."
"No, she has been alone with the monster, all these centuries. I am sure of it. There cannot be anything else."
"We had better look, nevertheless," said Malipieri. "I want you to see everything there is, and you cannot come here again—not in this way."
"Well, let us go round." Sabina moved.
"Besides," continued Malipieri, going slowly forward and lighting the way, "I am going to leave the palace the day after to-morrow."
"Why?" asked Sabina, in surprise.
"Because Volterra has requested me to go. I may have to leave Rome altogether."
"Leave Rome?"
Her own voice sounded harsh to her as she spoke the words. She had been so sure that he was in love with her, she had begun to know that she would soon love him; and he was going away already.
"Perhaps," he answered, going on. "I am not sure."
"But—" Sabina checked herself and bit her lip.
"What?"
"Nothing. Go on, please. It must be getting late."
There was nothing more in the vault. They went all round the gilt statue without speaking, came back to the feet of the Aphrodite from the further side and stopped to look again. Still neither spoke for a long time. Malipieri held the lights in several positions, trying to find the best.
"Why must you leave Rome?" Sabina asked, at last, without turning her face to him.
"I am not sure that I must. I said I might, that was all."
Sabina tapped the ground impatiently with her foot.
"Why 'may' you have to go, then?" she asked a little sharply.
"Volterra may be able to drive me away. He will try, because he is afraid I may wish to get a share in the discovery."
"Oh! Then you will not leave Rome, unless you are driven away?"
Malipieri tried to see her eyes, but she looked steadily down at the statue.
"No," he said. "Certainly not."
Sabina said nothing, but her expression changed and softened at once. He could see that, even in the play of the shadows. She raised her head, glanced at him, and moved to go on. After making a few steps in the direction of the aperture she stopped suddenly as if listening. Malipieri held his breath, and then he heard, too.
It was the unmistakable sound of water trickling faster and faster over stones. For an instant his blood stood still. Then he set the lamp down, grasped Sabina's wrist and hurried her along, carrying only the lantern.
"Come as fast as you can," he said, controlling his voice.
She understood that there was danger and obeyed without losing her head. As he helped her up through the hole in the vault, she felt herself very light in his hands. In a moment he was beside her, and they were hurrying towards the inclined passage, bending low.
A broad stream of water was pouring down, and spreading on each side in the space between the vaults. In a flash, Malipieri understood. The dry well had filled, but the overflow shaft was covered with the weighted boards, and only a little water could get down through the cracks. The rest was pouring down the passage, and would soon fill the vault, which was at a much lower level.
"Stay here! Do not move!"
Sabina stood still, but she trembled a little, as he dashed up through the swift, shallow stream, not ankle deep, but steady as fate. In a moment he had disappeared from her sight, and she was all alone in the dismal place, in darkness, save for a little light that forced its way up from below through the hole. It seemed five minutes before his plashing footsteps stopped, up there in the passage; then came instantly the noise of stones thrown aside into the water, and of heavy pieces of board grating and bumping, as they floated for a moment. Almost instantly a loud roar came from the same direction, as the inflowing stream from the well thundered down the shaft. Sabina heard Malipieri's voice calling to her, and his approaching footsteps.
"The water cannot reach you now!" he cried.
It had already stopped running down the passage, when Malipieri emerged, dripping and holding out the lantern in front of him, as his feet slipped on the wet stones. Sabina was very pale, but quite quiet.
"What has happened?" she asked mechanically.
"The water has risen suddenly," he said, paler than she, for he knew the whole danger. "We cannot get out till it goes down."
"How soon will that be?" Sabina asked steadily.
"I do not know."
They looked at each other, and neither spoke for a moment.
"Do you think it may be several hours?" asked Sabina.
"Yes, perhaps several hours."
Something in his tone told her that matters might be worse than that.
"Tell me the truth," she said. "It may be days before the water goes down. We may die here. Is that what you mean?"
"Unless I can make another way out, that is what may happen. We may starve here."
"You will find the other way out," Sabina said quietly. "I know you will."
She would rather have died that moment than have let him think her a coward; and she was really brave, and was vaguely conscious that she was, and that she could trust her nerves, as long as her bodily strength lasted. But it would be very horrible to die of hunger, and in such a place. It was better not to think of it. He stood before her, with his lantern, a pale, courageous, strong man, whom she could not help trusting; he would find that other way.
"You had better get down again," he said, after a little reflection."It is dry below, and the lamp is there."
"I can help you."
Malipieri looked at the slight figure and the little gloved hands and smiled.
"I am very strong," Sabina said, "much stronger than you think. Besides, I could not sit all alone down there while you are groping about. The water might come down and drown me, you know."
"It cannot run down, now. If it could, I should be drowned first."
"That would not exactly be a consolation," answered Sabina. "What are you going to do? I suppose we cannot break through the roof where we are, can we?"
"There must be ten or fifteen feet of earth above it. We are under the courtyard here."
Sabina's slight shoulders shuddered a little, for the first time, as she realized that she was perhaps buried alive, far beyond the possibility of being heard by any human being.
"The water must have risen very soon after we came down," Malipieri said thoughtfully. "That is why my man could not get to us. He could not get into the well."
"At all events he is not here," Sabina answered, "so it makes no difference where he is."
"He will try to help us from without. That is what I am thinking of. The first thing to be done is to put out that lamp, for we must not waste light. I had forgotten that."
Sabina had not thought of it either, and she waited while he went down again and brought the lamp up. He extinguished it at once and set it down.
"Only three ways are possible," he said, "and two are out of the question. We cannot get up the old shaft above the well. It is of no use to think of that. We cannot get down the overflow and out by the drains because the water is pouring down there, and besides, the Tiber must have risen with the rain."
"Which is the third way?"
"To break an opening through the wall in the highest part of the passage. It may take a long time, for I have no idea how thick the wall may be, and the passage is narrow. But we must try it, and perhaps Masin will go to work nearly at the same spot, for he knows as much about this place as I do, and we have often talked about it. I have some tools down here. Will you come? We must not waste time."
"I can hold the lantern," said Sabina. "That may be of some use."
Malipieri gave her the lantern and took up the crowbar and pickaxe which lay near the hole in the vault.
"You will wet your feet, I am afraid," he said, as they went up the passage, and he was obliged to speak in a louder tone to be heard above the steady roar of the water.
He had marked the spot where he had expected that a breach would have to be made to admit visitors conveniently, and he had no trouble in finding it. He set the stones he had taken off the boards in a proper position, laid one of the wet boards upon them, and then took off his coat and folded it for a cushion, more or less dry. He made Sabina sit down with the lantern, though she protested.
"I cannot work with my coat on," he answered, "so you may as well sit on it."
He set to work, and said no more. The first thing to be done was to sound the thickness of the wall, if possible, by making a small hole through the bricks. If this could be done, and if Masin was on the other side, a communication could be established. He knew well enough that even with help from without, many hours might be necessary in order to make a way big enough for Sabina to get out; it was most important to make an opening through which food could be passed in for her. He had to begin by using his pick-axe because the passage was so narrow that he could not get his crowbar across it, much less use it with any effect. It was very slow work at first, but he did it systematically and with steady energy.
Sabina watched him in silence for a long time, vaguely wondering when he would be tired and would be obliged to stop and rest. Somehow, it was impossible to feel that the situation was really horrible, while such a man was toiling before her eyes to set her free. From the first, she was perfectly sure that he would succeed, but she had not at all understood what the actual labour must be.
He had used his pickaxe for more than half an hour, and had made a hollow about a foot and a half deep, when he rested on the shaft of the tool, and listened attentively. If the wall were not enormously thick, and if any one were working on the other side, he was sure that he could hear the blows, even above the roar of the water. But he could distinguish no sound.
The water came in steadily from the full well, a stream filling the passage beyond the dark chasm into which it was falling, and at least six inches deep. It sent back the light of the lantern in broken reflections and shivered gleams. Sabina did not like to look that way.
She was cold, now, and she felt that her clothes were damp, and a strange drowsiness came over her, brought on by the monotonous tone of the water. Malipieri had taken up his crowbar.
"I wonder what time it is," Sabina said, before he struck the wall again.
He looked at his watch.
"It is six o'clock," he answered, trying to speak cheerfully. "It is not at all late yet. Are you hungry?"
"Oh, no! We never dine till eight."
"But you are cold?"
"A little. It is no matter."
"If you will get up I will put my waistcoat on the board for you to sit upon, and then you can put my coat over your shoulders. I am too hot."
"Thank you."
She obeyed, and he made her as comfortable as he could, a forlorn little figure in her fawn-coloured hat, wrapped in his grey tweed coat, that looked utterly shapeless on her.
"Courage," he said, as he picked up his crowbar.
"I am not afraid," she answered.
"Most women would be."
He went to work again, with the end of the heavy bar, striking regularly at the deepest part of the hollow, and working the iron round and round, to loosen the brick wherever that was possible. But he made slow progress, horribly slow, as Sabina realized when nearly half an hour had passed again, and he paused to listen. He was much more alarmed than he would allow her to guess, for he was now quite convinced that Masin was not working on the other side; he knew that his strength would never be equal to breaking through, unless the crowbar ran suddenly into an open space beyond, within the next half-hour. The wall might be of any thickness, perhaps as much as six or seven feet, and the bricks were very hard and were well cemented. Perhaps, too, he had made a mistake in his rough calculations and was not working at the right spot after all. He was possibly hammering away at the end of a cross wall, following it in its length. That risk had to be taken, however, for there was at least as good a chance of breaking through at this point as at any other. He believed that by resting now and then for a short time, he could use his tools for sixteen or eighteen hours, after which, if he were without food, his strength would begin to give way. There was nothing to be done but to go on patiently, doing his best not to waste time, and yet not overtaxing his energy so as to break down before he had done the utmost possible.
He would not think of what must come after that, if he failed, and if the water did not subside.
Sabina understood very imperfectly what had happened, and there had been no time to explain. He could not work and yet talk to her so as to be heard above the roaring of the water and the noise of the iron bar striking against the bricks. She knew that, and she expected nothing of him beyond what he was doing, which was all a man could do.
She drew his coat closely round her and leaned back against the damp wall; and with half-closed eyes she watched the moving shadows of his arms cast on the wall opposite by the lantern. He worked as steadily as a machine, except when he withdrew the bar for a moment, in order to clear out the broken brick and mortar with his hand; then again the bar struck the solid stuff, and recoiled in his grasp and struck again, regularly as the swinging of a pendulum.
But no echo came back from an emptiness beyond. Ignorant as Sabina was of all such things, her instinct told her that the masonry was enormously thick; and yet her faith in him made him sure that he had chosen the only spot where there was a chance at all.
Sometimes she almost forgot the danger for a little while. It pleased her to watch him, and to follow the rhythmic movements of his strong and graceful body. It is a good sight to see an athletic man exerting every nerve and muscle wisely and skilfully in a very long-continued effort; and the woman who has seen a man do that to save her own life is not likely to forget it.
And then, again, the drowsiness came over her, and she was almost asleep, and woke with a shiver, feeling cold. He had given her his watch to hold, when he had made her sit on his waistcoat, and she had squeezed it under her glove into the palm of her hand. It was a plain silver watch with no chain. She got it out and looked at it.
Eight o'clock, now. The time had passed quickly, and she must have really been asleep. The Baron and his wife were just going to sit down to dinner, unless her disappearance had produced confusion in the house. But they would not be frightened, though they might be angry. The servants would have told them that Signor Sassi, whose card was there to prove his coming, had asked for Donna Sabina, and that she had gone out with him in a cab, dressed for walking. Signor Sassi was a highly respectable person, and though it might be a little eccentric, according to the Baroness's view, for Sabina to go out with him in a cab, especially in the afternoon, there could really be no great harm in it. The Baroness would be angry because she had stayed out so late. The Baroness would be much angrier by and by, when she knew what had really happened, and it must all be known, of course. When Sassi was sure that Masin could not get the two out of the vault himself, or with such ordinary help as he could procure, he would have to go to the Baron, who would instantly inform the authorities, and bring an engineer and a crowd of masons to break a way. There was some comfort in that, after all. It was quite impossible that she and Malipieri should be left to starve to death.
Besides, she was not at all hungry, though it was dinner time. She was only cold and sleepy. She wished she could take the crowbar from Malipieri's hands and use it for a few minutes, just to warm herself. He had said that he was too hot, and by the uncertain light she fancied she could see a little moisture on his white forehead.
She was right in that, for he was growing tired and knew that before long he must rest for at least a quarter of an hour. The hole was now three feet deep or more, yet no hollow sound came back from, the blows he dealt. His arms were beginning to ache, and he began to count the strokes. He would strike a hundred more, and then he would rest. He kept up the effort steadily to the end, and then laid down the bar and passed his handkerchief over his forehead. Sabina watched him and looked up into his face when he turned to her.
"You are tired," she said, rising and standing beside him, so as to speak more easily.
"I shall be quite rested in a few minutes," he answered, "and then I will go on."
"You must be very strong," said Sabina.
Then she told him what she had been thinking of, and how it was certain that the Baron would bring a large force of men to set them free. Malipieri listened to the end, and nodded thoughtfully. She was right, supposing that nothing had happened to Sassi and Masin; but he knew his own man, and judged that he must have made some desperate attempt to stop the inflowing water in the outer chamber, and it was not impossible that poor old Sassi, in his devotion to Sabina, had made a mad effort to help Masin, and that they had both lost their lives together. If that had happened, there was no one to tell Volterra where Sabina was. Enquiries at Sassi's house would be useless; all that could be known would be that he had gone out between four and five o'clock, that he had called at the house in the Via Ludovisi, and that he and Sabina had driven away together. No doubt, in time, the police could find the cab they had taken, and the cabman would remember that they had paid him at the Palazzo Conti. But all that would take a long time. The porter knew nothing of their coming, and being used to Malipieri's ways would not think of ringing at his door. In time Toto would doubtless break out, but he had not seen Sabina, for Malipieri had been very careful to make her walk close to the wall. He did not tell Sabina these things, as it was better that she should look forward to being set free in a few hours, but he had very grave doubts about the likelihood of any such good fortune.
"You must sit down," said Sabina. "You cannot rest unless you sit down.I will stand for a while."
"There is room for us both," Malipieri answered.
They sat down side by side on the board with the lantern at their feet, and they were very close together.
"But you will catch cold, now that you have stopped, working," Sabina said suddenly. "How stupid of me!"
As she spoke she pulled his coat off her shoulders, and tried to throw it over his, but he resisted, saying that he could not possibly have time to catch cold, if he went back to work in a few minutes. Yet he already felt the horrible dampness that came up out of the overflow shaft and settled on everything in glistening beads. It only made him understand how cold she must be, after sitting idle for two hours.
"Do you think we shall get out to-night?" Sabina asked suddenly, with the coat in her hand.
"I hope so," he answered.
She stood up, and looked at the cavity he had made in the wall.
"Where will that lead to?" she enquired.
He had risen, too.
"It ought to lead into the coach-house, so far as I can judge."
Instinctively, he went forward to examine the hole, and at that moment Sabina cleverly threw the coat over his shoulders and held it round his neck with both her hands.
"There!" she cried. "You are caught now!" And she laughed as lightly as if there were no such thing as danger.
Malipieri wondered whether she realized the gravity of the situation, or whether she were only pretending to be gay in order to make it easier for him. In either case she was perfectly brave.
"You must not!" he answered, gently trying to free himself. "You need it more than I."
"I wonder if it is big enough to cover us both," Sabina said, as the idea struck her. "Come! Sit down beside me and we will try."
He smiled and sat down beside her, and they managed to hold the coat so that it just covered their shoulders.
"Paul and Virginia," said Malipieri, and they both laughed a little.
But as their laughter died away, Sabina's teeth chattered, and she drew in her breath. At the slight sound Malipieri looked anxiously into her face, and saw that her lips were blue.
"This is folly," he said. "You will fall ill if you stay here any longer. It is quite dry in the vault, and warm by comparison with this place. You must go down there, while I stay here and work."
He got up, and in spite of a little resistance he made her put her arms into the sleeves of the coat, and turned the cuffs back, and fastened the buttons. She was shivering from head to foot.
"What a miserable little thing I am!" she cried impatiently.
"You are not a miserable little thing, and you are much braver than most men," said Malipieri. "But it will be of very little use to get you out of the vault alive if you are to die of a fever in a day or two."
She said nothing and he led her carefully down the inclined passage and the steps, away from the gloomy overflow, and the roaring water and the fearful dampness. He helped her down into the vault very gently, over the glittering chest of the great imperial statue. The air felt warm and dry, now that she was so badly chilled, and her lips looked a little less blue.
"I will light the lamp, and turn it very low," said Malipieri.
"I am not afraid of the dark," Sabina answered. "You said that we must not waste our light."
"Shall you really not be nervous?" Malipieri supposed that all women were afraid to be in the dark alone.
"Of course not. Why should I? There are no spiders, and I do not believe in ghosts. Besides, I shall hear you hammering at the wall."
"You had better sit on the body of the Venus. I think the marble is warmer than the bronze. But there is the board—I forgot. Wait a minute."
He was not gone long, and came back bringing the board and his waistcoat. To his surprise, he found her sitting on the ground, propping herself with one hand.
"I felt a little dizzy in the dark," she explained, "so I sat down, for fear of falling."
He glanced at her face, and his own was grave, as he placed the board on the ground, and laid the waistcoat over the curving waist of the Aphrodite, so that she could lean against it. She got up quickly when it was ready and seated herself, drawing up her knees and pulling her skirt closely round her damp shoes to keep her feet warm, if possible. He set the lamp beside her and gave her a little silver box of matches, so that she could get a light if she felt nervous. He looked at her face thoughtfully as he stood with his lantern in his hand, ready to go.
"But you have nothing to put on, if you have to rest again!" she said, rather feebly.
"I will come and rest here, about once an hour," he answered.
Her face brightened a little, and she nodded, looking up into his eyes.
"Yes. Come and rest beside me," she said.
He went away, climbing over the statue and out through the hole in the vault. Just before he disappeared, he held up his lantern and looked towards her. She was watching him.
"Good-night," he said. "Try to sleep a little."
"Come back soon," she answered faintly, and smiled.
Presently he was at work again, steadily driving the bar against the hard bricks, steadily chipping away a little at a time, steadily making progress against the enormous obstacle. The only question was whether his strength would last, for if he had been able to get food, it would have been merely a matter of time. A crowbar does not wear down much on bricks.
At first, perfectly mechanical work helps a man to think, as walking generally does; but little by little it dulls the faculties and makes thought almost impossible. Senseless words begin to repeat themselves with the movement, fragments of tunes fit themselves to the words, and play a monotonous and exasperating music in the brain, till a man has the sensation of having a hurdy-gurdy in his head, though he may be working for his life, as Malipieri was. Yet the unchanging repetition makes the work easier, as a sailor's chanty helps at the topsail halliards.
"We must get out before we starve, we must get out before we starve," sang the regular blows of the bar to a queer little tune which Malipieri had never heard.
When he stopped to clear out the chips, the song stopped too, and he thought of Sabina sitting alone in the vault, propped against the Aphrodite; and he hoped that she might be asleep. But when he swung the bar back into position and heard it strike the bricks, the tune and the words came back with the pendulum rhythm; and went on and on, till they were almost maddening, though there no longer seemed to be any sense in them. They made the time pass.
Sabina heard the dull blows, too, though not very loud. It was a comfort to hear anything in the total darkness, and she tried to amuse herself by counting the strokes up to a hundred and then checking the hundreds by turning in one finger after another. It would be something to tell him when he came back. She wondered whether there would be a thousand, and then, as she was wondering, she lost the count, and by way of a change she tried to reckon how many seconds there were in an hour. But she got into trouble with the ciphers when she tried to multiply sixty by sixty in her head, and she began counting the strokes again. They always stopped for a few seconds somewhere between thirty and forty.
She wished he would come back soon, for she was beginning to feel very cold again, so cold that presently she got upon her feet and walked a dozen steps, feeling her way along the great bronze statue. It was better than sitting still. She had heard of prisoners who had kept themselves sane in a dark dungeon by throwing away a few pins they had, and finding them again. It was a famous prisoner who did that. It was the prisoner of Quillon—no, "quillon" had something to do with a sword—no, it was Chillon. Then she felt dizzy again, and steadied herself against the statue, and presently groped her way back to her seat. She almost fell, when she sat down, but saved herself and at last succeeded in getting to her original position. It was not that she was faint from hunger yet; her dizziness was probably the result of cold and weariness and discomfort, and most of all, of the unaccustomed darkness.
She was ashamed of being so weak, when she listened to the steady strokes, far off, and thought of the strength and endurance it must need to do what Malipieri seemed to be doing so easily. But she was very cold indeed, chilled to the bone and shivering, and she could not think of any way of getting warm. She rose again, and struck one of the matches he had given her, and by its feeble light she walked a few seconds without feeling dizzy, and then sat down just as the little taper was going to burn her fingers.
A few minutes later she heard footsteps overhead, and saw a faint light through the hole. He was coming at last, and she smiled happily before she saw him.
He came down and asked how she was, and he sat on the Aphrodite beside her.
"If I could only get warm!" she answered.
"Perhaps you can warm your hands a little on the sides of the lantern," he said.
She tried that and felt a momentary sensation of comfort, and asked him what progress he was making.
"Very slow," he replied. "I cannot hear the least sound from the other side yet. Masin is not there."
She did not expect any other answer, and said nothing, as she sat shivering beside him.
"You are very brave," he said presently.
A long pause followed. She had bent her head low, so that her face almost touched her knees.
"Signor Malipieri—" she began, at last, in rather a trembling tone.
"Yes? What is it?" He bent down to her, but she did not look up.
"I—I—hardly know how to say it," she faltered. "Shall you think very, very badly of me if I ask you to do something—something that—" She stopped.
"There is nothing in heaven or earth I will not do for you," he answered. "And I shall certainly not think anything very dreadful." He tried to speak cheerfully.
"I think I shall die of the cold," she said. "There might be a way—"
"Yes? Anything!"
Then she spoke very low.
"Do you think you could just put your arms round me for a minute or two?" she asked.
Piteously cold though she was, the blood rushed to her face as she uttered the words; but Malipieri felt it in his throat and eyes.
"Certainly," he answered, as if she had asked the most natural thing in the world. "Sit upon my knees, and I will hold my arms round you, till you are warm."
He settled himself on the marble limbs of the Aphrodite, and the frail young girl seated herself on his knees, and nestled to him for warmth, while he held her close to him, covering her with his arms as much as he could. They went quite round her, one above the other, and she hid her face against his shoulder. He could feel her trembling with the cold like a leaf, under the coat he had made her put on.
Suddenly she started a little, but not as if she wished to go; it was more like a sob than anything else.
"What is the matter?" he asked, steadying his voice with difficulty.
"I am so ashamed of myself!" she answered, and she buried her face against his shoulder again.
"There is nothing to be ashamed of," he said gently. "Are you a little warmer now?"
"Oh, much, much! Let me stay just a little longer."
"As long as you will," he answered, pressing her to him quietly.
He wondered if she could hear his heart, which was beating like a hammer, and whether she noticed anything strange in his voice. If she did, she would not understand. She was only a child after all. He told himself that he was old enough to be her father, though he was not; he tried not to think of her at all. But that was of no use. He would have given his body, his freedom, his soul and the life to come, to kiss her as she lay helpless in his arms; he would have given anything the world held, or heaven, if it had been his; anything, except his honour. But that he would not give. His heart might beat itself to pieces, his brain might whirl, the little fires might flash furiously in his closed eyes, his throat might be as parched as the rich man's in hell—she had trusted herself to him like a child, in sheer despair and misery, and safe as a child she should lie on his breast. She should die there, if they were to die.
"I am warm now," she said at last, "really quite warm again, if you want to go back."
He did not wonder. He felt as if he were on fire from his head to his feet. At her words he relaxed his arms at once, and she stood up.
"You are so good to me," she said, with an impulse of gratitude for safety which she herself did not understand. "What makes you so good to me?"
He shook his head, as if he could not answer then, and smiled a little sadly.
"Now that you are warm, I must not lose time," he said, a moment later, taking up his lantern.
She sat down in her old place, and gathered her skirt to her feet and watched him as he climbed out and the last rays of light disappeared. Then the pounding at the wall began again, far off, and she tried to count the strokes, as she had done before; but she wished him back, and whether she felt cold or not, she wished herself again quietly folded in his arms, and though she was alone and it was quite dark she blushed at the thought. It seemed to her that the blows were struck in quicker succession now than before. Was he willing to tire himself out a little sooner, so as to earn the right to come back to her?
That was not it. He was growing desperate, and could not control the speed of his hands so perfectly as before. The night was advancing, he knew, though he had not looked at the watch, which was still in Sabina's glove. It was growing late, and he could distinguish no sound but that of the blows he struck at the bricks and the steady roar of the water. The conviction grew on him that Masin was drowned, and perhaps old Sassi too, and that their bodies lay at the bottom of the outer chamber, between the well and the wall of the cellar. If Masin had been able to get into the well, before the water was too high, he would have risen with it, for he was a good swimmer.
So was Malipieri, and more than once he thought of making an attempt to reach the widened slit in the wall by diving. That he could find the opening he was sure, but he was almost equally sure that he could never get through it alive and up to the surface on the other side. If he were drowned too, Sabina would be left to die alone, or perhaps to go mad with horror before she was found. He had heard of such things.
It was no wonder that he unconsciously struck faster as he worked, and at first he felt himself stronger than before, as men do when they are almost despairing. The sweat stood out on his forehead, and his hands tingled, when he drew back the iron to clear away the chips. He worked harder and harder.
The queer little tune did not ring in his head now, for he could think of nothing but Sabina and of what was to become of her, even if he succeeded in saving her life. It was almost impossible that such a strange adventure should remain a secret, and, being once known, the injury to the girl might be irreparable. He hated himself for having brought her to the place. Yet, as he thought it over, he knew that he would have done it again.