"For heavens' sake," he appealed, "don't let Donahue hear of this! I never could face him."
Jimmie was coming down through the woods in triumph. All day he had tramped and hunted over the crests of the hills and he was returning with the spoil. His rifle was slung with just a little angle of careless swagger across the crook of his arm and from the same arm hung two pairs of fat partridges. He knew a great deal more now about partridges than he had known that night, weeks ago, when two of them had given him such a start.
He knew, in fact, a great deal more about many things than he had known that night. And he was a vastly different man. He was still thin, but it was not the pale thinness of before. He was lean and brown, his frame was filling slowly but evenly, and his one care was the procuring of food. For he had the perpetual hunger of the gaunt young animal whose growing cells are ever demanding more and more building materials.
His step had none of the nervous hurry of those who tread city streets. In his rough tramping boots he swung down through brush and over rocks with a long, sure, loping stride which showed that he had forgotten that he had such things as nerves, and though he was physically tired his face shone with the zest of a boy in the game and of the hunter hurrying to his mate with the kill.
As he came down behind the long sugar house he heard Augusta singing. She sang a wonderfully sweet natural contralto, but Jimmie had learned that she hardly ever sang except when she felt lonely—and he knew that there must be times when she was indeed very lonesome, for this was a life which might well havetested the constant cheerfulness of a staid woman, while Augusta was indeed, in many things, only a highly sensitive and impressionable child. He started to hurry, thinking of the many long hours he left her alone in this lonesome place. But the song arrested him—he had not heard it before—and he loitered a little, not wishing to break in until he had heard it through.
She was singing:
"Gyp, Gyp, me little horse?""Gyp-Gyp, again sir.""How many miles to Dublin?""Four score an' ten, sir.""Gyp, Gyp, me little horse?""Gyp-Gyp, again sir.""Can I get there by candle-light?""Troth an' back again, sir.""Gallopy, gallopy, gallopy"Trot!"I sold my buttermilk every drop."Ev-er-ydrop."
"Gyp, Gyp, me little horse?""Gyp-Gyp, again sir.""How many miles to Dublin?""Four score an' ten, sir.""Gyp, Gyp, me little horse?""Gyp-Gyp, again sir.""Can I get there by candle-light?""Troth an' back again, sir.""Gallopy, gallopy, gallopy"Trot!"I sold my buttermilk every drop."Ev-er-ydrop."
"Gyp, Gyp, me little horse?""Gyp-Gyp, again sir.""How many miles to Dublin?""Four score an' ten, sir."
"Gyp, Gyp, me little horse?""Gyp-Gyp, again sir.""Can I get there by candle-light?""Troth an' back again, sir."
"Gallopy, gallopy, gallopy"Trot!"I sold my buttermilk every drop."Ev-er-ydrop."
It was a happy lilting little song that trotted merrily up and down an easy range of sweet and saucy notes, and Jimmie could see "Me Little Horse" dancing blithely along in front of a cart and answering back his part of the dialogue. From the song he knew that Augusta was not singing this time because she was lonely. She was happy. And it followed, therefore, that she was busy at something that her heart was proud of. Jimmie wondered if she had, perhaps, found some new and wonderfully neater way of turning a patch on his clothes. This he had found was one of Augusta's most thrilling and soul satisfying achievements. But therewas another sound that came hammering into the song as he came nearer. It was a jerky, clicking, amateurish sort of noise, but it was unmistakable. Jimmie's head went up and one ear turned up into the air, listening with unbelief. But there came the stroke of the little bell near the end of the line, and he plainly heard the sound of the carriage being shifted.
"By the Poker of Moses!" said Jimmie to himself. "She's found a typewriter growing under a toadstool somewhere, and she's at it. It won't surprise me if she's got a couple of books written by now. Iknewshe'd get loose sometime."
Sure enough, as he came softly around the corner of the camp house in which they were living, there sat Augusta in front of John McQuade's table, and, strangest of all, she was working on Jimmie's own old machine! The sight of that battered old machine brought Wardwell up stock still with a lump in his throat, for he went back on the instant to a black night, now long ago, when he had laid down such things as work and ambition and courage, and thought that he was done with them forever.
Augusta felt him standing there, though he had made no sound. She turned, laughing.
"I didn't want you to catch me yet," she confessed. "But, I don't care. I can do some whole lines without a mistake. And I just got pounding away at that old song—my Daddy used to trot me on his foot to it—and I was so happy that I didn't care whether you came or not."
"I'll smash the old fraud," said Jimmie looking with pretended savagery at the machine that he loved, "if it makes you feel that way about me."
"Oh, I didn't mean that way at all! Of course I wanted you to come every minute."
"But, how did the blamed thing get here?" Jimmiegrowled, still hunting for a pretended grievance. "It wasn't in the wagon."
"It was! It was!" shouted Augusta jumping up in glee. "Remember how you jeered at my hat box, the day we moved from the wagon into the house. When I wouldn't let you touch it, or let you see me move it, you swore that I had another man hidden in it. You said you'd get a divorce."
"But, honestly," she said, coming to lay her hand on his arm, "didn't you miss it, sometimes? I think I've seen you walking around at times and looking through your pockets."
Jimmie laughed. He remembered his nervous trick, when something was wanting to him, of walking about and rummaging unconsciously through one pocket after another.
"People that live in glass houses, shouldn't come home to roost—at least not near you, Augusta. I'm getting afraid of you. You see through me too completely."
"And you know I cleaned out your room at the last moment. I saved and brought every last scrap of your book, even the things that you had thrown away. If you're good, some day, when you've gotten thoroughly sick and tired of chopping wood and hunting, and when I've had some more practice, I'll let you have it all. And then you can start it again, dictating to me. I'll never let you sit over a typewriter again. I'm sure it was that sitting stooped over, and fretting, that made all your trouble before."
At last Jimmie understood the whole significance of the scheme. Augusta, serene and sure in her beautiful faith, had held the breaking bridges of life for him, and, while he had been weakly content to drift down into the depths of unhoping uselessness, she had looked calmly and surely ahead and had already seen him safely across and moving up the heights beyond.
Once he had loved Augusta as a big brother adores and guards a little sister. Again, in another time, their positions had become reversed and he had loved her and leaned upon her and taken strength from her, almost as a child takes strength from a fondling mother. Now in the light of the nobler, mating partnership that he began to understand, he was conscious of another and more wonderful love.
His gun and his game slid quietly to the ground and he took her gently into his arms with a new light of adoring tenderness in his eyes.
When they came, however, to putting Augusta's plans into actual operation Jimmie had his misgivings. He knew himself. And he knew that, with all of his ready tongue and his genial effrontery in talking himself into and out of a situation, he was at bottom shy and diffident. He had never been able to do good, sincere work with anybody watching him. He had always loved to hug and hide his work until it was actually in print. He had never in his life been guilty of reading or even showing a manuscript to a friend. And he was shy now, even of Augusta's quick sympathy and understanding.
What was worse, he found that his mind was sluggish and lazy. After the months, in which he had thought only of rest and sleep and the feeding of his body, he found it almost impossible to spur his mind up to the point of nervous tension where he could create with any sequence. The fires of his brain were banked and choked with the accumulations which the greedy body was piling up for itself. He felt stupid, and yet he found that he could not even get irritated with himself over the fact.
To please Augusta, he kept on trying, for he knew how she must have set her heart on this plan of hers and he would have given everything that was in him tomake it a success. Never in his life had he tried so hard and so consciously to write good lines. But the good lines would not come, even though he sat for hours dictating painfully and slowly while Augusta wrote. He knew that the work was not good, but he would say nothing, secretly hoping that she would soon tire of the drudgery and let him get at the machine, as he was now hungry to do, in his own way.
Augusta did not tire. But in the end she pronounced fatal judgment. One day in the middle of a long paragraph she dropped her hands from the keyboard and looked Jimmie squarely in the eye.
"Nothing but the truth, Jimmie," she demanded, "do I get in your way? This is not your good work."
"Had you noticed?" said Jimmie dryly.
"It is not bad," Augusta explained, springing loyally to the defence of anything that Jimmie had done. "For anybody else it would be perfectly all right. But it isn't just you, Jimmie. It's not just alive, you see. It's—It's—"
"Wooden," said Jimmie shortly and without stress.
Much as she hated to, Augusta let the criticism stand. She threw the cover over the machine without a word. That was the end of a dream which Augusta had been hugging to her heart for months. Now Augusta, as we know, was a high hearted, high handed little lady, and she always knew that her way was right. Remembering this, we may arrive at some idea of what it cost her to drop, without a whimper, even as she dropped the cover over the machine, her dearest, deepest laid little plan, and to say blithely:
"Come on for a run around the lake! Tomorrow you can have a pad and pencil and sit on the back of your neck with your feet up in the window and scribble your own way."
Wardwell knew the cost of it.
The next day was rainy and Jimmie was forced to sit about the house all day. He was still near enough to his recent sickness to feel peevish and irritable when it rained, he hated wind and rain. He grudgingly envied Augusta for the carelessness with which she could run out into the rain. He noticed that she made wholly unnecessary trips out to the stable, away beyond the end of the sugar cabin, to see if Donahue was all right. Donahue was perfectly all right, Jimmie was sure. He did not see that lumps of sugar did the old fool any good, anyhow.
In short, Jimmie was working himself into a thorough stew of working fever, ripping and tearing viciously at the work which he and Augusta had been so faithfully laboring on, and incidentally scrapping down some very good paragraphs which he knew, with a growl of satisfaction for each one, would stand the test.
He did not know that Augusta was having a little cry every time she went to the stable. Neither did he know that the lumps of sugar, which he denounced as being wholly unsuited to Donahue's digestion, were in reality the "thirty pieces of silver," with which, in Augusta's imagination, Donahue was being betrayed. So Jimmie could not know that Augusta, too, was developing a temperament. He was entirely unprepared for its demonstration.
"Rot!" he grunted, jabbing his pencil through something he had just written and beginning to write again furiously, meanwhile trying to sit on his left shoulder blade in the chair with his feet piled up in the window.
The room was small. The stove was smoking a little. It was only three o'clock. There were, for Augusta, interminable hours to be gone through before she could even pretend to busy herself with getting supper. And a certain matter was working vividly upon her conscience.
"Shucks!" she remarked. "I could write a book myself with less fuss, and not lose my temper about it, either."
"Of course, dear." Jimmie answered dutifully. He had not the remotest idea of what she had said.
After an interval of alternate cutting and hurried, excited writing, during which the room might have been moved out into the rain for all Jimmie would have known or cared, so long as he was not forcibly disturbed, it was slowly forced upon his attention that something was going on in the room. He was aware while he worked that Augusta had seated herself at the machine and was clicking away fitfully at it.
That fact in itself would not have been sufficient to draw his attention. He might well have supposed that she was merely practicing, to fill in a dull and rainy afternoon. But there was something dynamic in the air about Augusta. She clicked nervously and tentatively at intervals, and then hammered on viciously and desperately, as though she feared that the thought would escape her before she had time to nail it down in words.
Jimmie's jaw dropped and he sat staring at her in stupid amazement. He could see the delicate lines of her figure drawn tense and sharp like the body of some very beautiful animal straining before a leap. He could see that her whole mind and heart were being thrown into the words that she was driving down upon the paper, and it was not merely his loyalty, his faith in everything that Augusta did, which told him that what she was doing was fine. He knew that she was creating something worthy, by the very power that he saw straining in her effort. She was putting will and soul and a wonderful, untrammelled native intelligence into it, and it could be nothing less than good.
He waited excitedly for the end of the page, to seewhat she would do. Augusta was orderly above all other things. Jimmie was making hasty bets with himself as to whether her little god of order would prevail and make her take the paper out carefully and look at it before starting another, as a sane person would do, or would she throw it down and race on with another without looking at what she had done. If she did the latter, then the fever had indeed taken her and she was lost.
He gave a mental whoop of sympathy as Augusta, coming with a bang to the end of the sheet, fairly tore it from the machine and threw it down without looking to see whether it fell on the table or the floor. With the same motion of her swift hands she had swept down upon another sheet of paper and without even waiting to straighten it had jammed it into the machine and was banging away for dear life upon the over-lapping sentence.
"Another good cook and honest citizen lost!" Jimmie groaned to himself. "Once that fever has bitten her she won't care which side the fish is burned on." Nevertheless, with the eagerness and adroitness of a thieving cat, he stole across the floor and picked up the paper from where it had fallen, without disturbing Augusta.
He read the page that Augusta had written, without comment of any kind. Then with a sort of stupid solemnity he gathered up the pages at which he himself had been scribbling and examined them gravely, as though his reading of Augusta's page had put them in an entirely new light. He laid down his own work on his knees and beside it he laid the page that Augusta had written, and read wonderingly from one and from the other.
In his own work he had gone back to the point where he had left the story months ago. He had not used a single one of the ideas which he had so laboriouslydictated to Augusta, but had struck into an entirely new turn. Augusta could not have known what he was doing or thinking today. Yet she had taken his idea just where he had left it and she was carrying it through the very drift which he had just today thought of.
He reached into an inner pocket for a fountain pen and examined it carefully. Then he cleared his pad and began to write slowly and precisely. He was not now inventing. He was a critic, a just judge, a man having authority; in short, an editor. He took impartially, with cold and fearless discrimination, from Augusta's paper and from his own. And it was an astonishing fact that he was hardly obliged to add even connectives. A paragraph of hers fitted in after one of his so neatly that there was not a seam of divergence between. And there were even sentences which he could begin in Augusta's words, and end with his own. He was not now excited. He was working with the cool and certain precision of the trained man who has his tools right and is finding perfect materials ready to his hand.
He did not care where the materials came from. He had no compunction that Augusta's thoughts were sacredly her own and that he had no right to use them so. Neither, on the other hand, did he feel the smallest resentment when he found himself bound to drop one of his own best regarded lines and replace it with one from Augusta's. He cared for nothing but what he saw was the excellence of the finished product.
When Augusta had finished her second sheet he rescued it from the floor where it, too, had fallen disregarded, and went on with his editing.
By the time when Augusta's third and fourth sheets came from her hurrying fingers he found that she was reaching far beyond the point to which he had come in nearly a whole day's work. She was going, straight and true, with far less words than he had found necessary,swiftly towards the conclusion for which he had been merely groping. Now he was really put to it to keep his pace with Augusta's flying thought, to anticipate the hurrying turn of her fancy, to drive in with the thrust of his own quick, excited words.
It was a crazy, disorderly method of work, but Jimmie knew that they were both working on the very edge of inspiration and he knew that it was all good. For two solid hours they worked madly, Augusta all unconscious of the fact that she was taking part in a desperate race. Finally Jimmie saw that she was trembling with fatigue and strain.
He went over quickly and swooped her up bodily into his arms and carried her, protesting, over to his chair. When he had brought cold water and bathed her forehead and eyes, for he knew how they must be smarting and dancing with fever and strain, he said:
"Rest a little, dear; and then I am going to show you something."
"Have you been looking at what I did?" she asked quickly, seeing her pages where he had laid them.
"I have, Augusta, and they're great. And on top of that I've taken the most impudent liberty. But you shall be judge."
"Why? What have you been doing?"
"Well, read this first, will you please, dear," he evaded, giving her the stuff that he himself had scribbled at all day.
"But, it's just like," she said, when half way through it. "I had no idea what you were thinking of."
"I know you didn't," said Jimmie with a grin. "I didn't myself. Now read your own."
She glanced eagerly over it, and for a moment Jimmie was sorry, sorry that the will to write had come to her. For Augusta would be a terrible critic upon herself. Immediately he saw the frown of the artist'sdiscontent with her work clouding her face. Augusta was too clever not to see the raw and badly tooled places in her own work just as she saw them in his work. And Jimmie thought of several men whom he knew, fairly successful as writers, too, who never knew this discontent, who could sit down and gloat over everything they wrote, fatuously thinking it all good merely because it was theirs. Augusta had gone farther in this afternoon than those men had progressed in years. He counted the cost for her and knew what she would suffer from her own sensitive and merciless judgment. Nevertheless, he knew, with a sort of helpless fatalism, that he would not now try to stop her.
"Now," he said, handing her the finished product which he had made from her work and his, "here is the impudence. It's for you to tear it up or let it stand."
She took it without a question and began to read carefully, while Jimmie stood by waiting for the verdict. He felt that Augusta had every right to be hurt by his ruthlessly grabbing and mutilating to his own purposes her first little heart-wrung work. But he soon saw from her hurrying breath and shining eyes that he had not done wrong.
At the end, she jumped up and hugged him, crying:
"It's fine, Jimmie! And it's yours and mine!Ours!"
After a little Jimmie said:
"Yes, the spiteful relatives may say that it has its great uncle's red hair and that they can't imagine where it gets its good looks from anyway, but it'sours."
Augusta hid her face in the general region of Jimmie's vest pocket, and when she finally looked up the change of subject was complete.
"I'll have to sell Donahue," she said quietly. And her face was set and steady, as though she had been thinking of nothing but this decision.
Now here Jimmie failed. He should have been ready with argument, balderdash, or discussion of some sort. He knew that Augusta would rather sell her last pair of shoes than sell Donahue. But he was curiously and fatally tongue-tied. He had never, since they had started out upon the road, been able to speak of money with Augusta. He had not at any time formed the slightest idea as to how much, or how little, she might have on which to go through with this venture on which she had staked everything. And he knew, a little guiltily, that it was not altogether delicacy that kept him from asking out and facing the details with her.
He was ashamedly conscious of a little lingering, subtle, unworthy resentment of the way that he had been bundled into this thing without being consulted. And, perhaps because he knew that it was altogether wrong and base, he could not speak, but had gone on weakly leaving all thought and worry upon Augusta. It would have been a simple matter, and he knew it, to have asked her just how real was the need of money. But he could not, or would not, do it.
When he did not answer, Augusta explained.
"We cannot afford to buy feed for him through the winter," she stated, with a matter-of-fact coolness which did not at all deceive Jimmie. "And neither he nor the wagon would be of any use to us in the deep snow."
"But, isn't there some other way? Couldn't I rake up some old stories, or something?"
"No!" And Augusta stamped her foot. "I wouldn't have you stop a minute from the book now for anything in the world."
That was the end of the discussion.
That afternoon was the beginning of a new and bewildering life for the two of them. Jimmie did honestly try to limit the amount of Augusta's work. But hesoon recognized the uselessness of the attempt. She worked furiously when the work came to her, writing pages sometimes while he sweated and growled over a few scratched lines. They were both madly happy, asking nothing of life, or of the world; caring not a thought for the success that might come to them.
They never talked over the work that lay ahead. They did no concerted planning. Each of them began a chapter in his or her own way, without the slightest thought of how or where that chapter was to end. They were independent of plans, these two; for out of their own lives they had learned that the spinning wheel of truth takes no account of plans. One could only start, and keep on to see what the next turning would bring. So it was with the story that came turning swiftly out of their imaginations. It ran its own way with each of them, rushing along smoothly, stumbling, stopping, flashing on again.
Then at intervals Jimmie would stop and take just and unswerving measure of what they had done. At the first, in building the finished story out of the materials which they both had furnished, Jimmie had tried to make Augusta sit in judgment with him, had tried to consult with her as to what should go in and what should be left out. But Augusta would have none of this office. Jimmie was trained in the craft, and he must take the responsibility of selection and rejection. That was the way she put it. And Jimmie answered:
"You're a bigger man than I am, Augusta. Without at least a howl, I couldn't let William Shakespeare—and he's had time to learn some things, if he's been reading the things the critics say about his work—but I couldn't let even him maul my stuff the way I do yours."
"Well,Iwouldn't let William Shakespeare do it, either." And Jimmie answered:
"Oh."
So Augusta copied, faithfully and without comment or question, the story as Jimmie edited it.
In this time they were curiously detached and tolerant. They did not demand so much of each other. And, though neither of them would have admitted it, this was a relief. They were very far from being tired of each other. But, it is humanly impossible for two normal, independent willed people to live through the hours of every day and night for months in the exclusive society of each other without feeling a strain. Good nature, good sense, and even gentle, thoughtful love will fail sometime. And two people are, after all, just two human beings.
Now, when the mind of each of them was busy during waking hours with the doings of other people whom it was creating and trying to manage, Jimmie and Augusta each found that the other was delightfully easy to get along with. They came and went, worked or played, and Jimmie hunted and Augusta fished, when Jimmie wanted to hunt and when Augusta wanted to fish. Which arrangement they found to be immeasurably better, after all, than the one in which each had been laboriously trying to do only the things that the other wanted.
Jimmie had not forgotten that the problem of Donahue was before them. Augusta had spoken of it only that once, but he knew that she felt bound to sell the horse and that neither argument nor heart-break would deter her from what she conceived to be duty. He had, however, a hope—which he did not mention—that perhaps Augusta would not be able to sell Donahue, for any amount that would be worth considering, and that, finally, she would allow him to try to get some money out of scraps of stories. He was sure that he could hatch up some fairly good ones now.So he said nothing, and waited. For them, and for what they had needed, Donahue was the ideal horse. There was none to equal him. But as an article of commerce in the open and unprejudiced market Jimmie did not believe that Donahue would bring very much money. It was probable that most of the farmers in the hills had already more cattle and horses than they cared to feed through the winter. And it did not seem likely that any of them would pay a high price for the privilege of feeding Donahue through five or six months of idleness.
Of course, he underestimated Augusta's perseverance and business force.
On a gray October morning when there was already a threat of snow in the air Jimmie went rabbit hunting over the bowl of hills that encircled their little lake. He took no lunch, for he intended to be home before midday. But rabbits are not to be depended on in any weather. Besides, Jimmie followed a fox for two useless, scrambling hours. Therefore it was the middle of the short afternoon when Jimmie came home. The one big bare room which was the house they lived in, and which Augusta's warming, coloring personality alone had made into a home, was cold and dreary even after the brown bleakness of the hills. The fire must have been out for hours. Jimmie was tired and hungry, and he missed Augusta discontentedly.
Where could she have gone for all this time? She would not be fishing. It was too cold to sit holding a pole. Then where could she be, and why?
He lighted the fire and thought of cooking some bacon. But even the warmth of the fire did not drive away his discontent about Augusta. Suddenly he did not care for bacon. He put it back, and, just to prove that he was miserable, he beat up a bowl of the hated milk and eggs and forced himself to drink it.
He went out to the barn to see Donahue. The horse was not there. Augusta must have hitched up and gone down to Jethniah Gamblin's for provisions. Strange that she should not have told him. He had not heard that they were needing things. He went around to the shed, for confirmation of the obvious. Yes, the wagon was gone.
The utter desolation of the place fell upon him like a physical chill. Everything that was his was gone. He felt depressed and deserted. And there came upon him a cold foreboding that some day, through his own fault, Augusta would go and leave him thus alone, his lips dry and cracking with the caking ashes of dreams.
"Hills of Desire!" he growled, looking around in mockery at the bare trees and the rocky, storm gashed hillsides.
He got the axe and went at his woodpile, not with enthusiasm but with hatred. He had some good sized limbs of trees which had been broken off in a recent heavy storm, and it would have been less wasteful and far more easy to have cut them into proper lengths with a saw. But that would by no means have fitted the frame of his temper at that time. He wanted to hack and hew and destroy. And the vicious, swinging axe spoke his mind, while he grumblingly wondered what Augusta could be talking to Jethniah Gamblin about all this time, anyway. And it was a wonder that that bitter tongued old woman in the window had not put a stop to it before now.
Several times he dropped the axe to go out through the fringe of trees to watch for the wagon returning along the track that came up by the brook. Finally when the early dusk was beginning to fall, he gave up the pretense at the wood pile and went out and watched eagerly and frankly for Augusta. Could anything have happened to her? In fact, he would long ago havestarted down the track to meet her, but he knew how Augusta hated even the appearance of being followed. She had made a point of pride of her independence and her ability to take care of herself and to do things in her own way, and he knew it would only hurt her if he made any show of anxiety. So he waited, watching and nervously pacing about along the edge of the trees.
When, at last, she did come into sight over a rise in the path Jimmie could scarcely recognize her.
There was no wagon, nor did Donahue appear ambling along intent upon his own thoughts. Instead, there was just the lonely figure of a little girl, unbelievably little and pitifully alone in the dusk and the big stretches of the darkening hills, trudging uncertainly along a twisting path.
Jimmie could hardly persuade himself that it was really Augusta, for the little figure walked heavily and was disguised with an ugly, oddly hanging bundle that threw it out of all likeness to his Augusta with her free swinging, high hearted step. Altogether there was a look of defeat, of heartbreak about the little figure that caught Wardwell by the throat. For he knew that it was Augusta. And he guessed at what she had done and what she was feeling.
He halloed loudly to her and started running down the path to meet her.
Then Augusta, after she had waved in answer to his call, did an odd thing. She dropped her pack, which had been slung front and back over her shoulder, and went down from the path to the brook. From where he ran Jimmie could not see her, but he knew what she was doing. She was washing her face, to hide things.
She was back in the path and had taken up her pack when Jimmie reached her.
"I sold Donahue," she announced. "I got a hundreddollars for him. Of course, I had togivethe wagon away with him. But it would really have been absurd of us to try to feed him through the winter when he wouldn't be of any use to us at all."
Her voice was cool and so matter of fact that for the instant Jimmie wondered. Was it possible that she did not care? That she really was thinking of the money? He took the bag of bundles away from her and stretching his arm about her they fell into step together. But, for the first time within his memory, he felt Augusta stiffen away from him.
He was surprised and a little inclined to resent her coolness. Unaccountably he found himself in a very bad temper and with no possible excuse for it. If he spoke he felt certain that they would quarrel and that he would be wholly and shamefully to blame. He did not speak, but there was a muttering resentment of something stirring up in him. It persisted, until he thought of Augusta as he had seen her coming trudging out of the dusk like some deserted, forlorn little squaw upon the trail. Then his natural insight came to him, and he knew, as well as if he had walked with her, that Augusta had cried bitterly all the way, and that she was now hardening herself against his sympathy lest she should break down and let him see what her day's work had cost her.
He understood now. And the thought of Augusta facing the dreary winter here without her pet and friend made him feel very bitterly the having to accept the sacrifice from her. Surely Augusta must know how he appreciated the sacrifice. But he could not tell her. He could not say a word, for all the time his mind was biting in upon itself and he was mumbling, "Wouldn't it be nice now if I were to speak up and say just what's the simple truth—'I'm awfully sorry, Augusta, but of course you had to have the money to feed me allwinter.' Thatwouldsound pretty, and comforting, wouldn't it!"
Because he was as ignorant of Augusta as all fairly good men will always be of women, he did not know that Augusta wanted him to say nothing of the kind. What she did want him to do was to take her forcibly in his arms andtellher that he understood all that it meant to her. Like all men who think quickly and deeply he did not know the value of the spoken word, to a woman. He did not know that, while intuition and understanding are very well within certain limits, there are certain things which to a woman are never true until she hears them spoken in so many words.
They walked on in a silence that grew every moment more painful, until Wardwell knew that he could bear it no longer. He must say something. At random he said the very worst thing, naturally.
"I had no idea," he ventured, "that anybody would be wanting to buy horses at this time of year."
"Nobody did want to buy. Mr. Gamblin was sorry for me, I guess, and bought him, for speculation, he said. I'll feel obliged to give back the money if he isn't able to sell him again."
"Oh, it was Gamblin, was it?" said Jimmie grumpily. He was not concerned with Augusta's problem in ethics. He had somebody to blame now, and he was furiously angry with Jethniah Gamblin. What business had that old schemer to take Augusta at her word in that way?
They came to the house in silence and prepared and ate a meal that was the most cheerless and dreary that these two had ever eaten together. When it was over and the things were cleared away Jimmie settled into his chair by the table lamp, took up pad and pencil and pretended to believe that he was going to work.
Augusta busied herself for a little while, doing unnecessarythings about the fire, and then stole miserably away to the little curtained corner where her hammock hung.
She had started out in the morning with the glow of sacrifice burning clear and sweet in her heart. And now it was night, dark night. Her sturdy friend, her faithful confidante was gone. She had basely sold him because she was afraid he would eat too much. Men would pass him from one hard hand to another, and he would be beaten for the sin of being old. Meanwhile, she would save lumps of sugar and quarts of oats. And Jimmie did not care.
The glow of her sacrifice was cold and dead and the ashes of it were in her hair.
In the morning Jimmie awakened to the fact that he was alone in the room. He had not heard Augusta go out. Or was it that she had just this instant gone and that her going had stirred him out of deep sleep. He dressed hastily, wondering at his excitement. She had run out to see Donahue. She often did that the very first thing in the morning. But there was no Donahue out there any more, he remembered. And he hurried still more.
Although there was obviously no reason for her going to the empty stable, he still expected to find her there. The door of the stable was shut, but as he came nearer he heard the sound of singing. It was the same little song that Augusta was singing that day when he came home and found her practicing on the typewriter, but there was another sound mingling with the song now. It was like nothing but the rythmic, rapid tapping of little feet upon a bare floor. Could Augusta be in a mood for singing and dancing after last night?
Jimmie turned cautious and stole away from the door of the stable, around to the side where there wereseams in the stable wall. He would not have thought of spying upon Augusta. But he was worried now. There was something almost hysterical in the sound of the merry little song and the patter of the dancing feet. He knew that she had been deeply hurt last night and that she had been too quiet about it. And there had been a time when he was very much afraid of the effect upon her of any strong suppressed emotion.
"Gyp, Gyp me little horse?
"Gyp-Gyp, againsir."—
The song broke freshly upon him as he gained a view of the interior of the barn. To his eyes, blinking in the bright morning light, it was almost dark within. But a single bar of strong sunlight from a little window right over where Jimmie stood went in and fell directly upon the little figure of his wife dancing in the middle of the floor.
The effect was as though she had thought of an audience and had staged a spotlight on herself as she sang and danced. But Jimmie knew that she had not thought of any such thing. Her little face was as white as a hunted banshee's. Though her feet pattered lightly as summer raindrops on a roof, yet there was pain in them; as though she danced upon the grave of something dear to her. Her song was not loud, but the happy little lilt in it was a lie. For, to Wardwell who partly understood and partly guessed, it was nothing but a wail and a heart-break. And he was dimly aware that he was not likely, either in this life or anywhere else, to suffer anything more bitter than those moments standing there watching and listening.
The dance broke off suddenly, not because it was finished but because Augusta could no longer keep up the pretence.
She ran over to Donahue's stall and leaning her arms on the partition she buried her face in them andbegan to cry wildly. But it was only for a moment. Then she raised her head with a brave, challenging shake and said steadily:
"That's all. That's the last, Donahue. Jimmie doesn't care. And I'll never, never let him see how much I cared!"
Wardwell understood now, to the full.
He knew that he should go to her now and try to tell her how much he did care. But just then something sneered within him and laughed at the idea of his "going to her and mumbling about how much he cared, and yet accepting her sacrifice all the time." No, he could not talk to her about it. He must do something to show that he did care, that could not mawkishly take this from her. He must get her pet back for her before he could talk to her. He hurried back into the house and lighted the fire.
When Augusta came in it was evident that she had again visited the brook. She was clear eyed and smiling and her face gave no sign that it had been swept by anything harsher than the sweet cool breath of the morning.
"I was down by the brook," she said, truthfully, "and I saw your fire. From the looks of the smoke, I thought you were trying to burn the house."
"Where there's smoke there's fire. The more smoke the more fire," he said cheerfully, opening a window to let out some of the smoke.
"It doesn't follow," Augusta argued.
"Besides, I'm going hunting."
"Again? Didn't you hunt all day yesterday?"
"No. I followed a fox. It wasn't hunting. It was gambling. But I've got a system worked out to beat him. I figured it out during the night that, at the rate he was going when I saw him last, he will in about three quarters of an hour from now be just turningon his first lap around the world. I shall be at the turn waiting for him."
"I hope he shows a proper sense of his engagements," said Augusta politely. "It would be annoying if he stopped for a drink or anything on the way. But I wish you had timed the meeting to come off before you filled the house quite so full of smoke. I like to smell the tang of wood smoke. But I don't like to eat it."
They ate a hearty and a cheerful breakfast, and Jimmie prepared for instant departure.
"I may be gone all day," he announced, "It'd be just like the scalawag to fool me and go around the other way."
"It's probably a stray dog, anyway," she teased after him as he started up the hill.
Jimmie went over the brow of the hill out of sight of the house. When he was safe from observation he hid his gun securely in the hollow hole of a tree, and, skirting away around the hills out of sight of the sugar camp and the road, he made his way as fast as his legs could carry him toward Jethniah Gamblin's place of business.
He found the United States post office closed and locked at nine o'clock in the morning, and there was no one in sight. He banged and rattled roughly at the door, for in the course of his morning's walk he had worked up a grievance against Jethniah and by this time he was blaming him for everything that had happened. There was a cautious movement within the store and Jimmie saw a head appear near the window from an ambuscade of flour sacks. The door was slowly opened, a matter of inches, and Jimmie squeezed his way in.
"What kind of a—?" Jimmie began upon his argument. But Jethniah shut and bolted the door andretreated to an inner citadel behind the barricade of post office boxes.
"What's the idea?" Jimmie inquired. "Have you been tapping the postal revenues, or is it merely the county sheriff that's coming for you."
But Mr. Gamblin had no heart for badinage. He sat down heavily and groaned:
"Just like a post in the mud!"
Jimmie, looking around, saw that the door which led from the store into Mr. Gamblin's living establishment was shut and barred. He guessed, correctly, that the store was a fortress under close siege. There was an old overcoat and a store blanket over the back of Jethniah's chair. It was fairly deducible that Mr. Gamblin had spent the night in that chair. The old man's face bore out the conclusion.
Wardwell suddenly found that his indignation at the old man over yesterday's bargain had disappeared. He was convinced that the buying of the horse from Augusta had brought down vengeance on Jethniah's head, from "that bitter voiced old woman," as he recalled her. Certainly Mr. Gamblin did look punished.
"I came down about the horse," he said, as Jethniah offered no explanation of the situation. "I don't believe you were very keen on the bargain, anyway. And the fact is that my wife misses the horse a whole lot. Of course, a deal's a deal. But if I put it that my wife didn't know how badly she was going to miss her pet, and if I offer you ten dollars over what you paid for him I thought maybe you might let me have the horse back."
Mr. Gamblin struggled to his feet and ejaculated:
"Damn ten dollars! But if you'll only take your cross-eyed, knock-kneed, horn-swoggled shin plaster of a horse, and that calico travellin' house of a wagonaway where my wife'll never see them again, why maybe I can get into my own house again!"
Jimmie laughed. He knew that the old man's anger was not really against Donahue. It was probably the first chance he had had for a good many hours to say a few words, and Wardwell sympathised with him.
Just then the door leading into the house was rattled violently. It was plain that the old gentleman's raised voice had penetrated the door.
"Well," said Jimmie hastily, "I haven't got the money with me now, but I think I can get it before night. And you'll let me have the horse?"
"Any whang-doodled thing you like!" said the old man devoutly, as he reconnoitred towards the door and opened it for Wardwell. "Only get the things away from here before I get violent!"
Wardwell started for the railroad station and telegraph office. It was mid-afternoon before he had an answer to the wire which he sent. And it was later still before the unwilling and suspicious operator grudgingly counted out to him the money for which the message called. But before dark he was back at Jethniah Gamblin's and had handed the latter his money, out in the open yard where a certain unmentioned person might see that this was a bona fide transaction.
Donahue clattered contentedly up the track along by the brook, while Jimmie glowed with the triumph of achievement.
If he had known anything of women, he would have known that he had that day committed the one sin which a woman never forgives a man. And he would already have begun to tremble against the day when he would inevitably be found out. But he did not know anything about women.
Augusta, worried and lonesome, had left the light burning in the house, for it was now dark, and hadwandered up toward the hill over which Jimmie had gone in the morning. She heard the well remembered rattle of the wagon coming up through the trees and came running down, wondering.
She met Donahue squarely in the light from the open door and rushed at him with a little whimper of joy. The old horse reached his head down over her shoulder and actually hugged her to him.
Wardwell came down from the wagon, and was kissed without questions. The questions would come later.
"This was the time the Divil was goin' through Athlone," John McQuade announced, giving the explanation before the fact.
"I remember," Wardwell agreed politely. "He went through 'in standing leaps.'"
McQuade and Jimmie were telling lies in a corner of the sugar house.
It was the first "sugaring off" of the season. McQuade's three sons and two hired men had been in the camp ten days now, breaking roads through the settling snow, scalding out sap buckets and boiling pans, and tapping trees. Jimmie and Augusta, in wonder and ignorance, had watched the men going from tree to tree with augers, boring out a hole in each, into which they drove the wooden spout, and hung the tin bucket beneath. They stood among the bare trees on a southerly slope of the hills where the late March sun of a lovely morning beat warm and strong, and they saw a miracle.
Neither of them had more than half believed that sap would actually run from trees that stood stark and apparently dead. But, as they stood there feeling the drawing warmth of the sun in their own veins, it happened. In the breathless hush of the morning a single drop from a tree near them struck upon the resounding bottom of the dry bucket like the stroke of a little bell. It was a signal.
Up and down the sunny slope another and another and a hundred other echoes of the little bell rang out until the many sounds merged themselves into a single tinkling chorus, and the sap of earth was running free!
Mother nature was not dead. She had slept, and now she was stirring to feed the hungry world. Jimmie and Augusta looked at each other half shyly, as though they had spied upon a Mystery.
That was four days ago, and since then, all day long, the deliberate, unworried oxen had wallowed belly deep through the melting snow, only approximately responsive to excited shouts of "jee" and "haw," dragging on the rough low sledges the hogsheads into which the men emptied the buckets of sap from the trees. Night and day the great brick furnace that ran full length down the middle of the sugar house had roared. Jimmie and Augusta had kept open fire in the front of it during the bitterest of the winter, and Jimmie had many times complained that his back was broken carrying wood for it. But where he had carried armfuls, the furnace now demanded cords. It raced and danced and panted in a furious race with the running sap, for the sap must be boiled down to syrup almost as fast as it ran.
Already they had seen the dark, thick syrup poured into the cans and sealed. And having eaten of it, Jimmie and Augusta, used to the article that is sold in bottles in our cities as pure maple syrup, wondered what must become of this kind which they had now tasted. For certainly nobody that they had ever known had been rich enough to buy any of it.
But they had seen what they were told were the best batches of the syrup put aside for the "sugaring off." The term meant nothing to either of them, for they had never heard of it before. But the constant reference to it and the careful timing of everything that went on in the camp with a sole regard for this event soon made them look towards it as eagerly as if they had been a sugar hungry boy and girl in the camp waiting for nothing but the great day.
Today McQuade had come for the event. And with him had come Fan McQuade, his wife. She was a tall, slender woman, unmistakably a daughter of women who a hundred years ago and more trailed from Vermont over into our North Country. There was strength and unspent beauty in her face, and in spite of the argument of her three mighty sons she seemed entirely too young to be a mate for John McQuade. Her face was grave and there was a thrifty tidiness about her person and her speech that made you wonder how she had ever come to marry a man like McQuade.
Of course, twenty years after the fact, you have the same wonder as to why almost any woman married her particular man. And most of them will tell you, in what they think are moments of truth telling, that they quarreled with the right man, and just took this one for spite. All of which is probably just as true—and no more so—as it is true that distant fields are greener than the ones we are treading now.
But Augusta did wonder, on sight, how this grave faced woman had given herself to the happy-go-lucky young greenhorn that John McQuade probably had been twenty-five years ago. She wondered, until she heard Fan McQuade laugh. It was a surprised, and surprising, burst of pure merriment, beginning with a startled chuckle and ringing out into a clear peal of sheer joy in fun. Then Augusta understood it all. This girl of a sober race was not herself a fun maker, but she loved to be made laugh. McQuade had made her laugh. And he had then blarneyed his way into her heart, past religious and racial and temperamental differences and barriers that would have stopped a thoughtful man.
However, Augusta reflected, it must have been well with them, for McQuade was still able to make his Fan laugh. She laughed now as she overheard the unfolding of McQuade's tale to Jimmie.
"The Divil was lookin' for a man by the name of Barney McGonigle," McQuade stated gravely, while Wardwell listened with the professional interest and envy of a brother artist.
"Now, this man McGonigle, as I understand it, was a man with a weakness. 'Twas known that he tasted spirits. He had been drunk for two weeks. At the latter end of that time, as luck would have it, he was a little bit wide of his bearings. He wandered into an Orange Lodge.
"The stairway going up to the Lodge room was guarded with a drawn sword, of course. But McGonigle camedown. He'd been resting on the roof of the place.
"When McGonigle came in the Lodge was on its feet and they were in the solemn act of repeating three times: 'To hell with the Pope.'
"There was some little excitement when McGonigle came in without knockin', and he was fairly on his way to being thrown through the window before the Grand Master could rap for order.
"There was but one of two things to be done. Either McGonigle must be killed outright. Or he must repeat: 'To hell with the Pope,' as they did.
"McGonigle bein' an agreeable man be nature, an' his principles bein' far demoralized in drink, agreed to say it.
"Had they watched him closer they might have seen that he stopped a little before the last word.
"But, after all, McGonigle was a good neighbor, and, barrin' the Seventeenth of March an' the Twelvth of July, a good friend. Along with that, he was the only journeyman farrier in the town. I misdoubt they were only too glad to have him say it any way at all, and be rid of him.
"When McGonigle came down past the drawn sword into the sunshine he was thirsty, for water. He wentdown to the lough, thinkin' to drink at least the half of it.
"In the middle of the first dhrink, the Divil leapt down to the brink of the lough and stood forninst McGonigle.
"'A word with you, Misther McGonigle,' says the Divil, polite, but firm.
"McGonigle lifted one eye from his dhrinkin' and saw the Divil confrontin him in the shape of a big black horse with saddle and stirrups on him, but no bridle.
"'I need me breath for me dhrinkin',' says McGonigle.
"'Nevertheless,' says the Divil.
"'Gluggle, gluggle, gluggle,' says McGonigle, taking another pull at the lough.
"With that, the Divil lost his temper, an' he stamped an' he lepped till he shook the whole town, an' he shook all the impudence out of poor McGonigle.
"'Get on me back,' commands the Divil.
"An' poor McGonigle, with the courage of the whiskey dead in him, an his belly squishin' full o' lake water, had no more gumption than to do as he was bid.
"Then it was that the Divil went bumping through Athlone in standin' lepps, as you've heard. He was tryin' to frighten McGonigle, for he was not sure whether he had him truly in his power.
"'Ye said it,' accused the Divil, boundin' high around a sharp corner.
"'I said what?' demands McGonigle circumstantial. He knew right well that the Divil would never dare repeat the Orangemen's invocation. For McGonigle in his sober moments was a well read man, and, with a moderate amount of dhrink in him, he was a theologian.
"'Come now, Barney me boy,' says the Divil, wheedlin' snarefully, 'ye said it, an' ye know ye said it, an' I know ye said it. So where's the use o' denyin'?'
"'I said,' says McGonigle, speakin' careful an' precise—'To be sure I said part of it under me breath, but I said it—I said: 'To hell with theAnti-pope'.'
"Now the Anti-pope, as you must know," McQuade explained, "the Anti-pope was the Divil himself.
"Then therewasa too-ru! The Divil was that mad that he stood still and lepped straight up an' down. An' he was so enraged at McGonigle that he got his foot up into the stirrup beside McGonigle's, as though he was tryin' to come up at him.
"'Glory be!' says McGonigle, lookin' down between prayers. 'Look at the Omadhon tryin' to get on his own back!'
"But, as McGonigle looked down he saw things. He was an expert farrier, an' he knew that that was no proper foot for a right horse. And, at this point, he was enough of a theologian to remember that once a man sees the Divil's cloven hoof he is not lost yet.
"An still the Divil raged, an' stamped, an' struggled with his foot up in the stirrup.
"'That'll do,' says McGonigle, polite but hasty, as he threw his leg free over the saddle, to jump. 'There's no room here for two. Ifyou'regoin' to geton,I'mgoin' to getoff!'"
The youngest of the McQuade boys came and laid a pan of clean packed snow on the table in front of his mother. This was part of the essential rites of the sugaring off. The boys had, of course, barometers and modern polarization tests which told them scientifically when the heavy syrup, the concentration of many boilings of sap, was sufficiently boiled down so that when allowed to cool rapidly it would solidify into a clear brittle cake with a polarization of over ninety-five. Fan McQuade believed in all these things as fully as did her sons. She lived with her boys and never allowed anything in their business, or in new ways of doing oldwork, to get beyond her. But she—and they too—still trusted her own test as to when a boiling of sugar was ready to set properly.
So, when their thermometer and barometer showed them that the proper point of condensation had been reached, the boys came with a dipper and poured the boiling sugar before her on the smooth surface of the pan of snow. Then they stood gravely around and watched while the long criss-crossed tendrills of sugar which had been made in the pouring hardened over the face of the snow.
Fan McQuade took a little white paddle of polished maple, as hard almost as a piece of steel, and began tapping gently at the hardening, waxy bars of sugar. As the thin tendrils of sugar stiffened into long crystals she struck harder, and they could hear a ringing from them like the twang of distant skates on ice. Then, as the sugar hardened to full brittleness the bars began to break stiffly under her sharp blows, and then to crack and snap and fly apart like live things.
Fan McQuade and her three sons nodded together in solemn appreciation. Science and tradition were for once agreed. They had caught the perfect boiling off point. And the boys rushed away to pour off the contents of the huge boiling pan into the cooling tins.
Now it was McQuade's time to bestir himself as host.
From the dark outside he brought in other pans of clean frozen snow, which he had carefully prepared against this moment. He laid the pans and paddles about the table and inviting everybody to choose a pan of snow he went to bring the wax syrup. To the unitiated it looked like a bare banquet, a pan of snow and a paddle. But the eating of "wax" is the one feast that requires neither condiment nor foil.
"This," said McQuade, settling himself behind a huge pan of wax, "is the one time when I can understandthis making of sugar. All the rest of the year I think of these groves of idle trees,—there's nothing in the world so idle as a maple tree—and every one of them worth a pocketful of money, and I wonder at Fan's lack of business sense. Why doesn't she cut the timber down?"
He spoke of her impersonally, as though she might have been, perhaps, a neighbor at home in the next county.
"But," he concluded, "when I sit down with a pan of wax in me arms I can understand it all. She keeps the trees doing nothing the year 'round just to furnish her her pan of wax. And, like the good Yankee that she is, she has all the better of the bargain, at that."
"Hear him!" his wife retorted. "And if I dared to have as much as one live tree of these groves cut down he'd go crazy. I think he's a heathen pagan. I think he comes up in the summer to worship in the groves like the old people did in the Bible."
"They were high thinkin' people, I take it," said McQuade, ready for contention. "But the times were against them."
"I wonder," said Fan McQuade slyly. "Or were they leaving behind a good hard job of haying or something when they ran off up into the groves for their sacrifices?"
"That's right!" complained McQuade. "Go on and tell all the neighbors about me and disgrace me! These two young people don't think bad enough about me. The first time they laid eyes on me they thought I was a bank robber, at the very politest."
Augusta and Jimmie laughed happily over the memory of that amazing evening when they had first seen McQuade, and Augusta was starting to tell Mrs. McQuade about their awakening the morning after, while at the same time she was mechanically proddingabout in the snow with her paddle to pick up more wax. She looked down, surprised and disbelieving. McQuade had given her a helping of wax so big that she had not believed that she could eat a quarter of it. And, without thinking or stopping, she had eaten up every bit of it.And she was hungry for more.
She looked up in horror, and exclaimed confusedly:
"I beg everybody's pardon. I never piggied anything up so in my life!"
"Don't apologize, dear," said Fan McQuade, smiling down into Augusta's burning face. "We'd've been disappointed if you hadn't done just as you did. I always distrust people who don't forget themselves when they first eat sugar wax. I think there must be something wrong with them."
Wardwell, who had done exactly as his wife had done, had not even the grace to look guilty. With deliberate optimism, he was making a hopeful estimate on how many times he could repeat the performance.
McQuade was in no wise perturbed.
"Take breath, and we'll begin again fair. It's the one thing," he explained, as he started away to bring more, "that you can take too much of to-night, and wake up wantin' more in the mornin'."
On his way to the fire he was stopped by the sound of singing from outside. A loud, defiant voice broke in above the panting of the furnace, inquiring lustily:
"Where, Oh, where, are the vi-shuns of morning?"
A determined knocking on the door punctuated the song. And then the voice answered its own question laconically:
"Gone like the flow-ers that bloom in the Spring time."
"Jethniah Gamblin's warble!" exclaimed McQuade gleefully, skipping to the door. The door had to be kept bolted on account of the heavy draught of thefurnace, so, when McQuade opened it quickly, the stout figure of the postmaster was fairly propelled toward the middle of the floor, while his hat, blown from his head by the force of the draught, made a bee line for the bottom door of the furnace. Wardwell sprang to the rescue, but the old man, with a whoop and a most surprising show of agility, swooped down on the hat as it was about disappearing into the furnace and came up jamming it triumphantly upon his head.
"Just like a post in the mud!" he announced.
McQuade came back from his struggle with the door, and made him welcome.
"Sit in, Jethniah, sit in. Ye know the folks here, and yer as welcome as the flowers ye were sing-songin' about."
Jethniah said "How-dye-do" to everybody and found a place for himself beside Wardwell.
He said nothing, nor was anyone tactless enough to ask him, as to what desperate or devious means he had used in accomplishing his liberty for the evening. But, as he settled his short, fat arms around the pan of snow which McQuade had brought him, there was apparent around his mouth a fine cat-and-canary smile that had its own meaning for every one of his observers.
"I just smelt the sugaring, and invited myself," he explained officially to Fan McQuade.
"I'm sure we would have missed you sincerely," said the hostess earnestly. "But I think John trusted your instincts, for I'm pretty sure he was expecting you to-night."
McQuade came back and criss-crossed everybody's pan of snow with a generous helping of wax, providing a double portion for Jethniah that he might overtake the others.
In the midst of his busy eating, Jethniah was seen to stop and reach hastily into an inner pocket.
"Never tell us you've forgot it!" said McQuade in evident alarm.
"Safe as a hollow tooth!" proclaimed Jethniah, withdrawing his hand, reassured, and beginning afresh at his wax. "Just like a post in the mud!"
Augusta and Wardwell looked at each other, guessing what it might be that was as safe as if hidden in a hollow tooth. But they did not ask, knowing that, whatever it was, it would be better to wait and find out at the proper time.
The fact in the matter was not that Jethniah had feared that he had forgotten something. He was afraid that he had been robbed.
Jethniah Gamblin had a vice. It was not a secret vice. But it was the more persuasive, insidious and devastating in that it was encouraged and abetted by the entire community.
During official hours Jethniah was a faithful servant of the People of the United States, and during the same hours he was an honest weigher of sugar and sundries. But when, at eight o'clock in the evening, he had put out the lights and had, in the dark, taken the postage stamps from their place in the drawer and hidden them in an old rubber boot that stood in a corner, Jethniah reverted to the pursuit of his vice.
Jethniah, to say the worst at once, was a leader in song. Wherever there was a gathering of any sort, within possible walking distance, there was Mr. Gamblin to be found in the midst of it. It had to be within walking distance, for many ignominious failures had taught Jethniah that he could not hitch up a horse and drive out of the barn without arousing deadly and effective opposition to his going. So, Jethniah's goings were on foot, with celerity, and without announcement. But go he did, usually. And he was always welcome, because, at the very first hand, the event of hiscoming or not coming gave an immediate sporting interest to the party. Where people in other less favored communities had to get through the early, dragging moments of every social function talking about the weather and fussing awkardly until the crowd came, the gatherings within Jethniah's range were put at ease immediately by the common interest in the question of whether or not the Postmaster would be able to make his escape from home, and attend. Wagers on the matter were posted freely, with the prevailing odds in Jethniah's favor, this partly through sympathy but largely through faith based on Jethniah's past performances.
Then, when he did appear, he was questioned anxiously as to whether he had brought his tuning fork safe with him. For there had been occasions in local history when Jethniah had arrived at a party without this badge of his calling and authority. On these occasions Mr. Gamblin had explained that he had "somehow missed" the tuning fork. But everybody knew better. Mr. Gamblin had been robbed, temporarily.
In the winter evenings of his young manhood Jethniah had taught singing school in school-houses among the hills. But he had long since given up the professional side of his art, and now devoted himself whole-heartedly to the cultivation and encouragement of song, for song's pure sake.
So, whether it was a wedding anniversary or the aftermath of a quilting or a husking bee or an honest country dance with no excuse whatever, Jethniah and his tuning fork were in demand. For when the riotous edge of the merry-making was dulled people wanted to sing. The songs were mostly sad ones, for people generally get more enjoyment out of sad songs, and there are more of them; but when Jethniah stood up and drew forth his tuning fork, carefully and criticallytesting it by snapping it with his finger nail, his face grave as that of a very priest of music, his stout old body swaying to the tune that was already humming in his head, he was in those moments a great man.