In General:John Ruskin: Letters to “The Times” on the Principal Pre-Raphaelite Pictures in the Exhibition of 1854. Reprinted for Private Circulation. London, 1876.Pre-Raphaelitism: Its Art, Literature, and Professors, “London and County Review,” March 1868.The Poetic Phase in Modern English Art, “New Quarterly Magazine,” June 1879.William Holman Hunt: The Pre-Raphaelite Brotherhood, “Contemporary Review,” April-June 1886.Edouard Rod: Les Préraphaélites Anglais, “Gazette des Beaux-Arts,” 1887, ii 177, 399.W. v. Seidlitz: Die englische Malerei auf der Jubiläumsausstellung zu Manchester im Sommer, 1887, “Repertorium für Kunstwissenschaft,” 1888, xi 274, 405.P. T. Forsyth: Religion in Recent Art. Manchester and London, 1889.Wilhelm Weigand: Die aesthetische Bewegung in England, “Gegenwart,” 1889 (35), p. 165.Wilhelm Weigand: Die Praeraphaeliten, in his “Essays.” Munich, 1892.Cornelius Gurlitt: Die Praeraphaeliten, eine britische Malerschule, “Westermanns Monatshefte,” April-June, 1892.W. Holman Hunt: Pre-Rafaelitism and Pre-Rafaelite Brotherhood. London, 1905.Noël Paton:J. M. Gray: Sir Noël Paton, “Art Journal,” 1881, p. 78.Holman Hunt:F. G. Stephens: W. Holman Hunt, “Portfolio,” 1871, p. 33.F. G. Stephens: Holman Hunt’s “The Triumph of the Innocents,” “Portfolio,” 1885, p. 80.J. Beavington-Atkinson: Mr. Holman Hunt, his Work and Career, “Blackwood’s Magazine,” April 1886.Madox Brown:W. M. Rossetti: Mr. Madox Brown’s Exhibition and its Place in our School of Painting, “Fraser’s Magazine,” May 1865.Sidney Colvin: Ford Madox Brown, “Portfolio,” 1870, p. 81.Madox Brown’s Mural Painting at Manchester, “Academy,” 1879, p. 379.W. M. Rossetti: Mr. Madox Brown’s Frescoes in Manchester, “Art Journal,” 1881, New Series, p. 9.E. Chesneau: Peintres anglais contemporains: Ford Madox Brown, “L’Art,” 1883, p. 409.F. G. Stephens: Ford Madox Brown, his early Studies and Motives, “Portfolio,” 1893, pp. 62 and 69.Millais:Sidney Colvin: Millais, “Portfolio,” 1871, p. 1.Modern Artists. Illustrated Biographies. 2 vols. 1882-84.Emilie Isabel Barrington: Why is Mr. Millais our Popular Painter? “Fortnightly Review,” July 1882.Walter Armstrong: Sir J. E. Millais, his Life and Work. Illustrated with Engravings and Facsimiles, “The Art Annual.” London, 1885.John Ruskin: Notes on some of the Principal Pictures of Sir John Millais. London, 1886.Helen Zimmern: Sir John Millais, “Die Kunst unserer Zeit,” Munich, 1891.M. H. Spielmann: Millais and his Works. London, 1898.A. L. Baldry: Millais, his Art and his Influence. London, 1899.Millais: Life and Letters of Millais. 2 vols. London, 1899.
In General:
John Ruskin: Letters to “The Times” on the Principal Pre-Raphaelite Pictures in the Exhibition of 1854. Reprinted for Private Circulation. London, 1876.
Pre-Raphaelitism: Its Art, Literature, and Professors, “London and County Review,” March 1868.
The Poetic Phase in Modern English Art, “New Quarterly Magazine,” June 1879.
William Holman Hunt: The Pre-Raphaelite Brotherhood, “Contemporary Review,” April-June 1886.
Edouard Rod: Les Préraphaélites Anglais, “Gazette des Beaux-Arts,” 1887, ii 177, 399.
W. v. Seidlitz: Die englische Malerei auf der Jubiläumsausstellung zu Manchester im Sommer, 1887, “Repertorium für Kunstwissenschaft,” 1888, xi 274, 405.
P. T. Forsyth: Religion in Recent Art. Manchester and London, 1889.
Wilhelm Weigand: Die aesthetische Bewegung in England, “Gegenwart,” 1889 (35), p. 165.
Wilhelm Weigand: Die Praeraphaeliten, in his “Essays.” Munich, 1892.
Cornelius Gurlitt: Die Praeraphaeliten, eine britische Malerschule, “Westermanns Monatshefte,” April-June, 1892.
W. Holman Hunt: Pre-Rafaelitism and Pre-Rafaelite Brotherhood. London, 1905.
Noël Paton:
J. M. Gray: Sir Noël Paton, “Art Journal,” 1881, p. 78.
Holman Hunt:
F. G. Stephens: W. Holman Hunt, “Portfolio,” 1871, p. 33.
F. G. Stephens: Holman Hunt’s “The Triumph of the Innocents,” “Portfolio,” 1885, p. 80.
J. Beavington-Atkinson: Mr. Holman Hunt, his Work and Career, “Blackwood’s Magazine,” April 1886.
Madox Brown:
W. M. Rossetti: Mr. Madox Brown’s Exhibition and its Place in our School of Painting, “Fraser’s Magazine,” May 1865.
Sidney Colvin: Ford Madox Brown, “Portfolio,” 1870, p. 81.
Madox Brown’s Mural Painting at Manchester, “Academy,” 1879, p. 379.
W. M. Rossetti: Mr. Madox Brown’s Frescoes in Manchester, “Art Journal,” 1881, New Series, p. 9.
E. Chesneau: Peintres anglais contemporains: Ford Madox Brown, “L’Art,” 1883, p. 409.
F. G. Stephens: Ford Madox Brown, his early Studies and Motives, “Portfolio,” 1893, pp. 62 and 69.
Millais:
Sidney Colvin: Millais, “Portfolio,” 1871, p. 1.
Modern Artists. Illustrated Biographies. 2 vols. 1882-84.
Emilie Isabel Barrington: Why is Mr. Millais our Popular Painter? “Fortnightly Review,” July 1882.
Walter Armstrong: Sir J. E. Millais, his Life and Work. Illustrated with Engravings and Facsimiles, “The Art Annual.” London, 1885.
John Ruskin: Notes on some of the Principal Pictures of Sir John Millais. London, 1886.
Helen Zimmern: Sir John Millais, “Die Kunst unserer Zeit,” Munich, 1891.
M. H. Spielmann: Millais and his Works. London, 1898.
A. L. Baldry: Millais, his Art and his Influence. London, 1899.
Millais: Life and Letters of Millais. 2 vols. London, 1899.
CHAPTER XXIX
Menzel:(Beside books, etc. cited for Chapter XV.):Duranty: Adolf Menzel, “Gazette des Beaux-Arts,” 1880, i and ii.A. Lichtwark: Menzels Piazza d’Erbe, “Gegenwart,” 1884, 25.C. Gurlitt: Menzels Brunnenpromenade in Kissingen, “Gegenwart,” 37, p. 61.Georg Galland: Das Arbeiterbild in Vergangenheit und Gegenwart, “Frankfurter Zeitung,” 1890, p. 139.Jul. Meier-Gräfe: Der junge Menzel. Stuttgart, 1906.Bleibtreu:K. Pietschker: Georg Bleibtreu, der Maler des neuen deutschen Kaiserreiches, Kunststudie und biographische Skizze. Koethen, 1877.A. v. Werner:Ludwig Pietsch: “Nord und Süd,” 18, 1881, p. 185.Ad. Rosenberg, in “Künstlermonographien,” ix. Bielefeld, 1900.Max Michael:Hermann Helferich: Erinnerung an Max Michael, “Kunst für Alle,” 1891, vi 225.Güssow:Max Kretzer: “Westermanns Monatshefte,” vol. 54, 1883, p. 519.Pettenkofen:Alfred de Lostalot: “Gazette des Beaux-Arts,” 1877, i 410.Carl v. Lützow: “Zeitschrift für bildende Kunst,” 1889.Lorenz Gedon:G. Hirth: “Zeitschrift des Münchener Kunstgewerbevereins,” 1884, 1, 2.Fr. Schneider, the same, 1884, 5 and 6.“Allgemeine Zeitung,” 1884, No. 67.K.: “Allgemeine Kunstchronik,” 1884, viii p. 5.Ludwig Pietsch: “Nord und Süd,” 30, 1884, p. 42.Diez:Friedrich Pecht: Zu Wilhelm Diez 50 Geburtstage, “Kunst für Alle,” 1889, iv 113.H. E. v. Berlepsch: W. Diez, “Zeitschrift für bildende Kunst,” xxii.Claus Meyer:Claus Meyer-Album. Twelve Photogravures, with Biographical Text by W. Lübke. München, 1890.Harburger:Harburger-Album. Munich, Braun & Schneider, 1882.Fritz August Kaulbach:Hermann Helferich: Neue Kunst. Berlin, 1887.P. G.: “Zeitschrift für bildende Kunst,” 1888, xxiii 125.R. Graul: “Graphische Künste,” 1890, xiii 27, 61.See also Kaulbach-Album. Verlag für Kunst und Wissenschaft. München, 1891.Ad. Rosenberg, in the “Künstlermonographien.” Ed. by Knackfuss. Bielefeld, 1901.Lenbach:Friedrich Pecht: Franz Lenbach, “Nord und Süd,” 1877, i 113.B. Förster: Franz Lenbachs neueste Porträts, “Zeitschrift für bildende Kunst,” 1880, No. 26.Ludwig Pietsch: Franz Lenbach, “Nord und Süd,” 44, 1888, p. 363.C. Gurlitt: Lenbachs Bismarck-Bildniss, “Gegenwart,” 37, p. 318.H. Helferich: Lenbachs Zeitgenössische Bildnisse, “Nation,” 5, 1887-88, pp. 205 and 227.H. E. v. Berlepsch: Franz Lenbach, in “Velhagen und Klasings Monatshefte,” 1891, i.Ad. Rosenberg, in the “Künstlermonographien.” Ed. by Knackfuss. Bielefeld, 1898.See also Lenbachs Zeitgenössische Bildnisse. Heliogravures by Albert. München, 1888.Leibl:S. R. Köhler: “American Art Review,” 1880, 11.Hermann Helferich: “Kunst für Alle,” January 1892.Georg Gronau, in the “Künstlermonographien.” Ed. by Knackfuss. Leipzig, 1901.
Menzel:
(Beside books, etc. cited for Chapter XV.):
Duranty: Adolf Menzel, “Gazette des Beaux-Arts,” 1880, i and ii.
A. Lichtwark: Menzels Piazza d’Erbe, “Gegenwart,” 1884, 25.
C. Gurlitt: Menzels Brunnenpromenade in Kissingen, “Gegenwart,” 37, p. 61.
Georg Galland: Das Arbeiterbild in Vergangenheit und Gegenwart, “Frankfurter Zeitung,” 1890, p. 139.
Jul. Meier-Gräfe: Der junge Menzel. Stuttgart, 1906.
Bleibtreu:
K. Pietschker: Georg Bleibtreu, der Maler des neuen deutschen Kaiserreiches, Kunststudie und biographische Skizze. Koethen, 1877.
A. v. Werner:
Ludwig Pietsch: “Nord und Süd,” 18, 1881, p. 185.
Ad. Rosenberg, in “Künstlermonographien,” ix. Bielefeld, 1900.
Max Michael:
Hermann Helferich: Erinnerung an Max Michael, “Kunst für Alle,” 1891, vi 225.
Güssow:
Max Kretzer: “Westermanns Monatshefte,” vol. 54, 1883, p. 519.
Pettenkofen:
Alfred de Lostalot: “Gazette des Beaux-Arts,” 1877, i 410.
Carl v. Lützow: “Zeitschrift für bildende Kunst,” 1889.
Lorenz Gedon:
G. Hirth: “Zeitschrift des Münchener Kunstgewerbevereins,” 1884, 1, 2.
Fr. Schneider, the same, 1884, 5 and 6.
“Allgemeine Zeitung,” 1884, No. 67.
K.: “Allgemeine Kunstchronik,” 1884, viii p. 5.
Ludwig Pietsch: “Nord und Süd,” 30, 1884, p. 42.
Diez:
Friedrich Pecht: Zu Wilhelm Diez 50 Geburtstage, “Kunst für Alle,” 1889, iv 113.
H. E. v. Berlepsch: W. Diez, “Zeitschrift für bildende Kunst,” xxii.
Claus Meyer:
Claus Meyer-Album. Twelve Photogravures, with Biographical Text by W. Lübke. München, 1890.
Harburger:
Harburger-Album. Munich, Braun & Schneider, 1882.
Fritz August Kaulbach:
Hermann Helferich: Neue Kunst. Berlin, 1887.
P. G.: “Zeitschrift für bildende Kunst,” 1888, xxiii 125.
R. Graul: “Graphische Künste,” 1890, xiii 27, 61.
See also Kaulbach-Album. Verlag für Kunst und Wissenschaft. München, 1891.
Ad. Rosenberg, in the “Künstlermonographien.” Ed. by Knackfuss. Bielefeld, 1901.
Lenbach:
Friedrich Pecht: Franz Lenbach, “Nord und Süd,” 1877, i 113.
B. Förster: Franz Lenbachs neueste Porträts, “Zeitschrift für bildende Kunst,” 1880, No. 26.
Ludwig Pietsch: Franz Lenbach, “Nord und Süd,” 44, 1888, p. 363.
C. Gurlitt: Lenbachs Bismarck-Bildniss, “Gegenwart,” 37, p. 318.
H. Helferich: Lenbachs Zeitgenössische Bildnisse, “Nation,” 5, 1887-88, pp. 205 and 227.
H. E. v. Berlepsch: Franz Lenbach, in “Velhagen und Klasings Monatshefte,” 1891, i.
Ad. Rosenberg, in the “Künstlermonographien.” Ed. by Knackfuss. Bielefeld, 1898.
See also Lenbachs Zeitgenössische Bildnisse. Heliogravures by Albert. München, 1888.
Leibl:
S. R. Köhler: “American Art Review,” 1880, 11.
Hermann Helferich: “Kunst für Alle,” January 1892.
Georg Gronau, in the “Künstlermonographien.” Ed. by Knackfuss. Leipzig, 1901.
CHAPTER XXX
Leading Works:Louis Gonse: L’Art japonais. Paris, Quantin, 1883.Anderson: The Pictorial Arts of Japan, London, 1883.J. Brinkmann: Kunst und Handwerk in Japan. Berlin, 1889.See also Ernest Chesneau: Le Japon à Paris, “Gazette des Beaux-Arts,” 1878, ii 385, 841.H. v. Tschudi: Die Kunst in Japan, “Mittheilungen des k. k. österreichischen Museums,” 1879, xiv 170.Le Blanc du Vernet: L’Art japonais, “L’Art,” 1880, p. 280; Japonisme, “L’Art,” 1880, p. 273.Th. Duret: L’Art japonais. Les livres illustrés. Les albums imprimés. Hokusai, “Gazette des Beaux-Arts,” 1882, ii 113, 300.Hans Gierke: Japanesische Malerei, in “Westermanns Monatshefte,” May 1883.D. Brauns: Die Leistungen der Japaner auf dem Gebiete der Künste, “Unsere Zeit,” 1883, ii 765.O. v. Schorn: Malerei und Illustration in Japan, “Vom Fels zum Meer,” April 1884.F. E. Fenollosa: Review of the Chapter on Painting in “L’Art japonais,” by L. Gonse. Yokohama, 1885.W. Koopmann: Kunst und Handwerk in Japan, “Zeitschrift für bildende Kunst,” xiv 189.T. de Wyzewa: La peinture japonaise, “Revue des Deux Mondes,” 1 July 1890. Also separately, Les grands peintres de l’Espagne, etc. Paris, 1891.S. Bing: Le Japon artistique. Paris, 1888.Edward F. Strange: Japanese Illustration. London, 1897.W. v. Seidlitz: Geschichte des japanischen Farbenholzschnittes. Dresden, 1897.Outamaro:E. de Goncourt: Outamaro le peintre des maisons vertes. Paris, 1891.Hokusai:G. Geffroy, in “La vie artistique.” Paris, 1892.
Leading Works:
Louis Gonse: L’Art japonais. Paris, Quantin, 1883.
Anderson: The Pictorial Arts of Japan, London, 1883.
J. Brinkmann: Kunst und Handwerk in Japan. Berlin, 1889.
See also Ernest Chesneau: Le Japon à Paris, “Gazette des Beaux-Arts,” 1878, ii 385, 841.
H. v. Tschudi: Die Kunst in Japan, “Mittheilungen des k. k. österreichischen Museums,” 1879, xiv 170.
Le Blanc du Vernet: L’Art japonais, “L’Art,” 1880, p. 280; Japonisme, “L’Art,” 1880, p. 273.
Th. Duret: L’Art japonais. Les livres illustrés. Les albums imprimés. Hokusai, “Gazette des Beaux-Arts,” 1882, ii 113, 300.
Hans Gierke: Japanesische Malerei, in “Westermanns Monatshefte,” May 1883.
D. Brauns: Die Leistungen der Japaner auf dem Gebiete der Künste, “Unsere Zeit,” 1883, ii 765.
O. v. Schorn: Malerei und Illustration in Japan, “Vom Fels zum Meer,” April 1884.
F. E. Fenollosa: Review of the Chapter on Painting in “L’Art japonais,” by L. Gonse. Yokohama, 1885.
W. Koopmann: Kunst und Handwerk in Japan, “Zeitschrift für bildende Kunst,” xiv 189.
T. de Wyzewa: La peinture japonaise, “Revue des Deux Mondes,” 1 July 1890. Also separately, Les grands peintres de l’Espagne, etc. Paris, 1891.
S. Bing: Le Japon artistique. Paris, 1888.
Edward F. Strange: Japanese Illustration. London, 1897.
W. v. Seidlitz: Geschichte des japanischen Farbenholzschnittes. Dresden, 1897.
Outamaro:
E. de Goncourt: Outamaro le peintre des maisons vertes. Paris, 1891.
Hokusai:
G. Geffroy, in “La vie artistique.” Paris, 1892.
CHAPTER XXXI
In General:Duranty: La nouvelle peinture, à propos du groupe d’artistes qui expose dans les galeries Durand-Ruel. Paris, Dentu, 1876.Théodore Duret: Les peintres impressionists: C. Monet, Sisley, C. Pissarro, Renoir, B. Morisot. Avec un dessin de Renoir. Paris, 1879.Louis Enault: Une revolution artistique. Paris, 1880.Frederick Wedmore: The Impressionists, “The Fortnightly Review,” January 1883.Felix Fénélon: Les Impressionistes en 1886. (Angrand, Caillebotte, Miss Cassatt, Degas, Dubois-Pillet, David Estoppey, Forain, Gauguin, Guillaumin, Claude Monet, Mme. Morisot, de Nittis, Camille et Lucien Pissarro, Raffaelli, Renoir, Seurat, Signac, Zandomeneghi, etc.) Paris, 1886.Catalogue illustré de l’exposition des peintures du groupe Impressioniste et Synthétiste, faite dans le local de M. Volpini au Champ de Mars, 1889.G. Lecomte: L’Art Impressioniste. Paris, 1892.H. Huysmans: Certains. Paris, 1892.H. Huysmans: L’Art moderne. Paris, 1892.G. Geffroy: La vie artistique. Paris, 1892.Jul. Meier-Gräfe: Der Impressionismus in Muther’s series, “Die Kunst.” Berlin, 1902.Manet:Zola: Mes Haines. Edouard Manet. Paris, 1878, p. 327.Catalogue de l’exposition des Œuvres de Manet, avec préface d’Emile Zola. Paris, 1884.Edmond Bazire: Manet. Paris, 1884.Jacques de Biez: Edouard Manet. Conférence faite à la salle des capucines le Mardi, 22 Janvier 1884. Paris, 1884.L. Gonse: Manet, “Gazette des Beaux-Arts,” 1884, i 133.Fritz Bley: Edouard Manet, “Zeitschrift für bildende Kunst,” 1884, 8.Paul D’Abrest: “Allgemeine Kunstchronik,” 1884, viii 5.Andreas Aubert, in the Copenhagen “Tilskueren,” 1888.Hugo von Tschudi: Edouard Manet. Berlin, 1902.Monet:Théodore Duret: Le peintre Claude Monet: Notice sur son œuvre. Paris, 1880.A. de Lostalot: Exposition des œuvres de M. Claude Monet, “Gazette des Beaux-Arts,” 1883, i 342.C. Dargenty: Exposition des œuvres de M. Monet, “Courier de l’Art,” 1883, 11.Hermann Helferich: Claude Monet, “Freie Bühne,” 1890, 8.Degas:George Moore: Degas, the Painter of Modern Life, “Magazine of Art,” 1889.Max Liebermann: Degas, Berlin, Cassirer, 1901.Pissarro:G. Lecomte: Camille Pissarro. No. 11 of “Hommes d’aujourd’hui.” Paris, 1890.
In General:
Duranty: La nouvelle peinture, à propos du groupe d’artistes qui expose dans les galeries Durand-Ruel. Paris, Dentu, 1876.
Théodore Duret: Les peintres impressionists: C. Monet, Sisley, C. Pissarro, Renoir, B. Morisot. Avec un dessin de Renoir. Paris, 1879.
Louis Enault: Une revolution artistique. Paris, 1880.
Frederick Wedmore: The Impressionists, “The Fortnightly Review,” January 1883.
Felix Fénélon: Les Impressionistes en 1886. (Angrand, Caillebotte, Miss Cassatt, Degas, Dubois-Pillet, David Estoppey, Forain, Gauguin, Guillaumin, Claude Monet, Mme. Morisot, de Nittis, Camille et Lucien Pissarro, Raffaelli, Renoir, Seurat, Signac, Zandomeneghi, etc.) Paris, 1886.
Catalogue illustré de l’exposition des peintures du groupe Impressioniste et Synthétiste, faite dans le local de M. Volpini au Champ de Mars, 1889.
G. Lecomte: L’Art Impressioniste. Paris, 1892.
H. Huysmans: Certains. Paris, 1892.
H. Huysmans: L’Art moderne. Paris, 1892.
G. Geffroy: La vie artistique. Paris, 1892.
Jul. Meier-Gräfe: Der Impressionismus in Muther’s series, “Die Kunst.” Berlin, 1902.
Manet:
Zola: Mes Haines. Edouard Manet. Paris, 1878, p. 327.
Catalogue de l’exposition des Œuvres de Manet, avec préface d’Emile Zola. Paris, 1884.
Edmond Bazire: Manet. Paris, 1884.
Jacques de Biez: Edouard Manet. Conférence faite à la salle des capucines le Mardi, 22 Janvier 1884. Paris, 1884.
L. Gonse: Manet, “Gazette des Beaux-Arts,” 1884, i 133.
Fritz Bley: Edouard Manet, “Zeitschrift für bildende Kunst,” 1884, 8.
Paul D’Abrest: “Allgemeine Kunstchronik,” 1884, viii 5.
Andreas Aubert, in the Copenhagen “Tilskueren,” 1888.
Hugo von Tschudi: Edouard Manet. Berlin, 1902.
Monet:
Théodore Duret: Le peintre Claude Monet: Notice sur son œuvre. Paris, 1880.
A. de Lostalot: Exposition des œuvres de M. Claude Monet, “Gazette des Beaux-Arts,” 1883, i 342.
C. Dargenty: Exposition des œuvres de M. Monet, “Courier de l’Art,” 1883, 11.
Hermann Helferich: Claude Monet, “Freie Bühne,” 1890, 8.
Degas:
George Moore: Degas, the Painter of Modern Life, “Magazine of Art,” 1889.
Max Liebermann: Degas, Berlin, Cassirer, 1901.
Pissarro:
G. Lecomte: Camille Pissarro. No. 11 of “Hommes d’aujourd’hui.” Paris, 1890.
CHAPTER XXXII
Rossetti:William Sharp: Dante Gabriel Rossetti and Pictorialism in Verse, “Portfolio,” 1882, p. 176.William Sharp: Dante Gabriel Rossetti, a Record and a Study. London, 1882.William Tirebuck: Dante Gabriel Rossetti, his Works and Influence. London, 1882.T. Hall Caine: Recollections of Dante Gabriel Rossetti. London, 1882.F. G. Stephens: The Earlier Works of Rossetti, “Portfolio,” May 1882.Sidney Colvin: Rossetti as a Painter, “Magazine of Art,” March 1883.W. Tirebuck: Obituary in the “Art Journal,” January 1883.R. Waldmüller: Dante Gabriel Rossetti, Dichter und Maler, “Allgemeine Zeitung,” 1883, Blatt 344.Notes on Rossetti and his Works, “Art Journal,” May 1884.William Michael Rossetti, Introduction to the two-volume edition of the works of Dante Gabriel Rossetti. London, 1883.Franz Hüffer: Dante Gabriel Rossetti. Leipzig, 1883.J. Beavington-Atkinson: Contemporary Art, Poetic and Positive (Rossetti and Alma Tadema, Linnell and Lawson), “Blackwood’s Magazine,” March 1883.Theodore Watts: The Truth about Rossetti, “Nineteenth Century,” March 1883.F. G. Stephens: The Earlier Works of Rossetti, “Portfolio,” 1883, pp. 87 and 114.Théodore Duret: Les expositions de Londres: Dante Gabriel Rossetti, “Gazette des Beaux-Arts,” 1883, ii 49.David Hannay: The Paintings of Rossetti, “National Review,” March 1883.Helen Zimmern: Aus London, D. G. Rossetti, “Westermanns Monatshefte,” August 1883.Harry Quilter: The Art of Rossetti, “Contemporary Review,” February 1883.William Michael Rossetti: Notes on Rossetti and his Works, “Art Journal,” 1884, pp. 148, 164, 204, 255.F. G. Stephens: Ecce Ancilla Domini, “Portfolio,” 1888, p. 125.William Michael Rossetti: D. G. Rossetti as Designer and Writer. London, 1889.Wilhelm Weigand: “Gegenwart,” 1889, p. 38, and his Essays.F. G. Stephens: Beata Beatrix, “Portfolio,” 1891, p. 45.F. G. Stephens: Rosa Triplex, by D. G. Rossetti, “Portfolio,” 1892, p. 197.H. C. Marillier: D. G. Rossetti, an Illustrated Memorial of his Art and Life. 2nd Edition. London, 1901.Burne-Jones:Sidney Colvin: “Portfolio,” 1870, p. 17.F. G. Stephens: “Portfolio,” 1885, pp. 220 and 227.Birmingham Museum and Art Gallery, Catalogue (with Notes) of the Collections of Paintings by George Frederick Watts and Edward Burne-Jones. Birmingham, 1886.F. G. Stephens: “Portfolio,” 1889, p. 214.F. G. Stephens: Mr. Burne-Jones’ Mosaics at Rome, “Portfolio,” May 1890.Malcolm Bell: Edward Burne-Jones. London, 1892.André Michel: “Journal des Débats,” 15 March 1893.Cornelius Gurlitt: Die Praerafaeliten, eine britische Malerschule, “Westermanns Monatshefte,” July 1892.P. Leprieur: Burne-Jones, decorateur et ornemaniste, “Gazette des Beaux-Arts,” 1892, ii 381.Ninety-one Photogravures directly reproduced from the Original Paintings, “Berl. Photogr. Gesell.,” 1901.Malcolm Bell: Burne-Jones. Muther’s “Die Kunst.” Bd. 3.Otto v. Schleinitz: “Künstlermonographien.” Ed. by Knackfuss. Bd. 55. Bielefeld, 1901.Arthur Hughes:William Michael Rossetti: “Portfolio,” 1870, p. 113.J. M. Strudwick:G. Bernard Shaw: “Art Journal,” 1891, p. 97.Richmond:H. Lascelles: William B. Richmond, “Art Journal,” Christmas Annual. 1902.Morris:Aymer Vallance: William Morris, his Art, his Writings, and his Public Life. London, 1897.J. W. Mackail: Life of William Morris. 2 vols. London, 1901.Walter Crane:F. G. Stephens: The Designs of Walter Crane, “Portfolio,” 1891, 12, 45.Cornelius Gurlitt: “Gegenwart,” 1893.Peter Jessen: “Zeitschrift für bildende Kunst,” 1893.V. Berlepsch: Walter Crane. Wien, 1897.Otto v. Schleinitz: Walter Crane, in the “Künstlermonographien.” Ed. by Knackfuss, Bielefeld, 1901.P. G. Konody: The Art of Walter Crane. London, 1902.Watts:J. Beavington-Atkinson: “Portfolio,” 1870, p. 65.F. W. Myers: On Mr. Watts’ Pictures, “Fortnightly Review,” February 1882.F. W. Myers: Stanzas on Mr. Watts’ Collected Works. London, 1882.H. Quilter: The Art of Watts, “Contemporary Review,” February 1882.Walter Armstrong: George Frederick Watts, “L’Art,” 1882, p. 379.E. I. Barrington: The Painted Poetry of Watts and Rossetti, “Nineteenth Century,” June 1883.E. Pfeiffer: On Two Pictures by G. F. Watts, “Academy,” 1884, p. 627.M. H. Spielmann: The Works of Mr. G. F. Watts, with a Catalogue of his Pictures, “Pall Mall Gazette Extra,” No. 22. London, 1886.F. G. Stephens: G. F. Watts, “Portfolio,” 1887, p. 13.Helen Zimmern in “Die Kunst unserer Zeit,” 1892.Hermann Helferich: “Kunst für Alle,” December 1893.Jarno Jessen: George Frederick F. Watts. Berlin, 1901.Rosa E. D. Sketchley: George Frederick Watts. London, 1904.
Rossetti:
William Sharp: Dante Gabriel Rossetti and Pictorialism in Verse, “Portfolio,” 1882, p. 176.
William Sharp: Dante Gabriel Rossetti, a Record and a Study. London, 1882.
William Tirebuck: Dante Gabriel Rossetti, his Works and Influence. London, 1882.
T. Hall Caine: Recollections of Dante Gabriel Rossetti. London, 1882.
F. G. Stephens: The Earlier Works of Rossetti, “Portfolio,” May 1882.
Sidney Colvin: Rossetti as a Painter, “Magazine of Art,” March 1883.
W. Tirebuck: Obituary in the “Art Journal,” January 1883.
R. Waldmüller: Dante Gabriel Rossetti, Dichter und Maler, “Allgemeine Zeitung,” 1883, Blatt 344.
Notes on Rossetti and his Works, “Art Journal,” May 1884.
William Michael Rossetti, Introduction to the two-volume edition of the works of Dante Gabriel Rossetti. London, 1883.
Franz Hüffer: Dante Gabriel Rossetti. Leipzig, 1883.
J. Beavington-Atkinson: Contemporary Art, Poetic and Positive (Rossetti and Alma Tadema, Linnell and Lawson), “Blackwood’s Magazine,” March 1883.
Theodore Watts: The Truth about Rossetti, “Nineteenth Century,” March 1883.
F. G. Stephens: The Earlier Works of Rossetti, “Portfolio,” 1883, pp. 87 and 114.
Théodore Duret: Les expositions de Londres: Dante Gabriel Rossetti, “Gazette des Beaux-Arts,” 1883, ii 49.
David Hannay: The Paintings of Rossetti, “National Review,” March 1883.
Helen Zimmern: Aus London, D. G. Rossetti, “Westermanns Monatshefte,” August 1883.
Harry Quilter: The Art of Rossetti, “Contemporary Review,” February 1883.
William Michael Rossetti: Notes on Rossetti and his Works, “Art Journal,” 1884, pp. 148, 164, 204, 255.
F. G. Stephens: Ecce Ancilla Domini, “Portfolio,” 1888, p. 125.
William Michael Rossetti: D. G. Rossetti as Designer and Writer. London, 1889.
Wilhelm Weigand: “Gegenwart,” 1889, p. 38, and his Essays.
F. G. Stephens: Beata Beatrix, “Portfolio,” 1891, p. 45.
F. G. Stephens: Rosa Triplex, by D. G. Rossetti, “Portfolio,” 1892, p. 197.
H. C. Marillier: D. G. Rossetti, an Illustrated Memorial of his Art and Life. 2nd Edition. London, 1901.
Burne-Jones:
Sidney Colvin: “Portfolio,” 1870, p. 17.
F. G. Stephens: “Portfolio,” 1885, pp. 220 and 227.
Birmingham Museum and Art Gallery, Catalogue (with Notes) of the Collections of Paintings by George Frederick Watts and Edward Burne-Jones. Birmingham, 1886.
F. G. Stephens: “Portfolio,” 1889, p. 214.
F. G. Stephens: Mr. Burne-Jones’ Mosaics at Rome, “Portfolio,” May 1890.
Malcolm Bell: Edward Burne-Jones. London, 1892.
André Michel: “Journal des Débats,” 15 March 1893.
Cornelius Gurlitt: Die Praerafaeliten, eine britische Malerschule, “Westermanns Monatshefte,” July 1892.
P. Leprieur: Burne-Jones, decorateur et ornemaniste, “Gazette des Beaux-Arts,” 1892, ii 381.
Ninety-one Photogravures directly reproduced from the Original Paintings, “Berl. Photogr. Gesell.,” 1901.
Malcolm Bell: Burne-Jones. Muther’s “Die Kunst.” Bd. 3.
Otto v. Schleinitz: “Künstlermonographien.” Ed. by Knackfuss. Bd. 55. Bielefeld, 1901.
Arthur Hughes:
William Michael Rossetti: “Portfolio,” 1870, p. 113.
J. M. Strudwick:
G. Bernard Shaw: “Art Journal,” 1891, p. 97.
Richmond:
H. Lascelles: William B. Richmond, “Art Journal,” Christmas Annual. 1902.
Morris:
Aymer Vallance: William Morris, his Art, his Writings, and his Public Life. London, 1897.
J. W. Mackail: Life of William Morris. 2 vols. London, 1901.
Walter Crane:
F. G. Stephens: The Designs of Walter Crane, “Portfolio,” 1891, 12, 45.
Cornelius Gurlitt: “Gegenwart,” 1893.
Peter Jessen: “Zeitschrift für bildende Kunst,” 1893.
V. Berlepsch: Walter Crane. Wien, 1897.
Otto v. Schleinitz: Walter Crane, in the “Künstlermonographien.” Ed. by Knackfuss, Bielefeld, 1901.
P. G. Konody: The Art of Walter Crane. London, 1902.
Watts:
J. Beavington-Atkinson: “Portfolio,” 1870, p. 65.
F. W. Myers: On Mr. Watts’ Pictures, “Fortnightly Review,” February 1882.
F. W. Myers: Stanzas on Mr. Watts’ Collected Works. London, 1882.
H. Quilter: The Art of Watts, “Contemporary Review,” February 1882.
Walter Armstrong: George Frederick Watts, “L’Art,” 1882, p. 379.
E. I. Barrington: The Painted Poetry of Watts and Rossetti, “Nineteenth Century,” June 1883.
E. Pfeiffer: On Two Pictures by G. F. Watts, “Academy,” 1884, p. 627.
M. H. Spielmann: The Works of Mr. G. F. Watts, with a Catalogue of his Pictures, “Pall Mall Gazette Extra,” No. 22. London, 1886.
F. G. Stephens: G. F. Watts, “Portfolio,” 1887, p. 13.
Helen Zimmern in “Die Kunst unserer Zeit,” 1892.
Hermann Helferich: “Kunst für Alle,” December 1893.
Jarno Jessen: George Frederick F. Watts. Berlin, 1901.
Rosa E. D. Sketchley: George Frederick Watts. London, 1904.
CHAPTER XXXIII
Gustave Moreau:Paul Leroi: Les parias du Salon, “L’Art,” 1876, iii 246.Charles Tardieu: La peinture à l’exposition universelle de 1878, “L’Art,” 1878, ii 319.Ary Renan: G. Moreau, “Gazette des Beaux-Arts,” 1886, i 377, ii 36.Claude Phillips: Fables of La Fontaine by Gustave Moreau, “Magazine of Art,” 1887, p. 37.Karl Huysmans: A. Rebours. Paris, 1891, passim.P. Flat: Le musée Gustave Moreau. Étude sur Gustave Moreau, ses œuvres, son influence. Paris, 1898.Ary Renan: Gustave Moreau. Paris, 1900.G. Larronnet: Gustave Moreau. Paris, 1901.Puvis de Chavannes:A. Baignières: La peinture décorative au XIX siècle. M. Puvis de Chavannes, “Gazette des Beaux-Arts,” 1881, i 416.Edouard Aynard: Les peintures décoratives de Puvis de Chavannes au Palais des Arts. Lyon, 1884.Thiebault-Sisson: Puvis de Chavannes et son œuvre, “La Nouvelle Revue,” December 1887.André Michel: Exposition de M. Puvis de Chavannes, “Gazette des Beaux-Arts,” 1886, i 36.Hermann Bahr: Zur Kritik der Moderne. Zürich, 1890.André Michel: “Graphische Künste,” xiv, 1892, 37.A. Nossig: “Allgemeine Kunstchronik,” 1893, No. 12.M. Vachon: Puvis de Chavannes. Paris, 1896.L. Bénédite: Les dessins de Puvis de Chavannes au musée du Luxembourg. Paris, 1901.Golberg: Puvis de Chavannes. Paris, 1901.Boecklin:F. Pecht: “Nord und Süd,” 1878, iv 288. Reprinted in “Deutsche Künstler des 19 Jahrhunderts,” Nördlingen, 1879, pp. 180-202.A. Rosenberg: “Grenzboten,” 1879, i pp. 387-397.Graf Schack: Meine Gemäldesammlung. Stuttgart, 1881, pp. 139-155.O. Berggruen: Die Galerie Schack. Wien, 1883.Zwei neue Gemälde von A. Boecklin, “Deutsche Rundschau,” June 1883.E. Koppel: Arnold Boecklin, “Vom Fels zum Meer,” July 1884.Otto Baisch: Arnold Boecklin, “Westermanns Monatshefte,” August 1884, 37.Guido Hauck: Arnold Boecklins Gefilde Seligen und Goethes Faust. Berlin, 1884.F. Pecht: Zu Arnold Boecklins 60 Geburtstag, “Kunst für Alle,” 1887, iii 2.Fritz Lemmermayer: “Unsere Zeit,” 1888, ii 492.Helen Zimmern: “Art Journal,” 1888, p. 305.Berthold Haendke: Arnold Boecklin in seiner historischen und künstlerischen Entwicklung. Hamburg, 1890.Hugo Kaatz: Der Realismus Arnold Boecklins, “Gegenwart,” 1890, 38, p. 168.Carus Sterne: Arnold Boecklins Fabelwesen im Lichte der organischen Formenlehre, “Gegenwart,” 1890, 37, p. 21.A. Fendler: Arnold Boecklin, “Illustrirte Zeitung,” 1890, No. 2310.Max Lehrs: Arnold Boecklin, Ein Leitfaden zum Verständniss der Kunst. München, 1890.J. Mähly: Aus Arnold Boecklins Atelier, “Gegenwart,” 1892, 14.Emil Hannover, in “Tilskueren,” Kopenhagen, 1892, p. 118.Franz Hermann, “Gazette des Beaux-Arts,” Nos. 430 and 433, 1 April and 1 July 1893.Franz Hermann, in “Die Kunst Unserer Zeit,” December 1893.Carl Neumann, “Preussische Jahrbücher,” vol. 71, 1893, Part 2.Cornelius Gurlitt: “Kunst für Alle,” 1894, Part 2.Ola Hansson: “Seher und Deuter.” Berlin, 1894, p. 152.F. von Ostini, in “Velhagen und Klasings Monatshefte,” 1894.See also the work on Boecklin produced by the “Verlag für Kunst und Wissenschaft,” with forty of the artist’s chief pictures reproduced in photogravure. München, 1892.W. Ritter: Arnold Boecklin. Paris, 1895.H. F. Meissner: Arnold Boecklin. Berlin, 1898.E. Schick: Boecklins Tagebuch. Hrsg. v. Tschudi. Berlin, 1899.H. Mendelssohn: Arnold Boecklin. Berlin, 1900.H. Brockhaus: Arnold Boecklin. Leipzig, 1901.G. Floerke: Gespräche mit Boecklin. München, 1902.J. Meier-Gräfe: Der Fall Boecklin. Stuttgart, 1905.H. von Marées:Conrad Fiedler: H. von Marées. Munich, 1889. (1 vol. text, 1 vol. pictures.)Conrad Fiedler: H. von Marées auf der Münchener Jahresausstellung, “Allgemeine Zeitung,” 1891, Supplement No. 150.H. Janitschek: “Die Nation,” 1890, No. 51.Carl von Pidoll: Aus der Werkstatt eines Künstlers. Luxemburg, 1890.Cornelius Gurlitt: “Gegenwart,” 1891, 1.Heinr. Wölfflin: “Zeitschrift für bildende Kunst,” 1892, Part 4.Emil Hannover, in “Tilskueren,” Kopenhagen, 1891, p. 1.Franz Dreber:Exhibition in Royal National Gallery of Berlin, 1876.Hubert Janitschek: Zur Charakteristik Franz Drebers, “Zeitschrift für bildende Kunst,” xi, 1876, p. 681.
Gustave Moreau:
Paul Leroi: Les parias du Salon, “L’Art,” 1876, iii 246.
Charles Tardieu: La peinture à l’exposition universelle de 1878, “L’Art,” 1878, ii 319.
Ary Renan: G. Moreau, “Gazette des Beaux-Arts,” 1886, i 377, ii 36.
Claude Phillips: Fables of La Fontaine by Gustave Moreau, “Magazine of Art,” 1887, p. 37.
Karl Huysmans: A. Rebours. Paris, 1891, passim.
P. Flat: Le musée Gustave Moreau. Étude sur Gustave Moreau, ses œuvres, son influence. Paris, 1898.
Ary Renan: Gustave Moreau. Paris, 1900.
G. Larronnet: Gustave Moreau. Paris, 1901.
Puvis de Chavannes:
A. Baignières: La peinture décorative au XIX siècle. M. Puvis de Chavannes, “Gazette des Beaux-Arts,” 1881, i 416.
Edouard Aynard: Les peintures décoratives de Puvis de Chavannes au Palais des Arts. Lyon, 1884.
Thiebault-Sisson: Puvis de Chavannes et son œuvre, “La Nouvelle Revue,” December 1887.
André Michel: Exposition de M. Puvis de Chavannes, “Gazette des Beaux-Arts,” 1886, i 36.
Hermann Bahr: Zur Kritik der Moderne. Zürich, 1890.
André Michel: “Graphische Künste,” xiv, 1892, 37.
A. Nossig: “Allgemeine Kunstchronik,” 1893, No. 12.
M. Vachon: Puvis de Chavannes. Paris, 1896.
L. Bénédite: Les dessins de Puvis de Chavannes au musée du Luxembourg. Paris, 1901.
Golberg: Puvis de Chavannes. Paris, 1901.
Boecklin:
F. Pecht: “Nord und Süd,” 1878, iv 288. Reprinted in “Deutsche Künstler des 19 Jahrhunderts,” Nördlingen, 1879, pp. 180-202.
A. Rosenberg: “Grenzboten,” 1879, i pp. 387-397.
Graf Schack: Meine Gemäldesammlung. Stuttgart, 1881, pp. 139-155.
O. Berggruen: Die Galerie Schack. Wien, 1883.
Zwei neue Gemälde von A. Boecklin, “Deutsche Rundschau,” June 1883.
E. Koppel: Arnold Boecklin, “Vom Fels zum Meer,” July 1884.
Otto Baisch: Arnold Boecklin, “Westermanns Monatshefte,” August 1884, 37.
Guido Hauck: Arnold Boecklins Gefilde Seligen und Goethes Faust. Berlin, 1884.
F. Pecht: Zu Arnold Boecklins 60 Geburtstag, “Kunst für Alle,” 1887, iii 2.
Fritz Lemmermayer: “Unsere Zeit,” 1888, ii 492.
Helen Zimmern: “Art Journal,” 1888, p. 305.
Berthold Haendke: Arnold Boecklin in seiner historischen und künstlerischen Entwicklung. Hamburg, 1890.
Hugo Kaatz: Der Realismus Arnold Boecklins, “Gegenwart,” 1890, 38, p. 168.
Carus Sterne: Arnold Boecklins Fabelwesen im Lichte der organischen Formenlehre, “Gegenwart,” 1890, 37, p. 21.
A. Fendler: Arnold Boecklin, “Illustrirte Zeitung,” 1890, No. 2310.
Max Lehrs: Arnold Boecklin, Ein Leitfaden zum Verständniss der Kunst. München, 1890.
J. Mähly: Aus Arnold Boecklins Atelier, “Gegenwart,” 1892, 14.
Emil Hannover, in “Tilskueren,” Kopenhagen, 1892, p. 118.
Franz Hermann, “Gazette des Beaux-Arts,” Nos. 430 and 433, 1 April and 1 July 1893.
Franz Hermann, in “Die Kunst Unserer Zeit,” December 1893.
Carl Neumann, “Preussische Jahrbücher,” vol. 71, 1893, Part 2.
Cornelius Gurlitt: “Kunst für Alle,” 1894, Part 2.
Ola Hansson: “Seher und Deuter.” Berlin, 1894, p. 152.
F. von Ostini, in “Velhagen und Klasings Monatshefte,” 1894.
See also the work on Boecklin produced by the “Verlag für Kunst und Wissenschaft,” with forty of the artist’s chief pictures reproduced in photogravure. München, 1892.
W. Ritter: Arnold Boecklin. Paris, 1895.
H. F. Meissner: Arnold Boecklin. Berlin, 1898.
E. Schick: Boecklins Tagebuch. Hrsg. v. Tschudi. Berlin, 1899.
H. Mendelssohn: Arnold Boecklin. Berlin, 1900.
H. Brockhaus: Arnold Boecklin. Leipzig, 1901.
G. Floerke: Gespräche mit Boecklin. München, 1902.
J. Meier-Gräfe: Der Fall Boecklin. Stuttgart, 1905.
H. von Marées:
Conrad Fiedler: H. von Marées. Munich, 1889. (1 vol. text, 1 vol. pictures.)
Conrad Fiedler: H. von Marées auf der Münchener Jahresausstellung, “Allgemeine Zeitung,” 1891, Supplement No. 150.
H. Janitschek: “Die Nation,” 1890, No. 51.
Carl von Pidoll: Aus der Werkstatt eines Künstlers. Luxemburg, 1890.
Cornelius Gurlitt: “Gegenwart,” 1891, 1.
Heinr. Wölfflin: “Zeitschrift für bildende Kunst,” 1892, Part 4.
Emil Hannover, in “Tilskueren,” Kopenhagen, 1891, p. 1.
Franz Dreber:
Exhibition in Royal National Gallery of Berlin, 1876.
Hubert Janitschek: Zur Charakteristik Franz Drebers, “Zeitschrift für bildende Kunst,” xi, 1876, p. 681.
CHAPTER XXXIV
Bastien-Lepage:A. Theuriet: J. Bastien-Lepage, l’homme et l’artiste. Paris, 1885.A. Hustin: Bastien-Lepage, “L’Art,” 1885, i 13.G. Dargenty: “L’Art,” 1885, i 146, 163.A. de Fourcaud: Jules Bastien-Lepage, sa vie et ses œuvres. Paris, 1888.Marie von Baskirtscheff: “Journal intime.” Paris, 1890.Marie Baskirtscheff:Cornelius Gurlitt: Marie Baskirtscheff und ihr Tagebuch, in “Die Kunst unserer Zeit,” 1892, i 61.Léon L’Hermitte:Robert Walker: L’Hermitte, “Art Journal,” 1886, p. 266.Raffaelli:Alfred de Lostalot: Expositions diverses à Paris: Œuvres de M. J. F. Raffaelli, “Gazette des Beaux-Arts,” 1884, i 334.Emil Hannover: Raffaelli, “Af Dagens Krönike.” Kopenhagen, 1889.J. de Nittis:Philippe Burty: “L’Art,” 1880, p. 276.Henry Jouin: Maîtres contemporains, p. 229. Paris, 1887.Ferdinand Heilbuth:A. Hustin: “L’Art,” 1889, ii 268.A. Helferich: “Kunst für Alle,” v, 1890, p. 61.Gervex:F. Jahyer: Galerie contemporaine litéraire et artistique, 1879, p. 178.Friant:Roger Marx: Silhouettes d’artistes contemporains, “L’Art,” 1883, p. 461.Ulysse Butin:Paul Leroi: “L’Art,” 1878, ii 25.Abel Patoux: “L’Art,” 1890, ii 7, 117.Dagnan-Bouveret:B. Karageorgevitsch: “Magazine of Art,” February 1893, No. 148.On the more Modern Landscape Painters in General:P. Taren: Die moderne Landschaft, “Gegenwart,” 1889, 20.On Neo-Impressionism:Paul Signac: D’Eugène Delacroix au Neo-impressionisme. Paris, 1903.George Seurat:Obituary in the “Chronique des Arts,” 1890, 14.Cheret:Ernest Maindron: Les affiches illustrées, “Gazette des Beaux-Arts,” 1884, ii 418 and 435.Karl Huysmans: Certains. Paris, 1891.L’affiche illustrée. Le roi de l’affiche. L’œuvre de Chéret, etc., “La Plume,” No. 110, 15 November 1893.R. H. Sherard: “Magazine of Art,” September 1893, No. 155.L. Morin: Quelques artistes de ce temps. [Cherét, Vierge.] Paris, 1898.G. Kahn: Jules Chéret, “Art et Decoration,” xii, 1902, p. 177.Steinlen:Crouzat: A. de Steinlen, peintre, graveur, lithographe. Paris, Maison du livre, 1902.Paul Renouard:Eugène Véron: “L’Art,” 1875, iii 58; 1876, iv 252.Jules Claretie: M. Paul Renouard et l’Opéra, “Gazette des Beaux-Arts,” 1881, i 435.Daniel Vierge:J. and E. R. Pennell: Daniel Vierge, “Portfolio,” 1888, p. 201.By the Editor: “Magazine of Art,” 1892, No. 146 (December).Cazin:Leon Bénédite: Cazin. Paris, 1902.Lautrec:E. Klassowki: Die Maler von Montmartre [Billotte, Steinlen, Toulouse-Lautrec, Léandre]. “Die Kunst,” Bd. 15. Edited by R. Muther.André Rivoire: “Revue de l’art ancien et moderne,” xi, 1902.Carrière:G. Geffroy: La vie artistique. Préface d’Edmond de Goncourt. Pointe sèche d’Eugène Carrière. Paris, Dentu, 1893.Léailles: E. Carrière, l’homme et l’artiste. Paris, 1901.G. Geffroy: L’œuvre d’Eugène Carrière. Paris, 1902.Aman-Jean:A. Beaunier, Aman-Jean, “Art et Decoration,” vi, 1899.Odilon Redon:J. Destrée: L’œuvre lithographique de Odilon Redon. Catalogue descriptif. Bruxelles, 1891.
Bastien-Lepage:
A. Theuriet: J. Bastien-Lepage, l’homme et l’artiste. Paris, 1885.
A. Hustin: Bastien-Lepage, “L’Art,” 1885, i 13.
G. Dargenty: “L’Art,” 1885, i 146, 163.
A. de Fourcaud: Jules Bastien-Lepage, sa vie et ses œuvres. Paris, 1888.
Marie von Baskirtscheff: “Journal intime.” Paris, 1890.
Marie Baskirtscheff:
Cornelius Gurlitt: Marie Baskirtscheff und ihr Tagebuch, in “Die Kunst unserer Zeit,” 1892, i 61.
Léon L’Hermitte:
Robert Walker: L’Hermitte, “Art Journal,” 1886, p. 266.
Raffaelli:
Alfred de Lostalot: Expositions diverses à Paris: Œuvres de M. J. F. Raffaelli, “Gazette des Beaux-Arts,” 1884, i 334.
Emil Hannover: Raffaelli, “Af Dagens Krönike.” Kopenhagen, 1889.
J. de Nittis:
Philippe Burty: “L’Art,” 1880, p. 276.
Henry Jouin: Maîtres contemporains, p. 229. Paris, 1887.
Ferdinand Heilbuth:
A. Hustin: “L’Art,” 1889, ii 268.
A. Helferich: “Kunst für Alle,” v, 1890, p. 61.
Gervex:
F. Jahyer: Galerie contemporaine litéraire et artistique, 1879, p. 178.
Friant:
Roger Marx: Silhouettes d’artistes contemporains, “L’Art,” 1883, p. 461.
Ulysse Butin:
Paul Leroi: “L’Art,” 1878, ii 25.
Abel Patoux: “L’Art,” 1890, ii 7, 117.
Dagnan-Bouveret:
B. Karageorgevitsch: “Magazine of Art,” February 1893, No. 148.
On the more Modern Landscape Painters in General:
P. Taren: Die moderne Landschaft, “Gegenwart,” 1889, 20.
On Neo-Impressionism:
Paul Signac: D’Eugène Delacroix au Neo-impressionisme. Paris, 1903.
George Seurat:
Obituary in the “Chronique des Arts,” 1890, 14.
Cheret:
Ernest Maindron: Les affiches illustrées, “Gazette des Beaux-Arts,” 1884, ii 418 and 435.
Karl Huysmans: Certains. Paris, 1891.
L’affiche illustrée. Le roi de l’affiche. L’œuvre de Chéret, etc., “La Plume,” No. 110, 15 November 1893.
R. H. Sherard: “Magazine of Art,” September 1893, No. 155.
L. Morin: Quelques artistes de ce temps. [Cherét, Vierge.] Paris, 1898.
G. Kahn: Jules Chéret, “Art et Decoration,” xii, 1902, p. 177.
Steinlen:
Crouzat: A. de Steinlen, peintre, graveur, lithographe. Paris, Maison du livre, 1902.
Paul Renouard:
Eugène Véron: “L’Art,” 1875, iii 58; 1876, iv 252.
Jules Claretie: M. Paul Renouard et l’Opéra, “Gazette des Beaux-Arts,” 1881, i 435.
Daniel Vierge:
J. and E. R. Pennell: Daniel Vierge, “Portfolio,” 1888, p. 201.
By the Editor: “Magazine of Art,” 1892, No. 146 (December).
Cazin:
Leon Bénédite: Cazin. Paris, 1902.
Lautrec:
E. Klassowki: Die Maler von Montmartre [Billotte, Steinlen, Toulouse-Lautrec, Léandre]. “Die Kunst,” Bd. 15. Edited by R. Muther.
André Rivoire: “Revue de l’art ancien et moderne,” xi, 1902.
Carrière:
G. Geffroy: La vie artistique. Préface d’Edmond de Goncourt. Pointe sèche d’Eugène Carrière. Paris, Dentu, 1893.
Léailles: E. Carrière, l’homme et l’artiste. Paris, 1901.
G. Geffroy: L’œuvre d’Eugène Carrière. Paris, 1902.
Aman-Jean:
A. Beaunier, Aman-Jean, “Art et Decoration,” vi, 1899.
Odilon Redon:
J. Destrée: L’œuvre lithographique de Odilon Redon. Catalogue descriptif. Bruxelles, 1891.
CHAPTER XXXV
In General:Francisco Tubino: The Revival of Spanish Art. 1882.Spanische Künstlermappe. Edited by Prince Ludwig Ferdinand, with an Introduction by F. Reber. Munich, 1885.Gustav Diercks: Moderne spanische Maler, “Vom Fels zum Meer,” 1890, 5.Fortuny:“Zeitschrift für bildende Kunst,” ix, 1874, p. 341.J. C. Davillier: Fortuny, sa vie, son œuvre, sa correspondance. Avec cinq dessins inédits en facsimile et deux eaux-fortes originales. Paris, Aubry, 1876.Fortuny und die moderne Malerei der Spanier, “Allgemeine Zeitung,” 1881, Supplement, 245.Walther Fol: “Gazette des Beaux-Arts,” 1875, i 267, 351.Charles Yriarte: “L’Art,” 1875, i 361.Charles Yriarte, in “Les artistes célèbres.” Paris, 1885.See also the Fortuny Album published by Goupil. 40 page photographs. Paris, 1889.Pradilla:Delia Hart: “Art Journal,” 1891, p. 257.
In General:
Francisco Tubino: The Revival of Spanish Art. 1882.
Spanische Künstlermappe. Edited by Prince Ludwig Ferdinand, with an Introduction by F. Reber. Munich, 1885.
Gustav Diercks: Moderne spanische Maler, “Vom Fels zum Meer,” 1890, 5.
Fortuny:
“Zeitschrift für bildende Kunst,” ix, 1874, p. 341.
J. C. Davillier: Fortuny, sa vie, son œuvre, sa correspondance. Avec cinq dessins inédits en facsimile et deux eaux-fortes originales. Paris, Aubry, 1876.
Fortuny und die moderne Malerei der Spanier, “Allgemeine Zeitung,” 1881, Supplement, 245.
Walther Fol: “Gazette des Beaux-Arts,” 1875, i 267, 351.
Charles Yriarte: “L’Art,” 1875, i 361.
Charles Yriarte, in “Les artistes célèbres.” Paris, 1885.
See also the Fortuny Album published by Goupil. 40 page photographs. Paris, 1889.
Pradilla:
Delia Hart: “Art Journal,” 1891, p. 257.
CHAPTER XXXVI
James Jackson Jarves: Modern Italian Painters and Painting, “Art Journal,” 1880, p. 261.P. P.: Die Kunstausstellung im Senatspalast zu Mailand, “Zeitschrift für bildende Kunst,” xvi, 1881, 361, 381.Camillo Boito: Pittura e scultura. Milano, 1883.Die modernen Venetianer Maler, “Allgemeine Kunstchronik,” 1884, viii 2.Milliot: De l’art actuel en Italie, “Revue du monde latin,” Juin, 1887.Angelo de Gubernatis: Dizionario degli Artisti Italiani viventi. Firenze, 1889.M. Wittich: Italienische Malerei. Mappe, 1890, 8.Helen Zimmern: Die moderne Kunst in Italien, “Kunst unserer Zeit,” 1890, p. 74.A. Stella: Pittura e Scultura in Piemonte. Turin, Paravia & Comp., 1893.On the Neapolitans:Principessa della Rocca: Artisti Italiani Viventi (Napolitani). Napoli, 1878.Helen Zimmern: Die neapolitanische Malerschule, “Kunst für Alle,” 1889, p. 81.Morelli:Helen Zimmern: “Art Journal,” 1885, pp. 345 and 357.E. Dalbano: Domenico Morelli. Napoli Nobilissima, xi, 1902.Michetti:Helen Zimmern: “Art Journal,” 1887, pp. 16 and 41.Dalbono:Helen Zimmern: “Art Journal,” 1888, p. 45.Favretto:Obituaries in 1887: Garocci, “Arte e storia,” vi 16; “Chronique des Arts,” 24; “Allgemeine Kunstchronik,” 26; “Mittheilungen des Mähr. Gewerbemuseums,” 8; “Courrier de l’Art,” vi 25; “Kunstchronik,” xxii 37; “The Saturday Review,” 1 October 1887.See also Giacomo Favretto e le sue opere. Edizione unica di tutti i principali Capolavori del celebre Artista Veneziano. Publicata per cura di G. Cesare Sicco. Torino, 1887.L. Brasch: Giacomo Favretta, “Die Kunst unserer Zeit,” xii, 1902.Segantini:W. Fred: Giovanni Segantini. Wien, 1901.Franz Servaes: Giovanni Segantini. Sein Leben und sein Werk. Hrsg. v. k. k. Ministerium für Kultus und Unterricht. Wien, M. Serlach & Co. 1901.
James Jackson Jarves: Modern Italian Painters and Painting, “Art Journal,” 1880, p. 261.
P. P.: Die Kunstausstellung im Senatspalast zu Mailand, “Zeitschrift für bildende Kunst,” xvi, 1881, 361, 381.
Camillo Boito: Pittura e scultura. Milano, 1883.
Die modernen Venetianer Maler, “Allgemeine Kunstchronik,” 1884, viii 2.
Milliot: De l’art actuel en Italie, “Revue du monde latin,” Juin, 1887.
Angelo de Gubernatis: Dizionario degli Artisti Italiani viventi. Firenze, 1889.
M. Wittich: Italienische Malerei. Mappe, 1890, 8.
Helen Zimmern: Die moderne Kunst in Italien, “Kunst unserer Zeit,” 1890, p. 74.
A. Stella: Pittura e Scultura in Piemonte. Turin, Paravia & Comp., 1893.
On the Neapolitans:
Principessa della Rocca: Artisti Italiani Viventi (Napolitani). Napoli, 1878.
Helen Zimmern: Die neapolitanische Malerschule, “Kunst für Alle,” 1889, p. 81.
Morelli:
Helen Zimmern: “Art Journal,” 1885, pp. 345 and 357.
E. Dalbano: Domenico Morelli. Napoli Nobilissima, xi, 1902.
Michetti:
Helen Zimmern: “Art Journal,” 1887, pp. 16 and 41.
Dalbono:
Helen Zimmern: “Art Journal,” 1888, p. 45.
Favretto:
Obituaries in 1887: Garocci, “Arte e storia,” vi 16; “Chronique des Arts,” 24; “Allgemeine Kunstchronik,” 26; “Mittheilungen des Mähr. Gewerbemuseums,” 8; “Courrier de l’Art,” vi 25; “Kunstchronik,” xxii 37; “The Saturday Review,” 1 October 1887.
See also Giacomo Favretto e le sue opere. Edizione unica di tutti i principali Capolavori del celebre Artista Veneziano. Publicata per cura di G. Cesare Sicco. Torino, 1887.
L. Brasch: Giacomo Favretta, “Die Kunst unserer Zeit,” xii, 1902.
Segantini:
W. Fred: Giovanni Segantini. Wien, 1901.
Franz Servaes: Giovanni Segantini. Sein Leben und sein Werk. Hrsg. v. k. k. Ministerium für Kultus und Unterricht. Wien, M. Serlach & Co. 1901.
CHAPTER XXXVII
In General:Frederick Wedmore: Some tendencies in Recent Painting, “Temple Bar,” July 1878.E. Chesneau: Artistes anglais contemporains. Paris, 1887.Claude Phillips: The Progress of English Art as shown at the Manchester Exhibition, “Magazine of Art,” December 1887.Ford Madox Brown on the same subject in the “Magazine of Art,” February 1888.Rutari: Kunst und Künstler in England, “Kölnische Zeitung,” 1890, 205.Leighton:J. Beavington Atkinson: “Portfolio,” 1870, p. 161.Mrs. A. Lang: Sir F. Leighton, his Life and Work. 42 Plates. “The Art Annual,” 1884. London, Virtue.Wyke Bayliss: Five Great Painters of the Victorian Era. London, Sampson Low, Marston & Co. 1902.G. C. Williamson: Frederic Lord Leighton. London, G. Bell & Sons, 1902.Poynter:Sidney Colvin: “Portfolio,” 1871, 1.P. G. Hamerton: “Portfolio,” 1877, 11.James Dafforne: “Art Journal,” 1877, p. 18; 1881, p. 26.Alma Tadema:G. A. Simcox: “Portfolio,” 1874, p. 109.H. Billung: “Zeitschrift für bildende Kunst,” 1879, xiv 229, 269.The Works of Laurence Alma Tadema, “Art Journal,” February 1883.Alice Meynell: L. Alma Tadema, “Art Journal,” November 1884.Georg Ebers: Lorenz Alma Tadema, “Westermanns Monatshefte,” November and December 1885.Helen Zimmern: L. Alma Tadema, his Life and Work, “The Art Annual,” 1886. London, Virtue.K. Brügge: Alma Tadema, “Vom Fels zum Meer,” 1887, 2.Helen Zimmern in “Die Kunst unserer Zeit,” 1890, ii 130.Rudolf de Cardova: Sir Laurence Alma Tadema, “Cassell’s Magazine,” 1902.H. Zimmern: Sir Laurence Alma Tadema. London, G. Bell & Sons, 1902.Albert Moore:Sidney Colvin: “Portfolio,” 1870, 1.Harold Frederic: “Scribner’s Magazine,” December 1891, p. 712.Karl Blind: “Vom Fels zum Meer,” 1892.Briton Rivière:James Dafforne: The Works of Briton Rivière, “Art Journal,” 1878, p. 5.Walter Armstrong: Briton Rivière, his Life and Work, “Art Annual,” 1891. London, Virtue.A. Braun: Ein englischer Thiermaler, “Allgemeine Kunstchronik,” 1888, 37-39.R. Caldecott:Claude Phillips: “Gazette des Beaux-Arts,” 1886, i 327.See also R. Caldecott: Sketches, with an Introduction by H. Blackburn. London, 1890.George Mason:Sidney Colvin: George Mason, “Portfolio,” 1871, p. 113.G. A. Simcox: Mr. Mason’s Collected Works, “Portfolio,” 1873, p. 40.Alice Meynell: “Art Journal,” 1883, pp. 43, 108, and 185.Walker:Sidney Colvin: Frederick Walker, “Portfolio,” 1870, p. 33.Obituary in the “Art Journal,” 1875, pp. 232, 254, 351.James Dafforne: The Works of Frederick Walker, “Art Journal,” 1876, p. 297.J. Comyns Carr: “Portfolio,” 1875, p. 117.J. Comyns Carr: “L’Art,” 1876, i 175, ii 130.J. Comyns Carr: Frederick Walker, an Essay. London, 1885.Clementina Black: Frederick Walker. London, Duckworth, 1902.G. H. Boughton:Sidney Colvin: “Portfolio,” 1871, p. 65.James Dafforne: “Art Journal,” 1873, p. 41.G. D. Leslie:Tom Taylor: “Portfolio,” 1870, p. 177.P. H. Calderon:Tom Taylor: “Portfolio,” 1870, p. 97.James Dafforne: “Art Journal,” 1870, p. 9.Marcus Stone:Lionel G. Robinson: “Art Journal,” 1885, p. 68.Frank Holl:Harry Quilter: In Memoriam: Frank Holl, “Universal Review,” August 1888.Erwin Volckmann: “Zeitschrift für bildende Kunst,” xxiv, 1889, p. 130.Gertrude E. Campbell: “Art Journal,” 1889, p. 53.Herkomer:J. Dafforne: The Works of Hubert Herkomer, “Art Journal,” 1880, p. 109.Helen Zimmern: H. Herkomer, “Kunst für Alle,” vi, 1891, i.W. L. Courtney: Professor Hubert Herkomer, Royal Academician, his Life and Work, “Art Annual” for 1892. London, Virtue.Ludwig Pietsch: Hubert Herkomer, “Velhagen und Klasings Monatshefte,” 1892.See also H. Herkomer: Etching and Mezzotint Engraving. Lectures delivered at Oxford. London, 1892.L. Pietsch: Herkomer, “Künstlermonographien.” Ed. Knackfuss, No. 54. Bielefeld, 1901.On Modern English Landscape:P. G. Hamerton: The Landscape-Painters, “Portfolio,” 1870, p. 145.Alfred Dawson: English Landscape Art, its Position and Prospects. London, 1876.Alfred W. Hunt: Modern English Landscape-Painting, “Nineteenth Century,” May 1880.Cecil Lawson:“Art Journal,” 1882, p 223.Heseltine Ovon: “Magazine of Art,” No. 158, December 1893.Hook:F. G. Stephens: James Clarke Hook, “Portfolio,” 1871, p. 181.A. H. Palmer: James Clarke Hook, “Portfolio,” 1888, pp. 1, 35, 74, 105, 165.Frederick George Stephens: James Clarke Hook, his Life and Work, “Art Annual,” 1888. London, Virtue.Vicat Cole:James Dafforne: “Art Journal,” 1870, p. 177.Colin Hunter:Walter Armstrong: “Art Journal,” 1885, p. 117.Birket Foster:James Dafforne: “Art Journal,” 1871, p. 157.Marcus B. Huish: “Art Annual,” 1890. London, Virtue.David Murray:Marion Hepworth Dixon: “Art Journal,” 1891, p. 144.W. Armstrong: “Magazine of Art,” 1891, p. 397.Ernest Parton:“Art Journal,” 1892, p. 353.W. B. Leader:James Dafforne: “Art Journal,” 1871, p. 45.W. L. Wyllie:J. Penderel-Brodhurst: “Art Journal,” 1889, p. 220.Henry Moore:“Art Journal,” 1881, pp. 161 and 223.P. G. Hamerton: A Modern Marine Painter, “Portfolio,” 1890, pp. 88 and 110.On the Group of English Painters working in Venice:Julia Cartwright: The Artist in Venice, “Portfolio,” 1884, p 17.Henry Woods:“Art Journal,” 1886, p. 97.Clara Montalba:Paul Leroi: “L’Art,” 1882, iii 207.Stanhope A. Forbes:Wilfrid Meynell: “Art Journal,” 1892, p. 65.Shaw:P. G. Konody: Byam Shaw, “Kunst und Kunsthandwerk,” v, 1902.
In General:
Frederick Wedmore: Some tendencies in Recent Painting, “Temple Bar,” July 1878.
E. Chesneau: Artistes anglais contemporains. Paris, 1887.
Claude Phillips: The Progress of English Art as shown at the Manchester Exhibition, “Magazine of Art,” December 1887.
Ford Madox Brown on the same subject in the “Magazine of Art,” February 1888.
Rutari: Kunst und Künstler in England, “Kölnische Zeitung,” 1890, 205.
Leighton:
J. Beavington Atkinson: “Portfolio,” 1870, p. 161.
Mrs. A. Lang: Sir F. Leighton, his Life and Work. 42 Plates. “The Art Annual,” 1884. London, Virtue.
Wyke Bayliss: Five Great Painters of the Victorian Era. London, Sampson Low, Marston & Co. 1902.
G. C. Williamson: Frederic Lord Leighton. London, G. Bell & Sons, 1902.
Poynter:
Sidney Colvin: “Portfolio,” 1871, 1.
P. G. Hamerton: “Portfolio,” 1877, 11.
James Dafforne: “Art Journal,” 1877, p. 18; 1881, p. 26.
Alma Tadema:
G. A. Simcox: “Portfolio,” 1874, p. 109.
H. Billung: “Zeitschrift für bildende Kunst,” 1879, xiv 229, 269.
The Works of Laurence Alma Tadema, “Art Journal,” February 1883.
Alice Meynell: L. Alma Tadema, “Art Journal,” November 1884.
Georg Ebers: Lorenz Alma Tadema, “Westermanns Monatshefte,” November and December 1885.
Helen Zimmern: L. Alma Tadema, his Life and Work, “The Art Annual,” 1886. London, Virtue.
K. Brügge: Alma Tadema, “Vom Fels zum Meer,” 1887, 2.
Helen Zimmern in “Die Kunst unserer Zeit,” 1890, ii 130.
Rudolf de Cardova: Sir Laurence Alma Tadema, “Cassell’s Magazine,” 1902.
H. Zimmern: Sir Laurence Alma Tadema. London, G. Bell & Sons, 1902.
Albert Moore:
Sidney Colvin: “Portfolio,” 1870, 1.
Harold Frederic: “Scribner’s Magazine,” December 1891, p. 712.
Karl Blind: “Vom Fels zum Meer,” 1892.
Briton Rivière:
James Dafforne: The Works of Briton Rivière, “Art Journal,” 1878, p. 5.
Walter Armstrong: Briton Rivière, his Life and Work, “Art Annual,” 1891. London, Virtue.
A. Braun: Ein englischer Thiermaler, “Allgemeine Kunstchronik,” 1888, 37-39.
R. Caldecott:
Claude Phillips: “Gazette des Beaux-Arts,” 1886, i 327.
See also R. Caldecott: Sketches, with an Introduction by H. Blackburn. London, 1890.
George Mason:
Sidney Colvin: George Mason, “Portfolio,” 1871, p. 113.
G. A. Simcox: Mr. Mason’s Collected Works, “Portfolio,” 1873, p. 40.
Alice Meynell: “Art Journal,” 1883, pp. 43, 108, and 185.
Walker:
Sidney Colvin: Frederick Walker, “Portfolio,” 1870, p. 33.
Obituary in the “Art Journal,” 1875, pp. 232, 254, 351.
James Dafforne: The Works of Frederick Walker, “Art Journal,” 1876, p. 297.
J. Comyns Carr: “Portfolio,” 1875, p. 117.
J. Comyns Carr: “L’Art,” 1876, i 175, ii 130.
J. Comyns Carr: Frederick Walker, an Essay. London, 1885.
Clementina Black: Frederick Walker. London, Duckworth, 1902.
G. H. Boughton:
Sidney Colvin: “Portfolio,” 1871, p. 65.
James Dafforne: “Art Journal,” 1873, p. 41.
G. D. Leslie:
Tom Taylor: “Portfolio,” 1870, p. 177.
P. H. Calderon:
Tom Taylor: “Portfolio,” 1870, p. 97.
James Dafforne: “Art Journal,” 1870, p. 9.
Marcus Stone:
Lionel G. Robinson: “Art Journal,” 1885, p. 68.
Frank Holl:
Harry Quilter: In Memoriam: Frank Holl, “Universal Review,” August 1888.
Erwin Volckmann: “Zeitschrift für bildende Kunst,” xxiv, 1889, p. 130.
Gertrude E. Campbell: “Art Journal,” 1889, p. 53.
Herkomer:
J. Dafforne: The Works of Hubert Herkomer, “Art Journal,” 1880, p. 109.
Helen Zimmern: H. Herkomer, “Kunst für Alle,” vi, 1891, i.
W. L. Courtney: Professor Hubert Herkomer, Royal Academician, his Life and Work, “Art Annual” for 1892. London, Virtue.
Ludwig Pietsch: Hubert Herkomer, “Velhagen und Klasings Monatshefte,” 1892.
See also H. Herkomer: Etching and Mezzotint Engraving. Lectures delivered at Oxford. London, 1892.
L. Pietsch: Herkomer, “Künstlermonographien.” Ed. Knackfuss, No. 54. Bielefeld, 1901.
On Modern English Landscape:
P. G. Hamerton: The Landscape-Painters, “Portfolio,” 1870, p. 145.
Alfred Dawson: English Landscape Art, its Position and Prospects. London, 1876.
Alfred W. Hunt: Modern English Landscape-Painting, “Nineteenth Century,” May 1880.
Cecil Lawson:
“Art Journal,” 1882, p 223.
Heseltine Ovon: “Magazine of Art,” No. 158, December 1893.
Hook:
F. G. Stephens: James Clarke Hook, “Portfolio,” 1871, p. 181.
A. H. Palmer: James Clarke Hook, “Portfolio,” 1888, pp. 1, 35, 74, 105, 165.
Frederick George Stephens: James Clarke Hook, his Life and Work, “Art Annual,” 1888. London, Virtue.
Vicat Cole:
James Dafforne: “Art Journal,” 1870, p. 177.
Colin Hunter:
Walter Armstrong: “Art Journal,” 1885, p. 117.
Birket Foster:
James Dafforne: “Art Journal,” 1871, p. 157.
Marcus B. Huish: “Art Annual,” 1890. London, Virtue.
David Murray:
Marion Hepworth Dixon: “Art Journal,” 1891, p. 144.
W. Armstrong: “Magazine of Art,” 1891, p. 397.
Ernest Parton:
“Art Journal,” 1892, p. 353.
W. B. Leader:
James Dafforne: “Art Journal,” 1871, p. 45.
W. L. Wyllie:
J. Penderel-Brodhurst: “Art Journal,” 1889, p. 220.
Henry Moore:
“Art Journal,” 1881, pp. 161 and 223.
P. G. Hamerton: A Modern Marine Painter, “Portfolio,” 1890, pp. 88 and 110.
On the Group of English Painters working in Venice:
Julia Cartwright: The Artist in Venice, “Portfolio,” 1884, p 17.
Henry Woods:
“Art Journal,” 1886, p. 97.
Clara Montalba:
Paul Leroi: “L’Art,” 1882, iii 207.
Stanhope A. Forbes:
Wilfrid Meynell: “Art Journal,” 1892, p. 65.
Shaw:
P. G. Konody: Byam Shaw, “Kunst und Kunsthandwerk,” v, 1902.
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