Census of the Empire
As to constitution and administration, we have already noticed elsewhere the most important elements of the new unity— the transition of the sovereignty from the municipal council of Rome to the sole master of the Mediterranean monarchy; the conversion of that municipal council into a supreme imperial council representing Italy and the provinces; above all, the transference—now commenced— of the Roman, and generally of the Italian, municipal organization to the provincial communities. This latter course—the bestowal of Latin, and thereafter of Roman, rights on the communities ripe for full admission to the united state—gradually of itself brought about uniform communal arrangements. In one respect alone this process could not be waited for. The new empire needed immediately an institution which should place before the government at a glance the principal bases of administration—the proportions of population and property in the different communities— in other words an improved census. First the census of Italy was reformed. According to Caesar's ordinance(101)—which probably, indeed, only carried out the arrangements which were, at least as to principle, adopted in consequence of the Social war— in future, when a census took place in the Roman community, there were to be simultaneously registered by the highest authority in each Italian community the name of every municipal burgess and that of his father or manumitter, his district, his age, and his property; and these lists were to be furnished to the Roman censor early enough to enable him to complete in proper time the general list of Roman burgesses and of Roman property. That it was Caesar's intention to introduce similar institutions also in the provinces is attested partly by the measurement and survey of the whole empire ordered by him, partly by the nature of the arrangement itself; for it in fact furnished the general instrument appropriate for procuring, as well in the Italian as in the non-Italian communities of the state, the information requisite for the central administration. Evidently here too it was Caesar's intention to revert to the traditions of the earlier republican times, and to reintroduce the census of the empire, which the earlier republic had effected— essentially in the same way as Caesar effected the Italian— by analogous extension of the institution of the urban censorship with its set terms and other essential rules to all the subject communities of Italy and Sicily.(102) This had been one of the first institutions which the torpid aristocracy allowed to drop, and in this way deprived the supreme administrative authority of any view of the resources in men and taxation at its disposal and consequently of all possibility of an effective control.(103) The indications still extant, and the very connection of things, show irrefragably that Caesar made preparations to renew the general census that had been obsolete for centuries.
Religion of the Empire
We need scarcely say that in religion and in jurisprudence no thorough levelling could be thought of; yet with all toleration towards local faiths and municipal statutes the new state needed a common worship corresponding to the Italo-Hellenic nationality and a general code of law superior to the municipal statutes. It needed them; for de facto both were already in existence. In the field of religion men had for centuries been busied in fusing together the Italian and Hellenic worships partly by external adoption, partly by internal adjustment of their respective conceptions of the gods; and owing to the pliant formless character of the Italian gods, there had been no great difficulty in resolving Jupiter into Zeus, Venus into Aphrodite, and so every essential idea of the Latin faith into its Hellenic counterpart. The Italo-Hellenic religion stood forth in its outlines ready-made; how much in this very department men were conscious of having gone beyond the specifically Roman point of view and advanced towards an Italo-Hellenic quasi-nationality, is shown by the distinction made in the already-mentioned theology of Varro between the "common" gods, that is, those acknowledged by Romans and Greeks, and the special gods of the Roman community.
Law of the Empire
So far as concerns the field of criminal and police law, where the government more directly interferes and the necessities of the case are substantially met by a judicious legislation, there was no difficulty in attaining, in the way of legislative action, that degree of material uniformity which certainly was in this department needful for the unity of the empire. In the civil law again, where the initiative belongs to commercial intercourse and merely the formal shape to the legislator, the code for the united empire, which the legislator certainly could not have created, had been already long since developed in a natural way by commercial intercourse itself. The Roman urban law was still indeed legally based on the embodiment of the Latin national law contained in the Twelve Tables. Later laws had doubtless introduced various improvements of detail suited to the times, among which the most important was probably the abolition of the old inconvenient mode of commencing a process through standing forms of declaration by the parties(104) and the substitution of an instruction drawn up in writing by the presiding magistrate for the single juryman (formula): but in the main the popular legislation had only piled upon that venerable foundation an endless chaos of special laws long since in great part antiquated and forgotten, which can only be compared to the English statute-law. The attempts to impart to them scientific shape and system had certainly rendered the tortuous paths of the old civil law accessible, and thrown light upon them;(105) but no Roman Blackstone could remedy the fundamental defect, that an urban code composed four hundred years ago with its equally diffuse and confused supplements was now to serve as the law of a great state.
The New Urban Law or the Edict
Commercial intercourse provided for itself a more thorough remedy. The lively intercourse between Romans and non-Romans had long ago developed in Rome an international private law (-ius gentium-;(106)), that is to say, a body of maxims especially relating to commercial matters, according to which Roman judges pronounced judgment, when a cause could not be decided either according to their own or any other national code and they were compelled—setting aside the peculiarities of Roman, Hellenic, Phoenician and other law— to revert to the common views of right underlying all dealings. The formation of the newer law attached itself to this basis. In the first place as a standard for the legal dealings of Roman burgesses with each other, it de facto substituted for the old urban law, which had become practically useless, a new code based in substance on a compromise between the national law of the Twelve Tables and the international law or so-called law of nations. The former was essentially adhered to, though of course with modifications suited to the times, in the law of marriage, family, and inheritance; whereas in all regulations which concerned dealings with property, and consequently in reference to ownership and contracts, the international law was the standard; in these matters indeed various important arrangements were borrowed even from local provincial law, such as the legislation as to usury,(107) and the institution of -hypotheca-. Through whom, when, and how this comprehensive innovation came into existence, whether at once or gradually, whether through one or several authors, are questions to which we cannot furnish a satisfactory answer. We know only that this reform, as was natural, proceeded in the first instance from the urban court; that it first took formal shape in the instructions annually issued by the -praetor urbanus-, when entering on office, for the guidance of the parties in reference to the most important maxims of law to be observed in the judicial year then beginning (-edictum annuum- or -perpetuum praetoris urbani de iuris dictione-); and that, although various preparatory steps towards it may have been taken in earlier times, it certainly only attained its completion in this epoch. The new code was theoretic and abstract, inasmuch as the Roman view of law had therein divested itself of such of its national peculiarities as it had become aware of; but it was at the same time practical and positive, inasmuch as it by no means faded away into the dim twilight of general equity or even into the pure nothingness of the so-called law of nature, but was applied by definite functionaries for definite concrete cases according to fixed rules, and was not merely capable of, but had already essentially received, a legal embodiment in the urban edict. This code moreover corresponded in matter to the wants of the time, in so far as it furnished the more convenient forms required by the increase of intercourse for legal procedure, for acquisition of property, and for conclusion of contracts. Lastly, it had already in the main become subsidiary law throughout the compass of the Roman empire, inasmuch as— while the manifold local statutes were retained for those legal relations which were not directly commercial, as well as for local transactions between members of the same legal district—dealings relating to property between subjects of the empire belonging to different legal districts were regulated throughout after the model of the urban edict, though not applicable de jure to these cases, both in Italy and in the provinces. The law of the urban edict had thus essentially the same position in that age which the Roman law has occupied in our political development; this also is, so far as such opposites can be combined, at once abstract and positive; this also recommended itself by its (compared with the earlier legal code) flexible forms of intercourse, and took its place by the side of the local statutes as universal subsidiary law. But the Roman legal development had an essential advantage over ours in this, that the denationalized legislation appeared not, as with us, prematurely and by artificial birth, but at the right time and agreeably to nature.
Caesar's Project of Codification
Such was the state of the law as Caesar found it. If he projected the plan for a new code, it is not difficult to say what were his intentions. This code could only comprehend the law of Roman burgesses, and could be a general code for the empire merely so far as a code of the ruling nation suitable to the times could not but of itself become general subsidiary law throughout the compass of the empire. In criminal law, if the plan embraced this at all, there was needed only a revision and adjustment of the Sullan ordinances. In civil law, for a state whose nationality was properly humanity, the necessary and only possible formal shape was to invest that urban edict, which had already spontaneously grown out of lawful commerce, with the security and precision of statute-law. The first step towards this had been taken by the Cornelian law of 687, when it enjoined the judge to keep to the maxims set forth at the beginning of his magistracy and not arbitrarily to administer other law (108)—a regulation, which may well be compared with the law of the Twelve Tables, and which became almost as significant for the fixing of the later urban law as that collection for the fixing of the earlier. But although after the Cornelian decree of the people the edict was no longer subordinate to the judge, but the judge was by law subject to the edict; and though the new code had practically dispossessed the old urban law in judicial usage as in legal instruction—every urban judge was still free at his entrance on office absolutely and arbitrarily to alter the edict, and the law of the Twelve Tables with its additions still always outweighed formally the urban edict, so that in each individual case of collision the antiquated rule had to be set aside by arbitrary interference of the magistrates, and therefore, strictly speaking, by violation of formal law. The subsidiary application of the urban edict in the court of the -praetor peregrinus- at Rome and in the different provincial judicatures was entirely subject to the arbitrary pleasure of the individual presiding magistrates. It was evidently necessary to set aside definitely the old urban law, so far as it had not been transferred to the newer, and in the case of the latter to set suitable limits to its arbitrary alteration by each individual urban judge, possibly also to regulate its subsidiary application by the side of the local statutes. This was Caesars design, when he projected the plan for his code; for it could not have been otherwise. The plan was not executed; and thus that troublesome state of transition in Roman jurisprudence was perpetuated till this necessary reform was accomplished six centuries afterwards, and then but imperfectly, by one of the successors of Caesar, the Emperor Justinian.
Lastly, in money, measures, and weights the substantial equalization of the Latin and Hellenic systems had long been in progress. It was very ancient so far as concerned the definitions of weight and the measures of capacity and of length indispensable for trade and commerce,(109) and in the monetary system little more recent than the introduction of the silver coinage.(110) But these older equations were not sufficient, because in the Hellenic world itself the most varied metrical and monetary systems subsisted side by side; it was necessary, and formed part doubtless of Caesar's plan, now to introduce everywhere in the new united empire, so far as this had not been done already, Roman money, Roman measures, and Roman weights in such a manner that they alone should be reckoned by in official intercourse, and that the non-Roman systems should be restricted to local currency or placed in a—once for all regulated—ratio to the Roman.(111) The action of Caesar, however, can only be pointed out in two of the most important of these departments, the monetary system and the calendar.
Gold Coin as Imperial Currency
The Roman monetary system was based on the two precious metals circulating side by side and in a fixed relation to each other, gold being given and taken according to weight,(112) silver in the form of coin; but practically in consequence of the extensive transmarine intercourse the gold far preponderated over the silver. Whether the acceptance of Roman silver money was not even at an earlier period obligatory throughout the empire, is uncertain; at any rate uncoined gold essentially supplied the place of imperial money throughout the Roman territory, the more so as the Romans had prohibited the coining of gold in all the provinces and client- states, and the -denarius- had, in addition to Italy, de jure or de facto naturalized itself in Cisalpine Gaul, in Sicily, in Spain and various other places, especially in the west.(113) but the imperial coinage begins with Caesar. Exactly like Alexander, he marked the foundation of the new monarchy embracing the civilized world by the fact that the only metal forming an universal medium obtained the first place in the coinage. The greatness of the scale on which the new Caesarian gold piece (20 shillings 7 pence according to the present value of the metal) was immediately coined, is shown by the fact that in a single treasure buried seven years after Caesar's death 80,000 of these pieces were found together. It is true that financial speculations may have exercised a collateral influence in this respect.(114) as to the silver money, the exclusive rule of the Roman -denarius- in all the west, for which the foundation had previously been laid, was finally established by Caesar, when he definitively closed the only Occidental mint that still competed in silver currency with the Roman, that of Massilia. The coining of silver or copper small money was still permitted to a number of Occidental communities; three-quarter -denarii- were struck by some Latin communities of southern Gaul, half -denarii- by several cantons in northern Gaul, copper small coins in various instances even after Caesar's time by communes of the west; but this small money was throughout coined after the Roman standard, and its acceptance moreover was probably obligatory only in local dealings. Caesar does not seem any more than the earlier government to have contemplated the regulation with a view to unity of the monetary system of the east, where great masses of coarse silver money—much of which too easily admitted of being debased or worn away—and to some extent even, as in Egypt, a copper coinage akin to our paper money were in circulation, and the Syrian commercial cities would have felt very severely the want of their previous national coinage corresponding to the Mesopotamian currency. We find here subsequently the arrangement that the -denarius- has everywhere legal currency and is the only medium of official reckoning,(115) while the local coins have legal currency within their limited range but according to a tariff unfavourable for them as compared with the -denarius-.(116) This was probably not introduced all at once, and in part perhaps may have preceded Caesar; but it was at any rate the essential complement of the Caesarian arrangement as to the imperial coinage, whose new gold piece found its immediate model in the almost equally heavy coin of Alexander and was doubtless calculated especially for circulation in the east.
Reform of the Calendar
Of a kindred nature was the reform of the calendar. The republican calendar, which strangely enough was still the old decemviral calendar—an imperfect adoption of the -octaeteris- that preceded Meton (117)—had by a combination of wretched mathematics and wretched administration come to anticipate the true time by 67 whole days, so that e. g. the festival of Flora was celebrated on the 11th July instead of the 28th April. Caesar finally removed this evil, and with the help of the Greek mathematician Sosigenes introduced the Italian farmer's year regulated according to the Egyptian calendar of Eudoxus, as well as a rational system of intercalation, into religious and official use; while at the same time the beginning of the year on the 1st March of the old calendar was abolished, and the date of the 1st January—fixed at first as the official term for changing the supreme magistrates and, in consequence of this, long since prevailing in civil life— was assumed also as the calendar-period for commencing the year. Both changes came into effect on the 1st January 709, and along with them the use of the Julian calendar so named after its author, which long after the fall of the monarchy of Caesar remained the regulative standard of the civilized world and in the main is so still. By way of explanation there was added in a detailed edict a star-calendar derived from the Egyptian astronomical observations and transferred—not indeed very skilfully—to Italy, which fixed the rising and setting of the stars named according to days of the calendar.(118) In this domain also the Roman and Greek worlds were thus placed on a par.
Caesar and His Works
Such were the foundations of the Mediterranean monarchy of Caesar. For the second time in Rome the social question had reached a crisis, at which the antagonisms not only appeared to be, but actually were, in the form of their exhibition, insoluble and, in the form of their expression, irreconcilable. On the former occasion Rome had been saved by the fact that Italy was merged in Rome and Rome in Italy, and in the new enlarged and altered home those old antagonisms were not reconciled, but fell into abeyance. Now Rome was once more saved by the fact that the countries of the Mediterranean were merged in it or became prepared for merging; the war between the Italian poor and rich, which in the old Italy could only end with the destruction of the nation, had no longer a battle-field or a meaning in the Italy of three continents. The Latin colonies closed the gap which threatened to swallow up the Roman community in the fifth century; the deeper chasm of the seventh century was filled by the Transalpine and transmarine colonizations of Gaius Gracchus and Caesar. For Rome alone history not merely performed miracles, but also repeated its miracles, and twice cured the internal crisis, which in the state itself was incurable, by regenerating the state. There was doubtless much corruption in this regeneration; as the union of Italy was accomplished over the ruins of the Samnite and Etruscan nations, so the Mediterranean monarchy built itself on the ruins of countless states and tribes once living and vigorous; but it was a corruption out of which sprang a fresh growth, part of which remains green at the present day. What was pulled down for the sake of the new building, was merely the secondary nationalities which had long since been marked out for destruction by the levelling hand of civilization. Caesar, wherever he came forward as a destroyer, only carried out the pronounced verdict of historical development; but he protected the germs of culture, where and as he found them, in his own land as well as among the sister nation of the Hellenes. He saved and renewed the Roman type; and not only did he spare the Greek type, but with the same self-relying genius with which he accomplished the renewed foundation of Rome he undertook also the regeneration of the Hellenes, and resumed the interrupted work of the great Alexander, whose image, we may well believe, never was absent from Caesar's soul. He solved these two great tasks not merely side by side, but the one by means of the other. The two great essentials of humanity—general and individual development, or state and culture— once in embryo united in those old Graeco-Italians feeding their flocks in primeval simplicity far from the coasts and islands of the Mediterranean, had become dissevered when these were parted into Italians and Hellenes, and had thenceforth remained apart for many centuries. Now the descendant of the Trojan prince and the Latin king's daughter created out of a state without distinctive culture and a cosmopolitan civilization a new whole, in which state and culture again met together at the acme of human existence in the rich fulness of blessed maturity and worthily filled the sphere appropriate to such an union.
The outlines have thus been set forth, which Caesar drew for this work, according to which he laboured himself, and according to which posterity— for many centuries confined to the paths which this great man marked out— endeavoured to prosecute the work, if not with the intellect and energy, yet on the whole in accordance with the intentions, of the illustrious master. Little was finished; much even was merely begun. Whether the plan was complete, those who venture to vie in thought with such a man may decide; we observe no material defect in what lies before us—every single stone of the building enough to make a man immortal, and yet all combining to form one harmonious whole. Caesar ruled as king of Rome for five years and a half, not half as long as Alexander; in the intervals of seven great campaigns, which allowed him to stay not more than fifteen months altogether(119) in the capital of his empire, he regulated the destinies of the world for the present and the future, from the establishment of the boundary-line between civilization and barbarism down to the removal of the pools of rain in the streets of the capital, and yet retained time and composure enough attentively to follow the prize-pieces in the theatre and to confer the chaplet on the victor with improvised verses. The rapidity and self-precision with which the plan was executed prove that it had been long meditated thoroughly and all its parts settled in detail; but, even thus, they remain not much less wonderful than the plan itself. The outlines were laid down and thereby the new state was defined for all coming time; the boundless future alone could complete the structure. So far Caesar might say, that his aim was attained; and this was probably the meaning of the words which were sometimes heard to fall from him—that he had "lived enough." But precisely because the building was an endless one, the master as long as he lived restlessly added stone to stone, with always the same dexterity and always the same elasticity busy at his work, without ever overturning or postponing, just as if there were for him merely a to-day and no to-morrow. Thus he worked and created as never did any mortal before or after him; and as a worker and creator he still, after wellnigh two thousand years, lives in the memory of the nations—the first, and withal unique, Imperator Caesar.
Religion, Culture, Literature, and Art
State Religion
In the development of religion and philosophy no new element appeared during this epoch. The Romano-Hellenic state-religion and the Stoic state-philosophy inseparably combined with it were for every government—oligarchy, democracy or monarchy—not merely a convenient instrument, but quite indispensable for the very reason that it was just as impossible to construct the state wholly without religious elements as to discover any new state-religion fitted to take the place of the old. So the besom of revolution swept doubtless at times very roughly through the cobwebs of the augural bird-lore;(1) nevertheless the rotten machine creaking at every joint survived the earthquake which swallowed up the republic itself, and preserved its insipidity and its arrogance without diminution for transference to the new monarchy. As a matter of course, it fell more and more into disfavour with all those who preserved their freedom of judgment. Towards the state-religion indeed public opinion maintained an attitude essentially indifferent; it was on all sides recognized as an institution of political convenience, and no one specially troubled himself about it with the exception of political and antiquarian literati. But towards its philosophical sister there gradually sprang up among the unprejudiced public that hostility, which the empty and yet perfidious hypocrisy of set phrases never fails in the long run to awaken. That a presentiment of its own worthlessness began to dawn on the Stoa itself, is shown by its attempt artificially to infuse into itself some fresh spirit in the way of syncretism. Antiochus of Ascalon (flourishing about 675), who professed to have patched together the Stoic and Platonic-Aristotelian systems into one organic unity, in reality so far succeeded that his misshapen doctrine became the fashionable philosophy of the conservatives of his time and was conscientiously studied by the genteel dilettanti and literati of Rome. Every one who displayed any intellectual vigour, opposed the Stoa or ignored it. It was principally antipathy towards the boastful and tiresome Roman Pharisees, coupled doubtless with the increasing disposition to take refuge from practical life in indolent apathy or empty irony, that occasioned during this epoch the extension of the system of Epicurus to a larger circle and the naturalization of the Cynic philosophy of Diogenes in Rome. However stale and poor in thought the former might be, a philosophy, which did not seek the way to wisdom through an alteration of traditional terms but contented itself with those in existence, and throughout recognized only the perceptions of sense as true, was always better than the terminological jingle and the hollow conceptions of the Stoic wisdom; and the Cynic philosophy was of all the philosophical systems of the times in so far by much the best, as its system was confined to the having no system at all and sneering at all systems and all systematizers. In both fields war was waged against the Stoa with zeal and success; for serious men, the Epicurean Lucretius preached with the full accents of heartfelt conviction and of holy zeal against the Stoical faith in the gods and providence and the Stoical doctrine of the immortality of the soul; for the great public ready to laugh, the Cynic Varro hit the mark still more sharply with the flying darts of his extensively- read satires. While thus the ablest men of the older generation made war on the Stoa, the younger generation again, such as Catullus, stood in no inward relation to it at all, and passed a far sharper censure on it by completely ignoring it.
The Oriental Religions
But, if in the present instance a faith no longer believed in was maintained out of political convenience, they amply made up for this in other respects. Unbelief and superstition, different hues of the same historical phenomenon, went in the Roman world of that day hand in hand, and there was no lack of individuals who in themselves combined both—who denied the gods with Epicurus, and yet prayed and sacrificed before every shrine. Of course only the gods that came from the east were still in vogue, and, as the men continued to flock from the Greek lands to Italy, so the gods of the east migrated in ever-increasing numbers to the west. The importance of the Phrygian cultus at that time in Rome is shown both by the polemical tone of the older men such as Varro and Lucretius, and by the poetical glorification of it in the fashionable Catullus, which concludes with the characteristic request that the goddess may deign to turn the heads of others only, and not that of the poet himself.
Worship of Mithra
A fresh addition was the Persian worship, which is said to have first reached the Occidental through the medium of the pirates who met on the Mediterranean from the east and from the west; the oldest seat of this cultus in the west is stated to have been Mount Olympus in Lycia. That in the adoption of Oriental worships in the west such higher speculative and moral elements as they contained were generally allowed to drop, is strikingly evinced by the fact that Ahuramazda, the supreme god of the pure doctrine of Zarathustra, remained virtually unknown in the west, and adoration there was especially directed to that god who had occupied the first place in the old Persian national religion and had been transferred by Zarathustra to the second—the sun-god Mithra.
Worship of Isis
But the brighter and gentler celestial forms of the Persian religion did not so rapidly gain a footing in Rome as the wearisome mystical host of the grotesque divinities of Egypt—Isis the mother of nature with her whole train, the constantly dying and constantly reviving Osiris, the gloomy Sarapis, the taciturn and grave Harpocrates, the dog-headed Anubis. In the year when Clodius emancipated the clubs and conventicles (696), and doubtless in consequence of this very emancipation of the populace, that host even prepared to make its entry into the old stronghold of the Roman Jupiter in the Capitol, and it was with difficulty that the invasion was prevented and the inevitable temples were banished at least to the suburbs of Rome. No worship was equally popular among the lower orders of the population in the capital: when the senate ordered the temples of Isis constructed within the ring-wall to be pulled down, no labourer ventured to lay the first hand on them, and the consul Lucius Paullus was himself obliged to apply the first stroke of the axe(704); a wager might be laid, that the more loose any woman was, the more piously she worshipped Isis. That the casting of lots, the interpretation of dreams, and similar liberal arts supported their professors, was a matter of course. The casting of horoscopes was already a scientific pursuit; Lucius Tarutius of Firmum, a respectable and in his own way learned man, a friend of Varro and Cicero, with all gravity cast the nativity of kings Romulus and Numa and of the city of Rome itself, and for the edification of the credulous on either side confirmed by means of his Chaldaean and Egyptian wisdom the accounts of the Roman annals.
The New PythagoreanismNigidius Figulus
But by far the most remarkable phenomenon in this domain was the first attempt to mingle crude faith with speculative thought, the first appearance of those tendencies, which we are accustomed to describe as Neo-Platonic, in the Roman world. Their oldest apostle there was Publius Nigidius Figulus, a Roman of rank belonging to the strictest section of the aristocracy, who filled the praetorship in 696 and died in 709 as a political exile beyond the bounds of Italy. With astonishing copiousness of learning and still more astonishing strength of faith he created out of the most dissimilar elements a philosophico-religious structure, the singular outline of which he probably developed still more in his oral discourses than in his theological and physical writings. In philosophy, seeking deliverance from the skeletons of the current systems and abstractions, he recurred to the neglected fountain of the pre-Socratic philosophy, to whose ancient sages thought had still presented itself with sensuous vividness. The researches of physical science—which, suitably treated, afford even now so excellent a handle for mystic delusion and pious sleight of hand, and in antiquity with its more defective insight into physical laws lent themselves still more easily to such objects—played in this case, as may readily be conceived, a considerable part. His theology was based essentially on that strange medley, in which Greeks of a kindred spirit had intermingled Orphic and other very old or very new indigenous wisdom with Persian, Chaldaean, and Egyptian secret doctrines, and with which Figulus incorporated the quasi-results of the Tuscan investigation into nothingness and of the indigenous lore touching the flight of birds, so as to produce further harmonious confusion. The whole system obtained its consecration—political, religious, and national—from the name of Pythagoras, the ultra-conservative statesman whose supreme principle was "to promote order and to check disorder," the miracle-worker and necromancer, the primeval sage who was a native of Italy, who was interwoven even with the legendary history of Rome, and whose statue was to be seen in the Roman Forum. As birth and death are kindred with each other, so—it seemed—Pythagoras was to stand not merely by the cradle of the republic as friend of the wise Numa and colleague of the sagacious mother Egeria, but also by its grave as the last protector of the sacred bird-lore. But the new system was not merely marvellous, it also worked marvels; Nigidius announced to the father of the subsequent emperor Augustus, on the very day when the latter was born, the future greatness of his son; nay the prophets conjured up spirits for the credulous, and, what was of more moment, they pointed out to them the places where their lost money lay. The new-and-old wisdom, such as it was, made a profound impression on its contemporaries; men of the highest rank, of the greatest learning, of the most solid ability, belonging to very different parties—the consul of 705, Appius Claudius, the learned Marcus Varro, the brave officer Publius Vatinius— took part in the citation of spirits, and it even appears that a police interference was necessary against the proceedings of these societies. These last attempts to save the Roman theology, like the kindred efforts of Cato in the field of politics, produce at once a comical and a melancholy impression; we may smile at the creed and its propagators, but still it is a grave matter when even able men begin to addict themselves to absurdity.
Training of YouthSciences of General Culture at This Period
The training of youth followed, as may naturally be supposed, the course of bilingual humane culture chalked out in the previous epoch, and the general culture also of the Roman world conformed more and more to the forms established for that purpose by the Greeks. Even the bodily exercises advanced from ball-playing, running, and fencing to the more artistically-developed Greek gymnastic contests; though there were not yet any public institutions for gymnastics, in the principal country-houses the palaestra was already to be found by the side of the bath-rooms. The manner in which the cycle of general culture had changed in the Roman world during the course of a century, is shown by a comparison of the encyclopaedia of Cato(2) with the similar treatise of Varro "concerning the school-sciences." As constituent elements of non-professional culture, there appear in Cato the art of oratory, the sciences of agriculture, of law, of war, and of medicine; in Varro—according to probable conjecture—grammar, logic or dialectics, rhetoric, geometry, arithmetic, astronomy, music, medicine, and architecture. Consequently in the course of the seventh century the sciences of war, jurisprudence, and agriculture had been converted from general into professional studies. On the other hand in Varro the Hellenic training of youth appears already in all its completeness: by the side of the course of grammar, rhetoric, and philosophy, which had been introduced at an earlier period into Italy, we now find the course which had longer remained distinctively Hellenic, of geometry, arithmetic, astronomy, and music.(3) That astronomy more especially, which ministered, in the nomenclature of the stars, to the thoughtless erudite dilettantism of the age and, in its relations to astrology, to the prevailing religious delusions, was regularly and zealously studied by the youth in Italy, can be proved also otherwise; the astronomical didactic poems of Aratus, among all the works of Alexandrian literature, found earliest admittance into the instruction of Roman youth. To this Hellenic course there was added the study of medicine, which was retained from the older Roman instruction, and lastly that of architecture—indispensable to the genteel Roman of this period, who instead of cultivatingthe ground built houses and villas.
Greek InstructionAlexandrinism
In comparison with the previous epoch the Greek as well as the Latin training improved in extent and in scholastic strictness quite as much as it declined in purity and in refinement. The increasing eagerness after Greek lore gave to instruction of itself an erudite character. To explain Homer or Euripides was after all no art; teachers and scholars found their account better in handling the Alexandrian poems, which, besides, were in their spirit far more congenial to the Roman world of that day than the genuine Greek national poetry, and which, if they were not quite so venerable as the Iliad, possessed at any rate an age sufficiently respectable to pass as classics with schoolmasters. The love-poems of Euphorion, the "Causes" of Callimachus and his "Ibis," the comically obscure "Alexandra" of Lycophron contained in rich abundance rare vocables (-glossae-) suitable for being extracted and interpreted, sentences laboriously involved and difficult of analysis, prolix digressions full of mystic combinations of antiquated myths, and generally a store of cumbersome erudition of all sorts. Instruction needed exercises more and more difficult; these productions, in great part model efforts of schoolmasters, were excellently adapted to be lessons for model scholars. Thus the Alexandrian poems took a permanent place in Italian scholastic instruction, especially as trial-themes, and certainly promoted knowledge, although at the expense of taste and of discretion. The same unhealthy appetite for culture moreover impelled the Roman youths to derive their Hellenism as much as possible from the fountain-head. The courses of the Greek masters in Rome sufficed only for a first start; every one who wished to be able to converse heard lectures on Greek philosophy at Athens, and on Greek rhetoric at Rhodes, and made a literary and artistic tour through Asia Minor, where most of the old art-treasures of the Hellenes were still to be found on the spot, and the cultivation of the fine arts had been continued, although after a mechanical fashion; whereas Alexandria, more distant and more celebrated as the seat of the exact sciences, was far more rarely the point whither young men desirous of culture directed their travels.
Latin Instruction
The advance in Latin instruction was similar to that of Greek. This in part resulted from the mere reflex influence of the Greek, from which it in fact essentially borrowed its methods and its stimulants. Moreover, the relations of politics, the impulse to mount the orators' platform in the Forum which was imparted by the democratic doings to an ever-widening circle, contributed not a little to the diffusion and enhancement of oratorical exercises; "wherever one casts his eyes," says Cicero, "every place is full of rhetoricians." Besides, the writings of the sixth century, the farther they receded into the past, began to be more decidedly regarded as classical texts of the golden age of Latin literature, and thereby gave a greater preponderance to the instruction which was essentially concentrated upon them. Lastly the immigration and spreading of barbarian elements from many quarters and the incipient Latinizing of extensive Celtic and Spanish districts, naturally gave to Latin grammar and Latin instruction a higher importance than they could have had, so long as Latium only spoke Latin; the teacher of Latin literature had from the outset a different position in Comum and Narbo than he had in Praeneste and Ardea. Taken as a whole, culture was more on the wane than on the advance. The ruin of the Italian country towns, the extensive intrusion of foreign elements, the political, economic, and moral deterioration of the nation, above all, the distracting civil wars inflicted more injury on the language than all the schoolmasters of the world could repair. The closer contact with the Hellenic culture of the present, the more decided influence of the talkative Athenian wisdom and of the rhetoric of Rhodes and Asia Minor, supplied to the Roman youth just the very elements that were most pernicious in Hellenism. The propagandist mission which Latium undertook among the Celts, Iberians, and Libyans—proud as the task was— could not but have the like consequences for the Latin language as the Hellenizing of the east had had for the Hellenic. The fact that the Roman public of this period applauded the well arranged and rhythmically balanced periods of the orator, and any offence in language or metre cost the actor dear, doubtless shows that the insight into the mother tongue which was the reflection of scholastic training was becoming the common possession of an ever- widening circle. But at the same time contemporaries capable of judging complain that the Hellenic culture in Italy about 690 was at a far lower level than it had been a generation before; that opportunities of hearing pure and good Latin were but rare, and these chiefly from the mouth of elderly cultivated ladies; that the tradition of genuine culture, the good old Latin mother wit, the Lucilian polish, the cultivated circle of readers of the Scipionic age were gradually disappearing. The circumstance that the term -urbanitas-, and the idea of a polished national culture which it expressed, arose during this period, proves, not that it was prevalent, but that it was on the wane, and that people were keenly alive to the absence of this -urbanitas- in the language and the habits of the Latinized barbarians or barbarized Latins. Where we still meet with the urbane tone of conversation, as in Varro's Satires and Cicero's Letters, it is an echo of the old fashion which was not yet so obsolete in Reate and Arpinum as in Rome.
Germs of State Training-Schools
Thus the previous culture of youth remained substantially unchanged, except that—not so much from its own deterioration as from the general decline of the nation—it was productive of less good and more evil than in the preceding epoch. Caesar initiated a revolution also in this department. While the Roman senate had first combated and then at the most had simply tolerated culture, the government of the new Italo-Hellenic empire, whose essence in fact was -humanitas-, could not but adopt measures to stimulate it after the Hellenic fashion. If Caesar conferred the Roman franchise on all teachers of the liberal sciences and all the physicians of the capital, we may discover in this step a paving of the way in some degree for those institutions in which subsequently the higher bilingual culture of the youth of the empire was provided for on the part of the state, and which form the most significant expression of the new state of -humanitas-; and if Caesar had further resolved on the establishment of a public Greek and Latin library in the capital and had already nominated the most learned Roman of the age, Marcus Varro, as principal librarian, this implied unmistakeably the design of connecting the cosmopolitan monarchy with cosmopolitan literature.
LanguageThe Vulgarism of Asia Minor
The development of the language during this period turned on the distinction between the classical Latin of cultivated society and the vulgar language of common life. The former itself was a product of the distinctively Italian culture; even in the Scipionic circle "pure Latin" had become the cue, and the mother tongue was spoken, no longer in entire naivete, but in conscious contradistinction to the language of the great multitude. This epoch opens with a remarkable reaction against the classicism which had hitherto exclusively prevailed in the higher language of conversation and accordingly also in literature—a reaction which had inwardly and outwardly a close connection with the reaction of a similar nature in the language of Greece. Just about this time the rhetor and romance-writer Hegesias of Magnesia and the numerous rhetors and literati of Asia Minor who attached themselves to him began to rebel against the orthodox Atticism. They demanded full recognition for the language of life, without distinction, whether the word or the phrase originated in Attica or in Caria and Phrygia; they themselves spoke and wrote not for the taste of learned cliques, but for that of the great public. There could not be much objection to the principle; only, it is true, the result could not be better than was the public of Asia Minor of that day, which had totally lost the taste for chasteness and purity of production, and longed only after the showy and brilliant. To say nothing of the spurious forms of art that sprang out of this tendency—especially the romance and the history assuming the form of romance—the very style of these Asiatics was, as may readily be conceived, abrupt and without modulation and finish, minced and effeminate, full of tinsel and bombast, thoroughly vulgar and affected; "any one who knows Hegesias," says Cicero, "knows what silliness is."
Roman VulgarismHortensiusReactionThe Rhodian School
Yet this new style found its way also into the Latin world. When the Hellenic fashionable rhetoric, after having at the close of the previous epoch obtruded into the Latin instruction of youth,(4) took at the beginning of the present period the final step and mounted the Roman orators' platform in the person of Quintus Hortensius (640-704), the most celebrated pleader of the Sullan age, it adhered closely even in the Latin idiom to the bad Greek taste of the time; and the Roman public, no longer having the pure and chaste culture of the Scipionic age, naturally applauded with zeal the innovator who knew how to give to vulgarism the semblance of an artistic performance. This was of great importance. As in Greece the battles of language were always waged at first in the schools of the rhetoricians, so in Rome the forensic oration to a certain extent even more than literature set the standard of style, and accordingly there was combined, as it were of right, with the leadership of the bar the prerogative of giving the tone to the fashionable mode of speaking and writing. The Asiatic vulgarism of Hortensius thus dislodged classicism from the Roman platform and partly also from literature. But the fashion soon changed once more in Greece and in Rome. In the former it was the Rhodian school of rhetoricians, which, without reverting to all the chaste severity of the Attic style, attempted to strike out a middle course between it and the modern fashion: if the Rhodian masters were not too particular as to the internal correctness of their thinking and speaking, they at least insisted on purity of language and style, on the careful selection of words and phrases, and the giving thorough effect to the modulation of sentences.
Ciceronianism
In Italy it was Marcus Tullius Cicero (648-711) who, after having in his early youth gone along with the Hortensian manner, was brought by hearing the Rhodian masters and by his own more matured taste to better paths, and thenceforth addicted himself to strict purity of language and the thorough periodic arrangement and modulation of his discourse. The models of language, which, in this respect he followed, he found especially in those circles of the higher Roman society which had suffered but little or not at all from vulgarism; and, as was already said, there were still such, although they were beginning to disappear. The earlier Latin and the good Greek literature, however considerable was the influence of the latter more especially on the rhythm of his oratory, were in this matter only of secondary moment: this purifying of the language was by no means a reaction of the language of books against that of conversation, but a reaction of the language of the really cultivated against the jargon of spurious and partial culture. Caesar, in the department of language also the greatest master of his time, expressed the fundamental idea of Roman classicism, when he enjoined that in speech and writing every foreign word should be avoided, as rocks are avoided by the mariner; the poetical and the obsolete word of the older literature was rejected as well as the rustic phrase or that borrowed from the language of common life, and more especially the Greek words and phrases which, as the letters of this period show, had to a very great extent found their way into conversational language. Nevertheless this scholastic and artificial classicism of the Ciceronian period stood to the Scipionic as repentance to innocence, or the French of the classicists under Napoleon to the model French of Moliere and Boileau; while the former classicism had sprung out of the full freshness of life, the latter as it were caught just in right time the last breath of a race perishing beyond recovery. Such as it was, it rapidly diffused itself. With the leadership of the bar the dictatorship of language and taste passed from Hortensius to Cicero, and the varied and copious authorship of the latter gave to this classicism—what it had hitherto lacked—extensive prose texts. Thus Cicero became the creator of the modern classical Latin prose, and Roman classicism attached itself throughout and altogether to Cicero as a stylist; it was to the stylist Cicero, not to the author, still less to the statesman, that the panegyrics—extravagant yet not made up wholly of verbiage—applied, with which the most gifted representatives of classicism, such as Caesar and Catullus, loaded him.
The New Roman Poetry
They soon went farther. What Cicero did in prose, was carried out in poetry towards the end of the epoch by the new Roman school of poets, which modelled itself on the Greek fashionable poetry, and in which the man of most considerable talent was Catullus. Here too the higher language of conversation dislodged the archaic reminiscences which hitherto to a large extent prevailed in this domain, and as Latin prose submitted to the Attic rhythm, so Latin poetry submitted gradually to the strict or rather painful metrical laws of the Alexandrines; e. g. from the time of Catullus, it is no longer allowable at once to begin a verse and to close a sentence begun in the verse preceding with a monosyllabic word or a dissyllabic one not specially weighty.
Grammatical Science
At length science stepped in, fixed the law of language, and developed its rule, which was no longer determined on the basis of experience, but made the claim to determine experience. The endings of declension, which hitherto had in part been variable, were now to be once for all fixed; e. g. of the genitive and dative forms hitherto current side by side in the so-called fourth declension (-senatuis- and -senatus-, -senatui-, and -senatu-) Caesar recognized exclusively as valid the contracted forms (-us and -u). In orthography various changes were made, to bring the written more fully into correspondence with the spoken language; thus the -u in the middle of words like -maxumus- was replaced after Caesar's precedent by -i; and of the two letters which had become superfluous, -k and -q, the removal of the first was effected, and that of the second was at least proposed. The language was, if not yet stereotyped, in the course of becoming so; it was not yet indeed unthinkingly dominated by rule, but it had already become conscious of it. That this action in the department of Latin grammar derived generally its spirit and method from the Greek, and not only so, but that the Latin language was also directly rectified in accordance with Greek precedent, is shown, for example, by the treatment of the final -s, which till towards the close of this epoch had at pleasure passed sometimes as a consonant, sometimes not as one, but was treated by the new- fashioned poets throughout, as in Greek, as a consonantal termination. This regulation of language is the proper domain of Roman classicism; in the most various ways, and for that very reason all the more significantly, the rule is inculcated and the offence against it rebuked by the coryphaei of classicism, by Cicero, by Caesar, even in the poems of Catullus; whereas the older generation expresses itself with natural keenness of feeling respecting the revolution which had affected the field of language as remorselessly as the field of politics.(5) But while the new classicism—that is to say, the standard Latin governed by rule and as far as possible placed on a parity with the standard Greek— which arose out of a conscious reaction against the vulgarism intruding into higher society and even into literature, acquired literary fixity and systematic shape, the latter by no means evacuated the field. Not only do we find it naively employed in the works of secondary personages who have drifted into the ranks of authors merely by accident, as in the account of Caesar's second Spanish war, but we shall meet it also with an impress more or less distinct in literature proper, in the mime, in the semi-romance, in the aesthetic writings of Varro; and it is a significant circumstance, that it maintains itself precisely in the most national departments of literature, and that truly conservative men, like Varro, take it into protection. Classicism was based on the death of the Italian language as monarchy on the decline of the Italian nation; it was completely consistent that the men, in whom the republic was still living, should continue to give to the living language its rights, and for the sake of its comparative vitality and nationality should tolerate its aesthetic defects. Thus then the linguistic opinions and tendencies of this epoch are everywhere divergent; by the side of the old-fashioned poetry of Lucretius appears the thoroughly modern poetry of Catullus, by the side of Cicero's well-modulated period stands the sentence of Varro intentionally disdaining all subdivision. In this field likewise is mirrored the distraction of the age.
Literary EffortGreek Literati in Rome
In the literature of this period we are first of all struck by the outward increase, as compared with the former epoch, of literary effort in Rome. It was long since the literary activity of the Greeks flourished no more in the free atmosphere of civic independence, but only in the scientific institutions of the larger cities and especially of the courts. Left to depend on the favour and protection of the great, and dislodged from the former seats of the Muses(6) by the extinction of the dynasties of Pergamus (621), Cyrene (658), Bithynia (679), and Syria (690) and by the waning splendour of the court of the Lagids—moreover, since the death of Alexander the Great, necessarily cosmopolitan and at least quite as much strangers among the Egyptians and Syrians as among the Latins— the Hellenic literati began more and more to turn their eyes towards Rome. Among the host of Greek attendants with which the Roman of quality at this time surrounded himself, the philosopher, the poet, and the memoir-writer played conspicuous parts by the side of the cook, the boy-favourite, and the jester. We meet already literati of note in such positions; the Epicurean Philodemus, for instance, was installed as domestic philosopher with Lucius Piso consul in 696, and occasionally edified the initiated with his clever epigrams on the coarse-grained Epicureanism of his patron. From all sides the most notable representatives of Greek art and science migrated in daily-increasing numbers to Rome where literary gains were now more abundant than anywhere else. Among those thus mentioned as settled in Rome we find the physician Asclepiades whom king Mithradates vainly endeavoured to draw away from it into his service; the universalist in learning, Alexander of Miletus, termed Polyhistor; the poet Parthenius from Nicaea in Bithynia; Posidonius of Apamea in Syria equally celebrated as a traveller, teacher, and author, who at a great age migrated in 703 from Rhodes to Rome; and various others. A house like that of Lucius Lucullus was a seat of Hellenic culture and a rendezvous for Hellenic literati almost like the Alexandrian Museum; Roman resources and Hellenic connoisseurship had gathered in these halls of wealth and science an incomparable collection of statues and paintings of earlier and contemporary masters, as well as a library as carefully selected as it was magnificently fitted up, and every person of culture and especially every Greek was welcome there—the master of the house himself was often seen walking up and down the beautiful colonnade in philological or philosophical conversation with one of his learned guests. No doubt these Greeks brought along with their rich treasures of culture their preposterousness and servility to Italy; one of these learned wanderers for instance, the author of the "Art of Flattery," Aristodemus of Nysa (about 700) recommended himself to his masters by demonstrating that Homer was a native of Rome!
Extent of the Literary Pursuits of the Romans
In the same measure as the pursuits of the Greek literati prospered in Rome, literary activity and literary interest increased among the Romans themselves. Even Greek composition, which the stricter taste of the Scipionic age had totally set aside, now revived. The Greek language was now universally current, and a Greek treatise found a quite different public from a Latin one; therefore Romans of rank, such as Lucius Lucullus, Marcus Cicero, Titus Atticus, Quintus Scaevola (tribune of the people in 700), like the kings of Armenia and Mauretania, published occasionally Greek prose and even Greek verses. Such Greek authorship however by native Romans remained a secondary matter and almost an amusement; the literary as well as the political parties of Italy all coincided in adhering to their Italian nationality, only more or less pervaded by Hellenism. Nor could there be any complaint at least as to want of activity in the field of Latin authorship. There was a flood of books and pamphlets of all sorts, and above all of poems, in Rome. Poets swarmed there, as they did only in Tarsus or Alexandria; poetical publications had become the standing juvenile sin of livelier natures, and even then the writer was reckoned fortunate whose youthful poems compassionate oblivion withdrew from criticism. Any one who understood the art, wrote without difficulty at a sitting his five hundred hexameters in which no schoolmaster found anything to censure, but no reader discovered anything to praise. The female world also took a lively part in these literary pursuits; the ladies did not confine themselves to dancing and music, but by their spirit and wit ruled conversation and talked excellently on Greek and Latin literature; and, when poetry laid siege to a maiden's heart, the beleaguered fortress not seldom surrendered likewise in graceful verses. Rhythms became more and more the fashionable plaything of the big children of both sexes; poetical epistles, joint poetical exercises and competitions among good friends, were of common occurrence, and towards the end of this epoch institutions were already opened in the capital, at which unfledged Latin poets might learn verse-making for money. In consequence of the large consumption of books the machinery for the manufacture of copies was substantially perfected, and publication was effected with comparative rapidity and cheapness; bookselling became a respectable and lucrative trade, and the bookseller's shop a usual meeting-place of men of culture. Reading had become a fashion, nay a mania; at table, where coarser pastimes had not already intruded, reading was regularly introduced, and any one who meditated a journey seldom forgot to pack up a travelling library. The superior officer was seen in the camp-tent with the obscene Greek romance, the statesman in the senate with the philosophical treatise, in his hands. Matters accordingly stood in the Roman state as they have stood and will stand in every state where the citizens read "from the threshold to the closet." The Parthian vizier was not far wrong, when he pointed out to the citizens of Seleucia the romances found in the camp of Crassus and asked them whether they still regarded the readers of such books as formidable opponents.
The Classicists and the Moderns
The literary tendency of this age was varied and could not be otherwise, for the age itself was divided between the old and the new modes. The same tendencies which came into conflict on the field of politics, the national-Italian tendency of the conservatives, the Helleno-Italian or, if the term be preferred, cosmopolitan tendency of the new monarchy, fought their battles also on the field of literature. The former attached itself to the older Latin literature, which in the theatre, in the school, and in erudite research assumed more and more the character of classical. With less taste and stronger party tendencies than the Scipionic epoch showed, Ennius, Pacuvius, and especially Plautus were now exalted to the skies. The leaves of the Sibyl rose in price, the fewer they became; the relatively greater nationality and relatively greater productiveness of the poets of the sixth century were never more vividly felt than in this epoch of thoroughly developed Epigonism, which in literature as decidedly as in politics looked up to the century of the Hannibalic warriors as to the golden age that had now unhappily passed away beyond recall. No doubt there was in this admiration of the old classics no small portion of the same hollowness and hypocrisy which are characteristic of the conservatism of this age in general; and here too there was no want of trimmers. Cicero for instance, although in prose one of the chief representatives of the modern tendency, revered nevertheless the older national poetry nearly with the same antiquarian respect which he paid to the aristocratic constitution and the augural discipline; "patriotism requires," we find him saying, "that we should rather read a notoriously wretched translation of Sophocles than the original." While thus the modern literary tendency cognate to the democratic monarchy numbered secret adherents enough even among the orthodox admirers of Ennius, there were not wanting already bolder judges, who treated the native literature as disrespectfully as the senatorial politics. Not only did they resume the strict criticism of the Scipionic epoch and set store by Terence only in order to condemn Ennius and still more the Ennianists, but the younger and bolder men went much farther and ventured already—though only as yet in heretical revolt against literary orthodoxy—to call Plautus a rude jester and Lucilius a bad verse-smith. This modern tendency attached itself not to the native authorship, but rather to the more recent Greek literature or the so-called Alexandrinism.
The Greek Alexandrinism
We cannot avoid saying at least so much respecting this remarkable winter-garden of Hellenic language and art, as is requisite for the understanding of the Roman literature of this and the later epochs. The Alexandrian literature was based on the decline of the pure Hellenic idiom, which from the time of Alexander the Great was superseded in daily life by an inferior jargon deriving its origin from the contact of the Macedonian dialect with various Greek and barbarian tribes; or, to speak more accurately, the Alexandrian literature sprang out of the ruin of the Hellenic nation generally, which had to perish, and did perish, in its national individuality in order to establish the universal monarchy of Alexander and the empire of Hellenism. Had Alexander's universal empire continued to subsist, the former national and popular literature would have been succeeded by a cosmopolitan literature Hellenic merely in name, essentially denationalized and called into life in a certain measure by royal patronage, but at all events ruling the world; but, as the state of Alexander was unhinged by his death, the germs of the literature corresponding to it rapidly perished. Nevertheless the Greek nation with all that it had possessed— with its nationality, its language, its art—belonged to the past. It was only in a comparatively narrow circle not of men of culture— for such, strictly speaking, no longer existed—but of men of erudition that the Greek literature was still cherished even when dead; that the rich inheritance which it had left was inventoried with melancholy pleasure or arid refinement of research; and that, possibly, the living sense of sympathy or the dead erudition was elevated into a semblance of productiveness. This posthumous productiveness constitutes the so-called Alexandrinism. It is essentially similar to that literature of scholars, which, keeping aloof from the living Romanic nationalities and their vulgar idioms, grew up during the fifteenth and sixteenth centuries among a cosmopolitan circle of erudite philologues—as an artificial aftergrowth of the departed antiquity; the contrast between the classical and the vulgar Greek of the period of the Diadochi is doubtless less strongly marked, but is not, properly speaking, different from that between the Latin of Manutius and the Italian of Macchiavelli.
The Roman Alexandrinism
Italy had hitherto been in the main disinclined towards Alexandrinism. Its season of comparative brilliance was the period shortly before and after the first Punic war; yet Naevius, Ennius, Pacuvius and generally the whole body of the national Roman authors down to Varro and Lucretius in all branches of poetical production, not excepting even the didactic poem, attached themselves, not to their Greek contemporaries or very recent predecessors, but without exception to Homer, Euripides, Menander and the other masters of the living and national Greek literature. Roman literature was never fresh and national; but, as long as there was a Roman people, its authors instinctively sought for living and national models, and copied, if not always to the best purpose or the best authors, at least such as were original. The Greek literature originating after Aexander found its first Roman imitators—for the slight initial attempts from the Marian age(7) can scarcely be taken into account—among the contemporaries of Cicero and Caesar; and now the Roman Alexandrinism spread with singular rapidity. In part this arose from external causes. The increased contact with the Greeks, especially the frequent journeys of the Romans into the Hellenic provinces and the assemblage of Greek literati in Rome, naturally procured a public even among the Italians for the Greek literature of the day, for the epic and elegiac poetry, epigrams, and Milesian tales current at that time in Greece. Moreover, as we have already stated(8) the Alexandrian poetry had its established place in the instruction of the Italian youth; and thus reacted on Latin literature all the more, since the latter continued to be essentially dependent at all times on the Hellenic school-training. We find in this respect even a direct connection of the new Roman with the new Greek literature; the already-mentioned Parthenius, one of the better known Alexandrian elegists, opened, apparently about 700, a school for literature and poetry in Rome, and the excerpts are still extant in which he supplied one of his pupils of rank with materials for Latin elegies of an erotic and mythological nature according to the well-known Alexandrian receipt. But it was by no means simply such accidental occasions which called into existence the Roman Alexandrinism; it was on the contrary a product—perhaps not pleasing, but thoroughly inevitable— of the political and national development of Rome. On the one hand, as Hellas resolved itself into Hellenism, so now Latium resolved itself into Romanism; the national development of Italy outgrew itself, and was merged in Caesar's Mediterranean empire, just as the Hellenic development in the eastern empire of Alexander. On the other hand, as the new empire rested on the fact that the mighty streams of Greek and Latin nationality, after having flowed in parallel channels for many centuries, now at length coalesced, the Italian literature had not merely as hitherto to seek its groundwork generally in the Greek, but had also to put itself on a level with the Greek literature of the present, or in other words with Alexandrinism. With the scholastic Latin, with the closed number of classics, with the exclusive circle of classic-reading -urbani-, the national Latin literature was dead and at an end; there arose instead of it a thoroughly degenerate, artificially fostered, imperial literature, which did not rest on any definite nationality, but proclaimed in two languages the universal gospel of humanity, and was dependent in point of spirit throughout and consciously on the old Hellenic, in point of language partly on this, partly on the old Roman popular, literature. This was no improvement. The Mediterranean monarchy of Caesar was doubtless a grand and— what is more—a necessary creation; but it had been called into life by an arbitrary superior will, and therefore there was nothing to be found in it of the fresh popular life, of the overflowing national vigour, which are characteristic of younger, more limited, and more natural commonwealths, and which the Italian state of the sixth century had still been able to exhibit. The ruin of the Italian nationality, accomplished in the creation of Caesar, nipped the promise of literature. Every one who has any sense of the close affinity between art and nationality will always turn back from Cicero and Horace to Cato and Lucretius; and nothing but the schoolmaster's view of history and of literature— which has acquired, it is true, in this department the sanction of prescription—could have called the epoch of art beginning with the new monarchy pre-eminently the golden age. But while the Romano-Hellenic Alexandrinism of the age of Caesar and Augustus must be deemed inferior to the older, however imperfect, national literature, it is on the other hand as decidedly superior to the Alexandrinism of the age of the Diadochi as Caesar's enduring structure to the ephemeral creation of Alexander. We shall have afterwards to show that the Augustan literature, compared with the kindred literature of the period of the Diadochi, was far less a literature of philologues and far more an imperial literature than the latter, and therefore had a far more permanent and far more general influence in the upper circles of society than the Greek Alexandrinism ever had.
Dramatic LiteratureTragedy and Comedy Disappear
Nowhere was the prospect more lamentable than in dramatic literature. Tragedy and comedy had already before the present epoch become inwardly extinct in the Roman national literature. New pieces were no longer performed. That the public still in the Sullan age expected to see such, appears from the reproductions— belonging to this epoch—of Plautine comedies with the titles and names of the persons altered, with reference to which the managers well added that it was better to see a good old piece than a bad new one. From this the step was not great to that entire surrender of the stage to the dead poets, which we find in the Ciceronian age, and to which Alexandrinism made no opposition. Its productiveness in this department was worse than none. Real dramatic composition the Alexandrian literature never knew; nothing but the spurious drama, which was written primarily for reading and not for exhibition, could be introduced by it into Italy, and soon accordingly these dramatic iambics began to be quite as prevalent in Rome as in Alexandria, and the writing of tragedy in particular began to figure among the regular diseases of adolescence. We may form a pretty accurate idea of the quality of these productions from the fact that Quintus Cicero, in order homoeopathically to beguile the weariness of winter quarters in Gaul, composed four tragedies in sixteen days.
The MimeLaberius
In the "picture of life" or mime alone the last still vigorous product of the national literature, the Atellan farce, became engrafted with the ethological offshoots of Greek comedy, which Alexandrinism cultivated with greater poetical vigour and better success than any other branch of poetry. The mime originated out of the dances in character to the flute, which had long been usual, and which were performed sometimes on other occasions, e. g. for the entertainment of the guests during dinner, but more especially in the pit of the theatre during the intervals between the acts. It was not difficult to form out of these dances—in which the aid of speech had doubtless long since been occasionally employed— by means of the introduction of a more organized plot and a regular dialogue little comedies, which were yet essentially distinguished from the earlier comedy and even from the farce by the facts, that the dance and the lasciviousness inseparable from such dancing continued in this case to play a chief part, and that the mime, as belonging properly not to the boards but to the pit, threw aside all ideal scenic effects, such as masks for the face and theatrical buskins, and—what was specially important—admitted of the female characters being represented by women. This new mime, which first seems to have come on the stage of the capital about 672, soon swallowed up the national harlequinade, with which it indeed in the most essential respects coincided, and was employed as the usual interlude and especially as afterpiece along with the other dramatic performances.(9) The plot was of course still more indifferent, loose, and absurd than in the harlequinade; if it was only sufficiently chequered, the public did not ask why it laughed, and did not remonstrate with the poet, who instead of untying the knot cut it to pieces. The subjects were chiefly of an amorous nature, mostly of the licentious sort; for example, poet and public without exception took part against the husband, and poetical justice consisted in the derision of good morals. The artistic charm depended wholly, as in the Atellana, on the portraiture of the manners of common and low life; in which rural pictures are laid aside for those of the life and doings of the capital, and the sweet rabble of Rome— just as in the similar Greek pieces the rabble of Alexandria— is summoned to applaud its own likeness. Many subjects are taken from the life of tradesmen; there appear the— here also inevitable—"Fuller," then the "Ropemaker," the "Dyer," the "Salt-man," the "Female Weavers," the "Rascal"; other pieces give sketches of character, as the "Forgetful," the "Braggart," the "Man of 100,000 sesterces";(10) or pictures of other lands, the "Etruscan Woman," the "Gauls," the "Cretan," "Alexandria"; or descriptions of popular festivals, as the "Compitalia," the "Saturnalia," "Anna Perenna," the "Hot Baths"; or parodies of mythology, as the "Voyage to the Underworld," the "Arvernian Lake." Apt nicknames and short commonplaces which were easily retained and applied were welcome; but every piece of nonsense was of itself privileged; in this preposterous world Bacchus is applied to for water and the fountain-nymph for wine. Isolated examples even of the political allusions formerly so strictly prohibited in the Roman theatre are found in these mimes.(11) As regards metrical form, these poets gave themselves, as they tell us, "but moderate trouble with the versification"; the language abounded, even in the pieces prepared for publication, with vulgar expressions and low newly-coined words. The mime was, it is plain, in substance nothing but the former farce; with this exception, that the character-masks and the standing scenery of Atella as well as the rustic impress are dropped, and in their room the life of the capital in its boundless liberty and licence is brought on the stage. Most pieces of this sort were doubtless of a very fugitive nature and made no pretension to a place in literature; but the mimes of Laberius, full of pungent delineation of character and in point of language and metre exhibiting the hand of a master, maintained their ground in it; and even the historian must regret that we are no longer permitted to compare the drama of the republican death-struggle in Rome with its great Attic counterpart.