Chapter 7

Ye humble souls, that seek the Lord,Chase all your fears away;And bow with pleasure down to seeThe place where Jesus lay.

Ye humble souls, that seek the Lord,

Chase all your fears away;

And bow with pleasure down to see

The place where Jesus lay.

Wesley changed ‘pleasure’ into ‘rapture’ in the hymn, and Methodism raised Christian emotion from the quiet satisfaction of Watts, Doddridge, and the elect souls who kept alive the faith during the drab years which preceded the Revival, to the ecstatic gladness of those to whom that great movement brought the brightness of a morning without clouds. The largest section of the hymn-book was headed ‘For Believers Rejoicing.’ No other Christian poet ever sang such songs, for no other has ever known the joy of the evangelist as Charles Wesley knew it.

In a rapture of joyMy life I employ,The God of my life to proclaim;’Tis worth living for this,To administer blissAnd salvation in Jesus’s name.

In a rapture of joy

My life I employ,

The God of my life to proclaim;

’Tis worth living for this,

To administer bliss

And salvation in Jesus’s name.

Joyousness was the natural result of the gospel he preached. It was the good news of the assurance of personal salvation. Here John Wesley’s emendation of one of Watts’s famous hymns may serve as an illustration. Watts wrote—

My soul looks back to seeThe burdens Thou didst bearWhen hanging on the cursèd tree,Andhopesher guilt was there.

My soul looks back to see

The burdens Thou didst bear

When hanging on the cursèd tree,

Andhopesher guilt was there.

Wesley shows the difference between Methodism and Calvinism by the change of a word—

Andknowsher guilt was there.

Andknowsher guilt was there.

The Methodist doctrine of Assurance, the revival or rediscovery of the doctrine of the Witness of the Spirit, gave to Christian experience a confidence which was more joyous than that of the ‘elect.’ The Wesleys never slurred the need of repentance—deep, poignant, practical; but there is a great gulf between the comparatively brief pangs of the Methodist penitent and the habitual depression of the devout Romanist ever searching through the dark places of the heart to find matter for confession. The shades of the prison-house did not linger long around the emancipated soul.Coming out of the gloom into the sunshine the road wound

Uphill all the way,Yes, to the very end.

Uphill all the way,

Yes, to the very end.

The redeemed of the Lord returned to Zion with singing, with everlasting joy upon their heads. Notwithstanding all that may be said, and, to some extent, with justice, of the terrors, even the horrors, of early evangelical preaching concerning death, hell, and judgement, the Methodist hymns brought into Christian worship a brighter and more trustful tone than it had known for many generations. The Revival brought back the golden days, the joy of heart, which characterized the Apostolic Church, and the German Protestants at the Reformation. At the time of the Revival the Church of England, though largely Arminian in doctrine, was so incapable of fervour, so afraid of zeal, that it had practically no power over the masses, whilst by the classes Christianity was, as Bishop Butler said, regarded ‘not so much as a subject of inquiry,’ but ‘now at length discovered to be fictitious.’

In the Establishment there was hardly spiritual life enough to put real vigour even into religious controversy. Butler’sAnalogyis typical of the position of the ecclesiastical leaders of that day. They were content if they could demonstrate that the balance of probabilities was in favour of Christianity, and did not even desire to be anointed with the oil of gladness above their fellows.

The most earnest and aggressive of the Nonconformists were stanchly Calvinistic, and, by their most cherished beliefs, were precluded from the magnificent visions of a redeemed world, which were at once the inspiration and the attraction of Methodist preaching.

Altogether outside theological controversy, and, for the most part, uncared for by the religious people of the day, lay the masses, ignorant, degraded, despised, who neither gave, nor were expected to give, heed to things higher than the needs of the ‘mere animal.’ Of them Charles Wesley only too truly said—

Wild as the untaught Indian’s broodThe Christian savages remain.

Wild as the untaught Indian’s brood

The Christian savages remain.

The hymns ‘Exhorting and Beseeching to Return to God’ at once attracted the

Poor outcasts of men, whose souls were despisedAnd left with disdain.

Poor outcasts of men, whose souls were despised

And left with disdain.

Very surely, though very slowly, the glad evangel of the hymns which offer pardon and holiness and heaven to all won its way in the Churches. It is one of the most precious fruits of the Revival that now hardly any Church can forbear to sing them. Nor is it too much to say that Methodist hymns, even more than Methodist teaching, broke down the Calvinistic idea of the Church—

We are a garden walled around,Chosen and made peculiar ground;A little spot enclosed by graceOut of the world’s wide wilderness.

We are a garden walled around,

Chosen and made peculiar ground;

A little spot enclosed by grace

Out of the world’s wide wilderness.

Again, John Wesley’s hymns gave a great impulse, and added a great sanction, to the expression of personal experience in hymns. They were unfettered by what has been well described as the ‘old traditions of reserved and reticent worship.’[114]For good or ill, there is little of reserve or reticence in Charles Wesley’s hymns.

What we have felt and seenWith confidence we tell.

What we have felt and seen

With confidence we tell.

Many poets of the sanctuary have felt that the most sacred experiences of the penitent sinner and of the sanctified believer were not to be put into words, that to utter them was to expose to the coarse breath of the world what must perish in the very act of expression. It was not without an effort that Charles Wesley broke through this ‘reserve;’ yet he did, and that not only from a sense of duty, but from a conviction that to be silent would be a cowardly yielding to the temptation to shun the reproach of Christ.

And shall I slight my Father’s love?Or basely fear His gifts to own?Unmindful of His favours prove?Shall I, the hallowed cross to shun,Refuse His righteousness to impart,By hiding it within my heart?[115]

And shall I slight my Father’s love?

Or basely fear His gifts to own?

Unmindful of His favours prove?

Shall I, the hallowed cross to shun,

Refuse His righteousness to impart,

By hiding it within my heart?[115]

Moreover, many of Charles Wesley’s hymns—especially the more personal—were intended to be sung ‘secretlyamong the faithful,’ rather than in the congregation. They were written for the family gatherings of ‘the household of the faith,’ and thus were free from the restraints which might be necessary in compositions intended for larger and less sympathetic assemblies.

Wesley’s hymns represented and, to a considerable extent, created the specific Methodist type of religious thought, emotion, and expression. They were, also, the vehicle by which doctrine was conveyed to the minds of the uneducated masses. The great truths which it was the mission of Methodism to teach are conspicuous in the Methodist hymns. Justification by Faith, the Witness of the Spirit, Universal Redemption, Entire Sanctification, are all taught in Charles Wesley’s remembered hymns as they are in John Wesley’s forgotten tracts. If the hymns have ceased to be peculiarly Methodist, it is because Christian experience and teaching have been so largely influenced by them.

It is impossible not to compare Charles Wesley with his great predecessor, Isaac Watts. The day has gone by in which rival camps or choirs seek to exalt the one by disparaging the other. As we have seen, Watts’sPsalms and Hymnswere taken by the Wesleys on their mission to Georgia, and it can never be forgotten that, with his dying breath, John Wesley quoted the hymn which, from those early days, had been included in the hymn-books prepared by him for congregational use.

Watts was less careful of the technique of his poetry than Charles Wesley. His rhymes are often very bad, and occasionally are altogether forgotten, and this is true of hymns whose intrinsic value is such that they retain, and are likely to retain, their place in our hymn-books. Charles Wesley is not without sin in this regard, but a really bad rhyme is comparatively rare in his best compositions. He has less of poetic imagery than Watts, and has not so keen an eye for the beauties of the natural world. Charles Wesley never wrote a hymn that, in its own way, compares with

Eternal Wisdom! Thee we praise;

Eternal Wisdom! Thee we praise;

nor do I know any verse of his which equals in its rich, strong monosyllables, Watts’s

His every[116]word of grace is strongAs that which built the skies;The voice that rolls the stars alongSpeaks all the promises.

His every[116]word of grace is strong

As that which built the skies;

The voice that rolls the stars along

Speaks all the promises.

Wesley was apt to use long and awkward words, sometimes of his own coining, rarely adding to the force, and always detracting from the practical value of the hymn.

It must also be admitted that Charles Wesley wrote some verses the taste of which is dreadful, though he never approaches the execrable coarseness of some Moravian hymns, or of the lines which Walter Shirley transfigured into ‘Sweet the moments rich inblessing.’ Both Watts and Wesley had a quiet rather than a keen sense of humour, but they had little of that appreciation of the comic which is so acute in our own time.[117]

Charles Wesley rarely, if ever, reaches the depth of prosaic commonplace which marks many of Watts’s hymns. He had a more sensitive ear and a more cultivated taste, and, what is perhaps more to the point, he had a faithful, though affectionate and admiring, critic in his brother. When John Wesley said of Charles that his least praise was his talent for poetry, he meant, not to disparage his hymns, but to bear the highest testimony possible to the gifts and graces of his mind and character.

In considering somewhat in detail the hymns of Charles Wesley, it is convenient to treat of them in the classes into which they may be broadly divided. But even so it is obviously impossible to glance at more than a small number of his poems.

The idea of an elaborate classification according to the Church seasons, so usual in modern Anglican hymnals, had not yet become popular. Bishop Ken’sHymns for all the Festivals of the Year[118](published in 1721, ten years after his death), the precursor and, to some extent, the inspiration of theChristian Year, was not intended for use as a hymn-book. Wither’sHymns and Songs of the Church(1623) provided for all the chief festivals, saints’ days, and other occasional services. About forty years later (1661) Dr. Eaton, Vicar of Bishop’s Castle, Salop, publishedThe Holy Calendar, but his poems were not intended to be sung. The Wesleys issued a number of pamphlets containing hymns for the great festivals, and it would not be difficult to select from their various publications a ‘Christian year,’ in which every hymn was suitable for public worship. But the pieces would need to be gathered, for the brothers did not contemplate the use of their hymn-books in Church services; they were designed for the preaching-house, the open-air service, and the class-meeting. The Nonconformist Churches had adopted the custom early in the century, but in the Church of England hymn-singing was still, and for many years after, an irregularity, if not an offence.

First and greatest of Charles Wesley’s festival hymns is the Christmas carol

Hark! how all the welkin rings,‘Glory to the King of kings.’

Hark! how all the welkin rings,

‘Glory to the King of kings.’

It was published in 1739, and is not impossibly one of the ‘many sweet hymns’ which were sung in thehousehold of General Oglethorpe. Whitefield made some popular alterations, and included it in hisCollection, in 1753. In 1782 it found a place in the Prayer-book, after the new version of the Psalms. It was omitted from Wesley’sCollection, but was inserted in the supplement of 1830—nearly a century after its composition.

In the same metre, and not inferior, are the hymns for Easter—

‘Christ, the Lord, is risen to-day,’Sons of men and angels say!

‘Christ, the Lord, is risen to-day,’

Sons of men and angels say!

and for Ascension Day—

Hail the day that sees Him rise,Ravished from our wishful eyes.

Hail the day that sees Him rise,

Ravished from our wishful eyes.

There are some good verses in the Whit Sunday hymn—

Granted is the Saviour’s prayer,Sent the gracious Comforter;

Granted is the Saviour’s prayer,

Sent the gracious Comforter;

and in the little-known hymn for the Epiphany—

Sons of men, behold from far,Hail the long-expected Star![119]

Sons of men, behold from far,

Hail the long-expected Star![119]

but they are not equal to the others.

Of Charles Wesley’s hymns on our Lord’s Passion, the finest are those beginning

With glorious clouds encompassed round,Whom angels dimly see,Will the Unsearchable be found,Or God appear to me?

With glorious clouds encompassed round,

Whom angels dimly see,

Will the Unsearchable be found,

Or God appear to me?

. . . . .

. . . . .

O Love divine! what hast thou done!The immortal God hath died for meThe Father’s co-eternal SonBore all my sins upon the tree;The immortal God for me hath died!My Lord, my Love is crucified.

O Love divine! what hast thou done!

The immortal God hath died for me

The Father’s co-eternal Son

Bore all my sins upon the tree;

The immortal God for me hath died!

My Lord, my Love is crucified.

. . . . .

. . . . .

O Thou who hast our sorrows borne,Help us to look on Thee and mourn,On Thee Whom we have slain,Have pierced a thousand thousand times,And by reiterated crimesRenewed Thy mortal pain.[120]

O Thou who hast our sorrows borne,

Help us to look on Thee and mourn,

On Thee Whom we have slain,

Have pierced a thousand thousand times,

And by reiterated crimes

Renewed Thy mortal pain.[120]

The popular hymn beginning

All ye that pass by,To Jesus draw nigh:To you is it nothing that Jesus should die?

All ye that pass by,

To Jesus draw nigh:

To you is it nothing that Jesus should die?

is, owing to its cheerful metre, hardly suited to the solemn services of Good Friday, and was intended for the open air. It was headed ‘Invitation to Sinners,’ and was used by Whitefield with great effect when preaching at the Market Cross, Nottingham, and elsewhere.

John Wesley appointed many fast days, and was careful to fix them on Friday, but the observance of Lent does not seem to have been enforced, or even strongly recommended, in the Methodist Society. Hymns for saints’ days and for the minor festivals are unknown to the Wesley poetry.

This pamphlet contains 166 hymns, many of which are admirable and very close paraphrases of passages in Brevint’sChristian Sacrifice, but others are independent of that devout treatise. Many lend themselves readily to use in ‘catholic’ services, and have often been quoted as indicating high sacramentarian views.[122]

On the other hand, such verses as the following must be taken in an entirely evangelical sense—

The cup of blessing, blessed by Thee,Let it Thy blood impart:The bread Thy mystic body be,And cheer each languid heart.

The cup of blessing, blessed by Thee,

Let it Thy blood impart:

The bread Thy mystic body be,

And cheer each languid heart.

. . . . .

. . . . .

With solemn faith we offer up,And spread before Thy glorious eyes,That only ground of all our hope,That precious, bleeding Sacrifice,Which brings Thy grace on sinners down,And perfects all our souls in one.

With solemn faith we offer up,

And spread before Thy glorious eyes,

That only ground of all our hope,

That precious, bleeding Sacrifice,

Which brings Thy grace on sinners down,

And perfects all our souls in one.

. . . . .

. . . . .

By faith we see Thy sufferings pastIn this mysterious rite brought back:And on Thy grand oblation cast,Its saving benefits partake.

By faith we see Thy sufferings past

In this mysterious rite brought back:

And on Thy grand oblation cast,

Its saving benefits partake.

In these paraphrases there are naturally expressions which represent Brevint and not the Wesleys, except in so far as they indicate a general approval of his teaching. The hymns which most closely follow the treatise are often the least happy. Yet, when every deduction is made, this little book is one of the most edifying of devotional preparations for the Communion.

These hymns have had a permanent influence upon Methodist worship. Many of them were probably suggested by the Order of Administration in the Book of Common Prayer, the most beautiful of all the Anglican services. Both the brothers had a profound reverence for the Holy Communion, as the supreme act of Christian worship, and constantly impressed upon Methodists the duty of its regular observance. Never at any time was there a danger of the Methodist Societies cutting themselves off from the Catholic Church by neglect of the Sacraments, or of their becoming an exclusively evangelistic organization on the plan of the Salvation Army. This pamphlet, ofwhich many editions were issued during the lifetime of John Wesley, shows how serious a view they desired their people to take of the value of this sacrament, whilst its great popularity suggests that the intelligence of the Methodists of a hundred and fifty years ago was very much above that with which we are accustomed to credit them. The republication of Brevint’sTreatise, in a small series of devotional manuals, edited by Dr. George Osborn, did not revive interest in it, as it might have done had a judicious selection from the hymns been included.[123]

Several hymns familiar to us in other sections of our hymn-books were written for, or included in, this series. The prayer for the Church militant, with its remembrance of and thanksgiving for those in trouble and for those who have ‘departed this life in Thy faith and fear,’ probably suggested the hymn—

What are these arrayed in white?

What are these arrayed in white?

whilst theTer-Sanctusis the inspiration of—

Lift your eyes of faith and seeSaints and angels joined in one.

Lift your eyes of faith and see

Saints and angels joined in one.

The thought of communion with the Church triumphant was very precious to Charles Wesley, and there is a most beautiful and solemn appropriateness in the lifting of the eyes as well as of the heart, when, having claimed in faith the forgiveness of sins, we take our unchallenged place at the table of the Lord. The Holy Communion includes fellowship with those who have ‘crossed the flood’ and are for ever with the Lord.

Nor is the other aspect of the communion of saints forgotten. It is often easier for earnest souls to claim fellowship with the white-robed company of heaven than with those on earth who are divided from them by divergencies of doctrine and practice. But if, on the one hand, the Eucharist has been a stone of stumbling and a rock of offence to theologians and ecclesiastics, on the other it is the bond of union between all ‘holding fast the Head.’[124]The true evangelic and the typically Wesleyan position is well stated in the verse—

Part of His Church below,We thus our right maintain;Our living membership we show,And in the fold remain,—The sheep of Israel’s fold,In England’s pastures fed;And fellowship with all we hold,Who hold it with our Head.[125]

Part of His Church below,

We thus our right maintain;

Our living membership we show,

And in the fold remain,—

The sheep of Israel’s fold,

In England’s pastures fed;

And fellowship with all we hold,

Who hold it with our Head.[125]

This is the attitude our Church has consistently adopted. We do not claim exclusive privileges or profess that our boundaries are the walls of that cityof God which lieth four square. We are but ‘part of His Church below,’ but wearea part, and in obedience to our dying Lord’s command ‘we thus our right maintain.’ What matter though some deny the validity of our ‘orders,’ the efficacy of our sacraments, our title to a place in the Holy Catholic Church? They may drive us from their local altars, but they cannot exclude us from the Lord’s table. They may deny us a place in that family for which our blessed Lord was content to be betrayed into the hands of sinful men. What then? We do not deny theirs.

Fellowship with all we hold,Who hold it with our Head.

Fellowship with all we hold,

Who hold it with our Head.

This is a note too seldom heard in Communion hymns. I do not remember to have found it so clearly put anywhere else, though Major Turton’s prayer for unity comes graciously near to it.

For all Thy Church, O Lord, we intercede;Make Thou our sad divisions soon to cease;Draw us the nearer each to each, we plead,By drawing all to Thee, O Prince of Peace;Thus may we all one Bread, one Body be,Through this blest Sacrament of Unity.[126]

For all Thy Church, O Lord, we intercede;

Make Thou our sad divisions soon to cease;

Draw us the nearer each to each, we plead,

By drawing all to Thee, O Prince of Peace;

Thus may we all one Bread, one Body be,

Through this blest Sacrament of Unity.[126]

Thesacramentalcharacter of the Lord’s Supper as the sign and pledge of the believer’s consecration to the service of Christ is represented in the hymn beginning—

Father, Son, and Holy Ghost,One in Three, and Three in One,As by the celestial host,Let Thy will on earth be done;Praise by all to Thee be given,Glorious Lord of earth and heaven.

Father, Son, and Holy Ghost,

One in Three, and Three in One,

As by the celestial host,

Let Thy will on earth be done;

Praise by all to Thee be given,

Glorious Lord of earth and heaven.

which in some of its verses suggests the prayer known as the First Thanksgiving,[127]though it is based upon a beautiful paragraph of Brevint’s.

A few hymns under the heading ‘After the Sacrament’ form an unimportant supplement, but the long series really ends with a joyous song well-suited to be the happy close of the solemn commemoration of the sacrifice of Calvary and the renewal of the Christian’s oath of allegiance

Let Him to whom we now belongHis sovereign right assert,And take up every thankful songAnd every loving heart.

Let Him to whom we now belong

His sovereign right assert,

And take up every thankful song

And every loving heart.

This final note of glad thanksgiving reminds us that in our Communion Service the ‘Gloria in Excelsis’ immediately precedes the Benediction.[128]

From these Communion hymns we pass to a series of a very different type. The story of the Calvinistic controversy—which seemed to show that a theological fountain could at the same time send forth sweet water and bitter—belongs to Church history, not to hymnology. Yet we cannot pass it over, for none of the hymns of the Wesleysmeantso much as those which proclaimed the glad tidings of a free and full salvation. The controversy was civil war, a strife among brethren, and it is good to know that the love of Whitefield and the Wesleys was able to bear, though not without terrible strain, even this sore trial. From that great controversy we inherit the true eirenicon, the agreeing to differ, which is the best possible solution of many religious disputes. Whitefield and the Wesleys finally agreed to differ and continued to love. But for a time there was ‘a sharp contention so that they parted asunder one from the other.’

In 1740 John Wesley published, after some hesitation, his sermon on ‘Free Grace,’ and added a long, dull hymn by his brother on ‘Universal Redemption.’ In the same year the brothers issued a second series ofHymns and Sacred Poems, which contained this and other pieces, setting forth in the most emphatic terms the Arminian doctrine, and condemning in even more emphatic terms all who believed in what Calvin hadcalled ‘decretum horribile.’ Whitefield was shocked by the Wesleyan doctrine itself, and was beyond measure distressed by what he saw must lead to a breach between himself and his dearest friends. His love and sorrow come out most attractively in his letters.

‘My dear, dear Brethren,’ he wrote, ‘why did you throw out the bone of contention? Why did you print that sermon against predestination? Why did you, in particular, my dear brother Charles, affix your hymn and join in putting out your late hymn-book?’[129]

‘My dear, dear Brethren,’ he wrote, ‘why did you throw out the bone of contention? Why did you print that sermon against predestination? Why did you, in particular, my dear brother Charles, affix your hymn and join in putting out your late hymn-book?’[129]

John Wesley’s sermon carefully avoided reference to his friend. Whitefield, however, felt in honour bound to state his own views and to ‘answer’ Wesley’s sermon. To this reply he added a poor poem by Dr. Watts, which was intended to balance Charles Wesley’s hymn. Here are two of Watts’s verses—

Behold the potter and the clay,He forms His vessels as he please;Such is our God, and such are we,The subjects of His high decrees.

Behold the potter and the clay,

He forms His vessels as he please;

Such is our God, and such are we,

The subjects of His high decrees.

May not the sovereign Lord on high,Dispense His favours as He will;Choose some to life while others die,And yet be just and gracious still?

May not the sovereign Lord on high,

Dispense His favours as He will;

Choose some to life while others die,

And yet be just and gracious still?

After this the battle became fast and furious. The two pamphlets ofHymns on God’s Everlasting Love[130]were issued in 1741, and Whitefield was in despair. Hewrites: ‘Dear brother Charles is more and more rash. He has lately printed some very bad hymns.’[131]From Whitefield’s point of view they were undoubtedly very bad, and even justify his charge that the Wesleys ‘dressed up’ the doctrine of election in ‘horrible colours.’ On the other hand, these hymns contain some of the finest specimens of evangelic hymn-writing to be found in the Wesley poetry.

They may be readily divided into two classes, the one vigorous and often bitterly satirical onslaughts upon the Calvinistic position, which are more in the style of ‘Holy Willie’s Prayer’ than in that of ‘Jesu, Lover of my soul,’ the other containing the proclamation of the glad tidings of universal redemption. Both elements are often found in the same composition. This is true of the first of the hymns, a portion of which has been used in Methodist congregations for more than a century and a half, and retains its place in the new hymn-book. I print some verses with the original italics, indicating its polemic purpose.

Father,whose everlasting loveThy only Son for sinners gave;Whose grace toalldidfreelymove,And sent Him down aworld to save.

Father,whose everlasting love

Thy only Son for sinners gave;

Whose grace toalldidfreelymove,

And sent Him down aworld to save.

Help us Thy mercy to extolImmense, unfathomed, unconfined;To praise the Lamb whodied for all,Thegeneral Saviour of mankind.

Help us Thy mercy to extol

Immense, unfathomed, unconfined;

To praise the Lamb whodied for all,

Thegeneral Saviour of mankind.

Thyundistinguishing regardWas cast onAdam’sfallen race:For all Thou hast in Christ prepared,Sufficient, sovereign, savinggrace.

Thyundistinguishing regard

Was cast onAdam’sfallen race:

For all Thou hast in Christ prepared,

Sufficient, sovereign, savinggrace.

Jesus hath said, weallshall hope,Preventing grace for all is free:And I, if I be lifted up,I willdraw all menunto Me.

Jesus hath said, weallshall hope,

Preventing grace for all is free:

And I, if I be lifted up,

I willdraw all menunto Me.

Arise, O God, maintain Thy cause!The fulness of theGentilescall:Lift up the standard of Thy crossAndallshall own Thou diedst for all.[132]

Arise, O God, maintain Thy cause!

The fulness of theGentilescall:

Lift up the standard of Thy cross

Andallshall own Thou diedst for all.[132]

In other hymns he employs the most biting, taunting sarcasm. It is difficult to suppose that these were ever sung even in the thickest of the fight; but they were sown broadcast (price fourpence), and were, no doubt, read with ecstatic delight by those who were on the Wesleys’ side in the great controversy. It is easy at this distance of time and circumstance to condemn the vehemence of the language used on both sides, especially in the later and more acrimonious stages of the controversy. But this was one of ‘freedom’s battles.’ It was magnificent, and it was war. To the Wesleys the doctrine that by the arbitrary decree of God—the God of love!—children were born to a doom which they could neither escape nor deserve was hateful, blasphemous, impossible. Ifthiswere indeed the truth of God, what gospel was there to preach? Let us eat and drink, for to-morrow we die and meet the inevitabledoom. Nor could they tolerate what seemed to them the smug satisfaction of ‘the elect,’ to whose certainty of salvation the equal certainty of the damnation of the reprobate added a pleasing flavour. They would not accept salvation on such terms. ‘Take back,’ Charles Wesley cries indignantly,

Take back my interest in Thy blood,Unless it streamed for all the race.

Take back my interest in Thy blood,

Unless it streamed for all the race.

With a true controversial instinct, the Wesleys fastened upon Calvin’s phrase ‘decretum horribile,’ and, preferring to transliterate rather than to translate, turned again and again to rend it.

A poem describing the possibilities of evil in the human heart and mind comes to a climax thus—

I could the devil’s law receive,Unless restrained by Thee;I could (good God!) I could believeThe Horrible Decree.

I could the devil’s law receive,

Unless restrained by Thee;

I could (good God!) I could believe

The Horrible Decree.

I could believe that God is hate—The God of love and graceDid damn, pass by, and reprobateThe most of human race.

I could believe that God is hate—

The God of love and grace

Did damn, pass by, and reprobate

The most of human race.

Farther than this I cannot go,Till Tophet take me in.But, O, forbid that I should knowThis mystery of sin.[133]

Farther than this I cannot go,

Till Tophet take me in.

But, O, forbid that I should know

This mystery of sin.[133]

Such were the amenities of religious controversy in the eighteenth century!

Again, in a lighter but still intensely earnest vein, he caricatures his adversaries’ teaching—

The righteous God consignedThem over to their doom,And sent the Saviour of mankindTo damn them from the womb:To damn for falling shortOf what they could not do,For not believing the reportOf that which was not true.

The righteous God consigned

Them over to their doom,

And sent the Saviour of mankind

To damn them from the womb:

To damn for falling short

Of what they could not do,

For not believing the report

Of that which was not true.

He did not do the deed—(Some have more mildly raved),He did not damn them, but decreedThey never should be saved.

He did not do the deed—

(Some have more mildly raved),

He did not damn them, but decreed

They never should be saved.

This effusion ends in a higher strain, with a dedication of his own life to the proclamation of universal redemption—

My life I here present,My heart’s last drop of blood;O let it all be freely spentIn proof that Thou art good:Art good to all that breathe,Who all may pardon have:Thou willest not the sinner’s death,But all the worldwouldstsave.

My life I here present,

My heart’s last drop of blood;

O let it all be freely spent

In proof that Thou art good:

Art good to all that breathe,

Who all may pardon have:

Thou willest not the sinner’s death,

But all the worldwouldstsave.

John Wesley tried in his brief tract on theCalvinistic Controversy[134](1743) to make peace with Whitefield, and some of his concessions are surprising—indeed, he afterwards retracted them. But Charles, who at this time was in the full glow of his early evangelistictriumphs, and who was much less of a theologian than his brother, felt that he was engaged in a holy crusade. He tried to write calmly, he prayed for grace to speak tenderly of those who were erring from the truth he held so dear, but—well, he could not keep silence.

In one of these hymns—a portion of which remains in theMethodist Hymn-book—he prays—

O arm me with the mind,Meek Lamb! that was in Thee,And let my knowing zeal be joinedTo fervent charity.

O arm me with the mind,

Meek Lamb! that was in Thee,

And let my knowing zeal be joined

To fervent charity.

With calm and tempered zealLet me enforce Thy call,And vindicate Thy gracious will,Which offers life to all.

With calm and tempered zeal

Let me enforce Thy call,

And vindicate Thy gracious will,

Which offers life to all.

Thou dost not stand in needOf me to prop Thy cause,To assert Thy general grace, or spreadThe victory of Thy cross.

Thou dost not stand in need

Of me to prop Thy cause,

To assert Thy general grace, or spread

The victory of Thy cross.

O may I love like Thee!And in Thy footsteps tread!Thou hatest all iniquity,But nothing Thou hast made.

O may I love like Thee!

And in Thy footsteps tread!

Thou hatest all iniquity,

But nothing Thou hast made.

O may I learn Thy art,With meekness to reprove;To hate the sin with all my heart,But still the sinner love.[135]

O may I learn Thy art,

With meekness to reprove;

To hate the sin with all my heart,

But still the sinner love.[135]

These verses might be headed ‘A Prayer before Controversy,’ but it is a shock to the reader on turning the page to find that the next verse shows how soon he descended from this high level.

The controversy was renewed thirty years later with vastly greater bitterness, and with much more personal feeling.

John Fletcher parted in 1771 from his Trevecca students like the saint he was, for he could no longer hold his place when other Arminians were discharged. ‘I cannot give up the possibility of the salvation of all any more than I can give up the truth and love of God.... I left them all in peace, the servant, but no more the president of the college.’[136]

The love of Whitefield and the Wesleys was of the kind which many waters cannot quench; but when Madan, Romaine, Hervey, and Rowland Hill heaped upon John Wesley’s venerable head torrents of vulgar abuse—abuse absolutely impossible, inconceivable in our milder mannered age[137]—Charles felt that there was a point beyond which even Christian charity could not decently go. His refusal to write Hervey’s epitaph is worthy of a Christian gentleman:

Let Madan or Romaine record his praise,Enough that Wesley’s brother can forgive.

Let Madan or Romaine record his praise,

Enough that Wesley’s brother can forgive.

The flowing tide, however, was with the Methodists, and though the fight was long, and the victory was not wholly won in their day, these hymns rendered an inestimable service to the cause of religious freedom. It may be true that they represented Calvin’s teaching one-sidedly, and at times misrepresented it, but itcannot be denied that they pictured current Calvinistic teaching accurately enough. The Wesleys saw clearly that, should belief in a limited redemption spread in their Society, they would but labour in vain and spend their strength for nought. They might have gathered little coteries of devout folk, strongly tinctured with what we now call Plymouth Brethrenism, but they could never have founded a great Church, whose chiefest glory should be its missionary enterprise both at home and in the ends of the earth. The mission of Thomas Coke more than a hundred years ago, the great city missions of our own time, the work of William Booth, of Hugh Price Hughes, and Samuel F. Collier, would have been impossible had they not been able to say anywhere and to all—

Sent by my Lord, on you I call;The invitation is to all:Come, all the world; come, sinner, thou;All things in Christ are ready now!

Sent by my Lord, on you I call;

The invitation is to all:

Come, all the world; come, sinner, thou;

All things in Christ are ready now!

The Wesleys reached their doctrine of general redemption by two paths. In the first place, they had been trained in the school of Arminius and of Laud, and had been confirmed in the faith by their own careful study of God’s word. But it is abundantly evident that their own experience had led them to believe in the infinite mercy of God. Charles Wesley, especially, argued with the profound humility of the sincere penitent, that his own salvation, of which he had received the undeniable assurance, ‘the indubitable seal,’ onWhit-Sunday, 1738, was itself convincing evidence of the good tidings he proclaimed.

Thy sovereign grace to all extends,Immense and unconfined:From age to age it never ends;It reaches all mankind.

Thy sovereign grace to all extends,

Immense and unconfined:

From age to age it never ends;

It reaches all mankind.

Throughout the world its breadth is known,Wide as infinity;So wide, it never passed by one,Or it had passed by me.[138]

Throughout the world its breadth is known,

Wide as infinity;

So wide, it never passed by one,

Or it had passed by me.[138]

This is a note which constantly recurs in theHymns on God’s Everlasting Love—sometimes expressed quaintly and unpoetically, sometimes with a pathos truly sublime, as in these verses—

O let me kiss Thy bleeding feet,And bathe and wash them with my tears;The story of Thy love repeatIn every drooping sinner’s ears,That all may hear the quickening sound,Since I, even I, have mercy found.

O let me kiss Thy bleeding feet,

And bathe and wash them with my tears;

The story of Thy love repeat

In every drooping sinner’s ears,

That all may hear the quickening sound,

Since I, even I, have mercy found.

O let Thy love my heart constrain,Thy love for every sinner free;That every fallen soul of manMay taste the grace that found out me;That all mankind, with me, may proveThy sovereign, everlasting love.[139]

O let Thy love my heart constrain,

Thy love for every sinner free;

That every fallen soul of man

May taste the grace that found out me;

That all mankind, with me, may prove

Thy sovereign, everlasting love.[139]

In this, as in other respects, the Wesleyan theology was characteristically Pauline. ‘This is a faithful saying, and worthy of all men to be received that Jesus Christ came into the world to save sinners, of whom I am the chief.’

Hymns of this class have an important place in the story of the Methodist Revival, as well as in the Calvinistic controversy. The vehemence, the violence, with which the Wesleys asserted their doctrine was largely, if not entirely, due to their sense of what it meant to the vast crowds of neglected, ignorant, savage folk who listened with amazement to the messengers who proclaimed God’s love to them.

Sinners, believe the gospel word,Jesus is come your souls to save!Jesus is come, your common Lord;Pardon ye all in Him may have,May now be saved, whoever will;This Man receiveth sinners still.

Sinners, believe the gospel word,

Jesus is come your souls to save!

Jesus is come, your common Lord;

Pardon ye all in Him may have,

May now be saved, whoever will;

This Man receiveth sinners still.

See where the lame, the halt, the blind.The deaf, the dumb, the sick, the poor,Flock to the Friend of human kind,And freely all accept their cure;To whom doth He His help deny?Whom in His days of flesh pass by?[140]

See where the lame, the halt, the blind.

The deaf, the dumb, the sick, the poor,

Flock to the Friend of human kind,

And freely all accept their cure;

To whom doth He His help deny?

Whom in His days of flesh pass by?[140]

And again—

O unexampled Love,O all-redeeming Grace!How freely didst Thou moveTo save a fallen race!What shall I do to make it knownWhat Thou for all mankind hast done?

O unexampled Love,

O all-redeeming Grace!

How freely didst Thou move

To save a fallen race!

What shall I do to make it known

What Thou for all mankind hast done?

O for a trumpet voice,On all the world to call!To bid their hearts rejoiceIn Him who died for all;For all my Lord was crucified,For all, for all my Saviour died![141]

O for a trumpet voice,

On all the world to call!

To bid their hearts rejoice

In Him who died for all;

For all my Lord was crucified,

For all, for all my Saviour died![141]


Back to IndexNext