TECHNICAL AND THEORETICAL.

ESSENTIALS IN MUSIC STUDY FOR EXAMINATIONS.A Helpful Guide both for the General Student and Candidates for Junior and Intermediate Examinations. By REV. E. H. MELLING, F.R.C.O. Cloth, 5s.net(paper covers, 2s. 6d.net).

Rev. E. H. Melling is the author of several popular works which have been found of great use to music students—"Guide for the Young Composer," "Extemporising at the Piano made Easy," etc.

Rev. E. H. Melling is the author of several popular works which have been found of great use to music students—"Guide for the Young Composer," "Extemporising at the Piano made Easy," etc.

GUIDE FOR THE YOUNG COMPOSER.Hints on the Art of Composition, with Examples of Easy Application. By REV. E. H. MELLING, F.R.C.O. Cloth, 5s.net(paper covers, 2s. 6d.net).

EXAMINATION TEST QUESTIONS.Containing spaces for the Pupils' Written Answers. By WALTER L. TWINNING, F.R.C.O. No. 1, Musical Notation and Time; No. 2, Formation of Scales; No. 3, Ornaments; No. 4, Intervals, 9d.neteach.

THEORY OF MUSIC FOR YOUNG MUSICIANS.With Answers given to all the Questions, and a Dictionary of necessary Musical Terms. By MARY SHARP. Limp cloth, 2s. 6d.net(paper covers, 1s. 6d.net).

102 TEST QUESTIONS ON THE GENERAL RUDIMENTS OF MUSIC.In Groups of Six each Lesson, for Written or Oral Use. By WILSON MANHIRE, L.R.A.M. 6d.net.

PRIMARY COURSE IN THE RUDIMENTS OF MUSIC, With Hints on Answering Questions (Written Work) for All Examinations in the Primary, Elementary and Preparatory Grades. By WILSON MANHIRE, L.R.A.M., etc. 2s.net.

EXAMINATION CANDIDATE'S GUIDEto Scale and Arpeggio Piano Playing (with Tests). All that is required for the Various Exams. By WILSON MANHIRE, L.R.A.M. 3s.net.

CANDIDATE'S SCALE AND ARPEGGIO TESTSfor the Piano. By WILSON MANHIRE, L.R.A.M. 1s.net.

STUDIES IN MODULATIONfor Practical and Theoretical Purposes. By PERCY BAKER, F.R.C.O., etc. Cloth, 5s. 6d.net(paper, 3s.net).

MUSICAL FORM, A Handbook to, for Instrumental Players and Vocalists. By E. VAN DER STRAETEN. With Musical Examples, 205 pages. 8vo, cloth, 6s. 6d.net(paper 4s.net).

The part of the work on Dance Forms gives a history and description of the Suite or Partita, Allemande, Courante, Sarabande, Gigue, Gavotte, Musette, Bourrée, Branle, Passepied, Rigaudon, Loure, Pavane, Galliard, Tambourin, Cebell, Rondo, Menuet, Polonaise, Mazurka, Bolero, Tarantella, Saltarello, March, Ciaccone and Passacaglia.

The part of the work on Dance Forms gives a history and description of the Suite or Partita, Allemande, Courante, Sarabande, Gigue, Gavotte, Musette, Bourrée, Branle, Passepied, Rigaudon, Loure, Pavane, Galliard, Tambourin, Cebell, Rondo, Menuet, Polonaise, Mazurka, Bolero, Tarantella, Saltarello, March, Ciaccone and Passacaglia.

STUDIES IN HISTORICAL FACTS AND MUSICAL FORM.Being a Guide and Note Book for a more Systematic Preparation of the General Knowledge Papers now set at the Universities and Colleges of Music. By PERCY BAKER. Cloth, 5s. 6d.net(paper, 3s.net).

MOZART AND THE SONATA FORM.By J. R. TOBIN, Mus.B.See Pianoforte Section.

FUGUE.A Conversational Address delivered to the Incorporated Guild of Church Musicians. By J. H. LEWIS, Mus.Doc. (Victoria College of Music). Crown 8vo, limp cloth, 2s.net.

MUSICAL EXPRESSIONS, PHRASES AND SENTENCES, with their Corresponding Equivalents in French, German and Italian. By F. BERGER. 8vo, cloth, 5s. 6d.net(paper, 3s.net).

RUDIMENTS OF MUSIC, Set forth in Graded QUESTIONS with ANSWERS, for Use of Candidates preparing for the Examinations of R.A.M., R.C.M. and T.C.L. By B. HOWARTH, L.R.A.M. and A.R.C.M. Crown 8vo, 2s.net.

The Answers are always on the right hand page and can be covered over if desired, the Questions being on the corresponding left hand pages.

The Answers are always on the right hand page and can be covered over if desired, the Questions being on the corresponding left hand pages.

ELEMENTARY LESSONS ON SIGHT-SINGING.Combining the Staff and Tonic Sol-fa Notations. With Music Examples throughout. By J. W. ROSSINGTON, L.R.A.M. Cloth, 3s. 6d.net; paper, 2s.net.

For many singers there is only one method of becoming good sight-readers, viz., combining the tonic sol-fa with the staff notation. It is hoped that a perusal of these elementary lessons will show the principles on which this combination is effected, and simplify the somewhat difficult task of sight-reading.

For many singers there is only one method of becoming good sight-readers, viz., combining the tonic sol-fa with the staff notation. It is hoped that a perusal of these elementary lessons will show the principles on which this combination is effected, and simplify the somewhat difficult task of sight-reading.

STEPS IN HARMONY.With Copious Explanatory Examples and Graded Test Exercises. A Handbook for Students. By DR. CHURCHILL SIBLEY. With Music Examples throughout. Crown 8vo, boards, cloth back, 6s.net(paper, 3s. 6d.net).

It is believed that he who thoroughly masters the contents of these pages will be prepared to study intelligently the harmonic structure of the works of the great masters, and also to follow critically the changeful tendencies of the present day.

It is believed that he who thoroughly masters the contents of these pages will be prepared to study intelligently the harmonic structure of the works of the great masters, and also to follow critically the changeful tendencies of the present day.

600 QUESTIONS AND 600 EXERCISES IN ELEMENTARY MUSICAL THEORY.By W. H. PALMER. Crown 8vo, cloth, 5s.net(paper covers, 3s.net).

Intended as a help to the private student and to the candidate preparing for the several musical examinations.

Intended as a help to the private student and to the candidate preparing for the several musical examinations.

THE MODAL ACCOMPANIMENT OF PLAIN CHANT.A Practical Treatise. By EDWIN EVANS, Senior, F.R.C.O. Part I, Theoretical; Part II, Practical School of Plain Chant Accompaniment, consisting of 240 Exercises, with an Appendix of Notes. Crown 8vo, cloth, 8s. 6d.net.

THE HARMONISING OF MELODIES.A Text-Book for Students and Beginners. By H. C. BANISTER. Third Edition, with numerous Musical Examples. Crown 8vo, limp cloth, 5s.net.

MUSICAL ANALYSIS.A Handbook for Students. By H. C. BANISTER. With Musical Illustrations. Crown 8vo, limp cloth, 5s.net(paper covers, 2s. 6d.net).

THE ART OF MODULATING.A Series of Papers on Modulating at the Pianoforte. By HENRY C. BANISTER. With 62 Musical Examples. Crown 8vo, cloth, 6s.net(paper covers, 3s. 6d.net).

MODERN CHORDS EXPLAINED.(The Tonal Scale in Harmony.) By ARTHUR G. POTTER. Musical Examples from C. Debussy, Richard Strauss and Granville Bantock. 8vo, cloth, 4s.net(paper covers, 2s.net).

EXERCISES IN VOCAL SCORE READING.Collected from the Works of Orlando di Lasso, Palestrina, Vittoria, Barcroft, Redford, Peter Certon, Byrd, Gibbons, Croft, Rogers, Boyce, etc. For Students preparing for the R.C.O. and other Examinations. By JAMES LYON, Mus.Doc. Oxon. 4to, 4s. 6d.net.

EXERCISES IN FIGURED BASS AND MELODY HARMONIZATION.By JAMES LYON, Mus.Doc. 4to, 3s. 6d.net.

EXAMPLES OF FOUR-PART WRITING FROM FIGURED BASSES AND GIVEN MELODIES.By JAMES LYON, Mus.Doc. 4to, 5s. 6d.net.

These exercises are printed in open score so as to be of use in score reading tests. This volume forms a key to "Exercises in Figured Bass" by the same author (see above).

These exercises are printed in open score so as to be of use in score reading tests. This volume forms a key to "Exercises in Figured Bass" by the same author (see above).

HOW TO COMPOSE.A Practical Guide to the Composition of all Works within the Lyric Form, and which include the Valse, Gavotte, Mazurka, Polonaise, March, Minuet, and all Ordinary Dance Forms; as also the Nocturne, Impromptu, Berceuse, Reverie and Similar Characteristic Pieces. By EDWIN EVANS, Senior, F.R.C.O. With 60 Musical Examples. Crown 8vo, cloth, 7s. 6d.net.

THE RUDIMENTS OF GREGORIAN MUSIC.By FRANCIS BURGESS, F.S.A., Scot. Second Impression. Crown 8vo, limp cloth, 2s. 6d.net(paper, 1s. 6d.net).

MUSICAL PRONOUNCING DICTIONARY.By DR. DUDLEY BUCK. Eighth Edition, with the Concise Explanation and Pronunciation of each Term. Edited and Revised by A. WHITTINGHAM. Crown 8vo, cloth, 3s.net(paper, 1s. 6d.net).

A most valuable and useful little book to all musical people. The method adopted for giving the pronunciation of each term is most concise and clear.

A most valuable and useful little book to all musical people. The method adopted for giving the pronunciation of each term is most concise and clear.

A FIRST BOOK OF MUSIC FOR BEGINNERS, Embodying English and Continental Teaching. By ALFRED WHITTINGHAM. Sixth Thousand. Crown 8vo, sewed, 4d.net.

HARMONY, EASILY AND PROGRESSIVELY ARRANGED.Presenting in a Simple Manner the Elementary Ideas as well as the Introduction to the Study of Harmony. With about 300 Musical Examples and Exercises. By PAUL COLBERG. Crown 8vo, cloth, 7s. 6d.net.

AUGUST WILHELMJ says: "This work is distinguished by brevity and clearness. I most warmly recommend it."

AUGUST WILHELMJ says: "This work is distinguished by brevity and clearness. I most warmly recommend it."

COMPEND OF MUSICAL KNOWLEDGE.By PERCY BAKER, F.R.C.O., L.Mus. T.C.L. Being a Guide with Notes, Hints and Articles on the Study of Examination Questions. Crown 8vo, cloth, 6s.net(paper, 3s. 6d.net).

Primarilyto help candidates entering for the R.C.O. and T.C.L. Diplomas, though containing much information for the amateur musician and general reader. Indispensable to teachers in guiding their pupils through a course of study dealing with a large number of subjects like those set for the F.R.C.O. and A.R.C.O.

Primarilyto help candidates entering for the R.C.O. and T.C.L. Diplomas, though containing much information for the amateur musician and general reader. Indispensable to teachers in guiding their pupils through a course of study dealing with a large number of subjects like those set for the F.R.C.O. and A.R.C.O.

ELEMENTARY MUSIC.A Book for Beginners. By DR. WESTBROOK. With Questions and Vocal Exercises. Fifteenth Thousand. Crown 8vo, cloth, 4s.net(paper, 2s.net).

CONTENTS: 1. The Staff and its Clefs. 2. Notes and their Rests. 3. Bars and Time. 4. Accidentals. 5. Keys and Scales. 6. Intervals. 7. Musical Pitch. 8. Accent. 9. Secondary Signs. 10. Ornaments and Groups of Notes. 11. Voices and Scores. 12. Church Modes. 13. Italian and other Directions. 14. Foreign Note-Names. 15. Questions. 16. Vocal Exercises."His explanations are extremely clear. The questions at the end will be found very useful."—Musical Times.

CONTENTS: 1. The Staff and its Clefs. 2. Notes and their Rests. 3. Bars and Time. 4. Accidentals. 5. Keys and Scales. 6. Intervals. 7. Musical Pitch. 8. Accent. 9. Secondary Signs. 10. Ornaments and Groups of Notes. 11. Voices and Scores. 12. Church Modes. 13. Italian and other Directions. 14. Foreign Note-Names. 15. Questions. 16. Vocal Exercises.

"His explanations are extremely clear. The questions at the end will be found very useful."—Musical Times.

EXERCISES ON GENERAL ELEMENTARY MUSIC.A Book for Beginners. By K. PAIGE. Fourth Edition. Part I, 1s. 6d.net; Part II, 2s.net. Crown 8vo, paper (2 parts complete in cloth, 5s.net).

CONTENTS OF PART I: 1. Pitch. 2. Length of Sounds. 3. Time. 4. Time and Accent. 5. Intervals. 6. Scales. 7. Transposition. 8. Syncopation. 9. Signs and Abbreviations. 10. Notation. 11. Miscellaneous Questions and Exercises.CONTENTS OF PART II: 1. Triads. 2. First Inversion of a Triad. 3. Second Inversion of a Triad. 4. Dissonances. 5. Suspensions. 6. Sequences. 7. Cadences. 8. Dominant Sevenths, etc.

CONTENTS OF PART I: 1. Pitch. 2. Length of Sounds. 3. Time. 4. Time and Accent. 5. Intervals. 6. Scales. 7. Transposition. 8. Syncopation. 9. Signs and Abbreviations. 10. Notation. 11. Miscellaneous Questions and Exercises.

CONTENTS OF PART II: 1. Triads. 2. First Inversion of a Triad. 3. Second Inversion of a Triad. 4. Dissonances. 5. Suspensions. 6. Sequences. 7. Cadences. 8. Dominant Sevenths, etc.

HOW TO MEMORISE MUSIC.By C. F. KENYON. With numerous Musical Examples. Fourth Edition. Crown 8vo, cloth, 5s.net.

"Mr. Kenyon proves himself an excellent guide; and indeed we know of no other work devoted to the subject with which he has dealt so thoroughly and so successfully."—Glasgow Herald.

"Mr. Kenyon proves himself an excellent guide; and indeed we know of no other work devoted to the subject with which he has dealt so thoroughly and so successfully."—Glasgow Herald.

HOW TO HARMONIZE MELODIES.With Hints on Writing for Strings and Pianoforte Accompaniments. By J. HENRY BRIDGER, Mus.Bac. With Musical Examples throughout. Crown 8vo, cloth, 6s.net.

THE ART OF MODULATION.A Handbook showing at a Glance the Modulations from one Key to any other in the Octave, consisting of 1,008 Modulations. For the Use of Organists and Musical Directors. Edited by CARLI ZOELLER. Third Edition. Roy. 8vo, cloth, 8s.net(paper, 5s.net).

THE STUDENT'S BOOK OF CHORDS.With an Explanation of their Inversions and Resolutions. By PASCAL NEEDHAM. Crown 8vo, sewed, 1s. 6d.net.

The chords with their inversions and resolutions are briefly and clearly explained.

The chords with their inversions and resolutions are briefly and clearly explained.

TRANSPOSITION AT SIGHT.For Students of the Organ and Pianoforte. By H. E. NICHOL. Fourth Edition, with numerous Musical Exercises. Crown 8vo, cloth, 3s. 6d.net; paper, 2s.net.

The practice of transposing upon the lines here laid down develops the "mental ear," quickens the musical perception and gives ease in sight reading; as it is evident that, if the student cantransposeat sight, he will not have much difficulty in merelyplayingat sight. Free use is made of the tonic sol-fa as well as the standard notation in many musical examples.

The practice of transposing upon the lines here laid down develops the "mental ear," quickens the musical perception and gives ease in sight reading; as it is evident that, if the student cantransposeat sight, he will not have much difficulty in merelyplayingat sight. Free use is made of the tonic sol-fa as well as the standard notation in many musical examples.

SCHUMANN'S RULES AND MAXIMS FOR YOUNG MUSICIANS.Sewed, 6d.

THE STUDENT'S HELMHOLTZ.Musical Acoustics, or the Phenomena of Sound as Connected with Music. By JOHN BROADHOUSE. With more than 100 Illustrations. Fifth Impression. Crown 8vo, cloth, 12s. 6d.net.

"In his Preface the author says: 'The object of the present book is to give, in one volume, a good general view of the subject to those who can neither spare time to read, nor money to buy a number of large and expensive works.' A perusal of the book justifies us in asserting that this design is most satisfactorily carried out; and it is not too much to say that although the plan of the work excludes the possibility of minutely dissecting every subject treated upon, any careful reader may obtain so clear an insight into the principle of acoustics, as to enable him not only to pass an examination but to store up a large amount of general knowledge upon the phenomena of sound."—Musical Times.

"In his Preface the author says: 'The object of the present book is to give, in one volume, a good general view of the subject to those who can neither spare time to read, nor money to buy a number of large and expensive works.' A perusal of the book justifies us in asserting that this design is most satisfactorily carried out; and it is not too much to say that although the plan of the work excludes the possibility of minutely dissecting every subject treated upon, any careful reader may obtain so clear an insight into the principle of acoustics, as to enable him not only to pass an examination but to store up a large amount of general knowledge upon the phenomena of sound."—Musical Times.

VIOLINIST'S MANUAL.A Treatise on Construction, Choice, Care, Adjustment, Study and Technique of the Violin. Full of Useful and Practical Advice regarding the Violin and Bow. By H. F. GOSLING. Numerous Illustrations and an Index. Crown 8vo, cloth, 15s.net.

VIOLIN TECHNICS, or How to Become a Violinist. Exact Instructions, Step by Step, for its Accomplishment with or without a Teacher. By "FIRST VIOLIN." 3s.net.

PLAYING AT SIGHT FOR VIOLINISTSand Others in an Orchestra. Valuable Hints and Aids for its Mastery. By SYDNEY TWINN. Post 8vo, 3s.net.

ADVANCED MODERN VIOLIN TECHNICS.

TONAL SCALES AND ARPEGGIOS FOR VIOLIN.Introductory to the Unusual Intonation and Finger-grouping of Advanced Modern Music. By SYDNEY TWINN. 4to, 3s.net.

"These scales will be useful to advanced players who find difficulties in the unusual intonation and technique of modern music"—Strad.

"These scales will be useful to advanced players who find difficulties in the unusual intonation and technique of modern music"—Strad.

SCALES AND ARPEGGIOS.Indispensable Studies for the Violin. Edited by ALBERT GRAFF. 1s. 6d.net.

ARPEGGIOS FOR THE VIOLIN.By BASIL ALTHAUS. Folio. 3s.net.

VIOLINIST'S ENCYCLOPÆDIC DICTIONARY.Containing the Explanation of about 4,000 Words, Phrases, Signs, References, etc., Foreign, as well as English, used in the Study of the Violin, and also by String Players generally, by F. B. EMERY, M.A. New and enlarged edition, doubled in size. 246 pp., crown 8vo. Cloth 10s.net, paper, 7s. 6d.net, or on India paper and bound in red pegamoid rounded corners, 12s. 6d.net. Suitable for student or travel.

70 PREPARATORY VIOLIN EXERCISESfor Beginners in the First Position, carefully Graduated, Supplementary to the First Instruction Book. By WILSON MANHIRE, L.R.A.M., A.R.C.M., etc. 2s. 6d.net.

BOW INSTRUMENTS, their Form and Construction. Practical and Detailed Investigation and Experiments regarding Vibration, Sound Results, and Construction. By J. W. GILTAY. Issued into English by the Author in Co-operation with E. VAN DER STRAETEN. Numerous Diagrams. 8vo, cloth, 16s.net.

"A valuable treatise."—The Strad.

"A valuable treatise."—The Strad.

OLD VIOLINS AND VIOLIN LORE, Famous Makers of Cremona and Brescia, and of England, France and Germany (with Biographical Dictionary), Famous Players, and Chapters on Varnish, Strings and Bows, with 13 full-page plates. By H. R. HAWEIS. Thick crown 8vo, cloth, 17s. 6d.net.

YOUNG VIOLINIST'S SCALE AND ARPEGGIO MANUAL.By WILSON MANHIRE, L.R.A.M., etc. 2s.net.

FACTS ABOUT FIDDLES.Violins Old and New. By J. BROADHOUSE. Fourth Edition. Crown 8vo, paper. 2s. 6d.net.

NOTABLE VIOLIN SOLOS: How to Play Them. Three Series (consisting of 43 descriptive Articles in all). By E. VAN DER STRAETEN. 2s. 6d.neteach series. Also complete, in cloth, with Portraits, 10s.net.

VIOLIN MANUFACTURE IN ITALYand its German Origin. By DR. E. SCHEBEK. Translated by W. E. LAWSON. Second Edition. Square 12mo, cloth, 6s.net; paper, 3s. 6d.net.

CHATS WITH VIOLINISTS.By WALLACE RITCHIE. With four Photographic Illustrations. Crown 8vo, cloth, 8s. 6d.net.

CHAPTERS: On the Importance of being Accurate; On Various Details; On the Violin and its Fittings; On Reading from Sight and Playing from Memory; A Few Violin Secrets; Some valuable Technical Exercises; Hand Development for Violinists, including Eighteen Excellent Finger Gymnastics; Sundry Useful Hints.I here lay before the public that information and advice which I have hitherto been content to reserve for the sole use of my own pupils. During a considerable experience, both as a student and as a teacher of the violin, I have naturally pieced together quite a variety of small hints and items of information which, though modest enough individually, have been found on the whole to be of no inconsiderable value, not only with regard to my own playing, but also—and which is of far more importance—in enabling me to impart a knowledge of the art to others.

CHAPTERS: On the Importance of being Accurate; On Various Details; On the Violin and its Fittings; On Reading from Sight and Playing from Memory; A Few Violin Secrets; Some valuable Technical Exercises; Hand Development for Violinists, including Eighteen Excellent Finger Gymnastics; Sundry Useful Hints.

I here lay before the public that information and advice which I have hitherto been content to reserve for the sole use of my own pupils. During a considerable experience, both as a student and as a teacher of the violin, I have naturally pieced together quite a variety of small hints and items of information which, though modest enough individually, have been found on the whole to be of no inconsiderable value, not only with regard to my own playing, but also—and which is of far more importance—in enabling me to impart a knowledge of the art to others.

ADVICE TO VIOLIN STUDENTS.Containing Information of the Utmost Value to every Violinist. By WALLACE RITCHIE. Crown 8vo, cloth, 8s. 6d.net(paper, 5s.net).

CONTENTS: Selecting and Adjusting—Choice of a Teacher—Course of Study—The Sevcik Method—Practising—Style—Tone Production—Pronunciation of Terms, Names, etc.—Graded List of Studies, Pieces, etc. Together with Hints on Common Faults—Shifting—Reading Music—Stopping—Harmonics—Vibrato—Tempo—Intonation, Pitch, etc.

CONTENTS: Selecting and Adjusting—Choice of a Teacher—Course of Study—The Sevcik Method—Practising—Style—Tone Production—Pronunciation of Terms, Names, etc.—Graded List of Studies, Pieces, etc. Together with Hints on Common Faults—Shifting—Reading Music—Stopping—Harmonics—Vibrato—Tempo—Intonation, Pitch, etc.

THE VALUE OF OLD VIOLINS.By E. POLONASKI. Being a List of the Principal Violin Makers, British, Italian, French and German. With Approximate Valuations of their Instruments and Occasional Notes on their Varnish. Facsimiles of Labels and Violins. Crown 8vo, cloth, 10s.net.

INFORMATION FOR PLAYERS, Owners, Dealers and Makers of Bow Instruments, also for String Manufacturers. Taken from Personal Experiences, Studies and Observations. By WILLIAM HEPWORTH. With Illustrations of Stainer and Guarnerius Violins and Gauge of Millimetres and Centimetres, etc. Crown 8vo, cloth, 8s. 6d.net.

CONTENTS: The Pegs—Neck—Fingerboard—Bridge—Tail-piece—Saddle—Violin Holder—Tail-pin—Bar—Sound-post—On the Stringing of Bow Instruments in General Use—Strings—Rosin—Cleaning of the Instrument and the Bridge—Bow—Violin Case—Repairs—Preservation—Conclusion.

CONTENTS: The Pegs—Neck—Fingerboard—Bridge—Tail-piece—Saddle—Violin Holder—Tail-pin—Bar—Sound-post—On the Stringing of Bow Instruments in General Use—Strings—Rosin—Cleaning of the Instrument and the Bridge—Bow—Violin Case—Repairs—Preservation—Conclusion.

SKETCHES OF GREAT VIOLINISTS AND GREAT PIANISTS.Biographical and Anecdotal, with Account of the Violin and Early Violinists. Viotti, Spohr, Paganini, De Beriot, Ole Bull, Clementi, Moscheles, Schumann (Robert and Clara), Chopin, Thalberg, Gottschalk, Liszt. By G. T. FERRIS. Third Edition. Crown 8vo, cloth, 8s. 6d.net.

TREATISE ON THE STRUCTURE AND PRESERVATION OF THE VIOLINand all other Bow Instruments. Together with an Account of the most Celebrated Makers and of the Genuine Characteristics of their Instruments. By J. A. OTTO, with Additions by J. BISHOP. With Diagrams and Plates. Fourth Edition, further Enlarged. Crown 8vo, cloth, 10s.net.

Contains instructions for the repair, preservation and bringing out the tone of instruments; tracing model for violin, mutes and fiddle holders; list of classical works for stringed instruments. This work is especially valuable for makers of violins.

Contains instructions for the repair, preservation and bringing out the tone of instruments; tracing model for violin, mutes and fiddle holders; list of classical works for stringed instruments. This work is especially valuable for makers of violins.

HOW TO PLAY THE FIDDLE.For Beginners on the Violin. By H. W. and G. GRESSWELL. Eighth Edition. Crown 8vo, cloth, 6s.net; or in 2 vols., paper, 3s.net.

JOACHIM says: "Contains many useful hints about violin playing."

JOACHIM says: "Contains many useful hints about violin playing."

BIOGRAPHICAL DICTIONARY OF FIDDLERS.Including Performers on the Violoncello and Double Bass, Past and Present. Containing a Sketch of their Artistic Career, together with Notes of their Compositions. By A. MASON CLARKE. 9 Portraits. Post 8vo, cloth, 10s.net.

"We may here take the opportunity of recommending a useful book to all lovers of violins and violinists. Fiddlers, Ancient and Modern, is practically a little Biographical Dictionary, well arranged with some excellent portraits."—Northern Whig.

"We may here take the opportunity of recommending a useful book to all lovers of violins and violinists. Fiddlers, Ancient and Modern, is practically a little Biographical Dictionary, well arranged with some excellent portraits."—Northern Whig.

ART OF HOLDING THE VIOLIN AND BOW AS EXEMPLIFIED BY OLE BULL.His Pose and Method proved to be based on true Anatomical Principles. By A. B. CROSBY, M.D., Professor of Anatomy. Portrait, Diagrams and Illustrations. 8vo, cloth, 5s.net.

Included in the above are some interesting recollections and anecdotes of Ole Bull.

Included in the above are some interesting recollections and anecdotes of Ole Bull.

THE VIOLIN AND OLD VIOLIN MAKERS.Being a Historical and Biographical Account of the Violin. By A. MASON CLARKE. With Facsimile of Labels used by Old Masters and illustrations of a copy of Gasparo da Salo. Crown 8vo, cloth, 10s.net.

THE VIOLIN, ITS HISTORY AND CONSTRUCTION.Illustrated and Described from many Sources. Together with a List of Italian and Tyrolese Makers. With 28 Illustrations and folding Examples of the First Music issued for the Lute, Fiddle and Voice. From the German of ABELE and NIEDERHEITMANN. By J. BROADHOUSE. Fresh issue printed in larger size. Crown 8vo, cloth, 10s.net.

"The learned and instructive treatise of Abele, skilfully rendered by J. Broadhouse and supplemented by a version of Niederheitmann's list of Italian and Tyrolese violin makers, a compilation invaluable to collectors and connoisseurs of rare fiddles ... a work which forms a noteworthy addition to the small number of English books upon this interesting subject."—Scotsman.

"The learned and instructive treatise of Abele, skilfully rendered by J. Broadhouse and supplemented by a version of Niederheitmann's list of Italian and Tyrolese violin makers, a compilation invaluable to collectors and connoisseurs of rare fiddles ... a work which forms a noteworthy addition to the small number of English books upon this interesting subject."—Scotsman.

HOW TO MAKE A VIOLIN, Practically Treated. By J. BROADHOUSE. New and Revised Edition. With 47 Illustrations and Folding Plates and many Diagrams, Figures, etc. Crown 8vo, cloth, 10s. 6d.net.

CONTENTS: Introduction—The Parts of the Violin—On the Selection of Wood—The Tools required—The Models—The Mould—The Side-pieces and Side Linings—The Back—Of the Belly—The Thickness of the Back and Belly—The Bass Bar—The Purfling—The Neck—The Fingerboard—The Nut and String Guard—Varnishing and Polishing—Varnishes and Colouring Matter—The Varnish—A Mathematical Method of Constructing the Outline—The Remaining Accessories of the Violin.This new edition had the advantage of being revised throughout by a celebrated violin maker.

CONTENTS: Introduction—The Parts of the Violin—On the Selection of Wood—The Tools required—The Models—The Mould—The Side-pieces and Side Linings—The Back—Of the Belly—The Thickness of the Back and Belly—The Bass Bar—The Purfling—The Neck—The Fingerboard—The Nut and String Guard—Varnishing and Polishing—Varnishes and Colouring Matter—The Varnish—A Mathematical Method of Constructing the Outline—The Remaining Accessories of the Violin.

This new edition had the advantage of being revised throughout by a celebrated violin maker.

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"It is my opinion that this book will offer material aid to all violin players."—JOACHIM.

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VOICE PRODUCTION FOR ELOCUTION AND SINGING.By REV. E. H. MELLING. Music Examples. 31 pages, f'cap 8vo, cloth, 4s. 6d.net; paper covers, 2s. 6d.net.

THE VOCAL WORKS OF JOHANNES BRAHMS.Historical, Descriptive and Analytical Account of each Work. Original English Translations supplied to many numbers. By EDWIN EVANS, Senior. Thick 8vo, cloth, 30s.net.

The above volume is a complete technical account of the vocal works. It forms a part of the Historical, Descriptive and Analytical Account of the Entire Works of Brahms advertised on page 2.

The above volume is a complete technical account of the vocal works. It forms a part of the Historical, Descriptive and Analytical Account of the Entire Works of Brahms advertised on page 2.

VOCAL TRAINING AND PREPARATION FOR SONG INTERPRETATION.With a Section showing how to Determine Accurately by Pitch and Curve Graphs the special Suitability of Songs selected for particular Vocal Requirements. Music Illustrations and Descriptive Diagrams. By FRANK PHILIP. 8vo, cloth, 15s.net.

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Teachers will find this very striking book of great value. The publishers have no hesitation in strongly recommending it.

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The known facts of science in connection with both the structure and functions of the vocal organs are stated; and have been supplemented by impressions formed in the course of long experience and experiment in the training of voices.

VOCAL SCIENCE AND ART.Hints on Production of Musical Tone. By REV. CHAS. GIB. The Boy's Voice, Muscular Relaxation, Art of Deep Breathing, Elocution for Ordination Candidates. With Numerous Illustrations, and Introduction, Notes and Diagrams, by J. F. HALLS DALLY, M.A., M.D., etc. Dedicated to the Bishop of London. Crown 8vo, cloth, 7s. 6d.net.

RUDIMENTS OF VOCAL MUSIC.With 42 Preparatory Exercises, Rounds and Songs in the Treble Clef. By T. MEE PATTISON. Second Edition. Crown 8vo, paper, 4d.net.

PHYSICAL DEVELOPMENT IN RELATION TO PERFECT VOICE PRODUCTION.By H. TRAVERS ADAMS, B.A. 8vo, paper, 3s.net.

Intended for students. Treats of Vibration, Breaks and Registers, The Speaking Voice, Attack, Practical Application, Breathing, Exercise in Inspiration, Expiration, and so on.

Intended for students. Treats of Vibration, Breaks and Registers, The Speaking Voice, Attack, Practical Application, Breathing, Exercise in Inspiration, Expiration, and so on.

SIMPLICITY AND NATURALNESS IN VOICE PRODUCTION.A Plea and an Argument. By EDWIN WAREHAM. Crown 8vo, cloth, 3s. 6d.net.

OBSERVATIONS ON THE FLORID SONG.Or Sentiments on the Ancient and Modern Singers. By P. F. TOSI. Translated by Mr. Galliard. With folding Musical Examples. 184 pages. A Reprint of this Celebrated Book, first published in 1743. Crown 8vo, boards, with vellum-like back. 21s.net.

Recommended to all students of the Italian method of singing by the late Charles Lunn."The aged teacher embodies his own experience and that of his contemporaries at a time when the art was probably more thoroughly taught than it has ever been since."—Grove's Dictionary.

Recommended to all students of the Italian method of singing by the late Charles Lunn.

"The aged teacher embodies his own experience and that of his contemporaries at a time when the art was probably more thoroughly taught than it has ever been since."—Grove's Dictionary.

ELEMENTARY LESSONS ON SIGHT SINGING.Combining the Staff and Tonic Sol-fa Notations. With Music Examples throughout. By J. W. ROSSINGTON, L.R.A.M. Cloth, 3s. 6d.net(paper, 2s.net).

For many singers there is only one method of becoming good sight-readers, viz., combining the tonic sol-fa with the staff notation.

For many singers there is only one method of becoming good sight-readers, viz., combining the tonic sol-fa with the staff notation.

THE ART OF VOCAL EXPRESSION.A Popular Handbook for Speakers, Singers, Teachers and Elocutionists. By the REV. CHAS. GIB. Crown 8vo, cloth, 5s.net; paper, 2s. 6d.net.

VOICE PRODUCTION AND VOWEL ENUNCIATION.By F. F. MEWBURN LEVIEN. Diagrams by ARTHUR C. BEHREND. Post 8vo, sewed, 2s.net.

THE THROAT IN ITS RELATION TO SINGING.A Series of Popular Papers. By WHITFIELD WARD, A.M., M.D. Illustrations. Second Edition. Crown 8vo, cloth, 5s.net; paper, 3s.net.

CONTENTS: Anatomical Structure of the Throat; What we See with the Laryngoscope; How we Sing; How we Breathe; How to take Care of the Voice; Hints to Voice Builders; How the Voice is Destroyed; Common Throat Affections of Singers, together with their Treatment, etc.

CONTENTS: Anatomical Structure of the Throat; What we See with the Laryngoscope; How we Sing; How we Breathe; How to take Care of the Voice; Hints to Voice Builders; How the Voice is Destroyed; Common Throat Affections of Singers, together with their Treatment, etc.

HOW TO ATTAIN THE SINGING VOICE, or Singing Shorn of its Mysteries. A Popular Handbook for those desirous of winning Success as Singers. By A. RICHARDS BROAD. Crown 8vo, cloth, 7s. 6d.net.

This is the book which fitted Eva Turner to achieve for her wonderful successes in the operatic world (in Italy, Germany, Portugal, etc., as well as in her own country). It should help you to achieve great things too."An immensely interesting book that has every right to be classed among those that are genuinely useful, and it should be prized by all vocalists from the highest to the lowest."—The Musical Observer.

This is the book which fitted Eva Turner to achieve for her wonderful successes in the operatic world (in Italy, Germany, Portugal, etc., as well as in her own country). It should help you to achieve great things too.

"An immensely interesting book that has every right to be classed among those that are genuinely useful, and it should be prized by all vocalists from the highest to the lowest."—The Musical Observer.

TWELVE LESSONS ON BREATHING AND BREATH CONTROL.For Singers, Speakers and Teachers. By G. E. THORP. Crown 8vo, paper, 2s. 6d.net.

TWENTY LESSONS ON THE DEVELOPMENT OF THE VOICE.For Singers, Speakers and Teachers. By G. E. THORP. Fourth Edition. Crown 8vo, limp cloth, 2s. 6d.net.

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Mr. Thorp's two books have from time to time been recommended by various eminent vocal specialists as giving practical aid and advice for the training, care and development of the voice. They are free from anybiased "system" or "discovery."

TREATISE ON THE TRAINING OF BOYS' VOICES.With Examples and Exercises and Chapters on Choir-Organization. Compiled for the Use of Choirmasters. By GEORGE T. FLEMING. Second Edition. Crown 8vo, cloth, 5s.net; paper, 2s. 6d.net.

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SIX SPIRITUAL SONGS FOR UNACCOMPANIED CHORUS, with Piano Accomp. (for Practice). By RUTLAND BOUGHTON. In one vol. Roy. 8vo, 2s. 6d.net.

The songs are also issued separately.

The songs are also issued separately.

VOCAL EXERCISES FOR CHOIRS AND SCHOOLS.By DR. WESTBROOK. Post 8vo, paper, 2d.net.

THE CENTRAL POINT IN BEAUTIFUL VOICE PRODUCTION.By H. TRAVERS ADAMS, M.A. Cloth, 2s. 6d.net(paper, 1s. 6d.net).

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"Mr. Abraham has brought the work up to date and written several new chapters and the book now gives us a discussion on the most important writers and projectors of chamber music"—Musical Opinion.

ORGAN.By C. F. ABDY-WILLIAMS, M.A., Mus.Bac. Told in Nine Chapters. Thirty-eight Illustrations and Frontispiece. Illustrations of two Instruments found at Pompeii; F. W. Galpin's Hydraulus; Organ Builders; Stops; Technical Terms; Bibliography and Chronological List of Organ Specifications, 21s.net.

ENGLISH MUSIC(1604-1904). Seventeen Lectures delivered at the Music Loan Exhibition of the Worshipful Company of Musicians. By T. L. SOUTHGATE, W. H. CUMMINGS, H. WATSON, E. MARKHAM LEE, J. FINN, SIR F. BRIDGE, A. S. ROSE, A. H. D. PRENDERGAST, F. J. SAWYER, G. F. HUNTLY, D. J. BLAIKLEY, REV. F. W. GALPIN, W. W. COBBETT, J. E. BORLAND, A. H. LITTLETON and SIR E. CLARKE. Frontispiece and 115 Illustrations (Portraits, Instruments, Title Pages, etc.). Musical Examples. 16s.net.

MINSTRELSY.By EDMONDSTOUNE DUNCAN. The whole body of Secular Music that has stood the test of time and which can be called national. Early Gleemen, the Minstrels (church and social), Troubadours, the Tudor period, the great Elizabethanists, etc. Pp. xvi, 337, 16s.net.

MUSICAL FORM.By C. LUCAS. The General Principles of the Art of Composition and how they have been arrived at; explaining the development of the scale, of tonic and dominant, cadences, phrases and motives, counterpoint, canon and fugue, harmony, style, song form, variations, sonata form. Pp. xvi, 226, 16s.net.

BAGPIPE.By W. H. GRATTAN FLOOD. Its History, Origin of Reed Pipes, the Pipes of ancient Celtic Ireland and Wales, the Scottish scene and Scottish melodies, changes from 16th to 19th centuries. 26 illustrations, glossary, bibliography, list of players, index. Pp. xx, 237, 15s.net.

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JOHN GAY'S "BEGGAR'S OPERA."Piano Selection arranged by H. R. HOOD from the original Music by DR. PEPUSCH. Performed at Drury Lane and Covent Garden. Folio, 1s.net.

Ditto, arranged for Violin and Piano. By H. R. HOOD. 2s.net.

BLEST BE THAT AGE.Vocal Trio for Tenor, Baritone and Bass. Words from Masonic Ritual. Music with Piano Accompaniment. By H. BOND. Folio, 2s.net.

MASONIC MUSICAL SERVICE BOOK FOR THE THREE DEGREES OF CRAFT MASONRY.The Whole Compiled and Edited by T. J. LINEKAR (of St. Trillo, 2569). Royal 8vo, blue cloth, 7s. 6d.net(or paper covers, 5s.net).

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TRIO FOR PF., VN. AND 'CELLO.—Beethoven's Celebrated Minuet in G, No. 2, Score and Parts. Folio, 2s.net. Also arranged for Vn. and Pf., 2s.net, and Pf. Solo, 1s. 6d.net.

EASY TRIOS.Arranged from Classical Composers. By S. O. GOLDSMITH, for Piano, Violin and Violoncello. Score and Parts. Two books, each 3s.net.

Book I: 1. Minuet (Beethoven); 2. Moment Musical (Schubert); 3. Largo (Tartini); 4. Chiarina (Schumann); 5. Minuet (Pugnani). Book II: 6. Bourrée (Martini); 7. Chanson Triste (Tchaïkovsky); 8. Scherzino (Schumann); 9. Song without Words, No. 3 (Mendelssohn).

Book I: 1. Minuet (Beethoven); 2. Moment Musical (Schubert); 3. Largo (Tartini); 4. Chiarina (Schumann); 5. Minuet (Pugnani). Book II: 6. Bourrée (Martini); 7. Chanson Triste (Tchaïkovsky); 8. Scherzino (Schumann); 9. Song without Words, No. 3 (Mendelssohn).

THE CREATION.By HAYDN. Performing Edition. Edited by G. A. MACFARREN. Paper, 3s.net, boards, 4s.net.

The edition as conducted by Sir Henry Wood in 1926, etc.

The edition as conducted by Sir Henry Wood in 1926, etc.

CHOIR ATTENDANCE REGISTER.

Ruled for a Choir of 60 or less, for One Year, beginning at any date, 4s.net.Ruled for a Choir of 20 or less, for One Year, beginning at any date, 3s.net.

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TWO SETS OF UNACCOMPANIED CHORAL VARIATIONS UPON ENGLISH FOLK SONGS, by RUTLAND BOUGHTON (with Piano Acomp. for practice only). 1s. 8d.

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RATIONAL ACCOMPANIMENT TO THE PSALMS.By F. GILBERT WEBBE. Post 8vo, 1s.net.

MODEST IDYLLS FOR MUSICAL SETTING.By ERNEST ALFIERI. Crown 8vo, sewed, 2s. 6d.net.

SONGS FROM THE RAVEL.(Words for Musical Setting.) A Book of Prose-Lyrics from Life and Nature. By ERNEST AUSTIN. Op. 30. Crown 8vo, sewed, 2s. 6d. net.

PARTHENIA.21 Compositions by Three Famous Sixteenth and Seventeenth Century Masters, William Byrd, Dr. John Bull and Orlando Gibbons, being Parthenia, or the First Musick ever printed for the Virginals. Arranged for the Piano and freed from the errors of Dr. Rimbault's edition by accurate comparison with the original text by MARGARET H. GLYN (author of"Elizabethan Virginal Music and Composers"). Folio, 12s. 6d.net.

This edition has been entirely re-engraved. The work contains eight compositions by Byrd, seven by Bull, and six by Gibbons.

This edition has been entirely re-engraved. The work contains eight compositions by Byrd, seven by Bull, and six by Gibbons.

50 MUSICAL HINTS TO CLERGYMEN.Management of Breath, Classification of Male Voices, Management of the Voice, The Service. With Twenty specially written Exercises. By GEO. F. GROVER. Cr. 8vo, paper, 1s.net.

HOW TO MANAGE A CHORAL SOCIETY.By N. KILBURN, Mus.Bac. Third Edition Revised. Crown 8vo, paper, 1s.net.

A CHAT WITH CHORAL SINGERS.By H. W. SPARROW, A.R.C.O. 8vo, paper cover, 1s.net.

CONTENTS: Reading Music—Tone Production—Breathing—Phrasing—Expression—Enunciation—Blend of Voices—Tone, Attack, Release—Care of the Voice—Suggestions.

CONTENTS: Reading Music—Tone Production—Breathing—Phrasing—Expression—Enunciation—Blend of Voices—Tone, Attack, Release—Care of the Voice—Suggestions.

HOW TO SING AN ENGLISH BALLAD.By E. PHILP. Seventh Edition. Crown 8vo, paper, 1s.net.

"It would be difficult to find a casket of brighter gems than those which lie within the cover of this little work."—Illustrated London News.

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NATIONAL NURSERY RHYMES.Arranged as a School Chorus for Boys and Girls. By N. B. WOODD SMITH. With Pianoforte Accompaniment. 8vo, 1s. 6d.net.

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DEPPE FINGER EXERCISES.By AMY FAY. (See Pianoforte Section of this Catalogue.)

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CZERNY'S 101 EXERCISES for the Pianoforte. Complete, 4s.net; or in 2 books, 2s.neteach.

GRADUATED SCALE AND ARPEGGIO MANUAL.By HENRY SAINT-GEORGE. (See Pianoforte Section of this Catalogue.)

ROYSTON'S PROGRESSIVE VIOLIN TUTOR(with Illustrations giving Correct Position for Hand, Wrist and Fingers.) Folio, 3s.net.

VIOLONCELLO EXERCISES, SCALES AND ARPEGGIOS.By E. GILLET. Complete in one vol., 4s.net; or Part I, Exercises, 1s. 6d.net, Part II, Scales, 1s. 6d.net, and Part III, Arpeggios, 1s. 6d.net.

ART OF VIOLONCELLO PLAYING, TUTOR.By E. VAN DER STRAETEN. Text in French and English. Part I, 3s. 6d.net. Part II, 4s.net.

TUTOR FOR THE AMERICAN ORGAN AND HARMONIUM.By W. F. TAYLOR. 4to, 2s.net.

YOUNG VIOLINIST'S SCALE AND ARPEGGIO MANUAL, with Directions. By WILSON MANHIRE. Text and Music. Folio, 2s.net.

70 PREPARATORY VIOLIN EXERCISESfor Beginners in the First Position. Carefully Graduated. Supplementary to the First Instruction Book. By WILSON MANHIRE. 2s. 6d.net.

SINCLAIR'S VIOLIN TUTOR.With Ample Instructions and a Variety of Popular Melodies, and Plate designating the Notes on the Fingerboard. Roy. 8vo, 1s.net.

SCALES AND ARPEGGIOS.Indispensable Studies for the Violin. Edited by ALBERT GRAFF. 1s. 6d.net.

ARPEGGIOS FOR THE VIOLIN.By BASIL ALTHAUS. Folio, 3s.net.

ADVANCED MODERN VIOLIN TECHNICS.

TONAL SCALES AND ARPEGGIOS FOR VIOLIN.Introductory to the Unusual Intonation and Finger-grouping of Advanced Modern Music. By SYDNEY TWINN. 4to, 3s.net.

MANDOLINE TUTOR.By H. JOURNET. A Simple and Easy Method to Attain Proficiency Rapidly without a Master. Folio, 3s. 6d.net.

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HOW TO COMPOSE.

A PRACTICAL GUIDE TO THE COMPOSITION OF ALL WORKS WITHIN THE LYRIC FORM

and which include the Valse, Gavotte, Mazurka, Polonaise, March, Minuet and all Ordinary Dance Forms; as also the Nocturne, Impromptu, Berceuse, Reverie and Similar Characteristic Pieces.

BY

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WELL-KNOWN PIANO SOLOS.

HOW TO PLAY THEM WITH UNDERSTANDING EXPRESSION & EFFECT

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