"Dear mother, do not think so. They spoke to you only with their lips, but believe me guilty."
"Mother," added she, with that strange emotion to which she was sometimes a victim, "I think that this unfortunate affair is but the beginning of the realization of the unfortunate fate which I know is reserved for me. It seems to me that on yesterday our evil days began."
She hid her head in her mother's bosom to conceal her tears, and to find a refuge against the misfortunes she feared.
A servant came in, and said, "The Marquis de Maulear wishes to wait on the ladies."
"Mother, mother," said Aminta, "how can I refrain from blushing before him?"
Signora Rovero bade the servant show the Marquis in. Then arranging Aminta's beautiful hair, she kissed her forehead, and said:
"Daughter, one never blushes in the presence of a husband."
Aminta, with great surprise, looked at her mother.
"Ah, ah!" said Madame Rovero, with a smile, "a parent's eyes see much."
Before Aminta had time to speak, the Marquis entered. He was pale and excited.
"Signora," said he to Aminta's mother, "I come to beg you to pardon me for a great fault."
"To what, Signor, do you refer?"
"Of the greatest of all faults, after the manner in which I have been received, and your kindness towards me—for not having confided in you, and said yesterday what I wish to say to-day. Yet only from you have I kept my secret. Yesterday, nothing obliged you to grant me the favor I am about to solicit: yesterday, you might have refused it. To-day, perhaps, it will be less difficult. A circumstance favorable only to myself," added he, with a timid glance at Aminta, "marks outmy conduct, which assumes now the aspect of an obligation. It fulfils all my wishes, and makes me the happiest of men. In one word, signora, I come to beg that you will suffer me to become allied to your family."
"Marquis," said Signora Rovero, "I expected to hear you speak thus, for I was sure of your honor. But far from wishing that now for the first time you had informed my daughter of the sentiments with which she has inspired you, I rejoice that your course has been different. Without this motive, signor, neither my daughter nor I would accept the alliance you wish to offer us.No reparation can be exacted, where no fault has been committed.I wish to strengthen your conscience, by assuring you, that in my opinion nothing obliges you to the course you have adopted, if it interferes with your prospects and success."
The last expressions of Signora Rovero produced a deep sensation on Maulear, and a shadow of uneasiness passed over his brow. She had ignorantly touched a sensitive chord of the heart of the young lover. Led astray by his heart, seduced invincibly by charms which were so new to him, Maulear, under the influence of passion, had entered on the flowery route, at the end of which he caught a glimpse of happiness. In the delirium of passion, he had forgotten that a severe judge, that the imperious master of his destiny, that a father, with principles eminently aristocratic, like all fathers in 1768, awaited to absolve or acquit him, to receive or repel him, to unite or to sever—in one word, to make him happy or miserable. All these important ideas were at once evoked in the mind of Maulear by the last sentence Signora Rovero had uttered. It was this hidden and sombre apparition which arose between Maulear and her he loved, the sinister aspect of which was reflected in a manner by the expression of Aminta's lover.
Signorina Rovero perceived it, and with the acute discrimination she possessed to so high a degree, said, in the melodious tones which touched all who heard them:
"Marquis, my mother has spoken for her family, I will speak for myself. You have informed us of the noble family to which you belong. I know that your wife one day will be a princess, and I wish you to remember, that she, to whom you offer this title, is the daughter of 'a noble of yesterday;' the glory of whom is derived from her daughter's virtues. This, Marquis, I say not for you, but for others. Excuse me, too, for what you are about to hear. If I have need of courage to own it to you, perhaps you will require all your generosity to hearken to it." With a trembling voice she added: "As yet, I do not reciprocate the sentiments you have expressed. To the hope, though, which I permitted you to entertain yesterday, let me add, that I am additionally gratified by the offer of your hand; for in the eyes of many persons, signor, in the eyes of those who were witnesses of our presence together last night, you would not now marry her you were anxious to espouse yesterday.
"I shall marry an angel!" said Maulear, falling on his knees before Aminta, "an angel of candor and virtue. If your heart does not yet reciprocate the love you inspire, my care and tenderness will so delight you, that some day you will love me."
"Well, then," said she to Maulear, "grant me one favor. Suffer me to await that day. Take pity on a poor girl full of terror and apprehension, at a tie she has always feared. Grant her heart time to make itself worthy of you, Marquis, and remember that until then you are free. As my mother has told you, nothing binds you to me. Now you owe me nothing, nor will you, until I shall confide my destiny to your hands, when you will owe me the happiness you promise me."
"You do not consent? Then, Signorina, I will wait. Henceforth, however, I am pledgedto you; and my hand and heart are yours."
Just then a servant told Maulear that a courier from Naples had brought him important letters. The Marquis bade adieu to the two ladies, and left.
"My child," said Signora Rovero, in a tone of affectionate reproach, "what must a man do to win your love?"
"I do not know; I am certainly foolish, but I am afraid!"
Maulear found the courier of the French embassy in his room. "An urgent letter from France," said he, to Maulear.
Henri read the direction and shuddered. It was from the Prince de Maulear. The Prince wrote rarely. What did he ask? The son who felt that he had acted incorrectly in disposing of his hand, without consulting the head of his family, trembled before he broke the seal. The character of Maulear was weak, as we have said, and, like people of this kind, the prospect of danger and misfortune annoyed him more than the reality itself. At last he resolved to know all, and with a trembling hand opened the letter. He read as follows:
"Paris, April 10, 1816.
"My Son:—I often hear of you, not through your own letters, for you write rarely, but through other friends, whom I have requested to keep meau fait. I know what kind of life you lead at Naples, and am dissatisfied with you. The son of a shop-keeper and a banker would act more like a gentleman than you. People talk of you here no better than they do of the deputy of the hangman. I had hoped the Marquis de Maulear would behave more correctly in a foreign country. I was no older than you are, when I went as secretary of legation to Madrid. Three months afterwards I was recalled. I had run away with three women, fought four duels, and lost at cards fifty thousand crowns. That was something to be recalled for. It was an assurance that in future I would be reasonable. When our youth reasons, and does not laugh, things gowrong. The King spoke to me yesterday about you. He asked me, if you found any thing to amuse you at Naples. I replied that you found too much to amuse you. 'I am glad of it,' said the King, 'so our family honor at least is saved.' Since, however, you are most ignobly virtuous, I have tried to turn the affair to the best advantage. I have brought about a magnificent match for you, to supersede one I have heard you were making for yourself. The lady is rich, noble, and beautiful. She is the daughter of the Duke d'Harcourt, one of the gentlemen in waiting of his majesty. You may, perhaps, at Naples have seen René d'Harcourt, the brother of the lady. The marriage will take place three months hence. I trust I have surprised you not unpleasantly. Adieu, my son. Your aunt, the Countess, sends her love to you, and amuses herself with the preparation of yourcorbeille.
"Le Prince De Maulear.
"P.S. You have three months' more folly before you, and for the rest of your life you must be prudent. I have opened a credit of one hundred thousand livres in your favor, with the banker Antonio Lamberti."
The letter fell from the hands of the Marquis, and he sank on his chair completely overwhelmed. Like a thunder-bolt, it aroused him from a happy dream. There are, in fact, in all love matters, certain moments of intoxication, when men, ordinarily sensible, become blunderers. For a month the Marquis had been in this condition, half reasonable, half mad. Living with one thought prominent, all others were indistinct to him. To him love was every thing. His father, with his antiquated obstinacy, imbued with retrograde principles, disappeared like a ghost before the brilliant reality of passion. Besides, fear of a rival, dread of the brilliant Count Monte-Leone, who, full of love, as Henri had heard, aspired to nothing more than to become the husband of Aminta left him no other alternative, than to do what another was about to—make an offering of his hand and faith. Lovers, too, see nothing but the object of their passion; and Henri sometimes thought his father would agree with him. The strange epistle of the Prince had however reversed all his dreams. The anger of the Prince when he should learn that a marriage had been contracted, contrary to his wishes, and in spite of his orders, might possibly exert a terrible influence on the fortune and future fate of the young couple; without regarding the chagrin and humiliation to which he would subject Aminta by bringing her into a family without the consent of its head.
Maulear passed three days in this cruel perplexity, sometimes hoping and then fearing that Aminta would yield to his prayer. His heart wished. His mind feared. If Signorina Rovero should accept his hand, it would be necessary for him to decide, to act; and then, from the weakness of his character, Maulear would be subjected to cruel uncertainty.
A few days after the scene which had occurred in his room, Maulear and the ladies sat together in a boudoir near thesalon, which opened on the park, a view of which Aminta was taking. The Marquis had been reading to the ladies the trial of Count Monte-Leone from theDiario di Napoli. This curious story, full of surprises, the noble energy, the wonderfulsang-froidof the Count, the remarks of the journalist on the character of the prisoner, and the unjust accusation to which he had been subjected, and which he had so completely refuted, and to which he had submitted with such nobleness and heroism, all was listened to with the greatest interest. Maulear had read all this much to his own dissatisfaction, because Signora Rovero had requested it. The praises of Monte-Leone were most unpleasant to him.
Aminta heard every word. Every detail of the Count's daring, every change of character in this judicial drama, awakened an inexplicable emotion in her. It seemed that Count Monte-Leone, to whose singular story she had listened, was a far different man from the one she had imagined him to be. His powerful mind, his exalted soul, all the powers of which had been developed by the trial, conferred on Monte-Leone new proportions hitherto not realized by her. Count Monte-Leone, whom she had seen at home, almost timid in the presence of her he adored, annoyed by his false position as a refugee, suffering from a passion he dared not own, was not the person of whom she had heard for the past month. Looking down on her drawing, which her increasing absence of mind made almost invisible to her, Aminta sought to recall the features of the Count which had been nearly effaced from her memory. Gradually, however, they arose before her. Had her mother then spoken, had her glances been diverted from the album on which they were fixed, a strange trouble and confusion would have been visible, when aroused from this meditation. The sound of wheels entering the court yard of the villa broke the charm which entranced Aminta, and made Signora Rovero utter a cry of joy.
"It is he," cried she. "It is he who returns, my son Taddeo. Daughter, let us hurry to meet him. Let us be the first to embrace him."
Accompanied by Maulear, the two ladies hurried into the vestibule, which they crossed, standing at the villa-door just as the carriage stopped. A man left it and bowed respectfully to Signora Rovero and her daughter. This man wasMonte-Leone.
Much had passed since Count Barberini had told Monte-Leone of the love of Maulear for Aminta Rovero. Monte-Leone felt all the furies of hell glide into his heart at this revelation. The idea that Aminta could love any one had never entered his mind. Whether from confidence in her, or from that error so common to lovers that they are entitled to lovebecause they love themselves, Monte-Leone flattered himself that he had left a pleasant recollection in Aminta's mind. We may therefore imagine how painfully the Count was disturbed by the half-confidence of Barberini. Yet Taddeo, his friend, whom, he loved as a brother, could not have deceived him, and have concealed what had taken place at Sorrento, when he had received so cordially the hand of his sister. Taddeo, then, was ignorant of it. Monte-Leone, a prey to a thousand thoughts, left his box, forgetful of the opera, his friends and companions, with but one object and wish. He was determined to see Taddeo, to question him and find out who was the rival that menaced his happiness, and whom Aminta probably loved. The Count went to that part of the theatre in which he had seen Aminta. The second act, however, was about to begin; and the efforts of Monte-Leone to get near his friend created such murmurs, complaints, and anger, that he was obliged to wait for a more favorable opportunity. La Griselda was singing theandanteof her cavatina, and the artist's magnificent, powerful, and tender voice, echoing through the vastness of the hall, fell in pearly notes like a shower of diamonds on the ears of the spectators. After theandantecame thecaballeta, and then thecoda-finale. For a while one might have thought the four thousand spectators had but one breath, and were animated by a single heart, that they restrained the first to prevent the pulsations of the other from being disturbed. This gem of the opera was at last concluded, and mad applause rose from every part of the room. We are constrained, however, to say, that from this time the accents of La Felina were less passionate and brilliant, and that a veil, as it were, was extended over all the rest of the representation, so that a person who had heard only the second act of La Griselda would have asked with surprise, if it was really the wonderful prima donna, the songs of whom were purchased with gold, and the wonderful talent of whom, had enslaved the audiences of the great Italian theatres. The reason was, that, after the second act, the star which shone on La Felina had become eclipsed. Monte-Leone had left his box—the box which had been the source of Griselda's inspiration from the commencement of the first act. Hope had sustained the singer during the cavatina, at the beginning of the second act. She fancied that he whom she loved possibly heard her from the recess of some other box. When, however, she was satisfied that he was gone, despair took possession of her. "Nothing touches his heart," said she, with pain. "Neither my love nor my talent are able to captivate him—to attach him to me for a time." Thenceforth, as she sang for him alone, she sang for no one. The holy fire was extinguished. Genius unfurled its wings and flew to the unknown regions of art, whence passion had won it. La Felina finished the opera, as a prima donna should, rendering the music precisely and distinctly, note for note, and as her score required. She neither added a singlefiorituranor a single ornament which had not been noted by the composer. In one word, the audience at San Carlo on that day heard the opera of theMaestroPaër and not La Felina. During this, Monte-Leone, who had given up all hopes of reaching Taddeo, and whom Taddeo, paying attention only to theartiste, had neither heard nor seen, Monte-Leone walked in front of the opera-house, a prey to the greatest agitation, impatiently waiting for the conclusion of the representation, to see his friend and hear from him what he had to hope or fear at Sorrento.
The opera ended. The crowd slowly dispersed, and Monte-Leone, wrapped up in his cloak, watched with anxiety every spectator who left the theatre. Taddeo did not come. The doors of the theatre were closed, and the Count still waited. Surprised and impatient he went to his hotel, where Taddeo also lived, but he was not there. Night passed away, and he did not come. About three in the morning a stranger was shown in, and gave Monte-Leone three letters. One of them was addressed to the Count: he opened it anxiously.
"Excuse me, my dear friend, at quitting you thus. Excuse me, especially the uneasiness I have created in your mind"—wrote Taddeo—"I have learned that she left Naples to-night, and if I leave her I shall die. I will follow her by post and on horseback, without stopping, until I shall learn whither she has gone. What will I do then! I do not know,—but at least I will know where she is, and I will not fancy that she is lost to me for ever. 'To-morrow,' said she, when she left us, 'you will love me less.' She was mistaken, my friend, or she has deceived me; for to-day I love her better than I did yesterday. My heart suffers too much for me not to sympathize with yours, and I understand how impatient you are to go to Sorrento. I send a letter to my good mother—give it yourself to her. I beg her to receive you as a friend, and as she would receive a brother of mine. Stay with her until I come back. Say that in three days I will come back to ask her to give you Aminta's hand."
"Has the person who gave you these letters gone?" asked Monte-Leone of the messenger.
"He went an hour since from the post-house, on one of our best horses," said the messenger.
Monte-Leone gave him a piece of gold and dismissed him.
"Poor Taddeo!" said he, "to suffer as well as I do—no no, not so much as I do; for earthly love cannot be compared with heavenly passion. Jealousy such as I suffer can be compared to nothing; and all is derived from the serpent's stings, with which Barberini pricked my heart."
The time until day seemed interminable to Monte-Leone. It came at last. The Count rang for Giacomo and dressed himself elegantly.The old man on this occasion assisted him cheerfully and zealously, as he had previously shown repugnance on the night of the terrible expedition at Torre-del-Greco. Monte-Leone ordered his handsomest equipage. A few minutes afterwards the horses pawed impatiently in the court-yard, so that the driver could with difficulty restrain them. When the Count came down, he found Giacomo standing in the door of the saloon so as to bar his egress. Pale and agitated, the old man restrained the Count, and in a stern, quarrelsome voice said:
"What is the matter now? what new folly are you about to commit?"
"What the devil do you mean?" asked the Count, taking hold of the intendant's hand.
"No, Monsignore, you shall not go," said Giacomo, extending his arms so as completely to shut the door, "unless you serve me as you did Stenio Salvatori. Is it not a shame that the noblest of the gentlemen of Naples, that the son of my master, should walk abroad armed like the bravo of Venice—with a sword, poniard and pistol in his bosom? What, if you please, was that box of pistols, placed by little Jack, your groom, as those animals are called in England, in your carriage?"
"What is it to you?" said the Count, impatiently.
"What is it to me?" asked the old man with tears in his eyes. "Are you not again about to risk your life against I know not whom nor why? What is it to me? That you may live, that my last days may not be passed in uneasiness and despair, like those which have gone by—for I love you. Count," said the old man, kneeling before his master, "I love you as a father loves his son. I held you in my arms when you were a child. For heaven's sake renounce your dangerous plans, renounce the acquaintance of those rascally mysterious looking men who come so often to see you. Have nothing to say to that rascally Signor Pignana, whom I would so gladly see hung. Be again happy, gay, and joyous, as you used to he. True, we were ruining ourselves, but we were not conspirators."
The Count gave his hand to Giacomo.
"Giacomo, my good fellow," said he, "I am about to engage in no conspiracy."
"What then?"
"I am about to marry," said Monte-Leone, with a smile.
"Marry! with a case of pistols as a wedding present?"
"Why!" said the Count, moodily, "I may perhaps meet enemies on the road. Now I have more than life to protect: I have my honor."
Monte-Leone, making an affectionate gesture to the old man, descended gayly and sprang into the coach, which bore him rapidly towards Sorrento, and stopped at the door of Signora Rovero's house, as we have previously said.
When she saw Monte-Leone, instead of Taddeo, Signora Rovero trembled.
"Signor," said she to the Count, "for heaven's sake tell me what evil tidings you bear. What misfortune has befallen Taddeo?"
"In two days, Signora, Taddeo will be here, and I have the difficult duty to excuse his absence. He has, however, asked me to deliver you his letter, which explains all."
Signora Rovero took the letter and opened it with eagerness.
"Excuse me, Signor," said she to the Count, "but you must make allowance for a mother's anxiety."
"So be it," she observed, after having read it. "Taddeo is in no danger if we except that his fortune may be bad. A hunting party in the mountains will detain him for two days from us."
"Count," said Signora Rovero, "my son speaks so affectionately of you that I am led to offer you my own love."
"I have the advantage in that respect, Signora, for the kindness with which you treated me while here, and the memories I bore away, have ever since inspired the deepest affection for you."
They entered the saloon, and Signora Rovero introduced Maulear to Monte-Leone. They saluted each other with the most exquisite politeness, but without exchanging a glance.
Between love and hate there is this in common: it sees without the eye; it hears without the ear. Love has a presentiment of love, and hatred of hatred.
Monte-Leone approached Aminta. All his power and energy were insufficient to triumph over the violent agitation which took possession of him when he spoke to the young girl. His loving heart offered but faint opposition to the torrent of passion, which had been so long repressed that it was ready to bear away every obstacle. Aminta blushed and became troubled when she recognized in the vibration of his voice all the emotion Monte-Leone experienced. The conversation became general. Signora Rovero spoke to the Count of his trial, the incidents of which the Marquis had been kind enough to read. The Count bowed to the Marquis as if to acknowledge a favor. Maulear looked away to avoid the necessity of acknowledging it. The Count seemed not to perceive it. Aminta became aware that if he kept silent longer the circumstance would be remarked.
"During your imprisonment, Count, in the CastleDel Uovo, I have heard that a terrible episode occurred, the details of which theDiarodoes not give."
"The reason was theDiariodid not know them. True, like other journalists he might have invented them, but he did not do so; and, perhaps, acted well, for his fancies could not have equalled the truth."
The Count then simply, without exaggeration, and especially without that petition for pity which is so frequently met with, told the story of the terrible scene in the prison.
Aminta listened to every word. She sufferedwith the prisoner, hoped with him, and followed all the details of the story, exhibiting the most profound pity for the occurrence. Signora Rovero sympathized with her daughter, and, for the time, Monte-Leone was the hero of the villa. All the prejudices of Aminta disappeared in a moment in the presence of Monte-Leone, as the morning vapors are dispersed by the first rays of the sun.
Maulear, in icy silence, listened to the Count and looked at Aminta. As he did so, his brow became covered with clouds precisely as that of Aminta began to grow bright. The latter, perceiving the painful impressions of the Marquis, extended every attention to him, so that Monte-Leone began to grow moody. The two rivals passed the whole day in alternations of hope and fear, happiness and suffering. The state of things, however, was too tense to be of long duration. These few hours seemed centuries to the adorers of Aminta, and if any one had been able to look into the depths of their ulcerated hearts, he would have seen that a spark would have produced an explosion. Many of the neighbors of Signora Rovero, who had not visited her since the ball, ventured to return. Among others present was Gaetano Brignoli. All loved him for his frank and pleasant off-hand speeches, and all received him with good humor and confidence. Maulear, who had laid aside his dislike, received him kindly, as he had previously done distantly. TheRose of Sorrentoreproached Gaetano with having forgotten his promise.
"You should yourself on the next day," said she, "have given me news of Taddeo and of Monte-Leone's trial. You, however, only wrote. Friends like you, and brothers like mine, are unworthy of the affection bestowed on them." Then, like a childmaking friendswith a playmate, she took Gaetano into the embrasure of a meadow, and began to talk with him in a low tone. The night promised to be brilliant and serene, and the air to be soft and pleasant. The evening breeze penetrated into the saloon, refreshing the atmosphere with the respiration of the sea. "What a magnificent evening, Marquis," said Monte-Leone to Maulear, as he approached him, and looked at the stars which had begun to dot the sky.
It was the first time the Count had spoken to the Marquis directly. The latter trembled as a soldier who hears the sound of the first battle signal. His emotion was short, and saluting the Count affably as possible, he replied:
"It, is a winter evening in Italy, Count, but in France it would be one of summer."
"Do you not think," said Monte-Leone, "that this is the proper hour for exercise, in this country? The complete repose of nature, the eloquent silence of night, all invite us to confidence, and make us wish for isolation and solitude—"
"Count," said Maulear, "do you wish for a half solitude; a desert inhabited by two persons?"
"Certainly, that is what I mean."
"So do I, and would participate in yours."
"Come, then, I never saw a more beautiful night, and I shall be charmed to enjoy it with you."
These two men, with rage in their hearts, each being an impregnable barrier to the happiness of the other, loving the same woman in the same way, resolved to contend for her, to their last breath;—these two men left the saloon, with smiles on their lips, like friends about to listen to the secret thoughts of each other beneath the shadow of some beautiful landscape, in happiness and pleasure.
Aminta saw them go out. She grew pale, and suffered so that she leaned against the window-case.
Count Monte-Leone and the Marquis de Maulear entered together a vast and beautiful avenue, silvered over by a brilliant moon.
"Signor," said the Count to Maulear, "do you ever have waking dreams? Can you, by the power of your imagination, transport yourself into the future, and, as it were, read your destiny, with all its prosperous and unfortunate incidents, its pleasures and chagrins? This often happens to me, especially by day and when I am unhappy. For a long time, too, I have been unhappy. For instance, not long ago, when shut up in a dark prison, with no prospect before me but that of an unjust death, and the headsman's axe bringing to a close my sad and eventful career, my good angel certainly, for I believe in such beings, sent, two hundred feet below the surface of the earth, a vision of dazzling light and beauty. I was transported beneath the green shadows of myrtles and orange-trees; I breathed an atmosphere impregnated with intoxicating and balsamic perfumes, while near me, with her hand in mine, and her heart beating on my bosom, was a young girl, destined to be my guide through this life of misery; the angel, in fact, of whom I spoke just now. Sorrows, suffering, injustice, the dungeon, and the executioner, all disappeared, and I enjoyed all the luxury of this heavenly revelation; and I said, for the realization of this heavenly revelation, the heart's blood would not be too dear a price. Do you not think so, Marquis?"
"I do, Count," said Maulear, "and especially so, because what your rich imagination has created for you, chance, or my good genius—for I too have faith in them—has displayed before me, not in the delirium of a dream, but in reality. I have seen the myrtle groves of which you dreamed: I have breathed the perfumes you describe so well: I have found the woman your imagination has shadowed to me. I found her one day when I did not expect to do so. I found one more beautiful than I had fancied woman could be, gifted with such charms, grace, and virtue, that I ask myself frequently whether such a being can belong to earth."
"Marquis," said Monte-Leone, and as he spoke he led the Count towards a darker alley, lighted up only by a few rays of the moon, which penetrated the interstices of the branches, "would it not be best to conclude this conversation rather in the dark than in the light? Our words need not any light, and neither you nor I pay any attention to the expression of our faces."
"So be it," said Maulear, and they entered the dark alley.
"Marquis," said Monte-Leone, "the divinity of my dream and the object of your passion are so alike, that I am sure we worship the same idol, and kneel before the same altar. Fortune has led two men of soul and honor into the same route. We both struggle for an object which one only can reach. One of us must tread on a carcass, which must be either yours or mine."
"Count," said Maulear, "we understand each other. We adore the same idol, but you are not ignorant that our rights to offer it homage are different; that I have rights which you have not."
The Count trembled. A word might crush all his hopes. For a few moments he hesitated, and then in a calm voice said,
"Does she love you?"
Without replying to the question, the Marquis said,
"Signora Rovero, for her name is too deeply engraven on our hearts for it not to spring to our lips, is aware of my sentiments, of which I have already told her."
"And has accepted them?" said Monte-Leone, in yet greater trouble.
"No," said the Marquis, honorably; "but bade me hope that some day she would."
"Then," said the Count, with joy, "nothing is lost. Marquis, the past is yours, but the future is mine. Had I the mind and grace of a French nobleman, I would, perhaps, propose to you a contest of courtesy, and might rely on my hope, my love, my attention, to triumph. But the contest must be of a different kind; for I will expose myself to no risks." Lowering his voice, he continued: "Not one and the other can present his love to the Signorina Rovero, butone without the other. You or I alone; and, as I told you just now, there is a life too many."
"Very well, signor,—you wage your life against mine. I consent,—but must observe that this duel should, at least, accrue to the interest of one or the other of us; and yet I do not think that Signorina Rovero would touch a blood-stained hand."
"Signor," said Monte-Leone, "from the moment you accept my challenge, the mystery and secrecy with which it must be shrouded shall be my affair; and, if you please, I will tell you of my plans."
"Do so, signor," said Maulear, coldly.
"Let us leave this alley, and go towards that group of trees in that direction."
He led Maulear towards the sea. When they stood on the shore, he said, "Below there is a kind of cove, and in it a gondola like those of Venice—a pleasure-skiff—built formerly by the minister Rovero for his family. At this hour to-morrow, we will meet in this wood and go to the boat-house. We will then put to sea, and with no witness but the sea and sky, we will settle our affair. Two men will steer the bark to sea, and one wilt guide it back——"
In spite of his courage, Maulear could not but shudder at one who detailed with such coolness so horrible a plan. The manner of death frequently enhances our terror, and he who in a forest would bare his bosom to his adversary's ball, would shrink from it on the immensity of the ocean.
"But," said Maulear, "is all this romantic preparation, is this naval drama in which you insist on appearing, necessary to our purpose? Any other secret encounter would have the same effect, and would eventuate equally satisfactorily. At the distance of a few days' travel, would we not be able to fight more safely than here?"
"No, Marquis, I must remain in this villa until Taddeo de Sorrento shall have returned. Neither I nor you can leave it without arousing suspicions, and in two days hence, we would no longer be equals; for honor compels me to say that Taddeo has promised me his sister's hand, and that the influence he exerts over his mother will without doubt induce her to decide in my favor. If, however, you prefer to run that risk, I will not oppose you."
"No no," said Maulear, who remembered what Taddeo had said to him in relation to his sister, "I will fight for her I love at the very foot of the altar—"
"Signor," said Monte-Leone, "let us avoid all scandal. The death of him who falls may be easily accounted for; and as you said, we must never suffer her we love to think that the happiness of one of us has cost the other his life."
"So be it," said Maulear, "I accept your offer."
"To-morrow we will meet," said the Count.
The two enemies returned to the villa calm, and apparently undisturbed, as if they had been the best friends possible. When they came into the room again, Aminta sat by her mother. The eyes of the young girl, however, turning constantly towards the door, seemed to expect the return of the two young men with anxiety. Her cheeks became slightly flushed when they entered. The Count approached her and besought her to sing as he had often heard her. Aminta sat at the piano. Scarcely, however, had she sung the first bar, than the door of the saloon opened and Scorpione glided in and sat at the feet of the young girl, where he laid down as he used to do; not, however, daring to look at her. Since the scandal he had caused, he had been in disgrace with all the family, and his mistress did not speak to him. The Count, who had become acquainted with Tonio during his first visit to Sorrento, couldnot repress a movement of horror at the appearance of the wretch. Far, however, from being angry, Tonio seemed glad to see him, and testified his pleasure by various affectionate signs. Gaetano, who was absent from the room, just then returned, and at the request of Signora Rovero sang several duets with Aminta. An extraordinary feeling seemed to influence the young man, and only with the greatest difficulty could he get through his part. When the evening was over, all retired. The next day rolled by in embarrassing constraint to all the inhabitants of the villa. An atmosphere of sadness surrounded them, like the dark clouds which seem at the approach of a storm to overhang the earth. Count Monte-Leone alone seemed master of himself, and sought to cure the generalatonyin which even Maulear was involved. A sensible difference was remarked between the two men, each of whom loved the same woman, while one of them must lose her forever. The Count did not take his eyes from her, and seemed thus to lay in a provision of pleasure for eternity, which seemed ready to open before him. Maulear, on the other hand, was sad and pensive, and scarcely dared to lift his eyes to Aminta, fearing, beyond doubt, that he would thus increase his sorrow and distress, and diminish his courage when the crisis came. As the day wore on. Aminta, feeling unwell, retired to her room. Signora Rovero, accustomed to see her daughter have similar attacks, sat to playreversiswith Count Brignoli and two other persons. Monte-Leone and Maulear exchanged a mysterious sign and left the room nearly at the same time. The night was not so beautiful as the preceding one had been. The disk of the moon sometimes was clouded, and the wind whistled among the trees of the park; all nature, deeply agitated, seemed to sympathize with the thoughts which agitated the minds of the two enemies. The dark and cloudy sky was a meet back-ground for such a picture.
Nine o'clock was struck by the bell of the Church at Sorrento, when two men met at the cove we have described. One of them wrapped in a cloak had a case under his arm. They went towards the bank and found the gondola there. This boat was long, like those of Venice, in imitation of which it had been made—had a little cabin in its stern, which now was closed. In it the ladies used to take refuge when bad weather interfered with their pleasure. The two men used all their strength to detach the gondola from the shore. At last they succeeded. The most robust then took one of the oars and pushed the boat from the bank. Just as they were about to put off, a burst of demoniac laughter rung in their ears. A very demon, a breathing spirit of evil, had witnessed all their preparations, and had learned, from its shape, the contents of the box; the idea of what they meditated caused him to utter this shout of laughter. This demon was Scorpione. This deformity was the rival of Monte-Leone and Maulear.
The blue and azure waves of the sea of Naples on that night seemed dark as ink. The wind agitated them. Calm as they usually are, and like a vast cemetery, the tombs of which open to receive the dead, they opened before the prow of the boat like a grave, as they were intended to be. At a distance of about three hundred fathoms the two adversaries ceased to row and replaced the oars in the gondola. Without speaking, they took out the pistols, examined their locks, and opened them.
"Signor," said Monte-Leone, "I thank you for the honor you have done me in deigning to use my arms."
"The arms of Count Monte-Leone are not to be refused."
"A true hand gives them."
"A true hand receives them."
Nothing more was said. They then proceeded to place themselves at the several ends of the boat. The Count uncovered himself. Maulear did also. They let fall their cloaks and opened the linen which covered their bosoms. They raised their pistols, took aim, and were about to fire.
The door of the cabin was thrown open, and Aminta rushed to the centre of the gondola. Gaetano followed her. The weapons fell from the hands of the rivals; and in terror and surprise they looked on this apparition. Not a cry escaped from their lips. Pale and motionless, they looked at each other without, at first, recognizing Aminta. Not a word passed their lips. Terror-stricken, they fancied themselves in the presence of some heavenly being, sent, like the angel of peace, to rescue them from death. The voice of Aminta, full of trouble and terror, echoed over the waves, like that of an angel, and alone aroused them from the ecstatic state in which they were plunged.
"Signori," said she, "I might sooner have put a stop to this atrocious duel, the very idea of which terrifies me; had it not have been so near its completion, you would, perhaps, have denied the intention to fight after all, within a few days. Thanks to the assistance of Gaetano, my childhood's friend, who yesterday evening became acquainted with your intention, I have by God's aid been able to prevent it. I wished my presence to be grave and solemn, that you might never renew the attempt; in order that, as it were, in the presence of God and of death, you might know my fixed determination. I would not be burdened with an existence which had cost the life of a fellow-being: you, Signor Monte-Leone, by the revered manes of your father; and you, Marquis de Maulear, by all you love, I conjure to swear that you will respect the life of him I shall accept as my husband."
"Impose no such oath on me," said Monte-Leone.
"Let me die first," said Maulear.
"Not you only, but I will die also. If I do not hear you swear, I will throw myself into the sea."
She placed her foot on the gunwale of the boat.
"We swear," said the rivals, rushing towards her.
"Thanks, Signori, I will trust your oath. Count Monte-Leone," said she, "the Marquis de Maulear saved my life; you will also learn, hereafter, how generously he resolved to save my honor when it was compromised. My heart is de Maulear's, and I give him my hand."
The Marquis fell at Aminta's feet.
"To you," she continued, "Count Monte-Leone, I can offer only my respect and esteem."
"Signorina," said Monte-Leone, with a voice full of dignity and despair, "I accept even the boon you offer me; and henceforth he whom you love is sacred to me."
By a violent effort over himself he extended his hand to Maulear. The waves had borne the bark towards the shore, and all who had participated in this scene returned safely to the villa. Signora Rovero, who did not know what had passed, on the next day received a letter from Monte-Leone, who, during the night, had left the villa.
Nothing can describe the intensity of Count Monte-Leone's grief when he was again in the carriage, which, on the evening before, had borne him to happiness, and now took him back to Naples, sad and despairing. The Count had overcome his own nature, and this was a great victory to one who usually yielded to every prompting of passion. On this occasion he had restrained himself and overcome his rage at his rival's triumph. He overcame his agony at the wreck of his hopes. When he left Sorrento, and awoke, so to say, from the stupefaction into which he had plunged, the excitable brain and fiery heart again re-opened.
"I was a fool," said he, "I was a fool when I yielded my happiness to another. I was yet more mad when I swore to respect his life, when something far more violent than mine is wrested from me. Has he not crushed and tortured my heart? I regret even my place of imprisonment," continued he. "There I had dreams of love; and had death reached me in that abyss, I should have borne away hopes of the future which now are crushed for ever."
Two torrents of tears rolled down the cheeks of this iron-hearted man, over which they had rarely flown before.
On the morning after Monte-Leone's return to his hotel, he might have been observed sitting before the portrait of the victim of Carlo III., the holy martyr of conscience, as he called his father, looking on his noble brow with the most tender respect. We have spoken of the almost superstitious faith of the Count in the fact that his father protected him in all the events of his life. We have heard him call on his father when about to be buried in the waves of the sea, and then become resigned to death in the pious faith that his father waited for him. Whenever danger menaced Monte-Leone; whenever he was unexpectedly prosperous, or was involved in misfortune; whenever his life was lighted up with prosperity, or misfortune overwhelmed him, he always looked to this parent. He thought his pure spirit hovered above him; and encouraged by this celestial aid, he trusted to the mutations of fortune without fear or apprehension. When he looked at this adored image, consolation seemed always to descend on his soul. Overcome by the boundless love Aminta had inspired, he had forgotten the political duties to which he was devoted. It seemed to him that this cause, to which he had consecrated his life, had wonderfully diminished in importance since his trial.
"Can it be, oh my father, that you were unwilling for my love to interfere with the prospects of the duties imposed on me by your death? Or, is it that in your pity you have feared that, in my dangers, the angel to whom I have devoted my existence would be overwhelmed. If, oh my father, it be thy will that I suffer these cruel torments; if I am to reserve my energy for the cause I defend, be rejoiced at my sufferings, for I am able to bear them. Ere long I will again see those who have trusted me with their fate, and the suspicions of whom offend and wound me. They will know my resolutions, and I shall know whether I shall remain their leader or tread my weary way alone."
Just then the door of his cabinet opened, and a man appeared, or rather a spectre, so much had his appearance been changed by fatigue and suffering. He rushed into the arms of Monte-Leone.
"Taddeo," said he, "my God! what has happened? How pale you are! Why are these tears in your eyes."
"My friend, La Felina has deceived me only by a day. She was, however, mistaken herself. To-morrow, said she, you willlove me less. To-day I love her no more. You see I have done better than she even hoped."
He fell, with his heart crushed, on a chair, and sobbed.
"Speak, speak to me," said Monte-Leone, forgetful of his friend's suffering in his own.
"As I wrote to you," said Taddeo, "I determined to follow her, and find out her retreat at all events. Had it been necessary, I would have followed her to the end of the world. Leaving the horse I had in a street near the theatre, I went to the door whence I supposed La Felina would come. I had been there an hour when I saw a post-carriage approach. A few moments had elapsed when a woman, accompanied by a servant, left the theatre, and after looking anxiously around, to be sure that she was unobserved, entered the carriage. The valet got up behind, and the postillion, who had not left the saddle, whipped up his horses and left in a gallop. I mounted my horse and followed the carriage, keeping just two hundred yards behind it. The carriage was driven towards Rome, and at every post-house the horses were changed, on which occasions Ikept out of sight, and then resumed my pursuit. Thus we travelled about fifteen leagues; when, however, we reached the eighth post-house, the carriage spring became broken and the body was thrown into a ditch. I rushed towards it, opened the door, and, in a fainting condition, received the person it contained. I bore her to the road, and, to give her air, threw aside her veil. I uttered a cry of rage and agony. The woman in my arms was not La Felina. The sound of my voice aroused the stranger's attention, and she looked at me as if she were afraid. 'Who are you?' said she, trembling. 'What do you wish?' 'To save La Felina, whom I thought was here.' 'La Felina! You were in search of La Felina!' 'Certainly.' 'And you are the horseman whom Giuseppe, the courier, told me at the last relay, followed us, are you?' 'Certainly I am.' The woman examined her arms, etc., to see that she was not hurt, looked at me most ironically, and then bursting into laughter, said: 'Well, after all, the trick was well played.' 'What trick?' 'The one La Felina has played on all her lovers, the most ardent of whom you are.' I looked at the woman so earnestly, and sorrow seemed so deeply marked on my countenance, that I saw an expression of pity steal over her face. 'Poor young man!' said she, 'then you really loved her?' 'I did, and if I lose her I shall die.' 'Come,' said she, 'you will not die. If all who have told me the same thing died, Naples would be like the catacombs of Rome. Come with me,' she continued, 'to the post-house, for now I feel by the pain I suffer that my arm is out of place. There I will tell you all.' I went with the woman to the post-house, when a few drops of cordial soon invigorated her. 'This is the explanation of what is a matter of so much surprise to you. Perhaps I should be silent; but you seem to love La Felina so truly, and a young man who really loves is so interesting that I will tell you all.' The circumlocution of this woman almost ran me mad! She finally said: 'My mistress was afraid some of her lovers would follow her, and wishing to conceal the route she had gone, took the idea of substituting me for herself, and sent me to Rome, where she is to write me her destination. You followed me instead of her. She was right, and had good reason to act as she did.' 'Then she has not yet left,' asked I, thinking of a means to rejoin her. 'She was to leave Naples,' said the woman, 'an hour after me, and is, no doubt, now far from the city.' 'And does she travel alone on these dangerous roads?' said I. 'Oh, no, she travels with him.' 'With him! of whom, for heaven's sake, do you speak?' 'Ah,' said the woman, 'La Felina would never forgive me if I told you. He, too, might make me pay dearly for my indiscretion.' I begged, I besought the woman to conceal nothing from me, and gave her all the money I had, promising to increase the sum tenfold. She yielded at last, and told me thatLa Felinahad left Naples with her lover. Her lover! do you hear?" continued Taddeo, in a delirium of rage, "and her lover is the minister of police, the Duke of Palma."
"More perfidious than the water!" said Monte-Leone, contemptuously. "Poor Taddeo!"
"Do not pity me," said the latter, in a paroxysm of terrible rage. "I was to be pitied when I loved her, when a divinity dwelt in my soul, when my love was ecstatic and endowed her with an innocence, which my reason told me she did not possess. I was fool enough to deceive myself. Now this woman to be sure is but a woman; she is less than feminine, as the mistress of a rich and powerful noble, the Duke of Palmo. Love might have killed me, but contempt has stifled love."
His head fell on his chest, and he wept. He wept as man weeps for a departed passion, which has vivified his heart, but which yields to death, or worse still, another passion.
"My friend," said Monte-Leone, "your grief is cruel, but I suffer more intensely!" Monte-Leone told Taddeo what had taken place at Sorrento.
The friends were again locked in the arms of each other, and mingled their tears—the one for the loss of anearthly passion, and the other for acelestial affection, as Monte-Leone characterized the two sentiments when he read a letter of Rovero's. Taddeo had appointed the following day for his return to Sorrento, and faithful to his promise he left Naples for the villa of his mother. The farewell of the two men was sad and touching, for a long time must elapse before they met again. Monte-Leone had resolved to leave Naples for some time. The proximity of Sorrento lacerated his heart, and to see her he loved the wife of another would to him be insupportable. Taddeo was aware of the reasons why the Count had determined to travel, and had he no mother he would also have been anxious to leave the country.
"Taddeo," said Monte-Leone to his friend, when the former was about to set out, "I have a favor to ask of you on which I place an immense estimate, and for which I must be indebted to your love. Here," said he, presenting the magnificent emerald wrought by Benvenuto Cellini, "take this ring, and beg your sister to accept it. Tell her, as she offered me her friendship, I have a right to send a testimonial to her of my devotion." Then with a voice trembling with emotion, he added, "Say this ring preserved my life. This will not add to its value in her eyes; but tell her in confidence the history of this ring, and some day," said he, with a bitter smile, "it may be looked on as a curious relic."
"Not so, not so," said Taddeo, kissing the ring. "To us it cannot but be a precious treasure."
Perhaps while he acted thus, Taddeo thought not only of his friend, but of the woman who had preserved him from death.
Taddeo left.
Fifteen days after his reaching home, all Sorrento put on its holiday attire. The church of the town, splendidly decorated, the lighted torches, the people in their gala dresses, all announced that some remarkable event was about to take place in the village. The bells rung loud peals, and young girls dressed in white, with flowers in their hands, stood on the church portico. Certainly a great event was about to take place. TheWhite Rose of Sorrentowas about to be married to a French nobleman of high rank,Henri Marquis de Maulear.
About noon there was a rumor among the crowd in front of the church that the bridal party were near. All hurried to meet them, and Aminta was seen leaning on her brother's arm, while the Marquis escorted Signora Rovero.
The appearance of the beautiful young girl, whiter than her veil, paler than the flowers which adorned her brow, produced a general sensation of admiration. Mingled with this, however, was a kind of sadness, when the melancholy on her brow was observed. The Marquis seemed also to be ill at ease, and to suffer under the influence of feelings which on such a day were strange indeed. All care, all anxiety should be lost in the intoxication of love. Maulear had purchased his happiness by an error, and this oppressed him. After the noble decision of Aminta, and the preference she had so heroically expressed at the time of his purposed duel with Monte-Leone, Maulear had not dared to mention the letter of his father. He had simply told Signora Rovero, that he was master of his own actions, and sure of his father's consent and approbation to the marriage he was about to contract. The Signora, who was credulous, was confident that a brilliant match was secured for Aminta, and suffered herself to be easily persuaded. Maulear, too, became daily more infatuated; and, listening to passion alone, had informed his father, not that he was about to marry, but that when the letter reached him he would be married. Yet when he had sent the letter, and the time was come, all his fears were aroused, and he shuddered at the apprehension of the consequences of what he was about to do. In this state of mind he went to the altar, and nothing but the beauty of his bride and the solemnity of the ceremony could efface the sombre clouds which obscured his brow. The priest blessed the pair, and a few minutes after the young Marquis of Maulear, with his beautifulMarquise, left the village.
Just when the venerable village priest, in God's name, placed Aminta's hand in Henri's, the terrible cry we have already heard twice echoed through the arches of the church, and a man was seen to rush towards the sea. The shout, though it filled the church, was uttered in the portico, and had not interrupted the service. ThenceforthScorpionewas never seen at Sorrento.