Ian had been so busy persuading Milly to view her own case as a simple one, and so busy comforting her with an almost feminine intuition of what would really afford her comfort, that it was only in the watches of the night that certain disquieting recollections forced their way into his mind. It was of course now part of his creed that he had loved Milly Flaxman from the first—only he had never known her well till that Christmas Vacation when they had skated so much together. Later on, such disturbing events as engagement and marriage had seemed to him enough to explain any changes he had observed in her. Later still, he had been too much in love to think about her at all, in the true sense of the word. She had been to him "all a wonder and a wild desire."
Now, taking the dates of her collapses of memory, he made, despite himself, certain notes on those changes. It is to be feared he did not often want to see Miss Timson; but on the day after Milly's return to the world, he cycled out to visit her friend. Tims was spending the summer on the wild and beautiful ridge which has since become a suburb of Oxford. It was doubtful whether he would find her in, as she was herself a mightycyclist, making most of her journeys on the wheel, happy in the belief that she was saving money at the expense of the railway companies.
The time of flowers, the freshness of trees, and the glory of gorse and broom was over. It was the season of full summer when the midlands, clothed with their rich but sheenless mantle of green, wear a self-satisfied air, as of dull people conscious of deserved prosperity. But just as the sea or a mountain or an adventurous soul will always lend an element of the surprising and romantic to the commonest corner of earth, so the sky will perpetually transfigure large spaces of level country, valley or plain, laid open to its capricious influences. Boars Hill looks over the wide valley of the narrow Og to the downs, and up to where that merges into the valley of the Upper Thames. By the sandy track which Ian followed, the tree still stood, though no longer alone, whence the poet ofThyrsislooking northward, saw the "fair city with her dreaming spires"; less fair indeed to-day than when he looked upon it, but still "lovely all times," in all its fleeting shades, whether blond and sharp-cut in the sunshine or dimly gray among its veiling trees. The blue waving line of the downs, crowned here and there by clumps of trees, ran far along the southwestern horizon, melting vaporously in the distance above "the Vale, the three lone weirs, the youthful Thames." Over the downs and over the wide valley of ripening cornfields, of indigo hedgerow-elms and greener willow and woodland, of red-roofed homesteads and towered churches,moved slowly the broad shadows of rolling clouds that journeyed through the intense blue above. Some shadows were like veils of pale gray gauze, through which the world showed a delicately softened face; others were dark, with a rich, indefinable hue of their own, and as they moved, the earth seemed to burst into a deeper glow of color behind them. Close by, the broken hill-side was set here and there with oak and thorn, was everywhere deep in bracken, on whose large fronds lay the bluish bloom of their maturity. It all gained a definiteness of form, an air of meaning by its detachment from the wide background floating behind.
Following steep and circuitous lanes, Ian arrived at the lodging-house and found Tims on the porch preparing to start on her bicycle. But flattered and surprised by his visit, she ordered tea in the bright little sitting-room she was inhabiting. He was shy of approaching the real object of his visit. They marked time awhile till the thunderstorm became their theme. Then he told something of Milly's sleep-walking, her collapse of memory; and watched Tims meantime, hoping to see in her face merely surprise and concern. But there was no surprise, hardly concern in the queer little face. There was excitement, and at last a flash of positive pleasure.
"Good old M.!" she observed. "I'm glad she has got back; though I'm a bit proud of the other one too. I expect you feel much the same, old boy, don't you?"
The speech was the reverse of soothing, even to its detail of "old boy." He looked at his teacup and drew his black brows together.
"I'm afraid I don't understand, Miss Timson. I suppose you think it a joke, but to me it seems rather a serious matter."
"Of course it is; uncommon serious," returned Tims, too much interested in her subject to consider the husband's feelings. "Bless you!Idon't want to be responsible for it. At first I thought it was a simple case of a personality evolved by hypnotism; but if so it would have depended on the hypnotist, and you see it didn't after the first."
"I don't think we need bother about hypnotism"—there was a note of impatience in Ian's voice—"it's just a case of collapse of memory. But as you were with her the first time it happened, I want to know exactly how far the collapse went. There were signs of it every now and then in her work, but on the whole it improved."
"You never can tell what will happen in these cases," said Tims. "She remembered her book-learning pretty well, but she forgot her own name, and as to people and things that had happened, she was like a new-born babe. If I hadn't nursed her through she'd have been sent to a lunatic asylum. But it wasn't that, after all, that made it so exciting. It was the difference between Milly's two personalities. You don't mean to say, old chap, you've lived with her for seven months and can't see the difference?"
Tims looked at him. She held strong theoreticalviews as to the stupidity of the male, but circumstances had seldom before allowed her to put them to the test. Behold them more than justified; for Ian was far above the average in intelligence. He, for a fraction of a minute, paused, deliberately closing the shutter of his mind against an unpleasant search-light that shot back on the experiences of his courtship and marriage.
"Well, I suppose I'm not imaginative," he returned, with a dry laugh. "I only see certain facts about her memory and want more of them, to tell Norton-Smith when I take her up to see him."
"Norton-Smith!" exclaimed Tims. "What is the good? Englishmen are all right when it's a question of filling up the map of Africa, but they're no good on the dark continent of ourselves. They're cowards. That's what's the matter with them. Don't go to Norton-Smith."
Stewart made an effectual effort to overcome his irritation. He ought to have known better than to turn to an oddity like Tims for advice and sympathy.
"Whom ought I to go to, then?" he asked, good-humoredly, and looking particularly long as he rose from the depths of the low wicker chair. "A medicine-man with horns and a rattle?"
"Well," returned Tims with deliberation, pulling on a pair of thread gloves, "I dare say he could teach Norton-Smith a thing or two. Mind you, I'm not talking spiritualistic rot; I'm talking scientific facts, which every one knows except the English scientific men, who keep on clapping their glass to the blindeye like a lot of clock-work Nelsons. The effects of hypnotism are as much facts as the effects of a bottle of whiskey. But Milly's case is different. In my opinion she's developed an independent double personality. It's an inconvenient state of things, but I don't suppose it'll last forever. One or the other will get stronger and 'hold the fort.' But it's rather a bad business anyhow." Tims paused and sighed, drawing on the other glove. "I'm—I'm fond of them both myself, and I expect you'll feel the same, when you see the difference."
Ian laughed awkwardly, his brown eyes fixed scrutinizingly upon her.
"So long as the fort holds somebody, I sha'n't worry," he said, lightly.
They went out, and as he led his own bicycle towards the upper track, Tims spun down the steep drive, and, turning into the lane, kissed her hand to him in farewell from under the brim of her perennially crooked hat.
"That Timson girl's more than queer," he mused to himself, going on. "There's a streak of real insanity in her. I'm afraid it's not been good for a highly strung creature like Mildred to see so much of her; and why on earth did she?"
He tried to clear his mind of Tims's fantastic suggestions; of everything, indeed, except the freshness of the air rushing past him, the beauty of the wide view, steeped in the romance of distance. But memory, that strange, recalcitrant, mechanical slave of ours, kept diving, without connivance of his, into the recesses of the past twentymonths of his life, and presenting to him unsolicited, circumstances, experiences, which he had thrust away unclassified—his own surprise, almost perplexity, when Mildred had brought him work for the first time after her illness that autumn Term before last; his disappointment and even boredom in his engagement and the first three weeks of his marriage; then the change in his own feelings after her long sleep at the Hôtel du Chalet; besides a score of disquieting trifles which meant nothing till they were strung on a thread. He felt himself beginning to be infected with Flora Timson's mania against his will, against his sober judgment; and he spun down Bagley Hill at a runaway speed, only saved by a miracle from collision with a cart which emerged from Hincksey Lane at the jolting pace with which the rustic pursues his undeviating course.
Milly, too, had not been without a sharp reminder that the leaves in her life so blank to her, had been fully inscribed by another. She hardly yet felt mistress of the house, but it was pleasant to rest and read in the low, white-panelled drawing-room, which lowered awnings kept cool, although the afternoon sun struck a golden shaft across the flowering window-boxes of its large and deeply recessed bow-window. The whole room was lighter and more feminine than Milly would have made it, but at bottom the taste that reigned there was more severe than her own. The only pictures on the panels were a few eighteenth century colored prints, already charming, soon to be valuable, and one or two framed pieces of needlework which harmonized with them.
Presently the door-bell rang and a Mr. Fitzroy was announced by the parlor-maid, in a tone which implied that she was accustomed to his name. He looked about the age of an undergraduate and was extraordinarily well-groomed, in spite of, or perhaps because of, being in a riding-dress. His sleek dark hair was neatly parted in the middle and he was clean shaven, when to be so smacked of the stage;but his manners and expression smacked of nothing of the kind.
"I'm awfully glad to find you at home, Mrs. Stewart," he said. "I've been lunching at the Morrisons', and, you know, I'm afraid there's going to be a row."
The Morrisons? They lived outside Oxford, and Milly knew them by sight, that was all.
"What about?" she asked, kindly, thinking the young man had come for help, or at least sympathy, in some embarrassment of his own.
"Why, about your acting Galatea. Jim Morrison's been a regular fool about it. He'd no business to take it for granted that that was the part I wanted Mrs. Shaw for. Now it appears she's telling every one that she's been asked to play the lead at the Besselsfield theatricals; and, by Jove, he says she is to, too!"
Milly went rather pale and then quite pink.
"Then of course I couldn't think of taking the part," she said, gasping with relief at this providential escape.
Mr. Fitzroy in his turn flushed. He had an obstinate chin and the cares of stage-management had already traced a line right across his smooth forehead. It deepened to a furrow as he leaned forward out of his low wicker chair, clutching the pair of dogskin gloves which he held in his hand.
"Oh, come, I say now, Mrs. Stewart!" and his voice and eye were surprisingly stern for one so young. "That's not playing fair. You promised me you'd see me through this show, and you knowas well as I do, Mrs. Shaw can no more act than those fire-irons."
"But I—" Milly was about to say "I've never acted in my life"—when she remembered that she knew less than any one in her acquaintance what she had or had not done in that recent life which was not hers. "I shouldn't act Galatea at all well," she substituted lamely; "and I shouldn't look the part nearly as well as Mrs. Shaw will."
"Excuse me, Mrs. Stewart, but I'm certain you're simply cut out for it all round, and you told me the other day you were particularly anxious to play it. You promised you'd stick to me through thick and thin and not care a twopenny—I mean a straw—what Jim Morrison and Mrs. Shaw—"
In the stress of conversation they had neither of them noticed the tinkle of the front-door bell. Now the door of the room, narrow and in the thickness of an enormous wall, was thrown open and Mrs. Shaw was announced.
Fitzroy, forgetful of manners in his excitement, stooped forward and gripping Milly's arm almost hissed:
"Remember! You've promised me."
The words filled Milly with misery. That any one should be able to accuse her of breaking a promise, however unreal her responsibility for it, was horrible to her.
Mrs. Shaw entered, no longer the seraph of twenty months ago. She had latterly put off the æsthetic raiment she had worn with such peculiar grace, and her dress and coiffure were quite in thefashion of the hour. The transformation somewhat shocked Milly, who could never help feeling a slight austere prejudice against fashionably dressed woman. Then, considering how little she knew Mrs. Shaw, it was embarrassing to be kissed by her.
"It's odd I should find you here, Mr. Fitzroy," said Mrs. Shaw, settling her rustling skirts on a chintzy chair. "I've just come to talk to Mrs. Stewart about the acting. I'm so sorry there's been a misunderstanding about it."
Her tone was civil but determined, and there was a fighting look in her eye.
"So am I, Mrs. Shaw, most uncommonly sorry," returned Fitzroy, patting his sleek hair and feeling that his will was adamant, however pretty Mrs. Shaw might be.
"Of course, I shouldn't have thought of taking the part away from Mrs. Stewart," she resumed, glancing at Milly, not without meaning, "but Mr. Morrison asked me to take it quite a fortnight ago. I've learned most of it and rehearsed two scenes already with him. He says they go capitally, and we both think it seems rather a pity to waste all that labor and change the part now."
Fitzroy cast a look at Mrs. Stewart which was meant to call up reinforcements from that quarter; but as she sat there quite silent, he cleared his throat and begun:
"It's an awful bore, of course, but I fancy it's about three weeks or a month since I first asked Mrs. Stewart to play the lead—isn't it, Mrs. Stewart?"
Milly muttered assent, horribly suspecting a lie.A flash of indignant scorn from Mrs. Shaw confirmed the suspicion.
"Mrs. Stewart said something quite different when I spoke to her about it at tennis on Friday. Didn't you, Mildred?" she asked.
Milly crimsoned.
"Did I?" she stammered. "I'm afraid I've got a dreadfully bad memory—for—for dates of that kind."
Mrs. Shaw smiled coldly. Mr. Fitzroy felt himself deceived in Mrs. Stewart as an ally. He had counted on her promised support, on her wit and spirit to carry him through, and her conduct was simply cowardly.
"The fact is, Mrs. Shaw," he said, "Jim Morrison's not bossing this show at all. That's where the mistake has come in. My aunt, Lady Wolvercote, is a bit of an autocrat, don't you know, and she doesn't like us fellows to arrange things on our own account. If she knew you I'm sure she'd see what a splendid Galatea you'd make, but as it is she's set her heart on getting Mrs. Stewart from the very first."
Had he stopped here his position would have been good, but an indignant instinct, urging him to push the reluctant Mrs. Stewart into the proper place of woman—that natural shield of man against all the social disagreeables he brings on himself—made Fitzroy rush into the fatal detail.
"My aunt told you so at the Masonic; didn't she, Mrs. Stewart?"
Milly, under the young man's imperious eye,assented feebly, but Mrs. Shaw laughed. She perfectly remembered Mildred having mentioned on that very occasion that she did not know Lady Wolvercote by sight.
"I'm afraid I've come just a few minutes too soon," she said, dryly. "You and Mr. Fitzroy don't seem to have talked things over quite enough."
The saying was dark and yet too clear. Milly, the meticulously truthful, saw herself convicted of some horrible falsehood. She blushed violently, gasped, and rolled her handkerchief into a tight ball. Mr. Fitzroy ignoring the insinuation, changed his line.
"The part we really wanted you to take, Mrs. Shaw, was that of a nymph in an Elizabethan masque which Lumley has written, with music by Stephen Bampton. It's to be played in the rose garden and there's a chorus of nymphs who sing and dance. We want them to look perfectly lovely, don't you know, and as there can't be any make-up to speak of, it's awfully difficult to find the right people."
Mrs. Shaw disdained the lure and mentally condemned his anxiously civil manner as "soapy."
"I shall ask Mr. Morrison to go to Lady Wolvercote at once," she said, "and see whether she really wishes me to give up the part. Time's getting on, and he says he won't be able to have many more rehearsals."
There was a sound as of a carriage stopping in the street below, the jingling of bits, and a highfemale voice giving an order. Fitzroy, inwardly exasperated by Mrs. Shaw's resistance and the abject conduct of his ally, sprang to his feet.
"I believe that's my aunt!" he exclaimed. "She wants me to call at Blenheim on the way home, and I suppose the Morrisons told her where I was."
He managed to slip his head out between the edge of an awning and the mignonette and geraniums of a window-box.
"It's my aunt, right enough. May I fetch her up, Mrs. Stewart?" He was down the stairs in a moment and voluble in low-voiced colloquy with the lady in the barouche.
Lady Wolvercote was organizing the great fancy fair for the benefit of the County Cottage Hospitals, and had left the dramatic part of the programme to her nephew to arrange. She was a tall, slight woman, of the usual age for aunts, and pleasant to every one; but she took it for granted that every one would do as she wished—naturally, since they always did in her neighborhood. As she stumbled up the stairs after Charlie Fitzroy—it was a dark staircase and narrow in proportion to its massive oak balusters—she felt faintly annoyed with him for dragging her into the quarrels of his middle-class friends, but confident that she could manage them without the least trouble.
Milly was relieved at the return of Mr. Fitzroy with his aunt. She had had an unhappy five minutes with Mrs. Shaw, who had been saying cryptic but unpleasant things and calling her"Mildred"; whereas she did not so much as know Mrs. Shaw's Christian name.
Seeing Mrs. Shaw, beautiful, animated, well-dressed, and Milly neatly clothed, since her clothes were not of her own choosing, but with her hair unbecomingly knotted, the brightness of her eyes, complexion, and expression in eclipse, Lady Wolvercote wondered at her nephew's choice. But that was his affair. She began to talk in a rather high-pitched voice and continuously, like one whose business it is to talk; so that it was difficult to interrupt without rudeness.
"So you're going to be kind enough to act Galatea for us at our fancy fair, Mrs. Stewart? We want it to be a great success, and Lord Wolvercote and I have heard so much about your acting. My nephew said the part of Galatea would suit you exactly; didn't you, Charlie?"
"Down to the ground," interpolated, or rather accompanied, Fitzroy. "We shall have the placards out on Wednesday, and people are looking forward already to seeing Mrs. Stewart. There'll be a splendid audience."
"Every one has promised to fill their houses for the fair," Lady Wolvercote was continuing, "and the Duke thinks he may be able to get down ——," she mentioned a royalty. "You're going to help us too, aren't you, Mrs. Shaw? It's so very kind of you. We've got such a pretty part for you in a musical affair which Lenny Lumley wrote with somebody or other for the Duchess of Ulster's Elizabethan bazaar. There's a chorus of fairies—nymphs, Charlie? Yes, nymphs, and we want them all to be very pretty and able to sing, and there's a charming dance for them. I'm afraid that silly boy, Jim Morrison, made some mistake about it, and told you we wanted you to act Galatea. But of course we couldn't possibly do without you in the other thing, and Mrs. Stewart seems quite pointed out for that Galatea part. Jim's such a dear, isn't he? And such a splendid actor, every one says he really ought to go on the stage. But we none of us pay the least attention to anything the dear boy says, for he always does manage to get things wrong."
Mrs. Shaw had been making little movements preparatory to going. She had no gift for the stage except beauty, but that produces an illusion of success, and she took her acting with the seriousness of a Duse.
"I'm sorry I didn't know Mr. Morrison's habits better," she replied. "I've been studying the part of Galatea a good deal and rehearsing it with him as well. Of course, I don't for a moment wish to prevent Mrs. Stewart from taking it, but I've spent a good deal of time upon it and I'm afraid I can't undertake anything else. Of course, it's very inconvenient stopping in Oxford in August, and I shouldn't care to do it except for the sake of a part which I felt gave me a real opportunity—"
"But it's a very pretty part we've got for you," resumed Lady Wolvercote, perplexed. "And we were hoping to see you over at Besselsfield a good deal for rehearsals—"
It seemed to her a "part of nature's holy plan" that the prospect of Besselsfield should prove irresistibly attractive to the wives of professional men.
"Thanks, so much, but I'm sure you and Mr. Fitzroy must know plenty of girls who would do for that sort of part," returned Mrs. Shaw.
Milly here broke in eagerly:
"Please, Lady Wolvercote, do persuade Mrs. Shaw to take Galatea; I'm sure I sha'n't be able to do it a bit; and I would try and take the nymph. I should love the music, and I know I could do the singing, anyhow."
She rose because Mrs. Shaw had risen and was looking for her parasol and shaking out her plumes. But why did Mr. Fitzroy and Mrs. Shaw both stare at her in an unvarnished surprise, touched with ridicule on the lady's side?
"No, no, Mrs. Stewart, that won't do!" cried he, in obvious dismay. At the same moment Mrs. Shaw ejaculated, ironically:
"That's very brave of you Mildred! I thought you hated music and were never going to try to sing again."
She and Fitzroy had both been present on an occasion when Mildred, urged on by Milly's musical reputation, had committed herself to an experiment in song which had not been successful.
"Thank you very much," Mrs. Shaw went on, "for offering to change, but of course Lady Wolvercote must arrange things as she likes; and, to speak frankly, I'm not particularly sorry to give the acting up, as my husband was rather upset at my not being able to go to Switzerland with him on the 28th. No, please don't trouble; I can let myself out. Good-bye, Lady Wolvercote; I hope the fair and the theatricals will be a great success. Good-bye, Mr. Fitzroy, good-bye."
Lady Wolvercote's faint remonstrances were drowned in the adieus, and Mrs. Shaw sailed out with flying colors, while Milly sank back abjectly into the seat from which she had risen. Every minute she was realizing with a more awful clearness that she, whose one appearance on the stage had been short and disastrous, was cast to play the leading part in a public play before a large and brilliant audience. She hardly heard Fitzroy's bitter remarks on Mrs. Shaw—not forgetting Jim Morrison—or Lady Wolvercote exclaiming in a voice almost dreamy with amazement:
"Really it's too extraordinary!"
"I'm very sorry Mrs. Shaw won't take the part," said Milly, clasping and unclasping her slender fingers, "for I know I can't do it myself."
Fitzroy was protesting, but she forced herself to continue: "You don't know what I'm like when I'm nervous. When we hadtableaux vivantsat Ascham I was supposed to be Charlotte putting a wreath on Werther's urn, and I trembled so much that I knocked the urn down. It was only card-board, so it didn't break, but every one laughed and the tableau was spoiled."
Fitzroy and his aunt cried out that that was nothing, a first appearance; any one could see shehad got over that now. Pale, with terrified eyes, she looked from one to the other of her tormentors, who continued to sing the praises of her past prowess on the boards and to foretell the unprecedented harvest of laurels she would reap at Besselsfield. The higher their enthusiasm rose, the more profound became her dejection. There seemed no loop-hole for escape, unless the earth would open and swallow her, which however much to be desired was hardly to be expected.
The ting of a bicycle-bell below did not seem to promise assistance, for cyclists affected the quiet street. But it happened that this bicycle bore Ian to the door. He did not notice the coronet on the carriage which stood before it, and assumed it to belong to one of the three or four ladies in Oxford who kept such equipages. Yet in the blank state of Milly's memory, he was sorry she had not denied herself to visitors, which Mildred had already learned to do with a freedom only possible to women who are assured social success. Commonly the sight of a carriage would have sent him tiptoeing past the drawing-room, but now, vaguely uneasy, he came straight in. He looked particularly tall in the frame of the doorway, so low that his black hair almost touched the lintel; particularly handsome in the shaded, white-panelled room, into which the dark glow of his sunburned skin and brown eyes, bright with exercise, seemed to bring the light and warmth of the summer earth and sky.
Milly sprang to meet him. Lady Wolvercote was surprised to learn that this was Mrs. Stewart'shusband. She had no idea a Don could be so young and good-looking. Judging of Dons solely by the slight and slighting references of her undergraduate relatives, she had imagined them to be weird-looking men, within various measurable distances of the grave.
"Lady Wolvercote and Mr. Fitzroy want me to act Galatea at the Besselsfield theatricals," said Milly, clinging to his sleeve and looking up at him with appealing eyes. "Please tell them I can't possibly do it. I'm—I'm not well enough—am I?"
"We're within three weeks of the performance, sir," put in Fitzroy. "Mrs. Stewart promised she'd do it, and we shall be in a regular fix now if she gives it up. Mrs. Shaw's chucked us already."
"Yes, and every one says how splendidly Mrs. Stewart acts," pleaded Lady Wolvercote.
Stewart had half forgotten the matter; but now he remembered that Mildred had been keen to have the part only a week ago, and a little pettish because he had advised her to leave it alone, on account of Mrs. Shaw. Now she was hanging on him with desperate eyes and that worried brow which he had not seen once since he had married her.
"I'm extremely sorry, Lady Wolvercote," he said, "but my wife's had a nervous break-down lately and I can't allow her to act. She's not fit for it."
"Ah, I see—I quite understand!" returned Lady Wolvercote. "But we'd take great care of her, Mr. Stewart. She could come and stay at Besselsfield."
Fitzroy's gloom lifted. His aunt was a trump. Surely an invitation to Besselsfield must do the job. But Stewart, though apologetic, was inflexible. He had forbidden his wife to act and there was an end of it. The perception of the differences between the two personalities of Milly which had been thrust to-day on his unwilling mind, made him grasp the meaning of her frantic appeals for protection. He relieved her of all responsibility for her refusal to act.
Lady Wolvercote observed, as she and her nephew went sadly on their way, that Mr. Stewart seemed a very, very odd man in spite of his presentable manners and appearance; and Fitzroy replied gloomily that of course he was a beast. Dons always were beasts.
The diplomatic incident of the theatricals was not the only minor trouble which Milly found awaiting her. The cook's nerves were upset by a development of rigid economy on the part of her mistress, and she gave notice; the house parlor-maid followed suit. No one seemed to have kept Ian's desk tidy, his papers in order, or his clothes properly mended. It was a joy to her to put everything belonging to him right.
When all was arranged to her satisfaction: "Ian," she said, sitting on his knee with her head on his shoulder, "I can't bear to think how wretched you must have been all the time I was away."
Ian was silent a minute.
"But you haven't been away, and I don't like you to talk as though you had."
Wretched? It would have been absurd to think of himself as wretched now; yet compared with the wonderful happiness that had been his for more than half a year, what was this "house swept and garnished"? An empty thing. Words of Tims's which he had thought irritating and absurd at the time, haunted him now. "You don't mean to say you haven't seen the difference?" He might not have seen it, but he had felt it. He felt it now.
There was at any rate no longer any question of Dieppe. They took lodgings at Sheringham and he made good progress with his book. Yet not quite so good as he had hoped. Milly was indefatigable in looking up points and references, in preventing him from slipping into the small inaccuracies to which he was prone; but he missed the stimulus of Mildred's alert mind, so quick to hit a blot in logic or in taste, so vivid in appreciation.
Milly meantime guessed nothing of his dissatisfaction. She adored her husband more every day, and her happiness would have been perfect had it not been for the haunting horror of the possible "change" which might be lurking for her round the corner of any night—that "change," which other people might call what they liked, but which meant for her the robbery of her life, her young happy life with Ian. He had taken her twice to Norton-Smith before the great man went for his holiday. Norton-Smith had pronounced it a peculiar but not unprecedented case of collapse of memory, caused by overwork; and had spent most of the consultation time in condemning the higher education of women. Time, rest, and the fulfilment of woman's proper function of maternity would, he affirmed, bring all right, since there was no sign of disease in Mrs. Stewart, who appeared to him, on the contrary, a perfectly healthy young woman. When Ian, alone with him, began tentatively to bring to the doctor's notice the changes in character and intelligence that had accompanied the losses of memory, he found hisremarks set aside like the chatter of a foolish child.
If maternity would indeed exorcise the Invader, Milly had lost no time in beginning the exorcism. And she did believe that somehow it would; not because the doctor said so, but because she could not believe God would let a child's mother be changed in that way, at any rate while she was bearing it. To do so would be to make it more motherless than any little living thing on earth. Milly had always been quietly but deeply religious, and she struggled hard against the feeling of peculiar injustice in this strange affliction that had been sent to her. She prayed earnestly to God every night to help and protect her and her child, and the period of six or seven months, at which the "change" had come before, passed without a sign of it. In April a little boy was born. They called him Antonio, after a learned Italian, a friend and teacher of Ian's.
The advent of the child did something to explain the comparative seclusion into which Mrs. Stewart had retired, and the curious dulling of that brilliant personality of hers. The Master of Durham was among the few of Mrs. Stewart's admirers who declined to recognize the change in her. He had been attracted by the girl Milly Flaxman, by her gentle, shy manners and pretty face, combined with her reputation for scholarship; the brilliant Invader had continued to attract him in another way. The difference between the two, if faced, would have been disagreeably mysterious. He preferredto say and think that there was none; Mrs. Stewart was probably not very well.
Milly's shyness made it peculiarly awkward for her to find herself in possession of a number of friends whom she would not have chosen herself, and of whose doings and belongings she was in complete ignorance. However, if she gave offence she was unconscious of it, and it came very naturally to her to shrink back into the shadow of her household gods. Ian and the baby were almost sufficient in themselves to fill her life. There was just room on the outskirts of it for a few relations and old friends, and Aunt Beatrice still held her honored place. But it was through Aunt Beatrice that she was first to learn the feel of a certain dull heartache which was destined to grow upon her like some fell disease, a thing of ceaseless pain.
She was especially anxious to get Aunt Beatrice, who had been in America all the Summer Vacation, to stay with them in the Autumn Term as Lady Thomson had been with them in May, and Milly did not like to think of the number of things, all wrong, which she was sure to have noticed in the house. Besides, what with theatricals and other engagements, it was evident that a good many people had been "in and out" in the Summer Term—a condition of life which Lady Thomson always denounced. Milly was anxious for her to see that that phase was past and that her favorite niece had settled down into the quiet, well-ordered existence of which she approved.
Aunt Beatrice came; but oh, disappointment! If it had been possible to say of Lady Thomson, whosemoods were under almost perfect control, that she was out of temper, Milly would have said it. She volunteered no opinion, but when asked, she compared Milly's new cook unfavorably with her former one. When her praise was anxiously sought, she observed that it was undesirable to be careless in one's housekeeping, but less disagreeable than to be fussy and house-proud. She added that Milly—whom she called Mildred—must be on her guard against relaxing into domestic dulness, when she could be so extremely clever and charming if she liked. Milly was bewildered and distressed. She felt sure that she had passed through a phase of which Aunt Beatrice ought to have disapproved. She had evidently been frivolous and neglectful of her duties; yet it seemed as though her aunt had been better pleased with her when she was like that. What could have made Aunt Beatrice, of all women, unkind and unjust?
In this way more than a year went by. The baby grew and was short-coated; the October Term came round once more, and still Milly remained the same Milly. To have wished it otherwise would have seemed like wishing for her death.
But at times a great longing for another, quite another, came over Ian. It was like a longing for the beloved dead. Of course it was mad—mad! He struggled against the feeling, and generally succeeded in getting back to the point of view that the change had been more in himself, in his own emotional moods, than in Milly.
October, the golden month, passed by andNovember came in, soft and dim; a merry month for the hunting men beside the coverts, where the red-brown leaves still hung on the oak-trees and brushwood, and among the grassy lanes, the wide fresh fields and open hill-sides. No ill month either for those who love to light the lamp early and open their books beside a cheerful fire. But then the rain came, a persistent, soaking rain. Milly always went to her district on Tuesdays, no matter what the weather, and this time she caught a cold. Ian urged her to stop in bed next morning. He himself had to be in College early, and could not come home till the afternoon.
It was still raining and the early falling twilight was murky and brown. The dull yellow glare of the street-lamps was faintly reflected in the muddy wetness of pavements and streets. He was carrying a great armful of books and papers under his dripping mackintosh and umbrella. As he walked homeward as fast as his inconvenient load allowed, he became acutely conscious of a depression of spirits which had been growing upon him all day. It was the weather, he argued, affecting his nerves or digestion. The vision of a warm, cosey house, a devoted wife awaiting him, ought to have cheered him, but it did not. He hoped he would not feel irritable when Milly rushed into the hall as soon as his key was heard in the front door, to feel him all over and take every damp thread tragically. Poor dear Milly! What a discontented brute of a husband she had got! The fault was no doubt with himself, and he would not really be happy even ifsome miracle did set him down on a sunny Mediterranean shore, with enough money to live upon and nothing to think of but his book. Mildred used to say that she always went to a big dinner at Durham in the unquenchable hope of meeting and fascinating some millionaire who had sense enough to see how much better it would be to endow writers of good books than readers of silly ones.
With the recollection there rang in the ears of his mind the sound of a laugh which he had not heard for seventeen months. Something seemed to tighten about his heart. Yes, he could be quite happy without the millionaire, without the sunny skies, without even the pretty, comfortable home at whose door he stood, if somewhere, anywhere, he could hope to hear that laugh again, to hold again in his arms the strange bright bride who had melted from them like snow in spring-time—but that way madness lay. He thrust the involuntary longing from him almost with horror, and turned the latch-key in his door.
The hall lamp was burning low and the house seemed very chilly and quiet. He put his books down on the oak table, threw his streaming mackintosh upon the large chest, and went up to his dressing-room, to change whatever was still damp about him before seeking Milly, who presumably was nursing her cold before the study fire. When he had thrown off his shoes, he noticed that the door leading to his wife's room was ajar and a faint red glow of firelight showed invitingly through the chink. A fire! It was irresistible. He went inquickly and stirred the coals to a roaring blaze. The dancing flames lit up the long, low room with its few pieces of furniture, its high white wainscoting, and paper patterned with birds and trellised leaves. They lit up the low white bed and the white figure of his sleeping wife. Till then he had thought the room was empty. She lay there so deathly still and straight that he was smitten with a sudden fear; but leaning over her he heard her quiet, regular breathing and saw that if somewhat pale, she was normal in color. He touched her hand. It was withdrawn by a mechanical movement, but not before he had felt that it was warm.
A wild excitement thrilled him; it would have been truer to say a wild joy, only that it held a pang of remorse for itself. So she had lain at the Hôtel du Chalet when he had left her for that long walk over the crisp mountain snow. And when he had returned, she—what She? No, his brain did not reel on the verge of madness; it merely accepted under the compulsion of knowledge a truth of those truths that are too profound to admit of mere external proof. For our reason plays at the edge of the universe as a little child plays at the edge of the sea, gathering from its fringes the flotsam and jetsam of its mighty life. But miles and miles beyond the ken of the eager eye, beyond the reach of the alert hand, lies the whole great secret life of the sea. And if it were all laid bare and spread at the child's feet, how could the little hand suffice to gather its vast treasures, the inexperienced eye to perceive and classify them?
Alone in the firelit, silent room, with this tranced form before him, Ian Stewart knew that the woman who would arise from that bed would be a different woman from the one who had lain down upon it. By what mysterious alchemy of nature transmuted he could not understand, any more than he could understand the greater part of the workings of that cosmic energy which he was compelled to recognize, although he might be cheated with words into believing that he understood them. Another woman would arise and she his Love. She had been gone so long; his heart had hungered for her so long, in silence even to himself. She had been dead and now she was about to be raised from the dead. He lighted the candles, locked the doors, and paced softly up and down, stopping to look at the figure on the bed from time to time. Far around him, close about him, life was moving at its usual jog-trot pace. People were going back to their College rooms or domestic hearths, grumbling about the weather or their digestions or their colds, thinking of their work for the evening or of their dinner engagements—and suddenly a door had shut between him and all that outside world. He was no longer moving in the driven herd. He was alone, above them in an upper chamber, awaiting the miracle of resurrection.
In the visions that passed before his mind's eye the face of Milly, pale, with pleading eyes, was not absent; but with a strange hardness which he had never felt before, he thrust the sighing phantom from him. She had had her turn of happiness, along one; it was only fair that now they two, he and that Other, should have their chance, should put their lips to the full cup of life. The figure on the bed stirred, turned on one side, and slipped a hand under the pure curve of the young cheek. He was by the bed in a moment; but it still slept, though less profoundly, without that tranced look, as though the flame of life itself burned low within.
How would she first greet him? Last time she had leaned into the clear sunshine and laughed to him from the cloud of her amber hair; and a spirit in his blood had leaped to the music of her laugh, even while the rational self knew not it was the lady of his love. But however she came back it would be she, the Beloved. He felt exultantly how little, after all, the frame mattered. Last time he had found her, his love had been set in the sunshine and the splendor of the Alpine snows, with nothing to jar, nothing to distract it from itself. And that was good. To-day, it was opening, a sudden and wonderful bloom, in the midst of the murky discomfort of an English November, the droning hum of the machinery of his daily work. And this, too, was good.
Yes, it was better because of the contrast between the wonder and its environment, better because he himself was more conscious of his joy. He sat on the bed a while watching her impatiently. In his eyes she was already filled with a new loveliness, but he wanted her hair, her amber hair. It was brushed back and imprisoned tightly in a little plait tied with a white ribbon—Milly's way. Withfingers clumsy, yet gentle, he took off the ribbon and cautiously undid the plait. Then he took a comb and spread out the silk-soft hair more as he liked to see it, pleased with his own skill in the unaccustomed task. She stirred again, but still she did not wake. He was pacing up and down the room when she raised herself a little on her pillow and looked fixedly at the opposite wall. Ian held his breath. He stood perfectly still and watched her. Presently she sat up and looked about her, looked at him with a faint, vague smile, like that of a baby. He sat down at the foot of the bed and took her hand. She smiled at him again, this time with more definite meaning.
"Do you know who it is, sweetheart?" he said in a low voice. She nodded slightly and went on smiling, as though quietly happy.
"Ian," she breathed, at length.
"Yes, darling."
"I've been away a long, long time. How long?"
He told her.
She uttered a little "Ah!" and frowned; lay quiet awhile, then drew her hand from Ian's and sat up still more.
"I sha'n't lie here any longer," she said, in a stronger voice. "It's just waste of time." She pushed back the clothes and swung her feet out of bed. "Oh, how glad I am to be back again! Are you glad I'm back, Ian? Say you are, do say you are!"
And Ian on his knees before her, said that he was.
Ian was leaning against the high mantel-piece of his study. Above it, let into the panelling, was an eighteenth-century painting of the Bridge and Castle of St. Angelo, browned by time. He was wondering how to tell Mildred about the child, and whether she would resent its presence. She, too, was meditating, chin on hand. At length she looked up with a sudden smile.
"What about the baby, Ian? Don't you take any notice of it yet?"
He was surprised.
"How do you know about him?"
She frowned thoughtfully.
"I seem to know things that have happened in a kind of way—rather as though I had seen them in a dream. But they haven't happened to me, you know."
"Was it the same last time?"
"No; but the first time I came, and especially just at first, I seemed to remember all kinds of things—" She paused as though trying in vain to revive her impressions—"Odd things, not a bit like anything in Oxford. I can't recall them now, but sometimes in London I fancy I've seen places before."
"Of course you have, dear."
"And the first time I saw that old picture there I knew it was Rome, and I had a notion that I'd been there and seen just that view."
"You've been seeing pictures and reading books and hearing talk all your life, and in the peculiar state of your memory, I suppose you can't distinguish between the impressions made on it by facts and by ideas."
Mildred was silent; but it was not the silence of conviction. Then she jumped up.
"I'm going to see Baby. You needn't come if you don't want."
He hesitated.
"I'm afraid it's too late. Milly doesn't like—" He broke off with a wild laugh. "What am I talking about!"
"I suppose you were going to say, Milly doesn't like people taking a candle into the room when Baby is shut up for the night. I don't care what Milly likes. He's my baby now, and he's sure to look a duck when he's asleep. Come along!"
She put her arm through his and together they climbed the steep staircase to the nursery.
Mildred had returned to the world in such excellent spirits at merely being there, that she took those awkward situations which Milly had inevitably bequeathed to her, as capital jokes. The partial and external acquaintance with Milly's doings and points of view which she had brought back with her, made everything easier than before; but her derisive dislike of her absent rival wasintensified. It pained Ian if she dropped a hint of it. Tims was the only person to whom she could have the comfort of expressing herself; and even Tims made faces and groaned faintly, as though she did not enjoy Mildred's wit when Milly was the subject of it. She gave Milly's cook notice at once, but most things she found in a satisfactory state—particularly the family finances. More negatively satisfactory was the state of her wardrobe, since so little had been bought. Mildred still shuddered at the recollection of the trousseau frocks.
Once more Mrs. Stewart, whose social career had been like that of the proverbial rocket shot up into the zenith. But a life of mere amusement was not the fashion in the circle in which she lived, and her active brain and easily aroused sympathies made her quick to take up more serious interests.
It seemed wiser, too, to make no sudden break with Milly's habits. Still, Emma, the nurse, opined that Baby got on all the better since Mrs. Stewart had become "more used to him like"—wasn't always changing his food, taking his temperature, wanting him to have bandages and medicine, forbidding him to be talked to or sung to, and pulling his little, curling-up limbs straight when he was going to sleep. He was a healthy little fellow and already pretty, with his soft dark hair—softer than anything in the world except a baby's hair—his delicate eyebrows and bright dark eyes. Mildred loved playing with him. Sometimes when Ian heard the tiny shrieks of baby laughter, he usedto think with a smile and yet with a pang of pity, how shocked poor Milly would have been at this titillation of the infant brain. But he did not want thoughts of Milly—so far as he could he shut the door of his mind against them. She would come back, no doubt, sooner or later; and her coming back would mean that Mildred would be robbed of her life, his own life robbed of its joy.
At the end of Term the Master of Durham sent a note to bid the Stewarts to dine with him and meet Sir Henry Milwood, the rich Australian, and Maxwell Davison, the traveller and Orientalist. Ian remarked that Davison was a cousin, although they had not met since he was a boy. Maxwell Davison had gone to the East originally as agent for some big firm, and had spent there nearly twenty years. He was an accomplished Persian and Arabic scholar, and gossip related that he had run off with a fair Persian from a Constantinople harem and lived with her in Persia until her death. But that was years ago.
When the Stewarts entered the Master's bare bachelor drawing-room, they found besides the Milwoods, only familiar faces. Maxwell Davison was still awaited, and with interest. He came, and that interest did not appear to be mutual, judging from the Oriental impassivity of his long, brown face, with its narrow, inscrutable eyes. He was tall, slight, sinewy as a Bedouin, his age uncertain, since his dry leanness and the dash of silver at his temples might be the effect of burning desert suns.
Mildred was delighted at first at being sent intodinner with him, but she found him disappointingly taciturn. In truth, he had acquired Oriental habits and views with regard to women. If a foolish Occidental custom demanded that they should sit at meat with the lords of creation, he, Maxwell Davison, would not pretend to acquiesce in it. Mildred, to whom it was unthinkable that any man should not wish to talk to her, merely pitied his shyness and determined to break it down; but Davison's attitude was unbending.
After dinner the Master, his mortar-board cap on his head, opened the drawing-room door and invited them to come across to the College Library to see some bronzes and a few other things that Mr. Davison had temporarily deposited there. He had divined that Maxwell Davison would be willing to sell, and in his guileful soul the little Master may have had schemes of persuading his wealthy friend Milwood to purchase any bronzes that might be of value to the College or the University. Of the ladies, only Mildred and Miss Moore, the archæologist, braved the chill of the mediæval Library to inspect the collection. Davison professed to no artistic or antiquarian knowledge of the bronzes. They had come to him in the way of trade and had all been dug up in Asia Minor—no, not all, for one he had picked up in England. Nevertheless he had succeeded in getting a pretty clear notion of the relative value of his bronzes—the Oriental curios with them it was his business to understand. He could not help observing the sure instinct with which Mrs. Stewart selected what was best amongall these different objects. She had theflairof the born collector. The learned archæologists present leaned over the collection discussing and disputing, and took no notice of her remarks as she rapidly handled each article. But Davison did, and when at length she took up a small figure of Augustus—the bronze that had not come from Asia Minor—and looked at it with a peculiar doubtful intentness, he began to feel uncomfortable.
"Anything wrong with that?" he asked, in spite of himself.
She laughed nervously.
"Oh, Mr. Davison, please ask some one who knows! I don't. Only I—I seem to have seen something like it before, that's all."
Sanderson, roaming around the professed archæologists, took the bronze from her hands.
"I'll tell you where you've seen it, Mrs. Stewart. It's engraved in Egerton'sPrivate Collections of Great Britain. I picked that up the other day—first edition, 1818. I dare say the book's here. We'll see."
Sanderson took a candle and went glimmering away down the long, dark room.
"What can this be?" asked Mildred, taking up what looked like a glass ball.
"Please stand over here and look into it for five minutes," returned Davison, evasively. "Perhaps you'll see what it is then."
He somehow wanted to get rid of Mildred's appraisal of his goods.
"Mr. Davison, your glass ball has gone quite cloudy!" she exclaimed, in a minute or two.
"That's all right. Go on looking and you'll see something more," he returned.
Presently she said:
"It's so curious. I see the whole room reflected in the glass now, but it's much lighter than it really is, and the windows seem larger. It all looks so different. There is some one down there in white."
Sanderson came up the room carrying a large quarto, open.
"Here's your bronze, right enough," he said, putting the book down on the table. "It's under the heading,Hammerton Collection."
He pointed to a small engraving inscribed, "Bronze statuette of Augustus.Very rare."
"But some fellow's been scribbling something here," continued Sanderson, turning the book around to read a note written along the margin. He read out: "'A forgery. Sold by Lady Hammerton to Mr. Solomons, 1819. See case SolomonsversusHammerton, 1820.'"
The turning of the book showed Mildred a full-page engraving entitled, "The Gallery, Hammerton House." It represented a long room somewhat like the one in which they stood, but still more like the room she had seen in the crystal; and in the middle distance there was a slightly sketched figure of a woman in a light dress. Half incredulous, half frightened, she pored over the engraving which reproduced so strangely the image she had seen in Maxwell Davison's mysterious ball.
"How funny!" she almost whispered.
"You may call it funny, of course, that LadyHammerton succeeded in cheating a Jew, which is what it looks like," rejoined Sanderson, bent on hunting down his quarry; "but it was pretty discreditable to her too."
"Not at all," Maxwell Davison's harsh voice broke in. "That was Solomons's look out. I sha'n't bring a lawsuit against the fellow who sold me that Augustus, if it is a forgery. A man's a fool to deal in things he doesn't understand."
"What is this glass ball, Mr. Davison?" asked Miss Moore, in her turn taking up the uncanny thing Mildred had laid down.
"It's a divining-crystal. In the East certain people, mostly boys, look in these crystals and see all sorts of things, present, past, and to come."
Miss Moore laughed.
"Or pretend they do!"
"Who knows? It isn't of any interest, really. The things that have happened have happened, and the things that are to happen will happen just as surely, whether we foresee them or not."
Miss Moore turned to the Master.
"Look, Master—this is a divining-crystal, and Mr. Davison's trying to persuade me that in the East people really see visions in it."
The Master smiled.
"Mr. Davison has a poor opinion of ladies' intelligence, I'm afraid. He thinks they are children, who will believe any fairy tale."
Davison had drawn near to Mildred as the Master spoke; his eyes met hers and the impassive face wore a faint, ironical smile.
"The Wisdom of the West speaks!" he exclaimed, in a low voice. "I'd almost forgotten the sound of it."
Then scrutinizing her pale face: "I'm afraid you've had a scare. What did you see?"
"I saw—well, I fancy I saw the Gallery at Hammerton House and my ancestress, Lady Hammerton. It was burned, you know, and she was burned with it, trying to save her collections. I expect she condescended to give me a glimpse of them because I've inherited her mania. I'd be a collector, too, if I had the money."
She laughed nervously.
"You should take Ian to the East," returned Davison. "You could make money there and learn things—the Wisdom of the East, for instance."
Mildred, recovering her equanimity, smiled at him.
"No, never! The Wisdom of the West engrosses us; but you'll come and tell us about the other, won't you?"
Maxwell Davison settled in Oxford for six months, in order to see his great book on Persian Literature through the press. His advent had been looked forward to as promising a welcome variety, bringing a splash of vivid color into a somewhat quiet-hued, monotonous world. But there was doomed to be some disappointment. Mr. Davison went rather freely to College dinners but seldom into general society. It came to be understood that he disliked meeting women; Mrs. Stewart, however, he appeared to except from his condemnation or rule. Ian was his cousin, which made a pretext at first for going to the Stewarts' house; but he went because he found the couple interesting in their respective ways. Some Dons, unable to believe that a man without a University education could teach them anything, would lecture him out of their little pocketful of knowledge about Oriental life and literature. Ian, on the contrary, was an admirable producer of all that was interesting in others; and in Davison that all was much. At first he had tried to keep Mrs. Stewart in what he conceived to be her proper place; but as time went on he found himself dropping in at theold house with surprising frequency, and often when he knew Ian to be in College or too busy to attend to him.
He had brought horses with him and offered to give Mildred a mount whenever she liked. Milly had learned the rudiments of the art, but she was too timid to care for riding. Mildred, on the other hand, delighted in the swift motion through the air, the sensation of the strong bounding life almost incorporated with her own, and if she had moments of terror she had more of ecstatic daring. She and Davison ended by riding together once or twice a week.
Interesting as Mildred found Maxwell Davison's companionship, it did not altogether conduce to her happiness. She who had been so content to be merely alive, began now to chafe at the narrow limits of her existence. He opened the wide horizons of the world before her, and her soul seemed native to them. One April afternoon they rode to Wytham together. The woods of Wytham clothe a long ridge of hill around which the young Thames sweeps in a strong curve and through them a grass ride runs unbroken for a mile and a half. Now side by side, now passing and repassing each other, they had "kept the great pace" along the track, the horses slackening their speed somewhat as they went down the dip, only to spring forward with fresh impetus, lifting their hind-quarters gallantly to the rise; then given their heads for the last burst along the straight bit to the drop of the hill, away they went in passionatecompetition, foam-flecked and sending the clods flying from their hurrying hoofs.
A mile and a half of galloping only serves to whet the appetite of a well-girt horse, and the foaming rivals hardly allowed themselves to be pulled up at the edge of a steep grassy slope, where already here and there a yellow cowslip bud was beginning to break its pale silken sheath. At length their impatient dancing was over, and they stood quiet, resigned to the will of the incomprehensible beings who controlled them. But Mildred's blood was dancing still and she abandoned herself to the pleasure of it, undistracted by speech. Beyond the shining Thames, wide-curving through its broad green meadows, and the gray bridge and tower of Eynsham, that great landscape, undulating, clothed in the mystery of moving cloud-shadows, gave her an agreeable impression of being a view into a strange country, hundreds of miles away from Oxford and the beaten track. But Maxwell's eyes were fixed upon her.
The wood about them was just breaking into the various beauty of spring foliage, emerald and gold and red; a few trees still holding up naked gray branches among it; here and there a white cloud of cherry blossom, shining in a clearing or floating mistily amid bursting tree-tops below them. They turned to the right, down a narrow ride, mossy and winding, where perforce they trod on flowers as they went; for the path and the wood about it were carpeted with blue dog-violets and the pale soft blossoms of primroses, opening inclusters amid their thick fresh foliage and the brown of last year's fallen leaves. The sky above wore the intense blue in which dark clouds are seen floating, and as the gleams of travelling sunshine passed over the wooded hill, its colors also glowed with a peculiar intensity. The horses, no longer excited by a vista of turf, were walking side by side. But the beauty of earth and sky were nothing to Maxwell, whose whole being was intent on the beauty of the woman in the saddle beside him; the rose and the gold of cheek and hair, the lithe grace of the body, lightly moving to the motion of her horse.
She turned to him with a sudden bright smile.
"How perfectly delightful riding is! I owe all the pleasure of it to you."
"Do you?" he asked, smiling too, but slightly and gravely, narrowing on her his inscrutable eyes. "Well, then, will you do what I want?"
"I thought you were a fatalist and never wanted anything. But if you condescend to want me to do something, your slave obeys. You see I'm learning the proper way for a woman to talk."
"I want you to remove the preposterous black pot with which you've covered up your hair. I'll carry it for you."
"Oh, Max! What would people think if they met me riding without my hat? Fancy Miss Cayley! What she'd say! And the Warden of Canterbury! What he'd feel!"
She laughed delightedly.
"They never ride this way. It's the 'primrosepath,' you see, and they're afraid of the 'everlasting bonfire.' I'm not; you're not. You're not afraid of anything."
"I am. I'm afraid of old maids and—most butlers."
Maxwell laughed, but his laugh was a harsh one.
"Humbug! If you really wanted to do anything you'd do it. I know you better than you know yourself. If you won't take your hat off it's because you don't really want to do what I want; and when you say pretty things to me about your gratitude for the pleasure I'm giving you, you're only telling the same old lies women tell all the world over."
"There! Catch my reins!" cried Mildred, leaning over and holding them out to him. "How do you suppose I can take my hat off if you don't?"
He obeyed and drew up to her, stooping near, a hand on the mane of her horse. The horses nosed together and fidgeted, while she balanced herself in the saddle with lifted arms, busy with hat-pins. The task accomplished, she handed the hat to him and they cantered on. Presently she turned towards him, brightening.
"You were quite right about the hat, Max. It's ever so much nicer without it; one feels freer, and what I love about riding is the free feeling. It's as though one had got out of a cage; as though one could jump over all the barriers of life; as though there were nobody and nothing to hinder one from galloping right out into the sky if one chose. But I can't explain what I mean."
"Of course you don't mean the sky," he answered. "What you really mean is the desert. There's space, there's color, glorious, infinite, with an air purer than earthly. Such a life, Mildred! The utter freedom of it! None of this weary, dreary slavery you call civilization. That would be the life for you."
It was true that Mildred's was an essentially nomadic and adventurous soul. Whether the desert was precisely the most suitable sphere for her wanderings was open to doubt, but for the moment as typifying freedom, travel, and motion—all that really was as the breath of life to her—it fascinated her imagination. Maxwell, closely watching that sunshine-gilded head, saw her eyes widen, her whole expression at once excited and meditative, as though she beheld a vision. But in a moment she had turned to him with a challenging smile.
"I thought slavery was the only proper thing for women."
"So it is—for ordinary women. It makes them happier and less mischievous. But I don't fall into the mistake—which causes such a deal of unnecessary misery and waste in the world—the mistake of supposing that you can ever make a rule which it's good for every one to obey. You've got to make your rule for the average person. Therefore it's bound not to fit the man or woman who is not average, and it's folly to wish them to distort themselves to fit it."
"And I'm not average? I needn't be a slave? Oh, thank you, Max! I am so glad."
"Confound it, Mildred, I'm not joking. You are a born queen and you oughtn't to be a slave; but you are one, all the same. You're a slave to the 'daily round, the common task,' which were never meant for such as you; you're a slave to the conventional idiocy of your neighbors. You daren't even take your hat off till I make you; and now you see how nice it is to ride with your hat off."
They had been slowly descending the steep, stony road which leads to Wytham Village, but as he spoke they were turning off into a large field to the right, across which a turfy track led gradually up to the woods from which they had come. The track lay smooth before them, and the horses began to sidle and dance directly their hoofs touched it. Mildred did not answer his remarks, except by a reference to the hat.
"Don't lose it, that's all!" she shouted, looking back and laughing, as she shot up the track ahead of him. He fancied she was trying to show him that she could run away from him if she chose; and with a quiet smile on his lips and a firm hand on his tugging horse, he kept behind her until she was a good way up the field. Then he gave his horse its head and it sprang forward. She heard the eager thud of the heavy hoofs drawing up behind, and in a few seconds he was level with her. For a minute they galloped neck and neck, though at a little distance from each other. Then she saw him ahead, riding with a seat looser than most Englishmen's, yet with an assurance, a grace of its own, the hind-quarters of his big horse lifting powerfully under him, as it sped with great bounds over the flying turf. Her own mare saw it, too, and vented her annoyance in a series of kicks, which, it must be confessed, seriously disturbed Mildred's equilibrium. Then settling to business, she sprang after her companion. Maxwell heard her following him up the long grass slope towards the gate which opens into the main ride by which they had started. He fancied he had the improvised race well in hand, but suddenly the hoofs behind him hurried their beat; Mildred flew past him at top speed and flung her mare back on its haunches at the gate.