The sun was streaming on mountain and forest before Count Nobili woke from a deep sleep. As he cast his drowsy eyes around upon the homely little room, the coarsely-painted frescoes on the walls—the gaudy cups and plates arranged in a cupboard opposite the bed—and on a wax Gesù Bambino, placed in state upon the mantel-piece, surrounded by a flock of blue sheep, browsing on purple grass, he could not at first remember where he was. The noises from the square below—the clink of the donkey's hoofs upon the pavement as they struggled up the steep alley laden with charcoal; the screams of children—the clamor of women's voices moving to and fro with their wooden shoes—and the boom of the church-bells sounding overhead for morning mass—came to him as in a dream.
As he raised his hand to push back the hair which fell over his eyes, a sharp twitch of pain—for his hands were scorched and blistered—brought all that had happened vividly before him. A warmth of joy and love glowed at his heart. He had saved Enrica's life. Henceforth that life was his. From that day they would never part. From that day, forgetting all others, he would live for her alone.
He must see her instantly—if possible, before his enemy, her aunt, had risen—see Enrica, and speak to her, alone. Oh, the luxury of that! How he longed to feast his eyes upon the softness of her beauty! To fill his ears with the music of her voice! To touch her little hand, and scent the fragrance of her breath upon his cheek! There was no thought within Nobili but love and loyalty. At that moment Enrica was the only woman in the world whom he loved, or ever could love!
He dressed himself in haste, opened the door, and stepped out into the loggia. Not finding Fra Pacifico there, or in the other rooms, he passed down the stone steps into the little square, threading his way beyond as he best could, through the tortuous little alleys toward the gate. Most of the men had already gone to work; but such as lingered, or whose business kept them at home, rose as he passed, and bared their heads to him. The mothers and the girls stared at him and smiled; troops of children followed at his heels through the town, until he reached the gate.
Without, the holiness of Nature was around. The morning air blew upon him crisp and clear. The sky, blue as a turquoise, was unbroken by a cloud. The trees were bathed in gold. The chain of Apennines rose up before him in lines of dreamy loveliness, like another world, midway toward heaven. A passing shower veiled the massive summits toward Massa and Carrara, but the broad valley of the Serchio, mapped out in smallest details, lay serenely luminous below. Beyond the gate there was no certain road. It broke into little tracts and rocky paths terracing downward. Following these, streams ran bubbling, sparkling like gems as they dashed against the stones. No shadows rested upon the grass, cooled by the dew and carpeted by flowers. The woods danced in the October sunshine. Painted butterflies and gnats circled in the warm air; green lizards gamboled among the rocks that cut the turf. Flocks of autumn birds swooped round in rapid flight. Some freshly-shorn sheep, led by a ragged child, cropped the short herbage fragrant with strong herbs. A bristly pig carrying a bell about his neck, ran wildly up and down the grassy slope in search of chestnuts.
Through this sylvan wilderness Nobili came stepping downward by the little paths, like a young god full of strength and love!
The villa lay beneath him; the blackened ruins of the tower rose over the chestnut-tops. These blackened ruins showed him which way to go. As he set his foot upon the topmost terrace of the garden, his heart beat fast.
Enrica would be there, he knew it. Enrica would be waiting for him. Could Nobili yearn so fondly for Enrica and she not know it? Could the mystic bond that knit them together, from the first moment they had met, leave her unconscious of his presence? No; that subtile charm that draws lovers together, and breathes from heart to heart the sacred fire, had warned her. She was standing there—there, beneath him, under the shadow of a flowery thicket. Enrica was leaning against the trunk of a magnolia-tree, the shining leaves framing her in a rich canopy, through which a glint of sunshine pierced, falling upon her light hair and the white dress she wore.
Nobili paused to look at her. Miser-like, he would pause to gloat upon his treasure! How well a golden glory would become that sunny head! She only wanted wings, he thought, to make an angel of her. Enrica's face was bent. Her thoughts, far away, were lost in a delicious world, neither earth nor heaven—a world with Nobili! What mysteries were there, what unknown joys, or sharper pains perchance, she neither knew nor cared. She would share all with him! In a moment the place she stood on was darkened. Something stood between her and the sun. She looked up and gave a little cry, then stood motionless, the color going and coming upon her cheek. One bound, and Nobili was beside her. He strained her to him with a passion that robbed him of all words. Scarcely knowing what he did, he grasped the tangled meshes of her silken hair and covered them with kisses. Then he raised her soft face in his hand, and gazed upon it long and fervently.
Enrica's plaintive eyes melted as they met his. She quivered in his embrace. Her whole soul went out to him as she lay within his arms. He bent his head—their trembling lips clung together in one long kiss. Then the little golden head drooped upon his breast, and nestled there, as if at last at home. Never before had Enrica's dainty form yielded beneath his touch. Before, he had but clasped her little hand, or pressed her dress, or stolen a hasty kiss on those truant locks of hers. Now Enrica was his own, his very own. The blood shot up like fire over his face. His eyes devoured her. As she lay encircled in his arms, a burning blush crimsoned her cheeks. She turned away her face, and feebly tried to loosen herself from him. Nobili only pressed her closer. He would not let her go.
"Do not turn from me, Enrica," he softly murmured. "Would you rob me of the rapture of my first embrace?"
There was a passionate tremor in his voice that re vibrated within her from head to foot. Her flushed cheek grew pale as she listened.
"Heavens! how I have longed for you! How I have longed for you sitting at home! And you so near!"
"And I have longed for you," whispered Enrica, blushing again redder than summer roses.—Enrica was too simple to dissemble.—"O Nobili!"—and she raised her dreamy eyes upward to his, then dropped them again before the fire of his glance—"you cannot tell how lonely I have been. Oh! I have suffered so much; I thought I should have died."
"My own Enrica, that is gone and past. Now we shall never part. I have won you for my wife. Even the marchesa must own this. Last night the old life died out as the smoke from that old tower. To-day you have waked to a new life with me."
Again Nobili's arms stole round her; again he sealed the sacrament of love with a fervid kiss.
Enrica trembled from head to foot—a scared look came over her. The rush of passionate joy, coming upon the terrors of the past night, was more than she could bear. Nobili watched the change.
"Forgive me, love," he said, "I will be calmer. Lay your dear head against me. We will sit together here—under the trees."
"Yes," said Enrica in a faltering voice; "I have so much to say." Then, suddenly recalling the blessing of his presence, a smile stole about her bloodless lips. She gave a happy sigh. "Yes, Nobili—we can talk now without fear. But I can talk only of you. I have no thought but you. I never dreamed of such happiness as this! O Nobili!" And she hid her face in the strong arm entwined about her.
"Speak to me, Enrica; I will listen to you forever."
Enrica clasped his hand, looked at it, sighed, pressed it between both of hers, sighed again, then raised it to her lips.
"Dear hand," she said, "how it is burnt! But for this hand, I should be nothing now but a little heap of ashes in the tower. Nobili"—her tone suddenly changed—"Nobili, I will try to love life now that you have given it to me." Her voice rang out like music, and her telltale eyes caught his, with a glance as passionate as his own. "Count Marescotti," she said, absently, as giving utterance to a passing thought—"Count Marescotti told me, only a week ago, that I was born to be unhappy. He said he read it in my eyes. I believed him then—not now—not now."
Why, she could not have explained, but, as the count's name passed her lips, Enrica was sorry she had mentioned it. Nobili noted this. He gave an imperceptible start, and drew back a little from her.
"Do you know Count Marescotti?" Enrica asked him, timidly.
"I know him by sight," was Nobili's reply. "He is a mad fellow—a republican. Why does he come to Lucca?"
Enrica shook her head.
"I do not know," she answered, still confused.
"Where did you meet him, Enrica?"
She blushed, and dropped her eyes. As she gave him no answer, he asked another question, gazing down upon her earnestly:
"How did Count Marescotti come to know what your eyes said?"
As Nobili spoke, his voice sounded changed. He waited for an answer with a look as if he had been wronged. Enrica's answer did not come immediately. She felt frightened.
"Oh! why," she thought, "had she mentioned Marescotti's name?" Nobili was angry with her—she was sure he was angry with her.
"I met him at my aunt's one evening," she said at last, gathering courage as she stole her little hand into one of his, and knit her fingers tightly within his own. "We went up into the Guinigi Tower together. There were dear old Trenta and Baldassare Lena with us."
"Indeed!" replied Nobili, coldly. "I did not know that the MarchesaGuinigi ever received young men."
As Nobili said this he fixed his eyes upon Enrica's face. What could he read there but assurance of the perfect innocence within? Yet the name of Count Marescotti had grated upon his ear like a discord clashing among sweet sounds. He shook the feeling off, however, for the time. Again he was her gracious lover.
"Tell me, love," he said, drawing Enrica to him, "did you hear my signal last night?—the shot I fired below, out of the woods?"
"Yes, I heard a shot. Something told me it must be you. I thought I should have died when I heard my aunt order Adamo to unloose those dreadful dogs. How did you escape them?"
"The cunning beasts! They were upon my track. How I did it in the darkness I cannot tell, but I managed to scramble down the cliff and to reach the opposite mountain. The chasm was then between us. So the dogs lost the scent upon the rocks, and missed me. I left Lucca almost as soon as you. Trenta told me that the marchesa had brought you here because you would not give me up. Dear heart, how I grieved that I had brought suffering on you!"
He seized her hand and pressed it to his lips, then continued:
"As long as it was day, I prowled about under the cliffs in the shadow of the chasm. I watched the stars come out. There was one star that shone brightly above the tower; to me that star was you, Enrica. I could have knelt to it."
"Dear Nobili!" murmured Enrica, softly.
"As I waited there, I saw a great red vapor gather over the battlements. The alarm-bell sounded. I climbed up through the wood, where the rocks are lower, and watched among the shrubs. I saw the marchesa carried out in Adamo's arms. I heard your name, dear love, passed from mouth to mouth. I looked around—you were not there. I understood it all; I rushed to save you."
Again Nobili wound his arms round Enrica and drew her to him with passionate ardor. The thought of Count Marescotti had faded out like a bad dream at daylight.
Enrica's blue eyes dimmed with tears.
"Oh, do not weep, Enrica!" he cried. "Let the past go, love. Did the marchesa think that bolts and bars, and Adamo, and watch-dogs, would keep Nobili from you?" He gave a merry laugh. "I shall not leave Corellia until we are affianced. Fra Pacifico knows it—I told him so last night. Cavaliere Trenta is expected to-day from Lucca. Both will speak to your aunt. One may have done so already, for what I know, for Fra Pacifico had left his house before I rose. He must be here. Is this a time to weep, Enrica?" he asked her tenderly. How comely Nobili looked! What life and joy sparkled in his bright eyes!
"I am very foolish—I hope you will forgive me," was Enrica's answer, spoken a little sadly. Her confidence in herself was shaken, since Count Marescotti's name had jarred between them. "Let us walk a little in the shade."
"Yes. Lean on me, dearest; the morning is delicious. But remember,Enrica, I will have smiles—nothing but smiles."
As Nobili bore her up on his strong arm, pacing up and down among the flowering trees that, bowing in the light breeze, shed gaudy petals at their feet—Nobili looked so strong, and resolute, and bold—his eyes had such a power in them as he gazed down proudly upon her—that the tears which trembled upon Enrica's eyelids disappeared. Nobili's strength came to her as her own strength. She, who had been so crushed and wounded, brought so near to death, needed this to raise her up to life. And now it came—came as she gazed at him.
Yes, she would live—live a new life with him. And Nobili had done it—done it unconsciously, as the sun unfolds the bosom of the rose, and from the delicate bud creates the perfect flower.
Something Nobili understood of what was passing within her, but not all. He had yet to learn the treasures of faith and love shut up in the bosom of that silent girl—to learn how much she loved him—onlyhim. (A new lesson for one who had trifled with so many, and given and taken such facile oaths!)
Neither spoke, but wandered up and down in vague delight.
Why was it that at this moment Nobili's thoughts strayed to Lucca, and to Nera Boccarini?—Nera rose before him, glowing and velvet-eyed, as on that night she had so tempted him. He drove her image from him. Nera was dead to him. Dead?—Fool!—And did he think that any thing can die? Do not our very thoughts rise up and haunt us in some subtile consequence of after-life? Nothing dies—nothing is isolated. Each act of daily intercourse—the merest trifle, as the gravest issue—makes up the chain of life. Link by link that chain draws on, weighted with good or ill, and clings about us to the very grave.
Thinking of Nera, Nobili's color changed—a dark look clouded his ready smile. Enrica asked, "What pains you?"
"Nothing, love, nothing," Nobili answered vaguely, "only I fear I am not worthy of you."
Enrica raised her eyes to his. Such a depth of tenderness and purity beamed from them, that Nobili asked himself with shame, how he could have forgotten her. With this blue-eyed angel by his side it seemed impossible, and yet—
Pressing Enrica's hand more tightly, he placed it fondly on his own. "So small, so true," he murmured, gazing at it as it lay on his broad palm.
"Yes, Nobili, true to death," she answered, with a sigh.
Still holding her hand, "Enrica," he said, solemnly, "I swear to love you and no other, while I live. God is my witness!"
As he lifted up his head in the earnestness with which he spoke, the sunshine, streaming downward, shone full upon his face.
Enrica trembled. "Oh! do not say too much," she cried, gazing up at him entranced.
With that sun-ray upon his face, Nobili seemed to her, at that moment, more than mortal!
"Angel!" exclaimed Count Nobili, wrought up to sudden passion, "can you doubt me?"
Before Enrica could reply, a snake, warmed by the hot sun, curled upward from the terraced wall behind them, where it had basked, and glided swiftly between them. Nobili's heel was on it; in an instant he had crushed its head. But there between them lay the quivering reptile, its speckled scales catching the light. Enrica shrieked and started back.
"O God! what an evil omen!" She said no more, only her shifting color and uneasy eyes told what she felt.
"An evil omen, love!" and Nobili brushed away the snake with his foot into the underwood, and laughed. "Not so. It is an omen that I shall crush all who would part us. That is how I read it."
Enrica shook her head. That snake crawling between them was the first warning to her that she was still on earth. Till then it had seemed to her that Nobili's presence must be like paradise. Now for a moment a terrible doubt crept over her. Could happiness be sad? It must be so, for now she could not tell whether she was sad or happy.
"Oh! do not say too much, dear Nobili," she repeated almost to herself, "or—" Her voice dropped. She looked toward the spot where the snake had fallen, and shuddered.
Nobili did not then reply, but, taking Enrica by the hand, he led her up a flight of steps to a higher terrace, where a cypress avenue threw long shadows across the marble pavement.
"You are mine," he whispered, "mine—as by a miracle!"
There was such rapture in his voice that heaven came down into her heart, and every doubt was stilled.
At this moment Fra Pacifico's towering figure appeared ascending a lower flight of steps toward them, coming from the house. He trod with that firm, grand step churchmen have in common with actors—only the stage upon which each treads is different. Behind Fra Pacifico was the short, plump figure and the white hat of Cavaliere Trenta (a dwarf beside the priest), his rosy face rosier than ever from the rapid drive from Lucca. Trenta's kind eyes twinkled under his white eyebrows as he spied Enrica above, standing side by side with Nobili. How different the dear child looked from that last time he had seen her at Lucca!
Enrica flew down the steps to meet him. She threw her arms round his neck. Count Nobili followed her; he shook hands with the cavaliere and Fra Pacifico.
"His reverence and I thought we should find you two together," saidCavaliere Trenta, with a chuckle. "Count Nobili, I wish you joy."
His voice faltered a little, and a spotless handkerchief was drawn out and called into service. Nobili reddened, then bowed with formal courtesy.
"It is all come right, I see."—Trenta gave a sly glance from one to the other, though the tears were in his eyes.—"I shall live to open the marriage-ball on the first floor of the palace yet. Bagatella! I would have tried to give the dear child to you myself, had I known how much she loved you—but you have taken her. Well, well—possession is better than gift."
"She gave herself to me, cavaliere. Last night's work only made the gift public," was Nobili's reply.
There was a tone of triumph in Nobili's voice as he said this. He stooped and pressed his lips to Enrica's hand. Enrica stood by with downcast eyes—a spray of pink oleander swaying from the terrace-wall in the light breeze above her head, for background.
The old cavaliere nodded his head, round which the little curls set faultlessly under his white hat.
"My dear Count Nobili, permit me to offer my advice. You must settle this matter at once—at once, I say;" and Trenta struck his stick upon the marble balustrade for greater emphasis.
"I quite agree with you," put in Fra Pacifico in his deep voice. "The impression made by your courage last night must not be lost by delay. I never saw an act of greater daring. Had you not come, I should have tried to save Enrica, but I am past my prime; I should have failed."
"You cannot count on the marchesa's gratitude," continued Trenta; "an excellent lady, and my oldest friend, but proud and capricious. You must take her like the wind when it blows—ha! ha! like the wind. I am come here to help you both."
"Cavaliere," said Nobili, turning toward him (his vagrant eyes had wandered off to Enrica, so charming, with the pink oleander and its dark-green leaves waving above her blond head), "do me the favor to ask the Marchesa Guinigi at what hour she will admit me to sign the marriage-contract. I have pressing business that calls me back to Lucca to-day."
"So soon, dear Nobili?" a soft voice whispered at his ear, "so soon?" And then there was a sigh. Surely her paradise was very brief! Enrica had thought in her simplicity that, once met, they two never should part again, but spend the live-long days together side by side among the woods, lingering by flowing streams; or in the rich shade of purple vine-bowers; or in mossy caves, shaded by tall ferns, hid on the mountain-side, and let time and the world roll by. This was the life she dreamed of. Could any grief be there?
"Yes, love," Nobili answered to her question. "I must return to Lucca to-night. I started on the instant, as the cavaliere knows. Before I go, however, all must be settled about our marriage, and the contract signed. I will take no denial."
Nobili spoke with the determination that was in him. Enrica's heart gave a bound. "The contract!" She had never thought of that. "The contract and the marriage!"—"Both close at hand!—Then the life she dreamed of must come true in very earnest!"
The cavaliere looked doubtingly at Fra Pacifico. Fra Pacifico shrugged his big shoulders, looked back again at Cavaliere Trenta, and smiled rather grimly. There was always a sense of suppressed power, moral and physical, about Fra Pacifico. In conversation he had a way of leaving the burden of small talk to others, and of reserving himself for special occasions; but when he spoke he must be listened to.
"Quick work, my dear count," was all the priest said to Nobili in answer. "Do you think you can insure the marchesa's consent?" Now he addressed the cavaliere.
"Oh, my friend will be reasonable, no doubt. After last night, she must consent." The cavaliere was always ready to put the best construction upon every thing. "If she raises any obstacles, I think I shall be able to remove them."
"Consent!" cried Nobili, fiercely echoing back the word, "she must consent—she will be mad to refuse."
"Well—well—we shall see.—You, Count Nobili, have done all to make it sure. The terms of the contract (I have heard of them from Fra Pacifico) are princely." A look from Count Nobili stopped Trenta from saying more.
"Now, Enrica," and the cavaliere turned and took her arm, "come in and give me some breakfast. An old man of eighty must eat, if he means to dance at weddings."
"You, Nobili, must come with me," said Fra Pacifico, laying his hand on the count's shoulder. "We will wait the cavaliere's summons to return here over a bottle of the marchesa's best vintage, and a cutlet cooked by Maria. She is my best cook; I have one for every day in the week."
So they parted—Trenta with Enrica descending flight after flight of steps, leading from terrace to terrace, down to the villa; Nobili mounting upward to the forest with Fra Pacifico toward Corellia, to await the marchesa's answer.
Fra Pacifico, with Adamo and Pipa, had labored ever since-daybreak to arrange the rooms at the villa before the marchesa rose. Pipa had freely used the broom and many pails of water. All the windows were thrown open, and clouds of invisible incense from the flowers without sweetened the fusty rooms.
The villa had not been inhabited for nearly fifty years. It was scantily provided with furniture, but there were chairs and tables and beds, and all the rough necessaries of life. To make all straight, whole generations of beetles had been swept away; and patriarchal spiders, which clung tenaciously to the damp spots on the walls. A scorpion or two had been found, which, firmly resisting to quit the chinks where they had grown and multiplied, had died by decapitation. Fra Pacifico would not have owned it, but he had discovered and killed a nest of black adders that lay concealed, curled up in a curtain.
He had with his own hands, in the early morning, carefully fashioned the spacious sala on the ground-floor to the marchesa's liking. A huge sofa, with a faded amber cover, had been drawn out of a recess, and so placed that the light should fall at her back.—She objected to the sunshine, with true Italian perverseness. Some arm-chairs, once gilt, and still bearing a coronet, were placed in a semicircle opposite. The windows of the sala, and two glass doors of the same size and make, looked east and west; toward the terraces and the garden on one side, and over the cliffs and the chasm to the opposite mountains on the other. The walls were broken by doors of varnished pine-wood. These doors led, on the right, to the chapel, Enrica's bedroom, and many empty apartments; on the left, to the marchesa's suite of rooms, the offices, and the stone corridor which communicated with the now ruined tower. High up on the walls of the sala, two large and roughly-painted frescoes decorated the empty spaces. A Dutch seaport on one side, with sloping roofs and tall gables, bordering a broad river, upon which ships sailed vaguely away into a yellow haze. (Not more vaguely sailing, perhaps, than many human ships, with life-sails set to catch the wind of fortune—ships which never make more way than these painted emblems!) Opposite, a hunting-party of the olden time picnicked in a forest-glade; a brown and red palace in the background, in front lords and ladies lounging on the grass—bundles of satin, velvet, powder, ribbons, feathers, shoulder-knots, ruffles, long-tailed coats, and trains.
A door to the left opened. There was a sound of voices talking.
"My honored marchesa," the cavaliere was heard to say in his most dulcet tones, "in the state of your affairs, you cannot refuse. Why then delay? The day is passing by; Count Nobili is impatient. Let me implore you to lose no more time."
While he was speaking the marchesa entered the sala, passing close under the fresco of the vaguely-sailing ships upon the wall.—Can the marchesa tell whither she is drifting more than these?—She glanced round approvingly, then seated herself upon the sofa. Trenta obsequiously placed a footstool at her feet, a cushion at her back. Even the tempered light, which had been carefully prepared for her by closing the outer wooden shutters, could not conceal how sallow and worn she looked, nor the black circles that had gathered round her eyes. Her dark dress hung about her as if she had suddenly grown thin; her white hands fell listlessly at her side. The marchesa knew that she must consent to Count Nobili's conditions. She knew she must consent this very day. But such a struggle as this knowledge cost her, coming so close upon the agitation of the previous night, was more than even her iron nerves could bear. As she leaned back upon the sofa, shading her eyes with her hand, as was her habit, she felt she could not frame the words with which to answer the cavaliere, were it to save her life.
As for the cavaliere, who had seated himself opposite, his plump little person was so engulfed in an arm-chair, that nothing but his snowy head was visible. This he waved up and down reflectively, rattled his stick upon the floor, and glanced indignantly from time to time at the marchesa. Why would she not answer him?
Meanwhile a little color had risen upon her cheeks. She forced herself to sit erect, arranged the folds of her dark dress, then, in a kind of stately silence, seemed to lend herself to listen to what Trenta might have to urge, as though it concerned her as little as that rose-leaf which comes floating in from the open door and drops at her feet.
"Well, marchesa, well—what is your answer?" asked Trenta, much nettled at her assumed indifference. "Remember that Count Nobili and Fra Pacifico have been waiting for some hours."
"Let Nobili wait," answered the marchesa, a sudden glare darting into her dark eyes; "he is born to wait for such as I."
"Still"—Trenta was both tired and angry, but he dared not show it; only he rattled his stick louder on the floor, and from time to time aimed a savage blow with it against the carved legs of a neighboring table—"still, why do the thing ungraciously? The count's offers are magnificent. Surely in the face of absolute ruin—Fra Pacifico assures me—"
"Let Fra Pacifico mind his own business," was the marchesa's answer.
"Nobili saved Enrica's life last night; that cannot be denied."
"Yes—last night, last night; and I am to be forced and fettered because I set myself on fire! I wish I had perished, and Enrica too!"
A gesture of horror from the cavaliere recalled the marchesa to a sense of what she had uttered.
"And do you deem it nothing, Cesare Trenta, after a life spent in building up the ancient name I bear, that I should be brought to sign a marriage-contract with a peddler's son?" She trembled with passion.
"Yet it must be done," answered Trenta.
"Must be done! Must be done! I would rather die! Mark my words, Cesare. No good will come of this marriage. That young man is weak and dissolute. He is mad with wealth, and the vulgar influence that comes with wealth. As a man, he is unworthy of my niece, who, I must confess, has the temper of an angel."
"I believe that you are wrong, marchesa; Count Nobili is much beloved in Lucca. Fra Pacifico has known him from boyhood. He praises him greatly. I also like him."
"Like him!—Yes, Cesare, you are such an easy fool you like every one. First Marescotti, then Nobili. Marescotti was a gentleman, but this fellow—" She left the sentence incomplete. "Remember my words—you are deceived in him."
"At all events," retorted the cavaliere, "it is too late to discuss these matters now. Time presses. Enrica loves him. He insists on marrying her. You have no money, and cannot give her a portion. My respected marchesa, I have often ventured to represent to you what those lawsuits would entail! Per Bacco! There must be an end of all things—may I call them in?"
The poor old chamberlain was completely exhausted. He had spent four hours in reasoning with his friend. The marchesa turned her head away and shuddered; she could not bring herself to speak the word of bidding. The cavaliere accepted this silence for consent. He struggled out of the ponderous arm-chair, and went out into the garden. There (leaning over the balustrade of the lowest terrace, under the willful branches of a big nonia-tree, weighted with fronds of scarlet trumpet-flowers, that hung out lazily from the wall, to which the stem was nailed) Cavaliere Trenta found Count Nobili and Fra Pacifico awaiting the marchesa's summons. Behind them, at a respectful distance, stood Ser Giacomo, the notary from Corellia. Streamlets pure as crystal ran bubbling down beside them in marble runnels; statues of gods and goddesses balanced each other, on pedestals, at the angles where the steps turned. In front, on the gravel, a pair of peacocks strutted, spreading their gaudy tails in the sunshine.
As the four men entered the sala, they seemed to bring the evening shadows with them. These suddenly slanted across the floor like pointed arrows, darkening the places where the sun had shone. Was it fancy, or did the sparkling fountain at the door, as it fell backward into the marble basin, murmur with a sound like human sighs?
Count Nobili walked first. He was grave and pale. Having made a formal obeisance to the marchesa, his quick eye traveled round in search of Enrica. Not finding her, it settled again upon her aunt. As Nobili entered, she raised her smooth, snake-like head, and met his gaze in silence. She had scarcely bowed, in recognition of his salute. Now, with the slightest possible inclination of her head, she signed to him to take his place on one of the chairs before her.
Fra Pacifico, his full, broad face perfectly unmoved, and Cavaliere Trenta, who watched the scene nervously with troubled, twinkling eyes, placed themselves on either side of Count Nobili. Ser Giacomo had already slipped round behind the sofa, and seated himself at a table placed against the wall, the marriage-contract spread out before him. There was an awkward pause. Then Count Nobili rose, and, in that sweet-toned voice which had fallen like a charm on many a woman's ear, addressed the marchesa.
"Marchesa Guinigi, hereditary Governess of Lucca, and Countess of the Garfagnana, I am come to ask in marriage the hand of your niece, Enrica Guinigi. I desire no portion with her. The lady herself is a portion more than enough for me."
As Nobili ceased speaking, the ruddy color shot across his brow and cheeks, and his eyes glistened. His generous nature spoke in those few words.
"Count Nobili," replied the marchesa, carefully avoiding his eye, which eagerly sought hers—"am I correct in addressing you as Count Nobili?—Pardon me if I am wrong." Here she paused, and affected to hesitate. "Do you bear any other name? I am really quite ignorant of the new titles."
This question was asked with outward courtesy, but there was such a twang of scorn in the marchesa's tone, such an expression of contempt upon her lip, that the old chamberlain trembled on his chair. Even at this last moment it was possible that her infernal pride might scatter every thing to the winds.
"Call me Mario Nobili—that will do," answered the count, reddening to the roots of his chestnut curls.
The marchesa inclined her head, and smiled a sarcastic smile, as if rejoicing to acquaint herself with a fact before unknown. Then she resumed:
"Mario Nobili—you saved my niece's life last night. I am advised thatI cannot refuse you her hand in marriage, although—"
Such a black frown clouded Nobili's countenance under the sting of her covert insults that Trenta hastily interposed.
"Permit me to remind you, Marchesa Guinigi, that, subject to your approval, the conditions of the marriage have been already arranged by me and Fra Pacifico, before you consented to meet Count Nobili. The present interview is purely formal. We are met in order to sign the marriage-contract. The notary, I see, is ready. The contract lies before him. May I be permitted to call in the lady?"
"One moment, Cavaliere Trenta," interposed Nobili, who was still standing, holding up his hand to stop him—"one moment. I must request permission to repeat myself the terms of the contract to the Marchesa Guinigi before I presume to receive the honor of her assent."
It was now the marchesa's turn to be discomfited. This was the avowal of an open bargain between Count Nobili and herself. A common exchange of value for value; such as low creatures barter for with each other in the exchange. She felt this, and hated Nobili more keenly for having had the wit to wound her.
"I bind myself, immediately on the signing of the contract, to discharge every mortgage, debt, and incumbrance on these feudal lands of Corellia in the Garfagnana; also any debts in and about the Guinigi Palace and lands, within and without the walls of Lucca. I take upon myself every incumbrance," Nobili repeated emphatically, raising his voice. "My purpose is fully noted in that contract, hastily drawn up at my desire. I also bestow on the marchesa's niece the Guinigi Palace I bought at Lucca—to the marchesa's niece, Enrica Guinigi, and her heirs forever; also a dowry of fifty thousand francs a year, should she survive me."
What is it about gold that invests its possessor with such instant power? Is knowledge power?—or does gold weigh more than brains? I think so. Gold-pieces and Genius weighed in scales would send poor Genius kicking!
From the moment Count Nobili had made apparent the wealth which he possessed, he was master of the situation. The marchesa's quick perception told her so. While he was accepting all her debts, with the superb indifference of a millionaire, she grew cold all over.
"Tell the notary," she said, endeavoring to maintain her usual haughty manner, "to put down that, at my death, I bequeath to my niece all of which I die possessed—the palace at Lucca, and the heirlooms, plate, jewels, armor, and the picture of my great ancestor Castruccio Castracani, to be kept hanging in the place where it now is, opposite the seigneurial throne in the presence-chamber."
Here she paused. The hasty scratch of Ser Giacomo's pen was heard upon the parchment. Spite of her efforts to control her feelings, an ashy pallor spread over the marchesa's face. She grasped her two hands together so tightly that the finger-tips grew crimson; a nervous quiver shook her from head to foot. Cavaliere Trenta, who read the marchesa like a book, watched her in perfect agony. What was going to happen? Would she faint?
"I also bequeath," continued the marchesa, rising from her seat with solemn action, and speaking in a low, hushed voice, her eyes fixed on the floor—"I also bequeath the great Guinigi name and our ancestral honors to my niece—to bear them after my death, together with her husband, then to pass to her eldest child. And may that great name be honored!"
The marchesa reseated herself, raised her thin white hands, and threw up her eyes to heaven. The sacrifice was made!
"May I call in the lady?" again asked the cavaliere, addressing no one in particular.
"I will fetch her in," replied Fra Pacifico, rising from his chair."She is my spiritual daughter."
No one moved while Fra Pacifico was absent. Ser Giacomo, the notary, dressed in his Sunday suit of black, remained, pen in hand, staring at the wall. Never in his humble life had he formed one of such a distinguished company. All his life Ser Giacomo had heard of the Marchesa Guinigi as a most awful lady. If Fra Pacifico had not caught him within his little office near thecafé, rather than have faced her, Ser Giacomo would have run away.
The door opened, and Enrica stood upon the threshold. There was an air of innocent triumph about her. She had bound a blue ribbon in her golden curls, and placed a rose in the band that encircled her slight waist. Enrica was, in truth, but a common mortal, but she looked so fresh, and bright, and young, with such tender, trusting eyes—there was such an aureole of purity about her, she might have passed for a virgin saint.
As he caught sight of Enrica, the moody expression on Count Nobili's face changed, and broke into a smile. In her presence he forgot the marchesa. Was not such a prize worthy of any battle? What did it signify to him if Enrica were called Guinigi? And as to those tumbledown palaces and heirlooms—what of them? He could buy scores of old palaces any day if he chose. Quickly he stepped forward to meet her as she entered. Fra Pacifico rose, and with great solemnity signed them both with a thrice-repeated cross, then he placed Enrica's hand in Nobili's. The count raised it to his lips, and kissed it fervently.
"My Enrica," he whispered, "this is a glorious day!"
"Oh, it is heavenly!" she answered back, softly.
The marchesa's white face darkened as she looked at Enrica. How dared Enrica be so happy? But she repressed the reproaches that rose to her lips, though her heart swelled to bursting, and the veins in her forehead distended with rage.
"Can Enrica be of my flesh and blood?" exclaimed the marchesa in a low voice to the cavaliere who now stood at her side. "Fool! she believes in her lover! It is a horrible sacrifice! Mark my words—a horrible sacrifice!"
Nobili and Enrica had taken their places behind the notary. The slanting shadows from the open door struck upon them with deeper gloom, and the low murmur of the fountain seemed now to form itself into a moan.
"Do I sign here?" asked Count Nobili.
Ser Giacomo trembled like a leaf.
"Yes, excellency, you sign here," he stammered, pointing to the precise spot; but Ser Giacomo looked so terrified that Nobili, forgetting where he was, laughed out loud and turned to Enrica, who laughed also.
"Stop that unseemly mirth," called out the marchesa from the sofa; "it is most indecent. Let the act that buries a great name at least be conducted with decorum."
"That great name shall not die," spoke the deep voice of Fra Pacifico from the background; "I call a blessing upon it, and upon the present act. The name shall live. When we are dead and rotting in our graves, a race shall rise from them"—and he pointed to Nobili and Enrica—"that shall recall the great legends of the past among the citizens of Lucca."
Fearful of what the marchesa might be moved to reply (even the marchesa, however, had a certain dread of Fra Pacifico when he assumed the dignity of his priestly office), Trenta hurried forward and offered his arm to lead her to the table. She rose slowly to her feet, and cast her eyes round at the group of happy faces about her; all happy save the poor notary, on whose forehead the big drops of sweat were standing.
"Come, my daughter," said Fra Pacifico, advancing, "fear not to sign the marriage-contract. Think of the blessings it will bring to hundreds of miserable peasants, who are suffering from your want of means to help them!"
"Fra Pacifico," exclaimed the marchesa, scarcely able to control herself, "I respect your office, but this is still my house, and I order you to be silent. Where am I to sign?"—she addressed herself to Ser Giacomo.
"Here, madame," answered the almost inaudible voice of the notary.
The marchesa took the pen, and in a large, firm hand wrote her full name and titles. She took a malicious pleasure in spreading them out over the page.
Enrica signed her name, in delicate little letters, after her aunt's. Count Nobili had already affixed his signature. Cavaliere Trenta and the priest were the witnesses.
"There is one request I would make, marchesa," Nobili said, addressing her. "I shall await in Lucca the exact day you may please to name; but, madame"—and with a lover's ardor strong within him, he advanced nearer to where the marchesa stood, and raised his hand as if to touch her—"I beg you not to keep me waiting long."
The marchesa drew back, and contemplated him with a haughty stare. His manner and his request were both alike offensive to her. She would have Count Nobili to understand that she would admit no shadow of familiarity; that her will had been forced, but that in all else she regarded him with the same animosity as before.
Nobili had understood her action and her meaning. "Devil!" he muttered between his clinched teeth. He hated himself for having been betrayed into the smallest warmth. With a flashing eye he turned from the marchesa to Enrica, and whispered in her ear, "My only love, this is more than I can bear!"
Enrica had heard nothing. She had been lost in happy thoughts. In her mind a vision was passing. She was in the close street of San Simone, within its deep shadows that fell so early in the afternoon. Before her stood the two grim palaces, the cavernous doorways and the sculptured arms of the Guinigi displayed on both: one, her old home; the other, that was to be her home. She saw herself go in here, cross the pillared court and mount upward. It was neither day nor night, but all shone with crystal brightness. Then Nobili's voice came to her, and she roused herself.
"My love," he repeated, "I must go—I must go! I cannot trust myself a moment longer with—"
What he had on his lips need not be written. "That lady," he added, hastily correcting himself, and he pointed to the marchesa, who, led by the cavaliere, had reseated herself upon the sofa, looking defiance at everybody.
"I have borne it all for your sake, Enrica." As Nobili spoke, he led her aside to one of the windows. "Now, good-by," and his eyes gathered upon her with passionate fondness; "think of me day and night."
Enrica had not uttered a single word since she first entered, except to Nobili. When he spoke of parting, her head dropped on her breast. A dread—a horror came suddenly upon her. "O Nobili, why must we part?"
"Scarcely to part," he answered, pressing her hand—"only for a few days; then always to be together."
Enrica tried to withdraw her hand from his, but he held it firmly. Then she turned away her head, and big tears rolled down her cheeks. When at last Nobili tore himself from her, Enrica followed him to the door, and, regardless of her aunt's furious glances, she kissed her hand, and waved it after him. There was a world of love in the action.
Spite of his indignation, Count Nobili did not fail duly to make his salutation to the marchesa.
The cavaliere and Fra Pacifico followed him out. Twilight now darkened the garden. The fragrance of the flowers was oppressive in the still air. A star or two had come out, and twinkled faintly on the broad expanse of deep-blue sky. The fountain murmured hollow in the silence of coming night.
"Good-by," said Cavaliere Trenta to Nobili, in his thin voice. "I deeply regret the marchesa's rudeness. She is unhinged—quite unhinged; but her heart is excellent, believe me, most excellent."
"Do not talk of the marchesa," exclaimed Nobili, as he rapidly ascended flight after flight of the terraces. "Let me forget her, or I shall never return to Corellia. Dio Sagrato!" and Nobili clinched his fist. "The marchesa is the most cursed thing God ever created!"
The piazza at Lucca is surrounded by four avenues of plane-trees. In the centre stands the colossal statue of a Bourbon with disheveled hair, a cornucopia at her feet. Facing the west is the ducal palace, a spacious modern building, in which the sovereigns of Lucca kept a splendid court. Here Cesare Trenta had flourished. Opposite the palace is the Hotel of the Universo, where, as we know, Count Marescotti lodged at No. 4, on the second story. Midway in the piazza a deep and narrow street dives into the body of the city—a street of many colors, with houses red, gray, brown, and tawny, mellowed and tempered by the hand of Time into rich tints that melt into warm shadows. In the background rise domes, and towers, and mediaeval church-fronts, galleried and fretted with arches, pillars, and statues. Here a golden mosaic blazes in the sun, yonder a brazen San Michele with outstretched arms rises against the sky; and, scattered up and down, many a grand old palace-roof uprears its venerable front, with open pillared belvedere, adorned with ancient frescoes. A dull, sleepy old city, Lucca, but full of beauty!
On the opposite side of the piazza, behind the plane-trees, stand two separate buildings, of no particular pretension, other than that both are of marble. One is the theatre, the other is the club. About the club there is some attempt at ornamentation. A wide portico, raised on broad steps, runs along the entire front, supported by Corinthian columns. Under this portico there are orange-trees in green stands, rows of chairs, and tables laid with white table-cloths, plates, and napkins, ready for anal-frescomeal.
It is five o'clock in the afternoon of a splendid day early in October—the next day, in fact, after the contract was signed at Corellia. The hour for the drive upon the ramparts at Lucca is not till six. This, therefore, is the favorite moment for a lounge at the club. The portico is dotted with black coats and hats. Baldassare lay asleep between two chairs. He had arranged himself so as not to crease a pair of new trousers—all'Inglese—not that any Englishman would have worn such garments—they were too conspicuous; but his tailor tells him they are English, and Baldassare willingly believes him.
Baldassare is not a member, but he was admitted to the club by the influence of his patron, the old chamberlain; not without protest, however, with the paternal shop close by. Being there, Baldassare stands his ground in a sullen, silent way. He has much jewelry about him, and wears many showy rings. Trenta says publicly that these rings are false; but Trenta is not at the club to-day.
Lolling back in a chair near Baldassare, with his short legs crossed, and his thumbs stuck into the arm-holes of his coat, is Count Orsetti, smiling, fat, and innocuous. His mother has not yet decided when he is to speak the irrevocable words to Teresa Ottolini. Orsetti is far too dutiful a son to do so before she gives him permission. His mother might change her mind at the last moment; then Orsetti would change his mind, too, and burn incense on other altars. Orsetti has a meerschaum between his teeth, from which he is puffing out columns of smoke. With his head thrown back, he is watching it as it curls upward into the vaulted portico. The languid young man, Orazio Franchi, supported by a stick, is at this moment ascending the steps. To see him drag one leg after the other, one would think his days were numbered. Not at all. Franchi is strong and healthy, but he cultivates languor as an accomplishment. Everybody at Lucca is idle, but nobody is languid, so Franchi has thought fit to adopt that line of distinction. His thin, lanky arms, stooping figure, and a head set on a long neck that droops upon his chest, as well as a certain indolent grace, suit therôle. When Franchi had mounted the steps he stood still, heaved an audible sigh of infinite relief, then he sank into a chair, leaned back and closed his eyes. Count Malatesta, who was near, leaning against the wall behind, took his cigar from his mouth and laughed.
"Sù!—Via!—A little courage to bear the burden of a weary life. What has tired you, Orazio?"
"I have walked from the gate here," answered Orazio, without unclosing his eyes.
"Go on, go on," is Malatesta's reply, "nothing like perseverance. You will lose the use of your limbs in time. It is this cursed air. Per Bacco! it will infect me. Why, oh! why, my penates, was I born at Lucca? It is the dullest place. No one ever draws a knife, or fights a duel, or runs away with his neighbor's wife. Why don't they? It would be excitement. Cospetto! we marry, and are given in marriage, and breed like pigeons in our own holes.—Come, Franchi, have you no news? Wake up, man! You are full of wickedness, spite of your laziness."
Franchi opened his eyes, stretched himself, then yawned, and leaned his head upon his arm that rested on one of the small tables near.
"News?—oh!—ah! There is plenty of news, but I am too tired to tell it."
"News! and I not know it!" cried Count Malatesta.
Several others spoke, then all gathered round Franchi. Count Malatesta slapped Franchi on the back.
"Come, my Trojan, speak. I insist upon it," said Orsetti, rising.
Franchi looked up at him. There was a French cook at Palazzo Orsetti. No one had such Chateau Lafitte. Orazio is far from insensible to these blessings.
"Well, listen. Old Sansovino has returned to his villa at Riparata.His wife is with him."
"His wife?" shouted Orsetti. "Chè, chè! Any woman but his wife, and I'll believe you. Why, she has lived for the last fifteen years with Duke Bartolo at Venice. Sansovino did not mind the duke, but he charged her with forgery. You remember? About her dower. There was a lawsuit, I think. No, no—not his wife."
"Yes, his wife," answered Franchi, crossing his arms with great deliberation. "The Countess Sansovino was received by her attached husband with bouquets, and a band of music. She drove up to the front-door in gala—in a four-in-hand,à la Daumont. All the tenantry were in waiting—her children too (each by a different father)—to receive her. It was most touching. Old Sansovino did it very well, they tell me. He clasped her to his heart, and melted into tears like apère noble"
"O Bello!" exclaimed Orsetti, "if old Sansovino cried, it must have been with shame. After this, I will believe any thing."
"The Countess Sansovino is very rich," a voice remarked from the background.
"Well, if she forges, I suppose so," another answered.
"O Marriage! large are the folds of thy ample mantle!" cried Count Malatesta. "Who shall say we are not free in Italy? Now, why do they not do this kind of thing in Lucca? Will any one tell me?—I want to know."
There was a general laugh. "Well, they may possibly do worse," saidFranchi, languidly.
"What do you mean?" asked Malatesta, sharply. "Is there more scandal?"
Franchi nodded. A crowd collected round him.
"How the devil, Franchi, do you know so much? Out with it! You must tell us."
"Give me time!—give me time!" was Franchi's answer. He raised his head, and eyed them all with a look of feigned surprise. "Is it possible no one has heard it?"
He was answered by a general protest that nothing had been heard.
"Nobody knows what has happened at the Universo?" Franchi asked with unusual energy.
"No, no!" burst forth from Malatesta and Orsetti. "No, no!" sounded from behind.
"That is quite possible," continued Orazio, with a cynical smile. "To tell you the truth, I did not think you had heard it. It only happened half an hour ago."
"What happened?" asked Count Orsetti.
"A secret commission has been sent from Rome." There was a breathless silence. "The government is alarmed. A secret commission to examine Count Marescotti's papers, and to imprison him."
"That's his uncle's doing—the Jesuit!" cried Malatesta. "This is the second time. Marescotti will be shut up for life."
"Did they catch him?" asked Orsetti.
"No; he got out of an upper window, and escaped across the roof. He had taken all the upper floor of the Universo for his accomplices, who were expected from Paris."
"Honor to Lucca!" Malatesta put in. "We are progressing."
"He's gone," continued Orazio, falling back exhausted on his chair, "but his papers—" Here Franchi thought it right to pause and faintly wink. "I'll tell you the rest when I have smoked a cigar. Give me a light."
"No, no, you must smoke afterward," said Orsetti, rapping him smartly on the back. "Go on—what about Marescotti's papers?"
"Compromising—very," murmured Franchi, feebly, leaning back out of the range of Orsetti's arm.
"The Red count was a communist, we all know," observed Malatesta.
"Mon cher! he was a poet also," responded Orazio. Orazio's languor never interfered with his love of scandal. "When any lady struck his fancy, Marescotti made a sonnet—a damaging practice. These sonnets are a diary of his life. The police were much diverted, I assure you, and so was I. I was in the hotel; I gave them the key to all the ladies."
"You might have done better than waste your fine energies in making ladies names public town-talk," said Orsetti, frowning.
"Well, that's a matter of opinion," replied Orazio, with a certain calm insolence peculiar to him. "I have no ladylove in Lucca."
"Delicious!" broke in Malatesta, brightening up all over. "Don't quarrel over a choice bone.—Who is compromised the most? I'll have her name placarded. Some one must make a row."
"Enrica Guinigi is the most compromised," answered Orazio, striking a match to light his cigar. "Marescotti celebrates her as the young Madonna before the archangel Gabriel visited her. Ha! ha!"
Malatesta gave a low whistle.
"Enrica Guinigi! Is not that the marchesa's niece?" asked Orsetti; "a pretty, fair-faced girl I see driving with her aunt on the ramparts sometimes?"
"The same," answered Malatesta. "But what, in the name of all the devils, could Marescotti know of her? No one has ever spoken to her."
Baldassare now leaned forward and listened; the name of Enrica wokehim from his sleep. He hardly dared to join the circle formed roundFranchi, for Franchi always snubbed him, and called him "YoungGalipots," when Trenta was absent.
"Perhaps Marescotti was the archangel Gabriel himself," saidMalatesta, with a leer.
"But answer my question," insisted Orsetti, who, as an avowed suitor of Lucca maidens had their honor and good name at heart. "Don't be a fool, but tell me what you know. This idle story, involving the reputation of a young girl, is shameful. I protest against it!"
"Do you?" sneered Orazio, leaning back, and pulling at his sandy mustache. "That is because you know nothing about it. ThisSainte Viergehas already been much talked about—first, with Nobili, who lives opposite—whenma tantewas sleeping. Then she spent a day with several men upon the Guinigi Tower, an elegant retirement among the crows. After that old Trenta offered her formally in marriage to Marescotti."
"What!—After the Guinigi Tower?" put in Malatesta. "Of courseMarescotti refused her?"
"'Refused her, of course, with thanks.' So says the sonnet." Orazio went on to say all this in a calm, tranquil way, casting the bread of scandal on social waters as he puffed at his cigar. "It is very prettily rhymed—the sonnet—I have read it. The young Madonna is warmly painted.Now, why did Marescotti refuse to marry her?That is what I want to know." And Franchi looked round upon his audience with a glance of gratified malice.
"Even in Lucca!—even in Lucca!" Malatesta clapped his hands and chuckled until he almost choked. "Laus Veneri!—the mighty goddess!—She has reared an altar even here in this benighted city. I was a skeptic, but a Paphian miracle has converted me. I must drink a punch in honor of the great goddess."
Here Baldassare rose and leaned over from behind.
"I went up the Guinigi Tower with the party," he ventured to say. "There were four of us. The Cavaliere Trenta told me in the street just before that it was all right, and that the lady had agreed to marry Count Marescotti. There can be no secret about it now that every one knows it. Count Marescotti raved so about the Signorina Enrica, that he nearly jumped over the parapet."
"Better for her if you had helped him over," muttered Orazio, with a sarcastic stare. "The sonnet would not then have been written."
But Baldassare, conscious that he had intelligence that would make him welcome, stood his ground. "You do not seem to know what has happened," he continued.
"More news!" cried Malatesta. "Gracious heavens! Wave after wave it comes!—a mighty sea. I hear the distant roar—it dashes high!—It breaks!—Speak, oh, speak, Adonis!"
"The Marchesa Guinigi has left Lucca suddenly."
"Who cares? Do you, Pietrino?" asked Franchi of Orsetti, with a contemptuous glance at Baldassare.
"Let him speak," cried Malatesta; "Baldassare is an oracle."
"The marchesa left Lucca suddenly," persisted Baldassare, not daring to notice Orsetti's insolence. "She took her niece with her."
"Have it cried about the streets," interrupted Orazio, opening his eyes.
"Yesterday morning an express came down for Cavaliere Trenta. The ancient tower of Corellia has been entirely burnt. The marchesa was rescued."
"And the niece—is the niece gone to glory on the funeral-pyre?"
"No," answered Baldassare, helplessly, settling his stupid eyes onOrazio, whose thrusts he could not parry. "She was saved by CountNobili, who was accidentally shooting on the mountains near."
"Oh, bah!" cried Malatesta, with a knowing grin; "I never believe in accidents. There is a ruling power. That power is love—love—love."
"The cavaliere is not yet returned."
"This is a strange story," said Orsetti, gravely. "Nobili too, and Marescotti. She must be a lively damsel. What will Nera Boccarini say to her truant knight, who rescues maidensaccidentallyon distant mountains? What had Nobili to do in the Garfagnana?"
"Ask him," lisped Orazio; "it will save more talking. I wish Nobili joy of his bargain," he added, turning to Malatesta.
"I wonder that he cares to take up with Marescotti's leavings."
"Here's Ruspoli, crossing the square. Perhaps he can throw some light on this strange story," said Orsetti.
Prince Ruspoli, still at Lucca, is on a visit to some relatives. He is, as I have said, decidedly horsey, and is much looked up to by the "golden youths," his companions, in consequence. As a gentleman rider at races and steeple-chases, as a hunter on the Roman Campagna, and the driver of a "stage" on the Corso, Ruspoli is unrivaled. He breeds racers, and he has an English stud-groom, who has taught him to speak English with a drawl, enlivened by stable-slang. He is slim, fair, and singularly awkward, and of a uniform pale yellow—yellow complexion, yellow hair, and yellow eyebrows. Poole's clothes never fit him, and he walks, as he dances, with his legs far apart, as if a horse were under him. He carries a hunting-whip in his hand spite of the month—October (these little anomalies are undetected in New Italy, where there is so much to learn). Prince Ruspoli swings round this whip as he mounts the steps of the club. The others, who are watching his approach, are secretly devoured with envy.
"Wall, Pietrino—wall, Beppo," said Ruspoli, shaking hands with Orsetti and Malatesta, and nodding to Orazio, out of whose sails he took the wind by force of stolid indifference (Baldassare he ignored, or mistook him for a waiter, if he saw him at all), "you are all discussing the news, of course. Lucca's lively to-day. You'll all do in time, even to steeple-chases. We must run one down on the low grounds in the spring. Dick, my English groom, is always plaguing me about it."
Then Prince Ruspoli pulled himself together with a jerk, as a man does stiff from the saddle, laid his hunting-whip upon a table, stuffed his hands into his pockets, and looked round.
"What news have you heard?" asked Beppo Malatesta. "There's such a lot."
"Wall, the news I have heard is, that Count Nobili is engaged to marry the Marchesa Guinigi's little niece. Dear little thing, they say—like an English 'mees'—fair, with red hair."
"Is that your style of beauty?" lisped Orazio, looking hard at him.But Ruspoli did not notice him.
"But that's not half," cried Malatesta. "You are an innocent, Ruspoli.Let me baptize you with scandal."
"Don't, don't, I hate scandal," said Ruspoli, taking one of his hands out of his pocket for a moment, and holding it up in remonstrance. "There is nothing but scandal in these small Italian towns. Take to hunting, that's the cure. Nobili is to marry the little girl, that's certain. He's to pay off all the marchesa's debts, that's certain too. He's rich, she's poor. He wants blood, she has got it."
"I do not believe in this marriage," said Orazio, measuring Prince Ruspoli as he stood erect, his slits of eyes without a shadow of expression. "You remember the ballroom, prince? And the Boccarini family grouped—and Nobili crying in a corner? Nobili will marry the Boccarini. She is a stunner."
After Orazio had ventured this observation about Nera Boccarini, Prince Ruspoli brought his small, steely eyes to bear upon him with a fixed stare.
Orazio affected total unconsciousness, but he quailed inwardly. The others silently watched Ruspoli. He took up his hunting-whip and whirled it in the air dangerously near Orazio's head, eying him all the while as a dog eyes a rat he means to crunch between his teeth.
"Whoever says that Count Nobili will marry the Boccarini, is a liar!"Prince Ruspoli spoke with perfect composure, still whirling his whip."I shall be happy to explain my reason anywhere, out of the city, onthe shortest notice."
Orazio started up. "Prince Ruspoli, do you call me a liar?"
"I beg your pardon," replied Ruspoli, quite unmoved, making Orazio a mock bow. "Did you say whom Count Nobili would marry? If you did, will you favor me by repeating it?"
"I only report town-talk," Franchi answered, sullenly. "I am not answerable for town-talk."
Ruspoli was a dead-shot; Orazio only fought with swords.
"Then I am satisfied," replied Ruspoli, quiet defiance in his look and tone. "I accuse you, Signore Orazio Franchi, of nothing. I only warn you."
"I don't see why we should quarrel about Nobili's marriage. He will be here himself presently, to explain which of the ladies he prefers," observed the peaceable Orsetti.
"I don't know which lady Count Nobili prefers," retorted Ruspoli, doggedly. "But I tell you the name of the lady he is to marry. It is Enrica Guinigi."
"Why, there is Count Nobili!" cried Baldassare, quite loud—"there, under the plane-trees."
"Bravo, Adonis!" cried Beppo; "your eyes are as sharp as your feet are swift."
Nobili crossed the square; he was coming toward the club. Every face was turned toward him. He had come down to Lucca like one maddened by the breath of love. All along the road he had felt drunk with happiness. To him love was everywhere—in the deep gloom of the mountain-forests, in the flowing river, diamonded with light under the pale moonbeams; in the splendor of the starry sky, in midnight dreams of bliss, and in the awakening of glorious morning. The two old palaces were full of love—the Moorish garden; the magnolias that overtopped the wall, and the soft, creamy perfume that wafted from them; the very street through which he should lead her home; every one he saw; all he said, thought, or did—it was all love and Enrica!
Now, having with lover's haste made good progress with all he had to do, Nobili has come down to the club to meet his friends, and to receive their congratulations. Every hand is stretched out toward him. Even Ruspoli, spite of obvious jealousy, liked him. Nobili's face is lit up with its sunniest smile. Having shaken hands with him, an ominous silence ensues. Orsetti and Malatesta suddenly find that their cigars want relighting, and turn aside. Orazio seats himself at a distance, and scowls at Prince Ruspoli. Nobili gives a quick glance round. An instant tells him that something is wrong.
Prince Ruspoli breaks the awkward silence. He walks up, looks atNobili with immovable gravity, then slaps him on the shoulder.
"I congratulate you, Nobili. I hear you are to marry the MarchesaGuinigi's niece."