XXII

London,3a, Queen's Road, Chelsea, S.W.June 12, 19—.

Please remember that these letters are written to you alone. I do not think that there is less love in the world than ever before. I make you representative of a class, which, in turn, is characteristic of the modern scientific type, but I do not make you representative of all that to-day's world has lived up to and lived down. So I do not join my Ruskin in lamenting the past. To be sure, you are contemporary and you are parvenu. What then? You are few, nevertheless, and like the parvenu rich, you must pass into something quite unlike yourself. It is the law of growth. I ask you to account for yourself as an individual. The thing is fiercely personal. But you choose the roundabout method ofanswering me. For a view of what in your eyes is pertinent to this matter, you stretch a canvas wide as the world. You are resolved that your course should dramatise the whole play and interplay of force and matter. It is ideally ambitious of you and I am glad. It puts you in the ranks with the students of the ideal tendencies. It shows that you are not always impatient for short cuts, and that you begin to be of those who harness "horses of the sun to plough in earth's rough furrows."

Your letter sounds conclusive. Romance is waste, love is unreasoning; compatibility alone is worth while. You think this, and are ready to encrust yourself with what is conventional and practical. Ah, no, it is not even decently conventional! The formal world pretends, at least, to love. It also reaches for the fires that thrill and thaw, whereas you stand before a cold hearth and think the chill well and welcome, since you understand its cause. You have grasped part of a truth, and though my mind complete your arc into the perfection of a circle, I cannot place it about your head as a halo. My confusion comes from thinking of you more than of my creed. A pregnant factor in our debate is the debater. The Hafiz of the Hafizmaxims, the philosopher of your philosophy happens to interest me. You have been building yourself up before my eyes, and for watching I cannot speak.

With what does romance interfere? If it implied a waste of vital force, a giving up, a postponement of life, it were a roundabout path to development and happiness. But we live most when we are most under its sway, and it is for such self-promised sparks that we live at all. Romance quickens and controls as does nothing else, and because of this it is not only a means but an end in itself. It is stirred-up life. We live most when we love most. The love of romance and the romance of love is the only coin for which the heart-hurt sell their death. A trick? Perhaps. The love of life is a trick to save the races from self-murder. Nature makes legitimate her tricks. Let the Genius of the Race lure us with passion and dreaming! We are not the losers by it. And if the dream fades and we grow gray despite what has been lived, then it is something to remember that soul and sense have leapt and pulsed. I am thankful that romance has an aftermath, and that old men and women can prattle about days that were robust. I am thankful that the soldiers of life are at the endgiven a furlough in which to fondle the arms they wielded with clumsiness and with spirit, and in which to pass themselves in review before their pension expires and their days are over. Youth has the romance of loving, and age the romance of remembering.

Lovers are not always compatible, you say, and, before all, you insist upon good partnership. How will you insure yourself against unfitness? Surely not by a registering and weighing of qualities, not by bargaining and speculating. We do not choose our wives as we do our saddle-horses; we do not plan our marriages as we plan our houses. It may sound paradoxical, but there is a higher compatibility than that of quality and degree. It is not whether people can live together, but whether they should live together. "It is an awkward thing to play with souls,"—you override the fastidiousness of the soul in marrying your companion. Unless you are an automaton, you cannot rest happy in the fact that you and she do not disagree. For comfort's sake you would have a negative dimension to your cosmos, forgetting that your longings and your needs and, it may be, your dreams, are positive. If sex-comradeship and affection were not as accidental and as dependent onmood as love itself, your position would have much in its favour. You could then arrange for compatibility in marriage.

You speak of the methods in economics that conserve energy and capital, such as the employ of the machine-guiding boy, which saves the labour power of a hundred men, and you hold that in the realm of personal life like methods may obtain with value and dignity. I can see how natural it has become for you to take this viewpoint. One can be a zealot in matters frigid. The law behind the fact has you in its coil, and your passion goes to ice. You burn for that cold thing, compatibility. You, too, are in the market-place bound to a stake—it is not for such as you to escape the fire. If you look to compatibility and want it intensely, as others want love, then you suffer, and from your standpoint (not mine) you raise a vain cry; for compatibility, like everything else, is illusory. The illusions of love are a strength, and the ways of love are divine; through them we come to that feeling of completion which is compatibility and which is as ineffable as the white-lipped promise of waves heard by those who have also listened to weeping. Love is not responsible for institutionalism. There would be no fewer marriages if peoplemarried for convenience, nor would the law make such unions less binding. It is not the fault of love that the great social paradox exists. In the precipitancy of feeling, you say, the lover fastens upon an unsuitable mate, and, with possession, love dies. Here I attack your facts. If an awakening comes, it is not for either of these reasons. Love is not essentially rational, but then it is love. There is some consistency in affairs natural, and the esoteric draught that enchanted at one time cannot poison at another.

Love is not essentially rational, and it will not of a sudden become so at the possession of the loved one. People who marry from convenience may wake to find their union most inconvenient. "There are more things in heaven and earth," and there are more intricacies of feeling and more sloughs and depths, than are dreamed of in your philosophy. A definite understanding as to sofa cushions and tobacco smoke does not always insure unwearied forbearance and devotion. With love, on the other hand, disappointment is very much less likely to spring up, for the reason that it is free from calculation. Love is a sympathy. It takes hold, it grows upon the soul and the senses, and it does not flee before argument and explanation.

Still less can I admit that possession kills love. Do we give up living because the world is based on Will and Idea? Yet to will is to want, Schopenhauer tells us, and to want is to be in pain. Do we know ourselves in pain every minute of our lives? Hardly. This applies. You hold that, with the fulfilled hope and the appeased hunger, indifference takes the place of desire. It reads so in logic, but not in life. If what is in our possession be good, we prize it more highly for its being within reach. The good in our keeping does not sate; it pains with divine hungers. We do not tire of what we have; we rise to it. We do not know the sweetness of being steadfast until we are so impelled by the love with which we have grown great. The lover may well say: "She was not my ideal; before I knew her I was not great enough to think her. She taught me."

Besides, an acquaintance with your wife's faults does not kill your love. You cannot turn from your brother or your friend if he commit even a lurid act; you cannot turn from a stranger; much less can you turn from your beloved. Herbert, when men set themselves to judge, they are invariably ridiculous and an offence to high heaven. Believe me, it is artificial. Thetrue judge cares not for the fact of the deed, but for its motive. And the lover knows the motive. He has the key to the life. He knows his beloved, not as she is, but "as she was born to be." His lips press and his arms enfold not her so much as the ideal of her, and unless she unmake herself, he cannot unlove her. "To judge a man by the fruit of his actions," says Professor Edward Howard Griggs, "it is necessary to know all of the fruit, which is impossible. You can only know what he eternally must be if you catch the aspect of his soul and grow to understand his aspirations and his loves." To idealise, therefore, is not to be blind, but to be far-seeing.

There is another way of looking on this question of the paradox. Granted that it is caused by romantic love, romantic love is still exclusively the best thing in the world. You cannot pay too dearly for the good of life. I know that the misery of being in the intimacy of wedlock with one who is not loved is unutterable. It is to become degraded and unrecognisable, it is to wear the brand of liar before God! The man whose outer life belies the inner is an enforced suicide. There is something of majesty on "laying one's self down with a will," and thereis something of strength in cloistering the body for the spirit's health's sake, but to die when all within is warm and clamorous for life is terrible. Such a death they die who are held together, not by the bonds of the spirit, but by those of convention. They who would go from each other and dare not, die the ignominious death of fear. The suicide is contemptible, besides being pitiable, when he is hounded out of life despite himself, when he is a little embezzler of a clerk who rushes from the music hall to the Thames and thinks of the unfinished glass with his last breath. No, I do not underestimate the tragedy of the paradox. Yet I say that if love were accountable for it (which it is not), it would still be folly to forswear love. Do you ask why? Because its dangers are the dangers common to all life, and we are so made that we cannot be frightened away from our portion of experience. We are as loth to give up our nights as our days. The winters as the summers, all the seasons and all the climes, the fears as the hopes, all the travail of deepest, fullest living, we claim as our own forever. We guard jealously our heritage of feeling. Would you for all the world sleep rather than wake, forget rather than remember? Then cease therequiem of your speech about the dangers of disillusion!

Madness and selfishness were the cause of Louisa Naveret's death, and the man who was mad and selfish was her lover. The poor man had not the strength to renounce when he thought he found himself face to face with the necessity of renouncing. But all lovers are not too weak to cope with love. John Ruskin, if you remember, loved his wife, and he shot neither himself, nor her, nor Millais. Charles J. Johnson is not a Ruskin, and Ruskin's love was not a madness.

And, Herbert, to me there is nothing comic in a stress of feeling. Let the lover pale and flutter and faint; in the presence of his deity it is an acceptable form of worship. The very self-possessed lover is more preposterous!

Your book has not yet reached me. To-morrow I shall write again, providing I remember how to write a natural letter.

Yours,Dane Kempton.

London.June 20, 19—.

There are impersonal hours when the things of the day drop below consciousness and the spirit grows devotional and wends a pilgrimage to larger spheres, there to sit apart. Such a respite was mine to-day. There had been a call to rouse and put forth work, and I wrought with all the puniness of my might (woe is me!), and earned my post at the window that looks out upon the large things. The best of nights and days of toil is that there comes a twilight in which fatigued eyes see clear. I said it did not matter how you do about your marriage. Time may right you in a way I cannot know. I said it did not matter if you are not righted in this, there being so much that never rights itself. Both hope and despair were followed by a calm of neutrality.The inquiry waited no solution. The stress no longer touched me, and my twilight became luminous. I saw things as from a height and forms dropped out of my range, when Barbara came tugging at me, and my pale while of abstraction was at an end.

She wanted to know what troubled me. She made her way to me, hurried but resolved, and stated her demand. "You catechised me yesterday; to-night you shall answer."

She had come to defend herself. My talk having of late taken on the sameness of that of the man of one idea, Barbara was aroused. I was gauging her because she distressed me, was her thought. (I had been trying to find whether it is possible to live differently from her and live happily and well.) "You think I am not close enough to Earl, because I mourn for my little one, perhaps. You think me not sufficiently happy to be wifely." Could I suppose aught else from such an utterance but that there was an estrangement and hidden pain? How, unless there were sorrow, could the woman see herself sorrowed for? My mind leapt to possibilities. Little Barbara on the rack was more than I could bear. I groped for her hands. It was a fault in her to be so much on her guard. Shehad no sorrow to confess, and spoke—only to ward off what was not directed toward her.

"The tenour of your talk led me on to believe—" she stammered with hot cheeks. It is a standing offence of hers to imagine herself accused, and she admits it is a weakness born of lack of poise. "But I took all for granted, I thought you fortunate beyond any other woman," I protested. At this the radiance broke forth. I forgave the chill that her first words on entering the room struck to my heart, and she forgot what she had imagined.

There is nothing more important than the play and interplay of feeling. Were Barbara "unwifely," I could not blame her, but neither could I have at hand my proof of dear miracles. My proof remained to me, for there she stood, her face lifted toward mine, her mouth tremulous, her grey eyes swimming. The mate woman was stirred. Barbara is twenty-six and has been married seven years, and she still vibrates with the old wonder to find herself loving and beloved.

I meant to tell you of what we spoke later, in the hope that I could show you a little better what I hold dear and why. But my hand grows nerveless. The twilight of abstraction has setin. A little while ago this hand was quick to rest on Barbara's as I called her my heroine. She is that, not alone because she is pure and good and strong, but because she can accept the test of her instincts. It takes both faith and strength to obey oneself. "When shows break up, what but one's Self remains?" asks Whitman. The shows are but shows for Barbara. Will I look into your eyes on the morrow and find them, like hers, clear? Grant that it be!

Dane.

The Ridge,Berkeley, California.July 1, 19—.

Somewhere in Ward you may read, "It must constantly be borne in mind that all progress consists in the arbitrary alteration, by human efforts and devices, of the normal course of nature, so that civilisation is wholly an artificial product." Why, Dane, this is large enough to base a sociology upon. And I must ask you first, is it true? Second, do you understand, do you appreciate, the tremendous significance of it? And third, how can you bring your philosophy of love in accord with it?

Romantic love is certainly not natural. It is an artifice, blunderingly and unwittingly introduced by man into the natural order. Is this audacious? Let us see. In a state of naturethe love which obtains is merely the passion for perpetuation devoid of all imagination. The male possesses the prehensile organs and the superior strength. Beyond the ardour of pursuit the female has no charms for him. But he is driven irresistibly to pursuit. And by virtue of his prehensile organs and superior strength he ravishes the females of his species and goes his way. But life creeps slowly upward, increasing in complexity and necessarily in intelligence. When some forgotten inventor of the older world smote his rival or enemy with a branch of wood and found that it was good and thereafter made a practice of smiting rivals and enemies with branches of wood, then, and on that day, artificiality may be said to have begun. Then, and on that day, was begun a revolution destined to change the history of life. Then, and on that day, was laid the cornerstone of that most tremendous of artifices, CIVILISATION!

Trace it up. Our ape-like and arboreal ancestors entered upon the first of many short cuts. To crack a marrow-bone with a rock was the act which fathered the tool, and between the cracking of a marrow-bone and the riding down town in an automobile lies only a difference of degree. The one is crudely artificial, the otherconsummately artificial. That is all. There have been improvements. The first inventors grasped that truthful paradox, "the longest way round is the shortest way home," and forsook the direct pursuit of happiness for the indirect pursuit of happiness. If the happiness of a savage depended upon his crossing an extensive body of water, he did not directly proceed to swim it, but turned his back upon it, selected a tree from the forest, shaped it with his rude tools and hollowed it out with fire, then launched it in the water and paddled toward where his happiness lay.

Now concerning love. In the state of nature it is a brutal passion, nothing more. There is no romance attached. But life creeps upward, and the gregarious human forms social groups the like of which never existed before. Consider the family group, for instance. Such a group becomes in itself an entity. By means of the group man is better enabled to pursue happiness. But to maintain the group it must be regulated; so man formulates rules, codes, dim ethical laws for the conduct of the group members. Sexual ties are made less promiscuous and more orderly. A greater privacy is observed. And out of order and privacy spring respect and sacredness.

But life creeps upward, and the family group itself becomes but a unit of greater and greater groups. And rules and codes change in accordance, until the marriage tie becomes possessed of a history and takes to itself traditions. This history and these traditions form a great fund, to which changing conditions and growing imagination constantly add. And the traditions, more especially, bear heavily upon the individual, overmastering his natural expression of the love instinct and forcing him to an artificial expression of that love instinct. He loves, not as his savage forebears loved, but as his group loves. And the love method of his group is determined by its love traditions. Does the individual compare his beloved's eyes to the stars—it is a trick of old time which has come down to him. Does he serenade under her window or compose an ode to her beauty or virtue—his father did it before him. In his lover's voice throb the voices of myriads of lovers all dead and dust. The singers of a thousand songs are the ghostly chorus to the song of love he sings. His ideas, his very feelings are not his, but the ideas and feelings of countless lovers who lived and loved and whose lives and loves are remembered. Theirmistaken facts and foolish precepts are his, and likewise their imaginative absurdities and sentimental philanderings. Without an erotic literature, a history of great loves and lovers, a garland of love songs and ballads, a sheaf of spoken love tales and adventures—without all this, which is the property of his group, he could not possibly love in the way he does.

To illustrate: Isolate a boy babe and a girl babe of cultured breed upon a desert isle. Let them feed and grow strong on shell-fish and fruit; but let them see none other of their species; hear no speech of mouth, nor acquire knowledge in any way of their kind and the things their kind has done. Well, and what then? They will grow to man and woman and mate as the beasts mate, without romance and without imagination. Does the woman oppose her will to that of the man—he will beat her. Does he become over-violent in the manifestation of his regard, she will flee away, if she can, to secret hiding-places. He will not compare her eyes to the stars; nor will she dream that he is Apollo; nor will the pair moon in the twilight over the love of Hero and Leander. And the many monogamic generations out of which he has descended would fail to prevent polygamydid another woman chance to strand on that particular isle.

It is the common practice of the man of the London slum to kick his wife to death when she has offended him. And the man of the London slum is a very natural beast who expresses himself in a very natural manner. He has never heard of Hero and Leander, and the comparison of the missus' eyes to the stars would to him be arrant bosh. The gentle, tender, considerate male is an artificial product. And so is the romantic lover, who is fashioned by the love traditions which come down to him and by the erotic literature to which he has access.

And now to the point. Romantic love being an artificial product, you cannot base its retention upon the claim that it is natural. Your only claim can be that it is the best possible artifice for the perpetuation of life, or that it is the only perfect, all-sufficient, and all-satisfying artifice that man can devise. On the one hand, for the perpetuation of life, man demonstrates the inefficiency of romantic love by his achievements in the domestic selection of animals. And on the other hand, the very irrationality of romantic love will tend to its gradual elimination as the human grows wiser and wiser. Also,because it is such a crude artifice, it forces far too many to contract the permanent marriage tie without possessing compatibility. During the time romantic love runs its course in an individual, that individual is in a diseased, abnormal, irrational condition. Mental or spiritual health, which is rationality, makes for progress, and the future demands greater and greater mental or spiritual health, greater and greater rationality. The brain must dominate and direct both the individual and society in the time to come, not the belly and the heart. Granted that the function romantic love has served has been necessary; that is no reason to conclude that it must always be necessary, that it is eternally necessary. There is such a thing as rudimentary organs which served functions long since fallen in disuse and now unremembered.

The world has changed, Dane. Sense delights are no longer the sole end of existence. The brain is triumphing over the belly and the heart. The intellectual joy of living is finer and higher than the mere sexual joy of living. Darwin, at the conclusion of his "Origin of Species," experienced a nobler and more exquisite pleasure than did ever Solomon with his thousand concubines and wives. And while our sensedelights themselves have become refined, their very refinement has been due to the increasing dominion over them of the intellect. Our canons of art are not founded on the heart. No emotion elaborated the laws of composition. We cannot experience a sense of delight in any art object unless it satisfies our intellectual discrimination. "He is anaturalsinger," we say of the poet who works unscientifically; "but he is lame, his numbers halt, and he has no knowledge of technique."

The intellect, not the heart, made man, and is continuing to make him—ah, slowly, Dane, for life creeps slowly upward. The "Advanced Margin" is a favourite shibboleth of yours. And I take it that the Advanced Margin is that portion of our race which is more dominated by intellect than the race proper. And I, as a member of that group, propose to order my affairs in a rational manner. My reason tells me that the mere passion of begetting and the paltry romance of pursuit are not the greatest and most exquisite delights of living. Intellectual delight is my bribe for living, and though the bargain be a hard one, I shall endeavour to exact the last shekel which is my due.

Wherefore I marry Hester Stebbins. I amnot impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which my reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. My life shall be free and broad and great, and I will not be the slave to the sense delights which chained my ancient ancestry. I reject the heritage. I break the entail. And who are you to say I am unwise?

Herbert Wace.

The Ridge,Berkeley, California.July 5, 19—.

I had not intended to answer your letter critically, but, on re-reading, find I am forced to speak if for no other reason than your epithet "parvenu." The word has no reproach. It was ever thus that the old and perishing recognised the vigorous and new. Parvenu, upstart—the term is replete with significance and health. I doubt not Elijah himself was dubbed parvenu when he fluttered with his golden harp into that bright-browed throng, pride-swollen for that they had fought with Michael when Lucifer was hurled into hell.

"We do not choose our wives as we buy our saddle-horses; we do not plan our marriages as we do the building of our houses,"—so you say,and it is said excellently. No better indictment of romantic love do I ask. And oh, how many good men and women have I heard bitterly arraign society in that in the begetting of children it does not exercise the judgment which it exercises in breeding its horses and its dogs! Marriage is something more than the mere pulsating to romance, the thrilling to vague-sweet strains, the singing idly in empty days, the sating of self with pleasure—what of the children?

"Never mind the children," says selfish little Love. "It has been our wont never to give any thought to the children; they were incidental. Always have we sought our own pleasure; let us continue to seek our own pleasure." So Society continues to breed its horses and dogs with judgment and forethought and to trust to luck for its children.

But it won't do, Dane. Life, in a sense, is living and surviving. And all that makes for living and surviving is good. He who follows the fact cannot go astray, while he who has no reverence for the fact wanders afar. Chivalry went mad over an idea. It idealised, if you please. It made of love a fine art, and countless knights-errant devoted themselves to the service of the little god. It sentimentalisedover ladies' gloves and forgot to make for living and surviving. And while chivalry committed suicide over its ladies' gloves, the stout, wooden-headed burghers, with an eye to the facts of life, dickered and bickered in trade. And on the wreck and ruin of chivalry they flaunted their parvenu insolence. God, how they triumphed! The children and cobblers and shop-keepers buying with the yellow gold the "thousand years old names!" buying with their yellow gold the proud flesh and blood of their lords to breed with them and theirs! patronising the arts, speaking a kind word to science, and patting God on the back! But they triumphed, that is the point. They reverenced the fact and made for living and surviving.

Love is life, you say, and you seem to hold it the achievement of existence. But I cannot say that life is love. Life? It is a toy, i' faith, given to us, we know not why, to play with as we chance to please. Some elect to dream, some to love, and some to fight. Some choose immediate happiness, and some ultimate happiness. One stakes the Here and Now upon the Hereafter; another takes the Here and Now and lets the Hereafter go. But each grasps the toy and does with it according to his fancyAnd while none may know the end of life, all know that life is the end of love. Love, poor little, crude little, love, is the means to life—and so we complete the circle. Life? It is a toy, i' faith, given us, we know not why, to play with as we chance to please.

But this we know, that love is the means to life, and it is subject to inevitable improvement. By our intellect will we improve upon it. Life abundant! finer life! higher life! fuller life! When we scientifically breed our race-horses and our draught-horses, we make for life abundant. And when we come scientifically to breed the human, we shall make for life abundant, for humanity abundant.

You say an acquaintance with the petty vices of one's wife does not kill one's love. Oh yes, it does, and out of the ashes of that love rises affection, comradeship, in kind somewhat similar to the affection and comradeship which I have for my brother. I do notlovemy brother, and it is because I do not love him, and because I do haveaffectionandcomradeshipfor him, that I do not turn away when he commits even a lurid act. Love, you will remember, takes its rise in the emotions, and is unstable and wanton and capricious. But affection takes its rise in theintellect, is based upon judgment of the brain. Love is unyielding tyranny; affection is compromise. Love never compromises, no more than does the mad little mating sparrow compromise.

My brother?—I played with him as a boy. His weaknesses and faults incensed and hurt me, as mine incensed and hurt him. Many were our quarrels. But he had also good qualities which pleased me, and at times performed gracious acts and even sacrifices. And I likewise. And with my brain I weighed his weaknesses and faults against his gracious acts and sacrifices, and I achieved a judgment upon him. The ethics of the family group also contributed to this judgment. The duties of kinship and the responsibilities of blood ties were impressed upon me. We grew up at our mother's knee, and she and our father became factors in determining what my conduct should be. They, too, taught me that my brother was my brother, and that in so far as he was my brother, my relations with him must be different from my relations with those who were not my brothers. And all went to crystallise an intellectual judgment, or a set of criteria, as it were, to guide all sane, unemotional acts and even to control andrepress any emotional acts. These criteria, I say, became crystallised, became automatic in my thought processes.

And now, in manhood, my brother commits a lurid act, an act repulsive to me, one capable of arousing emotions of anger, of bitterness, of hatred. I experience an emotional impulse to pour my wrath upon him, to be bitter toward him, to hate him. Then I experience an intellectual impulse. Whatever way I may act, I must first settle with my crystallised criteria. The personal bonds of my boyhood and manhood press upon me—the gracious acts and sacrifices and compromises, our father and our mother, the duties of kinship and the responsibilities of blood. Thus two counter-impulses strive with me. I desire to do two counter things. Heart and head the fight is waged, and heart or head I shall act according to which is the stronger impulse. And if my affection be stronger, I shall not turn away, but clasp my brother in my arms.

I fear I have not made myself clear. It is difficult to write hurriedly of things psychological, when the extreme demand is made upon intellect and vocabulary; but at least you may roughly catch my drift. What I have strivento say is, that I forgive my brother, not because Ilovehim, but because of theaffectionI bear him; also that this affection is the product of reason, is the sum of the judgments I have achieved.

Herbert.

London,3a, Queen's Road, Chelsea, S.W.July 21, 19—.

"Progress is an arbitrary alteration, by human efforts and devices, of the normal course of nature, so that civilisation is wholly an artificial product." You ask me to consider this refracted bit of sociology and by its light to cast out my exalted notion of love. As if you have proven that love is incompatible with civilisation! We make over life with each successive step, but we do not give over living. In developing new forms and in establishing more and more subtle social relations we are only building upon what we find ready to hand. The paradox of creature and creator does not exist. When your sociologist speaks of arbitrary alterations, he has reference to polities and governments and criteria, to the material and ideal forces which a progressive society may wield for itself. He cannot include underprogress an alteration of those needs of existence which make up the quality of existence. Speak of a community which equally distributes the products of labour and I will grant that there has been an arbitrary alteration, the normal course of nature being that the stronger, openly, and even with the common assent, takes to the repletion of his desire from the weaker. But speak of a condition so progressive that it subverts the need, so that where in the one case hunger was equitably gratified, in the other, hunger was done away with, and I will say that you are giving an Arabian Nights' entertainment.

Love is of a piece with life, like hunger, like joy, like death. Your progress cannot leave it behind; your civilisation must become the exponent of it.

Your last letter is formal and elaborate, and—equivocal. In it you remind me, menacingly, of the possibilities of progress, you posit that love is at best artificial, and you apotheosise the brain. As an emancipated rationality, you say you cut yourself loose from the convention of feeling. Progress cannot affect the need and the power to love. This I have already stated. "How is it under our control to love or not to love?" Life is elaborate or it is simple (it depends uponthe point of view), and you may call love the paraphernalia of its wedding-feast or you may call it more—the Blood and Body of all that quickens, a Transubstantiation which all accept, reverently or irreverently, as the case may be.

I can more readily conceive the existence of a central committee elected for the purpose of regulating the marriages of a community, than of a community satisfied with such a committee. There is no logic in social events. The world persists in not taking the next step, and what to the social scout looked a dusty bypath may prove to be the highway of progress for the hoboing millions. Side issues are constantly cropping up to knock out the main issues of the stump orator; so let us be humble. For this reason I refuse to discuss possibilities in infinity. You and I cannot have become products of an environment which is not in existence. It is safe to suppose that our needs are like those of the race and that in us nothing is vestigial that is active in others. You cannot have become too rational to love. The device has not yet been formed.

You think I should take your word for it? But why? Have you never found yourself in the wrong, never disobeyed your best promptingsnever meant to take the good and grasped the bad? Is it not possible that you are not yet awake, or, God pity you, that you are hidebound in the dogmatism of your bit of thinking.

It is for the second point of your letter that I called you equivocal. Earlier in our discussion, I remember, you laid stress on the fact that love is an instinct common to all forms of life; now you go to great lengths in order to show that it is artificial.

How do you differentiate between the artificial and nature? Surely a development is not artificial because it is recent! Surely man is as integral to life as his progenitors! When we come to civilisation, we are face to face with the largest and subtlest thing in life, and the civilisation of human society is not artificial. It is the fulfilment of the nature of man, the promise made good, the career established, the influence sent out. A universe of mind-stuff and a civilising force constantly causing change, for change is growth, constantly compelling expression of that change—to conceive it is to conceive infinitude. And the purpose? Development, always development. To that end the individual perishes, to that end the race is conserved, to that end the peril and the sacrifice, and theagony of triumph in the overcharged heart at its last bound. And what is this refining of the type, this goal for which we all make with such tragic directness, but the gaining in the power to love? We begin with love to end with greater love, and that is progress. To write the epic of civilisation is a task for some giant artist who shall combine in himself Homer and Shakespeare, and the work will be a love story.

We do not throw away the grain and keep the chaff, nor do we transmit the "absurdities" and "philanderings" alone. If in the lover's voice throb the voices of myriads of lovers, it is because he is stirred even as they. If a ballad wakes a response in him, it is because its motif has been singing itself of its own accord in his heart, and its rhythm was the dream nightingale to which he bade Her hearken. Behind the tradition lies the fact. The expression may be ephemeral, the song flat, the motto conventional, but the feeling which prompted it is true. Else it could not have survived. And it has more than survived. It has grown with growth. For centuries it lodged in the nature of man, lulled in acquiescence, then, when the sense of recognition awoke, back in those wondrous young days, it wakened to pale life, andnow the feeling is man's whole support, giving him courage to work and purpose to live.

But the half brute of the London slums kicks his wife when she offends him and knows nothing of love. Well for the honour of love that it is so! The half brute of the London slums had not food enough when a child, and malnutrition is deadly. Later, he stole and lied in order to eat, and he was bullied and kicked for it out of human shape. The trick was passed on to him. The unfortunate of the London slums will push us all from heaven's gate, because we do not do battle with the conditions that make him. It is not such as he that should lead you to scorn love, for he is a mistake and a crime.

In your example of the isolated boy babe and girl babe we meet with a different condition. The individual repeats the history of the race, and as these have been left out by the civilising forces, they revert to past racial states. For these it is natural to live stolidly—is it therefore natural for us? The point I make is that our refinement, crying in us with great voice, is as much a part of us as are the simple few hungers of the racial infant. We are not the less natural for being subtle. And can it not be that the face of romance reveals itself evento savage eyes? According to the need is the power, and the early man needs must hope and desire; he is curbed by waiting and taught by loss in the hunting, he is hungry, and he dreams that he is feasting. This dream is his romance—a red flicker in the dawn, then still the gray. To suppose this is not to be unscientific, for what is true of us must have had a beginning, and feeling, as well as being, cannot have been spontaneously generated.

There is an absolute gravitation to justice in nature. This was the creed preached by Huxley to Kingsley a week after his boy's death. Grief had turned the mind upon itself, and in the upheaval he formulated a philosophy of faith and joy!

Our reward is meted out according to our obedience to all of the law, spiritual and physical. Nature keeps a ledger paying glad life's arrears each minute of time. And the creed rises to my lips when I hear you cry shame upon the delight of love. It must be good, this thing which is so fraught with joy! You brand it sense delight, but all delight is of the senses, and Darwin at the conclusion of "The Descent of Man," if he was not overtaken by a feeling of incompleteness in the work and a consumingfever for the further task, was glad in a human way, with the senses and through the emotions. Darwin's supreme moment may have come at quite a different time. What can we know of the moments of repletion that fall into another's life? With Huxley we may only know that our hearts bound high when we strike a chord of harmony and prove ourselves obedient to "all of the law," and our hearts bound high when we love. It is nature's way of showing her approval. Oh, the strength of love and the miracles of its compensations! The sense of becoming that it gives, even in its defeats, the gladness that ripples in its sob-strangled throat!

The day for asceticism is gone, or shall we say the night? We are not afraid of sense delights. We are intent upon living on all sides of our natures, roundly and naturally. You have a fine gospel of work and I congratulate you upon it, but you make no mention of the purpose of it all. It must not be work for work's sake. "When I heard the learned astronomer—" says Whitman. Do you remember? He caught in one hour the whole majesty, caught to himself the wonder that was unseen by the watching astronomers. Somehow you feel the learned ones had made a mistake in calculatingso long that they had no time to see with personal eyes the glory of the stars, and that Whitman had been philosopher and had gained where they failed. The inspiration of the poet, of the painter, of the economist, and biologist, is in the revelation which they receive of what to do and why to do. For this reason philosophy, which treats of the life and works of man, is in the highest sense sociological. The generalisations of philosophy go to improve our methods so that we may have greater proneness for sense of delight and greater possibility for sense delight. Why, what else is there? You are a poet, and you give an unrestorable day, when the sun is shining and the hills lie purple in the distance, to writing a sonnet. If you do so merely to employ yourself, it must be that the wolf of despair is at your being's door. You have come to the end, and the sun and the hills do not matter. You and they have parted company. But if you write, impelled by the wish that others should read and recognise, read and remember, and grow to know and feel better, and perhaps to love the sun and hills better, then is yours a work of love, and it will be made good to you, so that for the day which you have not seen, your night shall be instinct with light.And if your labours are more especially in the service of art, then, also, with each approach toward expression, you are warmed through with the delight of achievement.

Is my meaning quite dashed away by this torrent of speech? It is simply this: Before we think we feel, and the end of thinking is feeling. The century of Voltaire and Dr. Johnson held that man is rational, the century of James, Ribot, Lange, and Wundt is thrilled to the heart with the doctrine that first, last, and always man is emotional. To speak loosely, the dimensions of the human cosmos are feeling, emotion, and sensation.

Build your fine structures. We like to see the foundations laid well and the thick walls go up. Keep to your wizard inventions. We like to live in a magic world. And ah, the indomitable machines with their austere promise of free days for weary hands, and ah, the locomotives and the ships steaming their ways toward intercourse, toward comity, toward fellowship! We like the intricacy and the vastness of the world in which we live. But "an unconsidered life is not fit to be lived by any man," says Aristotle. We must consider the phenomenon, civilisation, searching down for the nucleus of itsworth. We will find that the stone structure without hope were a pitiable thing, that the making of compacts and the banking of capital, without hope, were pitiable. This hope that is the life germane, the immortal flash of mortality, the most keenly human point in all humanity, is the hope for greater and greater social happiness. Our world is an ever unfinished house which we are employed in building. If we are imbued with the spirit of the architect and not of the hod-carrier, we will hope sweetly for the work. The house beautiful will begin to mean our life, and each night we will consult our drawings, looking to it that on the house built of our days the sun shall wester, and that within shall be intimacy, and laughter, great speech and close love, looking to it that the home be such as to better to-day's tenant so that he be more loving and lovable than the one of yesterday.

We are wrong, perhaps. Long ago we were no less than now. When we reached a hand in the darkness and grasped that of our fellow, the love and the strongly frail human abandon were no less. We have not grown in heart's munificence, perhaps. It is one of the illusions only. But the hope is ours. For what do you hope?

Dane.

London.July 22, 19—.

Your birthday, Herbert, and for greeting I state that I walk your length with you. A truce to quarrelling! It is now a year since you informed me you were going to be married, and since then the gods have thundered their laughter at the sight of two muttering men who sat themselves on the axes of earth to dangle their legs into orbit vastness. Chronic somnambulists that they are, they took their monopolist way thither in their sleep.

I cannot tell you how full of vagary the correspondence we have fallen into seems to me. I deliberately attempted to write you into passion and for months you deliberately continued to convict yourself out of your own mouth, and we did not see that it was tragic and comic and preposterous. Could we personify this ourdealing, we would do well to call it a kind of Caliban. And the tentacles we threw out, clawing at everything, stealing for prop to our little theory all of man and God! It is the conceit of us that I find utterly hopeless of grace. So I drop my rôle of omniscience. I take my form off the hub, believing the system will maintain its gravity though I go my private way, and I promise to let you alone. Forgive me, and God bless you. Ah, yes, and many happy returns of the day. All my heart in the blessing and the wish.

I did some remembering to-day, dear lad. When you were born, I was five years younger than you are now, yet I felt myself old. "If we were as old as we feel, we would die of old age at twenty-one." My life seemed all behind me, long, turbulent, packed with pain, useless. I spoke of myself as if all were over. "It had been full of purpose, but what came of it? A few rhymes and a spoilt hope." To my morbid fancy your having come to be was a signal for me to go. I had no thought of dying, yet I accepted you as the proof of my failure. In the exacting eyes of the genius of the race I was insolvent. You were not mine. I looked into Time, and saw none of me there.

Yet the letter I wrote to your parents was sincere,—how else? And that night and the next and the next, I wrote "Gentleman Adventurers," which the critics called the epitome of all that is balladesque. One pitied the dead because they could go forth no more on water and under sky. This poem, written in a mood which beneficent nature sends on the too-sick spirit, has served for more than a quarter of a century as the complete and accepted catalogue of the reasons for living. Well, I must not laugh at it. It may be true that the passion of my heart incarnated itself in it beyond the rest, that my one song sang itself out those first three days of your life. If so, it is true that love is never cheated of its fruit, and that the joy which might have been for the individual oozes out of him to the race, that the strength which would have settled upon itself in the calm of satisfied hope, filters through him outwards.

Good night, lad. My hand is on your shoulder and I am loath to take it off. For a while I would like what cannot be, to travel with you the red-brown country-roads fragrant with hay, to cross the stiles and knock upon the cabin doors, and enter where sorrow and where gladness is, big with greeting and sure of welcome.I have often pleased myself with the fancy that the outer aspects of life are patterned after the inner, so that in the map of the spirit are to be found city and country, wood, desert, and sea, so that we know these outer worlds through having travelled the worlds within. Though I stay behind, my eyes can follow you from this night's landmark along the stretch, on to the city avenues, up the highways, tracing the twists of the bypaths, clambering untrod trails of wilderness and mountain, on, on, till out upon the sea.

In one of the near turnings a woman with waiting face smiles subtly. Her hands beckon you to the tryst. Godspeed, my son.

Dane.

The Ridge,Berkeley, California.August 6, 19—.

As I have constantly insisted, our difference is temperamental. The common words we lay hold of mean one thing to you and another thing to me. I do not equivocate when I say that love is instinctive, and that the latter-day expression of love is artificial. "Art," as I understand the term in its broadness, contradistinguishes from nature. Whatever man contrives or devises is an artifice, a thing of art not of nature, and therefore artificial.

As for ourselves, among animals we are the only real inventors and artificers. Instead of hair and hide, we have soft skins, and we weave cunning textures and wear wondrous garments. In cold weather, in place of eating much fat meat, we keep ourselves warm by grate fires andsteam heat. We cut up our blood-dripping meat chunks with pieces of iron hardened by fire and sharpened by stone, and we eat fish with a fork instead of our fingers. We put a roof over our heads to keep out storm and sunshine, sleep in pent rooms, and are afraid of the good night air and the open sky. In short, we are consummately artificial.

As I recollect, I have shown that the natural expression of the love instinct is bestial and brutal and violent. I have shown how imagination entered into the development of the expression of this love instinct till it becameromantic. And, in turn, I have shown how artificial was the romantic expression of this love instinct, by isolating a boy babe and a girl babe in a natural state wherein they expressed their love instinct bestially and brutally and violently. As you say, they have simply been "left out by the civilising force." And this civilising, or socialising force is simply the sum of our many inventions. The isolated pair merely expressed their instincts in the unartificial, natural way. They had not been taught a certain particular fashion in which to express those instincts as have you and I and all artificial beings been taught.

As Mr. Finck has said, "Not till Dante's 'Vita Nuova' appeared was the gospel of modern love—the romantic adoration of a maiden by a youth—revealed for the first time in definite language."

Dante, and the men who foreshadowed and followed him, were inventors. They introduced an artifice for protracting one of our most vital pleasures. Well, they succeeded. And what of it? There are artifices and artifices, and some are better than others. The automobile is a more cunning artifice than the ox-cart, the subway than a palanquin. Devices come and devices go. Change is the essence of progress. All is development. The end of rapes and romances is the same—perpetuation. There may be head love as well as heart love. And in the time to come, when the brain ceases to be the servant of the belly, the head the lackey of the heart, in that time stirpiculture, which is scientific perpetuation, will take the place of romantic love. And in the present there may be men ready for that time. There must be a beginning, else would we still be jolting in ox-carts. And I am ready for that time now.

You say, "Love is of a piece with life, like hunger, like joy, like death." Quite true. Andcivilisation is merely the expression of life—a variform utterance which includes love, and hunger, and joy, and death. Else what is this civilisation for? How did it happen to be? And I answer: It is the sum of the many inventions we have made to aid us in our pursuit of life and love and joy. It helps us to live more abundantly, to love more fruitfully, to joy more intelligently, and to get grim old Death by his knotty throat and hold him at arm's length as long as possible.

I stated that "all progress consists in the arbitrary alteration, by human efforts and devices, of the normal course of nature." This sociological concept comes inevitably into accord with my philosophy of love. It is the law of development, and all things of human life (which includes love) come inside of it. Wherefore, certainly, I am not outside our province when I demand of you to bring your philosophy of love into like accord.

Incidentally, I will state that Ihavefallen in love. I have grown feverish with desire, gone mad with dumb yearning. I have felt my intellect lose dominion, and learned that I was only a garmented beast, for all the many inventions very like the other beasts ungarmented.Nay, I am no cold-blooded theorist, no thick-hided dogmatist; nor am I a chastely simple young man mooning in virginal innocence. My generalisations have been tempered in the heats of passion, and what I know I know, and without hearsay.

I have seen a learned man, drunk with wine, interrogate the new states of consciousness of his unwonted condition, and so doing, gain a more comprehensive psychological insight. So I, with my loves. I was impelled toward the women I shall presently particularise. I asked why the impulsion. I reasoned to see if there were a difference between these illicit passions of mine and the illicit passions of my respectable and respected friends. And I found no difference. Separated from codes and conventions, shorn of imagination, divested of romance, stripped naked down to the core of the matter, it was old Mother Nature crying through us, every man and woman of us, for progeny. Her one unceasing and eternal cry—Progeny! Progeny! Progeny!

Just as little girls, instinctively foreshadowing motherhood, play with dolls, so children feel vague sex promptings, and in sweetly ridiculous ways love and quarrel and make up after theapproved fashion of lovers. You loved little girls in pigtails and pinafores. We all did. And in our lives there is nothing fairer and more joyful to look back upon than those same little pigtails and pinafores. But I shall pass the child loves by, and instance first my calf love.

Do you remember the incident of the torn jacket and the blackened eyes?—so inexplicable at the time. Try as you would, neither you nor Waring could get anything out of me. Oh, believe me, it was tragic! I was fifteen. Fifteen, and athrill with a strange new pulse; flushed, as the dawn, with the promise of day. And, of course, I thought it was the day, that I loved as a man loved, and that no man ever loved more. Well, well, I laugh now. I was only fifteen—a young calf who went out and butted heads with another calf in the back pasture.

She was a demure little coquette, Celia Genoine, Professor Genoine's daughter, if you will recollect. "Ah," I hear you remonstrate, "but she was a woman." Just so. Fifteen and twenty-two is usually the way of calf loves. I invested her with all the glow and colour of first youth, and in her presence became a changed being. I blushed if she looked at me; trembledat the touch of her hand or the scent of her hair. To be in her presence was to be closeted with the awfulness and splendour of God. I read immortality in her eyes. A smile from her blinded me, a gentle word or caressing look and I went faint and dizzy, and I was content to lurk in some corner and gaze upon her secretly with all my soul. And I took long, solitary walks, with book of verse beneath my arm, and learned to love as lovers had loved before me.

Sufficient romance was engendered for me to pass more than one night worshipping beneath her window. I mooned and sentimentalised and fell into a gentle melancholy, until you and Waring began to worry over an early decline, to consult specialists, and by trick and stratagem to entice me into eating more and reading less. But she married—ah, I have forgotten whom. Anyway, she married, and there was trouble about it, too, and I bade adieu to love forever.

Then came the love of my whelpage. I was twenty, and she a mad, wanton creature, wonderful and unmoral and filled with life to the brim. My blood pounds hot even now as I conjure her up. The ungarmented beast, my dear Dane, the great primordial ungarmented beast, mighty to procreate, indomitable in battle,invincible in love. Love? Do I not know it? Can I not understand how that splendid fighting animal, Antony, quartered the globe with his sword and pillowed his head between the slim breasts of Egyptian Cleopatra while that hard-won world crashed to wrack and ruin?

As I say, This was the love of my whelpage, and it was vigorous, masterful, masculine. There was no sentimentalising, no fond foolishness of youth; nor was there that cool, calm poise which comes of the calculation and discretion of age. Man and woman, we were in full tide, strong, simple, and elemental. Life rioted in our veins; we were a-bubble with the ferment; and it is out of such abundance that Mother Nature has always exacted her progeny. From the strictly emotional and naturalistic viewpoint, I must consider it, even now, the perfect love. But it was decreed that I should develop into an intellectual animal, and be something more than a mere unconscious puppet of the reproductive forces. So head mastered my heart, and I laid the grip of my will over the passion and went my way.

And then came another man's wife, a proud-breasted woman, the perfect mother, made pre-eminently to know the lip clasp of a child. You know the kind, the type. "The mothers ofmen," I call them. And so long as there are such women on this earth, that long may we keep faith in the breed of men. The wanton was the Mate Woman, but this was the Mother Woman, the last and highest and holiest in the hierarchy of life. In her all criteria were satisfied, and I reasoned my need of her.

And by this I take it that I was passing out of my blind puppetdom. I was becoming a conscious selective factor in the scheme of reproduction, choosing a mate, not in the lust of my eyes, but in the desire of my fatherhood. Oh, Dane, she was glorious, but she was another man's wife. Had I been living unartificially, in a state of nature, I would certainly have brained her husband (a really splendid fellow), and dragged her off with me shameless under the sky. Or had her husband not been a man, or had he been but half a man, I doubt not that I would have wrested her from him. As it was, I yearned dumbly and observed the conventions.

Nor are these experiences heart soils and smirches. They have educated me, fitted me for that which is yet to be. And I have written of them to show you that I am no closet naturalist, that I speak authoritatively out ofadequate understanding. Since the end of love, when all is said and done, is progeny; and since the love of to-day is crude and wasteful; as an inventor and artificer I take it upon myself to substitute reasoned foresight and selection for the short-sighted and blundering selection of Mother Nature. What would you? The old dame would have made a mess of it had I let her have her way. She tried hard to mate me with the wanton, for it was not her method to look into the future to see if a better mother for my progeny awaited me.

And now comes Hester. I approach her, not with the milk-and-water ardours of first youth, nor with the lusty love madness of young manhood, but as an intellectual man, seeking for self and mate the ripe and rounded manhood and womanhood which comes only through the having of children—children which must be properly born and bred. In this way, and in this way only, can we fully express ourselves and the life that is in us. We shall utter ourselves in the finest speech in the world, and, our children being properly born and bred, it shall be in the finest terms of the finest speech in the world. To do this is to have lived.

Herbert.


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