And then the weather changed again. The clouds drifted away, the sun came back, the sunshine was like gold that had been washed and polished. The landscape smiled with a new radiance, gay as if it had never gloomed. The grass was greener, the flowers were brighter, the birds sang louder and clearer. The sea, with its shimmer and sheen, was like blue silk; the sky was like blue velvet. The trees lifted up their arms, greedy for the returned light and warmth, the sweeter air.
Susanna, at noon-day, in her pine grove, by her brookside, was bending down, peering intently into the transparent water.
Anthony, seeking, found her there.
"Books in the running brooks. I interrupt your reading?" he suggested, as one ready, at a hint, to retire.
"No," said she, looking up—giving, for a second, her eyes to his, her dark, half-laughing eyes. "It is not a book—it is the genius of the place."
She pointed to where, at her feet, the hurrying stream rested an instant, to take breath, in a deep, dusky little pool, overhung by a tangle of eglantine.
"See how big he is, and how old and grey and grim, and how motionless and silent. It seems almost discourteous of him, almost contemptuous, not to show any perturbation when one intrudes upon him, does n't it?"
The genius of the place, floating in the still water, his fixed small beady eyes just above the surface, was a big grey frog.
"Books in the running brooks indeed, none the less," Susanna went on, meditating. "Brooks—even artificial ones—are so mysterious, are n't they? They are filled with so many mysterious living things—frogs and tadpoles and newts and strange water-insects, nixies and pixies. Undines and Sabrinas fair and water-babies; and such strange plants grow in them; and who can guess the meaning of the tales they tell, in that never-ceasing, purling tongue of theirs? . . . And Signor Ranocchio? What do you suppose he is thinking of, as he floats there, so still, so saturnine, so indifferent to us? He is plainly in a deep, deep reverie. How wise he looks—a grey, wise old water-hermit, with his head full of strange, unimaginable water-secrets, and strange, ancient water-memories. Perhaps he is—what was his name?—the god of streams himself, the old pagan god of streams, disguised as a frog for some wicked old pagan-godish adventure. Perhaps that 's why he is n't afraid of us—mere mortals. You 'd expect a mere frog to leap away or plunge under, would n't you?"
Again, for a second, she gave Anthony her eyes. They were filled with pensiveness and laughter.
In celebration of the sun's return, she wore a white frock (some filmy crinkled stuff, crêpe-de-chine perhaps), and carried a white sunshade, a thing all frills and furbelows. This she opened, as, leaving the shadow of the pines, she moved by the brook-side, down the lawn, where the unimpeded sun shone hot, towards the pond.
"The eighth wonder of the world—an olive-tree that bears roses," she remarked.
Her glance directed his to a gnarled old willow, growing by the pond. Indeed, with the wryness of its branches, the grey-green of its leaves, you might almost have mistaken it for an olive-tree. A rose-vine had clambered up to the topmost top of it, and spread in all directions, so that everywhere, vivid against the grey-green, hung red roses.
"And now, if you will come, I 'll show you the ninth wonder of the world," she promised. She led him down a long wide pathway, bordered on each side by hortensias in full blossom, two swelling hedges of fire, where purple dissolved into blue and crimson, blue into a hundred green, mauve, and violet overtones and undertones of blue, and crimson into every palest, vaguest, most elusive, and every intensest red the broken sunbeam bleeds upon the spectrum.
"But this," she said, "though you might well think it so, is not the ninth wonder of the world."
"I think the ninth wonder of the world, as well as the first and last, is walking beside me," said Anthony, in silence, to the sky.
The path ended in an arbour, roofed and walled with rose-vines; and herein were garden-chairs and a table.
"Shall we sit here a little?" proposed Susanna.
She put down her sunshade, and they established themselves under the roof of roses. On the table stood a Chinese vase, red and gold, with a dragon-handled cover.
"Occasion 's everything, beyond a doubt," thought Anthony. "But the rub is to know an occasion when you see it. Isthisan occasion?"
He looked at her, and his heart trembled, and held him back.
"Oh, the fragrance of the roses," said Susanna. "How do they do it? A pinch of sunshine, a drop or two of dew, a puff of air, a handful of brown earth—and out of these they distil what seems as if it were the very smell of heaven."
But she spoke in tones noticeably hushed, as if fearing to be overheard.
Anthony looked round.
A moment ago there had not been a bird in sight (though, of course, the day was thridded through and through with the notes of those who were out of sight). But now, in the path before the arbour, all facing towards it, there must have been a score of birds—three or four sparrows, a pair of chaffinches, and then greenfinches, greenfinches, greenfinches. They were all facing expectantly towards the arbour, hopping towards it, hesitating, hopping on again, coming nearer, nearer.
Susanna, moving softly, lifted the dragon-handled cover from theChinese vase. It was full of birdseed.
"Ah, I see," said Anthony. "Pensioners. But I suppose you have reflected that to give alms to the able-bodied is to pauperise them."
"Hush," she whispered, scorning his economics. "Please make yourself invisible, and be quiet."
Then, taking a handful of seed, and leaning forward, softly, softly she began to intone—
"Tu-ite, tu-ite,Uccelli, fringuelli,Passeri, verdonelli,Venite, venite!"
and so, da capo, over and over again.
And the birds, hesitating, gaining confidence, holding back, hopping on, came nearer, nearer. A few, the boldest, entered the arbour . . . they all entered . . . they hesitated, hung back, hopped on. Now they were at her feet; now three were in her lap; others were on the table. On the table, in her lap, at her feet, she scattered seed. Then she took a second handful, and softly, softly, to a sort of lullaby tune,
"Perlino, Perlino,Perlino Piumino,Where is Perlino?Come, Perlino,"
she sang, her open hand extended.
A greenfinch new up to the table, flew down to her knee, flew up to her shoulder, flew down to her hand, and, perching on her thumb, began to feed.
And she went on with her soft, soft intoning.
"This is Perlino,So green, oh, so green, oh.He is the bravest heart,The sweetest singer, of them all.I 'm obliged to impart my informationIn the form of a chant;For if I were to speak it out, prose-wise,They would be frightened, they would fly away.But I hope you admireMy fine contempt for rhyme and rhythm.Is this not the ninth wonder of the world?Would you or could you have believed,If you had n't seen it?That these wild birds,Not the sparrows only,But the shy, shy finches,Could become so tame, so fearless?Oh, it took time—and patience.One had to come every day,At the same hour,And sit very still,And softly, softly,Monotonously, monotonously,Croon, croon, croon,As I am crooning now.At first one cast one's seedAt a distance—Then nearer, nearer,Till at last—Well, you see the result."
Her eyes laughed, but she was very careful not to move. Anthony, blotted against the leafy wall behind him, sat as still as a statue. Her eyes laughed. "Oh, such eyes!" thought he. Her red lips, smiling, took delicious curves. And the hand on which Perlino perched, with its slender fingers, its soft modelling, its warm whiteness, was like a thing carved of rose-marble and made alive.
"And Perlino," she resumed her chant—
"Perlino PiuminoIs the bravest of them all.And now that he has made an endOf his handful of seed,I hope he will be so goodAs to favour us with a little music.Sometimes he will,And sometimes he just obstinately won't.Tu-ite, tu-ite, tu-ite,Andiamo, Perlino, tu-ite!Canta, di grazia, canta."
And after some further persuasion,—you will suspect me of romancing, but upon my word,—Perlino Piumino consented. Clinging to Susanna's thumb, he threw back his head, opened his bill, and poured forth his crystal song—a thin, bright, crystal rill, swift-flowing, winding in delicate volutions. And mercy, how his green little bosom throbbed.
"Is n't it incredible?" Susanna whispered. "It is wonderful to feel him. His whole body is beating like a heart."
And when his song was finished, she bent towards him, and—never, never so softly—touched the top of his green head with her lips.
"And, now—fly away, birdlings—back to your affairs," she said."Good-bye until to-morrow."
She rose, and there was an instant whir of fluttering wings.
"Shall we walk?" she said to Anthony. She shook her frock, to dust the last grains of birdseed from it. "If we stay here, they will think there is more to come. And they 've had quite sufficient for one day."
She put up her sunshade, and they turned back into the alley of hortensias.
"You find me speechless," said Anthony. "Of course, it has n't really happened. But how—how do you produce so strong an illusion of reality? I could have sworn I saw a greenfinch feeding from your hand, I could have sworn I saw him cling there, and heard him sing his song. I could have sworn I saw you kiss him."
Susanna, under her white sunshade, laughed, softly, victoriously.
"Speaking with all moderation," he declared, "it is the most marvellous performance I have ever witnessed. If it had been a sparrow—or a pigeon—but—a greenfinch—!"
"There are very few birds that can't be tamed," she said. "You 've only got to familiarise them with your presence at a certain spot at a certain hour, and keep very still, and be very, very gentle in your movements, and croon to them, and bring them food. I have tamed wilder birds than greenfinches, in Italy—I have tamed goldfinches, blackcaps, and even an oriole. And if you have once tamed a bird, and made him your friend, he never forgets you. Season after season, when he returns from his migration, he recognises you, and takes up the friendship where it was put down. Until at last"—her voice sank, and she shook her head—"there comes a season when he returns no more."
They had strolled beyond the hortensias, into a shady avenue of elms. Round the trunk of one of these ran a circular bench. Susanna sat down. Anthony stood before her.
"I trust, at any rate," she said, whimsically smiling, "that the moral of my little exhibition has not been lost upon you?"
"A moral? Oh?" said he. "No. I had supposed it was beauty for beauty's sake."
"Ah, but beauty sometimes points a moral in spite of itself. The very obvious moral of this is that where there 's a will there 's a way."
She looked up, making her eyes grave; then smiled again.
"We must resume our plotting. I think I have found the way by which the Conte di Sampaolo can regain his inheritance."
Anthony laughed.
"There are exactly two ways by which he can do that," he said. "One is to equip an army, and go to war with the King of Italy, and—a mere detail—conquer him. The other is to procure a wishing-cap and wish it. Which do you recommend?"
"No," said Susanna. "There is a third and simpler way."
She was tracing patterns on the ground with the point of her parasol.
"There is the way of marriage."
She completed a circle, and began to draw a star within it.
"You should go to Sampaolo, and marry your cousin. So"—her eyes on her drawing, she spoke slowly, with an effect supremely impersonal—"so you would come to your own again; and so a house divided against itself, an ancient noble house, would be reunited; and an ancient historic line, broken for a little, would be made whole."
She put the fifth point to her star.
Anthony stood off, half laughing, and held up his hands, in admiring protest.
"Dear lady, what a programme!" was his laughing ejaculation.
"I admit," said she, critically regarding the figure at her feet, "that at first blush it may seem somewhat fantastic. But it is really worth serious consideration. You are the heir to a great name, which has been separated from the estates that are its appanage, and to a great tradition, which has been interrupted. But the heir to such a name, to such a tradition, is heir also to great duties, to great obligations. He has no right to be passive, or to think only of himself. The thirty-fourth Count of Sampaolo owes it to his thirty-three predecessors—the descendant of San Guido owes it to San Guido—to bestir himself, to do the very utmost in his power to revive and maintain the tradition. He is a custodian, a trustee. He has no right to sit down, idle and contented, to the life of a country gentleman in England. He is the banner-bearer of his race. He has no right to leave the banner folded in a dark closet. He must unfurl his banner, and bear it bravely in the sight of the world. That is the justification, that is the mission, ofnoblesse. A great nobleman should not evade or hide his nobility—he should bear it nobly in the sight of the world. That is the mission of the Conte di Sampaolo—that is the work he was born to do. It seems to me that at present he is pretty thoroughly neglecting his work."
She shot a smile at him, then lowered her eyes again upon her encircled star.
"You preach a very eloquent sermon," said Anthony, "and in principle I acknowledge its soundness. But in practice—there is just absolutely nothing the Conte di Sampaolo can do."
"He can go to Vallanza, and marry his cousin," reiterated she. "Thus the name and the estates would be brought together again, and the tradition would be renewed."
She had slipped a ring from her finger, and was vaguely playing with it.
Anthony only laughed.
"Does n't my proposition deserve better than mere laughter?" said she.
"I should laugh," said he, with secret meaning, "on the wrong side of my mouth, if I thought you wished me to take it seriously." ("If I thought she seriously wished me to marry another woman!" he breathed, shuddering, to his soul.)
"Why should n't I wish you to take it seriously?" she asked, studying her ring.
"The marriage of cousins is forbidden by Holy Church," said he.
"She 's only your second or third cousin. The nearest Bishop would give you a dispensation," answered Susanna, twirling her ring round in the palm of her hand.
"There would, of course, be no question of the lady rejecting me," he laughed.
"You would naturally endeavour to make yourself agreeable to her, and to capture her affections," she retorted, slipping the ring back upon its finger, and clasping her hands. "Besides, she could hardly be indifferent to the circumstance that you have it in your power to regularise her position. She calls herself the Countess of Sampaolo. She could do so with a clear conscience if she were the wife of the legitimate Count."
"She can do so with a clear conscience as it is," said Anthony. "She has the patent of the Italian King."
"Pinchbeck to gold," said Susanna. "A title improvised yesterday—and a title dating from 1104! The real thing, and a tawdry imitation. Go to Sampaolo, make her acquaintance, fall in love with her, persuade her to fall in love with you, marry her,—and there will be the grand old House of Valdeschi itself again."
Her eyes glowed.
But Anthony only laughed.
"You counsel procedures incompatible," he said. "If I am the custodian of a tradition, which you would have me maintain, how better could I play it false, than by marrying, of all women, the granddaughter, the heiress and representative, of the man who upset it?"
"You would heal a family feud, and blot out a wrong," said she, drawing patterns again with her sunshade. "Magnanimity should bepartof your tradition. You would not visit the sins of the fathers upon the children? You don't hold your cousin personally responsible?"
She looked up obliquely at him.
"Personally," he answered, "my cousin may be the most innocent soul alive. She is born to a ready-made situation, and accepts it. But it is a situation which I, if I am to be loyal to my tradition, cannot accept. It is the negation of my tradition. I am obliged to submit to it, but I can't accept it. My cousin is the embodiment of the anti-tradition. You say—marry her. That is like inviting the Pope to ally himself with the Antipope."
"No, no," contended Susanna, arresting her sunshade in the midst of an intricate vermiculation. "For the Antipope must be in wilful personal rebellion; while your cousin is what she is, quite independently of her own will—perhaps in spite of it. Imagine me, for instance, in her place—me," she smiled, "the sole legitimist in Sampaolo. What could I do? I find myself in possession of stolen goods. I would, if I could, restore them at once to their rightful owner. But I can't—because I am only the tenant for life. I can't sell them, nor give them away, nor even, dying, dispose of them by will. I am only the tenant for life. After me, they must pass to the next heir. So, if I wish to restore them to their rightful owner, there 's but a single means of doing so open to me—I must induce the rightful owner to make me his wife."
She smiled again, mirthfully, but with conviction, with conclusiveness, as who should say, "I have proved my point."
"Ah," pronounced Anthony, with stress, though perhaps a trifle ambiguously, "if it were you, it would be different."
"In your cousin's case, to be sure," pursued Susanna, "there is one other means. You happen to be, on the Valdeschi side, her nearest kinsman, and therefore, until she marries and has children, you are her heir presumptive. Well, if she were to retire into a convent, taking vows of celibacy and poverty, then what they call the usufruct of her properties could be settled upon her heir presumptive for her lifetime, the properties themselves passing to him at her death."
"We will wish the young lady no such dreary fate," laughed Anthony."Fortunately for her, she is not troubled by your scruples."
"How do you know she is n't?" asked Susanna.
"We can safely take it for granted," said he. "Besides, you have told me so yourself."
"Ihave told you so—?" she puzzled.
"You have told me that there is but one legitimist in Sampaolo. If my cousin were troubled by your scruples, she would make a second. And of the whole population of the island, can you suggest a less probable second?"
"They say that Queen Anne was at heart a Jacobite," Susanna reminded him. "Your cousin is young. One could lay the case before her, one could work upon her conscience. And, supposing her conscience to be once roused, then, if you could n't be brought to offer her your hand, she 'd have no choice but renunciation and the Cloister."
"Let us hope, therefore, that her conscience may remain comfortably asleep," said he. "For even to save her from the Cloister, I could not offer her my hand."
Susanna, leaning back against the rugged trunk of her elm, gazed down the long shaded avenue, and appeared to muse. Here and there, the sun, finding a way through the green cloud of leaves, a visible fillet of light in the dim atmosphere, dappled the brown earth with rose. In her white frock, her dark hair loose about her brow, a faint colour in her cheeks, her dark eyes musing, musing but half smiling at the same time, I think she looked very charming, very interesting, very warmly and richly feminine, I think she looked very lovely, very lovable; and I don't wonder that Anthony—as his eyes rested upon her, fed upon her—felt something violent happen in his heart.
"Occasion is everything—the occasion has come—the occasion has come," a silent voice seemed to incite him. And as it were unseen hands seemed to push him on.
The blood rushed tumultuously to his head.
"I 'm going to risk it, I 'm going to risk everything," he decreed, suddenly, recklessly.
"There are a thousand reasons why I could not offer her my hand," he said. "One reason is that I am in love with another woman."
His throat was dry, his voice sounded strained. His heart beat hard.He had burned his first bridge. He kept his eyes on her.
She continued to gaze down the avenue. I think she caught her breath, though.
"Oh—?" she said, after an instant, on a tone that tried in vain to be a tone of conventional politeness. She had been perfectly aware, of course, that it was bound to come. She had fancied herself perfectly prepared to cope with it, when it should come. But she had not expected it to come just yet. It took her off her guard.
"Yes," said he; "and you know whom I am in love with."
This time there could be no doubt that she caught her breath. She had overestimated her power of self-command, her talent for dissembling. She had known that it was bound to come; she had imagined that she could meet it lightly, humorously, that she could parry it, and never betray herself. And here she was, catching her breath, whilst her heart trembled and sank and sang within her. She bit her lip, in vexation; she closed her eyes, in ecstasy; she kept her face turned down the avenue, in fear.
Anthony's heart was leaping. A wild hope had kindled in it.
"I am in love withyou—withyou," he cried, in a voice that shook.
She did not speak, she did not look at him, but she caught her breath audibly, a long tremulous breath.
He knelt at her feet, he seized her hands. She did not withdraw them.
"I love you, I love you. Don't keep your face turned from me. Look at me. Answer me. I love you. Will you marry me?"
He felt her hands tremble in his. Her surrender of them—was it not fuel to the fire of his hope? He put his lips to them, he kissed them, he covered them with kisses. They were warm, and sweet to smell, faintly, terribly sweet to smell.
At last she drew them away. She shrunk away herself, back along her bench. She bit her lip, in chagrin at her weakness, her self-indulgence. She knew that she was losing ground, precious, indispensable, to that deep-laid, secret, cherished plot of hers. But her heart sang and sang, but a joy such as she had never dreamed of filled it. Oh, she had known that her heart would be filled with joy, when he should say, "I love you"; but she had never dreamed of a joy such as this. This was a joy the very elements of which were new to her; different, not in degree only, but in kind, from any joy she had experienced before. She could not so soon put it by, she could not yet bid herself be stern.
"Look at me. Answer me. I love you. Will you marry me?" he cried.
But shemustbid herself be stern. "I must, I must," she thought.She made a mighty effort.
"No," she said, in a suffocated voice, painfully.
"Oh, look at me," he pleaded. "Why do you keep your face turned away?Why do you say no? I love you. Will you marry me? Say yes, say yes."
But she did not look at him.
"No. I can't. Don't ask me," she said.
"Why can't you? I love you. I adore you. Why should n't I ask you?"
The palest flicker of a smile passed over her face.
"I want you to marry your cousin," she said.
"Is that the only reason?"
"Is n't that a sufficient reason?"
Again there was the flicker of a smile.
"For heaven's sake, look at me. Don't keep your face turned away.Then you don't—you don't care for me—not an atom?"
"I"—she could not deny herself one instant of weakness more, one supreme instant; afterwards she would be stern in earnest, she would draw back—"I never meant to let you know I did."
And for the first time between two heart-beats her eyes met his, stayed with his.
For the time between two heart-beats, Time stood still, the world stood still, Time and the world ceased to be. Her eyes stayed with his. There was nothing else in all created space but her two eyes, her soft and deep, dark and radiant eyes. Far, far within them shone a light. Her soul came forth from its hiding place, and shining far, far within her eyes, showed itself to his soul, yielded itself to his soul.
"Then you do—you do," he cried. It was almost a wail. The universe reeled round him.
He had sprung to his feet. He threw himself on the bench beside her, facing her. He seized her hands again. He tried again to get her eyes.
"No, no, no," she said, freeing her hands, shrinking from him. "No. I don't—I don't."
"But you do. You said you did. You—you showed that you did."
He waited, triumphant, anxious, breathless.
"No, no, no. I did n't say it—I did n't mean it."
"But you did mean it. Your eyes . . ."
But when he remembered her eyes, speech deserted him. He could only gasp and tingle.
"No, no, no," she said. "I meant nothing. Please—please don't come so near. Stand up—there" (her hand indicated where), "and we will speak of it—reasonably."
Her hand remained suspended, enjoining obedience.
Anthony, perplexed, dashed a little, obeyed, and stood before her.
"We must be reasonable," she said. "I meant nothing. If I seemed moved, it was because—oh, because I was so taken by surprise, I suppose."
She was getting herself in hand. She looked at him quite fearlessly now, with eyes that pretended to forget they had ever been complaisant.
"The Count of Sampaolo," she argued calmly, "is not free to marry whom he will. He has his inheritance to regain, his mission to fulfil. I will never allow myself to be made an obstacle to that. He must marry no one but his cousin. I will never stand between him and her—between him and what is equally his interest and his duty."
But Anthony, too, was getting himself in hand.
"Look here," he said, with some peremptoriness. "You may just once for all eliminate my cousin from your calculations. I beg you to understand that even if you did n't exist, there could be no question of my cousin. No earthly consideration could induce me to make any sort of terms with that branch of my family—let alone a marriage. So!" A wave of the hand dismissed his cousin for ever to Crack-limbo. "But as you do exist, and as I happen to love you, and as I happen to have discovered—what I could never wildly have dared to hope—that you are not utterly indifferent to me, I may tell you that I intend to marryyou—you—you. You imperial, adorable woman! You!"
Susanna hastily turned her eyes down the avenue.
"In fact," Anthony added, with serene presumption, "I have the honour to apprise you of our engagement."
She could n't repress a nervous little laugh. Then she rose.
"They 'll be expecting me at the house," she said, and moved in that direction.
"I 'm waiting for your congratulations," said he, walking beside her.
She gave another little laugh. And neither spoke again until they had reached the hall door, which he opened for her.
"Well?" he asked.
"Come back after luncheon," said she. "Come back at three o'clock—andI will tell you something."
"Own up—and name the day," said Miss Sandus, when she had heard Susanna's story. "There 's nothing left for you to do, my dear, but to make a clean breast of it, and name the happy day."
They were in the billiard-room, after luncheon. Miss Sandus was sipping coffee, while Susanna, cue in hand, more or less absently knocked about the balls. So that their remarks were punctuated by an erratic series of ivorytoc-tocs.
"I 'm afraid if I own up," she answered, "there won't be any happy day. He swore that no earthly consideration could induce him to make any sort of terms with my branch of the family. Those were his very words."
Toc—she pocketed the red.
"Fudge," pronounced Miss Sandus. "Capital words for eating. He 'll gobble, he 'll bolt 'em. Give him the chance. It's astonishing how becoming it is to you young women to play billiards, how it brings out the grace of your blessed figures. Say, 'I, even I, am your cousin. Do you still decline to marry her?'—and see what he 'll do. No, no—you want to take it a little more to the right and lower down. That's it." (Toc-toc—Susanna made a cannon.) "He 'll jump at you. I know the man. There 's no possible question of it. So I must be thinking of the gown I 'm to wear as bridesmaid."
She laughed, and put down her cup.
Susanna, trying for another cannon, fluked another pocket.
"No," she said. "That would be to miss half the fun of the situation.The thing must be more dramatic. Besides, I want it to happen atSampaolo. I want him to go to Sampaolo. And I want to tempt him andtest him.
"'Not so, said she, but I will seeIf there be any faith in man.'"
she quoted (or misquoted?—I forget). "He shall go to Sampaolo and be tempted. With his own eyes he shall behold the heritage of the Valdeschi. Then he shall be approached by his cousin's friends,—by the reluctant but obedient Commendatore Fregi, for example,—and sorely tempted. I 've got rather a subtle little scheme. I 'll explain it to you later—he 'll be arriving at any moment now. He shall leave for Sampaolo to-morrow morning. You and I will leave the morning after, if you please. Only, of course, he's to know nothing about that—he's to suppose that we 're remaining here."
She attempted a somewhat delicate stroke off the cushion, and achieved it.
"Good shot," approved Miss Sandus. "But you are forgetting Mr. Willes.Mr. Willes will tell him."
"No, I 've not forgotten Mr. Willes," said Susanna. "I should n't very much mind letting Mr. Willes into my confidence. But I think on the whole I 'll make him take Mr. Willes with him."
"You 're nothing if not arbitrary," Miss Sandus laughed.
"I come of a line of tyrants," said Susanna. "And, anyhow, what's the good of possessing power, if you 're not to exercise and enjoy it?"
The clock on the mantelpiece began to strike three.
"Mr. Craford," announced a servant.
Miss Sandus fled from the room by a French window.
Susanna returned her cue to the rack.
Anthony had passed, I imagine, the longest hour and a half that he had ever passed, or will ever be likely to pass: the longest, the most agitated, the most elated, the most impatient.
Could he regard himself as accepted? Well, certainly, as the next thing to it. And, in any case, she had confessed that she cared for him.
"I never meant to let you know I did."
Oh, he heard it again and again. Again and again her eyes met his, as they had met them at that consummate moment, discovering her soul to him. Again and again he knelt before her, and kissed her hands, warm and soft, and sweet with that faint perfume which caused cataclysms in his heart.
He went home, he went in to luncheon. Somehow he must wear out the time till three o'clock.
"Come back at three o'clock—and I will tell you something."
What had she to tell him? What would he hear when he went back at three o'clock? Here was a question for hope and fear to play about.
Adrian prattled merrily over the luncheon table. I wonder how many of his words Anthony took in.
After luncheon he tramped about the park, counting the slow minutes,—kissing her hands, looking into her eyes, racking his brain with speculations as to what she might have to tell him, hoping, fearing, and counting the long slow minutes. And his tug at Susanna's doorbell coincided with the very first stroke of three from her billiard-room clock.
His throat was dry, his pulses pounded, his knees all but knocked together under him, as he followed the manservant across the hall, into her presence.
Susanna returned her cue to the rack.
Anthony stood near the door, an incarnate question.
"Well—?" he demanded, in a voice that was tense.
"Come in," she amiably welcomed him. "Sit down."
She pointed to a chair. She wore the same white frock that she had worn before luncheon, only she had stuck a red rose in her belt.
He did n't sit down, but he came forward, and stood by the fireplace.
"What an age, what an eternity it has been," he profoundly sighed. "I have grown grey waiting for this instant."
She studied him, with amusement.
"The grey is very skilfully concealed," she remarked.
"The grey is in my soul," said he, with the accent of tragedy."Well—?" he again demanded.
"Well what?" teased she, arching her eye-brows innocently.
"Oh, come," he remonstrated. "Don't torture a defenceless animal. Seal my fate, pronounce my doom. I love you—love you—love you. Will you have me?"
She stood silhouetted against a window, the light sifting and shining through her hair.
"I have a condition to make," she said. "You must promise to comply with my condition—and then I can answer you."
Her dark eyes smiled into his, quizzically, but perhaps with a kind of tenderness too.
He came nearer.
"A condition? What's the condition?"
"No—you must promise first to agree to it," she said.
"A promise in the dark?" he objected.
"Oh, if you can't trust me!" she cried, with a little shrug.
"There's mischief in your eye," said he. "The man deserves what he gets, who makes promises in the dark."
"Then make the promise—and see whether you get what you deserve," she laughed.
"Mercy forbid that any man should get what he deserves," said he. "I am a suppliant for grace, not justice."
Susanna laughed again. She took her rose from her belt, and brushed her face with it, touched it with her lips.
"Do you care for roses?" she asked, with a glance of intellectual curiosity, as one who spoke solely for the purpose of acquiring knowledge.
"I should care for that rose," said he, vehemently.
She held it out to him, still laughing, but with a difference.
He seized the rose—and suddenly, over-mastered by his impulse, suddenly, violently, made towards her.
But she drew away, extending her hands to protect herself.
"I beg your pardon," he said, pulling himself up. "But you should make a conscientious effort to be a trifle less adorable."
He pressed her rose to his mouth, crushing it, breathing in its scent, trying to possess himself of the touch her mouth had left upon it.
She sank into the corner of a sofa, and leaned back among the cushions.
"Well, do you promise?" she asked, smiling up at him.
"Do you flatter yourself that you 're a trifle less adorable now?" asked he, smiling down.
"Do you promise?" she repeated, taking away her eyes.
"I clean forget what it was you wished me to promise," said he.
"You are to promise to comply with my condition. Do you?"
"I suppose I must," he answered, with a gesture of submission.
"But do you? You must say"—she made her voice sepulchral—"'I solemnly do.'"
She gave him her eyes again, held him with them.
He was rigid for a minute, gazing fixedly at her.
"I solemnly do," he said at last, relaxing. "What's the condition?"
"The condition is an easy one—only a little journey to make."
"A journey to make? Away from Craford?"
He stood off, suspicious, prepared to be defiant.
"Yes," said she, playing with the lace of one of her cushions.
"Not for worlds," said he. "Anything else. But I won't leave Craford."
"You have promised," said she.
"Ah, but I did n't dream there would be any question of my leavingCraford. There's a woman at Craford I 'm in love with. I won't leaveCraford."
"You have solemnly promised," said she.
"Hang my promise," gaily he outfaced her.
"Promises are sacred." She looked serious.
"Not promises extorted in the dark," contended he.
"Give me back my rose," said she, putting forth her hand.
"No," said he, pressing the rose anew to his face.
"Yes," said she, her foolhardy hand awaiting it.
For, instead of giving her back her rose, he threw himself upon her hand, and had kissed it before she could catch it away.
She bit her lip, frowning, smiling.
"Then will you keep your promise?" she asked severely.
"If you insist upon it, I suppose I 'll have to," he grudgingly consented. "But a journey!" he sighed. "Ah, well. Where to?"
Her eyes gleamed, maliciously.
"To a very pleasant place," she said. "The journey is a pious pilgrimage."
"Craford, just now, is the only pleasant place on the face of the earth," vowed he. "A pious pilgrimage? Where to?"
He had, I think, some vague notion that she might mean a pilgrimage to the Holy Well of St. Winefride in Wales; though, for that matter, why not to the Holy Well of St. Govor in Kensington Gardens?
"A pious pilgrimage to the home of your ancestors," said Susanna. "The journey is a journey to the little, unknown, beautiful island of Sampaolo."
Her eyes gleamed, maliciously, exultantly.
But Anthony fell back, aghast.
"Sampaolo?" he cried.
"Yes," said she, quietly.
"Oh, I say!" He writhed, he groaned. "That is too much. Really!"
"That is my condition," said Susanna. Her mouth was firm.
"You don't mean it—you can't mean it." He frowned his incredulity.
"I mean it literally," she persisted. "You must make a journey toSampaolo."
"But what's thesenseof it?" he besought her. "Why on earth should youimposesuch a condition?" He frowned his incomprehension.
"Because you have asked me to be your wife," she answered.
He shook his head, mournfully, scornfully.
"If ever an explanation darkened counsel!" mournfully he jeered.
"You have asked me to be your wife. I reply that first you must make a journey to Sampaolo. Is that not simple?" said Susanna.
He was walking about the room.
"Do you mean to say "—he came to a standstill—"that if I make a journey to Sampaolo, youwillbe my wife?"
"I mean to say that I will never be your wife unless you do."
"But if I do—?"
She leaned back, smiling, among her cushions.
"That will depend upon the result of your journey."
He shook his head again.
"I 'm utterly at sea," he professed. "I have never heard anything that sounded so bewilderingly devoid of reason. Explain yourself. What is it all about?"
"Reflect for a moment," said she, assuming a tone argumentative. "Consider the embarrassment of my position. You ask me to be your wife. But if I consent, you give up your only chance of regaining your Italian patrimony—do you not? But a man should at leastknowwhat he is giving up.Youshould know what your patrimony consists of. You should know, as the saying is, what you 'stand to lose.' Therefore you must go to Sampaolo, and see it with your own eyes. Isola Nobile, Castel San Guido, the Palazzo Rosso, Villa Formosa—you must see them all, with their gardens and their pictures and their treasures. And then you must ask yourself in cold blood, 'Is that woman I left at Craford really worth it?'"
She smiled. But, as he made to speak, her hand commanded silence.
"No, no," she said. "You have not seen them yet, so you can't tell. When you have seen them, you will very likely thank me for leaving you free to-day. You will think, with a shudder, 'Good heavens, what a narrow escape! What if she had taken me at my word?' Then you can offer yourself to your cousin, and let us hope she 'll accept you."
Again, as he made to speak, her hand silenced him.
"But if," she went on, "if, by any chance, you shouldnotthank me,—if, in cold blood, with your eyes open, you should decide that the woman you left at Crafordisworth it,—why, then you can return to her, and renew your suit. And she'll have the satisfaction of knowing thatyouknow what's she costing you."
Anthony stood over her, looked down upon her.
"This is the most awful nonsense," he said, with a grave half-laugh.
"It is my condition," said she. "You must start for Sampaolo to-morrow morning."
"You 'll never really send me on such a fool's errand," he protested.
"You have promised," said she.
"You won't hold me to the promise."
"If I release you from it," she warned him, her eyes becoming dangerous, "there must be no more talk of marriage between you and me."
He flung away from her, and resumed his walk about the room. He gazed distressfully into space, as if appealing to invisible arbiters.
"This is too childish—and too cruel," he complained. "I 'm not an idiot. I don't need an object-lesson. I am not utterly without imagination. I can see Sampaolo with my mind's eye. And seeing it, I decide in cold blood that not for forty million Sampaolos would I give up the woman I adore. There—I 've made the journey, and come back. Now I renew my suit. Will you have me?"
He stood over her again.
"There must be no more talk of having or not having between you and me—till you have kept your promise," said Susanna, coldly avoiding his gaze.
Anthony clenched his fists, ground his teeth.
"What folly—what obstinacy—what downright wanton capriciousness," in anger he muttered.
"And yet, two minutes ago, this man said he loved me," Susanna murmured, meaningly, to the ceiling.
"If I were n't unfortunate enough to love you, I should n't mind your—your perfectly barbarous unkindness."
He glared at her. But she met his glare with a smile that disarmed it.And, in spite of himself, he smiled too.
"Will you start to-morrow?" she asked, softly, coaxingly.
"This is outrageous," he said. "How long do you expect me to stay?"
"Oh, for that," she considered, "I shall be very moderate. A week will do. A diligent sightseer should be able to see Sampaolo pretty thoroughly in a week."
"A week," he calculated, "and I suppose one must allow at least another week for getting there and back. So you exile me for a fortnight?"
His tone and his eyes pleaded with her.
"A fortnight is not much," said she, lightly.
"No," he gloomily acquiesced. "It is only fourteen lifetimes to a man who happens to be in love."
"Men are reputed to be stronger than women," she reproached him, with a look. "If a mere woman can stand a fortnight——!"
Anthony gasped—and sprang towards her.
"No, no," she cried, shrinking away.
"Doyouhappen to be in love?" he said, restraining himself.
She looked at him very kindly.
"I will tell you that, when you come back—ifyou come back," she promised.
"IfI come back!" he derided. Then, with eagerness, "You will write to me? I may write to you?" he stipulated.
"Oh, no—by no means. There must be no sort of communication between us. You must give yourself every chance to forget me—and to think of your cousin."
"I won't go," said Anthony.
He planted himself in a chair, facing her, and assumed the air of a fixture.
But Susanna rose.
"Good-bye, then," she said, and held out her hand.
"What do you mean?" said he.
But he took her hand, and kept it.
"All is over between us—if you won't go."
But she left her hand in his.
"Youwillwrite to me?"
He caressed the warm soft fingers.
"No."
"But Imaywrite to you?"
He kissed the fragrant fingers.
At last, slowly, gently, she drew her hand away.
"Oh, if it will give you any satisfaction to write to me, I suppose you may," she conceded. "But remember—you must n't expect your letters to be answered."
She went back to her place in the corner of the sofa.
He left his chair, and stood over her again.
"I love you," he said.
She smiled and played with the lace of her cushion.
"So you remarked before," she said.
"I love you," said he, with fervour.
"By the bye," she said, "I forgot to mention that you are to take Mr.Willes with you."
"Oh—?" puzzled Anthony. "Willes? Why?"
"For several reasons," said Susanna. "But will one suffice?"
"What's the one?"
She looked up at him, and laughed.
"Because I wish it."
Anthony laughed too.
"You are conscious of your power," he said.
"Yes," she admitted. "So you will take Mr. Willes?"
"You have said you wished it."
And then, for a while, neither spoke, but I fancy their eyes carried on the conversation.
It was nearly time to dress for dinner when Anthony returned to CrafordOld Manor.
Adrian, his collar loosened, his hair towzled, his head cocked critically to one side, was in his business-room, seated at his piano, playing over and over again a single phrase, and now and then making a little alteration in it, which he would hurriedly jot down in a manuscript music-book, laid open on a table at his elbow.
"Are n't you going for a holiday this summer?" Anthony asked, with languor, lounging in.
"Hush-sh-sh!" said Adrian, intent upon his manuscript, waving an admonitory hand.
"It's time to dress," said Anthony. He lighted a cigarette.
Adrian strummed through his phrase again, brows knitted, looking intensely judicial. Then he swung round on his piano-stool.
"Hey? What did you say?" he questioned, his blue eyes vague, his pink face blank.
"I merely asked whether you were n't going for a holiday this summer,"Anthony repeated, between two outputs of smoke.
"And you interrupt a heaven-sent musician, when you see the fit's upon him, merely to ask an irrelevant thing like that," Adrian reproved him. "I was holding an assize, a gaol-delivery. That phrase was on trial before me for its life. In art, sir, one should imitate the methods of a hanging judge. Put every separate touch on trial for its life, and deem it guilty till it can prove itself innocent. Yea, even though these same touches be dear to you as her children to a mother. Such is the high austerity of art. I thought you said it was time to dress."
"So it is," said Anthony. "Are n't you going for a holiday this summer?"
Adrian closed his music-book, and got up.
"Of course I am," he answered.
"When?" said Anthony.
"In September, as usual," said Adrian.
"I was wondering," said Anthony, twiddling his cigarette, "whether you would mind taking your holiday a little earlier than usual this year—in August, for instance?"
"Why?" asked Adrian, with caution.
"It would suit me better, I could spare you better," Anthony said.
Adrian eyed him suspiciously.
"In August? We 're in August now, are n't we?"
"I believe so," said Anthony. "Either August or late July. One could find out from the almanac, I suppose. It would suit me very well if you could take your holiday now—at once."
Adrian's suspicion became acute.
"What are you up to? What do you want to get rid ofmefor?"
Anthony smoked.
"I don't want to get rid of you. On the contrary—I 'll go with you, if you like."
Adrian scrutinized him searchingly, suspicion reinforced by astonishment. All at once his eyes flashed.
"Aha!" he cried. "I see what you 've been at. You 've been trying to philander with the Nobil Donna Susanna Torrebianca—and she 's sent you about your business. Oh,I 'veseen how things were going." He winked and nodded.
"Nothing of the sort," said Anthony. "You might tell Wickersmith to pack our things. We 'll take the eight-fifteen up to-morrow morning. That will get us to Victoria in time for the eleven o'clock Continental express."
"Oh? We 're going abroad?" asked Adrian.
"I suppose so. Where else is there to go?" said Anthony.
"I could have told you beforehand," Adrian consoled him, "that you had n't the ghost of a chance with her. You grim, glum, laconic sort of men are n't at all the sort that would appeal to a rich, poetic, southern nature like Madame Torrebianca's. She would be attracted by an exuberant, expansive, warm, sunny sort of man,—a man genial and fruity, like old wine,—sweet and tender and mellow, like ripe peaches. If it were n't that I sternly discountenance the imperilling of business interests by mixing them up with personal sentiment, I should very probably have paid court to her myself. And now I expect you have lost me a tenant. I expect she 'll not care to renew the lease."
"Don't know, I 'm sure," said Anthony. "You might ask her. We 're dining with her to-night. That would make a graceful dinner-table topic."
Adrian's blue eyes grew round.
"We 're dining with her to-night?"
That did n't at all fit his theory of the case.
"At least I am," affirmed Anthony, dropping the end of his cigarette into an ash-tray. "And she said I might bring you, if you 'd promise to be good."
"The—deuce!" ejaculated Adrian, in something between a whisper and a whistle. "But—then—why—what—what under the sun are you going abroad for?"
"A mere whim—a sheer piece of perversity—a sleeveless errand," Anthony answered. "So now we might set about sweeping and garnishing ourselves," he suggested, moving towards the door.
Susanna was very beautiful, I think, in a rose-coloured dinner-gown (rose-coloured chiffon, with accessories of drooping old pale-yellowish lace), a spray of scarlet geranium in her hair, pearls round her throat, and, as you could now and then perceive, high-heeled scarlet slippers on her feet.
She was very beautiful, very pleasant and friendly; and if she seemed, perhaps, a thought less merry, a thought more pensive, than her wont—if sometimes, for a second or two, she seemed to lose herself, while her eyes gazed far away, and her lips remained slightly parted—I doubt if Anthony liked her any the less for this.
But what he pined for was a minute alone with her; and that appeared to be by no means forthcoming. After dinner they all went out upon the terrace, where it was lighted by the open French windows of the drawing-room, and reposed in wicker chairs, whilst they sipped their coffee. He looked at her, and his heart grew big—with grief, with resentment, with delight, with despair, with hope. "She cares for me—she has said it, she has shown it. But then why does she send me on this egregious wild-goose chase? She cares for me. But then why does n't she arrange to give me a minute alone with her to-night?"
In the end,—well, was it Adrian, or was it Miss Sandus, whom he had to thank for their minute alone?
"Why does nobody say, 'Dear kind Mr. Willes, do be nice, and sing us something'?" Adrian plaintively inquired.
Anthony grasped the skirts of happy chance.
"Dear kind Mr. Willes, do be nice, and sing us something," he said at once.
"I 'll play your accompaniments," volunteered Miss Sandus.
And she and the songster went into the drawing-room.
"Thank heaven," said Anthony, under his breath, but fervently, gazing hard at Susanna.
She gave a little laugh.
"What are you laughing at?" he asked.
"At your sudden access of piety," said she.
"At any rate," said he, "I owe no thanks toyou. For all you cared, apparently, we should have spent the whole of this last precious evening surrounded by strangers."
"Mamam, dites-moi ce qu'on sentQuand on aime,"
came the voice of Adrian from within.
"If you talk, we can't hear the music," said Susanna.
"Bother the music," responded Anthony.
"It was you who asked him to sing," she said.
"Bother his singing. This is my last evening with you. Do you think a woman has the right to be as gloriously beautiful as you are to-night? Do you think it's fair to the feelings of a poor wretched man, who adores her, and whom she, in mere wanton wickedness, is sending to the uttermost ends of the earth?"
Susanna had her fan of white feathers in her lap. She caressed it.
"I want to ask you something," said Anthony.
"What is it?" said she.
"A piece of information, to help me on my journey. Will you give it me?"
"If I can, of course," said she, putting her fan on the table.
"You promise?" said he.
"If I have any information that can be of use to you, I 'll give it with pleasure," she agreed.
"Very good. That's a promise," said he. "Now then, for my question.I love you. Do you love me?"
He looked hard at her.
She laughed, in acknowledgment that she had been fairly caught. Then her eyes softened.
"Yes," she said.
But before he could move, she had sprung up, and disappeared through one of the French windows, joining Miss Sandus and Adrian at the piano.
In her flight, however, she forgot her fan. It lay where she had left it on the table.
Anthony picked it up, pressed it to his face. He closed his eyes, and kept it pressed to his face. Its fragrance was more than a mere fragrance—there was something of herself in it, something poignantly, intimately personal.
By and by he put the fan in his pocket, in the inside pocket of his coat—feathers downwards, the better to conceal it. Then he too joined the group at the piano.