“The hawthorn bush, with seats beneath the shade,For talking age and whispering lovers made”—
“The hawthorn bush, with seats beneath the shade,For talking age and whispering lovers made”—
the joyous dancers out on the village green, the flaunting banners and wreaths of flowers hung in rich profusion over the cross-roads—with such scenes as these flitting through my memory, I could well understand that there is an absolute physical servitude to which men can be reduced, that, in the progress of generations, must crush down the human soul, and make life indeed a dreary struggle. In the splendor of large cities, amid the glitter and magnificence of palaces and churches, the varied paraphernalia of aristocracy and wealth, and all the excitements, allurements, and novelties apparent to thesuperficial eye, the real condition of the masses is not perceptible. They must be seen in the country—in their far-off villages and homes throughout the broad land; there you find no disguise to cover the horrible deformities of their bruised and crushed life; there you see the full measure of their civilization. In the huts of these poor people there is little or no comfort. Many of them have neither beds nor chairs, and the occupants spend a sort of camp life within doors, cooking their food like Indians, and huddling round the earthen stove or fireplace in winter, where they lie down on the bare ground and sleep in a mass, like a nest of animals, to keep each other warm. Their clothing is of the coarsest material, but reasonably good, and well suited to the climate. The men are a much finer-looking race, physically, than theirmasters. I saw some serfs in Moscow who, in stature, strong athletic forms, and bold and manly features, would compare favorably with the best specimens of men in any country. It was almost incredible that such noble-looking fellows, with their blue, piercing eyes and manly air, should be reduced to such a state of abject servitude as to kiss the tails of their master’s coats! Many of them had features as bold and forms as brawny as our own California miners; and more than once, when I saw them lounging about in their big boots, with their easy, reckless air, and looked at their weather-beaten faces and vigorous, sunburnt beards, I could almost imagine that they were genuine Californians. But here the resemblance ceased. No sooner did an officer of high standing pass, than they manifested some abject sign of their degraded condition.
Two women gather and stack hay
HAY GATHERERS.
Some of the agricultural implements that one sees in this country would astonish a Californian. The plows are patterned very much after those that were used by Boaz and other large farmers in the days of the Patriarchs; the scythes are the exact originals of the old pictures in which Death is represented as mowing down mankind; the hoes, rakes, and shovels would be an ornament to any museum, but are entirely indescribable; and as for the wagons and harnesses—herein lies the superior genius of the Russians over all the races of earth, ancient or modern, for never were such wagons and such harnesses seen on any other part of the globe. To be accurate and methodical, each wagon has four wheels, and each wheel is roughly put together of rough wood, and then roughly bound up in an iron band about four inches wide, and thick in proportion. Logs of wood, skillfully hewed with broad-axes, answer for the axle-tree; and as they don’t weigh over half a ton each, they are sometimes braced in the middle to keep them from breaking. Upon the top of this is a big basket, about the shape of a bath-tub, in which the load is carried. Sometimes the body is made of planks tied together with bullock’s hide,or no body at all is used, as convenience may require. The wagon being thus completed, braced and thorough-braced with old ropes, iron bands, and leather straps, we come to the horses, which stand generally in front. The middle horse is favored with a pair of shafts of enormous durability and strength. He stands between these shafts, and is fastened in them by means of ropes; but, to prevent him from jumping out overhead, a wooden arch is out over him, which is thechef-d’œuvreof ornamentation. This is called theduga, and is the most prominent object to be seen about every wagon, drosky, and kibitka in Russia. I am not sure but a species of veneration is attached to it. Often it is highly decorated with gilding, painted figures, and every vagary of artistic genius, and must cost nearly as much as the entire wagon. Some of thedugaseven carry saintly images upon them, so that the devout driver may perform his devotions as he drives through life. To suppose that a horse could pull a wagon in Russia without this wooden arch, the utility of which no human eye but that of a Russian can see, is to suppose an impossibility. Now, the shafts being spread out so as to give the horse plenty of room at each side, it becomes necessary, since they are rather loosely hung on at the but-ends, to keep them from swaying. How do you think this is done? Nothing easier. By running a rope from the end of each shaft to the projecting end of the fore axle, outside of the wheels. For this purpose the axle is made to project a foot beyond the wheels, and the only trouble about it is that two wagons on a narrow road often find it difficult to pass. It is very curious to see these primitive-looking objects lumbering about through the streets of Moscow and St. Petersburg. The horses are most commonly placed three abreast. In the ordinary kibitka or traveling wagon the outside horses are merely fastened by ropes, and strike out in any direction they please, the whip and a small rein serving to keep them within bounds. It is perfectly astonishing with what reckless and headlongspeed these animals dash over the rough pavements. Just imagine the luxury of a warm day’s journey in such a vehicle, which has neither springs nor backed seats—three fiery horses fastened to it, and each pulling, plunging, and pirouetting on his own account; a ferocious yamtschick cracking his whip and shrieking “Shivar! shivar!”—faster! faster!—the wagon, rattling all over, plunging into ruts, jumping over stones, ripping its way through bogs and mud-banks; your bones shaken nearly out of their sockets; your vertebræ partially dislocated; your mouth filled with dust; your tongue swollen and parched; your eyes blinded with grit; youryamtschickreeling drunk withvodka, and bound to draw to the destined station—or some worse place; your confidence in men and horses shaken with your bones; your views of the future circumscribed by every turn of the road—oh! it is charming; it is the very climax of human enjoyment. Wouldn’t you like to travel in Russia?
In addition to the villages which are scattered at frequent intervals along the route, the gilded dome of a church is occasionally seen in the distance, indicating the existence of a town; but one seldom catches more than a glimpse of the green-covered roofs of the houses, over the interminable patches of scrubby pine. It is not a country that presents such attractive features as to induce the mere tourist to get out and spend a few days rambling through it. In these dreary solitudes of marshes and pines, the inhabitants speak no other language than their own, and that not very well; but well or ill, it is all Greek—or rather Russian—to the majority of people from other countries.
But, as I said before, this habit of digression will be the death of me. Like a rocket, I start off splendidly, but explode and fall to pieces in every direction before I get half way on my journey. If the scintillations are varied and gayly colored, to be sure, the powder is not utterly lost; but the trouble of it is, if one keeps going off like rockets all the time, he will never get any where,and in the end will leave nothing but smoke and darkness to the gaping multitude.
If my memory serves me, I was talking of the Emperor Alexander’s convoy of private railway carriages—the most magnificent affair of the kind, perhaps, in existence. It was made purposely for his use, at a cost of more than a hundred thousand dollars, and presented to him by the American company, Winans and Company. Nothing so magnificent in decoration, and so admirably adapted to the convenience, comfort, and enjoyment of a royal party has ever been seen in Europe. The main carriage—for there are several in the suite—called,par excellence, the emperor’s own, is eighty-five feet long, and something over the usual width. It rests upon two undivided sleepers of such elastic and well-grained wood that they would bear the entire weight of the carriage, without the necessity of a support in the middle, forming a single stretch or arch, from axle to axle, of about seventy feet. The springs, wheels, brakes, and various kinds of iron-work, are of the finest and most select material, and highly finished in every detail, combining strength and durability with artistic beauty. The interior of the main or imperial carriage is a masterpiece of sumptuous ornamentation. Here are the richest of carvings; the most gorgeous hangings of embroidered velvet; mirrors and pictures in profusion; carpets and rugs that seem coaxing the feet to linger upon them; tables, cushioned sofas, and luxurious arm-chairs; divans and lounges of rare designs, covered with the richest damask; exquisite Pompeian vases and brilliant chandeliers—all, in short, that ingenuity could devise and wealth procure to charm the senses, and render this a traveling palace worthy the imperial presence. Connected with the main saloon is the royal bedchamber, with adjoining bathing and dressing rooms, equally sumptuous in all their appointments. Besides which, there are smoking-rooms, private offices, magnificent chambers for the camarilla, the secretaries, and body-guard of the emperor.The whole is admirably arranged for convenience and comfort; and it is said that the motion, when the convoy is under way, is so soft and dreamy that it is scarcely possible to feel a vibration, the effect being as if the cars were floating through the air, or drawn over tracks of down. Fully equal to this, yet more subdued and delicate in the drapery and coloring, are the apartments of the empress. Here it may truly be said is “the poetry of motion” realized—saloons fit for the angels that flit through them, of whom the chiefest ornament is the empress herself—the beautiful and beloved Maria Alexandrina, the charm of whose presence is felt like a pleasant glow of sunshine wherever she goes. Here are drawing-rooms, boudoirs, apartments for the beautiful maids of honor, reading-rooms, and even a dancing-saloon, from which it may well be inferred that the royal party enjoy themselves. If the emperor fails to make himself agreeable in this branch of his establishment, he deserves to be put out at the very first station. But he has the ladies at a disadvantage, which probably compels them to be very tolerant of his behavior; that is to say, he can detach their branch of the establishment from his own, and leave them on the road at any time he pleases by pulling a string; but I believe there is no instance yet on record of his having availed himself of this autocratic privilege. It is usually understood at the start whether the excursion is to be in partnership or alone. When the emperor goes out on a hunting expedition, he is accompanied by a select company of gentlemen, and of course is compelled to deprive himself of the pleasure of the more attractive and intoxicating society of ladies, which would be calculated to unsteady his nerves, and render him unfit for those terrific encounters with the bears of the forest upon which his fame as a hunter is chiefly founded.
What the great Napoleon thought when he gazed for the first time across the broad valley that lay at his feet, and caught the first dazzling light that flashed from the walls and golden cupolas of the Kremlin—whether some shadowy sense of the wondrous beauties of the scene did not enter his soul—is more than I can say with certainty; but this much I know, that neither he nor his legions could have enjoyed the view from Sparrow Hill more than I did the first glimpse of the grand old city of the Czars as I stepped from the railroad dépôt, with my knapsack on my back, and stood, a solitary and bewildered waif, uncertain if it could all be real; for never yet had I, in the experience of many years’ travel, seen such a magnificent sight, so wildly Tartaric, so strange, glowing, and incomprehensible. This was Moscow at last—the Moscow I had read of when a child—the Moscow I had so often seen burnt up in panoramas by an excited and patriotic populace—the Moscow ever flashing through memory in fitful gleams, half buried in smoke, and flames, and toppling ruins, now absolutely before me, a gorgeous reality in the bright noonday sun, with its countless churches, its domes and cupolas, and mighty Kremlin.
Stand with me, reader, on the first eminence, and let us take a bird’s-eye view of the city, always keeping in mind that the Kremlin is the great nucleus from which it all radiates. What a vast, wavy ocean of golden cupolas and fancy-colored domes, green-roofed houses and tortuous streets circle around this magic pile! what a combination of wild, barbaric splendors! nothing within the sweep of vision that is not glowing and Oriental.Never was a city so fashioned for scenic effects. From the banks of the Moskwa the Kremlin rears its glittering crest, surrounded by green-capped towers and frowning embattlements, its umbrageous gardens and massive white walls conspicuous over the vast sea of green-roofed houses, while high above all, grand and stern, like some grim old Czar of the North, rises the magnificent tower of Ivan Veliki. Within these walls stand the chief glories of Moscow—the palaces of the Emperor, the Cathedral of the Assumption, the House of the Holy Synod, the Treasury, the Arsenal, and the Czar Kolokol, the great king of bells. All these gorgeous edifices, and many more, crown the eminence which forms the sacred grounds, clustering in a magic maze of beauty around the tower of Ivan the Terrible. Beyond the walls are numerous open spaces occupied by booths and markets; then come the principal streets and buildings of the city, encircled by the inner boulevards; then the suburbs, around which wind the outer boulevards; then a vast tract of beautiful and undulating country, dotted with villas, lakes, convents, and public buildings, inclosed in the far distance by the great outer wall, which forms a circuit of twenty miles around the city. The Moskwa River enters near the Presnerski Lake, and, taking a circuitous route, washes the base of the Kremlin, and passes out near the convent of St. Daniel. If you undertake, however, to trace out any plan of the city from the confused maze of streets that lie outspread before you, it will be infinitely worse than an attempt to solve the mysteries of a woman’s heart; for there is no apparent plan about it; the whole thing is an unintelligible web of accidents. There is no accounting for its irregularity, unless upon the principle that it became distorted in a perpetual struggle to keep within reach of the Kremlin.
It is sometimes rather amusing to compare one’s preconceived ideas of a place with the reality. A city like Moscow is very difficult to recognize from any writtendescription. From some cause wholly inexplicable, I had pictured to my mind a vast gathering of tall, massive houses, elaborately ornamented; long lines of narrow and gloomy streets; many great palaces, dingy with age; and a population composed chiefly of Russian nabobs and their retinues of serfs. The reality is almost exactly the reverse of all these preconceived ideas. The houses for the most part are low—not over one or two stories high—painted with gay and fanciful colors, chiefly yellow, red, or blue; the roofs of tin or zinc, and nearly all of a bright green, giving them a very lively effect in the sun; nothing grand or imposing about them in detail, and but little pretension to architectural beauty. Very nearly such houses may be seen every day on any of the four continents.
Still, every indication of life presents a very different aspect from any thing in our own country. The people have a slow, slouching, shabby appearance; and the traveler is forcibly reminded, by the strange costumes he meets at every turn—the thriftless and degenerate aspect of the laboring classes—the great lumbering wagons that roll over the stone-paved streets—the droskies rattling hither and thither with their grave, priest-like drivers and wild horses—the squads of filthy soldiers lounging idly at every corner—the markets and market-places, and all that gives interest to the scene, that he is in a foreign land—a wild land of fierce battles between the elements, and fiercer still between men—where civilization is ever struggling between Oriental barbarism and European profligacy.
The most interesting feature in the population of Moscow is their constant and extraordinary displays of religious enthusiasm. This seems to be confined to no class or sect, but is the prevailing characteristic. No less than three hundred churches are embraced within the limits of the city. Some writers estimate the number as high as five hundred; nor does the discrepancy show so much a want of accuracy as the difficulty ofdetermining precisely what constitutes a distinct church. Many of these remarkable edifices are built in clusters, with a variety of domes and cupolas, with different names, and contain distinct places of worship—as in the Cathedral of St. Basil, for instance, which is distinguished by a vast number of variegated domes, and embraces within its limits at least five or six separate churches, each church being still farther subdivided into various chapels. Of the extraordinary architectural style of these edifices, their many-shaped and highly-colored domes, representing all the lines of the rainbow, the gilding so lavishly bestowed upon them, their wonderfully picturesque effect from every point of view, it would be impossible to convey any adequate idea without entering into a more elaborate description than I can at present attempt.
But it is not only in the numberless churches scattered throughout the city that the devotional spirit of the inhabitants is manifested. Moscow is the Mecca of Russia, where all are devotees. The external forms of religion are every where apparent—in the palaces, the barracks, the institutions of learning, the traktirs, the bath-houses—even in the drinking cellars and gambling-hells. Scarcely a bridge or corner of a street is without its shrine, its pictured saint and burning taper, before which every by-passer of high or low degree bows down and worships. It may be said with truth that one is never out of sight of devotees baring their heads and prostrating themselves before these sacred images. All distinctions of rank seem lost in this universal passion for prayer. The nobleman, in his gilded carriage with liveried servants, stops and pays the tribute of an uncovered head to some saintly image by the bridge or the roadside; the peasant, in his shaggy sheepskin capote, doffs his greasy cap, and, while devoutly crossing himself, utters a prayer; the soldier, grim and warlike, marches up in his rattling armor, grounds his musket, and forgets for the time his mission of blood; the tradesman, withhis leather apron and labor-worn hands, lays down his tools and does homage to the shrine; the drosky-driver, noted for his petty villainies, checks his horse, and, standing up in his drosky, bows low and crosses himself before he crosses the street or the bridge; even my guide, the saturnine Dominico—and every body knows what guides are all over the world—halted at every corner, regardless of time, and uttered an elaborate form of adjurations for our mutual salvation.
Pictures of a devotional character are offered for sale in almost every booth, alley, and passage-way, where the most extraordinary daubs may be seen pinned up to the walls. Saints and dragons, fiery-nosed monsters, and snakes, and horrid creeping things, gilded and decorated in the most gaudy style, attract idle crowds from morning till night.
It is marvelous with what profound reverence the Russians will gaze at these extraordinary specimens of art. Often you see a hardened-looking ruffian—his face covered with beard and filth; his great, brawny form resembling that of a prize-fighter; his costume a ragged blouse, with loose trowsers thrust in his boots; such a wretch, in short, as you would select for an unmitigated ruffian if you were in want of a model for that character—take off his cap, and, with superstitious awe and an expression of profound humility, bow down before some picture of a dragon with seven heads or a chubby little baby of saintly parentage.
That these poor people are sincere in their devotion there can be no doubt. Their sincerity, indeed, is attested by the strongest proofs of self-sacrifice. A Russian will not hesitate to lie, rob, murder, or suffer starvation for the preservation of his religion. Bigoted though he may be, he is true to his faith and devoted to his forms of worship, whatever may be his short-comings in other respects. It is a part of his nature; it permeates his entire being. Hence no city in the world, perhaps—Jerusalem not excepted—presents so strange aspectacle of religious enthusiasm, genuine and universal, mingled with moral turpitude; monkish asceticism and utter abandonment to vice; self-sacrifice and loose indulgence. It may be said that this is not true religion—not even what these people profess. Perhaps not; but it is what they are accustomed to from infancy, and it certainly develops some of their best traits of character—charity to each other, earnestness, constancy, and self-sacrifice.
On the morning after my arrival in Moscow I witnessed from the window of my hotel a very impressive and melancholy spectacle—the departure of a gang of prisoners for Siberia. The number amounted to some two or three hundred. Every year similar trains are dispatched, yet the parting scene always attracts a sympathizing crowd. These poor creatures were chained in pairs, and guarded by a strong detachment of soldiers. Their appearance, as they stood in the street awaiting the order to march, was very sad. Most of them were miserably clad, and some scarcely clad at all. A degraded, forlorn set they were—filthy and ragged—their downcast features expressive of an utter absence of hope. Few of them seemed to have any friends or relatives in the crowd of by-standers; but in two or three instances I noticed some very touching scenes of separation—where wives came to bid good-by to their husbands, and children to their fathers. Nearly every body gave them something to help them on their way—a few kopecks, a loaf of bread, or some cast-off article of clothing. I saw a little child timidly approach the gang, and, dropping a small coin into the hand of one poor wretch, run back again into the crowd, weeping bitterly. These prisoners are condemned to exile for three, four, or five years—often for life. It requires from twelve to eighteen months of weary travel, all the way on foot, through barren wastes and inhospitable deserts, to enable them to reach their desolate place of exile. Many of them fall sick on the way from fatigue and privation—manydie. Few ever live to return. In some instances the whole term of exile is served out on the journey to and from Siberia. On their arrival they are compelled to labor in the government mines or on the public works. Occasionally the most skillful and industrious are rewarded by appointments to positions of honor and trust, and become in the course of time leading men.
Prisoners shackled in pairs are escorted through the street by guards
PRISONERS FOR SIBERIA.
In contemplating the dreary journey of these poor creatures—a journey of some fifteen hundred or two thousand miles—I was insensibly reminded of that touching little story of filial affection, “Elizabeth of Siberia,” a story drawn from nature, and known in all civilized languages.
Not long after the departure of the Siberian prisoners, I witnessed, in passing along one of the principal streets, a grand funeral procession. The burial of the dead is a picturesque and interesting ceremony in Moscow. A body of priests, dressed in black robes and wearing long beards, take the lead in the funeral cortége, bearing in their hands shrines and burning tapers. The hearse follows, drawn by four horses. Black plumes wave from the heads of the horses, and flowing black drapery covers their bodies and legs. Even their heads are draped in black, nothing being perceptible but their eyes. The coffin lies exposed on the top of the hearse, and is also similarly draped. This combination of sombre plumage and drapery has a singularly mournful appearance. Priests stand on steps attached to the hearse holding images of the Savior over the coffin; others follow in the rear, comforting the friends and relatives of the deceased. A wild, monotonous chant is sung from time to time by the chief mourners as the procession moves toward the burial-ground. The people cease their occupations in the streets through which the funeral passes, uncover their heads, and, bowing down before the images borne by the priests, utter prayers for the repose of the dead. The rich and the poor of both sexes stand upon the sidewalks and offer up their humble petitions.The deep-tongued bells of the Kremlin ring out solemn peals, and the wild and mournful chant of the priests mingles with the grand knell of death that sweeps through the air. All is profoundly impressive: the procession of priests, with their burning tapers; the drapery of black on the horses; the coffin with its dead; the weeping mourners; the sepulchral chant; the sudden cessation of all the business of life, and the rapt attention of the multitude; the deep, grand, death-knell of the bells; the glitter of domes and cupolas on every side; the green-roofed sea of houses; the winding streets, and the costumes of the people—form a spectacle wonderfully wild, strange, and mournful. In every thing that comes within the sweep of the eye there is a mixed aspect of Tartaric barbarism and European civilization. Yet even the stranger from a far-distant clime, speaking another language, accustomed to other forms, must feel, in gazing upon such a scene, that death levels all distinctions of race—that our common mortality brings us nearer together. Every where we are pilgrims on the same journey. Wherever we sojourn among men,
“The dead around us lie,And the death-bell tolls.”
“The dead around us lie,And the death-bell tolls.”
Thetraktirs, or tea-houses, are prominent among the remarkable institutions of Russia. In Moscow they abound in every street, lane, and by-alley. That situated near the Katai Gorod is said to be the best. Though inferior to the ordinary cafés of Paris or Marseilles in extent and decoration, it is nevertheless pretty stylish in its way, and is interesting to strangers from the fact that it represents a prominent feature in Russian life—the drinking oftchai.
Tea-sellers converse in the street
TEA-SELLERS.
Who has not heard of Russian tea?—the tea that comes all the way across the steppes of Tartary and over the Ural Mountains?—the tea that never loses its flavor by admixture with the salt of the ocean, but is delivered over at the great fair of Nijni Novgorod as pure and fragrant as when it started? He who has never heard of Russian tea has heard nothing, and he who has never enjoyed a glass of it may have been highly favored in other respects, but I contend that he has nevertheless led a very benighted existence. All epicures in the delicate leaf unite in pronouncing it far superior to the nectar with which the gods of old were wont to quench their thirst. It is truly one of the luxuries of life—so soft;so richly yet delicately flavored; so bright, glowing, and transparent as it flashes through the crystal glasses; nothing acrid, gross, or earthly about it—a heavenly compound that “cheers but not inebriates.”
“A balm for the sickness of care,A bliss for a bosom unbless’d.”
“A balm for the sickness of care,A bliss for a bosom unbless’d.”
Come with me, friend, and let us take a seat in the traktir. Every body here is a tea-drinker. Coffee is never good in Russia. Besides, it is gross and villainous stuff compared with thetchaiof Moscow. At all hours of the day we find the saloons crowded with Russians, French, Germans, and the representatives of various other nations—all worshipers before the burnished shrine ofTchai. A little saint in the corner presides especially over this department. The devout Russians take off their hats and make a profound salam to this accommodating little patron, whose corpulent stomach and smiling countenance betoken an appreciation of all the good things of life. Now observe how these wonderful Russians—the strangest and most incomprehensible of beings—cool themselves this sweltering hot day. Each stalwart son of the North calls for a portion oftchai, not a tea-cupful or a glassful, but a genuine Russian portion—a tea-potful. The tea-pot is small, but the tea is strong enough to bear an unlimited amount of dilution; and it is one of the glorious privileges of the tea-drinker in this country that he may have as much hot water as he pleases. Sugar is more sparingly supplied. The adept remedies this difficulty by placing a lump of sugar in his mouth and sipping his tea through it—a great improvement upon the custom said to exist in some parts of Holland, where a lump of sugar is hung by a string over the table and swung around from mouth to mouth, so that each guest may take a pull at it after swallowing his tea. A portion would be quite enough for a good-sized family in America. The Russian makes nothing of it. Filling and swilling hour after hour, he seldom rises before he gets through ten or fifteentumblersful, and, if he happens to be thirsty, will double it—enough, one would think, to founder a horse. But the Russian stomach is constructed upon some physiological principles unknown to the rest of mankind—perhaps lined with gutta-percha and riveted to a diaphragm of sheet-iron. Grease and scalding-hot tea;quassandcabbage soup; raw cucumbers; cold fish; lumps of ice; decayed cheese and black bread, seem to have no other effect upon it than to provoke an appetite. In warm weather it is absolutely marvelous to see the quantities of fiery-hot liquids these people pour down their throats. Just cast your eye upon that bearded giant in the corner, with his hissing urn of tea before him, hisbatvinaand hisshtshie! What a spectacle of physical enjoyment! His throat is bare; his face a glowing carbuncle; his body a monstrous cauldron, seething and dripping with overflowing juices. Shade of Hebe! how he swills the tea—how glass after glass of the steaming-hot liquid flows into his capacious maw, and diffuses itself over his entire person! It oozes from every pore of his skin; drops in globules from his forehead; smokes through his shirt; makes a piebald chart of seas and islands over his back; streams down and simmers in his boots! He is saturated with tea, inside and out—a living sponge overflowing at every pore. You might wring him out, and there would still be a heavy balance left in him.
Two bearded mujiks drink tea and talk
MUJIKS AT TEA.
These traktirs are the general places of meeting, where matters of business or pleasure are discussed; accounts settled and bargains made. Here the merchant, the broker, the banker, and the votary of pleasure meet in common. Here all the pursuits of human life are represented, and the best qualities of men drawn out with the drawing of the tea. Enmities are forgotten and friendships cemented in tea. In short, the traktir is an institution, and its influence extends through all the ramifications of society.
But it is in the gardens and various places of suburban resort that the universal passion for tea is displayed in its most pleasing and romantic phases. Surrounded by the beauties of nature, lovers make their avowals over the irrepressible tea-pot; the hearts of fair damsels are won in the intoxication of love and tea; quarrels between man and wife are made up, and children weaned—Ihad almost said baptized—in tea. The traveler must see the families seated under the trees, with the burnished urn before them—the children romping about over the grass; joy beaming upon every face; the whole neighborhood a repetition of family groups and steaming urns, bound together by the mystic tie of sympathy, before he can fully appreciate the important part that tea performs in the great drama of Russian life.
This draws me insensibly toward the beautiful gardens of the Peterskoi—a favorite place of resort for the Moskovites, and famous for its chateau built by the Empress Elizabeth, in which Napoleon sought refuge during the burning of Moscow. It is here the rank and fashion of the city may be seen to the greatest advantage of a fine summer afternoon. In these gardens all that is brilliant, beautiful, and poetical in Russian life finds a congenial atmosphere.
I spent an evening at the Peterskoi which I shall long remember as one of the most interesting I ever spent at any place of popular amusement. The weather was charming—neither too warm nor too cold, but of that peculiarly soft and dreamy temperature which predisposes one for the enjoyment of music, flowers, the prattle of children, the fascinations of female loveliness, the luxuries of idleness. In such an atmosphere no man of sentiment can rack his brain with troublesome problems. These witching hours, when the sun lingers dreamily on the horizon; when the long twilight weaves a web of purple and gold that covers the transition from night to morning; when nature, wearied of the dazzling glare of day, puts on her silver-spangled robes, and receives her worshipers with celestial smiles, are surely enough to soften the most stubborn heart. We must make love,sweet ladies, or die. There is no help for it. Resistance is an abstract impossibility. The best man in the world could not justly be censured for practicing a little with his eyes, when away from home, merely as I do, you know, to keep up the expression.
The gardens of the Peterskoi are still a dream to me. For a distance of three versts from the gate of St. Petersburg the road was thronged with carriages and droskies, and crowds of gayly-dressed citizens, all wending their way toward the scene of entertainment. The pressure for tickets at the porter’s lodge was so great that it required considerable patience and good-humor to get through at all. Officers in dashing uniforms rode on spirited chargers up and down the long rows of vehicles, and with drawn swords made way for the foot-passengers. Guards in imperial livery, glittering from head to foot with embroidery, stood at the grand portals of the gate, and with many profound and elegant bows ushered in the company. Policeman with cocked hats and shining epaulets were stationed at intervals along the leading thoroughfares to preserve order.
The scene inside the gates was wonderfully imposing. Nothing could be more fanciful. In every aspect it presented some striking combination of natural and artificial beauties, admirably calculated to fascinate the imagination. I have a vague recollection of shady and undulating walks, winding over sweeping lawns dotted with masses of flowers and copses of shrubbery, and overhung by wide-spreading trees, sometimes gradually rising over gentle acclivities or points of rock overhung with moss and fern. Rustic cottages, half hidden by the luxuriant foliage, crowned each prominent eminence, and little by-ways branched off into cool, umbrageous recesses, where caves, glittering with sea-shells and illuminated stalactites, invited the wayfarer to linger a while and rest. Far down in deep glens and grottoes were retired nooks, where lovers, hidden from the busy throng, might mingle their vows to the harmony of falling waters; where thevery flowers seemed whispering love to each other, and the lights and shadows fell, by some intuitive sense of fitness, into the form of bridal wreaths. Marble statues representing the Graces, winged Mercuries and Cupids, are so cunningly displayed in relief against the green banks of foliage that they seem the natural inhabitants of the place. Snow-spirits, too, with outspread wings, hover in the air, as if to waft cooling zephyrs through the soft summer night. In the open spaces fountains dash their sparkling waters high into the moonlight, spreading a mystic spray over the sward. Through vistas of shrubbery gleam the bright waters of a lake, on the far side of which the embattled towers of a castle rise in bold relief over the intervening groups of trees.
On an elevated plateau, near the centre of the garden, stands a series of Asiatic temples and pagodas, in which the chief entertainments are held. The approaching avenues are illuminated with many-colored lights suspended from the branches of the trees, and wind under triumphal archways, festooned with flowers. The theatres present open fronts, and abound in all the tinsel of the stage, both inside and out. The grounds are crowded to their utmost capacity with the rank and fashion of the city, in all the glory of jeweled head-dresses and decorations of order. Festoons of variegated lights swing from the trees over the audience, and painted figures of dragons and genii are dimly seen in the background.
A crowd stand watching a theatre performance
RUSSIAN THEATRE.
Attracted by sounds of applause at one of these theatres, I edged my way through the crowd, and succeeded, after many apologies, in securing a favorable position. Amid a motley gathering of Russians, Poles, Germans, and French—for here all nations and classes are represented—my ears were stunned by the clapping of hands and vociferous criesBis! Bis!The curtain was down, but in answer to the call for a repetition of the last scene it soon rose again, and afforded me an opportunity of witnessing a characteristic performance. A wild Mujik has the impudence to make love to the maid-servantof his master, who appears to be rather a crusty old gentleman, not disposed to favor matrimonial alliances of that kind. Love gets the better of the lover’s discretion, and he is surprised in the kitchen. The bull-dog is let loose upon him; master and mistress and subordinatemembers of the family rush after him, armed with saucepans, tongs, shovels, and broomsticks. The affrighted Mujik runs all round the stage bellowing fearfully; the bull-dog seizes him by the nether extremities and hangs on with the tenacity of a vice. Round and round they run, Mujik roaring for help, bull-dog swinging out horizontally. The audience applauds; the master flings down his broomstick and seizes the dog by the tail; the old woman seizes master by the skirts of his coat; and all three are dragged around the stage at a terrific rate, while the younger members of the family shower down miscellaneous blows with their sticks and cudgels, which always happen to fall on the old people, to the great satisfaction of the audience. Shouts, and shrieks, and clapping of hands but faintly express the popular appreciation of the joke. Finally the faithful maid, taking advantage of the confusion, flings a bunch of fire-crackers at her oppressors and blows them up, and the Mujik, relieved of their weight, makes a brilliant dash through the door, carrying with him the tenacious bull-dog, which it is reasonable to suppose he subsequently takes to market and sells for a good price. The curtain falls, the music strikes up, and the whole performance is greeted with the most enthusiastic applause. Such are the entertainments that delight these humorous people—a little broad to be sure, but not deficient in grotesque spirit.
From the theatre I wandered to the pavilion of Zingalee gipsies, where a band of these wild sons of Hagar were creating a perfect furor by the shrillness and discord of their voices. Never was such terrific music inflicted upon mortal ears. It went through and through you, quivering and vibrating like a rapier; but the common classes of Russians delight in it above all earthly sounds. They deem it the very finest kind of music. It is only the dilettante who have visited Paris who profess to hold it in contempt.
Very soon surfeited with these piercing strains, I rambled away till I came upon a party of rope-dancers, andafter seeing a dozen or so of stout fellows hang themselves by the chins, turn back somersaults in the air, and swing by one foot at a dizzy height from the ground, left them standing upon each other’s heads to the depth of six or eight, and turned aside into a grotto to enjoy a few glasses of tea. Here were German girls singing and buffoons reciting humorous stories between the pauses, and thirsty Russians pouring down whole oceans of their favorite beverage.
Again I wandered forth through the leafy mazes of the garden. The gorgeous profusion of lights and glittering ornaments, the endless variety of colors, the novel and Asiatic appearance of the temples, the tropical luxuriance of the foliage, the gleaming white statuary, the gay company, the wild strains of music, all combined to form a scene of peculiar interest. High overhead, dimly visible through the tops of the trees, the sky wears an almost supernatural aspect during these long summer nights. A soft golden glow flushes upward from the horizon, and, lying outspread over the firmament, gives a spectral effect to the gentler and more delicate sheen of the moon; the stars seem to shrink back into the dim infinity, as if unable to contend with the grosser effulgence of the great orbs that rule the day and the night. Unconscious whether the day is waning into the night, or the night into the morning, the rapt spectator gazes and dreams till lost in the strange enchantment of the scene.
At a late hour a signal was given, and the company wandered down to the lake, along the shores of which rustic seats and divans, overshadowed by shrubbery, afforded the weary an opportunity of resting. Here we were to witness the crowning entertainment of the evening—a grand display of fire-works. A miniature steam-boat, gayly decorated with flags, swept to and fro, carrying passengers to the different landing-places. Gondolas, with peaked prows and variegated canopies, lay floating upon the still water, that lovers might quenchtheir flames in the contemplation of its crystal depths, or draw fresh inspiration from the blaze of artificial fires. Soon a wild outburst of music was heard; then from the opposite shore the whole heavens were lighted up with a flood of rockets, and the ears were stunned by their explosions. Down through the depths of ether came showers of colored balls, illuminating the waters of the lake with inverted streams of light scarcely less bright and glowing. Anon all was dark; then from out the darkness flashed whirling and seething fires, gradually assuming the grotesque forms of monsters and genii, till with a deafening explosion they were scattered to the winds. From the blackened mass of ruins stood forth illuminated statues of the imperial family, in all the paraphernalia of royalty, their crowns glittering with jewels, their robes of light resplendent with precious gems and tracery of gold. A murmur of admiration ran through the crowd. The imperial figures vanished as if by magic, and suddenly a stream of fire flashed from a mass of dark undefined objects on the opposite shore, and lo! the waters were covered with fiery swans, sailing majestically among the gondolas, their necks moving slowly as if inspired by life. Hither and thither they swept, propelled by streams of fire, till, wearied with their sport, they gradually lay motionless, yet glowing with an augmented brilliancy. While the eyes of all were fixed in amazement and admiration upon these beautiful swans, they exploded with a series of deafening reports, and were scattered in confused volumes of smoke. Out of the chaos swept innumerable hosts of whirling little monsters, whizzing and boring through the water like infernal spirits of the deep. These again burst with a rattle of explosions like an irregular fire of musketry, and shot high into the air in a perfect maze of scintillating stars of every imaginable color. When the shower of stars was over, and silence and darkness once more reigned, a magnificent barge, that might well have represented that of the Egyptian queen—its gay canopies resplendent with theglow of many-colored lamps—swept out into the middle of the lake, and