BOOK THE FIFTH

Ho, ho! for the merry, merry show,With a forest of faces in every row!Lo! the swordsmen, bold as the son of Alcmaena,Sweep, side by side, o'er the hushed arena.Talk while you may, you will hold your breathWhen they meet in the grasp of the glowing death!Tramp! tramp! how gaily they go!Ho! ho! for the merry, merry show!

'A jolly girl!' said Sosia.

'Yes,' replied the young artificer, a curly-headed, handsome youth. 'Yes,' replied he, enviously; 'the women love a gladiator. If I had been a slave, I would have soon found my schoolmaster in the lanista!'

'Would you, indeed?' said Sosia, with a sneer. 'People's notions differ!'

The crowd had now arrived at the place of destination; but as the cell in which the wild beasts were confined was extremely small and narrow, tenfold more vehement than it hitherto had been was the rush of the aspirants to obtain admittance. Two of the officers of the amphitheatre, placed at the entrance, very wisely mitigated the evil by dispensing to the foremost only a limited number of tickets at a time, and admitting no new visitors till their predecessors had sated their curiosity. Sosia, who was a tolerably stout fellow and not troubled with any remarkable scruples of diffidence or good breeding, contrived to be among the first of the initiated.

Separated from his companion the artificer, Sosia found himself in a narrow cell of oppressive heat and atmosphere, and lighted by several rank and flaring torches.

The animals, usually kept in different vivaria, or dens, were now, for the greater entertainment of the visitors, placed in one, but equally indeed divided from each other by strong cages protected by iron bars.

There they were, the fell and grim wanderers of the desert, who have now become almost the principal agents of this story. The lion, who, as being the more gentle by nature than his fellow-beast, had been more incited to ferocity by hunger, stalked restlessly and fiercely to and fro his narrow confines: his eyes were lurid with rage and famine: and as, every now and then, he paused and glared around, the spectators fearfully pressed backward, and drew their breath more quickly. But the tiger lay quiet and extended at full length in his cage, and only by an occasional play of his tail, or a long impatient yawn, testified any emotion at his confinement, or at the crowd which honored him with their presence.

'I have seen no fiercer beast than yon lion even in the amphitheatre of Rome,' said a gigantic and sinewy fellow who stood at the right hand of Sosia.

'I feel humbled when I look at his limbs,' replied, at the left of Sosia, a slighter and younger figure, with his arms folded on his breast.

The slave looked first at one, and then at the other. 'Virtus in medio!—virtue is ever in the middle!' muttered he to himself; 'a goodly neighborhood for thee, Sosia—a gladiator on each side!'

'That is well said, Lydon,' returned the huger gladiator; 'I feel the same.'

'And to think,' observed Lydon, in a tone of deep feeling, to think that the noble Greek, he whom we saw but a day or two since before us, so full of youth, and health, and joyousness, is to feast yon monster!'

'Why not?' growled Niger, savagely: 'many an honest gladiator has been compelled to a like combat by the emperor—why not a wealthy murderer by the law?'

Lydon sighed, shrugged his shoulders, and remained silent. Meanwhile the common gazers listened with staring eyes and lips apart: the gladiators were objects of interest as well as the beasts—they were animals of the same species; so the crowd glanced from one to the other—the men and the brutes—whispering their comments and anticipating the morrow.

'Well!' said Lydon, turning away, 'I thank the gods that it is not the lion or the tiger I am to contend with; even you, Niger, are a gentler combatant than they.'

'But equally dangerous,' said the gladiator, with a fierce laugh; and the bystanders, admiring his vast limbs and ferocious countenance, laughed too.

'That as it may be,' answered Lydon, carelessly, as he pressed through the throng and quitted the den.

'I may as well take advantage of his shoulders,' thought the prudent Sosia, hastening to follow him: 'the crowd always give way to a gladiator, so I will keep close behind, and come in for a share of his consequence.'

The son of Medon strode quickly through the mob, many of whom recognized his features and profession.

'That is young Lydon, a brave fellow: he fights to-morrow,' said one.

'Ah! I have a bet on him,' said another; 'see how firmly he walks!'

'Good luck to thee, Lydon!' said a third.

'Lydon, you have my wishes,' half whispered a fourth, smiling (a comely woman of the middle class)—'and if you win, why, you may hear more of me.'

'A handsome man, by Venus!' cried a fifth, who was a girl scarce in her teens. 'Thank you,' returned Sosia, gravely taking the compliment to himself.

However strong the purer motives of Lydon, and certain though it be that he would never have entered so bloody a calling but from the hope of obtaining his father's freedom, he was not altogether unmoved by the notice he excited. He forgot that the voices now raised in commendation might, on the morrow, shout over his death-pangs. By nature fierce and reckless, as well as generous and warm-hearted, he was already imbued with the pride of a profession that he fancied he disdained, and affected by the influence of a companionship that in reality he loathed. He saw himself now a man of importance; his step grew yet lighter, and his mien more elate.

'Niger,' said he, turning suddenly, as he had now threaded the crowd; 'we have often quarrelled; we are not matched against each other, but one of us, at least, may reasonably expect to fall—give us thy hand.'

'Most readily,' said Sosia, extending his palm.

'Ha! what fool is this? Why, I thought Niger was at my heels!'

'I forgive the mistake,' replied Sosia, condescendingly: 'don't mention it; the error was easy—I and Niger are somewhat of the same build.'

'Ha! ha! that is excellent! Niger would have slit thy throat had he heard thee!'

'You gentlemen of the arena have a most disagreeable mode of talking,' said Sosia; 'let us change the conversation.'

'Vah! vah!' said Lydon, impatiently; 'I am in no humor to converse with thee!'

'Why, truly,' returned the slave, 'you must have serious thoughts enough to occupy your mind: to-morrow is, I think, your first essay in the arena. Well, I am sure you will die bravely!'

'May thy words fall on thine own head!' said Lydon, superstitiously, for he by no means liked the blessing of Sosia. 'Die! No—I trust my hour is not yet come.'

'He who plays at dice with death must expect the dog's throw,' replied Sosia, maliciously. 'But you are a strong fellow, and I wish you all imaginable luck; and so, vale!'

With that the slave turned on his heel, and took his way homeward.

'I trust the rogue's words are not ominous,' said Lydon, musingly. 'In my zeal for my father's liberty, and my confidence in my own thews and sinews, I have not contemplated the possibility of death. My poor father! I am thy only son!—if I were to fall...'

As the thought crossed him, the gladiator strode on with a more rapid and restless pace, when suddenly, in an opposite street, he beheld the very object of his thoughts. Leaning on his stick, his form bent by care and age, his eyes downcast, and his steps trembling, the grey-haired Medon slowly approached towards the gladiator. Lydon paused a moment: he divined at once the cause that brought forth the old man at that late hour.

'Be sure, it is I whom he seeks,' thought he; 'he is horror struck at the condemnation of Olinthus—he more than ever esteems the arena criminal and hateful—he comes again to dissuade me from the contest. I must shun him—I cannot brook his prayers—his tears.'

These thoughts, so long to recite, flashed across the young man like lightning. He turned abruptly and fled swiftly in an opposite direction. He paused not till, almost spent and breathless, he found himself on the summit of a small acclivity which overlooked the most gay and splendid part of that miniature city; and as there he paused, and gazed along the tranquil streets glittering in the rays of the moon (which had just arisen, and brought partially and picturesquely into light the crowd around the amphitheatre at a distance, murmuring, and swaying to and fro), the influence of the scene affected him, rude and unimaginative though his nature. He sat himself down to rest upon the steps of a deserted portico, and felt the calm of the hour quiet and restore him. Opposite and near at hand, the lights gleamed from a palace in which the master now held his revels. The doors were open for coolness, and the gladiator beheld the numerous and festive group gathered round the tables in the atrium; while behind them, closing the long vista of the illumined rooms beyond, the spray of the distant fountain sparkled in the moonbeams. There, the garlands wreathed around the columns of the hall—there, gleamed still and frequent the marble statue—there, amidst peals of jocund laughter, rose the music and the lay.

EPICUREAN SONGAway with your stories of Hades,Which the Flamen has forged to affright us—We laugh at your three Maiden Ladies,Your Fates—and your sullen Cocytus.Poor Jove has a troublesome life, sir,Could we credit your tales of his portals—In shutting his ears on his wife, sir,And opening his eyes upon mortals.Oh, blest be the bright Epicurus!Who taught us to laugh at such fables;On Hades they wanted to moor us,And his hand cut the terrible cables.If, then, there's a Jove or a Juno,They vex not their heads about us, man;Besides, if they did, I and you know'Tis the life of a god to live thus, man!What! think you the gods place their bliss—eh?—In playing the spy on a sinner?In counting the girls that we kiss, eh?Or the cups that we empty at dinner?Content with the soft lips that love us,This music, this wine, and this mirth, boys,We care not for gods up above us—We know there's no god for this earth, boys!

While Lydon's piety (which accommodating as it might be, was in no slight degree disturbed by these verses, which embodied the fashionable philosophy of the day) slowly recovered itself from the shock it had received, a small party of men, in plain garments and of the middle class, passed by his resting-place. They were in earnest conversation, and did not seem to notice or heed the gladiator as they moved on.

'O horror on horrors!' said one; 'Olinthus is snatched from us! our right arm is lopped away! When will Christ descend to protect his own?'

'Can human atrocity go farther said another: 'to sentence an innocent man to the same arena as a murderer! But let us not despair; the thunder of Sinai may yet be heard, and the Lord preserve his saint. "The fool hath said in his heart, There is no God."'

At that moment out broke again, from the illumined palace, the burden of the reveller's song:—

We care not for gods up above us—We know there's no god for this earth, boys!

Ere the words died away, the Nazarenes, moved by sudden indignation, caught up the echo, and, in the words of one of their favorite hymns, shouted aloud:—

THE WARNING HYMN OF THE NAZARENESAround—about—for ever near thee,God—OUR GOD—shall mark and hear thee!On his car of storm He sweeps!Bow, ye heavens, and shrink, ye deeps!Woe to the proud ones who defy Him!—Woe to the dreamers who deny Him!Woe to the wicked, woe!The proud stars shall fail—The sun shall grow pale—The heavens shrivel up like a scroll—Hell's ocean shall bareIts depths of despair,Each wave an eternal soul!For the only thing, then,That shall not live againIs the corpse of the giant TIME.Hark, the trumpet of thunder!Lo, earth rent asunder!And, forth, on His Angel-throne,He comes through the gloom,The Judge of the Tomb,To summon and save His own!Oh, joy to Care, and woe to Crime,He comes to save His own!Woe to the proud ones who defy Him!Woe to the dreamers who deny Him!Woe to the wicked, woe!

A sudden silence from the startled hall of revel succeeded these ominous words: the Christians swept on, and were soon hidden from the sight of the gladiator. Awed, he scarce knew why, by the mystic denunciations of the Christians, Lydon, after a short pause, now rose to pursue his way homeward.

Before him, how serenely slept the starlight on that lovely city! how breathlessly its pillared streets reposed in their security!—how softly rippled the dark-green waves beyond!—how cloudless spread, aloft and blue, the dreaming Campanian skies! Yet this was the last night for the gay Pompeii! the colony of the hoar Chaldean! the fabled city of Hercules! the delight of the voluptuous Roman! Age after age had rolled, indestructive, unheeded, over its head; and now the last ray quivered on the dial-plate of its doom! The gladiator heard some light steps behind—a group of females were wending homeward from their visit to the amphitheatre. As he turned, his eye was arrested by a strange and sudden apparition. From the summit of Vesuvius, darkly visible at the distance, there shot a pale, meteoric, livid light—it trembled an instant and was gone. And at the same moment that his eye caught it, the voice of one of the youngest of the women broke out hilariously and shrill:—

TRAMP! TRAMP! HOW GAILY THEY GO!HO, HO! FOR THE MORROW'S MERRY SHOW!

THE DREAM OF ARBACES. A VISITOR AND A WARNING TO THE EGYPTIAN. THE awful night preceding the fierce joy of the amphitheatre rolled drearily away, and greyly broke forth the dawn of THE LAST DAY OF POMPEII! The air was uncommonly calm and sultry—a thin and dull mist gathered over the valleys and hollows of the broad Campanian fields. But yet it was remarked in surprise by the early fishermen, that, despite the exceeding stillness of the atmosphere, the waves of the sea were agitated, and seemed, as it were, to run disturbedly back from the shore; while along the blue and stately Sarnus, whose ancient breadth of channel the traveler now vainly seeks to discover, there crept a hoarse and sullen murmur, as it glided by the laughing plains and the gaudy villas of the wealthy citizens. Clear above the low mist rose the time-worn towers of the immemorial town, the red-tiled roofs of the bright streets, the solemn columns of many temples, and the statue-crowned portals of the Forum and the Arch of Triumph. Far in the distance, the outline of the circling hills soared above the vapors, and mingled with the changeful hues of the morning sky. The cloud that had so long rested over the crest of Vesuvius had suddenly vanished, and its rugged and haughty brow looked without a frown over the beautiful scenes below.

Despite the earliness of the hour, the gates of the city were already opened. Horsemen upon horsemen, vehicle after vehicle, poured rapidly in; and the voices of numerous pedestrian groups, clad in holiday attire, rose high in joyous and excited merriment; the streets were crowded with citizens and strangers from the populous neighborhood of Pompeii; and noisily—fast—confusedly swept the many streams of life towards the fatal show.

Despite the vast size of the amphitheatre, seemingly so disproportioned to the extent of the city, and formed to include nearly the whole population of Pompeii itself, so great, on extraordinary occasions, was the concourse of strangers from all parts of Campania, that the space before it was usually crowded for several hours previous to the commencement of the sports, by such persons as were not entitled by their rank to appointed and special seats. And the intense curiosity which the trial and sentence of two criminals so remarkable had occasioned, increased the crowd on this day to an extent wholly unprecedented.

While the common people, with the lively vehemence of their Campanian blood, were thus pushing, scrambling, hurrying on—yet, amidst all their eagerness, preserving, as is now the wont with Italians in such meetings, a wonderful order and unquarrelsome good humor, a strange visitor to Arbaces was threading her way to his sequestered mansion. At the sight of her quaint and primaeval garb—of her wild gait and gestures—the passengers she encountered touched each other and smiled; but as they caught a glimpse of her countenance, the mirth was hushed at once, for the face was as the face of the dead; and, what with the ghastly features and obsolete robes of the stranger, it seemed as if one long entombed had risen once more amongst the living. In silence and awe each group gave way as she passed along, and she soon gained the broad porch of the Egyptian's palace.

The black porter, like the rest of the world, astir at an unusual hour, started as he opened the door to her summons.

The sleep of the Egyptian had been usually profound during the night; but, as the dawn approached, it was disturbed by strange and unquiet dreams, which impressed him the more as they were colored by the peculiar philosophy he embraced.

He thought that he was transported to the bowels of the earth, and that he stood alone in a mighty cavern supported by enormous columns of rough and primaeval rock, lost, as they ascended, in the vastness of a shadow athwart whose eternal darkness no beam of day had ever glanced. And in the space between these columns were huge wheels, that whirled round and round unceasingly, and with a rushing and roaring noise. Only to the right and left extremities of the cavern, the space between the pillars was left bare, and the apertures stretched away into galleries—not wholly dark, but dimly lighted by wandering and erratic fires, that, meteor-like, now crept (as the snake creeps) along the rugged and dank soil; and now leaped fiercely to and fro, darting across the vast gloom in wild gambols—suddenly disappearing, and as suddenly bursting into tenfold brilliancy and power. And while he gazed wonderingly upon the gallery to the left, thin, mist-like, aerial shapes passed slowly up; and when they had gained the hall they seemed to rise aloft, and to vanish, as the smoke vanishes, in the measureless ascent.

He turned in fear towards the opposite extremity—and behold! there came swiftly, from the gloom above, similar shadows, which swept hurriedly along the gallery to the right, as if borne involuntarily adown the sides of some invisible stream; and the faces of these spectres were more distinct than those that emerged from the opposite passage; and on some was joy, and on others sorrow—some were vivid with expectation and hope, some unutterably dejected by awe and horror. And so they passed, swift and constantly on, till the eyes of the gazer grew dizzy and blinded with the whirl of an ever-varying succession of things impelled by a power apparently not their own.

Arbaces turned away, and, in the recess of the hall, he saw the mighty form of a giantess seated upon a pile of skulls, and her hands were busy upon a pale and shadowy woof; and he saw that the woof communicated with the numberless wheels, as if it guided the machinery of their movements. He thought his feet, by some secret agency, were impelled towards the female, and that he was borne onwards till he stood before her, face to face. The countenance of the giantess was solemn and hushed, and beautifully serene. It was as the face of some colossal sculpture of his own ancestral sphinx. No passion—no human emotion, disturbed its brooding and unwrinkled brow: there was neither sadness, nor joy, nor memory, nor hope: it was free from all with which the wild human heart can sympathize. The mystery of mysteries rested on its beauty—it awed, but terrified not: it was the Incarnation of the sublime. And Arbaces felt the voice leave his lips, without an impulse of his own; and the voice asked:

'Who art thou, and what is thy task?'

'I am That which thou hast acknowledged,' answered, without desisting from its work, the mighty phantom. 'My name is NATURE! These are the wheels of the world, and my hand guides them for the life of all things.'

'And what,' said the voice of Arbaces, 'are these galleries, that strangely and fitfully illumined, stretch on either hand into the abyss of gloom?'

'That,' answered the giant-mother, 'which thou beholdest to the left, is the gallery of the Unborn. The shadows that flit onward and upward into the world, are the souls that pass from the long eternity of being to their destined pilgrimage on earth. That which thou beholdest to thy right, wherein the shadows descending from above sweep on, equally unknown and dim, is the gallery of the Dead!'

'And wherefore, said the voice of Arbaces, 'yon wandering lights, that so wildly break the darkness; but only break, not reveal?'

'Dark fool of the human sciences! dreamer of the stars, and would-be decipherer of the heart and origin of things! those lights are but the glimmerings of such knowledge as is vouchsafed to Nature to work her way, to trace enough of the past and future to give providence to her designs. Judge, then, puppet as thou art, what lights are reserved for thee!'

Arbaces felt himself tremble as he asked again, 'Wherefore am I here?'

'It is the forecast of thy soul—the prescience of thy rushing doom—the shadow of thy fate lengthening into eternity as declines from earth.'

Ere he could answer, Arbaces felt a rushing WIND sweep down the cavern, as the winds of a giant god. Borne aloft from the ground, and whirled on high as a leaf in the storms of autumn, he beheld himself in the midst of the Spectres of the Dead, and hurrying with them along the length of gloom. As in vain and impotent despair he struggled against the impelling power, he thought the WIND grew into something like a shape—a spectral outline of the wings and talons of an eagle, with limbs floating far and indistinctly along the air, and eyes that, alone clearly and vividly seen, glared stonily and remorselessly on his own.

'What art thou?' again said the voice of the Egyptian.

'I am That which thou hast acknowledged'; and the spectre laughed aloud—'and my name is NECESSITY.'

'To what dost thou bear me?'

'To the Unknown.'

'To happiness or to woe?'

'As thou hast sown, so shalt thou reap.'

'Dread thing, not so! If thou art the Ruler of Life, thine are my misdeeds, not mine.'

'I am but the breath of God!' answered the mighty WIND.

'Then is my wisdom vain!' groaned the dreamer.

'The husbandman accuses not fate, when, having sown thistles, he reaps not corn. Thou hast sown crime, accuse not fate if thou reapest not the harvest of virtue.'

The scene suddenly changed. Arbaces was in a place of human bones; and lo! in the midst of them was a skull, and the skull, still retaining its fleshless hollows, assumed slowly, and in the mysterious confusion of a dream, the face of Apaecides; and forth from the grinning jaws there crept a small worm, and it crawled to the feet of Arbaces. He attempted to stamp on it and crush it; but it became longer and larger with that attempt. It swelled and bloated till it grew into a vast serpent: it coiled itself round the limbs of Arbaces; it crunched his bones; it raised its glaring eyes and poisonous jaws to his face. He writhed in vain; he withered—he gasped—beneath the influence of the blighting breath—he felt himself blasted into death. And then a voice came from the reptile, which still bore the face of Apaecides and rang in his reeling ear:

'THY VICTIM IS THY JUDGE! THE WORM THOU WOULDST CRUSH BECOMES THE SERPENT THAT DEVOURS THEE!'

With a shriek of wrath, and woe, and despairing resistance, Arbaces awoke—his hair on end—his brow bathed in dew—his eyes glazed and staring—his mighty frame quivering as an infant's, beneath the agony of that dream. He awoke—he collected himself—he blessed the gods whom he disbelieved, that he was in a dream—he turned his eyes from side to side—he saw the dawning light break through his small but lofty window—he was in the Precincts of Day—he rejoiced—he smiled; his eyes fell, and opposite to him he beheld the ghastly features, the lifeless eye, the livid lip—of the hag of Vesuvius!

'Ha!' he cried, placing his hands before his eyes, as to shut out the grisly vision, 'do I dream still?—Am I with the dead?'

'Mighty Hermes—no! Thou art with one death-like, but not dead. Recognize thy friend and slave.'

There was a long silence. Slowly the shudders that passed over the limbs of the Egyptian chased each other away, faintlier and faintlier dying till he was himself again.

'It was a dream, then,' said he. 'Well—let me dream no more, or the day cannot compensate for the pangs of night. Woman, how camest thou here, and wherefore?'

'I came to warn thee,' answered the sepulchral voice of the saga.

'Warn me! The dream lied not, then? Of what peril?'

'Listen to me. Some evil hangs over this fated city. Fly while it be time. Thou knowest that I hold my home on that mountain beneath which old tradition saith there yet burn the fires of the river of Phlegethon; and in my cavern is a vast abyss, and in that abyss I have of late marked a red and dull stream creep slowly, slowly on; and heard many and mighty sounds hissing and roaring through the gloom. But last night, as I looked thereon, behold the stream was no longer dull, but intensely and fiercely luminous; and while I gazed, the beast that liveth with me, and was cowering by my side, uttered a shrill howl, and fell down and died, and the slaver and froth were round his lips. I crept back to my lair; but I distinctly heard, all the night, the rock shake and tremble; and, though the air was heavy and still, there were the hissing of pent winds, and the grinding as of wheels, beneath the ground. So, when I rose this morning at the very birth of dawn, I looked again down the abyss, and I saw vast fragments of stone borne black and floatingly over the lurid stream; and the stream itself was broader, fiercer, redder than the night before. Then I went forth, and ascended to the summit of the rock: and in that summit there appeared a sudden and vast hollow, which I had never perceived before, from which curled a dim, faint smoke; and the vapor was deathly, and I gasped, and sickened, and nearly died. I returned home. I took my gold and my drugs, and left the habitation of many years; for I remembered the dark Etruscan prophecy which saith, "When the mountain opens, the city shall fall—when the smoke crowns the Hill of the Parched Fields, there shall be woe and weeping in the hearths of the Children of the Sea." Dread master, ere I leave these walls for some more distant dwelling, I come to thee. As thou livest, know I in my heart that the earthquake that sixteen years ago shook this city to its solid base, was but the forerunner of more deadly doom. The walls of Pompeii are built above the fields of the Dead, and the rivers of the sleepless Hell. Be warned and fly!'

'Witch, I thank thee for thy care of one not ungrateful. On yon table stands a cup of gold; take it, it is thine. I dreamt not that there lived one, out of the priesthood of Isis, who would have saved Arbaces from destruction. The signs thou hast seen in the bed of the extinct volcano,' continued the Egyptian, musingly, 'surely tell of some coming danger to the city; perhaps another earthquake—fiercer than the last. Be that as it may, there is a new reason for my hastening from these walls. After this day I will prepare my departure. Daughter of Etruria, whither wendest thou?'

'I shall cross over to Herculaneum this day, and, wandering thence along the coast, shall seek out a new home. I am friendless: my two companions, the fox and the snake, are dead. Great Hermes, thou hast promised me twenty additional years of life!'

'Aye,' said the Egyptian, 'I have promised thee. But, woman,' he added, lifting himself upon his arm, and gazing curiously on her face, 'tell me, I pray thee, wherefore thou wishest to live? What sweets dost thou discover in existence?'

'It is not life that is sweet, but death that is awful,' replied the hag, in a sharp, impressive tone, that struck forcibly upon the heart of the vain star-seer. He winced at the truth of the reply; and no longer anxious to retain so uninviting a companion, he said, 'Time wanes; I must prepare for the solemn spectacle of this day. Sister, farewell! enjoy thyself as thou canst over the ashes of life.'

The hag, who had placed the costly gift of Arbaces in the loose folds of her vest, now rose to depart. When she had gained the door she paused, turned back, and said, 'This may be the last time we meet on earth; but whither flieth the flame when it leaves the ashes?—Wandering to and fro, up and down, as an exhalation on the morass, the flame may be seen in the marshes of the lake below; and the witch and the Magian, the pupil and the master, the great one and the accursed one, may meet again. Farewell!'

'Out, croaker!' muttered Arbaces, as the door closed on the hag's tattered robes; and, impatient of his own thoughts, not yet recovered from the past dream, he hastily summoned his slaves.

It was the custom to attend the ceremonials of the amphitheatre in festive robes, and Arbaces arrayed himself that day with more than usual care. His tunic was of the most dazzling white: his many fibulae were formed from the most precious stones: over his tunic flowed a loose eastern robe, half-gown, half-mantle, glowing in the richest hues of the Tyrian dye; and the sandals, that reached half way up the knee, were studded with gems, and inlaid with gold. In the quackeries that belonged to his priestly genius, Arbaces never neglected, on great occasions, the arts which dazzle and impose upon the vulgar; and on this day, that was for ever to release him, by the sacrifice of Glaucus, from the fear of a rival and the chance of detection, he felt that he was arraying himself as for a triumph or a nuptial feast.

It was customary for men of rank to be accompanied to the shows of the amphitheatre by a procession of their slaves and freedmen; and the long 'family' of Arbaces were already arranged in order, to attend the litter of their lord.

Only, to their great chagrin, the slaves in attendance on Ione, and the worthy Sosia, as gaoler to Nydia, were condemned to remain at home.

'Callias,' said Arbaces, apart to his freedman, who was buckling on his girdle, 'I am weary of Pompeii; I propose to quit it in three days, should the wind favor. Thou knowest the vessel that lies in the harbor which belonged to Narses, of Alexandria; I have purchased it of him. The day after tomorrow we shall begin to remove my stores.'

'So soon! 'Tis well. Arbaces shall be obeyed—and his ward, Ione?'

'Accompanies me. Enough!—Is the morning fair?'

'Dim and oppressive; it will probably be intensely hot in the forenoon.'

'The poor gladiators, and more wretched criminals! Descend, and see that the slaves are marshalled.'

Left alone, Arbaces stepped into his chamber of study, and thence upon the portico without. He saw the dense masses of men pouring fast into the amphitheatre, and heard the cry of the assistants, and the cracking of the cordage, as they were straining aloft the huge awning under which the citizens, molested by no discomforting ray, were to behold, at luxurious ease, the agonies of their fellow creatures. Suddenly a wild strange sound went forth, and as suddenly died away—it was the roar of the lion. There was a silence in the distant crowd; but the silence was followed by joyous laughter—they were making merry at the hungry impatience of the royal beast.

'Brutes!' muttered the disdainful Arbaces are ye less homicides than I am? I slay but in self-defence—ye make murder pastime.'

He turned with a restless and curious eye, towards Vesuvius. Beautifully glowed the green vineyards round its breast, and tranquil as eternity lay in the breathless skies the form of the mighty hill.

'We have time yet, if the earthquake be nursing,' thought Arbaces; and he turned from the spot. He passed by the table which bore his mystic scrolls and Chaldean calculations.

'August art!' he thought, 'I have not consulted thy decrees since I passed the danger and the crisis they foretold. What matter?—I know that henceforth all in my path is bright and smooth. Have not events already proved it? Away, doubt—away, pity! Reflect O my heart— reflect, for the future, but two images—Empire and Ione!'

NYDIA, assured by the account of Sosia, on his return home, and satisfied that her letter was in the hands of Sallust, gave herself up once more to hope. Sallust would surely lose no time in seeking the praetor—in coming to the house of the Egyptian—in releasing her—in breaking the prison of Calenus. That very night Glaucus would be free. Alas! the night passed—the dawn broke; she heard nothing but the hurried footsteps of the slaves along the hall and peristyle, and their voices in preparation for the show. By-and-by, the commanding voice of Arbaces broke on her ear—a flourish of music rung out cheerily: the long procession were sweeping to the amphitheatre to glut their eyes on the death-pangs of the Athenian!

The procession of Arbaces moved along slowly, and with much solemnity till now, arriving at the place where it was necessary for such as came in litters or chariots to alight, Arbaces descended from his vehicle, and proceeded to the entrance by which the more distinguished spectators were admitted. His slaves, mingling with the humbler crowd, were stationed by officers who received their tickets (not much unlike our modern Opera ones), in places in the popularia (the seats apportioned to the vulgar). And now, from the spot where Arbaces sat, his eyes scanned the mighty and impatient crowd that filled the stupendous theatre.

On the upper tier (but apart from the male spectators) sat women, their gay dresses resembling some gaudy flower-bed; it is needless to add that they were the most talkative part of the assembly; and many were the looks directed up to them, especially from the benches appropriated to the young and the unmarried men. On the lower seats round the arena sat the more high-born and wealthy visitors—the magistrates and those of senatorial or equestrian dignity; the passages which, by corridors at the right and left, gave access to these seats, at either end of the oval arena, were also the entrances for the combatants. Strong palings at these passages prevented any unwelcome eccentricity in the movements of the beasts, and confined them to their appointed prey. Around the parapet which was raised above the arena, and from which the seats gradually rose, were gladiatorial inscriptions, and paintings wrought in fresco, typical of the entertainments for which the place was designed. Throughout the whole building wound invisible pipes, from which, as the day advanced, cooling and fragrant showers were to be sprinkled over the spectators. The officers of the amphitheatre were still employed in the task of fixing the vast awning (or velaria) which covered the whole, and which luxurious invention the Campanians arrogated to themselves: it was woven of the whitest Apulian wool, and variegated with broad stripes of crimson. Owing either to some inexperience on the part of the workmen, or to some defect in the machinery, the awning, however, was not arranged that day so happily as usual; indeed, from the immense space of the circumference, the task was always one of great difficulty and art—so much so, that it could seldom be adventured in rough or windy weather. But the present day was so remarkably still that there seemed to the spectators no excuse for the awkwardness of the artificers; and when a large gap in the back of the awning was still visible, from the obstinate refusal of one part of the velaria to ally itself with the rest, the murmurs of discontent were loud and general.

The aedile Pansa, at whose expense the exhibition was given, looked particularly annoyed at the defect, and, vowed bitter vengeance on the head of the chief officer of the show, who, fretting, puffing, perspiring, busied himself in idle orders and unavailing threats.

The hubbub ceased suddenly—the operators desisted—the crowd were stilled—the gap was forgotten—for now, with a loud and warlike flourish of trumpets, the gladiators, marshalled in ceremonious procession, entered the arena. They swept round the oval space very slowly and deliberately, in order to give the spectators full leisure to admire their stern serenity of feature—their brawny limbs and various arms, as well as to form such wagers as the excitement of the moment might suggest.

'Oh!' cried the widow Fulvia to the wife of Pansa, as they leaned down from their lofty bench, 'do you see that gigantic gladiator? how drolly he is dressed!'

'Yes,' said the aedile's wife, with complacent importance, for she knew all the names and qualities of each combatant; 'he is a retiarius or netter; he is armed only, you see, with a three-pronged spear like a trident, and a net; he wears no armor, only the fillet and the tunic. He is a mighty man, and is to fight with Sporus, yon thick-set gladiator, with the round shield and drawn sword, but without body armor; he has not his helmet on now, in order that you may see his face—how fearless it is!—by-and-by he will fight with his vizor down.'

'But surely a net and a spear are poor arms against a shield and sword?'

'That shows how innocent you are, my dear Fulvia; the retiarius has generally the best of it.'

'But who is yon handsome gladiator, nearly naked—is it not quite improper? By Venus! but his limbs are beautifully shaped!'

'It is Lydon, a young untried man! he has the rashness to fight yon other gladiator similarly dressed, or rather undressed—Tetraides. They fight first in the Greek fashion, with the cestus; afterwards they put on armor, and try sword and shield.'

'He is a proper man, this Lydon; and the women, I am sure, are on his side.'

'So are not the experienced betters; Clodius offers three to one against him!'

'Oh, Jove! how beautiful!' exclaimed the widow, as two gladiators, armed cap-a-pie, rode round the arena on light and prancing steeds. Resembling much the combatants in the tilts of the middle age, they bore lances and round shields beautifully inlaid: their armor was woven intricately with bands of iron, but it covered only the thighs and the right arms; short cloaks, extending to the seat, gave a picturesque and graceful air to their costume; their legs were naked, with the exception of sandals, which were fastened a little above the ankle. 'Oh, beautiful! Who are these?' asked the widow.

'The one is named Berbix—he has conquered twelve times; the other assumes the arrogant name of Nobilior. They are both Gauls.'

While thus conversing, the first formalities of the show were over. To these succeeded a feigned combat with wooden swords between the various gladiators matched against each other. Amongst these, the skill of two Roman gladiators, hired for the occasion, was the most admired; and next to them the most graceful combatant was Lydon. This sham contest did not last above an hour, nor did it attract any very lively interest, except among those connoisseurs of the arena to whom art was preferable to more coarse excitement; the body of the spectators were rejoiced when it was over, and when the sympathy rose to terror. The combatants were now arranged in pairs, as agreed beforehand; their weapons examined; and the grave sports of the day commenced amidst the deepest silence—broken only by an exciting and preliminary blast of warlike music.

It was often customary to begin the sports by the most cruel of all, and some bestiarius, or gladiator appointed to the beasts, was slain first, as an initiatory sacrifice. But in the present instance, the experienced Pansa thought it better that the sanguinary drama should advance, not decrease, in interest and, accordingly, the execution of Olinthus and Glaucus was reserved for the last. It was arranged that the two horsemen should first occupy the arena; that the foot gladiators, paired off, should then be loosed indiscriminately on the stage; that Glaucus and the lion should next perform their part in the bloody spectacle; and the tiger and the Nazarene be the grand finale. And, in the spectacles of Pompeii, the reader of Roman history must limit his imagination, nor expect to find those vast and wholesale exhibitions of magnificent slaughter with which a Nero or a Caligula regaled the inhabitants of the Imperial City. The Roman shows, which absorbed the more celebrated gladiators, and the chief proportion of foreign beasts, were indeed the very reason why, in the lesser towns of the empire, the sports of the amphitheatre were comparatively humane and rare; and in this, as in other respects, Pompeii was but the miniature, the microcosm of Rome. Still, it was an awful and imposing spectacle, with which modern times have, happily, nothing to compare—a vast theatre, rising row upon row, and swarming with human beings, from fifteen to eighteen thousand in number, intent upon no fictitious representation—no tragedy of the stage—but the actual victory or defeat, the exultant life or the bloody death, of each and all who entered the arena!

The two horsemen were now at either extremity of the lists (if so they might be called); and, at a given signal from Pansa, the combatants started simultaneously as in full collision, each advancing his round buckler, each poising on high his light yet sturdy javelin; but just when within three paces of his opponent, the steed of Berbix suddenly halted, wheeled round, and, as Nobilior was borne rapidly by, his antagonist spurred upon him. The buckler of Nobilior, quickly and skillfully extended, received a blow which otherwise would have been fatal.

'Well done, Nobilior!' cried the praetor, giving the first vent to the popular excitement.

'Bravely struck, my Berbix!' answered Clodius from his seat.

And the wild murmur, swelled by many a shout, echoed from side to side.

The vizors of both the horsemen were completely closed (like those of the knights in after times), but the head was, nevertheless, the great point of assault; and Nobilior, now wheeling his charger with no less adroitness than his opponent, directed his spear full on the helmet of his foe. Berbix raised his buckler to shield himself, and his quick-eyed antagonist, suddenly lowering his weapon, pierced him through the breast. Berbix reeled and fell.

'Nobilior! Nobilior!' shouted the populace.

'I have lost ten sestertia,' said Clodius, between his teeth.

'Habet!—he has it,' said Pansa, deliberately.

The populace, not yet hardened into cruelty, made the signal of mercy; but as the attendants of the arena approached, they found the kindness came too late—the heart of the Gaul had been pierced, and his eyes were set in death. It was his life's blood that flowed so darkly over the sand and sawdust of the arena.

'It is a pity it was so soon over—there was little enough for one's trouble,' said the widow Fulvia.

'Yes—I have no compassion for Berbix. Any one might have seen that Nobilior did but feint. Mark, they fix the fatal hook to the body—they drag him away to the spoliarium—they scatter new sand over the stage! Pansa regrets nothing more than that he is not rich enough to strew the arena with borax and cinnabar, as Nero used to do.'

'Well, if it has been a brief battle, it is quickly succeeded. See my handsome Lydon on the arena—ay—and the net-bearer too, and the swordsmen! oh, charming!'

There were now on the arena six combatants: Niger and his net, matched against Sporus with his shield and his short broadsword; Lydon and Tetraides, naked save by a cincture round the waist, each armed only with a heavy Greek cestus—and two gladiators from Rome, clad in complete steel, and evenly matched with immense bucklers and pointed swords.

The initiatory contest between Lydon and Tetraides being less deadly than that between the other combatants, no sooner had they advanced to the middle of the arena than, as by common consent, the rest held back, to see how that contest should be decided, and wait till fiercer weapons might replace the cestus, ere they themselves commenced hostilities. They stood leaning on their arms and apart from each other, gazing on the show, which, if not bloody enough, thoroughly to please the populace, they were still inclined to admire, because its origin was of their ancestral Greece.

No person could, at first glance, have seemed less evenly matched than the two antagonists. Tetraides, though not taller than Lydon, weighed considerably more; the natural size of his muscles was increased, to the eyes of the vulgar, by masses of solid flesh; for, as it was a notion that the contest of the cestus fared easiest with him who was plumpest, Tetraides had encouraged to the utmost his hereditary predisposition to the portly. His shoulders were vast, and his lower limbs thick-set, double-jointed, and slightly curved outward, in that formation which takes so much from beauty to give so largely to strength. But Lydon, except that he was slender even almost to meagreness, was beautifully and delicately proportioned; and the skilful might have perceived that, with much less compass of muscle than his foe, that which he had was more seasoned—iron and compact. In proportion, too, as he wanted flesh, he was likely to possess activity; and a haughty smile on his resolute face which strongly contrasted the solid heaviness of his enemy's, gave assurance to those who beheld it, and united their hope to their pity: so that, despite the disparity of their seeming strength, the cry of the multitude was nearly as loud for Lydon as for Tetraides.

Whoever is acquainted with the modern prize-ring—whoever has witnessed the heavy and disabling strokes which the human fist, skillfully directed, hath the power to bestow—may easily understand how much that happy facility would be increased by a band carried by thongs of leather round the arm as high as the elbow, and terribly strengthened about the knuckles by a plate of iron, and sometimes a plummet of lead. Yet this, which was meant to increase, perhaps rather diminished, the interest of the fray: for it necessarily shortened its duration. A very few blows, successfully and scientifically planted, might suffice to bring the contest to a close; and the battle did not, therefore, often allow full scope for the energy, fortitude and dogged perseverance, that we technically style pluck, which not unusually wins the day against superior science, and which heightens to so painful a delight the interest in the battle and the sympathy for the brave.

'Guard thyself!' growled Tetraides, moving nearer and nearer to his foe, who rather shifted round him than receded.

Lydon did not answer, save by a scornful glance of his quick, vigilant eye. Tetraides struck—it was as the blow of a smith on a vice; Lydon sank suddenly on one knee—the blow passed over his head. Not so harmless was Lydon's retaliation: he quickly sprung to his feet, and aimed his cestus full on the broad breast of his antagonist. Tetraides reeled—the populace shouted.

'You are unlucky to-day,' said Lepidus to Clodius: 'you have lost one bet——you will lose another.'

'By the gods! my bronzes go to the auctioneer if that is the case. I have no less than a hundred sestertia upon Tetraides. Ha, ha! see how he rallies! That was a home stroke: he has cut open Lydon's shoulder. A Tetraides!—a Tetraides!'

'But Lydon is not disheartened. By Pollux! how well he keeps his temper. See how dexterously he avoids those hammer-like hands!—dodging now here, now there—circling round and round. Ah, poor Lydon! he has it again.'

'Three to one still on Tetraides! What say you, Lepidus?'

'Well, nine sestertia to three—be it so! What! again, Lydon? He stops—he gasps for breath. By the gods, he is down. No—he is again on his legs. Brave Lydon! Tetraides is encouraged—he laughs loud—he rushes on him.'

'Fool—success blinds him—he should be cautious. Lydon's eye is like the lynx's,' said Clodius, between his teeth.

'Ha, Clodius! saw you that? Your man totters! Another blow—he falls—he falls!'

'Earth revives him, then. He is once more up; but the blood rolls down his face.'

'By the thunderer! Lydon wins it. See how he presses on him! That blow on the temple would have crushed an ox! it has crushed Tetraides. He falls again—he cannot move—habet!—habet!'

'Habet!' repeated Pansa. 'Take them out and give them the armor and swords.'

'Noble editor,' said the officers, 'we fear that Tetraides will not recover in time; howbeit, we will try.'

'Do so.'

In a few minutes the officers, who had dragged off the stunned and insensible gladiator, returned with rueful countenances. They feared for his life; he was utterly incapacitated from re-entering the arena.

'In that case,' said Pansa, 'hold Lydon a subdititius; and the first gladiator that is vanquished, let Lydon supply his place with the victor.' The people shouted their applause at this sentence: then they again sunk into deep silence. The trumpet sounded loudly. The four combatants stood each against each in prepared and stern array.

'Dost thou recognize the Romans, my Clodius; are they among the celebrated, or are they merely ordinary?'

'Eumolpus is a good second-rate swordsman, my Lepidus. Nepimus, the lesser man, I have never seen before: but he is the son of one of the imperial fiscales, and brought up in a proper school; doubtless they will show sport, but I have no heart for the game; I cannot win back my money—I am undone. Curses on that Lydon! who could have supposed he was so dexterous or so lucky?'

'Well, Clodius, shall I take compassion on you, and accept your own terms with these Romans?'

'An even ten sestertia on Eumolpus, then?'

'What! when Nepimus is untried? Nay, nay; that is to bad.'

'Well—ten to eight?'

'Agreed.'

While the contest in the amphitheatre had thus commenced, there was one in the loftier benches for whom it had assumed, indeed, a poignant—a stifling interest. The aged father of Lydon, despite his Christian horror of the spectacle, in his agonized anxiety for his son, had not been able to resist being the spectator of his fate. One amidst a fierce crowd of strangers—the lowest rabble of the populace—the old man saw, felt nothing, but the form—the presence of his brave son! Not a sound had escaped his lips when twice he had seen him fall to the earth—only he had turned paler, and his limbs trembled. But he had uttered one low cry when he saw him victorious; unconscious, alas! of the more fearful battle to which that victory was but a prelude.

'My gallant boy!' said he, and wiped his eyes.

'Is he thy son said a brawny fellow to the right of the Nazarene; 'he has fought well: let us see how he does by-and-by. Hark! he is to fight the first victor. Now, old boy, pray the gods that that victor be neither of the Romans! nor, next to them, the giant Niger.'

The old man sat down again and covered his face. The fray for the moment was indifferent to him—Lydon was not one of the combatants. Yet—yet—the thought flashed across him—the fray was indeed of deadly interest—the first who fell was to make way for Lydon! He started, and bent down, with straining eyes and clasped hands, to view the encounter.

The first interest was attracted towards the combat of Niger with Sporus; for this species of contest, from the fatal result which usually attended it, and from the great science it required in either antagonist, was always peculiarly inviting to the spectators.

They stood at a considerable distance from each other. The singular helmet which Sporus wore (the vizor of which was down) concealed his face; but the features of Niger attracted a fearful and universal interest from their compressed and vigilant ferocity. Thus they stood for some moments, each eyeing each, until Sporus began slowly, and with great caution, to advance, holding his sword pointed, like a modern fencer's, at the breast of his foe. Niger retreated as his antagonist advanced, gathering up his net with his right hand, and never taking his small glittering eye from the movements of the swordsman. Suddenly when Sporus had approached nearly at arm's length, the retiarius threw himself forward, and cast his net. A quick inflection of body saved the gladiator from the deadly snare! he uttered a sharp cry of joy and rage, and rushed upon Niger: but Niger had already drawn in his net, thrown it across his shoulders, and now fled round the lists with a swiftness which the secutor in vain endeavored to equal. The people laughed and shouted aloud, to see the ineffectual efforts of the broad-shouldered gladiator to overtake the flying giant: when, at that moment, their attention was turned from these to the two Roman combatants.

They had placed themselves at the onset face to face, at the distance of modern fencers from each other: but the extreme caution which both evinced at first had prevented any warmth of engagement, and allowed the spectators full leisure to interest themselves in the battle between Sporus and his foe. But the Romans were now heated into full and fierce encounter: they pushed—returned—advanced on—retreated from each other with all that careful yet scarcely perceptible caution which characterizes men well experienced and equally matched. But at this moment, Eumolpus, the elder gladiator, by that dexterous back-stroke which was considered in the arena so difficult to avoid, had wounded Nepimus in the side. The people shouted; Lepidus turned pale.

'Ho!' said Clodius, 'the game is nearly over. If Eumolpus fights now the quiet fight, the other will gradually bleed himself away.'

'But, thank the gods! he does not fight the backward fight. See!—he presses hard upon Nepimus. By Mars! but Nepimus had him there! the helmet rang again!—Clodius, I shall win!'

'Why do I ever bet but at the dice?' groaned Clodius to himself;—or why cannot one cog a gladiator?'

'A Sporus!—a Sporus!' shouted the populace, as Niger having now suddenly paused, had again cast his net, and again unsuccessfully. He had not retreated this time with sufficient agility—the sword of Sporus had inflicted a severe wound upon his right leg; and, incapacitated to fly, he was pressed hard by the fierce swordsman. His great height and length of arm still continued, however, to give him no despicable advantages; and steadily keeping his trident at the front of his foe, he repelled him successfully for several minutes. Sporus now tried, by great rapidity of evolution, to get round his antagonist, who necessarily moved with pain and slowness. In so doing, he lost his caution—he advanced too near to the giant—raised his arm to strike, and received the three points of the fatal spear full in his breast! He sank on his knee. In a moment more, the deadly net was cast over him, he struggled against its meshes in vain; again—again—again he writhed mutely beneath the fresh strokes of the trident—his blood flowed fast through the net and redly over the sand. He lowered his arms in acknowledgment of defeat.

The conquering retiarius withdrew his net, and leaning on his spear, looked to the audience for their judgement. Slowly, too, at the same moment, the vanquished gladiator rolled his dim and despairing eyes around the theatre. From row to row, from bench to bench, there glared upon him but merciless and unpitying eyes.

Hushed was the roar—the murmur! The silence was dread, for it was no sympathy; not a hand—no, not even a woman's hand—gave the signal of charity and life! Sporus had never been popular in the arena; and, lately, the interest of the combat had been excited on behalf of the wounded Niger. The people were warmed into blood—the mimic fight had ceased to charm; the interest had mounted up to the desire of sacrifice and the thirst of death!

The gladiator felt that his doom was sealed: he uttered no prayer—no groan. The people gave the signal of death! In dogged but agonized submission, he bent his neck to receive the fatal stroke. And now, as the spear of the retiarius was not a weapon to inflict instant and certain death, there stalked into the arena a grim and fatal form, brandishing a short, sharp sword, and with features utterly concealed beneath its vizor. With slow and measured steps, this dismal headsman approached the gladiator, still kneeling—laid the left hand on his humbled crest—drew the edge of the blade across his neck—turned round to the assembly, lest, in the last moment, remorse should come upon them; the dread signal continued the same: the blade glittered brightly in the air—fell—and the gladiator rolled upon the sand; his limbs quivered—were still—he was a corpse.'

His body was dragged at once from the arena through the gate of death, and thrown into the gloomy den termed technically the spoliarium. And ere it had well reached that destination, the strife between the remaining combatants was decided. The sword of Eumolpus had inflicted the death-wound upon the less experienced combatant. A new victim was added to the receptacle of the slain.

Throughout that mighty assembly there now ran a universal movement; the people breathed more freely, and resettled themselves in their seats. A grateful shower was cast over every row from the concealed conduits. In cool and luxurious pleasure they talked over the late spectacle of blood. Eumolpus removed his helmet, and wiped his brows; his close-curled hair and short beard, his noble Roman features and bright dark eye attracted the general admiration. He was fresh, unwounded, unfatigued.

The editor paused, and proclaimed aloud that, as Niger's wound disabled him from again entering the arena, Lydon was to be the successor to the slaughtered Nepimus, and the new combatant of Eumolpus.

'Yet, Lydon,' added he, 'if thou wouldst decline the combat with one so brave and tried, thou mayst have full liberty to do so. Eumolpus is not the antagonist that was originally decreed for thee. Thou knowest best how far thou canst cope with him. If thou failest, thy doom is honorable death; if thou conquerest, out of my own purse I will double the stipulated prize.'

The people shouted applause. Lydon stood in the lists, he gazed around; high above he beheld the pale face, the straining eyes, of his father. He turned away irresolute for a moment. No! the conquest of the cestus was not sufficient—he had not yet won the prize of victory—his father was still a slave!

'Noble aedile!' he replied, in a firm and deep tone, 'I shrink not from this combat. For the honour of Pompeii, I demand that one trained by its long-celebrated lanista shall do battle with this Roman.'

The people shouted louder than before.

'Four to one against Lydon!' said Clodius to Lepidus.

'I would not take twenty to one! Why, Eumolpus is a very Achilles, and this poor fellow is but a tyro!'

Eumolpus gazed hard on the face of Lydon; he smiled; yet the smile was followed by a slight and scarce audible sigh—a touch of compassionate emotion, which custom conquered the moment the heart acknowledged it.

And now both, clad in complete armor, the sword drawn, the vizor closed, the two last combatants of the arena (ere man, at least, was matched with beast), stood opposed to each other.

It was just at this time that a letter was delivered to the proctor by one of the attendants of the arena; he removed the cincture—glanced over it for a moment—his countenance betrayed surprise and embarrassment. He re-read the letter, and then muttering—'Tush! it is impossible!—the man must be drunk, even in the morning, to dream of such follies!'—threw it carelessly aside, and gravely settled himself once more in the attitude of attention to the sports.

The interest of the public was wound up very high. Eumolpus had at first won their favor; but the gallantry of Lydon, and his well-timed allusion to the honour of the Pompeian lanista, had afterwards given the latter the preference in their eyes.

'Holla, old fellow!' said Medon's neighbor to him. 'Your son is hardly matched; but never fear, the editor will not permit him to be slain—no, nor the people neither; he has behaved too bravely for that. Ha! that was a home thrust!—well averted, by Pollux! At him again, Lydon!—they stop to breathe. What art thou muttering, old boy

'Prayers!' answered Medon, with a more calm and hopeful mien than he had yet maintained.

'Prayers!—trifles! The time for gods to carry a man away in a cloud is gone now. Ha! Jupiter! what a blow! Thy side—thy side!—take care of thy side, Lydon!'

There was a convulsive tremor throughout the assembly. A fierce blow from Eumolpus, full on the crest, had brought Lydon to his knee.

'Habet!—he has it!' cried a shrill female voice; 'he has it!' It was the voice of the girl who had so anxiously anticipated the sacrifice of some criminal to the beasts.

'Be silent, child!' said the wife of Pansa, haughtily. 'Non habet!—he is not wounded!'

'I wish he were, if only to spite old surly Medon,' muttered the girl.

Meanwhile Lydon, who had hitherto defended himself with great skill and valor, began to give way before the vigorous assaults of the practised Roman; his arm grew tired, his eye dizzy, he breathed hard and painfully. The combatants paused again for breath.

'Young man,' said Eumolpus, in a low voice, 'desist; I will wound thee slightly—then lower thy arms; thou hast propitiated the editor and the mob—thou wilt be honorably saved!'

'And my father still enslaved!' groaned Lydon to himself. 'No! death or his freedom.'

At that thought, and seeing that, his strength not being equal to the endurance of the Roman, everything depended on a sudden and desperate effort, he threw himself fiercely on Eumolpus; the Roman warily retreated—Lydon thrust again—Eumolpus drew himself aside—the sword grazed his cuirass—Lydon's breast was exposed—the Roman plunged his sword through the joints of the armor, not meaning, however, to inflict a deep wound; Lydon, weak and exhausted, fell forward, fell right on the point: it passed through and through, even to the back. Eumolpus drew forth his blade; Lydon still made an effort to regain his balance—his sword left his grasp—he struck mechanically at the gladiator with his naked hand, and fell prostrate on the arena. With one accord, editor and assembly made the signal of mercy—the officers of the arena approached—they took off the helmet of the vanquished. He still breathed; his eyes rolled fiercely on his foe; the savageness he had acquired in his calling glared from his gaze, and lowered upon the brow darkened already with the shades of death; then, with a convulsive groan, with a half start, he lifted his eyes above. They rested not on the face of the editor nor on the pitying brows of his relenting judges. He saw them not; they were as if the vast space was desolate and bare; one pale agonizing face alone was all he recognized—one cry of a broken heart was all that, amidst the murmurs and the shouts of the populace, reached his ear. The ferocity vanished from his brow; a soft, a tender expression of sanctifying but despairing love played over his features—played—waned—darkened! His face suddenly became locked and rigid, resuming its former fierceness. He fell upon the earth.


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