So it was that Sargent Everett's long journey from Maine to Mississippi in those old days came to an end. Sitting in his room that night at the tavern, writing home by the light of a single candle, he held his quill poised above the paper, while the faces of the day rushed in procession before him. The wrinkled, weather-beaten face of the steamboat captain; the kind, noble features of the Virginia gentleman; the calm, placid face of the chatelaine of the old Spanish home; and last of all, the haunting grey eyes of the little girl. In each of them he found something that made him realize they would help in the moulding of his future. His first step had been made. What would the unknown bring to him? His head sank on his arms and the words of the far away one rang in his ears, urging him on and on to success.A light tap sounded on the door."Come in," he called out, and the shining face of Jonas appeared in the doorway."Boss, I jes' cum ter fin' out ef yer didn' want hit open'd now?""No, Jonas," Sargent smiled, glancing at the bottle of champagne placed conspicuously on the table. "I've decided to keep it as a souvenir of my first day in a new country—and of some one whose advice, I verily believe, saved the day!"BOOK IITHE LAWYERCHAPTER IPICTURES IN THE FIRESpring had come, the joyous, impatient spring of the South, bringing in one day a new world, full of warmth and splendour. The old house of the Spaniards gleamed once more in the sunshine, long shafts of gold penetrated the shadows of the magnolias and rested with a dazzling brilliance upon the surrounding line of columns. And the garden along the terrace burst into a sudden glory that showed it knew well that the cold winds of the North had died away for many months.Far down the hillside the great river crept stealthily out of its banks, crawling up and up until the lowlands of the opposite shore became a wide, yellow, seemingly boundless sea.Then the seared forest began to tremble into a faint green, and everywhere were the chatter of birds and the sounds of awakening life. Weather prophets shook their heads, saying the spring had come too early, that it would mean a bad season for the crops; the plantation overseers were caught napping, and rushed hundreds of slaves into the field to make the ground ready for planting; and along the road toward the town three caravans of Voyageurs had passed already, on their way from New Orleans to St. Louis—all this in the early part of March.The days, lengthening and full of a lazy warmth, were perfect for a short cessation from the routine of the schoolroom, so that when the young schoolmaster had asked for a week's leave in which he might ride to a day's distant village, for the purpose of passing his examinations before the Judges of the Supreme Court, his request was readily granted. The boys had received the announcement with childish delight. Natalia had said nothing.The day after the schoolroom was closed, the little girl wandered far down the hillside, and watched the great river, turbulent and angry in its swollen channel. She sat there a long time, not thoroughly contented in the freedom of the holiday, for the last few weeks had been unhappy ones for her. The schoolmaster had been severe and impatient for many days, and he had not taken her with him on his long walks through the woods. Until lately it had been almost the daily custom to go directly after dinner along the crest of the hill quite away from the road, toward the town. Natalia would dance along beside him, flitting away now and then to inspect a hitherto undiscovered grapevine swing or a new birdnest, and then again walking slowly beside him, listening intently while he told her some wonderful story of bygone days. Sometimes when the story was very complicated and the words too big for her to grasp the meaning, she would walk close beside him, one hand in his, her eyes shut tight while she listened only to the music of his voice. Many days they would go quite into the town and stop at Judge Houston's for a half hour, and while Mrs. Houston gave them huge slices of jelly cake, and raisins, and tall goblets of milk, the Judge and the schoolmaster would discuss the new laws of the State. Then it was such fun to come back, in the late afternoon, when the wind was whistling through the trees and the grove about the house was filling with queer shadows, and find everybody gathered about the blazing logs for a while before the study hour.But all this had ended a month before. The schoolmaster walked no more in the afternoons; he went directly from the dinner table to the library, and shut himself in, not coming out even when the supper bell rang, and many nights when Mammy Dicey carried the little girl up to her room she could see a line of light beneath the library door. It would be there still when she came down hours later, and twice it had been there when she went back to waken the children in the morning. It was this way to the day he left, not one minute wasted, as he drove himself on and on toward his examinations.Natalia had at first been impatient and complaining of the neglect, then she had become wounded, and at last silent, and what might have been a joyous holiday grew more and more monotonous.When the seventh day had come she had gone down to the big gate, taking the great cumbersome Shakespeare with her, and, settling herself comfortably against the post, had waited for the schoolmaster's return. In the happiness of seeing him again she had become quite forgiving.The morning passed and he did not come. The afternoon dragged along until the birds had all fluttered into the grove, and gone to sleep—still, he did not come. Night came on, a question or two was asked, and at last bedtime arrived, with no news.Mammy Dicey sat beside Natalia's bed a long time that night, singing the whole repertoire of lullabys that usually closed the dusky little lids, without avail. Natalia lay staring up at the ceiling with wide-open eyes full of doubts and fears. There had come a report the day after the schoolmaster's departure, that Jacob Phelps, a notorious highwayman, had suddenly appeared near the town and robbed the Jackson coach in broad daylight. With the incident, all the memories and experiences of the town folk were awakened, and each one was recounting what he had heard of the man. It added picturesqueness to the tales, that the freebooter was not a member of a gang, but accomplished his daring robberies without the aid of confederates; and in contrast to all the robbers that infested this new country, he killed his victims only when forced to do so in escaping. The tales had reached the children through the servants, and for Natalia there had been no peace during the long days of the schoolmaster's absence.When Mammy Dicey had blown out the candle and left the room, closing the door tight after her, Natalia jumped out of bed and ran to the window. Raising it, and pushing the shutters far apart, she leaned out so as to get a view of the big gate.The moon was just rising, and by its cold, white light she could see far down the empty road. She stood looking out, until the night wind chilled her, and she shivered under her thin nightgown. Finally she closed the shutters and crept back to bed, huddling herself beneath the heavy quilt until she stopped trembling. Still she could not sleep for the quick beating of her heart and her intent listening. At last she got up resolutely, tiptoed to the door and went out into the hall, where a single candle always burned at night. For a moment she hesitated at the top of the dark staircase, then crept noiselessly downstairs and through the dining-room until she reached the door that led across an open passage to the kitchen. She gave a quick sigh of relief when she saw a flickering light through the kitchen window, and rushing across the passage, burst into the room and into old Dicey's arms, as she crouched before the fire."Fo' de Lawd, honey chile, whut yer doin' a runnin' 'round heah in de middle ob de night!" the old woman cried, gathering the child to her deep bosom and holding her tight. "An' yer footsies all cold an' naked an' nothin' more'n yer nightgown on. Whut's de mattah, honey?""Oh, Mammy, why don't he come?" Natalia whispered, her head buried against the old negro."He's a comin', sugar, he's all right. Now—put dis shawl 'round yer an' git wahm. I'se gwine ter set up an' wait fer him an' gib him sumthin' ter eat when he gits heah. Ole Miss tole me ter do hit.""But he said he would only be gone a week, and it's a week now, Mammy—and over. And Mammy, I was so mean to him when he went away. I wouldn't tell him good-bye because he wouldn't take me walking any more, and shut himself up and studied and studied and studied—all the time. So when he came to tell us good-bye, I told him I did not want to shake hands with him because I hated him and hoped he wouldn't ever come back. And Mammy," the tears were streaming down her face now, "he said maybe he wouldn't come back, maybe something would happen to him. Now I know what he meant—he meant Jacob Phelps might kill him.""No—he didn't mean dat. Don' yer worry erbout him, honey. Yer don' stedy 'bout nobody but him all de time. Sence dat schoolmas'r come yer done clean fergit yer Mammy Dicey."Natalia's arms went about the old woman's neck and hugged her tight. "I won't ever forget you, Mammy," she said. "Not for anybody. But I do love him lots—next to you. He's so good to me all the time and I love so to watch his eyes—aren't they soft and sweet? And, Mammy, he always lets me talk to him about Mamma. Then he tells me about his Mamma away up in that cold country—so far away. Don't you love to hear him talk? Even if he does talk in great big words sometimes, I just love to hear him. I don't care if I don't know what he means, it sounds so fine and beautiful, and his voice just flows and flows—like the Bayou in the spring, Mammy—oh! do you reckon Jacob Phelps has got him?""Sh'h—honey chile, sh'h. Cose he hain' got him. Now you just snuggle up 'ginst me an' git wahm. Whut yer want Mammy ter sing ter yer? Now—dat's a heap bettah—ain' it?"Holding the little girl close in her arms, Dicey reached out with one hand and threw a short log upon the fire, then sitting back comfortably again, and rocking to and fro, she began singing in a barely audible whisper an intimate little lullaby, just for themselves:"Whar, oh whar am de Hebrew chilluns?Whar, oh whar am de Hebrew chilluns?Whar, oh whar am de Hebrew chilluns?Way ober in de Promis' Lan'."The song was of no avail. Natalia still gazed out of wide open eyes. Then Dicey changed the meter of her melody and began again:"Whar was Moses when de light went out?Whar was Moses when de light went out?Whar was Moses when de light went out?Settin' in de dark wid his mouf poked out."Natalia always chuckled over the last words of the song, but that night she only stirred restlessly and stared up into the old slave's eyes. The flickering glow of the fire fell on Dicey's face, lighting up the countenance which had always been the dearest in the world to the little girl. The other slaves shunned the strange looking old woman, who had not come from San Domingo with them; and her high cheek-bones and the tinge of red beneath her brown skin gave credence to the story that her father was an Indian. Many of them had whispered to Natalia that her old Mammy was a Voodoo, and once, when two slaves had died of smallpox, a "conjure" bag and a tiny black coffin had been found on the doorstep which the others said Dicey had employed to gain a revenge.But Natalia loved the old woman too deeply to be weaned from her. She and Zebediah and Dicey grew closer as the years sped along, the old hostler remaining faithful to his one partner who had worked side by side with him in the grand old days of Gayosa and the Spanish occupation. To them, Natalia was all that was left out of that glorious past.The kitchen had always been Dicey's favourite resting place, and at night when the other slaves had finished their work and gone to the quarters, she would pull a little stool up to the hearth and crouch down before the dying embers, gazing intently into the glow and sometimes crooning softly to herself. It seemed to suit her—this great old room which had for a floor the hard, clean-swept earth, was ceiled with roughhewn beams and filled along one side with a wagonwide fireplace. And when not even a candle was left burning, it seemed to suit her even better, for then the four pots hanging from heavy cranes above the fire, the rows of iron ovens placed against the wall, the marble topped bread table, and the immense, copper preserving kettle in a far corner—all these became her eloquent friends of the past, and in their companionship she lived again the stories each held for her.At the end of the song she glanced into Natalia's sleepless eyes and smiled. Even in her inexperience, the little girl knew that here was a love nearly akin to that of the mother she had never known."It's no use, Mammy, I can't go to sleep." Natalia slipped from Dicey's arms to the floor. "Look, it's nearly eleven o'clock. Oh! Mammy!" happily, "maybe he stayed at Uncle Felix's house in town. But he said he would come right back here." She ran to the window and peered out into the moonlight. Everything was deathly still. "Mammy," she said, coming back to Dicey and leaning against her, "can't you look into the fire and see pictures and find out if he is coming back? Clytie told me the other day that you were a Voodoo and could tell what would happen to people—can you?"The old woman's eyes flashed into such angry brilliance that Natalia stepped back, crying out—"Mammy, what's the matter? I never saw you look that way before."Dicey's brows wrinkled over her eyes into a sinister expression, while her fingers twisted themselves into strange shapes as she pressed them together in her lap."Clytie tole yer dat, did she? Whut else she done tole yer?""Nothing else, Mammy. Why are you so mad?""'Cause dat nigger's tryin' to put you 'ginst me—I knowed it all de time.""But no one can do that, Mammy, and I don't mind you being a Voodoo if you'll look in the fire and see if the schoolmaster is coming back. Won't you, please, Mammy?""Whut yer wants ter know sich er heap 'bout dat Perfesser fur?" Dicey said, a little subdued from her excitement, and pulling Natalia back to her. "Hit's no use yer stedyin' 'bout him an' lubbin' him, 'cause he's gwine 'way from heah soon's he kin, and he's nebber gwine stedy 'bout you no mo'. Sho' an' he ain', chile, an' hit ain' no use fer yer to be a lubbin him to sich er pint. Sh'h, sugar plum, don' yer cry now," for at her words Natalia's eyes had clouded and the tears were beginning to pour down her cheeks. "I'se jest talkin'—dat's all. Cose he lubs yer—eve'ybody do. Sh'h now, and Mammy'll fin' pictures fer yer in de fire."She knelt on the hearth and poked the back log until some glowing coals fell from it. Then she leaned forward and raked them into a heap, blowing upon them all the time to keep them alive. Natalia crept up behind her, watching intently her every movement. The room was deathly still, except for the laboured breathing of the old woman blowing life into the cooling embers, and as the moments slipped by, the moon swung opposite the window and sent a streak of ghostly light into the dark kitchen.Natalia stared into Dicey's face, a new fear of the old woman taking possession of her. She had never seen this expression on her face, a far away look in her eyes as if she were seeing into another world and was frozen lifeless by the vision.Natalia put one cold, trembling hand on the negro's coarsened one. There was no response to her touch. "What is it, Mammy?" she whispered. "Tell me what you see."The old woman's body shook convulsively, then she sank upon her haunches and sat still, staring into the ashes. "I sees a long, long time afore me." She began to count automatically until she reached six, then suddenly stopped. "Six years. I sees heaps ob watah and heaps ob trabellin' 'bout. I sees a strange man wid yeller ha'r an' blue eyes. An' dah's er weddin' goin' on, and a bride ooman all dressed out waitin' fer him—an' he ain' comin'. Dah's er dead man, too. Who's he? Who's he? Fo' Gawd, I knows him. An' de bride ooman—Lawdy, honey chile," the old woman's voice rose to a shrill cry. "Honey chile, de bride ooman's you."Dicey grabbed Natalia to her, her bosom rising and falling rapidly, her breath gasping, her eyes wild with the vision. And while they sat there, each clinging to the other under the strange spell, the loud clanging of a bell burst upon the still night. Both of them rose quickly and ran to the window. Dicey threw the sash up, and the sound of the bell rushed into the room, bringing with it the intensity of the one who was ringing it a mile away."Hit's de bell on Massa Puckett's plantashun," Dicey said, after she had listened a few minutes in silence. "Sumthin's done happen. Mebbe his house done ketch fire. We kin go up ter yo' room an' see."She had picked up Natalia and carried her toward the door, when she stopped again. The sound of a galloping horse out on the highroad came to them distinctly. Another minute and the horse had stopped before the gate and they could hear some one approaching the house.Dicey lighted a candle and held it to the window. "It's only I, Dicey," Sargent Everett's voice came out of the darkness. "Is every one safe here? Mr. Puckett has been murdered and a crowd of men are out with the bloodhounds. They think it is some of Jacob Phelps' work."Dicey opened the door, and held the candle high to light him in. "Ole Miss done tole me ter sabe yer some suppah. I knows yer's hungry and tired out. Come in heah and set down."Sargent entered the room, the candle light gleaming on his dusty clothes and weary features. Before he had gone half way across the room he fell into the nearest chair, from utter exhaustion."How's our little girl, Dicey?" were his first words.Dicey looked up from the tray she was placing on the table, and smiled, shaking her head knowingly."I reckon she's all right, now dat you'se back."All the while Natalia was watching him from the dark corner in which she stood, noting the tired look in his eyes, and the strange new expression of excitement that made his face seem almost unfamiliar. Then suddenly she flew across the room toward him, and pressed both arms tight about his neck, gazing at him with eyes grown brilliantly black."I'm so—so glad you've come back!""Fo' de Lawd!" cried Dicey, dropping a dish with a clatter. "Ain' you got no manners at all, runnin' round heah fo' a gemman wid nothin' more'n a jaybird on! I sees I'se got ter manage yer! Come heah and git up to yer room dis minit," and as the door closed after them Sargent heard the complaint growing louder and louder—"No mo' manners dan er jack-rabbit—dan er jack-rabbit!"CHAPTER IITHE OPENED WOUNDIn the afternoon of the next day, when the schoolroom had been closed, Sargent rode into the town. In his pocket he carried a letter which had come to him a few hours before, from Judge Houston."My most hearty congratulations," it ran, "I have heard from one of your compagnons de voyage, of your success. Are you ready for your first case? It is waiting for you. Come in this afternoon."FELIX HOUSTON."His first case! Sargent read the delicate, painstaking chirography again and again. Could it be possible that he was to have a chance to plead before the bar, when his examinations were only a few days behind him!He had received the note as he stood in the door of the little schoolhouse, with the sound in his ears of the children buzzing over their lessons, and as the full realization of its meaning swept over him, he pulled out the loud clanking watch his father had once brought him from the Bermudas, and impatiently counted the time that must elapse before he could know what the letter really meant.It seemed hours before the time came to leave, and Zebediah stood at the door with a horse saddled and waiting for him."You've just come back, and you're going away already!" Natalia said plaintively, following him to the gate, her little hand clasped tight in his."But I shall not be gone long, Natalia—only an hour or two. And when I come back, I shall tell you all about the terrible judges who sat on a platform, all in a row, and asked me all sorts of questions about the laws of our country.""I don't care a picayune about the judges," the little girl complained, "but I do want you to tell me all about old Mr. Puckett, and how Jacob Phelps killed him. Mammy says Mamma Brandon told her not to tell us about it, but you will, won't you?"Sargent looked down at her, as she stood with her vivid little face, excited and intense over the subject, looking up at him, her hands clasped tight in a characteristic gesture. It always made him marvel when he saw her so passionately intent over something—for in the darkening grey eyes and warm rich glow beneath her olive skin, a wealth of hereditary influence asserted itself."You will tell me when you come back?" she repeated, as Sargent mounted his horse without answering."Wouldn't you rather hear about my first case?" he asked, avoiding an answer."Your first case?""Yes—Judge Houston says he has one for me. So I am going now to find out what it is."Natalia slipped one hand through the bars of the great gate, and leaned against it, not in the least enthusiastic."I don't care much about the case," she began, almost sadly, "if it is going to take you away every day after school, and keep you from reading to me any more or taking me walking. I wouldn't care if you didn't ever have a case if it's going to be this way."Sargent leaned from his saddle, and lifted the little girl up beside him."It isn't going to be that way, Natalia," he said quietly when she was comfortably adjusted and tugging at her skirts. "Nothing in the world is going to separate us—ever. Will you ride with me to the main road?"As they passed out of the gate, the boughs of the overlapping trees casting queer shadows upon their path, the faint, pungent odour of new leaves making the air fresh and spicy, they were silent a long time, each happy and contented in a very different way."Then what Mammy told me last night isn't so?" Natalia broke the long silence."What did she tell you?""That you would soon be going away, and forgetting all about me."Sargent shook his head, slowly. From where he sat he could only see the little head with its mass of black hair and two long braids. Suddenly he leaned forward and kissed it in the wide part. "I shall never forget you, Natalia. It will be quite the other way.""Not even when I go away?""Not even then—but that will not be soon."For a moment Natalia was silent; then, in a whisper, "You mustn't tell it, but—I may go next week. I heard Mamma Brandon reading a letter this week to Aunt Maria. It was from her kinsfolk in Boston. They want her to send me up there.""To the Talbots!" Sargent exclaimed. "I know them. Morgan Talbot is my best friend. We were at college together.""I don't want to go without you," Natalia continued slowly, then with sudden enthusiasm; "Couldn't you go with me? I'll ask Mamma Brandon as soon as I get back home."They were at the highroad now, and Sargent drew in his rein. "It would be fine," he laughed, "but like many fine things, it's not altogether practical.""Anyhow, I'm going right back to ask Mamma Brandon if she won't let you go," and as Sargent turned into the main road, he looked back and saw her running toward the house.When he reached the town, the signs of the awakening season were on all sides. Lawns were being raked clean, gardens were blossoming, women were on the walks and talking to each other over fences, about the new shipment of delaines and dimities and lawns that had just come up from New Orleans. Houses were wide open and the sunlight was gilding and brightening everything. A farmer, standing in his wagon, was selling his last lot of smoked sausage to a crowd gathered about him; and selling it to advantage, for he was telling them there would be no more until next November. Old Mrs. Buckingham was airing her mattress on the front veranda, and her famous begonias had been seen on the steps for at least a week. Verily, spring had come.The road that passed the old house of the Spaniards led directly into the town, and became its main street. As Sargent rode along it he felt a growing affection for these townsfolk and their habitations, for they had received him, not as a stranger but as an old friend. Already he was beginning to recognize nearly all the faces he saw, for with his frequent visits to the town, his walks with Judge Houston, their churchgoing each Sunday, and the many afternoons he had spent in the brick courthouse, listening to the arguing of cases where flamboyant eloquence and thundering invective usually brought success—all these associations had given him a feeling of becoming one of them.When he had left his horse at the stable, and turned toward the tavern to get a late newspaper—there had been a boat that day—-he noticed the unusual crowd gathered on the street, particularly in the courthouse yard and before the jail."Is there a boat in, or a coach, or an Indian massacre?" he asked,—when he had stopped at the greeting of some friends."Haven't you heard?" exclaimed Mr. Pintard, a wealthy planter from an adjoining county."You forget I live in the country," Sargent explained, smiling. "But I trust all this excitement warrants your interest.""Josiah Puckett was murdered last night and Jacob Phelps has been trapped and brought into town. He's over there in the jail now. We've got him this time.""Then he was the man who killed Mr. Puckett?" Sargent asked quickly."There's no doubt of it. The hounds tracked him to the canebrake on Puckett's place. It's wonderful—the first time he was ever captured in his whole career!""And now that we've got him," commented Mr. Suggs, joining the group, "I don't see why he should have any trial. We all know what he's done, and I say there's no excuse for waiting: I say string him up to-night! But!—Judge Houston says not. He says the man must be tried—that we are barbarians no longer. So the trial is to come off next week.""A trial!" exclaimed Pintard. "What good is a trial without a defence, and who would defend Phelps? I'll wager you could not find a man in the county who would take the case.""Not so fast, my friend," drawled Mr. Suggs. "Somebody has been found to defend him."The crowd gathered closer. Suggs always carried startling tidings; it was part of his profession."Who?" demanded the half dozen listeners."Mr. Lemuel Jervais!" Mr. Suggs pronounced the name quietly, with the enjoyment of one who delighted in throwing bombs."Lemuel Jervais! You don't mean it! It's a damned lie! Why, he wouldn't dare! He couldn't afford it!"Mr. Suggs drew himself to his full height, swelling portentously beneath his linsey waistcoat, and looked each man squarely in the eye."Gentlemen," he answered, "if you can not take the word of a gentleman, go in the Mansion House bar and ask Mr. Jervais himself. I just left him there." Then, from a more antagonistic height, "And I'd like to know who the blackguard is who called what I said, 'a damned lie'!""Why has Jervais done this!" Sargent exclaimed, ignoring the last remark. "There must be some good reason. Of course, he can explain it.""Oh yes,—he explains it," Suggs answered, his anger diverted. "He says he's had a streak of bad luck lately, and he's got to pay up some way. Phelps offered him a thousand dollars to clear him.""He'll never win that thousand," Pintard commented. "He might as well throw up the case now. Clear Phelps in this town, where we all know what he's been doing for ten years! Why, man, it's ridiculous!"Mr. Suggs leisurely folded his arms and looked reflectively in the direction of the jail."On the contrary," he remarked, "it will be very easy for him to clear Phelps. The evidence is only circumstantial. No one saw him commit the murder. Nobody can swear to it. All they know is that he was captured in a canebrake near Puckett's house, on the night of the murder, and it will take a mighty good lawyer to convince the jury that he is the murderer; that is, unless the trial is overruled by sentiment, and it's not likely to be, with Felix Houston as judge. I'll tell you, gentlemen, I don't want the prosecution. It's not a job worth having.""Somebody's got to do it, though. Attorney Semmes has been sick for a month and can not leave his home. Who'll they get?""The Judge will appoint some one to-morrow morning, I understand." Mr. Suggs replied from his inexhaustible store of information. "And let us all pray," he added, meekly folding his hands across his breast, "that it won't be one of us."Sargent slipped away from the crowd, unnoticed. The possible meaning of Judge Houston's note rushed over him, bringing with it an army of hopes and fears. Could it be that he himself was to represent the State in this trial? The idea stuck in his thoughts with the potency of truth. Under its influence he walked rapidly in the direction of his friend's home, with the question obliterating his surroundings.He was passing the Mansion House when he heard his name called loudly, and turning, found Jervais staggering toward him, out of the barroom."Hello, Everett! Didn't know you could walk so fast." Jervais slapped him on the back and laughed noisily. Sargent took the outstretched hand and then dropped it quickly, in his desire to get away from the man, for Jervais when sober had always been irritating to him, almost insulting in his hauteur; drunk, he was both disgusting and dangerous. They had met frequently during the winter, for it was the regular custom of Jervais to take Sunday dinner with Mrs. Brandon, a fact which Sargent had never been able to understand. Nothing seemed so incongruous to him as the cool, self-possessed, formal chatelaine receiving attention from a man of Jervais's calibre and reputation. The man had never grown congenial, and during the last months their discussions at the dinner table had been so heated that Sargent had chosen that day to spend in long rides, in preference to sitting through a dinner of several hours, opposite a man whose political and social beliefs were so directly opposed to his own. Judge Houston had laughed over the antagonism, telling Sargent it was good training for him to meet such a man and learn to restrain himself. Sargent had answered that restraint, when it was a matter of convictions and creeds, was worthless."Haven't seen you since you got in the ring," Jervais continued unsteadily. "How d'you feel? Like you could conquer the world, I suppose! How many years do you think you'll have to wait for a case?—Ten—eh? Say—wait a minute—will you?" as Sargent struggled from his grasp. "Want to tell you something—it's a secret. Phelps offered me a thousand dollars to clear him. I had to take it—been gambling too much lately. But I tell you, Everett, I don't want the Widow Brandon to hear about it. Now—don't tell her—will you?""Of course not, Jervais; I'll not mention it to her. But you had better tell her yourself. Of course she will hear of it from some one. Good-bye, I'm in a hurry.""Say, Everett," Jervais still clung to his arm. "When are you going to have your first case? Im dead anxious to see you before the bar. A Yankee schoolteacher a lawyer—that'll berich! Say—a crippled one, too—that'll be a joke." He ended with another loud burst of merriment.For a second Sargent stared into the leering face of the drunken man. Then, trembling in a spasm of rage, his fingers knotted themselves together, and before he was aware of what he was doing, his arm had shot up and delivered a blow full into Jervais' face.As soon as he had done it, a strange calm swept over him, and he stood as one aloof, looking on the result of his act.Jervais staggered back a step, wheeled in an attempt to keep his balance, and fell full length upon the pavement.In a second a crowd was about them, several assisting Jervais to rise.When he had regained his feet, Sargent made a step toward him—"Is he hurt?" he asked very quietly."No—don't you know you can't hurt a drunken man?"Then Jervais made a lunge toward him, but was held back by two men who were supporting him. His face was distorted into the trembling features of rage, flushed a purple crimson, and from his eyes shot out the fury of unchained hatred. Sargent involuntarily looked away, sickened."You damned cripple!—to insult me in the street!" Jervais shouted in his fury. "You can't fight like a man with a man. You'd claim you were not able, I suppose! But I demand satisfaction! I'll have it, too. There's one way to settle this thing—d'you hear? A way to settle this for good!""Very well—we'll settle it whenever you wish." Sargent wheeled quickly and walked from the crowd.Half a block away he found himself suddenly standing before some one who barred the way. When he had felt both his arms in a tight grip, and heard the sound of a familiar, hearty laugh, he looked up and recognized Captain Mentdrop.For a moment his excitement and surprise kept back a greeting, so that the old Captain's face lost its geniality and the twinkle in his eyes became frank disappointment. "So you've forgotten me, have you?" he said, with an odd little ring in his voice."No—no, Captain!" Sargent struggled to force the words. "Of course I have not forgotten you, but I don't want to talk to you here. Can't we get away somewhere?"The old fellow's keen eyes swept Sargent's face, reading there the signs of the recent struggle."What's up, youngster?" He bent a little forward. "What's a troublin' you? Your face is as red as a beet, and you've got a mighty bad glare in your eyes. Come on up to my room here in the Mansion House. I was resting very comfortable-like up there, till I saw some sort of a scuffle going on out here." Then with a quick intuition, he searched Sargent's face again. "It ain't possible you were mixed up in it!"They went up the tavern steps and altered the Captain's room. When the old fellow had closed the door after them, he turned back to Sargent, who had sunk into a chair near the window, and watched the young fellow, his lips twitching slightly and his eyes crisply twinkling with the humour he was struggling to keep back."You weren't mixed up in it, youngster, were you?" he repeated, with his lips twitching again.Sargent met his look squarely. "Yes, I was in it. A street fight! I knocked Lemuel Jervais down!""You! Lemuel Jervais—Oh!" And the Captain could restrain himself no longer. He dropped into a chair, the whole of his great frame shaking with loud gusts of laughter, while the tears gushed forth and rolled down his furrowed cheeks. "On my honour—it's too good to believe," he cried breathlessly. "You and Lem Jervais in a street fight. And when you were on that boat with me I thought you were as harmless as a kitten. Gee Whillikens!" and he let out a long whistle, "but you are a promising youngster—after all. Easy, now. Don't blaze your eyes at me that way.Iwasn't the cause of it. When you get cooled down a-plenty, tell me about it. Ugh, but you are huffy about it!" as Sargent remained impervious to his humour. "You know what I do when I get that upset? I just lock myself up in my cabin where nobody can get to me and I can get to nobody, and I cuss everybody and everything that I can get my mind on—you ought to hear me! I can cuss like a beauty when I get warmed up to my subject, and will you believe me, sir, when I come out I'm as cool as a cucumber. Honest Injun, I am—just like a May morning. Want to try it? I'll give you the room to yourself. Well—if you won't, maybe telling me about it will help you let off a little steam. Now—how d' it start?"Sargent raised his head at the last question, and looked into the twinkling grey eyes before him. When he spoke, his voice was sharp and unsteady."He was drunk and laughed at me—laughed at my deformity! He said it would be a joke for me to plead any case before the bar. I, a Yankee school-teacher—a crippled one at that!"The Captain was out of his chair and before Sargent in a second. The twinkle had gone out of his eyes. They were steely now."The damned scoundrel! And you?""I knocked him down.""Before the whole crowd? Good! Then?""He challenged me."The old fellow's face brightened."Better still! When'll it be?""I don't know yet.""Am I the first you've talked to?""Yes.""Good! Good! I'll help you. I'll be your second."The old fellow rubbed his hands together and the gleam came back into his eyes, while his furrowed face became tinged with a faint glow that shone youthful beneath the coarsened, weather-worn skin.Sargent stared at him blankly."You," he exclaimed, seemingly without comprehension."Yes, I—that is," and the Captain glanced at him with a tinge of resentment, "unless you prefer some one else."Sargent grasped his hands silently."That's right; you let me take charge of this thing, boy. I'll do it up in ship-shape." He let his hand drop with rough affection on Sargent's shoulder. "It's mighty lucky I'm going to be here for two weeks. My boilers are out of fix and I'm tied up repairs. Let me know when you get the challenge and I'll help you fix the whole thing. I know all about how these things are done. Now, don't go back on me, and think you ought to ask a younger fellow, for if anything should happen to you and I had to take your place, there ain't a living soul dependent on me."Sargent rose without a word. Then, turning suddenly, he went out of the room and down the steps, followed by the old fellow, who still held his arm in a firm grasp. Stopping when they had reached the pavement, the Captain glanced once more at the young fellow's face, his twinkling eyes beaming affectionately from their thousand encircling wrinkles."Who'd 'a' thought when we parted on the boat that day, that we'd meet in a mix-up like this? I kind a' felt all along that you were going to make your name. I can size up a promising youngster every time. Just to think of it!" and he ended with a slap on Sargent's shoulder. "Good-bye, and don't forget," he lowered his voice confidentially, "I'm going to be your second. D'you hear? Even if you didn't ask me. It's all of my own choosing."
So it was that Sargent Everett's long journey from Maine to Mississippi in those old days came to an end. Sitting in his room that night at the tavern, writing home by the light of a single candle, he held his quill poised above the paper, while the faces of the day rushed in procession before him. The wrinkled, weather-beaten face of the steamboat captain; the kind, noble features of the Virginia gentleman; the calm, placid face of the chatelaine of the old Spanish home; and last of all, the haunting grey eyes of the little girl. In each of them he found something that made him realize they would help in the moulding of his future. His first step had been made. What would the unknown bring to him? His head sank on his arms and the words of the far away one rang in his ears, urging him on and on to success.
A light tap sounded on the door.
"Come in," he called out, and the shining face of Jonas appeared in the doorway.
"Boss, I jes' cum ter fin' out ef yer didn' want hit open'd now?"
"No, Jonas," Sargent smiled, glancing at the bottle of champagne placed conspicuously on the table. "I've decided to keep it as a souvenir of my first day in a new country—and of some one whose advice, I verily believe, saved the day!"
BOOK II
THE LAWYER
CHAPTER I
PICTURES IN THE FIRE
Spring had come, the joyous, impatient spring of the South, bringing in one day a new world, full of warmth and splendour. The old house of the Spaniards gleamed once more in the sunshine, long shafts of gold penetrated the shadows of the magnolias and rested with a dazzling brilliance upon the surrounding line of columns. And the garden along the terrace burst into a sudden glory that showed it knew well that the cold winds of the North had died away for many months.
Far down the hillside the great river crept stealthily out of its banks, crawling up and up until the lowlands of the opposite shore became a wide, yellow, seemingly boundless sea.
Then the seared forest began to tremble into a faint green, and everywhere were the chatter of birds and the sounds of awakening life. Weather prophets shook their heads, saying the spring had come too early, that it would mean a bad season for the crops; the plantation overseers were caught napping, and rushed hundreds of slaves into the field to make the ground ready for planting; and along the road toward the town three caravans of Voyageurs had passed already, on their way from New Orleans to St. Louis—all this in the early part of March.
The days, lengthening and full of a lazy warmth, were perfect for a short cessation from the routine of the schoolroom, so that when the young schoolmaster had asked for a week's leave in which he might ride to a day's distant village, for the purpose of passing his examinations before the Judges of the Supreme Court, his request was readily granted. The boys had received the announcement with childish delight. Natalia had said nothing.
The day after the schoolroom was closed, the little girl wandered far down the hillside, and watched the great river, turbulent and angry in its swollen channel. She sat there a long time, not thoroughly contented in the freedom of the holiday, for the last few weeks had been unhappy ones for her. The schoolmaster had been severe and impatient for many days, and he had not taken her with him on his long walks through the woods. Until lately it had been almost the daily custom to go directly after dinner along the crest of the hill quite away from the road, toward the town. Natalia would dance along beside him, flitting away now and then to inspect a hitherto undiscovered grapevine swing or a new birdnest, and then again walking slowly beside him, listening intently while he told her some wonderful story of bygone days. Sometimes when the story was very complicated and the words too big for her to grasp the meaning, she would walk close beside him, one hand in his, her eyes shut tight while she listened only to the music of his voice. Many days they would go quite into the town and stop at Judge Houston's for a half hour, and while Mrs. Houston gave them huge slices of jelly cake, and raisins, and tall goblets of milk, the Judge and the schoolmaster would discuss the new laws of the State. Then it was such fun to come back, in the late afternoon, when the wind was whistling through the trees and the grove about the house was filling with queer shadows, and find everybody gathered about the blazing logs for a while before the study hour.
But all this had ended a month before. The schoolmaster walked no more in the afternoons; he went directly from the dinner table to the library, and shut himself in, not coming out even when the supper bell rang, and many nights when Mammy Dicey carried the little girl up to her room she could see a line of light beneath the library door. It would be there still when she came down hours later, and twice it had been there when she went back to waken the children in the morning. It was this way to the day he left, not one minute wasted, as he drove himself on and on toward his examinations.
Natalia had at first been impatient and complaining of the neglect, then she had become wounded, and at last silent, and what might have been a joyous holiday grew more and more monotonous.
When the seventh day had come she had gone down to the big gate, taking the great cumbersome Shakespeare with her, and, settling herself comfortably against the post, had waited for the schoolmaster's return. In the happiness of seeing him again she had become quite forgiving.
The morning passed and he did not come. The afternoon dragged along until the birds had all fluttered into the grove, and gone to sleep—still, he did not come. Night came on, a question or two was asked, and at last bedtime arrived, with no news.
Mammy Dicey sat beside Natalia's bed a long time that night, singing the whole repertoire of lullabys that usually closed the dusky little lids, without avail. Natalia lay staring up at the ceiling with wide-open eyes full of doubts and fears. There had come a report the day after the schoolmaster's departure, that Jacob Phelps, a notorious highwayman, had suddenly appeared near the town and robbed the Jackson coach in broad daylight. With the incident, all the memories and experiences of the town folk were awakened, and each one was recounting what he had heard of the man. It added picturesqueness to the tales, that the freebooter was not a member of a gang, but accomplished his daring robberies without the aid of confederates; and in contrast to all the robbers that infested this new country, he killed his victims only when forced to do so in escaping. The tales had reached the children through the servants, and for Natalia there had been no peace during the long days of the schoolmaster's absence.
When Mammy Dicey had blown out the candle and left the room, closing the door tight after her, Natalia jumped out of bed and ran to the window. Raising it, and pushing the shutters far apart, she leaned out so as to get a view of the big gate.
The moon was just rising, and by its cold, white light she could see far down the empty road. She stood looking out, until the night wind chilled her, and she shivered under her thin nightgown. Finally she closed the shutters and crept back to bed, huddling herself beneath the heavy quilt until she stopped trembling. Still she could not sleep for the quick beating of her heart and her intent listening. At last she got up resolutely, tiptoed to the door and went out into the hall, where a single candle always burned at night. For a moment she hesitated at the top of the dark staircase, then crept noiselessly downstairs and through the dining-room until she reached the door that led across an open passage to the kitchen. She gave a quick sigh of relief when she saw a flickering light through the kitchen window, and rushing across the passage, burst into the room and into old Dicey's arms, as she crouched before the fire.
"Fo' de Lawd, honey chile, whut yer doin' a runnin' 'round heah in de middle ob de night!" the old woman cried, gathering the child to her deep bosom and holding her tight. "An' yer footsies all cold an' naked an' nothin' more'n yer nightgown on. Whut's de mattah, honey?"
"Oh, Mammy, why don't he come?" Natalia whispered, her head buried against the old negro.
"He's a comin', sugar, he's all right. Now—put dis shawl 'round yer an' git wahm. I'se gwine ter set up an' wait fer him an' gib him sumthin' ter eat when he gits heah. Ole Miss tole me ter do hit."
"But he said he would only be gone a week, and it's a week now, Mammy—and over. And Mammy, I was so mean to him when he went away. I wouldn't tell him good-bye because he wouldn't take me walking any more, and shut himself up and studied and studied and studied—all the time. So when he came to tell us good-bye, I told him I did not want to shake hands with him because I hated him and hoped he wouldn't ever come back. And Mammy," the tears were streaming down her face now, "he said maybe he wouldn't come back, maybe something would happen to him. Now I know what he meant—he meant Jacob Phelps might kill him."
"No—he didn't mean dat. Don' yer worry erbout him, honey. Yer don' stedy 'bout nobody but him all de time. Sence dat schoolmas'r come yer done clean fergit yer Mammy Dicey."
Natalia's arms went about the old woman's neck and hugged her tight. "I won't ever forget you, Mammy," she said. "Not for anybody. But I do love him lots—next to you. He's so good to me all the time and I love so to watch his eyes—aren't they soft and sweet? And, Mammy, he always lets me talk to him about Mamma. Then he tells me about his Mamma away up in that cold country—so far away. Don't you love to hear him talk? Even if he does talk in great big words sometimes, I just love to hear him. I don't care if I don't know what he means, it sounds so fine and beautiful, and his voice just flows and flows—like the Bayou in the spring, Mammy—oh! do you reckon Jacob Phelps has got him?"
"Sh'h—honey chile, sh'h. Cose he hain' got him. Now you just snuggle up 'ginst me an' git wahm. Whut yer want Mammy ter sing ter yer? Now—dat's a heap bettah—ain' it?"
Holding the little girl close in her arms, Dicey reached out with one hand and threw a short log upon the fire, then sitting back comfortably again, and rocking to and fro, she began singing in a barely audible whisper an intimate little lullaby, just for themselves:
"Whar, oh whar am de Hebrew chilluns?Whar, oh whar am de Hebrew chilluns?Whar, oh whar am de Hebrew chilluns?Way ober in de Promis' Lan'."
"Whar, oh whar am de Hebrew chilluns?Whar, oh whar am de Hebrew chilluns?Whar, oh whar am de Hebrew chilluns?Way ober in de Promis' Lan'."
"Whar, oh whar am de Hebrew chilluns?
Whar, oh whar am de Hebrew chilluns?
Whar, oh whar am de Hebrew chilluns?
Way ober in de Promis' Lan'."
The song was of no avail. Natalia still gazed out of wide open eyes. Then Dicey changed the meter of her melody and began again:
"Whar was Moses when de light went out?Whar was Moses when de light went out?Whar was Moses when de light went out?Settin' in de dark wid his mouf poked out."
"Whar was Moses when de light went out?Whar was Moses when de light went out?Whar was Moses when de light went out?Settin' in de dark wid his mouf poked out."
"Whar was Moses when de light went out?
Whar was Moses when de light went out?
Whar was Moses when de light went out?
Settin' in de dark wid his mouf poked out."
Natalia always chuckled over the last words of the song, but that night she only stirred restlessly and stared up into the old slave's eyes. The flickering glow of the fire fell on Dicey's face, lighting up the countenance which had always been the dearest in the world to the little girl. The other slaves shunned the strange looking old woman, who had not come from San Domingo with them; and her high cheek-bones and the tinge of red beneath her brown skin gave credence to the story that her father was an Indian. Many of them had whispered to Natalia that her old Mammy was a Voodoo, and once, when two slaves had died of smallpox, a "conjure" bag and a tiny black coffin had been found on the doorstep which the others said Dicey had employed to gain a revenge.
But Natalia loved the old woman too deeply to be weaned from her. She and Zebediah and Dicey grew closer as the years sped along, the old hostler remaining faithful to his one partner who had worked side by side with him in the grand old days of Gayosa and the Spanish occupation. To them, Natalia was all that was left out of that glorious past.
The kitchen had always been Dicey's favourite resting place, and at night when the other slaves had finished their work and gone to the quarters, she would pull a little stool up to the hearth and crouch down before the dying embers, gazing intently into the glow and sometimes crooning softly to herself. It seemed to suit her—this great old room which had for a floor the hard, clean-swept earth, was ceiled with roughhewn beams and filled along one side with a wagonwide fireplace. And when not even a candle was left burning, it seemed to suit her even better, for then the four pots hanging from heavy cranes above the fire, the rows of iron ovens placed against the wall, the marble topped bread table, and the immense, copper preserving kettle in a far corner—all these became her eloquent friends of the past, and in their companionship she lived again the stories each held for her.
At the end of the song she glanced into Natalia's sleepless eyes and smiled. Even in her inexperience, the little girl knew that here was a love nearly akin to that of the mother she had never known.
"It's no use, Mammy, I can't go to sleep." Natalia slipped from Dicey's arms to the floor. "Look, it's nearly eleven o'clock. Oh! Mammy!" happily, "maybe he stayed at Uncle Felix's house in town. But he said he would come right back here." She ran to the window and peered out into the moonlight. Everything was deathly still. "Mammy," she said, coming back to Dicey and leaning against her, "can't you look into the fire and see pictures and find out if he is coming back? Clytie told me the other day that you were a Voodoo and could tell what would happen to people—can you?"
The old woman's eyes flashed into such angry brilliance that Natalia stepped back, crying out—"Mammy, what's the matter? I never saw you look that way before."
Dicey's brows wrinkled over her eyes into a sinister expression, while her fingers twisted themselves into strange shapes as she pressed them together in her lap.
"Clytie tole yer dat, did she? Whut else she done tole yer?"
"Nothing else, Mammy. Why are you so mad?"
"'Cause dat nigger's tryin' to put you 'ginst me—I knowed it all de time."
"But no one can do that, Mammy, and I don't mind you being a Voodoo if you'll look in the fire and see if the schoolmaster is coming back. Won't you, please, Mammy?"
"Whut yer wants ter know sich er heap 'bout dat Perfesser fur?" Dicey said, a little subdued from her excitement, and pulling Natalia back to her. "Hit's no use yer stedyin' 'bout him an' lubbin' him, 'cause he's gwine 'way from heah soon's he kin, and he's nebber gwine stedy 'bout you no mo'. Sho' an' he ain', chile, an' hit ain' no use fer yer to be a lubbin him to sich er pint. Sh'h, sugar plum, don' yer cry now," for at her words Natalia's eyes had clouded and the tears were beginning to pour down her cheeks. "I'se jest talkin'—dat's all. Cose he lubs yer—eve'ybody do. Sh'h now, and Mammy'll fin' pictures fer yer in de fire."
She knelt on the hearth and poked the back log until some glowing coals fell from it. Then she leaned forward and raked them into a heap, blowing upon them all the time to keep them alive. Natalia crept up behind her, watching intently her every movement. The room was deathly still, except for the laboured breathing of the old woman blowing life into the cooling embers, and as the moments slipped by, the moon swung opposite the window and sent a streak of ghostly light into the dark kitchen.
Natalia stared into Dicey's face, a new fear of the old woman taking possession of her. She had never seen this expression on her face, a far away look in her eyes as if she were seeing into another world and was frozen lifeless by the vision.
Natalia put one cold, trembling hand on the negro's coarsened one. There was no response to her touch. "What is it, Mammy?" she whispered. "Tell me what you see."
The old woman's body shook convulsively, then she sank upon her haunches and sat still, staring into the ashes. "I sees a long, long time afore me." She began to count automatically until she reached six, then suddenly stopped. "Six years. I sees heaps ob watah and heaps ob trabellin' 'bout. I sees a strange man wid yeller ha'r an' blue eyes. An' dah's er weddin' goin' on, and a bride ooman all dressed out waitin' fer him—an' he ain' comin'. Dah's er dead man, too. Who's he? Who's he? Fo' Gawd, I knows him. An' de bride ooman—Lawdy, honey chile," the old woman's voice rose to a shrill cry. "Honey chile, de bride ooman's you."
Dicey grabbed Natalia to her, her bosom rising and falling rapidly, her breath gasping, her eyes wild with the vision. And while they sat there, each clinging to the other under the strange spell, the loud clanging of a bell burst upon the still night. Both of them rose quickly and ran to the window. Dicey threw the sash up, and the sound of the bell rushed into the room, bringing with it the intensity of the one who was ringing it a mile away.
"Hit's de bell on Massa Puckett's plantashun," Dicey said, after she had listened a few minutes in silence. "Sumthin's done happen. Mebbe his house done ketch fire. We kin go up ter yo' room an' see."
She had picked up Natalia and carried her toward the door, when she stopped again. The sound of a galloping horse out on the highroad came to them distinctly. Another minute and the horse had stopped before the gate and they could hear some one approaching the house.
Dicey lighted a candle and held it to the window. "It's only I, Dicey," Sargent Everett's voice came out of the darkness. "Is every one safe here? Mr. Puckett has been murdered and a crowd of men are out with the bloodhounds. They think it is some of Jacob Phelps' work."
Dicey opened the door, and held the candle high to light him in. "Ole Miss done tole me ter sabe yer some suppah. I knows yer's hungry and tired out. Come in heah and set down."
Sargent entered the room, the candle light gleaming on his dusty clothes and weary features. Before he had gone half way across the room he fell into the nearest chair, from utter exhaustion.
"How's our little girl, Dicey?" were his first words.
Dicey looked up from the tray she was placing on the table, and smiled, shaking her head knowingly.
"I reckon she's all right, now dat you'se back."
All the while Natalia was watching him from the dark corner in which she stood, noting the tired look in his eyes, and the strange new expression of excitement that made his face seem almost unfamiliar. Then suddenly she flew across the room toward him, and pressed both arms tight about his neck, gazing at him with eyes grown brilliantly black.
"I'm so—so glad you've come back!"
"Fo' de Lawd!" cried Dicey, dropping a dish with a clatter. "Ain' you got no manners at all, runnin' round heah fo' a gemman wid nothin' more'n a jaybird on! I sees I'se got ter manage yer! Come heah and git up to yer room dis minit," and as the door closed after them Sargent heard the complaint growing louder and louder—"No mo' manners dan er jack-rabbit—dan er jack-rabbit!"
CHAPTER II
THE OPENED WOUND
In the afternoon of the next day, when the schoolroom had been closed, Sargent rode into the town. In his pocket he carried a letter which had come to him a few hours before, from Judge Houston.
"My most hearty congratulations," it ran, "I have heard from one of your compagnons de voyage, of your success. Are you ready for your first case? It is waiting for you. Come in this afternoon.
"FELIX HOUSTON."
His first case! Sargent read the delicate, painstaking chirography again and again. Could it be possible that he was to have a chance to plead before the bar, when his examinations were only a few days behind him!
He had received the note as he stood in the door of the little schoolhouse, with the sound in his ears of the children buzzing over their lessons, and as the full realization of its meaning swept over him, he pulled out the loud clanking watch his father had once brought him from the Bermudas, and impatiently counted the time that must elapse before he could know what the letter really meant.
It seemed hours before the time came to leave, and Zebediah stood at the door with a horse saddled and waiting for him.
"You've just come back, and you're going away already!" Natalia said plaintively, following him to the gate, her little hand clasped tight in his.
"But I shall not be gone long, Natalia—only an hour or two. And when I come back, I shall tell you all about the terrible judges who sat on a platform, all in a row, and asked me all sorts of questions about the laws of our country."
"I don't care a picayune about the judges," the little girl complained, "but I do want you to tell me all about old Mr. Puckett, and how Jacob Phelps killed him. Mammy says Mamma Brandon told her not to tell us about it, but you will, won't you?"
Sargent looked down at her, as she stood with her vivid little face, excited and intense over the subject, looking up at him, her hands clasped tight in a characteristic gesture. It always made him marvel when he saw her so passionately intent over something—for in the darkening grey eyes and warm rich glow beneath her olive skin, a wealth of hereditary influence asserted itself.
"You will tell me when you come back?" she repeated, as Sargent mounted his horse without answering.
"Wouldn't you rather hear about my first case?" he asked, avoiding an answer.
"Your first case?"
"Yes—Judge Houston says he has one for me. So I am going now to find out what it is."
Natalia slipped one hand through the bars of the great gate, and leaned against it, not in the least enthusiastic.
"I don't care much about the case," she began, almost sadly, "if it is going to take you away every day after school, and keep you from reading to me any more or taking me walking. I wouldn't care if you didn't ever have a case if it's going to be this way."
Sargent leaned from his saddle, and lifted the little girl up beside him.
"It isn't going to be that way, Natalia," he said quietly when she was comfortably adjusted and tugging at her skirts. "Nothing in the world is going to separate us—ever. Will you ride with me to the main road?"
As they passed out of the gate, the boughs of the overlapping trees casting queer shadows upon their path, the faint, pungent odour of new leaves making the air fresh and spicy, they were silent a long time, each happy and contented in a very different way.
"Then what Mammy told me last night isn't so?" Natalia broke the long silence.
"What did she tell you?"
"That you would soon be going away, and forgetting all about me."
Sargent shook his head, slowly. From where he sat he could only see the little head with its mass of black hair and two long braids. Suddenly he leaned forward and kissed it in the wide part. "I shall never forget you, Natalia. It will be quite the other way."
"Not even when I go away?"
"Not even then—but that will not be soon."
For a moment Natalia was silent; then, in a whisper, "You mustn't tell it, but—I may go next week. I heard Mamma Brandon reading a letter this week to Aunt Maria. It was from her kinsfolk in Boston. They want her to send me up there."
"To the Talbots!" Sargent exclaimed. "I know them. Morgan Talbot is my best friend. We were at college together."
"I don't want to go without you," Natalia continued slowly, then with sudden enthusiasm; "Couldn't you go with me? I'll ask Mamma Brandon as soon as I get back home."
They were at the highroad now, and Sargent drew in his rein. "It would be fine," he laughed, "but like many fine things, it's not altogether practical."
"Anyhow, I'm going right back to ask Mamma Brandon if she won't let you go," and as Sargent turned into the main road, he looked back and saw her running toward the house.
When he reached the town, the signs of the awakening season were on all sides. Lawns were being raked clean, gardens were blossoming, women were on the walks and talking to each other over fences, about the new shipment of delaines and dimities and lawns that had just come up from New Orleans. Houses were wide open and the sunlight was gilding and brightening everything. A farmer, standing in his wagon, was selling his last lot of smoked sausage to a crowd gathered about him; and selling it to advantage, for he was telling them there would be no more until next November. Old Mrs. Buckingham was airing her mattress on the front veranda, and her famous begonias had been seen on the steps for at least a week. Verily, spring had come.
The road that passed the old house of the Spaniards led directly into the town, and became its main street. As Sargent rode along it he felt a growing affection for these townsfolk and their habitations, for they had received him, not as a stranger but as an old friend. Already he was beginning to recognize nearly all the faces he saw, for with his frequent visits to the town, his walks with Judge Houston, their churchgoing each Sunday, and the many afternoons he had spent in the brick courthouse, listening to the arguing of cases where flamboyant eloquence and thundering invective usually brought success—all these associations had given him a feeling of becoming one of them.
When he had left his horse at the stable, and turned toward the tavern to get a late newspaper—there had been a boat that day—-he noticed the unusual crowd gathered on the street, particularly in the courthouse yard and before the jail.
"Is there a boat in, or a coach, or an Indian massacre?" he asked,—when he had stopped at the greeting of some friends.
"Haven't you heard?" exclaimed Mr. Pintard, a wealthy planter from an adjoining county.
"You forget I live in the country," Sargent explained, smiling. "But I trust all this excitement warrants your interest."
"Josiah Puckett was murdered last night and Jacob Phelps has been trapped and brought into town. He's over there in the jail now. We've got him this time."
"Then he was the man who killed Mr. Puckett?" Sargent asked quickly.
"There's no doubt of it. The hounds tracked him to the canebrake on Puckett's place. It's wonderful—the first time he was ever captured in his whole career!"
"And now that we've got him," commented Mr. Suggs, joining the group, "I don't see why he should have any trial. We all know what he's done, and I say there's no excuse for waiting: I say string him up to-night! But!—Judge Houston says not. He says the man must be tried—that we are barbarians no longer. So the trial is to come off next week."
"A trial!" exclaimed Pintard. "What good is a trial without a defence, and who would defend Phelps? I'll wager you could not find a man in the county who would take the case."
"Not so fast, my friend," drawled Mr. Suggs. "Somebody has been found to defend him."
The crowd gathered closer. Suggs always carried startling tidings; it was part of his profession.
"Who?" demanded the half dozen listeners.
"Mr. Lemuel Jervais!" Mr. Suggs pronounced the name quietly, with the enjoyment of one who delighted in throwing bombs.
"Lemuel Jervais! You don't mean it! It's a damned lie! Why, he wouldn't dare! He couldn't afford it!"
Mr. Suggs drew himself to his full height, swelling portentously beneath his linsey waistcoat, and looked each man squarely in the eye.
"Gentlemen," he answered, "if you can not take the word of a gentleman, go in the Mansion House bar and ask Mr. Jervais himself. I just left him there." Then, from a more antagonistic height, "And I'd like to know who the blackguard is who called what I said, 'a damned lie'!"
"Why has Jervais done this!" Sargent exclaimed, ignoring the last remark. "There must be some good reason. Of course, he can explain it."
"Oh yes,—he explains it," Suggs answered, his anger diverted. "He says he's had a streak of bad luck lately, and he's got to pay up some way. Phelps offered him a thousand dollars to clear him."
"He'll never win that thousand," Pintard commented. "He might as well throw up the case now. Clear Phelps in this town, where we all know what he's been doing for ten years! Why, man, it's ridiculous!"
Mr. Suggs leisurely folded his arms and looked reflectively in the direction of the jail.
"On the contrary," he remarked, "it will be very easy for him to clear Phelps. The evidence is only circumstantial. No one saw him commit the murder. Nobody can swear to it. All they know is that he was captured in a canebrake near Puckett's house, on the night of the murder, and it will take a mighty good lawyer to convince the jury that he is the murderer; that is, unless the trial is overruled by sentiment, and it's not likely to be, with Felix Houston as judge. I'll tell you, gentlemen, I don't want the prosecution. It's not a job worth having."
"Somebody's got to do it, though. Attorney Semmes has been sick for a month and can not leave his home. Who'll they get?"
"The Judge will appoint some one to-morrow morning, I understand." Mr. Suggs replied from his inexhaustible store of information. "And let us all pray," he added, meekly folding his hands across his breast, "that it won't be one of us."
Sargent slipped away from the crowd, unnoticed. The possible meaning of Judge Houston's note rushed over him, bringing with it an army of hopes and fears. Could it be that he himself was to represent the State in this trial? The idea stuck in his thoughts with the potency of truth. Under its influence he walked rapidly in the direction of his friend's home, with the question obliterating his surroundings.
He was passing the Mansion House when he heard his name called loudly, and turning, found Jervais staggering toward him, out of the barroom.
"Hello, Everett! Didn't know you could walk so fast." Jervais slapped him on the back and laughed noisily. Sargent took the outstretched hand and then dropped it quickly, in his desire to get away from the man, for Jervais when sober had always been irritating to him, almost insulting in his hauteur; drunk, he was both disgusting and dangerous. They had met frequently during the winter, for it was the regular custom of Jervais to take Sunday dinner with Mrs. Brandon, a fact which Sargent had never been able to understand. Nothing seemed so incongruous to him as the cool, self-possessed, formal chatelaine receiving attention from a man of Jervais's calibre and reputation. The man had never grown congenial, and during the last months their discussions at the dinner table had been so heated that Sargent had chosen that day to spend in long rides, in preference to sitting through a dinner of several hours, opposite a man whose political and social beliefs were so directly opposed to his own. Judge Houston had laughed over the antagonism, telling Sargent it was good training for him to meet such a man and learn to restrain himself. Sargent had answered that restraint, when it was a matter of convictions and creeds, was worthless.
"Haven't seen you since you got in the ring," Jervais continued unsteadily. "How d'you feel? Like you could conquer the world, I suppose! How many years do you think you'll have to wait for a case?—Ten—eh? Say—wait a minute—will you?" as Sargent struggled from his grasp. "Want to tell you something—it's a secret. Phelps offered me a thousand dollars to clear him. I had to take it—been gambling too much lately. But I tell you, Everett, I don't want the Widow Brandon to hear about it. Now—don't tell her—will you?"
"Of course not, Jervais; I'll not mention it to her. But you had better tell her yourself. Of course she will hear of it from some one. Good-bye, I'm in a hurry."
"Say, Everett," Jervais still clung to his arm. "When are you going to have your first case? Im dead anxious to see you before the bar. A Yankee schoolteacher a lawyer—that'll berich! Say—a crippled one, too—that'll be a joke." He ended with another loud burst of merriment.
For a second Sargent stared into the leering face of the drunken man. Then, trembling in a spasm of rage, his fingers knotted themselves together, and before he was aware of what he was doing, his arm had shot up and delivered a blow full into Jervais' face.
As soon as he had done it, a strange calm swept over him, and he stood as one aloof, looking on the result of his act.
Jervais staggered back a step, wheeled in an attempt to keep his balance, and fell full length upon the pavement.
In a second a crowd was about them, several assisting Jervais to rise.
When he had regained his feet, Sargent made a step toward him—"Is he hurt?" he asked very quietly.
"No—don't you know you can't hurt a drunken man?"
Then Jervais made a lunge toward him, but was held back by two men who were supporting him. His face was distorted into the trembling features of rage, flushed a purple crimson, and from his eyes shot out the fury of unchained hatred. Sargent involuntarily looked away, sickened.
"You damned cripple!—to insult me in the street!" Jervais shouted in his fury. "You can't fight like a man with a man. You'd claim you were not able, I suppose! But I demand satisfaction! I'll have it, too. There's one way to settle this thing—d'you hear? A way to settle this for good!"
"Very well—we'll settle it whenever you wish." Sargent wheeled quickly and walked from the crowd.
Half a block away he found himself suddenly standing before some one who barred the way. When he had felt both his arms in a tight grip, and heard the sound of a familiar, hearty laugh, he looked up and recognized Captain Mentdrop.
For a moment his excitement and surprise kept back a greeting, so that the old Captain's face lost its geniality and the twinkle in his eyes became frank disappointment. "So you've forgotten me, have you?" he said, with an odd little ring in his voice.
"No—no, Captain!" Sargent struggled to force the words. "Of course I have not forgotten you, but I don't want to talk to you here. Can't we get away somewhere?"
The old fellow's keen eyes swept Sargent's face, reading there the signs of the recent struggle.
"What's up, youngster?" He bent a little forward. "What's a troublin' you? Your face is as red as a beet, and you've got a mighty bad glare in your eyes. Come on up to my room here in the Mansion House. I was resting very comfortable-like up there, till I saw some sort of a scuffle going on out here." Then with a quick intuition, he searched Sargent's face again. "It ain't possible you were mixed up in it!"
They went up the tavern steps and altered the Captain's room. When the old fellow had closed the door after them, he turned back to Sargent, who had sunk into a chair near the window, and watched the young fellow, his lips twitching slightly and his eyes crisply twinkling with the humour he was struggling to keep back.
"You weren't mixed up in it, youngster, were you?" he repeated, with his lips twitching again.
Sargent met his look squarely. "Yes, I was in it. A street fight! I knocked Lemuel Jervais down!"
"You! Lemuel Jervais—Oh!" And the Captain could restrain himself no longer. He dropped into a chair, the whole of his great frame shaking with loud gusts of laughter, while the tears gushed forth and rolled down his furrowed cheeks. "On my honour—it's too good to believe," he cried breathlessly. "You and Lem Jervais in a street fight. And when you were on that boat with me I thought you were as harmless as a kitten. Gee Whillikens!" and he let out a long whistle, "but you are a promising youngster—after all. Easy, now. Don't blaze your eyes at me that way.Iwasn't the cause of it. When you get cooled down a-plenty, tell me about it. Ugh, but you are huffy about it!" as Sargent remained impervious to his humour. "You know what I do when I get that upset? I just lock myself up in my cabin where nobody can get to me and I can get to nobody, and I cuss everybody and everything that I can get my mind on—you ought to hear me! I can cuss like a beauty when I get warmed up to my subject, and will you believe me, sir, when I come out I'm as cool as a cucumber. Honest Injun, I am—just like a May morning. Want to try it? I'll give you the room to yourself. Well—if you won't, maybe telling me about it will help you let off a little steam. Now—how d' it start?"
Sargent raised his head at the last question, and looked into the twinkling grey eyes before him. When he spoke, his voice was sharp and unsteady.
"He was drunk and laughed at me—laughed at my deformity! He said it would be a joke for me to plead any case before the bar. I, a Yankee school-teacher—a crippled one at that!"
The Captain was out of his chair and before Sargent in a second. The twinkle had gone out of his eyes. They were steely now.
"The damned scoundrel! And you?"
"I knocked him down."
"Before the whole crowd? Good! Then?"
"He challenged me."
The old fellow's face brightened.
"Better still! When'll it be?"
"I don't know yet."
"Am I the first you've talked to?"
"Yes."
"Good! Good! I'll help you. I'll be your second."
The old fellow rubbed his hands together and the gleam came back into his eyes, while his furrowed face became tinged with a faint glow that shone youthful beneath the coarsened, weather-worn skin.
Sargent stared at him blankly.
"You," he exclaimed, seemingly without comprehension.
"Yes, I—that is," and the Captain glanced at him with a tinge of resentment, "unless you prefer some one else."
Sargent grasped his hands silently.
"That's right; you let me take charge of this thing, boy. I'll do it up in ship-shape." He let his hand drop with rough affection on Sargent's shoulder. "It's mighty lucky I'm going to be here for two weeks. My boilers are out of fix and I'm tied up repairs. Let me know when you get the challenge and I'll help you fix the whole thing. I know all about how these things are done. Now, don't go back on me, and think you ought to ask a younger fellow, for if anything should happen to you and I had to take your place, there ain't a living soul dependent on me."
Sargent rose without a word. Then, turning suddenly, he went out of the room and down the steps, followed by the old fellow, who still held his arm in a firm grasp. Stopping when they had reached the pavement, the Captain glanced once more at the young fellow's face, his twinkling eyes beaming affectionately from their thousand encircling wrinkles.
"Who'd 'a' thought when we parted on the boat that day, that we'd meet in a mix-up like this? I kind a' felt all along that you were going to make your name. I can size up a promising youngster every time. Just to think of it!" and he ended with a slap on Sargent's shoulder. "Good-bye, and don't forget," he lowered his voice confidentially, "I'm going to be your second. D'you hear? Even if you didn't ask me. It's all of my own choosing."