The Project Gutenberg eBook ofThe Leatherworker in Eighteenth-Century Williamsburg

The Project Gutenberg eBook ofThe Leatherworker in Eighteenth-Century WilliamsburgThis ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.Title: The Leatherworker in Eighteenth-Century WilliamsburgAuthor: Thomas K. FordContributor: Harold B. GillRaymond R. TownsendRelease date: November 17, 2018 [eBook #58293]Language: EnglishCredits: Produced by Stephen Hutcheson and the Online DistributedProofreading Team at http://www.pgdp.net*** START OF THE PROJECT GUTENBERG EBOOK THE LEATHERWORKER IN EIGHTEENTH-CENTURY WILLIAMSBURG ***

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Leatherworker in Eighteenth-Century WilliamsburgAuthor: Thomas K. FordContributor: Harold B. GillRaymond R. TownsendRelease date: November 17, 2018 [eBook #58293]Language: EnglishCredits: Produced by Stephen Hutcheson and the Online DistributedProofreading Team at http://www.pgdp.net

Title: The Leatherworker in Eighteenth-Century Williamsburg

Author: Thomas K. FordContributor: Harold B. GillRaymond R. Townsend

Author: Thomas K. Ford

Contributor: Harold B. Gill

Raymond R. Townsend

Release date: November 17, 2018 [eBook #58293]

Language: English

Credits: Produced by Stephen Hutcheson and the Online DistributedProofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE LEATHERWORKER IN EIGHTEENTH-CENTURY WILLIAMSBURG ***

THELEATHERWORKERin Eighteenth-CenturyWILLIAMSBURGBeing an Account of the Nature of Leather, & of the Crafts commonly engaged in the Making & Using of it.Williamsburg Craft SeriesWILLIAMSBURGPublished byColonial WilliamsburgMCMLXXVIII

Being an Account of the Nature of Leather, & of the Crafts commonly engaged in the Making & Using of it.

Williamsburg Craft Series

WILLIAMSBURGPublished byColonial WilliamsburgMCMLXXVIII

Illustrated capital

Once upon a time there lived in France a poet-bureaucrat by the name of Charles Perrault, who wrote fairy tales. He called one of themCendrillon ou la Petite Pantoufle de Verre, and ever since 1697, for that was the date of Cinderella’s appearance in modern literature, her glass slippers have been a puzzle.

Not to children, of course. Generations of youngsters have matter-of-factly accepted as the most natural thing in the world that magic slippers should be of glass (verre). Their elders, however, being less sophisticated about such things, have learnedly quibbled over whether the slippers weren’t really supposed to be ofvair, the costly white squirrel fur once worn only by royalty.

After all, logic and reason and custom and tradition say that footwear has been made of leather since time unknown. And who ever heard of making shoes out of glass?

Well, who ever heard of making bottles out of leather, for that matter? Or of fire hose made of leather? Or of leather cannons?

Yet leather has been put to these and many other uses over the centuries of recorded history. A list of them would be almost endless, and so would a list of the sources of leather. The following compilation, doubtless far from complete, could have been (it was not) drawn up by an English eighteenth-century or colonial American leatherworker:

SOURCES

cowoxcalfhorsesheeplambgoatkidpigdogwolfdeerelkantelopemoosebuffalobearwildcatrabbitmuskratbeaveralligatorrattlesnake

cow

calf

horse

sheep

lamb

goat

kid

pig

dog

wolf

deer

elk

antelope

moose

buffalo

bear

wildcat

rabbit

muskrat

beaver

alligator

rattlesnake

USES

Clothingshoes, boots, moccasins, galoshesleggings, breeches, apronsshirts, coats, caps, hats, glovesbelts, suspenders, points and lacesfur items, fur trimShelter and furnishingstents, tepeeswall hangings, door curtainschair seats and backs, bedsupholstery, cushion coversfur rugs, fur beddingTransportationsaddles, bridles, harness (including that for human porters)carriage upholstery, wagon coversscupper leathers, antichafing binding on sailing gearContainers, liquidwineskins, waterbags, bottlesjugs, mugs, bucketsinkwells and inkhornshoses, pipesContainers, drybags, purses, food pouchestrunks, boxes, caskets, cofferssnuff boxes, dice cupsMilitary itemsshields, scabbards, sheathsbowcases, quivers, gun bucketshelmets, cartridge boxespowder horns and bucketsOtherbookbinding, parchment, vellumhornbooks, bellows, hingespump washers, airtight floatsspinning-wheel beltscricket balls, drumheads, banjossurgical trusses

Clothing

shoes, boots, moccasins, galoshes

leggings, breeches, aprons

shirts, coats, caps, hats, gloves

belts, suspenders, points and laces

fur items, fur trim

Shelter and furnishings

tents, tepees

wall hangings, door curtains

chair seats and backs, beds

upholstery, cushion covers

fur rugs, fur bedding

Transportation

saddles, bridles, harness (including that for human porters)

carriage upholstery, wagon covers

scupper leathers, antichafing binding on sailing gear

Containers, liquid

wineskins, waterbags, bottles

jugs, mugs, buckets

inkwells and inkhorns

hoses, pipes

Containers, dry

bags, purses, food pouches

trunks, boxes, caskets, coffers

snuff boxes, dice cups

Military items

shields, scabbards, sheaths

bowcases, quivers, gun buckets

helmets, cartridge boxes

powder horns and buckets

Other

bookbinding, parchment, vellum

hornbooks, bellows, hinges

pump washers, airtight floats

spinning-wheel belts

cricket balls, drumheads, banjos

surgical trusses

Leather differs not only according to the species of creature it comes from but according to the age and sometimes the sex of the animal, and also the part of the animal’s body it once covered. Its characteristics vary depending on the type of processing it undergoes—whether by liming, tanning, tawing (mineral tanning), or shamoying (oil tanning)—and depending on how these processes are varied and combined.

Leather can be stiff as bone or supple as silk, nearly as waterproof as rubber or capable of sopping up water like a sponge, tough and unyielding or resilient and stretchy, smooth and translucent as paper, deeply grained in many patterns, or softly napped. It may be snowwhite or range through hues of tan and red to dark brown. It may be molded, carved, and colored in endless array. As leatherworkers for many centuries have been fond of reminding the world, “There’s nothing like leather.”

Homer’sIliadcontains what may be the earliest surviving literary reference to leathermaking. Describing the swaying fight for possession of Patroclus’s corpse, the author (in Pope’s translation) wrote:

As when the slaughter’d bull’s yet reeking hide,Strain’d with full force, and tugged from side to sideThe brawny curriers stretch; and labour o’erThe extended surface, drunk with fat and gore....

As when the slaughter’d bull’s yet reeking hide,

Strain’d with full force, and tugged from side to side

The brawny curriers stretch; and labour o’er

The extended surface, drunk with fat and gore....

The untidy process here alluded to as currying was doubtless one of man’s first methods of making leather. It consisted of laboriously working into a hide or skin such greasy and albuminous substances as animal fats, brains, blood, milk, and so forth. The product, although technically not “leather,” had many of leather’s characteristics; this is a paradox that calls for some definitions. In the terminology of the trade:

Hides are the pelts of the larger animals—cattle, horses, buffalo, elephants, and so on;Skins come from smaller animals—calves, sheep, goats, pigs, deer, beaver, etc.—and from birds, fish, and reptiles;Leather is any hide or skinafter it has been tanned.

Hides are the pelts of the larger animals—cattle, horses, buffalo, elephants, and so on;

Skins come from smaller animals—calves, sheep, goats, pigs, deer, beaver, etc.—and from birds, fish, and reptiles;

Leather is any hide or skinafter it has been tanned.

As the legislature of colonial Virginia put it in 1691 (in an act that will shortly engage our attention again):

And for the avoyding of all ambiguities and doubts, which may and doe grow and arise upon the difinition and interpretation of this word leather,Be it enacted and declared, that hydes and skinns of oxe, steer, bull, cow, calfe, deer, goats and sheep being tann’d shall be, and ever hath been reputed and taken leather.

The key word is “tanned.” Like any organic matter, skins and hides will soon begin to decay unless they receive some kind of preservative treatment. They may be simply scraped and sundried—or salted or smoked or soaked in brine or in slaked lime. From some of these processes may come extremely tough and durable products—rawhide, parchment, and vellum are limed—but they are not leather because they have not beentanned.

TaneurThis illustration from Diderot’s great eighteenth-century French encyclopedia shows the essential operations in a tannery: A) washing hides in a stream; B) scraping hair or flesh from a hide on the “beam”; C) soaking hides in a series of lime pits; D) bedding hides in a tanning vat with a layer of shredded bark between each hide; E) stirring lighter hides in a hot water tanning solution.

Tanning brings about within the fibrous structure of a pelt certain chemical and physical rearrangements that are still imperfectly understood. Their effect, however, is to render the pelt permanently imputrescible, pliable when dry, and capable of sustaining repeated wetting without hurt. The agents responsible for the transformation, known as “tannins,” are found in almost all plants, in certain minerals, and in various readily oxidizing oils.

The ancient Sumerians, Babylonians, Assyrians, Egyptians, central Asians, and Chinese all knew tanned leather and used it. But who first discovered how to tan it, when that happened, and where, must remain forever unanswered, since the invention of tanning came before the invention of written records. Primitive leatherworkers probably stumbled on different processes at different times and places, and quite possibly a number of widely separated workers discovered the same processes independently.

Until the invention of chrome tanning in the second half of the nineteenth century, little change had taken place in the three basic tanning methods for at least two thousand years. The most widely practiced method involved the use of vegetable tannins. Occidental tanners employed oak bark, gallnuts, and sumac leaves among their chief sources; other plants rich in tannins are found in every continent.

Mineral tanning with alum, called “tawing,” has been in use since earliest time in Babylonia, Egypt, and probably China. Because the leather so made is snow white, workers in this specialty gained the name of “whitetawyers.” Tawed leather, although soft and stretchy, is very strong; quite appropriately, one of his eighteenth-century contemporaries described Richard Bland, the Williamsburg lawyer and political pamphleteer, as “staunch & tough as whitleather.”

Currying—whatever it may have meant to Homer (or to Alexander Pope)—is not a method of preparing hides andskins from fresh-slaughtered animals, but a complex of processes for treating leather already tanned. These processes include smoothing the leather, paring it down to even thickness overall, especially working fatty matter into it for pliancy and water resistance, and giving it whatever surface dressing, color, and finish its intended use calls for. Prominent among such uses in the eighteenth century were shoe uppers, harness and saddlery, upholstery, trunkmaking, and bookbinding.

Two styles of carriage harness, one quite elaborate, the other fairly simple; both of the “breast-collar” rather than the now more familiar “neck-collar” type.Diderot.

A list compiled in London in 1422 recorded 111 groups or guilds of merchants and craftsmen then active in that city. Fourteen of these concerned themselves with leather or with articles made of it in large part:

coffererscordwainerscurriersgirdlersgloversleather dyersleathersellersloriners (or lorimers)malemakerspouchmakerssaddlersskinnerstannerswhitetawyers

cofferers

cordwainers

curriers

girdlers

glovers

leather dyers

leathersellers

loriners (or lorimers)

malemakers

pouchmakers

saddlers

skinners

tanners

whitetawyers

Of these, only tanners, curriers, cordwainers, and saddlers showed up prominently in colonial Virginia—although always as individual craftsmen, not as members of an organized craft or guild.

Cordwainers—the word comes from cordovan, a kind of sumac-tanned leather much favored in medieval England and made originally in the Spanish city of Cordoba—were shoemakers. The craft is to be carefully distinguished from that of cobbling, which is the mending of shoes. Although practically all colonial Virginia shoemakers also did shoe repairing, the trade of cobbling was looked on, especially by cordwainers, as inferior in status.

Curiously, the initial groups of colonists sent to Jamestown by the Virginia Company lacked any leather craftsmen. Somehow the London “adventurers” thought that the real adventurers to America could get along without tanners, curriers, or shoemakers. Just how the colonists were expected to acquire shoes grows even more puzzling in light of the English law that forbade exportation of goods made of English leather.

In a few years, however, some tanners and shoemakers had been sent over and were at work in Jamestown. But not enough of them came or else (as is more likely) they abandoned their trades to grow tobacco. A 1625 report declaredthat an extreme shortage of shoes and other apparel endangered the health of the population. Soon thereafter the Virginia Assembly took the first of many steps to promote leathermaking and other manufactures in the colony.

Sometimes with the support of the home government, sometimes without, the assembly passed laws in 1632, 1645, 1658, 1660, 1662, 1680, and 1682 forbidding the export from Virginia of hides, skins, and certain other commodities. They hoped in this way to assure ample supplies of the raw materials and thus encourage colonial craftsmen to make more of the needed products.

The legislation, in actuality, had less effect in Virginia than in England. Colonial craftsmen continued to prefer leathers imported from England, reputed to be the best of their kinds, for quality work—and to prefer tobacco growing to leatherworking anyway. But English merchants and craftsmen repeatedly protested the threat of competition in a market they felt belonged solely to them, so each colonial law in turn was either repealed on orders from London or simply allowed to lapse.

The 1662 effort, somewhat more elaborate than the others, had no greater success in the end. At Jamestown the legislature that year passed three laws intended to increase local manufactures. One barred the export of hides, wool, and iron; another exempted from taxation any craftsman who followed his trade and did not plant tobacco; the third required each county in the colony of Virginia to erect “one or more tanhouses, and ... provide tanners, curryers and shoemakers, to tanne, curry and make the hides of the country into leather and shoes.” The manager of this trade for each county was to allow the people two pounds of tobacco for each pound of dry hide they brought to the tannery, and “sell them shoos at thirty pounds of tobacco [for] plaine shoos, and thirty five pounds of tobacco for [shoes with] wooden heels and ffrench falls of the ... largest sizes, and twenty pounds of tobacco per pair for the smaller shoos.”

CordonierAs the shoemaker needed an assortment of lasts on which to make shoes of differing sizes and shapes, so the bootmaker needed “boot legs” resembling his customers’ calves. The engraving also shows a variety of eighteenth-century boot styles, the more formidable being heavy military boots.Diderot.

The seventeenth century ended with legislation of a different tenor. “An act declareing the dutie of Tanners, Curriers and Shoemakers,” passed in 1691, regulated working procedures and set quality standards to an extent remarkable even at a time when detailed governmental regulation of economic activity was normal.

Tanners, this law decreed, were not to leave hides too long in the lime-pits, nor put them into the tan-vats until they had been thoroughly cleansed of lime; curriers were not to work “any hyde or skin not being thoroughly dry,” and were not to skimp on the amount or quality or freshness of the grease they used in currying; cordwainers or shoemakers were to use only leather that was “well and truly tann’d and curryed,” and were to make their boots, shoes, and slippers “well and substantially sewed with good thread well twisted and made, and sufficiently waxed with wax well rosined, and the stitches hard drawn with handleathers.”

The law further required each county to appoint searchers to examine all hides, skins, leather, and leather goods produced in that county. They were to stamp their seal of approval only on items that met quality standards in the “true intent and meaning of this act,” and to confiscate all wares that were “insufficiently tann’d, curryed, or wrought.”

Perhaps even more interesting than these regulations are the reasons given for enacting them: “Forasmuch as divers and sundry deceits and abuses have been hitherto committed, and daily are committed and practiced by the Tanners, curriers, and workers of leather in ... Virginia, to the great injury and damage of the inhabitants ...; And forasmuch as no leather can be so well tann’d but it may be marred and spoyled in the currying ...; and forasmuch as leather well tann’d and curryed may by the negligence, deceit or evill workmanship of the cordwainer or shoemaker be used deceitfully to the hurt of the occupier or wearer thereof.”

These phrases (and similar phrases in other laws both colonial and English) make evident that shoddy materials and slipshod workmanship issued from the shop of many a craftsman of the eighteenth century. A recognition of this will help balance the romantic tendency to see every old-time craftsman as a humble artistic genius with impeccably high standards of workmanship.

For all its great length and detail, the act of 1691 seems not to have had much effect. Governor Edmund Andros in 1697 asserted, “There are no manufactures setled in Virginia Except Inconsiderable tanning and shoemaking (bad Leather).” And in 1705 Robert Beverley wrote of the Virginians:

They have their Cloathing of all sorts fromEngland, as Linnen, Woollen, Silk, Hats, and Leather.... The very Furrs that their Hats are made of, perhaps go first from thence; and most of their Hides lie and rot, or are made use of, only for covering dry Goods, in a leaky House. Indeed some few Hides with much Adoe are tann’d, and made into Servents Shoes; but at so careless a rate, that the Planters don’t care to buy them, if they can get others, and sometimes perhaps a better manager than ordinary will vouchsafe to make a pair of Breeches of a Deer-Skin.

Nearly a half-century later, as Williamsburg’s era of greatest affluence began, a merchant of Louisa County, Francis Jerdone by name, lamented that “the Virginians have most of their shoemakers in their own families, and have no occasion for any but stuff [i.e., cloth] shoes from Britain.” He referred to members of the well-to-do planter class, who customarily maintained on their plantations one or more skilled workmen. Among these there was almost sure to be included a cordwainer to make and repair the footwear of the plantation “family,” a term that included the slaves. The shoemaker might be a slave himself, or an indentured servant, or a journeyman receiving wages.

However, Francis Jerdone could just as well have been writing of another kind of Virginia planter, the small farmer who built his own house and barns, made his own crude furniture, coopered his own hogsheads, ground his own corn, sheared his own sheep, and made the family’s shoes while his wife spun and wove their clothing. These small farmers, far outnumbering the great planters, would not have ordered cloth shoes from London, to be sure. But neither would they have ordered very many leather ones, either from England or from Williamsburg shoemakers.

Documentary records—fairly full in a few cases, fleeting in most—name 24 men who worked in leather in Williamsburg during the eighteenth century. The ghostly existence of others can be discerned in references to unnamed indentured servants, journeymen, slaves, and a few apprentices who were leatherworkers. Among Williamsburg slaves having some craft skills, the second greatest number were shoemakers, the greatest number being carpenters.

A few of these Williamsburg leatherworkers seem to have done fairly well at their trade. Most of the others probably had little success and moved elsewhere or into farming; at any rate they left no trace of a continuing career.

The conjectural drawing at the right shows how pieces of metal, wood, and cloth found in 1961 at the bottom of an eighteenth-century well in Williamsburg could have formed parts of a lady’s sidesaddle of that day. To the left, partially completed, is such a saddle copied by today’s master saddler in Williamsburg from surviving examples.

Eleven advertisements placed in Williamsburg’s weekly newspaper, theVirginia Gazette, from 1768 to 1783, remain the sole evidence of the business venture of Robert Gilbert, boot and shoemaker. The story they tell reveals the hazards faced by most craftsmen in eighteenth-century Williamsburg: debts piling up, excess stock on hand, shortage of capable and reliable help, and a market that dried up when the capital moved to Richmond in 1780.

ROBERT GILBERT, BOOT and SHOEMAKER, &c. HEREBY acquaints the publick that he has opened shop near the Capitol inWilliamsburg, where he intends carrying on his business in all its branches,viz.shoe or channel, calf or buckskin boots, jockey do. and splatterdashes, mens plain, stitched, spring, and wood-heeled, shoes and pumps, calf or dogskin; campaign, single, double, or turned channels, slippers, blue or red turkey, cork soles, galloches; womens leather, stuff, silk, and braided shoes and pumps, slippers, cork soles, galloches, and clogs. As he imports the whole of his materials fromGreat Britain, where punctual payments are required, he proposes supplying Ladies and Gentlemen with any of the above articles on the most reasonable terms, for ready money. Those who please to favour him with their custom may depend on their work being speedily executed, in the genteelest and newest fashions, and in such a manner as he hopes will merit a continuance of their favours.(Virginia Gazette, June 30, 1768)

(Virginia Gazette, June 30, 1768)

JOURNEYMEN SHOEMAKERS, who are well acquainted with womens or mens wood heeled work, will meet with good encouragement by applying to the subscriber in Williamsburg.ROBERT GILBERT⁂ He has a large quantity of fineEnglishCALF SKINS on hand,partof which he would dispose of, on very reasonable terms, for ready money.(Virginia Gazette, May 25, 1769)

JOURNEYMEN SHOEMAKERS, who are well acquainted with womens or mens wood heeled work, will meet with good encouragement by applying to the subscriber in Williamsburg.ROBERT GILBERT

⁂ He has a large quantity of fineEnglishCALF SKINS on hand,partof which he would dispose of, on very reasonable terms, for ready money.

(Virginia Gazette, May 25, 1769)

WILLIAMSBURG,Dec.6, 1770I HAVE a parcel of CALF SKINS, and SOLE LEATHER, both back and crop, which I will sell, for ready money, on reasonable terms.ROBERT GILBERT(Virginia Gazette, December 13, 1770)

WILLIAMSBURG,Dec.6, 1770

I HAVE a parcel of CALF SKINS, and SOLE LEATHER, both back and crop, which I will sell, for ready money, on reasonable terms.ROBERT GILBERT

(Virginia Gazette, December 13, 1770)

Just IMPORTED fromLondon, and to be SOLD by the Subscriber at his Shop inWilliamsburg, cheap, for ready Money,A VARIETY ofWilliamsonand Son’s best SATIN SHOES and PUMPS; white, blue, and black CALIMANCO SHOES and PUMPS; also CHILDRENS MOROCCO and CALFSKIN SHOES and PUMPS.ROBERT GILBERT(Virginia Gazette, May 28, 1772)

Just IMPORTED fromLondon, and to be SOLD by the Subscriber at his Shop inWilliamsburg, cheap, for ready Money,

A VARIETY ofWilliamsonand Son’s best SATIN SHOES and PUMPS; white, blue, and black CALIMANCO SHOES and PUMPS; also CHILDRENS MOROCCO and CALFSKIN SHOES and PUMPS.ROBERT GILBERT

(Virginia Gazette, May 28, 1772)

A JOURNEYMAN SHOEMAKER, who is sober, and understands making of Boots, will meet with good Encouragement by applying to me, inWilliamsburg.ROBERT GILBERT(Virginia Gazette, August 13, 1772)

A JOURNEYMAN SHOEMAKER, who is sober, and understands making of Boots, will meet with good Encouragement by applying to me, inWilliamsburg.ROBERT GILBERT

(Virginia Gazette, August 13, 1772)

WILLIAMSBURG,May13, 1773I THINK it necessary to give this publick Notice, to all Persons who are in Arrears to me, that if they do not, without Fail, discharge their Accounts by theJulyMeeting of the Merchants, they will most assuredly be put into a Lawyer’s Hands.N.B.In the mean While, from the many Disappointments I have met with in collecting my Debts, I am obliged to stop Trade, till I can receive the Money due to me to carry it on.ROBERT GILBERT(Virginia Gazette, May 13, 1773)

WILLIAMSBURG,May13, 1773

I THINK it necessary to give this publick Notice, to all Persons who are in Arrears to me, that if they do not, without Fail, discharge their Accounts by theJulyMeeting of the Merchants, they will most assuredly be put into a Lawyer’s Hands.

N.B.In the mean While, from the many Disappointments I have met with in collecting my Debts, I am obliged to stop Trade, till I can receive the Money due to me to carry it on.ROBERT GILBERT

(Virginia Gazette, May 13, 1773)

ROBERT GILBERT, SHOEMAKER,Hasopened Shop in the back Street, at the Place where he formerly lived, opposite to Mr.Richard Charlton’s, and intends carrying on his Business in all its Branches, having on Hand a very neat Assortment of Leather proper Boots and Shoes. The many Disapointments he formerly met with obliges him for the future to sell entirely for Cash.—He returns his sincere Thanks to those who were his former Customers, and shall endeavour to render Satisfaction to all those who may please to employ him.☞Good Encouragement will be given to a Journeyman who understands making of Boots.(Virginia Gazette, January 7, 1775)

☞Good Encouragement will be given to a Journeyman who understands making of Boots.

(Virginia Gazette, January 7, 1775)

WILLIAMSBURG,October10, 1776GOOD encouragement will be given to journeymen shoemakers, especially those who understand making of BOOTS byROBERT GILBERT.(Virginia Gazette, October 11, 1776)

WILLIAMSBURG,October10, 1776

GOOD encouragement will be given to journeymen shoemakers, especially those who understand making of BOOTS byROBERT GILBERT.

(Virginia Gazette, October 11, 1776)

WILLIAMSBURG, January 3, 1782Best English made SHOES, To be SOLD, by wholesale or retail, on reasonable terms, byROBERT GILBERT.(Virginia Gazette or Weekly Advertiser(Richmond), January 5, 1782)

WILLIAMSBURG, January 3, 1782

Best English made SHOES, To be SOLD, by wholesale or retail, on reasonable terms, byROBERT GILBERT.

(Virginia Gazette or Weekly Advertiser(Richmond), January 5, 1782)

ROBERT GILBERT Boot and Shoemaker, BEGS leave to inform the public, that he has removed from Williamsburg, to this city, in order to carry on his business as usual. Those Gentlemen who please to favour him with their custom, may depend upon having their work executed as expeditiously and reasonable, as the times will admit of, for cash only, as it is by that means alone which materials are procured.N.B.He has on hand a few boxes of English made SHOES, which he would dispose of on very reasonable terms, for cash, tobacco, or good merchantable flour.Richmond, February 7, 1782 [sic](Virginia Gazette and Weekly Advertiser(Richmond), February 15, 1783)

N.B.He has on hand a few boxes of English made SHOES, which he would dispose of on very reasonable terms, for cash, tobacco, or good merchantable flour.

Richmond, February 7, 1782 [sic]

(Virginia Gazette and Weekly Advertiser(Richmond), February 15, 1783)

Prominent in the list of known Williamsburg leatherworkers are the names of William Pearson, tanner and currier, Alexander Craig, saddler and harnessmaker, and George Wilson, boot and shoemaker. As usual in colonial Virginia, each of these men—while primarily occupied in his own special phase of the leather trade—did more or less work in other phases.

CorroyeurThe shop of a currier and the tools used by his workers. Against the wall at the left a man is scraping a skin with the “moon knife” (figs. 7 and 7 no. 2), holding the skin taut by means of pincers and a thong (fig. 6) around his seat. In the background workers are treading, slicking, and graining skins. In the foreground one man uses the “head knife” to work over the skin on the beam, while another softens a skin with the currier’s mace.Diderot.

William Pearson first appears in surviving records as the godfather of Alexander Craig’s daughter Lucretia. At about the same time he was Craig’s tenant in a house adjoining the latter’s tanyard, and shortly thereafter he purchased from Craig the land occupied by the tanyard. The two men seem to have been in partnership for a while, but Pearson—under circumstances now unknown—eventually became full owner of the tanyard.

This establishment lay just to the east of the town, its location recalled to this day in the name of Tanyard Street. It had been founded in the early 1750s by Craig in partnership with Christopher Ford, carpenter, and Nicholas Sim, tanner. Craig bought out his partners in 1758, and two years later Pearson came on the scene. At that time the tannery consisted of “Tan Vatts ... New and Old Bark Houses, Mill House and Fleshing House ... and all other Houses and Buildings ... used in the Business of Tanning and making Leather.”

When Pearson died in 1777, his estate included “four Negro men Tanners and Curriers, two shoemakers” and three other slaves, indicating that the late master tanner operated a considerable business. The tanyard continued in the possession of Pearson’s widow and descendants for nearly sixty years, being operated at least part of the time by William Plume, tanner and currier from Norfolk.

It is hardly a secret that the processes of tanning and currying infuse the surrounding air with a symphony of odors—a circumstance that helps to explain why a tannery was generally located on the far edge of a town, and usually on the downwind side. As if hides and skins were themselves not fragrant enough, eighteenth-century tanners, curriers, and leather dressers made use at various stages or for special purposes of such delectable commodities as fish oil, sour beer, urine, barley mash, and the fermented dung of chickens, pigeons, and dogs.

Sketchily described, the procedures employed by the tanner and currier (separate crafts in England but often combined under one roof or in the same man in colonial America) were as follows:

1) Preparing the pelt included the removal of accumulated dirt and stable trash, removal of the hair and epidermis from the outer or grain side (except for furs), removal of shreds of flesh and adipose tissue from the inner side, and plumping up of the fibers of the remaining middle layer, or corium, to be more receptive to the tanning solution. The tanner accomplished all this by repeated washings, followed by a sequence of soaking in solutions of lime, and then by draining, and scraping. The scraping process, known as unhairing and fleshing, he did laboriously with a blunted knife, the pelt being stretched over a wooden horse or beam. He might repeat the liming, draining, and scraping if necessary, and he followed it up with more rinsing and scraping to remove most or all of the lime.

2) Tanning proper involved soaking the hide or skin in a series of tanning vats, each containing a stronger solution—called “ooze”—than the one before. Careful and complete tanning, a slow process, required from several weeks for a light skin to eighteen months for a heavy hide. During this period the hides or skins were many times “hauled and set,” that is, removed from the vat and piled beside it to drain for a time. The same sort of processing took place in tawing, except that alum rather than oak bark supplied the tanning agent.

3) Finishing included trimming, currying, and coloring (if called for) in whatever combination of processes was needed for the intended use of the finished leather. Readers with uneasy stomachs should be satisfied if some of these processes are here left undescribed, only named, to wit: trampling, scouring, blooming, slicking, stricking, shaving, stuffing, dubbing, boarding, graining, bruising, staking, waxing, blacking, sizing.

Altogether, William Pearson might have subjected a hide to as many as two hundred separate steps (repetitions included in the count) in its passage from the animal’s back until delivery as finished leather to a shoemaker, saddler, bookbinder, or other leather using craftsman. The total timeconsumed would have been anything from a few months for a lambskin, for example, to more than two years for a thick ox hide.

A craftsman who had financial resources large enough to buy a lot in Williamsburg and build a shop on it would seem to have been in business already at another location. Such may have been the case when Alexander Craig, just before midcentury, acquired a lot on the road out of Williamsburg to Yorktown—not far from where the tanyard would soon thereafter be established.

A saddler and harnessmaker, Craig was the town’s most successful leather craftsman, possibly its most successful craftsman in any line. He acquired a number of properties in and near the colonial capital city over the years from 1749 until his death in 1776. Among them were the tanyard and two choice lots on the main street near the Capitol. One of the latter may have become his shop location, and the other did become his residence. His eldest daughter, Judith, married John Minson Galt, the promising young physician and apothecary.

Two of Alexander Craig’s account books survive. They reveal that he carried on a thriving trade, kept several indentured servants and slaves, and employed at least three journeymen leatherworkers—although not all of these at the same time. He bought and sold skins and hides, did tanning and currying for himself and for others, purveyed leather to other craftsmen, made and sometimes mended shoes, and sold shoes that had been made in his own shop, imported from London, or possibly made in other colonial shops. A wide variety of other leather goods issued from his shop, including cushions for couches, for chairs, and even for billiard tables, sword belts, gun buckets, leather pipes for a fire engine, razor cases, cartridge boxes, trusses, and once a “strong Coller for a Bear.”

BourlierHarnessmaker’s shop, in which workers (left to right) are cutting leather into straps with a round knife (fig. 6); waxing thread (background); sewing a piece of leather held in the clamp or “clam” held slanted between the legs; and using an awl to pierce a hole in a strap, also held in a clam (fig. 3 and fig. 4).Diderot.

But the making and mending of horse furniture—saddles, bridles, and harness—was Craig’s specialty. In a colony where everyone rode constantly, saddlery was a vital craft. And where horses, oxen, and human beings hauled, lifted, and carried every burden, harnessmaking was no less important.

The account books show that Alexander Craig valued his labor and sold his products at a good price. He charged Humphrey Hill £7 for “a Harness for a Shaft Chair” and Thomas Atkinson £5 for “a Harness for a Single Horse.” He billed Colonel William Byrd III £25 for harness for six coach horses, and Colonel Benjamin Harrison £16 to make harness for “four Charriot Horses.” For making a side saddle with cover and studded trappings for Robert Hutchins, a tailor of the town of Blandford some 40 miles away, Craig charged £6, 10 shillings.

Some idea, albeit only an approximate one, of the purchasing power of those sums may be gained by comparing them with prices for house furnishings at about the same time. Colonel Robert Carter of Nomini Hall, for instance, bought eight mahogany dining chairs, upholstered and trimmed with brass nails, for £16 from Williamsburg cabinetmaker Benjamin Bucktrout. Four “Elbow Chares” bought at the same time cost him £11. A desk and bookcase—now called a secretary—brought £16.

Elkanah Deane, carriagemaker of New York, removed his business from that city to the little metropolis of Williamsburg shortly before the Revolution. Both in New York and in the capital of the Virginia colony he enjoyed the patronage of His Lordship Governor Dunmore. Deane’s house in Williamsburg looked out upon the same green as did the Governor’s Palace, along with the mansions of the wealthy Robert Carter and the learned George Wythe.

This was heady company for “an Hibernian Cottager,” as one rival coachmaker called him, and perhaps Deane deserved the label of “Palace Street puffer” conferred on him by the same fellow citizen. Be that as it may, the carriagemaker advertised that he also made, repaired, and sold harness, although the actual work was probably done by another craftsman in his shop.

Perhaps this was Edward Roberts, who gave notice in 1775 that he “continues to carry on the business of Saddling, Cap and Harness making, at the late Mr. Elkanah Deane’s shop.” The shop, it is to be presumed, was primarily devoted to the varied specialties that were needed in the manufacture of wheeled vehicles, of which blacksmithing was one of the more vital. Deane’s forge, to the rear of his property, is a favorite attraction in restored Williamsburg, especially for children.

Exterior view of the Deane Forge and Harnessmaking Shop in Williamsburg today. The sign before the door is the coat of arms of the Saddler and Coach Harnessmakers’ Company of London. Redrawn from a photograph.

Adjoining the forge, the saddlery and harnessmaking shop of two hundred years ago has again resumed operation. There the visitor may see examples of saddle and harness work done in the eighteenth-century manner with tools and equipment resembling those shown in the great eighteenth-century illustrated encyclopedia of Denis Diderot.

The basic operations in the making of harness were only two: cutting the hides into appropriate strips and shapes, and stitching the pieces together as needed. Simple as it sounds, skillful choice of the leathers, flawless cutting, and thorough stitching made the difference between good harness and poor. Finish and ornamentation, although not essential to the task of attaching a draft animal securely to its load, made the product distinctive and handsome, and no doubt gave the craftsman more pleasure in the making.

The harnessmaker’s knife had a semicircular or half-moon shape to its blade, with the handle sometimes at right angles to the back of the blade and sometimes with a right-angled tang that put the handle parallel to the back of the blade. For sewing he possessed an assortment of punches and awls and a very important holding device called a “clam.” This last was a hinged wooden clamp with jaws somewhat resembling the shell of a clam. Holding it between his crossed thighs, the harnessmaker used it to hold fast the straps he was sewing, thus freeing both of his hands for the tough job of stitching through heavy leather.

In most essentials, and indeed in most details, the harness of the eighteenth century looked like and functioned like that of today—or of the not-so-distant yesterday before the motorization of everything on wheels. Saddles, at least some of them, were slightly different in shape and detail from the present-day English riding saddle. For their making, as well as for the making of collars, the saddler-harnessmaker needed a variety of tools to pack and shape the stuffing of pads. By and large, however, the result would seem to have been less comfortable to both horse and rider than the modern saddle.

George Wilson came originally from Norfolk, where his older brother—or perhaps it was his uncle—John Wilson, did boot and shoemaking on a large scale. In May 1771 theVirginia Gazetteof Williamsburg carried this advertisement:

I TAKE this Method to acquaint the Publick, and my Customers in particular, that Mess.James Campbelland Company have resigned the SHOE FACTORY in Favour of me, by which Means I carry on double the Trade I did formerly. Gentlemen who may please to favour me with their Orders for Negro Shoes, or others, are desired to send them soon, that I may be capable of supplying them better than it was in my Power last Fall, on Account of the Scarcity of Leather. Ladies and Gentlemen may depend on being supplied with as neat Shoes, either Leather or Calimanco, as any fromLondon; as I have on HandLondon,Philadelphia, andNew YorkCalf Skins, red, green, and blueMoroccoLeather, Calimancoes of all Colours, and of the best Kinds. Those who choose to favour him with their Custom shall be served on reasonable Terms, by applying to him at the Sign of theBootandShoeinNorfolk.JOHN WILSON

Just five months later, announcing his death, theGazettedescribed John Wilson as a tradesman of “Credit and Reputation in Norfork, whose Industry, Integrity, and whole Deportment, were truly exemplary.” Shortly thereafter the same paper carried the notice that Wilson’s estate would be auctioned and that “The Shoemaker’s Business, in all its Branches, is carried on by George Wilson, Junior, and Company.”

The “Company” here seems to have been John’s widow, for the next advertisement to appear in theGazettedisclosed that her partnership with George Wilson having been dissolved, Mary Wilson “still carries on the Shoemaking Business, in all its Branches.” She was one of innumerable colonial widows whom fate threw into the awkward position of being master craftsmen, at least until they found another man to take over the shop—and very often the household, too.

Cordonnier et BottierA shoemaker’s shop and an assortment of his most important tools. Note the rows of lasts on the wall and the customer whose foot is being measured with a size stick, also shown as fig. 14.Diderot.

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