DUMFRIES,
2Oth December 1795.
I have been prodigiously disappointed in this London journey of yours.... Do let me hear from you the soonest possible. As I hope to get a frank from my friend Captain Miller, I shall, every leisure hour, take up the pen and gossip away whatever comes first, prose or poetry, sermon or song. In this last article I have abounded of late. I have often mentioned to you a superb publication of Scottish songs, which is making its appearance in our great metropolis, and where I have the honour to preside over the Scottish verse, as no less a personage than Peter Pindar does over the English.
December 29th.
Since I began this letter, I have been appointed to act in the capacity of supervisor here, and I assure you, what with the load of business, and what with that business being new to me, I could scarcely have commanded ten minutes to have spoken to you, had you been in town, much less to have written you an epistle. This appointment is only temporary, and during the illness of the present incumbent; but I look forward to an early period when I shall be appointed in full form: a consummation devoutly to be wished! My political sins seem to be forgiven me.
This is the season (New Year's day is now my date) of wishing, and mine are most fervently offered up for you! May life to you be a positive blessing while it lasts, for your own sake; and that it may yet be greatly prolonged is my wish for my own sake, and for the sake of the rest of your friends! What a transient business is life! Very lately I was a boy; but t'other day I was a young man; and I already begin to feel the rigid fibre and stiffening joints of old age coming fast o'er my frame. With all my follies of youth, and, I fear, a few vices of manhood, still I congratulate myself on having had in early days religion strongly impressed on my mind. I have nothing to say to any one as to which sect he belongs to, or what creed he believes: but I look on the man who is firmly persuaded of infinite Wisdom and Goodness superintending and directing every circumstance that can happen in his lot—I felicitate such a man for having a solid foundation for his mental enjoyment; a firm prop and sure stay, in the hour of difficulty, trouble, and distress; and a never-failing anchor of hope when he looks beyond the grave.
R. B.
Gentlemen,—The literary taste, and liberal spirit, of your good town has so ably filled the various departments of your schools, as to make it a very great object for a parent to have his children educated in them. Still, to me, a stranger, with my large family, and very stinted income, to give my young ones the education I wish, at the high-school fees which a stranger pays, will bear hard upon me.
Some years ago, your good town did me the honour of making me an honorary Burgess. Will you allow me to request that this mark of distinction may extend so far, as to put me on a footing of a real freeman of the town, in the schools?
If you are so very kind as to grant my request, it will certainly be a constant incentive to me to strain every nerve where I can officially serve you; and will, if possible, increase that grateful respect with which I have the honour to be, Gentlemen, your devoted humble servant,
R. B.[132][132]With the Poet's request the Magistiates of Dumfries very handsomely complied. He was induced to make the request through the persuasions of Mr. James Gray and Mr. Thomas White, Masters of the Grammar School, Dumfries whose memories are still green on the banks of the Nith.—CUNNINGHAM.
DUMFRIES,
3lst January 1796.
These many months you have been two packets in my debt—what sin of ignorance I have committed against so highly valued a friend I am utterly at a loss to guess. Alas! Madam, ill can I afford, at this time, to be deprived of any of the small remnant of my pleasures. I have lately drunk deep of the cup of affliction. The autumn robbed me of my only daughter and darling child, and that at a distance too, and so rapidly, as to put it out of my power to pay the last duties to her.[133a]I had scarcely begun to recover from that shock, when I became myself the victim of a most severe rheumatic fever, and long the die spun doubtful; until after many weeks of a sick bed, it seems to have turned up life, and I am beginning to crawl across my room, and once indeed have been before my own door in the street.
R. B.[133]Cunningham says—"It seems all but certain that Mrs. Dunlop regarded the Poet with some little displeasure during the evening of his days."[133a]This child died at Mauchline.
DUMFRIES,
4th July 1796.
How are you, my dear friend, and how comes on your fifth volume?[134]You may probably think that for some time past I have neglected you and your work; but, alas! the hand of pain, and sorrow, and care has these many months lain heavy on me! Personal and domestic affliction have almost entirely banished that alacrity and life with which I used to woo the rural muse of Scotia.
You are a good, worthy, honest fellow, and have a good right to live in this world—because you deserve it. Many a merry meeting this publication has given us, and possibly it may give us more, though, alas! I fear it. This protracting, slow, consuming illness which hangs over me will, I doubt much, my dear friend, arrest my sun before he has well reached his middle career, and will turn over the poet to far more important concerns than studying the brilliancy of wit, or the pathos of sentiment! However, hope is the cordial of the human heart, and I endeavour to cherish it as well as I can.
I am ashamed to ask another favour of you, because you have been so very good already; but my wife has a very particular friend, a young lady who sings well, to whom she wishes to present theScots Musical Museum. If you have a spare copy, will you be so obliging as to send it by the very first fly, as I am anxious to have it soon.—Yours ever,
R. B.[135][134]Of theMusical Museum.
[135]"In this humble manner did poor Burns ask for a copy of a work to which he had contributed, gratuitously, not less than 184 original, altered, and collected songs!"—CROMEK.
BROW,
Sea-bathing quarters, 7th July
1796.
My Dear Cunningham,—I received yours here this moment, and am indeed highly flattered with the approbation of the literary circle you mention; a literary circle inferior to none in the two kingdoms. Alas! my friend, I fear the voice of the bard will soon be heard among you no more! For these eight or ten months I have been ailing, sometimes bedfast and sometimes not; but these last three months I have been tortured with an excruciating rheumatism, which has reduced me to nearly the last stage. You actually would not know me if you saw me. Pale, emaciated, and so feeble, as occasionally to need help from my chair—my spirits fled! fled!—but I can no more on the subject—only the medical folks tell me that my last and only chance is bathing and country quarters, and riding. The deuce of the matter is this—when an exciseman is off duty, his salary is reduced to £35 instead of £50. What way, in the name of thrift, shall I maintain myself, and keep a horse in country quarters, with a wife and five children at home, on 35 pounds? I mention this, because I had intended to beg your utmost interest, and that of all the friends you can muster, to move our Commissioners of Excise to grant me the full salary; I dare say you know them all personally. If they do not grant it me, I must lay my account with an exit trulyen poete; if I die not of disease, I must perish with hunger.[136]
I have sent you one of the songs; the other my memory does not serve me with, and I have no copy here, but I shall be at home soon, when I will send it you. Apropos to being at home, Mrs. Burns threatens in a week or two to add one more to my paternal charge, which, if of the right gender, I intend shall be introduced to the world by the respectable designation ofAlexander Cunningham Burns. My last wasJames Glencairn, so you can have no objection to the company of nobility. Farewell.
R. B.[136]Notgranted.
10th July 1795.
Dear Brother,—It will be no very pleasing news to you to be told that I am dangerously ill, and not likely to get better. An inveterate rheumatism has reduced me to such a state of debility, and my appetite is so totally gone, that I can scarcely stand on my legs. I have been a week at sea-bathing, and will continue there, or in a friend's house in the country, all the summer. God keep my wife and children; if I am taken from their head, they will be poor indeed. I have contracted one or two serious debts, partly from my illness these many months, partly from too much thoughtlessness as to expense when I came to town, that will cut in too much on the little I leave them in your hands. Remember me to my mother.—Yours,
R. B.
BROW,Thursday.
My Dearest Love,—I delayed writing until I could tell you what effect sea-bathing was likely to produce. It would be injustice to deny that it has eased my pains, and I think has strengthened me; but my appetite is still extremely bad. No flesh nor fish can I swallow: porridge and milk are the only things I can taste. I am very happy to hear, by Miss Jess Lewars, that you are all well. My very best and kindest compliments to her, and to all the children. I will see you on Sunday.—Your affectionate husband,
R. B.[137]One evening, while at the Brow, Burns was visited by two young ladies. The sun, setting on the western hills, threw a strong light upon him through the window. One of them perceiving this, proceeded to draw the curtain; "Let me look at the sun, my dear," said the sinking poet, "he will not long shine on me."
BROW,
Saturday, 12th July 1796.
Madam,—I have written you so often, without receiving any answer, that I would not trouble you again, but for the circumstances in which I am. An illness which has long hung about me, in all probability will speedily send me beyond that bourne whence no traveller returns. Your friendship, with which for many years you honoured me, was a friendship dearest to my soul. Your conversation, and especially your correspondence, were at once highly entertaining and instructive. With what pleasure did I use to break up the seal! The remembrance yet adds one pulse more to my poor palpitating heart. Farewell!!!
R. B.
DUMFRIES,
12th July.
MY DEAR COUSIN,—When you offered me money assistance, little did I think I should want it so soon. A rascal of a haberdasher, to whom I owe a considerable bill, taking it into his head that I am dying, has commenced a process against me, and will infallibly put my emaciated body into jail. Will you be so good as to accommodate me, and that by return of post, with ten pounds? O James, did you know the pride of my heart, you would feel doubly for me! Alas! I am not used to beg! The worst of it is, my health was coming about finely. Melancholy and low spirits are half my disease. If I had it settled, I would be, I think, quite well in a manner.
R. B.
DUMFRIES,
18th July 1799.
MY DEAR SIR,—Do, for heaven's sake, send Mrs. Armour here immediately. My wife is hourly expecting to be put to bed. Good God! what a situation for her to be in, poor girl, without a friend! I returned from sea-bathing quarters to-day, and my medical friends would almost persuade me that I am better, but I think and feel that my strength is so gone that the disorder will prove fatal to me.—Your son-in-law,
R. B.[138]Mrs. Burns's father. This is the very last of Burns's compositions, being written only three days before his death.
This correspondence began in September 1792, when Burns had already been domiciled nine months in the town of Dumfries, and ended only with his death in July 1796. It originated in the request of a stranger for a series of songs to suit a projected collection of the best Scottish airs. The stranger was George Thomson, a young man of about Burns's own age, and head clerk in the office of the Board of Manufactures in Edinburgh. Thomson outlived his great correspondent by more than half a century. He died so recently as 1851, at the advanced age of ninety-two. Robert Chambers has described him as a most honourable man, of singularly amiable character and cheerful manners. It may interest some people to know that his granddaughter was the wife of Dickens, the famous novelist.
DUMFRIES,
16th September 1792.
Sir,—I have just this moment got your letter. As the request you make to me will positively add to my enjoyments in complying with it, I shall enter into your undertaking with all the small portion of abilities I have, strained to their utmost exertion by the impulse of enthusiasm. Only, don't hurry me. "Deil tak the hindmost" is by no means thecrie de guerreof my muse. Will you, as I am inferior to none of you in enthusiastic attachment to the poetry and music of old Caledonia, and, since you request it, have cheerfully promised my mite of assistance—will you let me have a list of your airs, with the first line of the printed verses you intend for them, that I may have an opportunity of suggesting any alteration that may occur to me? You know 'tis in the way of my trade; still leaving you, gentlemen,[139]the undoubted rights of publishers, to approve or reject at your pleasure, for your own publication.Aproposif you are forEnglishverses, there is, on my part, an end of the matter. Whether in the simplicity of the ballad, or the pathos of the song, I can only hope to please myself in being allowed at least a sprinkling of our native tongue. English verses, particularly the works of Scotsmen, that have merit, are certainly very eligible. "Tweedside;" "Ah! the Poor Shepherd's Mournful Fate;" "Ah! Chloris, could I now but sit," etc., you cannot mend; but such insipid stuff as "To Fanny fair, could I impart," etc., usually set to "The Mill, Mill, O," is a disgrace to the collections in which it has already appeared, and would doubly disgrace a collection that will have the very superior merit of yours. But more of this in the farther prosecution of the business, if I am to be called on for my strictures and amendments—I say, amendments; for I will not alter, accept where I myself, at least, think that I amend.
As to any renumeration, you may think my songs either above or below price; for they shall absolutely be the one or the other. In the honest enthusiasm with which I embark in your undertaking, to talk of money, wages, fee, hire, etc., would be downright sodomy of soul! A proof of each of the songs that I compose or amend I shall receive as a favour. In the rustic phrase of the season, "Gude speed the wark!"—I am, Sir, your very humble servant,
R. BURNS.
P.S.—I have some particular reasons for wishing my interference to be known as little as possible.[139]Thomson in his letter spoke of coadjutors, but in less than a year he became sole editor of the collection.
My Dear Sir,—Let me tell you that you are too fastidious in your ideas of songs and ballads. I own that your criticisms are just; the songs you specify in your list have,
all but one
, the faults you remark in them; but how shall we mend the matter? Who shall rise up and say—Go to, I will make a better? For instance, on reading over "The Lea-rig," I immediately set about trying my hand on it, and, after all, I could make nothing more of it than the following, which, Heaven knows, is poor enough:—
When o'er the hill the eastern starTells bughtin-time is near, my jo, (etc.)
Your observation as to the aptitude of Dr. Percy's ballad to the air, "Nannie O," is just. It is besides, perhaps, the most beautiful ballad in the English language. But let me remark to you, that in the sentiment and style of our Scottish airs there is a pastoral simplicity, a something that one may call the Doric style and dialect of vocal music, to which a dash of our native tongue and manners is particularly, nay, peculiarly apposite. For this reason, and upon my honour, for this reason alone, I am of opinion (but, as I told you before, my opinion is yours, freely yours to approve or reject as you please) that my ballad of "Nannie, O", might perhaps do for one set of verses to the tune. Now don't let it enter into your head that you are under any necessity of taking my verses. I have long ago made up my mind as to my own reputation in the business of authorship; and have nothing to be pleased or offended at, in your adoption or rejection of my verses. Though you should reject one half of what I give you, I shall be pleased with your adopting the other half, and shall continue to serve you with the same assiduity.
In the printed copy of my "Nannie, O", the name of the river is horridly prosaic. I will alter it,
Behind yon hills whereLugarflows.
Girvan is the name of the river that suits the idea of the stanza best, but Lugar is the most agreeable modulation of syllables.
I will soon give you a great many more remarks on this business; but I have just now an opportunity of conveying you this scrawl, free of postage, an expense that it is ill able to pay; so, with my best compliments to honest Allan,[140]goodbye to ye.
Friday night.Saturday morning.
As I find I have still an hour to spare this morning before my conveyance goes away, I will give you "Nannie, O", at length.
Your remarks on "Ewe-bughts, Marion", are just; still it has obtained a place among our more classical Scottish songs; and what with many beauties in its composition, and more prejudices in its favour, you will not find it easy to supplant it.
In my very early years, when I was thinking of going to the West Indies, I took the following farewell of a dear girl. It is quite trifling, and has nothing of the merits of "Ewe-bughts", but it will fill up this page. You must know that all my earlier love-songs were the breathings of ardent passion, and though it might have been easy in after-times to have given them a polish, yet that polish, to me, whose they were, and who perhaps alone cared for them, would have defaced the legend of my heart, which was so faithfully inscribed on them. Their uncouth simplicity was, as they say of wines, theirrace.
Will ye go to the Indies, my Mary, (etc.)
"Gala Water," and "Auld Rob Morris," I think, will most probably be the next subject of my musings. However, even onmy verses, speak out your criticisms with equal frankness. My wish is, not to stand aloof, the uncomplying bigot ofopiniâtretè, but cordially to join issue with you in the furtherance of the work. Gude speed the wark!
Amen.
[140]David Allan, the artist.
November
8
th
, 1792,
If you mean, my dear Sir, that all the songs in your collection shall be poetry of the first merit, I am afraid you will find more difficulty in the undertaking than you are aware of. There is a peculiar rhythmus in many of our airs, and a necessity of adapting syllables to the emphasis, or what I would call thefeature-notesof the tune, that cramp the poet, and lay him under almost insuperable difficulties. For instance, in the air, "My Wife's a wanton wee Thing", if a few lines, smooth and pretty, can be adapted to it, it is all you can expect. The enclosed were made extempore to it; and though, on farther study, I might give you something more profound, yet it might not suit the light-horse gallop of the air so well as this random clink.
I have just been looking over the "Collier's bonny Dochter", and if the enclosed rhapsody which I composed the day, on a charming Ayrshire girl, Miss Baillie, as she passed through this place to England, will suit your taste better than the "Collier Lassie", fall on and welcome.
I have hitherto deferred the sublimer, more pathetic airs until more leisure, as they will take, and deserve a greater effort. However, they are all put into your hands, as clay into the hands of the potter, to make one vessel to honour, and another to dishonour. Farewell, etc.
Inclosing "Highland Mary".—Tune—
Katharine Ogie
.
Ye banks, and braes, and streams around, (etc.)
14th November1792.
My Dear Sir,—I agree with you, that the song "Katharine Ogie", is very poor stuff, and unworthy, altogether unworthy, of so beautiful an air. I tried to mend it; but the awkward sound "Ogie," recurring in the rhyme, spoils every attempt at introducing sentiment into the piece. The foregoing song pleases myself; I think it is in my happiest manner; you will see at the first glance that it suits the air. The subject of the song is one of the most interesting passages of my youthful days; and I own that I should be much flattered to see the verses set to an air which would ensure celebrity. Perhaps, after all,'tis the still glowing prejudice of my heart that throws a borrowed lustre over the merits of the composition.
I have partly taken your idea of "Auld Rob Morris". I have adopted the two first verses, and am going on with the song on a new plan, which promises pretty well. I take up one or another, just as the bee of the moment buzzes in my bonnet-lug; and do you,sans ceremonie, make what use you choose of the productions. Adieu! etc.
26
th January
1793.
I approve greatly, my dear Sir, of your plans. Dr. Beattie's essay will of itself be a treasure. On my part, I mean to draw up an appendix to the Doctor's essay, containing my stock of anecdotes, etc., of our Scots songs. All the late Mr. Tytler's anecdotes I have by me, taken down in the course of my acquaintance with him, from his own mouth. I am such an enthusiast, that in the course of my several peregrinations through Scotland, I made a pilgrimage to the individual spot from which every song took its rise, Lochaber and the Braes of Ballendean excepted. So far as locality, either from the title of the air, or the tenor of the song, could be ascertained, I have paid my devotions at the particular shrine of every Scots Muse.
I do not doubt but you might make a very valuable collection of Jacobite songs—but would it give no offence? In the meantime, do not you think that some of them, particularly "The Sow's Tail to Geordie", as an air, with other words, might be well worth a place in your collection of lively songs?
If it were possible to procure songs of merit, it would be proper to have one set of Scots words to every air, and that the set of words to which the notes ought to be set. There is anaïvetè, a pastoral simplicity, in a slight intermixture of Scots words and phraseology, which is more in unison (at least to my taste, and, I will add, to every genuine Caledonian taste), with the simple pathos or rustic sprightliness of our native music, than any English verses whatever.
The very name of Peter Pindar is an acquisition to your work. His "Gregory" is beautiful. I have tried to give you a set of stanzas in Scots, on the same subject, which are at your service. Not that I intend to enter the lists with Peter; that would be presumption indeed. My song, though much inferior in poetic merit, has, I think, more of the ballad simplicity in it.LORD GREGORY.O mirk, mirk is this midnight hour, (etc.)
Your remark on the first stanza of my "Highland Mary" is just, but I cannot alter it, without injuring the poetry.
20th March 1793.
My Dear Sir,—The song prefixed ("Mary Morison") is one of my juvenile works. I leave it in your hands. I do not think it very remarkable, either for its merits or demerits. It is impossible (at least I feel it so in my stinted powers) to be always original, entertaining, and witty.
What is become of the list, etc., of your songs? I shall be out of all temper with you by and by. I have always looked on myself as the prince of indolent correspondents, and valued myself accordingly; and I will not, cannot bear rivalship from you, nor anybody else.
7th April 1793.
Thank you, my dear Sir, for your packet. You cannot imagine how much this business of composing for your publication has added to my enjoyments. What, with my early attachment to ballads, your book, etc., ballad-making is now as completely my hobby-horse as ever fortification was Uncle Toby's; so I'll e'en canter it away till I come to the limit of my race (God grant that I may take the right side of the winning-post!) and then cheerfully looking back on the honest folks with whom I have been happy, I shall say, or sing, "Sae merry as we a' hae been" and raising my last looks to the whole human race, the last words of the voice of Coila shall be, "Good night, and joy be wi' you a'!" So much for my last words; now for a few present remarks as they have occurred at random, on looking over your list.
The first lines of "The last time I came o'er the Moor", and several other lines in it, are beautiful; but in my opinion—pardon me, revered shade of Ramsay!—the song is unworthy of the divine air. I shall try tomakeormend. "For ever, Fortune, wilt thou prove," is a charming song; but "Logan Burn and Logan Braes" are sweetly susceptible of rural imagery; I'll try that likewise, and if I succeed, the other song may class among the English ones. I remember the two last lines of a verse in some of the old songs of "Logan Water" (for I know a good many different ones), which I think pretty—
Now my dear lad maun face his faes,Far, far frae me, and Logan braes.
"My Patie is a lover gay", is unequal. "His mind is never muddy," is a muddy expression indeed.
Then I'll resign and marry Pate,And syne my cockernony—
This is surely far unworthy of Ramsay, or your book. My song, "Rigs of Barley", to the same tune, does not altogether please me; but if I can mend it, and thresh a few loose sentiments out of it, I will submit it to your consideration. The "Lass o' Patie's Mill" is one of Ramsay's best songs; but there is one loose sentiment in it, which my much-valued friend, Mr. Erskine, will take into his critical consideration. In Sir J. Sinclair's statistical volumes are two claims, one I think, from Aberdeenshire, and the other from Ayrshire, for the honour of this song. The following anecdote, which I had from the present Sir William Cunningham, of Robertland, who had it of the late John, Earl of Loudon, I can on such authorities believe.
Allan Ramsay was residing at Loudon Castle with the then Earl, father to Earl John; and one forenoon, riding or walking out together, his lordship and Allan passed a sweet romantic spot on Irwine water, still called "Patie's Mill," where a bonnie lass was "tedding hay, bareheaded on the green." My lord observed to Allan, that it would be a fine theme for a song, Ramsay took the hint, and lingering behind, he composed the first sketch of it, which he produced at dinner.
"One day I heard Mary say," is a fine song; but for consistency's sake, alter the name "Adonis." Was there ever such banns published, as a purpose of marriage between Adonis and Mary? I agree with you that my song, "There's nought but care on every hand," is much superior to "Poortith Cauld." The original song, "The Mill, Mill, O," though excellent, is, on account of delicacy, inadmissible; still I like the title, and think a Scottish song would suit the notes best; and let your chosen song, which is very pretty, follow, as an English set. The "Banks of Dee" is, you know, literally "Langolee" to slow time. The song is well enough, but has some false imagery in it, for instance,
And sweetly the nightingale sung from thetree.
In the first place, the nightingale sings in a low bush, but never from a tree; and in the second place, there never was a nightingale seen or heard on the banks of the Dee, or on the banks of any other river in Scotland. Exotic rural imagery is always comparatively flat. If I could hit on another stanza equal to "The small birds rejoice," etc., I do myself honestly avow that I think it a superior song. "John Anderson, my jo"—the song to this tune in Johnson'sMuseumis my composition, and I think it not my worst: if it suit you, take it and welcome. Your collection of sentimental and pathetic songs is, in my opinion, very complete; but not so your comic ones. Where are "Tullochgorum," "Lumps o' Puddin'," "Tibbie Fowler," and several others, which, in my humble judgment, are well worthy of preservation? There is also one sentimental song of mine in theMuseum, which never was known out of the immediate neighbourhood, until I got it taken down from a country girl's singing. It is called "Craigie-burn Wood;" and in the opinion of Mr. Clarke is one of our sweetest Scottish songs. He is quite an enthusiast about it; and I would take his taste in Scottish music against the taste of most connoisseurs.
You are quite right in inserting the last five in your list, though they are certainly Irish. "Shepherds, I have lost my love," is to me a heavenly air—what would you think of a set of Scottish verses to it? I have made one a good while ago, which I think is the best love song[141]I ever composed in my life; but in its original state it is not quite a lady's song. I enclose an altered, not amended copy for you, if you choose to set the tune to it, and let the Irish verses follow.
Mr. Erskine's songs are all pretty, but his "Lone Vale" is divine.—Yours, etc.
Let me know just how you like these random hints.[141]"Yestreen I had a pint o' wine."
April 1793.
My Dear Sir,—I own my vanity is flattered when you give my songs a place in your elegant and superb work; but to be of service to the work is my first wish. As I have often told you, I do not in a single instance wish you, out of compliment to me, to insert anything of mine. One hint let me give you—whatever Mr. Peyel does, let him not alter oneiotaof the original Scottish airs; I mean in the song department; but let our national music preserve its native features. They are, I own, frequently wild, and irreducible to the more modern rules; but on that very eccentricity, perhaps, depends a great part of their effect.
June
1793.
When I tell you, my dear Sir, that a friend of mine, in whom I am much interested, has fallen a sacrifice to these accursed times, you will easily allow that it might unhinge me for doing any good among ballads. My own loss, as to pecuniary matters, is trifling; but the total ruin of a much-loved friend is a loss indeed. Pardon my seeming inattention to your last commands.
I cannot alter the disputed lines in the "Mill, Mill, O."[142]What you think a defect I esteem as a positive beauty; so you see how doctors differ. I shall now, with as much alacrity as I can muster, go on with your commands.
You know Frazer, the hautboy player in Edinburgh—he is here instructing a band of music for a fencible corps quartered in this country. Among many of the airs that please me, there is one well known as a reel, by the name of "The Quaker's Wife"; and which I remember a grand-aunt of mine used to sing, by the name of "Liggeram Cosh, my bonnie wee lass". Mr. Frazer plays it slow, and with an expression that quite charms me. I became such an enthusiast about it that I made a song for it, which I here subjoin, and inclose Frazer's set of the tune. If they hit your fancy, they are at your service; if not, return me the tune, and I will put it in Johnson'sMuseum. I think the song is not in my worst manner.
Blithe hae I been on yon hill, (etc.)
I should wish to hear how this pleases you.[142]The lines were the third and fourth—
Wi' mony a sweet babe fatherless,And mony a widow mourning.
June 25th 1793.
Have you ever, my dear Sir, felt your bosom ready to burst with indignation on reading of those mighty villains who divide kingdom against kingdom, desolate provinces, and lay nations waste, out of the wantonness of ambition, or often from still more ignoble passions? In a mood of this kind to-day I recollected the air of "Logan Water;" and it occurred to me that its querulous melody probably had its origin from the plaintive indignation of some swelling, suffering heart, fired at the tyrannic strides of some public destroyer, and overwhelmed with private distress, the consequence of a country's ruin. If I have done anything at all like justice to my feelings, the following song, composed in three quarters of an hour's meditation in my elbow-chair, ought to have some merit.
[Here follows "Logan Water."]
Do you know the following beautiful little fragment in Witherspoon'sCollection of Scots Songs?
Air—Hughie Graham.O gin my love were yon red rose,That grows upon the castle wa',And I mysel' a drap o' dewInto her bonnie breast to fa'!Oh, there beyond expression blest,I'd feast on beauty a' the night;Seal'd on her silk saft faulds to rest,Till fley'd awa by Phoebus light.
Oh, there beyond expression blest,I'd feast on beauty a' the night;Seal'd on her silk saft faulds to rest,Till fley'd awa by Phoebus light.
This thought is inexpressibly beautiful; and quite, so far as I know, original. It is too short for a song, else I would forswear you altogether, unless you gave it a place. I have often tried to eke a stanza to it, but in vain. After balancing myself for a musing five minutes, on the hind legs of my elbow-chair, I produced the following. The verses are far inferior to the foregoing, I frankly confess; but if worthy of insertion at all, they might be first in place; as every poet, who knows anything of his trade, will husband his best thoughts for a concluding stroke.
O were my love yon lilac fair,Wi' purple blossoms to the spring;And I a bird to shelter there,When wearied on my little wing;How I wad mourn, when it was tornBy autumn wild, and winter rude!But I wad sing on wanton wing,When youthfu' May its bloom renew'd.
How I wad mourn, when it was tornBy autumn wild, and winter rude!But I wad sing on wanton wing,When youthfu' May its bloom renew'd.
July
1793.
I assure you, my dear Sir, that you truly hurt me with your pecuniary parcel. It degrades me in my own eyes. However, to return it would savour of affectation; but as to any more traffic of that debtor or creditor kind, I swear by that HONOUR which crowns the upright statue of ROBERT BURNS'S INTEGRITY—on the least motion of it, I will indignantly spurn the by—past transaction, and from that moment commence entire stranger to you! BURNS'S character for generosity of sentiment and independence of mind will, I trust, long outlive any of his wants, which the cold, unfeeling ore can supply: at least, I will take care that such a character he shall deserve.
Thank you for my copy of your publication. Never did my eyes behold, in any musical work, such elegance and correctness. Your preface, too, is admirably written; only, your partiality to me has made you say too much: however, it will bind me down to double every eifort in the future progress of the work. The following are a few remarks on the songs in the list you sent me. I never copy what I write to you, so I may be often tautological, or perhaps contradictory.
"The Flowers of the Forest" is charming as a poem; and should be, and must be, set to the notes; but, though out of your rule, the three stanzas, beginning,I hae seen the smiling o' fortune beguiling,
are worthy of a place, were it but to immortalise the author of them, who is an old lady[143] of my acquaintance, and at this moment living in Edinburgh. She is a Mrs. Cockburn; I forget of what place; but from Roxburghshire. What a charming apostrophe is
O fickle Fortune, why this cruel sporting,Why, why torment us—poor sons of a day!
The old ballad, "I wish I were where Helen lies," is silly, to contemptibility. My alteration of it, in Johnson's, is not much better.
NeeRutherford, of Selkirkshire. She was then 81 years old.
August
1793.
That tune, "Cauld Kail," is such a favourite of yours, that I once more roved out yesterday for a gloamin-shot at the muses; when the muse that presides o'er the shores of Nith, or rather my old inspiring dearest nymph, Coila, whispered me the following. I have two reasons for thinking that it was my early, sweet, simple inspirer that was by my elbow, "smooth gliding without step," and pouring the song on my glowing fancy. In the first place, since I left Coila's haunts, not a fragment of a poet has arisen to cheer her solitary musings, by catching inspiration from her; so I more than suspect she has followed me hither, or at least makes me occasional visits; secondly, the last stanza of this song I send you is the very words that Coila taught me many years ago, and which I set to an old Scots reel in Johnson'sMuseum.
Autumn is my propitious season. I make more verses in it than in all the year else. God bless you.
Sept
. 1793.
You may readily trust, my dear Sir, that any exertion in my power is heartily at your service. But one thing I must hint to you; the very name of Peter Finder is of great service to your publication, so get a verse from him now and then; though I have no objection, as well as I can, to bear the burden of the business.
You know that my pretensions to musical taste are merely a few of nature's instincts, untaught and untutored by art. For this reason, many musical compositions, particularly where much of the merit lies in counterpoint, however they may transport and ravish the ears of your connoisseurs, affect my simple lug no otherwise than merely as melodious din. On the other hand, by way of amends, I am delighted with many little melodies which the learned musician despises as silly and insipid. I do not know whether the old air "Hey tuttie taittie" may rank among this number; but well I know that, with Frazer's hautboy, it has often filled my eyes with tears. There is a tradition, which I have met with in many places of Scotland, that it was Robert Bruce's march at the battle of Bannockburn. This thought, in my solitary wanderings, warmed me to a pitch of enthusiasm on the theme of Liberty and Independence, which I threw into a kind of Scottish ode, fitted to the air, that one might suppose to be the gallant Royal Scot's address to his heroic followers on that eventful morning.BRUCE TO HIS TROOPS,On the Eve of the Battle of Bannockburn.Hey tuttie taittie.Scots, wha hae wi' Wallace bled, (etc.)
So may God ever defend the cause of Truth and Liberty, as He did that day!—Amen.
P.S.—I showed the air to Urbani, who was highly pleased with it, and begged me to make soft verses for it; but I had no idea of giving myself any trouble on the subject, till the accidental recollection of that glorious struggle for freedom, associated with the glowing ideas of some other struggles of the same nature, not quite so ancient, roused my rhyming mania. Clarke's set of the tune, with his bass, you will find in theMuseum; though I am afraid that the air is not what will entitle it to a place in your elegant selection.