CHAPTER VI.

'The cannon of France Rendering thanksShake the foundation To Heaven.Of the wondering sea, The KingThe artillery on the shore And all the Royal FamilyIs put to silence. Are bathedHonour to Joinville In tears.And the Brave! They call upon the nameThe Great Intelligence Of Joinville!Is borne France alsoUpon the wings of Fame Weeps, and echoes it.To Paris. Joinville is crownedHer national citizens With Immortality;Exchange caresses And Peace and Joinville,In the streets! And the Glory of France,The temples are crowded Diffuse themselvesWith religious patriots Conjointly.'

If you can figure to yourself the choice absurdity of receiving anything into one's mind in this way, you can imagine the labour I underwent in my attempts to keep the lower part of my face square, and to lift up one eye gently, as with admiring attention. But I am bound to add that this is really pretty literal; for I read them afterwards."

This, too, was the year of other uncomfortable glories of France in the last three years of her Orleans dynasty; among them the Tahiti business, as politicians may remember; and so hot became rumours of war with England at the opening of September that Dickens had serious thoughts of at once striking his tent. Oneof his letters was filled with the conflicting doubts in which they lived for nigh a fortnight, every day's arrival contradicting the arrival of the day before: so that, as he told me, you met a man in the street to-day, who told you there would certainly be war in a week; and you met the same man in the street to-morrow, and he swore he always knew there would be nothing but peace; and you met him again the day after, and he said it all dependednowon something perfectly new and unheard of before, which somebody else said had just come to the knowledge of some consul in some dispatch which said something about some telegraph which had been at work somewhere, signalizing some prodigious intelligence. However, it all passed harmlessly away, leaving him undisturbed opportunity to avail himself of a pleasure that arose out of the consul-general's dinner party, and to be present at a great reception given shortly after by the good "old Blunderbore" just mentioned, on the occasion of his daughter's birthday.

The Marquis had a splendid house, but Dickens found the grounds so carved into grottoes and fanciful walks as to remind him of nothing so much as our old White-conduit-house, except that he would have been well pleased, on the present occasion, to have discovered a waiter crying, "Give your orders, gents!" it being not easy to him at any time to keep up, the whole night through, on ices and variegated lamps merely. But the scene for awhile was amusing enough, and not rendered less so by the delight of the Marquis himself, "who was constantly diving out into dark corners and then among the lattice-work and flower pots,rubbing his hands and going round and round with explosive chuckles in his huge satisfaction with the entertainment." With horror it occurred to Dickens, however, that four more hours of this kind of entertainment would be too much; that the Genoa gates closed at twelve; and that as the carriage had not been ordered till the dancing was expected to be over and the gates to reopen, he must make a sudden bolt if he would himself get back to Albaro. "I had barely time," he told me, "to reach the gate before midnight; and was running as hard as I could go, down-hill, over uneven ground, along a new street called the strada Sevra, when I came to a pole fastened straight across the street, nearly breast high, without any light or watchman—quite in the Italian style. I went over it, headlong, with such force that I rolled myself completely white in the dust; but although I tore my clothes to shreds, I hardly scratched myself except in one place on the knee. I had no time to think of it then, for I was up directly and off again to save the gate: but when I got outside the wall, and saw the state I was in, I wondered I had not broken my neck. I 'took it easy' after this, and walked home, by lonely ways enough, without meeting a single soul. But there is nothing to be feared, I believe, from midnight walks in this part of Italy. In other places you incur the danger of being stabbed by mistake; whereas the people here are quiet and good tempered, and very rarely commit any outrage."

Such adventures, nevertheless, are seldom without consequences, and there followed in this case a short but sharp attack of illness. It came on with the old"unspeakable and agonizing pain in the side," for which Bob Fagin had prepared and applied the hot bottles in the old warehouse time; and it yielded quickly to powerful remedies. But for a few days he had to content himself with the minor sights of Albaro. He sat daily in the shade of the ruined chapel on the seashore. He looked in at the festa in the small country church, consisting mainly of a tenor singer, a seraphine, and four priests sitting gaping in a row on one side of the altar "in flowered satin dresses and little cloth caps, looking exactly like the band at a wild-beast-caravan." He was interested in the wine-making, and in seeing the country tenants preparing their annual presents for their landlords, of baskets of grapes and other fruit prettily dressed with flowers. The season of the grapes, too, brought out after dusk strong parties of rats to eat them as they ripened, and so many shooting parties of peasants to get rid of these despoilers, that as he first listened to the uproar of the firing and the echoes he half fancied it a siege of Albaro. The flies mustered strong, too, and the mosquitos;[85]so that at night he had to lie covered up with gauze, like cold meat in a safe.

Of course all news from England, and especially visits paid him by English friends who might be travelling in Italy, were a great delight. This was the year when O'Connell was released from prison by the judgment of the Lords on appeal. "I have no faith in O'Connell taking the great position he might upon this: being beleaguered by vanity always. Denman delights me. I am glad to think I have always liked him so well. I am sure that whenever he makes a mistake, itisa mistake; and that no man lives who has a grander and nobler scorn of every mean and dastard action. I would to Heaven it were decorous to pay him some public tribute of respect . . . O'Connell's speeches are the old thing: fretty, boastful, frothy, waspish at the voices in the crowd, and all that: but with no true greatness. . . . What a relief to turn to that noble letter of Carlyle's" (in which a timely testimony had been borne to the truthfulness and honour of Mazzini), "which I think above all praise. My love to him." Among his English visitors were Mr. Tagart's family, on their way from a scientific congress at Milan; and Peter (now become Lord) Robertson from Rome, of whose talk he wrote very pleasantly. The sons of Burns had been entertained during the summer in Edinburgh at what was called a Burns Festival, of which, through Jerrold who was present, I had sent him no very favourable account; and this was now confirmed by Robertson, whose letters had given him an "awful" narrative of Wilson's speech, and of the whole business. "There was one man who spoke a quarter of an hour or so, to the toast of the navy; and could say nothing more than 'the—British—navy—always appreciates—' whichremarkable sentiment he repeated over and over again for that space of time; and then sat down. Robertson told me also that Wilson's allusion to, or I should rather say expatiation upon, the 'vices' of Burns, excited but one sentiment of indignation and disgust: and added, very sensibly, 'By God!—I want to knowwhat Burns did!I never heard of his doing anything that need be strange or unaccountable to the Professor's mind. I think he must have mistaken the name, and fancied it a dinner to the sons ofBurke'—meaning of course the murderer. In short he fully confirmed Jerrold in all respects." The same letter told me, too, something of his reading. Jerrold'sStory of a Featherhe had derived much enjoyment from. "Gauntwolf's sickness and the career of that snuffbox, masterly.[86]I have been deep in Voyages and Travels, and in De Foe. Tennyson I have also been reading, again and again. What a great creature he is! . . . What about theGoldsmith?Apropos, I am all eagerness to write a story about the length of that most delightful of all stories, theVicar of Wakefield."

In the second week of September he went to meet his brother Frederick at Marseilles, and bring him back over the Cornice road to pass a fortnight's holiday at Genoa; and his description of the first inn upon the Alps they slept in is too good to be lost. "We lay last night," he wrote (9th of September) "at thefirst halting-place on this journey, in an inn which is not entitled, as it ought to be, The house of call for fleas and vermin in general, but is entitled the grand hotel of the Post! I hardly know what to compare it to. It seemed something like a house in Somers-town originally built for a wine-vaults and never finished, but grown very old. There was nothing to eat in it and nothing to drink. They had lost the teapot; and when they found it, they couldn't make out what had become of the lid, which, turning up at last and being fixed on to the teapot, couldn't be got off again for the pouring in of more water. Fleas of elephantine dimensions were gambolling boldly in the dirty beds; and the mosquitoes!—But let me here draw a curtain (as I would have done if there had been any). We had scarcely any sleep, and rose up with hands and arms hardly human."

In four days they were at Albaro, and the morning after their arrival Dickens underwent the terrible shock of seeing his brother very nearly drowned in the bay. He swam out into too strong a current,[87]and was only narrowly saved by the accident of a fishing-boat preparing to leave the harbour at the time. "It was a world of horror and anguish," Dickens wrote to me, "crowded into four or five minutes of dreadful agitation; and, to complete the terror of it, Georgy, Charlotte" (the nurse), "and the children were on arock in full view of it all, crying, as you may suppose, like mad creatures." His own bathing was from the rock, and, as he had already told me, of the most primitive kind. He went in whenever he pleased, broke his head against sharp stones if he went in with that end foremost, floundered about till he was all over bruises, and then climbed and staggered out again. "Everybody wears a dress. Mine extremely theatrical: Masaniello to the life: shall be preserved for your inspection in Devonshire-terrace." I will add another personal touch, also Masaniello-like, which marks the beginning of a change which, though confined for the present to his foreign residence and removed when he came to England, was resumed somewhat later, and in a few more years wholly altered the aspect of his face. "The moustaches are glorious, glorious. I have cut them shorter, and trimmed them a little at the ends to improve the shape. They are charming, charming. Without them, life would be a blank."

Palace of the Fish-ponds—Mural Paintings—Peschiere Garden—A Peal of Chimes—Governor's Levee—Chimesa Plea for the Poor—Dickens's Choice of a Hero—Religious Sentiment—Dialogue in a Vision—Hard at Work—First Outline of theChimes—What the Writing of it cost Him—Wild Weather—Coming to London—Secret of the Visit—The Tale finished—Proposed Travel.

Inthe last week of September they moved from Albaro into Genoa, amid a violent storm of wind and wet, "great guns blowing," the lightning incessant, and the rain driving down in a dense thick cloud. But the worst of the storm was over when they reached the Peschiere. As they passed into it along the stately old terraces, flanked on either side with antique sculptured figures, all the seven fountains were playing in its gardens, and the sun was shining brightly on its groves of camellias and orange-trees.

It was a wonderful place, and I soon became familiar with the several rooms that were to form their home for the rest of their stay in Italy. In the centre was the grand sala, fifty feet high, of an area larger than "the dining-room of the Academy," and painted, walls and ceiling, with frescoes three hundred years old, "as fresh as if the colours had been laid on yesterday."On the same floor as this great hall were a drawing-room, and a dining-room,[88]both covered also with frescoes still bright enough to make them thoroughly cheerful, and both so nicely proportioned as to give to their bigness all the effect of snugness.[89]Out of these opened three other chambers that were turned into sleeping-rooms and nurseries. Adjoining the sala, right and left, were the two best bedrooms; "in size and shape like those at Windsor-castle but greatly higher;" both having altars, a range of three windows with stone balconies, floors tesselated in patterns of black and white stone, and walls painted every inch: on the left, nymphs pursued by satyrs "as large as life and as wicked;" on the right, "Phaeton larger than life, with horses bigger than Meux and Co.'s, tumbling headlong down into the best bed." The right-hand one he occupied with his wife, and of the left took possession as a study; writing behind a big screen he had lugged into it, and placed by one of thewindows, from which he could see over the city, as he wrote, as far as the lighthouse in its harbour. Distant little over a mile as the crow flew, flashing five times in four minutes, and on dark nights, as if by magic, illuminating brightly the whole palace-front every time it shone, this lighthouse was one of the wonders of Genoa.

Palace

When it had all become more familiar to him, he was fond of dilating on its beauties; and even the dreary sound of the chaunting from neighbouring mass-performances, as it floated in at all the open windows, which at first was a sad trouble, came tohave its charm for him. I remember a vivid account he gave me of a great festa on the hill behind the house, when the people alternately danced under tents in the open air and rushed to say a prayer or two in an adjoining church bright with red and gold and blue and silver; so many minutes of dancing, and of praying, in regular turns of each. But the view over into Genoa, on clear bright days, was a never failing enjoyment. The whole city then, without an atom of smoke, and with every possible variety of tower and steeple pointing up into the sky, lay stretched out below his windows. To the right and left were lofty hills, with every indentation in their rugged sides sharply discernible; and on one side of the harbour stretched away into the dim bright distance the whole of the Cornice, its first highest range of mountains hoary with snow. Sitting down one Spring day to write to me, he thus spoke of the sea and of the garden. "Beyond the town is the wide expanse of the Mediterranean, as blue, at this moment, as the most pure and vivid prussian blue on Mac's palette when it is newly set; and on the horizon there is a red flush, seen nowhere as it is here. Immediately below the windows are the gardens of the house, with gold fish swimming and diving in the fountains; and below them, at the foot of a steep slope, the public garden and drive, where the walks are marked out by hedges of pink roses, which blush and shine through the green trees and vines, close up to the balconies of these windows. No custom can impair, and no description enhance, the beauty of the scene."

All these and other glories and beauties, however,did not come to him at once. They counted for little indeed when he first set himself seriously to write. "Never did I stagger so upon a threshold before. I seem as if I had plucked myself out of my proper soil when I left Devonshire-terrace; and could take root no more until I return to it. . . . Did I tell you how many fountains we have here? No matter. If they played nectar, they wouldn't please me half so well as the West Middlesex water-works at Devonshire-terrace." The subject for his new Christmas story he had chosen, but he had not found a title for it, or the machinery to work it with; when, at the moment of what seemed to be his greatest trouble, both reliefs came. Sitting down one morning resolute for work, though against the grain, his hand being out and everything inviting to idleness, such a peal of chimes arose from the city as he found to be "maddening." All Genoa lay beneath him, and up from it, with some sudden set of the wind, came in one fell sound the clang and clash of all its steeples, pouring into his ears, again and again, in a tuneless, grating, discordant, jerking, hideous vibration that made his ideas "spin round and round till they lost themselves in a whirl of vexation and giddiness, and dropped down dead." He had never before so suffered, nor did he again; but this was his description to me next day, and his excuse for having failed in a promise to send me his title. Only two days later, however, came a letter in which not a syllable was written but "We have heardthe Chimesat midnight, Master Shallow!" and I knew he had discovered what he wanted.

Other difficulties were still to be got over. He cravedfor the London streets. He so missed his long night-walks before beginning anything that he seemed, as he said, dumbfounded without them. "I can't help thinking of the boy in the school-class whose button was cut off by Walter Scott and his friends. Put me down on Waterloo-bridge at eight o'clock in the evening, with leave to roam about as long as I like, and I would come home, as you know, panting to go on. I am sadly strange as it is, and can't settle. You will have lots of hasty notes from me while I am at work; but you know your man; and whatever strikes me, I shall let off upon you as if I were in Devonshire-terrace. It's a great thing to have my title, and see my way how to work the bells. Let them clash upon me now from all the churches and convents in Genoa, I see nothing but the old London belfry I have set them in. In my mind's eye, Horatio. I like more and more my notion of making, in this little book, a great blow for the poor. Something powerful, I think I can do, but I want to be tender too, and cheerful; as like theCarolin that respect as may be, and as unlike it as such a thing can be. The duration of the action will resemble it a little, but I trust to the novelty of the machinery to carry that off; and if my design be anything at all, it has a grip upon the very throat of the time." (8th of October.)

Thus bent upon his work, for which he never had been in more earnest mood, he was disturbed by hearing that he must attend the levee of the Governor who had unexpectedly arrived in the city, and who would take it as an affront, his eccentric friend Fletcher told him, if that courtesy were not immediately paid. "Itwas the morning on which I was going to begin, so I wrote round to our consul,"—praying, of course, that excuse should be made for him. Don't bother yourself, replied that sensible functionary, for all the consuls and governors alive; but shut yourself up by all means. "So," continues Dickens, telling me the tale, "he went next morning in great state and full costume, to present two English gentlemen. 'Where's the great poet?' said the Governor. 'I want to see the great poet.' 'The great poet, your excellency,' said the consul, 'is at work, writing a book, and begged me to make his excuses.' 'Excuses!' said the Governor, 'I wouldn't interfere with such an occupation for all the world. Pray tell him that my house is open to the honour of his presence when it is perfectly convenient for him; but not otherwise. And let no gentleman,' said the Governor, a surweyin' of his suite with a majestic eye, 'call upon Signor Dickens till he is understood to be disengaged.' And he sent somebody with his own cards next day. Now Idoseriously call this, real politeness and pleasant consideration—not positively American, but still gentlemanly and polished. The same spirit pervades the inferior departments; and I have not been required to observe the usual police regulations, or to put myself to the slightest trouble about anything." (18th of October.)

The picture I am now to give of him at work should be prefaced by a word or two that may throw light on the design he was working at. It was a large theme for so small an instrument; and the disproportion was not more characteristic of the man, than the throes of suffering and passion to be presently undergone by himfor results that many men would smile at. He was bent, as he says, on striking a blow for the poor. They had always been his clients, they had never been forgotten in any of his books, but here nothing else was to be remembered. He had become, in short, terribly earnest in the matter. Several months before he left England, I had noticed in him the habit of more gravely regarding many things before passed lightly enough; the hopelessness of any true solution of either political or social problems by the ordinary Downing-street methods had been startlingly impressed on him in Carlyle's writings; and in the parliamentary talk of that day he had come to have as little faith for the putting down of any serious evil, as in a then notorious city Alderman's gabble for the putting down of suicide. The latter had stirred his indignation to its depths just before he came to Italy, and his increased opportunities of solitary reflection since had strengthened and extended it. When he came therefore to think of his new story for Christmas time, he resolved to make it a plea for the poor. He did not want it to resemble hisCarol, but the same kind of moral was in his mind. He was to try and convert Society, as he had converted Scrooge, by showing that its happiness rested on the same foundations as those of the individual, which are mercy and charity not less than justice. Whether right or wrong in these assumptions, need not be questioned here, where facts are merely stated to render intelligible what will follow; he had not made politics at any time a study, and they were always an instinct with him rather than a science; but the instinct was wholesome and sound, and to set class against class neverceased to be as odious to him as he thought it righteous at all times to help each to a kindlier knowledge of the other. And so, here in Italy, amid the grand surroundings of this Palazzo Peschiere, the hero of his imagination was to be a sorry old drudge of a London ticket-porter, who in his anxiety not to distrust or think hardly of the rich, has fallen into the opposite extreme of distrusting the poor. From such distrust it is the object of the story to reclaim him; and, to the writer of it, the tale became itself of less moment than what he thus intended it to enforce. Far beyond mere vanity in authorship went the passionate zeal with which he began, and the exultation with which he finished, this task. When we met at its close, he was fresh from Venice, which had impressed him as "the wonder" and "the new sensation" of the world: but well do I remember how high above it all arose the hope that filled his mind. "Ah!" he said to me, "when I saw those places, how I thought that to leave one's hand upon the time, lastingly upon the time, with one tender touch for the mass of toiling people that nothing could obliterate, would be to lift oneself above the dust of all the Doges in their graves, and stand upon a giant's staircase that Sampson couldn't overthrow!" In varying forms this ambition was in all his life.

Another incident of these days will exhibit aspirations of a more solemn import that were not less part of his nature. It was depth of sentiment rather than clearness of faith which kept safe the belief on which they rested against all doubt or question of its sacredness, but every year seemed to strengthen it in him. Thiswas told me in his second letter after reaching the Peschiere; the first having sent me some such commissions in regard to his wife's family as his kindly care for all connected with him frequently led to. "Let me tell you," he wrote (30th of September), "of a curious dream I had, last Monday night; and of the fragments of reality I can collect; which helped to make it up. I have had a return of rheumatism in my back, and knotted round my waist like a girdle of pain; and had laid awake nearly all that night under the infliction, when I fell asleep and dreamed this dream. Observe that throughout I was as real, animated, and full of passion as Macready (God bless him!) in the last scene ofMacbeth. In an indistinct place, which was quite sublime in its indistinctness, I was visited by a Spirit. I could not make out the face, nor do I recollect that I desired to do so. It wore a blue drapery, as the Madonna might in a picture by Raphael; and bore no resemblance to any one I have known except in stature. I think (but I am not sure) that I recognized the voice. Anyway, I knew it was poor Mary's spirit. I was not at all afraid, but in a great delight, so that I wept very much, and stretching out my arms to it called it 'Dear.' At this, I thought it recoiled; and I felt immediately, that not being of my gross nature, I ought not to have addressed it so familiarly. 'Forgive me!' I said. 'We poor living creatures are only able to express ourselves by looks and words. I have used the word most natural toouraffections; and you know my heart.' It was so full of compassion and sorrow for me—which I knew spiritually, for, as I have said, I didn't perceive its emotions by its face—that it cut me to the heart; andI said, sobbing, 'Oh! give me some token that you have really visited me!' 'Form a wish,' it said. I thought, reasoning with myself: 'If I form a selfish wish, it will vanish.' So I hastily discarded such hopes and anxieties of my own as came into my mind, and said, 'Mrs. Hogarth is surrounded with great distresses'—observe, I never thought of saying 'your mother' as to a mortal creature—'will you extricate her?' 'Yes.' 'And her extrication is to be a certainty to me, that this has really happened?' 'Yes.' 'But answer me one other question!' I said, in an agony of entreaty lest it should leave me. 'What is the True religion?' As it paused a moment without replying, I said—Good God in such an agony of haste, lest it should go away!—'You think, as I do, that the Form of religion does not so greatly matter, if we try to do good? or,' I said, observing that it still hesitated, and was moved with the greatest compassion for me, 'perhaps the Roman Catholic is the best? perhaps it makes one think of God oftener, and believe in him more steadily?' 'Foryou,' said the Spirit, full of such heavenly tenderness for me, that I felt as if my heart would break; 'foryou, it is the best!' Then I awoke, with the tears running down my face, and myself in exactly the condition of the dream. It was just dawn. I called up Kate, and repeated it three or four times over, that I might not unconsciously make it plainer or stronger afterwards. It was exactly this. Free from all hurry, nonsense, or confusion, whatever. Now, the strings I can gather up, leading to this, were three. The first you know, from the main subject of my last letter. The second was, that there is a great altar in our bed-room, at which some family who onceinhabited this palace had mass performed in old time: and I had observed within myself, before going to bed, that there was a mark in the wall, above the sanctuary, where a religious picture used to be; and I had wondered within myself what the subject might have been,and what the face was like. Thirdly, I had been listening to the convent bells (which ring at intervals in the night), and so had thought, no doubt, of Roman Catholic services. And yet, for all this, put the case of that wish being fulfilled by any agency in which I had no hand; and I wonder whether I should regard it as a dream, or an actual Vision!" It was perhaps natural that he should omit, from his own considerations awakened by the dream, the very first that would have risen in any mind to which his was intimately known—that it strengthens other evidences, of which there are many in his life, of his not having escaped those trying regions of reflection which most men of thought and all men of genius have at some time to pass through. In such disturbing fancies during the next year or two, I may add that the book which helped him most was theLife of Arnold. "I respect and reverence his memory," he wrote to me in the middle of October, in reply to my mention of what had most attracted myself in it, "beyond all expression. I must have that book. Every sentence that you quote from it is the text-book of my faith."

He kept his promise that I should hear from him while writing, and I had frequent letters when he was fairly in his work. "With my steam very much up, I find it a great trial to be so far off from you, and consequently to have no one (always excepting Kate andGeorgy) to whom to expatiate on my day's work. And I want a crowded street to plunge into at night. And I want to be 'on the spot' as it were. But apart from such things, the life I lead is favourable to work." In his next letter: "I am in regular, ferocious excitement with theChimes;get up at seven; have a cold bath before breakfast; and blaze away, wrathful and red-hot, until three o'clock or so; when I usually knock off (unless it rains) for the day . . . I am fierce to finish in a spirit bearing some affinity to those of truth and mercy, and to shame the cruel and the canting. I have not forgotten my catechism. 'Yes verily, and with God's help, so I will!'"

Within a week he had completed his first part, or quarter. "I send you to-day" (18th of October), "by mail, the first and longest of the four divisions. This is great for the first week, which is usually up-hill. I have kept a copy in shorthand in case of accidents. I hope to send you a parcel every Monday until the whole is done. I do not wish to influence you, but it has a great hold upon me, and has affected me, in the doing, in divers strong ways, deeply, forcibly. To give you better means of judgment I will sketch for you the general idea, but pray don't read it until you have read this first part of the MS." I print it here. It is a good illustration of his method in all his writing. His idea is in it so thoroughly, that, by comparison with the tale as printed, we see the strength of its mastery over his first design. Thus always, whether his tale was to be written in one or in twenty numbers, his fancies controlled him. He never, in any of his books, accomplished what he had wholly preconceived, oftenas he attempted it. Few men of genius ever did. Once at the sacred heat that opens regions beyond ordinary vision, imagination has its own laws; and where characters are so real as to be treated as existences, their creator himself cannot help them having their own wills and ways. Fern the farm-labourer is not here, nor yet his niece the little Lilian (at first called Jessie) who is to give to the tale its most tragical scene; and there are intimations of poetic fancy at the close of my sketch which the published story fell short of. Altogether the comparison is worth observing.

"The general notion is this. That what happens to poor Trotty in the first part, and what will happen to him in the second (when he takes the letter to a punctual and a great man of business, who is balancing his books and making up his accounts, and complacently expatiating on the necessity of clearing off every liability and obligation, and turning over a new leaf and starting fresh with the new year), so dispirits him, who can't do this, that he comes to the conclusion that his class and order have no business with a new year, and really are 'intruding.' And though he will pluck up for an hour or so, at the christening (I think) of a neighbour's child, that evening: still, when he goes home, Mr. Filer's precepts will come into his mind, and he will say to himself, 'we are a long way past the proper average of children, and it has no business to be born:' and will be wretched again. And going home, and sitting there alone, he will take that newspaper out of his pocket, and reading of the crimes and offences of the poor, especially of those whom Alderman Cute is going to put down, will be quite confirmedin his misgiving that they are bad; irredeemably bad. In this state of mind, he will fancy that the Chimes are calling, to him; and saying to himself 'God help me. Let me go up to 'em. I feel as if I were going to die in despair—of a broken heart; let me die among the bells that have been a comfort to me!'—will grope his way up into the tower; and fall down in a kind of swoon among them. Then the third quarter, or in other words the beginning of the second half of the book, will open with the Goblin part of the thing: the bells ringing, and innumerable spirits (the sound or vibration of them) flitting and tearing in and out of the church-steeple, and bearing all sorts of missions and commissions and reminders and reproaches, and comfortable recollections and what not, to all sorts of people and places. Some bearing scourges; and others flowers, and birds, and music; and others pleasant faces in mirrors, and others ugly ones: the bells haunting people in the night (especially the last of the old year) according to their deeds. And the bells themselves, who have a goblin likeness to humanity in the midst of their proper shapes, and who shine in a light of their own, will say (the Great Bell being the chief spokesman) Who is he that being of the poor doubts the right of poor men to the inheritance which Time reserves for them, and echoes an unmeaning cry against his fellows? Toby, all aghast, will tell him it is he, and why it is. Then the spirits of the bells will bear him through the air to various scenes, charged with this trust: That they show him how the poor and wretched, at the worst—yes, even in the crimes that aldermen put down, and he hasthought so horrible—have some deformed and hunchbacked goodness clinging to them; and how they have their right and share in Time. Following out the history of Meg the Bells will show her, that marriage broken off and all friends dead, with an infant child; reduced so low, and made so miserable, as to be brought at last to wander out at night. And in Toby's sight, her father's, she will resolve to drown herself and the child together. But before she goes down to the water, Toby will see how she covers it with a part of her own wretched dress, and adjusts its rags so as to make it pretty in its sleep, and hangs over it, and smooths its little limbs, and loves it with the dearest love that God ever gave to mortal creatures; and when she runs down to the water, Toby will cry 'Oh spare her! Chimes, have mercy on her! Stop her!'—and the bells will say, 'Why stop her? She is bad at heart—let the bad die.' And Toby on his knees will beg and pray for mercy: and in the end the bells will stop her, by their voices, just in time. Toby will see, too, what great things the punctual man has left undone on the close of the old year, and what accounts he has left unsettled: punctual as he is. And he will see a great many things about Richard, once so near being his son-in-law, and about a great many people. And the moral of it all will be, that he has his portion in the new year no less than any other man, and that the poor require a deal of beating out of shape before their human shape is gone; that even in their frantic wickedness there may be good in their hearts triumphantly asserting itself, though all the aldermen alive say 'No,' as he has learnt from the agony of his own child; and that the truth isTrustfulness in them, not doubt, nor putting down, nor filing them away. And when at last a great sea rises, and this sea of Time comes sweeping down, bearing the alderman and such mudworms of the earth away to nothing, dashing them to fragments in its fury—Toby will climb a rock and hear the bells (now faded from his sight) pealing out upon the waters. And as he hears them, and looks round for help, he will wake up and find himself with the newspaper lying at his foot; and Meg sitting opposite to him at the table, making up the ribbons for her wedding to-morrow; and the window open, that the sound of the bells ringing the old year out and the new year in may enter. They will just have broken out, joyfully; and Richard will dash in to kiss Meg before Toby, and have the first kiss of the new year (he'll get it too); and the neighbours will crowd round with good wishes; and a band will strike up gaily (Toby knows a Drum in private); and the altered circumstances, and the ringing of the bells, and the jolly musick, will so transport the old fellow that he will lead off a country dance forthwith in an entirely new step, consisting of his old familiar trot. Then quoth the inimitable—Was it a dream of Toby's after all? Or is Toby but a dream? and Meg a dream? and all a dream! In reference to which, and the realities of which dreams are born, the inimitable will be wiser than he can be now, writing for dear life, with the post just going, and the brave C booted. . . . Ah how I hate myself, my dear fellow, for this lame and halting outline of the Vision I have in my mind. But it must go to you. . . . You will say what is best for the frontispiece". . . .

With the second part or quarter, after a week's interval, came announcement of the enlargement of his plan, by which he hoped better to carry out the scheme of the story, and to get, for its following part, an effect for his heroine that would increase the tragic interest. "I am still in stout heart with the tale. I think it well-timed and a good thought; and as you know I wouldn't say so to anybody else, I don't mind saying freely thus much. It has great possession of me every moment in the day; and drags me where it will. . . . If you only could have read it all at once!—But you never would have done that, anyway, for I never should have been able to keep it to myself; so that's nonsense. I hope you'll like it. I would give a hundred pounds (and think it cheap) to see you read it. . . . Never mind."

That was the first hint of an intention of which I was soon to hear more; but meanwhile, after eight more days, the third part came, with the scene from which he expected so much, and with a mention of what the writing of it had cost him. "This book (whether in the Hajji Baba sense or not I can't say, but certainly in the literal one) has made my face white in a foreign land. My cheeks, which were beginning to fill out, have sunk again; my eyes have grown immensely large; my hair is very lank; and the head inside the hair is hot and giddy. Read the scene at the end of the third part, twice. I wouldn't write it twice, for something. . . . You will see that I have substituted the name of Lilian for Jessie. It is prettier in sound, and suits my music better. I mention this, lest you should wonder who and what I mean by that name. To-morrow I shall begin afresh (starting thenext part with a broad grin, and ending it with the very soul of jollity and happiness); and I hope to finish by next Monday at latest. Perhaps on Saturday. I hope you will like the little book. Since I conceived, at the beginning of the second part, what must happen in the third, I have undergone as much sorrow and agitation as if the thing were real; and have wakened up with it at night. I was obliged to lock myself in when I finished it yesterday, for my face was swollen for the time to twice its proper size, and was hugely ridiculous." . . . His letter ended abruptly. "I am going for a long walk, to clear my head. I feel that I am very shakey from work, and throw down my pen for the day. There! (That's where it fell.)" A huge blot represented it, and, as Hamlet says, the rest was silence.

Two days later, answering a letter from me that had reached in the interval, he gave sprightlier account of himself, and described a happy change in the weather. Up to this time, he protested, they had not had more than four or five clear days. All the time he had been writing they had been wild and stormy. "Wind, hail, rain, thunder and lightning. To-day," just before he sent me his last manuscript, "has been November slack-baked, the sirocco having come back; and to-night it blows great guns with a raging storm." "Weather worse," he wrote after three Mondays, "than any November English weather I have ever beheld, or any weather I have had experience of anywhere. So horrible to-day that all power has been rained and gloomed out of me. Yesterday, in pure determination to get the better of it, I walked twelve miles inmountain rain. You never saw it rain. Scotland and America are nothing to it." But now all this was over. "The weather changed on Saturday night, and has been glorious ever since. I am afraid to say more in its favour, lest it should change again." It did not. I think there were no more complainings. I heard now of autumn days with the mountain wind lovely, enjoyable, exquisite past expression. I heard of mountain walks behind the Peschiere, most beautiful and fresh, among which, and along the beds of dry rivers and torrents, he could "pelt away," in any dress, without encountering a soul but the contadini. I heard of his starting off one day after finishing work, "fifteen miles to dinner—oh my stars! at such an inn!!!" On another day, of a party to dinner at their pleasant little banker's at Quinto six miles off, to which, while the ladies drove, he was able "to walk in the sun of the middle of the day and to walk home again at night." On another, of an expedition up the mountain on mules. And on another of a memorable tavern-dinner with their merchant friend Mr. Curry, in which there were such successions of surprising dishes of genuine native cookery that they took two hours in the serving, but of the component parts of not one of which was he able to form the remotest conception: the site of the tavern being on the city wall, its name in Italian sounding very romantic and meaning "the Whistle," and its bill of fare kept for an experiment to which, before another month should be over, he dared and challenged my cookery in Lincoln's-inn.

A visit from him to London was to be expected almost immediately! That all remonstrance would beidle, under the restless excitement his work had awakened, I well knew. It was not merely the wish he had, natural enough, to see the last proofs and the woodcuts before the day of publication, which he could not otherwise do; but it was the stronger and more eager wish, before that final launch, to have a vivider sense than letters could give him of the effect of what he had been doing. "If I come, I shall put up at Cuttris's" (then the Piazza-hotel in Covent-garden) "that I may be close to you. Don't say to anybody, except our immediate friends, that I am coming. Then I shall not be bothered. If I should preserve my present fierce writing humour, in any pass I may run to Venice, Bologna, and Florence, before I turn my face towards Lincoln's-inn-fields; and come to England by Milan and Turin. But this of course depends in a great measure on your reply." My reply, dwelling on the fatigue and cost, had the reception I foresaw. "Notwithstanding what you say, I am still in the same mind about coming to London. Not because the proofs concern me at all (I should be an ass as well as a thankless vagabond if they did), but because of that unspeakable restless something which would render it almost as impossible for me to remain here and not see the thing complete, as it would be for a full balloon, left to itself, not to go up. I do not intend coming fromhere, but by way of Milan and Turin (previously going to Venice), and so, across the wildest pass of the Alps that may be open, to Strasburg. . . . As you dislike the Young England gentleman I shall knock him out, and replace him by a man (I can dash him in at your rooms in an hour) who recognizes no virtue inanything but the good old times, and talks of them, parrot-like, whatever the matter is. A real good old city tory, in a blue coat and bright buttons and a white cravat, and with a tendency of blood to the head. File away at Filer, as you please; but bear in mind that theWestminster Reviewconsidered Scrooge's presentation of the turkey to Bob Cratchit as grossly incompatible with political economy. I don't care at all for the skittle-playing." These were among things I had objected to.

But the close of his letter revealed more than its opening of the reason, not at once so frankly confessed, for the long winter-journey he was about to make; and if it be thought that, in printing the passage, I take a liberty with my friend, it will be found that equal liberty is taken with myself, whom it goodnaturedly caricatures; so that the reader can enjoy his laugh at either or both. "Shall I confess to you, I particularly want Carlyle above all to see it before the rest of the world, when it is done; and I should like to inflict the little story on him and on dear old gallant Macready with my own lips, and to have Stanny and the other Mac sitting by. Now, if you was a real gent, you'd get up a little circle for me, one wet evening, when I come to town: and would say, 'My boy (sir, will you have the goodness to leave those books alone and to go downstairs—Whatthe Devil are you doing! And mind, sir, I can see nobody—do you hear? Nobody. I am particularly engaged with a gentleman from Asia)—My boy, would you give us that little Christmas book (a little Christmas book of Dickens's, Macready, which I'm anxious you should hear); and don't slur it, now,or be too fast, Dickens, please!'—I say, if you was a real gent, something to this effect might happen. I shall be under sailing orders the moment I have finished. And I shall produce myself (please God) in London on the very day you name. For one week: to the hour."

The wish was complied with, of course; and that night in Lincoln's-inn-fields led to rather memorable issues. His next letter told me the little tale was done. "Third of November, 1844. Half-past two, afternoon. Thank God! I have finished theChimes. This moment. I take up my pen again to-day; to say only that much; and to add that I have had what women call 'a real good cry!'" Very genuine all this, it is hardly necessary to say. The little book thus completed was not one of his greater successes, and it raised him up some objectors; but there was that in it which more than repaid the suffering its writing cost him, and the enmity its opinions provoked; and in his own heart it had a cherished corner to the last. The intensity of it seemed always best to represent to himself what he hoped to be longest remembered for; and exactly what he felt as to this, his friend Jeffrey warmly expressed. "All the tribe of selfishness, and cowardice and cant, will hate you in their hearts, and cavil when they can; will accuse you of wicked exaggeration, and excitement to discontent, and what they pleasantly call disaffection! But never mind. The good and the brave are with you, and the truth also."

He resumed his letter on the fourth of November. "Here is the brave courier measuring bits of maps with a carving-fork, and going up mountains on a teaspoon. He and I start on Wednesday for Parma, Modena,Bologna, Venice, Verona, Brescia, and Milan. Milan being within a reasonable journey from here, Kate and Georgy will come to meet me when I arrive there on my way towards England; and will bring me all letters from you. I shall be there on the 18th. . . . Now, you know my punctiwality. Frost, ice, flooded rivers, steamers, horses, passports, and custom-houses may damage it. But my design is, to walk into Cuttris's coffee-room on Sunday the 1st of December, in good time for dinner. I shall look for you at the farther table by the fire—where we generally go. . . . But the party for the night following? I know you have consented to the party. Let me see. Don't have any one, this particular night, to dinner, but let it be a summons for the special purpose at half-past 6. Carlyle, indispensable, and I should like his wife of all things:herjudgment would be invaluable. You will ask Mac, and why not his sister? Stanny and Jerrold I should particularly wish; Edwin Landseer; Blanchard; perhaps Harness; and what say you to Fonblanque and Fox? I leave it to you. You know the effect I want to try . . . Think theChimesa letter, my dear fellow, and forgive this. I will not fail to write to you on my travels. Most probably from Venice. And when I meet you (in sound health I hope) oh Heaven! what a week we will have."


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