CHAPTER XVII: LAST THINGS

I am aweary, weary, weary,I am aweary waiting here!Why tarries Everard? sore I fear heHas forgotten my shirting-gear!Ah, youth untender! why dost thou delayWith shirts to clothe me, an untimely treeUnraimented when all the woods are green?But thou delay not more: unboughten vestsExpect thy coming, shops with all their eyesWait at wide gaze, and I thy shepherd wait,In Tennysonian numbers wooing haste. . . .

Of great value is A. M.'s corrective record of his laugh:—

"He has been unwarily named with Blake as one of the unhappy poets. I will not say he was ever so happy as Blake;—but few indeed, poets or others, have had a life so happy as Blake's, or a death so joyous; but I affirm of Francis Thompson that he had natural good spirits, and was more mirthful than many a man of cheerful, of social, or even of humorous reputation. What darkness and oppression of spirit the poet underwent was over and past some fifteen years before he died. It is pleasant to remember Francis Thompson's laugh, a laugh readier than a girl's, and it is impossible to remember him, with any real recall, and not to hear it in mind again. Nothing irritable or peevish within him was discovered when children had their laughter at him. It need hardly be told what the children laughed at;—say, a habit of stirring the contents of his cup with such violence that his after-dinner coffee was shed into the saucer or elsewhere—a habit which he often told us, at great length, was hereditary."

"He has been unwarily named with Blake as one of the unhappy poets. I will not say he was ever so happy as Blake;—but few indeed, poets or others, have had a life so happy as Blake's, or a death so joyous; but I affirm of Francis Thompson that he had natural good spirits, and was more mirthful than many a man of cheerful, of social, or even of humorous reputation. What darkness and oppression of spirit the poet underwent was over and past some fifteen years before he died. It is pleasant to remember Francis Thompson's laugh, a laugh readier than a girl's, and it is impossible to remember him, with any real recall, and not to hear it in mind again. Nothing irritable or peevish within him was discovered when children had their laughter at him. It need hardly be told what the children laughed at;—say, a habit of stirring the contents of his cup with such violence that his after-dinner coffee was shed into the saucer or elsewhere—a habit which he often told us, at great length, was hereditary."

His laugh it is difficult to keep alive: the legend of his extinguished happiness is too strong. For laughter is commonly discredited; only Mr. Chesterton, for example, persists in making the Almighty capable of humour. While we are all ready to allow that thorns make a crown, we hold that bells do no more than cap us—the cap and bells of folly. Who ever spoke of a crown of bells?

The refutation of the charge against his industry lies in his published work and in the pages of a hundred crowded note-books. The newspaper Odes alone are sufficient evidence of his power to compel even his muse to arduous and humble labours.

These Odes were pot-boiling journalism; their inspiration by the clock and the column:—

"We have no doubt whatever that inspiration will not fail you for so great a subject—the Jubilee! We must have the copy by the afternoon of the 21st,"

"We have no doubt whatever that inspiration will not fail you for so great a subject—the Jubilee! We must have the copy by the afternoon of the 21st,"

wrote an encouraging editor (Mr. Massingham) on June 6, 1897. The request was made on the strength of Mr. Massingham's admiration forNew Poems, and was not refused; the ode was written within three weeks, and probably in the last three hours of them. From Mr. Garvin came another letter:—

"June 22, '97."Dear Francis Thompson,—I get theManchester Guardianevery day not merely by good hap, but because it is the best daily in England. Whose is the ode? I thought on the leisure of the opening and then saw. Hot Jacobite as I am for England's one legitimate laureate by native grace and right divine, I could not repress the movement of natural pity for the respectable and conscientious wearer of statutory bays, who tries so hard to fly as if theTimespage were Salisbury Downs and he a bustard. Every flap a stanza; thirty flaps of the most desperate volatile intention; and no forrarder to the empyrean, where the Thompsonian ode sails with one supreme dominion through the azure deeps of air—vital, radiant, lovely. I told you I was your poor foster-brother of prose, in witness whereof is my thought of England's dead, and other little thoughts; in that the soul danced in me to the great pulse of your ode.—Always yours,Louis Garvin."

"June 22, '97.

"Dear Francis Thompson,—I get theManchester Guardianevery day not merely by good hap, but because it is the best daily in England. Whose is the ode? I thought on the leisure of the opening and then saw. Hot Jacobite as I am for England's one legitimate laureate by native grace and right divine, I could not repress the movement of natural pity for the respectable and conscientious wearer of statutory bays, who tries so hard to fly as if theTimespage were Salisbury Downs and he a bustard. Every flap a stanza; thirty flaps of the most desperate volatile intention; and no forrarder to the empyrean, where the Thompsonian ode sails with one supreme dominion through the azure deeps of air—vital, radiant, lovely. I told you I was your poor foster-brother of prose, in witness whereof is my thought of England's dead, and other little thoughts; in that the soul danced in me to the great pulse of your ode.—Always yours,

Louis Garvin."

Of an article on Browning Mr. Garvin had written:—

"Dear Francis Thompson,—Tell me by what native instinct or faculty acquired you so easily avoid henotheism in your critical writings. My poet of the moment, as I am drawn to his centreand become enveloped in his light, seems to absorb all the radiance of all song. I know there are exterior suns, but the poet only remembered bears up with difficulty against him immediately contemplated. It is henotheism exactly. But here you take the crabbed case of Browning, you extricate him from the multitude of words and you directly declare middle justice upon him, and so he betakes him to his place. Yet if a word had been said against a certain oleaginous obesity of optimism that glistens upon the plump countenance of this well-groomed poet in easy circumstances, mayhap it had been well."But I went most willingly with you when you laid your finger upon Browning's Elizabethan aptitude for the dramatic form of motive analysis and critical comment. And that not because of Browning. I have long had it in my mind to say that I feel the same faculty to be latent in you somewhere. I fancy very strongly that you could handle the Elizabethan form better than anybody else these two hundred years and fifty and a little more. The Elizabethan spirit of course you have to that degree. The point about Browning's manipulation of character and circumstance is completely put. Don't you wish, though, to take the other part—volition diving at the imminent billow of life and buffeting a sea of circumstance? Indefinite potentialities I feel sure you have—especially of the drama that gives a separate voice and name to all the sides of one's own numerous personality.[61]I pine for the odes.—Always yours affectionately (if I may be),Louis Garvin."

"Dear Francis Thompson,—Tell me by what native instinct or faculty acquired you so easily avoid henotheism in your critical writings. My poet of the moment, as I am drawn to his centreand become enveloped in his light, seems to absorb all the radiance of all song. I know there are exterior suns, but the poet only remembered bears up with difficulty against him immediately contemplated. It is henotheism exactly. But here you take the crabbed case of Browning, you extricate him from the multitude of words and you directly declare middle justice upon him, and so he betakes him to his place. Yet if a word had been said against a certain oleaginous obesity of optimism that glistens upon the plump countenance of this well-groomed poet in easy circumstances, mayhap it had been well.

"But I went most willingly with you when you laid your finger upon Browning's Elizabethan aptitude for the dramatic form of motive analysis and critical comment. And that not because of Browning. I have long had it in my mind to say that I feel the same faculty to be latent in you somewhere. I fancy very strongly that you could handle the Elizabethan form better than anybody else these two hundred years and fifty and a little more. The Elizabethan spirit of course you have to that degree. The point about Browning's manipulation of character and circumstance is completely put. Don't you wish, though, to take the other part—volition diving at the imminent billow of life and buffeting a sea of circumstance? Indefinite potentialities I feel sure you have—especially of the drama that gives a separate voice and name to all the sides of one's own numerous personality.[61]I pine for the odes.—Always yours affectionately (if I may be),

Louis Garvin."

In a letter to his sister about the Jubilee Ode, Francis says:—

"Thereon forthwith followed the severe and most unhappy cab accident about which I informed you. . . . I have had a year of disasters. You will notice a new address (39 Goldney-road, Harrow-road, N.W.) at the head of this letter. I have been burned out of my former lodgings. The curtain caught fire just after I had got into bed, and I upset the lamp in trying to extinguish it. My hands were badly blistered, and I sustained a dreadful shock, besides having to walk the streets all night. The room was quite burned out."

"Thereon forthwith followed the severe and most unhappy cab accident about which I informed you. . . . I have had a year of disasters. You will notice a new address (39 Goldney-road, Harrow-road, N.W.) at the head of this letter. I have been burned out of my former lodgings. The curtain caught fire just after I had got into bed, and I upset the lamp in trying to extinguish it. My hands were badly blistered, and I sustained a dreadful shock, besides having to walk the streets all night. The room was quite burned out."

This letter he never posted, so that his sister writes out of her unwearied solicitude two years later:—

"My dear Frank,—Doubtless you will be surprised to receive a letter from me after so long a silence. But the apparent negligence is not my fault, for I have been trying for twelve months past to obtain your address, and only succeeded about a fortnight ago. You see, my dear brother, I have no one to give me any information of you, and asyounever write to me the consequence is I am utterly in the dark. My life is very uneventful, therefore my letters to you must, I know, be very uninteresting; but they must just show you that you have still got a sister who loves you and thinks of you and also prays much for your well-being here and hereafter."

"My dear Frank,—Doubtless you will be surprised to receive a letter from me after so long a silence. But the apparent negligence is not my fault, for I have been trying for twelve months past to obtain your address, and only succeeded about a fortnight ago. You see, my dear brother, I have no one to give me any information of you, and asyounever write to me the consequence is I am utterly in the dark. My life is very uneventful, therefore my letters to you must, I know, be very uninteresting; but they must just show you that you have still got a sister who loves you and thinks of you and also prays much for your well-being here and hereafter."

Later the old century was "sung on her way" in an ode appearing in theAcademy, at the beginning of 1901; and in the death of Cecil Rhodes (March 26, 1902) his editor saw the occasion for another paper ode. Mr. Hind describes the hasty manner of its composition, and when it appeared in theAcademyfor April 12, 1902, it bore the marks of a trumped-up emotion's inspiration. In May 1902 Mr. Fisher, now of theChronicle, asked F. T. for a Peace Ode, to be pigeon-holed against the conclusion of the South African War.

Very often F. T. would decide for an eight-hour day, and offer himself, through my father, to the journals. Like most men who find work irksome when they have it, and delay all commissions, he imagined, when he had none, that the difficulty was in the getting. "TheAcademyshould not and shall not have a monopoly of me," he writes, without any provocation from theAcademy. "Take this chance for me now." (W. M. had mentioned theDaily Chronicleas an opening) "Bite a cherry while it bobs against your mouth." Nor were his reasons for complaint against his journalistic fate always ungrounded. TheAcademydemanded no monopoly, being willing to accept his unpunctual copy whenever it arrived, and in almost any quantity; butelsewhere minor reverses were made the most of. F. T. writes:—

"I have just got home. TheImperial and Colonial Magazineasked me to submit 'one or two poems' of an Imperialist nature. I sent them one, as you know. They have rejected it. If the poem sent through you is also rejected (as I expect) I shall give up. I cannot go on here—or anywhere else—under these circumstances. Try as I will, all doors are shut against me. If your poem miscarries that is the end.—Yours ever,F. T."

"I have just got home. TheImperial and Colonial Magazineasked me to submit 'one or two poems' of an Imperialist nature. I sent them one, as you know. They have rejected it. If the poem sent through you is also rejected (as I expect) I shall give up. I cannot go on here—or anywhere else—under these circumstances. Try as I will, all doors are shut against me. If your poem miscarries that is the end.—Yours ever,

F. T."

Thus were his fears communicated to the person who made them futile and absurd. But Thompson would never forgo them.

Commissions, however, when they came, were rejected in silence, or accepted and neglected—

"Dear Sir,—I shall be greatly obliged if you can send me the articles you kindly agreed to write for the Catholic Encyclopædia in the letters B and C"

"Dear Sir,—I shall be greatly obliged if you can send me the articles you kindly agreed to write for the Catholic Encyclopædia in the letters B and C"

is a note I find among his papers, and others came, were ignored and lost. "Having done an article for theChronicle," he writes, "I have still seventeen volumes of poetry undone for it." When Mr. Hind left theAcademythe poet was in some flurry and distress; having called on the new editor, Mr. Teignmouth Shore, he writes:—

"The interview last Friday landed me on a doubtfully hospitable Shore. All articles to be cut down to a column. Immediate result, fifteen shillings for this week. . . . Therefore am waiting most anxiously for your return, when I may explain all the complexities of the situation. At present most perplexed and anxious. Do not cut short your holiday; yet I do need to see you."

"The interview last Friday landed me on a doubtfully hospitable Shore. All articles to be cut down to a column. Immediate result, fifteen shillings for this week. . . . Therefore am waiting most anxiously for your return, when I may explain all the complexities of the situation. At present most perplexed and anxious. Do not cut short your holiday; yet I do need to see you."

He continued fitfully on theAcademy, but graduallytransferred his allegiance to theAthenæum. In the meantime my father arranged that a publishing house whose literary adviser he was should supply him with work that could be done at any time and be paid for at any moment.The Life of St. Ignatiuswas commissioned. He delivered every few pages as he finished them—three were passport to a pound—and, so final was his method of composition, he neither desired nor needed to see a single page of the manuscript again. The reviewing my father obtained for him on theAthenæumhe did with success till within a month or two of his death. Letters from Mr. Vernon Rendall illustrate the courtesy of his editors:—

"Athenæum Office,December 20, 1905."Dear Mr. Thompson,—I am very sorry to hear of your illness, which may have been aggravated I fear by our clerks. I will try to make them send things correctly in future. Do not hurry now about anything you have. You are sure to be in need of rest and recreation—which, indeed, is supposed to be the fair perquisite of all at this season.—Yours very truly,Vernon Rendall."

"Athenæum Office,December 20, 1905.

"Dear Mr. Thompson,—I am very sorry to hear of your illness, which may have been aggravated I fear by our clerks. I will try to make them send things correctly in future. Do not hurry now about anything you have. You are sure to be in need of rest and recreation—which, indeed, is supposed to be the fair perquisite of all at this season.—Yours very truly,

Vernon Rendall."

And again:—

"Athenæum Office,March 14, 1906."Dear Mr. Thompson,—I was very glad to hear of your recovery, and hope you will now enjoy established health. We were clearly as much at fault as you in the delay of the notices you mention. I quite agree with you about Morris. Generally, I try to send you books worth reading, and, tho' we never have too much space to spare, I am sure that you know as well as anybody the value of a book, and I hope you will not restrict your notice of what you think really good.—Yours very truly,V. Rendall."

"Athenæum Office,March 14, 1906.

"Dear Mr. Thompson,—I was very glad to hear of your recovery, and hope you will now enjoy established health. We were clearly as much at fault as you in the delay of the notices you mention. I quite agree with you about Morris. Generally, I try to send you books worth reading, and, tho' we never have too much space to spare, I am sure that you know as well as anybody the value of a book, and I hope you will not restrict your notice of what you think really good.—Yours very truly,

V. Rendall."

And, later, from another office:—

"The Nation,April 9, 1907."Dear Mr. Thompson,—Mrs. Meynell will have sent you a letter of mine about the beautiful poem ["The Fair Inconstant"] which you wrote for us last week, and about the more elaborate work, which, in continuance of oldDaily Chronicledays, you mightbe willing to do for us. I have always retained the utmost admiration for your poetic genius, and regard with much warmth its association with a paper like theNation.—Yours very truly,H. W. Massingham."

"The Nation,April 9, 1907.

"Dear Mr. Thompson,—Mrs. Meynell will have sent you a letter of mine about the beautiful poem ["The Fair Inconstant"] which you wrote for us last week, and about the more elaborate work, which, in continuance of oldDaily Chronicledays, you mightbe willing to do for us. I have always retained the utmost admiration for your poetic genius, and regard with much warmth its association with a paper like theNation.—Yours very truly,

H. W. Massingham."

Of another literary enterprise which, like his journalism, shews that he could be diligent, he writes:—

"Dear Wilfrid,—I have summoned up pluck to send my little play[62](which Mrs. Meynell and you have seen) to W. Archer, asking him whether it afforded any encouragement to serious study of writing for the stage. His answer is unfavourable—though he refrains from a precise negative. This sets my mind at rest on that matter. None the less, I wanted to read you one or two bits from my chucked-upSaul, since they seemed to me better than I knew."

"Dear Wilfrid,—I have summoned up pluck to send my little play[62](which Mrs. Meynell and you have seen) to W. Archer, asking him whether it afforded any encouragement to serious study of writing for the stage. His answer is unfavourable—though he refrains from a precise negative. This sets my mind at rest on that matter. None the less, I wanted to read you one or two bits from my chucked-upSaul, since they seemed to me better than I knew."

"I never yet missed my Xmas wishes to you, and it seems uglily ominous if I should do so now. But I have been working desperately at a poem for theAcademy. . . . When I met Whitten this morning he looked uneasy, repeatedly advised me to 'get something.' I explained I already had 'got' some tea (with my breakfast). 'Yes, but—get something more,' he said, and alleged that I was looking shrunk with cold."Of course I will come in to-morrow night. Did I not, you might be sure I was knocked off my legs altogether, and I should feel that the world had gone off its hinges. I have never missed seeing you at Christmas save when I was at Pantasaph. Every happy wish to you, dear Wilfrid, and may God be as kind to you as you have ever been to me."

"I never yet missed my Xmas wishes to you, and it seems uglily ominous if I should do so now. But I have been working desperately at a poem for theAcademy. . . . When I met Whitten this morning he looked uneasy, repeatedly advised me to 'get something.' I explained I already had 'got' some tea (with my breakfast). 'Yes, but—get something more,' he said, and alleged that I was looking shrunk with cold.

"Of course I will come in to-morrow night. Did I not, you might be sure I was knocked off my legs altogether, and I should feel that the world had gone off its hinges. I have never missed seeing you at Christmas save when I was at Pantasaph. Every happy wish to you, dear Wilfrid, and may God be as kind to you as you have ever been to me."

Francis'shealth often dismayed him, and his terrors both in regard to sicknesses and politics covered many pages of threatening letters. The mere streets became more and more an oppression. Even Elgin Avenue grew (in 1900) as ugly to him as it always is to men less happily indifferent. At such times he could write to W. M. in the strain of the following letter:—

"I designed to call in on Wednesday, but was sick with a horrible journey on the underground. To-day, though better, I am still not well. I hope I may manage to-morrow. I have been full of worry, depression, and unconquerable forebodings. The other day, as I was walking outside my lodgings, steeped in ominous thoughts, a tiny child began to sing beside me in her baby voice, over and over repeating:—'O danger, O dangerO danger is coming near!'My heart sank, and I almost trembled with fear."

"I designed to call in on Wednesday, but was sick with a horrible journey on the underground. To-day, though better, I am still not well. I hope I may manage to-morrow. I have been full of worry, depression, and unconquerable forebodings. The other day, as I was walking outside my lodgings, steeped in ominous thoughts, a tiny child began to sing beside me in her baby voice, over and over repeating:—

'O danger, O dangerO danger is coming near!'

My heart sank, and I almost trembled with fear."

He prophesied of war, and was tormented whole days by complications in the East, and the notion of a Yellow invasion. And even West Kensington, when small-pox was announced there, seemed to come marching on him, a Birnam forest of bricks. It was illness, with fear for a symptom. "Disaster was, and is, drawing downwards. . . . There are storm-clouds over the whole horizon, and I feel my private fate involved. I am oppressed with fatality," he writes in one letter (1900), and on the next page is involved in jokes which wereheavy, not with fatality. Other letters contain complaints of dreams akin to Coleridge's:—

"A most miserable fortnight of torpid, despondent days, and affrightful nights, dreams having been in part the worst realities of my life."

"A most miserable fortnight of torpid, despondent days, and affrightful nights, dreams having been in part the worst realities of my life."

On the engagement in 1903 of Monica of "The Poppy," of "Monica Thought Dying," and ofSister Songs, Francis wrote to her:—

"28 Elgin Avenue,Saturday."Dear Monica,—I would have answered you long since if I had not been so worried with work that I do not know how to get through it. Having got rid of my poem, I have taken a little rest from work, to which I had no right, and my neuralgia seems happily to have got better—though I am almost afraid to say so, for I still feel very weak and jaded, so that it might easily return. Therefore I take this moment to write to you."Most warmly and sincerely I congratulate you, dear Monica, on what is the greatest event in a woman's life—or a man's, to my thinking. . . . Extend to him, if he will allow me, the affection which you once—so long since—purchased with a poppy in that Friston field. 'Keep it,' you said (though you have doubtless forgotten what you said) 'as long as you live.' I have kept it, and with it I keep you, my dearest. I do not say or show much, for I am an old man compared with you, and no companion for your young life. But never, my dear, doubt I love you. And if I have the chance to show it, I will do."I am ill at saying all I doubtless should say to a young girl on her engagement. I have no experience in it, my Monica. I can only say I love you; and if there is any kind and tender thing I should have said, believe it is in my heart, though it be not here.—My dear, your true friend,Francis Thompson."

"28 Elgin Avenue,Saturday.

"Dear Monica,—I would have answered you long since if I had not been so worried with work that I do not know how to get through it. Having got rid of my poem, I have taken a little rest from work, to which I had no right, and my neuralgia seems happily to have got better—though I am almost afraid to say so, for I still feel very weak and jaded, so that it might easily return. Therefore I take this moment to write to you.

"Most warmly and sincerely I congratulate you, dear Monica, on what is the greatest event in a woman's life—or a man's, to my thinking. . . . Extend to him, if he will allow me, the affection which you once—so long since—purchased with a poppy in that Friston field. 'Keep it,' you said (though you have doubtless forgotten what you said) 'as long as you live.' I have kept it, and with it I keep you, my dearest. I do not say or show much, for I am an old man compared with you, and no companion for your young life. But never, my dear, doubt I love you. And if I have the chance to show it, I will do.

"I am ill at saying all I doubtless should say to a young girl on her engagement. I have no experience in it, my Monica. I can only say I love you; and if there is any kind and tender thing I should have said, believe it is in my heart, though it be not here.—My dear, your true friend,

Francis Thompson."

At her bidding, he went, on her marriage day, to the Church of St. Mary-of-the-Angels in Bayswater. He had never, in all probability, failed a tryst before by coming to it too early, but to all her commands he was obedient, and his mistake was but the symptom of his anxiety to be present. The poppy that she picked and gave him, with "Keep it as long as you live," was found in the leaves of his own copy ofPoems—the only volume of his own works that he kept by him. So were all her injunctions observed. Having gone too early to Church, he left too early, and wrote:—

"Westbourne Grove, 12.30P.M.Wednesday, June 14, 1903."Dearest Monica,—You were a prophetess (though you needed not to be a sibyl) to foretell my tricks and manners. I reached the church just ten minutes after twelve, to find vacancy, as you had forewarned me. A young lady that might have been yourself approached the church by the back entrance, just as I came away; but on inspection she had no trace of poppy-land. There must have been other nuptial couples about, I think."It seems but the other day, my dearest sister (may I not call you so? For you are all to me as younger sisters and brothers—to me, who have long ceased practically to have any sisters of my own, so completely am I sundered from them), that you were a child with me at Friston, and I myself still very much of a child. Now the time is come I foresaw then—Knowing well, when some few days are over,You vanish from me to another."You may pardon me if I feel a little sadness, even while I am glad for your gladness, my very dear."I was designing to call in to-night, till I learned from you that you would be occupied with your wedding-party. Then I hoped I might have got to you last nightinstead, but could not manage it. So, to my sorrow, I must be content only to write. Had I known before, I would have called in on Sunday, at all costs, rather than defer it to (as it turns out) the impossible Wednesday."I shall be with you all, at any rate, in spirit.—Yours ever dearly, my dear,Francis Thompson."

"Westbourne Grove, 12.30P.M.Wednesday, June 14, 1903.

"Dearest Monica,—You were a prophetess (though you needed not to be a sibyl) to foretell my tricks and manners. I reached the church just ten minutes after twelve, to find vacancy, as you had forewarned me. A young lady that might have been yourself approached the church by the back entrance, just as I came away; but on inspection she had no trace of poppy-land. There must have been other nuptial couples about, I think.

"It seems but the other day, my dearest sister (may I not call you so? For you are all to me as younger sisters and brothers—to me, who have long ceased practically to have any sisters of my own, so completely am I sundered from them), that you were a child with me at Friston, and I myself still very much of a child. Now the time is come I foresaw then—

Knowing well, when some few days are over,You vanish from me to another.

"You may pardon me if I feel a little sadness, even while I am glad for your gladness, my very dear.

"I was designing to call in to-night, till I learned from you that you would be occupied with your wedding-party. Then I hoped I might have got to you last nightinstead, but could not manage it. So, to my sorrow, I must be content only to write. Had I known before, I would have called in on Sunday, at all costs, rather than defer it to (as it turns out) the impossible Wednesday.

"I shall be with you all, at any rate, in spirit.—Yours ever dearly, my dear,

Francis Thompson."

A few years before his death his manner had changed. His platitudes, now, were merely a means of getting through an evening without making a demonstration of the trouble he was in. That his ills might not be exposed he kept covering them up with talk, as constantly as a mother tucks in a child restless in fever. The man who always takes laudanum is always in need of it, and when he is in need he is ill. He is too ill to think, too uncomfortable to meditate or be wise.

Whenever he postponed his dram, and spent his day instead with his friends, he would say an easy thing once, and finding it easy, would say it over and over again. While he spent an evening explaining that last August was hot, but this hotter, his cry really was, "Where is my laudanum?" Nor was his need only physical: his soul, too, was crying, "Where is my God, my Maker, Who giveth songs in the Night? Who teacheth us more than the beasts of the earth, and maketh us wiser than the fowls of Heaven?" I am told by a doctor that one of the greatest pains of relinquishing opium is the sense of the reason's unfitness. Thought is thrown out of joint, and hurts like a dislocated shoulder.

"Nature," says Emerson, "never spares the opium or nepenthe, but wherever she mars her creature with some deformity or defect, lays her poppies plentifully on the bruise." And even for the bruises made by poppies she has her salve. Some redress, a rebate of the price paid, was made to Francis Thompson for the agony ofthe opium habit. That he seldom spoke of it meant that it was a thing too bitter to speak of; meant, too, that it was at times a thing too little to speak of, that Nature minimised its terrors. There is mercy for the slave of a bad habit: the more confirmed, the more often must there be periods during which its mastery is forgotten, even in its presence. The sorriest drunkard is not necessarily the drunkard oftenest sorry. The opium-eater is sometimes persuaded of his own invented theory of the causes of his weakness, of its uses and necessity. Francis, who would have loathed himself to the point of extinction, or redemption, if he had been an ordinary sinner, who would have found life with himself intolerable had he sullied life with common offences against the Law, was provided with some sort of protection against remorse for his own particular failing. Nature gave him poppies to set against poppies.

Periods of misery and dejection came to him, as to his fellows. With Coleridge he could in certain moods have written:—"The stimulus of conversation suspends the terror that haunts my mind; but when I am alone, the horrors that I have suffered from laudanum, the degradation, the blighted utility, almost overwhelm me." And again in words very like de Quincey's, Coleridge speaks of "fearful slavery," of being "seduced to the accursed habit ignorantly." From the starker visitations of remorse Coleridge, too, was justly sheltered. His son has said for him:—

"If my Father sought more from opium than the mere absence of pain, I feel assured it was not luxurious sensations or the glowing phantasmagoria of passive dreams; but that the power of the medicine might keep down the agitations of his nervous system, like a strong hand grasping the strings of some shattered lyre."

"If my Father sought more from opium than the mere absence of pain, I feel assured it was not luxurious sensations or the glowing phantasmagoria of passive dreams; but that the power of the medicine might keep down the agitations of his nervous system, like a strong hand grasping the strings of some shattered lyre."

His own "my sole sensuality was not to be in pain" is sufficient for himself and for others.

F. T.'s comments on Coleridge's case are valuable, since they rebound in his own direction:—

"Then came ill-health and opium. Laudanum by the wine-glassful and half-pint at a time soon reduced him to the journalist-lecturer and philosopher, who projected all things, executed nothing; only the eloquent tongue left. So he perished—the mightiest intellect of the day, and great was the fall thereof. There remain of him his poems, and a quantity of letters painful to read. They show him wordy, full of weak lamentation, deplorably feminine and strengthless."

"Then came ill-health and opium. Laudanum by the wine-glassful and half-pint at a time soon reduced him to the journalist-lecturer and philosopher, who projected all things, executed nothing; only the eloquent tongue left. So he perished—the mightiest intellect of the day, and great was the fall thereof. There remain of him his poems, and a quantity of letters painful to read. They show him wordy, full of weak lamentation, deplorably feminine and strengthless."

And again:—

"It is of the later Coleridge that we possess the most luminous descriptions. A slack, shambling man, flabby in face and form and character; womanly and unstayed of nature; torrentuous of golden talk, the poet submerged and feebly struggling in opium-darkened oceans of German philosophy, amid which he finally foundered, striving to the last to fish up gigantic projects from the bottom of a daily half-pint of laudanum. And over the wreck of that most piteous and terrible figure of all our literary history shines and will shine for ever the five-pointed star of his glorious youth; those poor five resplendent poems, for which he paid the devil's price of a desolated life and unthinkably blasted powers."

"It is of the later Coleridge that we possess the most luminous descriptions. A slack, shambling man, flabby in face and form and character; womanly and unstayed of nature; torrentuous of golden talk, the poet submerged and feebly struggling in opium-darkened oceans of German philosophy, amid which he finally foundered, striving to the last to fish up gigantic projects from the bottom of a daily half-pint of laudanum. And over the wreck of that most piteous and terrible figure of all our literary history shines and will shine for ever the five-pointed star of his glorious youth; those poor five resplendent poems, for which he paid the devil's price of a desolated life and unthinkably blasted powers."

Even if Francis spilled brown laudanum on his paper as he wrote those superlatives, he did not fit the cap of disaster to two heads.

Photgraph of memorialMemorial at Owens College, ManchesterCarved by Eric Gill

Memorial at Owens College, ManchesterCarved by Eric Gill

To the memory ofFRANCIS THOMPSON, POET1859-1907STUDENT OF OWENS COLLEGE1877-1884

Whatso looks lovelilyIs but the rainbow on life's weeping rain.Why have we longings of immortal pain,And all we long for mortal? Woe is me,And all our chants but chaplet some decay,As mine this vanishing—nay, vanished day.

In 1906 he again visited the monastery at Crawley, where his friends had offered him hospitality over many years, and helped him to keep an occasional feast. I take a sample at random of Prior Anselm's courtesy:—

"Holy Saturday."Dear Francis,—The Alleluias have been sung, and I echo them to you, dearest friend, hoping they bring you joy and peace and blessings."

"Holy Saturday.

"Dear Francis,—The Alleluias have been sung, and I echo them to you, dearest friend, hoping they bring you joy and peace and blessings."

Again:—

"Dear Francis,—Could you give me and the community the great pleasure of your company on the Feast of St. Anthony, when the Bishop of Southwark will assist? I do hope you will come, as it is the last feast I shall have before the Chapter, an event that may scatter us all to the four winds of heaven."

"Dear Francis,—Could you give me and the community the great pleasure of your company on the Feast of St. Anthony, when the Bishop of Southwark will assist? I do hope you will come, as it is the last feast I shall have before the Chapter, an event that may scatter us all to the four winds of heaven."

And again:—

"The community and particularly myself would be delighted to have the pleasure of your company on Oct. 4th, the Feast of our holy Father St. Francis and your name-day. I am looking forward to some long talks. How I long for a return of the happy days at Pantasaph, when we discussed all things in heaven and on earth and in infernis."

"The community and particularly myself would be delighted to have the pleasure of your company on Oct. 4th, the Feast of our holy Father St. Francis and your name-day. I am looking forward to some long talks. How I long for a return of the happy days at Pantasaph, when we discussed all things in heaven and on earth and in infernis."

Before his departure to Crawley Francis wrote to me:—

". . . I feel depressed at going away from you all—it seems like a breaking with my past, the beginning of I know not what change, or what doubtful future. Changeaschange is always hateful to me; yet my life has been changeful enough in various ways. And I have noticed these changes always come in shocks and crises after a prolonged period of monotony. In my youth I sighed against monotony, and wanted romance; now I dread romance. Romance is romantic only for the hearers and onlookers, not for the actors. It is hard to enter its gates (happily); but to repass them is impossible. Once step aside from the ways of 'comfortable men,' you cannot regain them. You will live and die under the law of the intolerable thing they call romance. Though it may return on you in cycles and crises, you are ever dreading its next manifestation. Nor need you be 'romantic' to others; the most terrible romances are inward, and the intolerableness of them is that they pass in silence. . . . One person told me that my own life was a beautiful romance. 'Beautiful' is not my standpoint. The sole beautiful romances arethe Saints', which are essentially inward. But I never meant to write all this."

". . . I feel depressed at going away from you all—it seems like a breaking with my past, the beginning of I know not what change, or what doubtful future. Changeaschange is always hateful to me; yet my life has been changeful enough in various ways. And I have noticed these changes always come in shocks and crises after a prolonged period of monotony. In my youth I sighed against monotony, and wanted romance; now I dread romance. Romance is romantic only for the hearers and onlookers, not for the actors. It is hard to enter its gates (happily); but to repass them is impossible. Once step aside from the ways of 'comfortable men,' you cannot regain them. You will live and die under the law of the intolerable thing they call romance. Though it may return on you in cycles and crises, you are ever dreading its next manifestation. Nor need you be 'romantic' to others; the most terrible romances are inward, and the intolerableness of them is that they pass in silence. . . . One person told me that my own life was a beautiful romance. 'Beautiful' is not my standpoint. The sole beautiful romances arethe Saints', which are essentially inward. But I never meant to write all this."

All this, and much unwritten trepidation, because he had to travel three-fourths of the railroad to Brighton! Of all places Sussex, he had said, was the place where he preferred to live; but the getting him there was as difficult as a journey to Siberia. And from Crawley he wrote:—

"I am a helpless waterlogged and dismasted vessel, drifting without power to guide my own course, and equally far from port whichever way I turn my eyes. I can only fling this bottle into the sea and leave you to discern my impotent and wrecked condition."

"I am a helpless waterlogged and dismasted vessel, drifting without power to guide my own course, and equally far from port whichever way I turn my eyes. I can only fling this bottle into the sea and leave you to discern my impotent and wrecked condition."

The flung bottle was stamped and caught the post!

In the following year (1907) it became evident that F. T. was again in urgent need of change. He was thinner, even less punctual, more languorous when he fell into fits of abstraction; less precise when he would have assumed the pathetically alert step and speech by which he had been used to respond to introductions and the calls of the very unexacting establishment he still visited sometimes twice, sometimes thrice, and always once a week. He had grown listless and slow, and it was proposed he should go to the country. "Certainly, Wilfrid," he responded, coming the next evening to explain it was impossible; his boots, which looked stronger than himself, would not travel, he said; the coat covering his insufficient shoulders was insufficient. Boots and shirts were bought. It was arranged that we should call for him the next day at eleven. Accordingly my father and I and a friend presented ourselves in a motor at his dwelling, prepared to wait his dressing-time. But he was already out; nor could his landlady, who had not seen him abroad at such an hour in all her experience, say why or where. When at lasthe came, he carried a paper bag with food purchased at a shop far distant. No gourmet could have been at greater pains to secure the particular pork-pie, and no other, that he wanted.

At first he and I had sleeping quarters in an independent pavilion among fern and young oaks, as guests of Mr. Wilfrid Blunt at Newbuildings. Breakfast and a log-fire used to be prepared for us by David, a genius among odd-men, who came through the dew before we were awake, and disturbed us with the fragrance of his toast and coffee. Francis would get up quite early, but at night he was late. I used to see him in his room, propped against pillows, with candles burning and his prayer-book in his hand far into the night; and his light would still be bright when the stars had begun to grow faint in the plantation.

Later, he was moved to David's cottage, whence he was fetched every day to Newbuildings, half a mile away, for luncheon and tea. David and Mrs. David had gained the unwilling confidence of the invalid, and Mr. Wilfrid Blunt, adept in everything, himself saw that medical help was necessary. In September a doctor was consulted, but if no effective treatment followed it was probably because Francis's evasions successfully prevented a satisfactory diagnosis.

To the care he received in Sussex there was no end. On September 6, 1907, a companion of Mr. Blunt wrote:—

"Mr. Blunt paid Mr. Thompson a long visit last evening, and I hear to-day that he is better. He told Mr. Blunt that he will stay here for the present. The doctor is going to see him again. Mr. Thompson liked him, which is something gained, and he is also pleased with David and his wife. Mr. Thompson has not come to-day, but we have sent twice, and the boy will enquire again this evening."

"Mr. Blunt paid Mr. Thompson a long visit last evening, and I hear to-day that he is better. He told Mr. Blunt that he will stay here for the present. The doctor is going to see him again. Mr. Thompson liked him, which is something gained, and he is also pleased with David and his wife. Mr. Thompson has not come to-day, but we have sent twice, and the boy will enquire again this evening."

His little tragedy at Newbuildings was a wasp-sting. Enmity had started some days before, when a waspfell into his wine-glass. It got out and was staggering on the table when I came upon the scene. Francis stood still, watching with fire in his eye. "Youdrunkenbrute," he said with loud severity. But no wasp, drunken or respectable, would he kill, though he could be bitter. The next day he was stung, and Mr. Wilfrid Blunt holds it of faith that for all that summer, after the poet's malediction, no wasps buzzed in Sussex. "Sir, to leave things out of a book merely because people tell you they will not be believed, is meanness," says Mr. Blunt in the words of Dr. Johnson. For all that (since a biographer's unbelief must count for something) I do not here record the lesser miracles remembered by Mr. Blunt. But the following (an earlier experience) is of Francis's own telling, inHealth and Holiness:—

"In solitude a poet underwent profound sadness and suffered brief exultations of power: the wild miseries of a Berlioz gave place to accesses of half-pained delight. On a day when the skirts of a prolonged darkness were drawing off for him, he walked the garden, inhaling the keenly languorous relief of mental and bodily convalescence, the nerves sensitised by suffering. Passing in a reverie before an arum, he suddenly was aware of a minute white-stoled child sitting on the lily. For a second he viewed her with surprised delight, but no wonder; then returning to consciousness, he recognised the hallucination almost in the instant of her vanishing."

"In solitude a poet underwent profound sadness and suffered brief exultations of power: the wild miseries of a Berlioz gave place to accesses of half-pained delight. On a day when the skirts of a prolonged darkness were drawing off for him, he walked the garden, inhaling the keenly languorous relief of mental and bodily convalescence, the nerves sensitised by suffering. Passing in a reverie before an arum, he suddenly was aware of a minute white-stoled child sitting on the lily. For a second he viewed her with surprised delight, but no wonder; then returning to consciousness, he recognised the hallucination almost in the instant of her vanishing."

Father Gerrard, who met him in Sussex, afterwards wrote:—

"Only a few weeks ago, I was chatting with Francis Thompson in his cosy retreat at Southwater, whither he had gone as the guest of Mr. Wilfrid Blunt, to see if haply he might pull together his shattered frame. But the phthisis fiend had caught him in a tight grip. He was a dying man, and an old man, although only forty-eight years of age. Still, even in his extremity the characteristics of his life were manifest, a shrinking from fellowship, a keen perception and love of the Church, a ready and masterful power oflanguage. I could not say that conversation with him was ever an easy thing, if by conversation one means unceasing talk. Besides talk there were thoughtful silences. Then, after the thought, came the outpouring of its rich expression. The doings of the outside world had little interest for him, but the messages which I had for him from his little circle of friends set him all aglow."

"Only a few weeks ago, I was chatting with Francis Thompson in his cosy retreat at Southwater, whither he had gone as the guest of Mr. Wilfrid Blunt, to see if haply he might pull together his shattered frame. But the phthisis fiend had caught him in a tight grip. He was a dying man, and an old man, although only forty-eight years of age. Still, even in his extremity the characteristics of his life were manifest, a shrinking from fellowship, a keen perception and love of the Church, a ready and masterful power oflanguage. I could not say that conversation with him was ever an easy thing, if by conversation one means unceasing talk. Besides talk there were thoughtful silences. Then, after the thought, came the outpouring of its rich expression. The doings of the outside world had little interest for him, but the messages which I had for him from his little circle of friends set him all aglow."

He returned weaker than he went. In his extremity of feebleness any hurt seemed grievous to him. Upon an umbrella falling against him in the railway carriage, he turned to me with a tremulous: "I am the target of all disasters!" And when a busy-body of a fellow asked him, on account of his notable thinness: "Do you suffer with your chest, sir?" Thompson, who had but one lung, and that diseased, answered sharply, "No!" Even then he did not know the extent of his trouble.

In error he attributed all his ills to one cause. My father, seeing him on his return, said to him, "Francis, you are ill." "Yes, Wilfrid," he answered, "I am more ill than you think"; and then spoke a word from which both had refrained for ten years. "I am dying from laudanum poisoning."

My father asked him if he were willing to go to the Hospital of St. John and St. Elizabeth. The fact that my sister—the Sylvia ofSister Songs—chanced at that moment to be lying ill there, led him to consider the institution without hostility, and the next day, my father having previously recommended him to the nuns, he went unreluctant to his death-bed. Consumption was the mortal disease, and he had grown grievously thin, and too weak to be allowed much less than his habitual doses of laudanum. Some little while before the hours at which these became due, the tax upon his remaining strength was very heavy; but only when in acutest need of the one medicine that could keep him alive (as, indeed, it had done over a long course of years) were the last days distressing for him. During most of them (he was in St. John and St. Elizabeth's ten days) he wascontent with his surrounding, and knew Sister Michael, his most kind nurse.

His reading was divided between his prayer-book and Mr. W. W. Jacobs'Many Cargoes, neither of which attested his realisation of the end. But he was not ignorant of it. When I last saw him he took my father's hand and kept it within his own, chafing and patting it as if to make a last farewell. He died at dawn on November 13, 1907.

But, for all that friends were at hand, the nurse tender, and the priest punctual, his passing was solitary. His bedside was not one at which watchers share commingling cold, as when a widow's burning fingers, holding those of her dead, are turned to inner ice; his going not as a child's, which chills the house. The fires quenched were his own. It seemed to his friends as if it were a matter personal to himself; while their sorrow for their own loss was mixed almost with satisfaction at something ended in his favour, as if at last he had had his way in a transaction with a Second Party, who might have long and painfully delayed the issue.

Nothing improvident or improper, it seemed to those at hand, had happened in the hospital ward. Such were one's feelings beside the tall window, among nuns who smiled happily because he had received the Sacraments. His features, when I went to make a drawing of him in the small mortuary that stood among the wintry garden-trees, were entirely peaceful, so that I, who had sometimes known them otherwise, fell into the mood of the cheerful lay-sister with the keys, who said: "I hear he had a very good death." To the priest, who had seen him in communion with the Church and her saints at the moment which may be accounted the most solitary possible to the heart of man, no thought of especial loneliness was associated with his death.

He was too magnanimous to take one to his dead heart. Suffering alone, he escaped alone, and leftnone strictly bound on his account. He left his friends to be busy, not with his ashes, but his works. It was as if the winds that caught and checked his breath were those that blew his fame into conspicuous glows. He was laid to rest in St. Mary's Cemetery, Kensal Green. In his coffin, W. M. records, were roses from Meredith's garden, inscribed with Meredith's testimony—"A true poet, one of the small band," and violets went to the dead poet's breast from the hand of my mother whose praises he had divinely sung.

"Devoted friends lament him," wrote W. M., "no less for himself than for his singing. But let none be named the benefactor of him who gave to all more than any could give to him. He made all men his debtors, leaving to those who loved him the memory of his personality, and to English poetry an imperishable name."


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