Almost immediately after the singing of the “Gypsy Trail,” Paula emerged from her seclusion, and Graham found himself hard put, in the tower room, to keep resolutely to his work when all the morning he could hear snatches of song and opera from her wing, or laughter and scolding of dogs from the great patio, or the continuous pulse for hours of the piano from the distant music room. But Graham, patterning after Dick, devoted his mornings to work, so that he rarely encountered Paula before lunch.
She made announcement that her spell of insomnia was over and that she was ripe for all gaieties and excursions Dick had to offer her. Further, she threatened, in case Dick grudged these personal diversions, to fill the house with guests and teach him what liveliness was. It was at this time that her Aunt Martha—Mrs. Tully— returned for a several days’ visit, and that Paula resumed the driving of Duddy and Fuddy in the high, one-seated Stude-baker trap. Duddy and Fuddy were spirited trotters, but Mrs. Tully, despite her elderliness and avoirdupois, was without timidity when Paula held the reins.
As Mrs. Tully told Graham: “And that is a concession I make to no woman save Paula. She is the only woman I can trust myself to with horses. She has the horse-way about her. When she was a child she was wild over horses. It’s a wonder she didn’t become a circus rider.”
More, much more, Graham learned about Paula in various chats with her aunt. Of Philip Desten, Paula’s father, Mrs. Tully could never say enough. Her eldest brother, and older by many years, he had been her childhood prince. His ways had been big ways, princely ways—ways that to commoner folk had betokened a streak of madness. He was continually guilty of the wildest things and the most chivalrous things. It was this streak that had enabled him to win various fortunes, and with equal facility to lose them, in the great gold adventure of Forty-nine. Himself of old New England stock, he had had for great grandfather a Frenchman—a trifle of flotsam from a mid-ocean wreck and landed to grow up among the farmer-sailormen of the coast of Maine.
“And once, and once only, in each generation, that French Desten crops out,” Mrs. Tully assured Graham. “Philip was that Frenchman in his generation, and who but Paula, and in full measure, received that same inheritance in her generation. Though Lute and Ernestine are her half-sisters, no one would imagine one drop of the common blood was shared. That’s why Paula, instead of going circus-riding, drifted inevitably to France. It was that old original Desten that drew her over.”
And of the adventure in France, Graham learned much. Philip Desten’s luck had been to die when the wheel of his fortune had turned over and down. Ernestine and Lute, little tots, had been easy enough for Desten’s sisters to manage. But Paula, who had fallen to Mrs. Tully, had been the problem—"because of that Frenchman.”
“Oh, she is rigid New England,” Mrs. Tully insisted, “the solidest of creatures as to honor and rectitude, dependableness and faithfulness. As a girl she really couldn’t bring herself to lie, except to save others. In which case all her New England ancestry took flight and she would lie as magnificently as her father before her. And he had the same charm of manner, the same daring, the same ready laughter, the same vivacity. But what is lightsome and blithe in her, was debonaire in him. He won men’s hearts always, or, failing that, their bitterest enmity. No one was left cold by him in passing. Contact with him quickened them to love or hate. Therein Paula differs, being a woman, I suppose, and not enjoying man’s prerogative of tilting at windmills. I don’t know that she has an enemy in the world. All love her, unless, it may well be, there are cat-women who envy her her nice husband.”
And as Graham listened, Paula’s singing came through the open window from somewhere down the long arcades, and there was that ever-haunting thrill in her voice that he could not escape remembering afterward. She burst into laughter, and Mrs. Tully beamed to him and nodded at the sound.
“There laughs Philip Desten,” she murmured, “and all the Frenchwomen behind the original Frenchman who was brought into Penobscot, dressed in homespun, and sent to meeting. Have you noticed how Paula’s laugh invariably makes everybody look up and smile? Philip’s laugh did the same thing.”
“Paula had always been passionately fond of music, painting, drawing. As a little girl she could be traced around the house and grounds by the trail she left behind her of images and shapes, made in whatever medium she chanced upon—drawn on scraps of paper, scratched on bits of wood, modeled in mud and sand.
“She loved everything, and everything loved her,” said Mrs. Tully. “She was never timid of animals. And yet she always stood in awe of them; but she was born sense-struck, and her awe was beauty-awe. Yes, she was an incorrigible hero-worshiper, whether the person was merely beautiful or did things. And she never will outgrow that beauty—awe of anything she loves, whether it is a grand piano, a great painting, a beautiful mare, or a bit of landscape.
“And Paula had wanted to do, to make beauty herself. But she was sorely puzzled whether she should devote herself to music or painting. In the full swing of work under the best masters in Boston, she could not refrain from straying back to her drawing. From her easel she was lured to modeling.
“And so, with her love of the best, her soul and heart full of beauty, she grew quite puzzled and worried over herself, as to which talent was the greater and if she had genius at all. I suggested a complete rest from work and took her abroad for a year. And of all things, she developed a talent for dancing. But always she harked back to her music and painting. No, she was not flighty. Her trouble was that she was too talented—”
“Too diversely talented,” Graham amplified.
“Yes, that is better,” Mrs. Tully nodded. “But from talent to genius is a far cry, and to save my life, at this late day, I don’t know whether the child ever had a trace of genius in her. She has certainly not done anything big in any of her chosen things.”
“Except to be herself,” Graham added.
“Whichisthe big thing,” Mrs. Tully accepted with a smile of enthusiasm. “She is a splendid, unusual woman, very unspoiled, very natural. And after all, what does doing things amount to? I’d give more for one of Paula’s madcap escapades—oh, I heard all about swimming the big stallion—than for all her pictures if every one was a masterpiece. But she was hard for me to understand at first. Dick often calls her the girl that never grew up. But gracious, she can put on the grand air when she needs to. I call her the most mature child I have ever seen. Dick was the finest thing that ever happened to her. It was then that she really seemed for the first time to find herself. It was this way.”
And Mrs. Tully went on to sketch the year of travel in Europe, the resumption of Paula’s painting in Paris, and the conviction she finally reached that success could be achieved only by struggle and that her aunt’s money was a handicap.
“And she had her way,” Mrs. Tully sighed. “She—why, she dismissed me, sent me home. She would accept no more than the meagerest allowance, and went down into the Latin Quarter on her own, batching with two other American girls. And she met Dick. Dick was a rare one. You couldn’t guess what he was doing then. Running a cabaret—oh, not these modern cabarets, but a real students’ cabaret of sorts. It was very select. They were a lot of madmen. You see, he was just back from some of his wild adventuring at the ends of the earth, and, as he stated it, he wanted to stop living life for a while and to talk about life instead.
“Paula took me there once. Oh, they were engaged—the day before, and he had called on me and all that. I had known ‘Lucky’ Richard Forrest, and I knew all about his son. From a worldly standpoint, Paula couldn’t have made a finer marriage. It was quite a romance. Paula had seen him captain the University of California eleven to victory over Stanford. And the next time she saw him was in the studio she shared with the two girls. She didn’t know whether Dick was worth millions or whether he was running a cabaret because he was hard up, and she cared less. She always followed her heart. Fancy the situation: Dick the uncatchable, and Paula who never flirted. They must have sprung forthright into each other’s arms, for inside the week it was all arranged, and Dick made his call on me, as if my decision meant anything one way or the other.
“But Dick’s cabaret. It was the Cabaret of the Philosophers—a small pokey place, down in a cellar, in the heart of the Quarter, and it had only one table. Fancy that for a cabaret! But such a table! A big round one, of plain boards, without even an oil-cloth, the wood stained with the countless drinks spilled by the table-pounding of the philosophers, and it could seat thirty. Women were not permitted. An exception was made for Paula and me.
“You’ve met Aaron Hancock here. He was one of the philosophers, and to this day he swaggers that he owed Dick a bigger bill that never was paid than any of his customers. And there they used to meet, all those wild young thinkers, and pound the table, and talk philosophy in all the tongues of Europe. Dick always had a penchant for philosophers.
“But Paula spoiled that little adventure. No sooner were they married than Dick fitted out his schooner, the All Away, and away the blessed pair of them went, honeymooning from Bordeaux to Hongkong.”
“And the cabaret was closed, and the philosophers left homeless and discussionless,” Graham remarked.
Mrs. Tully laughed heartily and shook her head.
“He endowed it for them,” she gasped, her hand to her side. “Or partially endowed it, or something. I don’t know what the arrangement was. And within the month it was raided by the police for an anarchist club.”
After having learned the wide scope of her interests and talents, Graham was nevertheless surprised one day at finding Paula all by herself in a corner of a window-seat, completely absorbed in her work on a piece of fine embroidery.
“I love it,” she explained. “All the costly needlework of the shops means nothing to me alongside of my own work on my own designs. Dick used to fret at my sewing. He’s all for efficiency, you know, elimination of waste energy and such things. He thought sewing was a wasting of time. Peasants could be hired for a song to do what I was doing. But I succeeded in making my viewpoint clear to him.
“It’s like the music one makes oneself. Of course I can buy better music than I make; but to sit down at an instrument and evoke the music oneself, with one’s own fingers and brain, is an entirely different and dearer satisfaction. Whether one tries to emulate another’s performance, or infuses the performance with one’s own personality and interpretation, it’s all the same. It is soul-joy and fulfilment.
“Take this little embroidered crust of lilies on the edge of this flounce—there is nothing like it in the world. Mine the idea, all mine, and mine the delight of giving form and being to the idea. There are better ideas and better workmanship in the shops; but this is different. It is mine. I visioned it, and I made it. And who is to say that embroidery is not art?”
She ceased speaking and with her eyes laughed the insistence of her question.
“And who is to say,” Graham agreed, “that the adorning of beautiful womankind is not the worthiest of all the arts as well as the sweetest?”
“I rather stand in awe of a good milliner or modiste,” she nodded gravely. “They really are artists, and important ones, as Dick would phrase it, in the world’s economy.”
Another time, seeking the library for Andean reference, Graham came upon Paula, sprawled gracefully over a sheet of paper on a big table and flanked by ponderous architectural portfolios, engaged in drawing plans of a log bungalow or camp for the sages of the madroño grove.
“It’s a problem,” she sighed. “Dick says that if I build it I must build it for seven. We’ve got four sages now, and his heart is set on seven. He says never mind showers and such things, because what philosopher ever bathes? And he has suggested seriously seven stoves and seven kitchens, because it is just over such mundane things that philosophers always quarrel.”
“Wasn’t it Voltaire who quarreled with a king over candle-ends?” Graham queried, pleasuring in the sight of her graceful abandon. Thirty-eight! It was impossible. She seemed almost a girl, petulant and flushed over some school task. Then he remembered Mrs. Tully’s remark that Paula was the most mature child she had ever known.
It made him wonder. Was she the one, who, under the oaks at the hitching rails, with two brief sentences had cut to the heart of an impending situation? “So I apprehend,” she had said. What had she apprehended? Had she used the phrase glibly, without meaning? Yet she it was who had thrilled and fluttered to him and with him when they had sung the “Gypsy Trail.”Thathe knew. But again, had he not seen her warm and glow to the playing of Donald Ware? But here Graham’s ego had its will of him, for he told himself that with Donald Ware it was different. And he smiled to himself and at himself at the thought.
“What amuses you?” Paula was asking.
“Heaven knows I am no architect. And I challenge you to house seven philosophers according to all the absurd stipulations laid down by Dick.”
Back in his tower room with his Andean books unopened before him, Graham gnawed his lip and meditated. The woman was no woman. She was the veriest child. Or—and he hesitated at the thought—was this naturalness that was overdone? Did she in truth apprehend? It must be. It had to be. She was of the world. She knew the world. She was very wise. No remembered look of her gray eyes but gave the impression of poise and power. That was it—strength! He recalled her that first night when she had seemed at times to glint an impression of steel, of thin and jewel-like steel. In his fancy, at the time, he remembered likening her strength to ivory, to carven pearl shell, to sennit twisted of maidens’ hair.
And he knew, now, ever since the brief words at the hitching rails and the singing of the “Gypsy Trail,” that whenever their eyes looked into each other’s it was with a mutual knowledge of unsaid things.
In vain he turned the pages of the books for the information he sought. He tried to continue his chapter without the information, but no words flowed from his pen. A maddening restlessness was upon him. He seized a time table and pondered the departure of trains, changed his mind, switched the room telephone to the house barn, and asked to have Altadena saddled.
It was a perfect morning of California early summer. No breath of wind stirred over the drowsing fields, from which arose the calls of quail and the notes of meadowlarks. The air was heavy with lilac fragrance, and from the distance, as he rode between the lilac hedges, Graham heard the throaty nicker of Mountain Lad and the silvery answering whinney of the Fotherington Princess.
Why was he here astride Dick Forrest’s horse? Graham asked himself. Why was he not even then on the way to the station to catch that first train he had noted on the time table? This unaccustomed weakness of decision and action was a new rôle for him, he considered bitterly. But—and he was on fire with the thought of it—this was his one life, and this was the one woman in the world.
He reined aside to let a herd of Angora goats go by. Each was a doe, and there were several hundred of them; and they were moved slowly by the Basque herdsmen, with frequent pauses, for each doe was accompanied by a young kid. In the paddock were many mares with new-born colts; and once, receiving warning in time, Graham raced into a crossroad to escape a drove of thirty yearling stallions being moved somewhere across the ranch. Their excitement was communicated to that entire portion of the ranch, so that the air was filled with shrill nickerings and squealings and answering whinneys, while Mountain Lad, beside himself at sight and sound of so many rivals, raged up and down his paddock, and again and again trumpeted his challenging conviction that he was the most amazing and mightiest thing that had ever occurred on earth in the way of horse flesh.
Dick Forrest pranced and sidled into the cross road on the Outlaw, his face beaming with delight at the little tempest among his many creatures.
“Fecundity! Fecundity!"—he chanted in greeting, as he reined in to a halt, if halt it might be called, with his tan-golden sorrel mare a-fret and a-froth, wickedly reaching with her teeth now for his leg and next for Graham’s, one moment pawing the roadway, the next moment, in sheer impotence of resentfulness, kicking the empty air with one hind leg and kicking the air repeatedly, a dozen times.
“Those youngsters certainly put Mountain Lad on his mettle,” Dick laughed. “Listen to his song:
“’Hear me! I am Eros. I stamp upon the hills. I fill the wide valleys. The mares hear me, and startle, in quiet pastures; for they know me. The land is filled with fatness, and the sap is in the trees. It is the spring. The spring is mine. I am monarch of my kingdom of the spring. The mares remember my voice. They knew me aforetime through their mothers before them. Hear me! I am Eros. I stamp upon the hills, and the wide valleys are my heralds, echoing the sound of my approach.’”
After Mrs. Tully’s departure, Paula, true to her threat, filled the house with guests. She seemed to have remembered all who had been waiting an invitation, and the limousine that met the trains eight miles away was rarely empty coming or going. There were more singers and musicians and artist folk, and bevies of young girls with their inevitable followings of young men, while mammas and aunts and chaperons seemed to clutter all the ways of the Big House and to fill a couple of motor cars when picnics took place.
And Graham wondered if this surrounding of herself by many people was not deliberate on Paula’s part. As for himself, he definitely abandoned work on his book, and joined in the before-breakfast swims of the hardier younger folk, in the morning rides over the ranch, and in whatever fun was afoot indoors and out.
Late hours and early were kept; and one night, Dick, who adhered to his routine and never appeared to his guests before midday, made a night of it at poker in the stag-room. Graham had sat in, and felt well repaid when, at dawn, the players received an unexpected visit from Paula—herself past one of her white nights, she said, although no sign of it showed on her fresh skin and color. Graham had to struggle to keep his eyes from straying too frequently to her as she mixed golden fizzes to rejuvenate the wan-eyed, jaded players. Then she made them start the round of “jacks” that closed the game, and sent them off for a cold swim before breakfast and the day’s work or frolic.
Never was Paula alone. Graham could only join in the groups that were always about her. Although the young people ragged and tangoed incessantly, she rarely danced, and then it was with the young men. Once, however, she favored him with an old-fashioned waltz. “Your ancestors in an antediluvian dance,” she mocked the young people, as she stepped out; for she and Graham had the floor to themselves.
Once down the length of the room, the two were in full accord. Paula, with the sympathy Graham recognized that made her the exceptional accompanist or rider, subdued herself to the masterful art of the man, until the two were as parts of a sentient machine that operated without jar or friction. After several minutes, finding their perfect mutual step and pace, and Graham feeling the absolute giving of Paula to the dance, they essayed rhythmical pauses and dips, their feet never leaving the floor, yet affecting the onlookers in the way Dick voiced it when he cried out: “They float! They float!” The music was the “Waltz of Salomé,” and with its slow-fading end they postured slower and slower to a perfect close.
There was no need to speak. In silence, without a glance at each other, they returned to the company where Dick was proclaiming:
“Well, younglings, codlings, and other fry, that’s the way we old folks used to dance. I’m not saying anything against the new dances, mind you. They’re all right and dandy fine. But just the same it wouldn’t injure you much to learn to waltz properly. The way you waltz, when you do attempt it, is a scream. We old folks do know a thing or two that is worth while.”
“For instance?” queried one of the girls.
“I’ll tell you. I don’t mind the young generation smelling of gasoline the way it does—”
Cries and protests drowned Dick out for a moment.
“I know I smell of it myself,” he went on. “But you’ve all failed to learn the good old modes of locomotion. There isn’t a girl of you that Paula can’t walk into the ground. There isn’t a fellow of you that Graham and I can’t walk into a receiving hospital.—Oh, I know you can all crank engines and shift gears to the queen’s taste. But there isn’t one of you that can properly ride a horse—a real horse, in the only way, I mean. As for driving a smart pair of roadsters, it’s a screech. And how many of you husky lads, hell-scooting on the bay in your speed-boats, can take the wheel of an old-time sloop or schooner, without an auxiliary, and get out of your own way in her?”
“But we get there just the same,” the same girl retorted.
“And I don’t deny it,” Dick answered. “But you are not always pretty. I’ll tell you a pretty sight that no one of you can ever present— Paula, there, with the reins of four slashing horses in her hands, her foot on the brake, swinging tally-ho along a mountain road.”
On a warm morning, in the cool arcade of the great patio, a chance group of four or five, among whom was Paula, formed about Graham, who had been reading alone. After a time he returned to his magazine with such absorption that he forgot those about him until an awareness of silence penetrated to his consciousness. He looked up. All the others save Paula had strayed off. He could hear their distant laughter from across the patio. But Paula! He surprised the look on her face, in her eyes. It was a look bent on him, concerning him. Doubt, speculation, almost fear, were in her eyes; and yet, in that swift instant, he had time to note that it was a look deep and searching—almost, his quick fancy prompted, the look of one peering into the just-opened book of fate. Her eyes fluttered and fell, and the color increased in her cheeks in an unmistakable blush. Twice her lips moved to the verge of speech; yet, caught so arrantly in the act, she was unable to phrase any passing thought. Graham saved the painful situation by saying casually:
“Do you know, I’ve just been reading De Vries’ eulogy of Luther Burbank’s work, and it seems to me that Dick is to the domestic animal world what Burbank is to the domestic vegetable world. You are life-makers here—thumbing the stuff into new forms of utility and beauty.”
Paula, by this time herself again, laughed and accepted the compliment.
“I fear me,” Graham continued with easy seriousness, “as I watch your achievements, that I can only look back on a misspent life. Why didn’t I get in andmakethings? I’m horribly envious of both of you.”
“Weareresponsible for a dreadful lot of creatures being born,” she said. “It makes one breathless to think of the responsibility.”
“The ranch certainly spells fecundity,” Graham smiled. “I never before was so impressed with the flowering and fruiting of life. Everything here prospers and multiplies—”
“Oh!” Paula cried, breaking in with a sudden thought. “Some day I’ll show you my goldfish. I breed them, too—yea, and commercially. I supply the San Francisco dealers with their rarest strains, and I even ship to New York. And, best of all, I actually make money—profits, I mean. Dick’s books show it, and he is the most rigid of bookkeepers. There isn’t a tack-hammer on the place that isn’t inventoried; nor a horse-shoe nail unaccounted for. That’s why he has such a staff of bookkeepers. Why, do you know, calculating every last least item of expense, including average loss of time for colic and lameness, out of fearfully endless columns of figures he has worked the cost of an hour’s labor for a draught horse to the third decimal place.”
“But your goldfish,” Graham suggested, irritated by her constant dwelling on her husband.
“Well, Dick makes his bookkeepers keep track of my goldfish in the same way. I’m charged every hour of any of the ranch or house labor I use on the fish—postage stamps and stationery, too, if you please. I have to pay interest on the plant. He even charges me for the water, just as if he were a city water company and I a householder. And still I net ten per cent., and have netted as high as thirty. But Dick laughs and says when I’ve deducted the wages of superintendence—my superintendence, he means—that I’ll find I am poorly paid or else am operating at a loss; that with my net I couldn’t hire so capable a superintendent.
“Just the same, that’s why Dick succeeds in his undertakings. Unless it’s sheer experiment, he never does anything without knowing precisely, to the last microscopic detail, what it is he is doing.”
“He is very sure,” Graham observed.
“I never knew a man to be so sure of himself,” Paula replied warmly; “and I never knew a man with half the warrant. I know him. He is a genius—but only in the most paradoxical sense. He is a genius because he is so balanced and normal that he hasn’t the slightest particle of genius in him. Such men are rarer and greater than geniuses. I like to think of Abraham Lincoln as such a type.”
“I must admit I don’t quite get you,” Graham said.
“Oh, I don’t dare to say that Dick is as good, as cosmically good, as Lincoln,” she hurried on. “Dickisgood, but it is not that. It is in their excessive balance, normality, lack of flare, that they are of the same type. Now I am a genius. For, see, I do things without knowing how I do them. I just do them. I get effects in my music that way. Take my diving. To save my life I couldn’t tell how I swan-dive, or jump, or do the turn and a half.
“Dick, on the other hand, can’t do anything unless he clearly knows in advancehowhe is going to do it. He does everything with balance and foresight. He’s a general, all-around wonder, without ever having been a particular wonder at any one thing.—Oh, I know him. He’s never been a champion or a record-breaker in any line of athletics. Nor has he been mediocre in any line. And so with everything else, mentally, intellectually. He is an evenly forged chain. He has no massive links, no weak links.”
“I’m afraid I’m like you,” Graham said, “that commoner and lesser creature, a genius. For I, too, on occasion, flare and do the most unintentional things. And I am not above falling on my knees before mystery.”
“And Dick hates mystery—or it would seem he does. Not content with knowinghow—he is eternally seeking thewhyof thehow. Mystery is a challenge to him. It excites him like a red rag does a bull. At once he is for ripping the husks and the heart from mystery, so that he will know thehowand thewhy, when it will be no longer mystery but a generalization and a scientifically demonstrable fact.”
Much of the growing situation was veiled to the three figures of it. Graham did not know of Paula’s desperate efforts to cling close to her husband, who, himself desperately busy with his thousand plans and projects, was seeing less and less of his company. He always appeared at lunch, but it was a rare afternoon when he could go out with his guests. Paula did know, from the multiplicity of long, code telegrams from Mexico, that things were in a parlous state with the Harvest Group. Also, she saw the agents and emissaries of foreign investors in Mexico, always in haste and often inopportune, arriving at the ranch to confer with Dick. Beyond his complaint that they ate the heart out of his time, he gave her no clew to the matters discussed.
“My! I wish you weren’t so busy,” she sighed in his arms, on his knees, one fortunate morning, when, at eleven o’clock, she had caught him alone.
It was true, she had interrupted the dictation of a letter into the phonograph; and the sigh had been evoked by the warning cough of Bonbright, whom she saw entering with more telegrams in his hand.
“Won’t you let me drive you this afternoon, behind Duddy and Fuddy, just you and me, and cut the crowd?” she begged.
He shook his head and smiled.
“You’ll meet at lunch a weird combination,” he explained. “Nobody else needs to know, but I’ll tell you.” He lowered his voice, while Bonbright discreetly occupied himself at the filing cabinets. “They’re Tampico oil folk. Samuels himself, President of the Nacisco; and Wishaar, the big inside man of the Pearson-Brooks crowd—the chap that engineered the purchase of the East Coast railroad and the Tiuana Central when they tried to put the Nacisco out of business; and Matthewson—he’s thehi-yu-skookumbig chief this side the Atlantic of the Palmerston interests—you know, the English crowd that fought the Nacisco and the Pearson-Brooks bunch so hard; and, oh, there’ll be several others. It shows you that things are rickety down Mexico way when such a bunch stops scrapping and gets together.
“You see, they are oil, and I’m important in my way down there, and they want me to swing the mining interests in with the oil. Truly, big things are in the air, and we’ve got to hang together and do something or get out of Mexico. And I’ll admit, after they gave me the turn-down in the trouble three years ago, that I’ve sulked in my tent and made them come to see me.”
He caressed her and called her his armful of dearest woman, although she detected his eye roving impatiently to the phonograph with its unfinished letter.
“And so,” he concluded, with a pressure of his arms about her that seemed to hint that her moment with him was over and she must go, “that means the afternoon. None will stop over. And they’ll be off and away before dinner.”
She slipped off his knees and out of his arms with unusual abruptness, and stood straight up before him, her eyes flashing, her cheeks white, her face set with determination, as if about to say something of grave importance. But a bell tinkled softly, and he reached for the desk telephone.
Paula drooped, and sighed inaudibly, and, as she went down the room and out the door, and as Bonbright stepped eagerly forward with the telegrams, she could hear the beginning of her husband’s conversation:
“No. It is impossible. He’s got to come through, or I’ll put him out of business. That gentleman’s agreement is all poppycock. If it were only that, of course he could break it. But I’ve got some mighty interesting correspondence that he’s forgotten about.... Yes, yes; it will clinch it in any court of law. I’ll have the file in your office by five this afternoon. And tell him, for me, that if he tries to put through this trick, I’ll break him. I’ll put a competing line on, and his steamboats will be in the receiver’s hands inside a year.... And... hello, are you there?... And just look up that point I suggested. I am rather convinced you’ll find the Interstate Commerce has got him on two counts....”
Nor did Graham, nor even Paula, imagine that Dick—the keen one, the deep one, who could see and sense things yet to occur and out of intangible nuances and glimmerings build shrewd speculations and hypotheses that subsequent events often proved correct—was already sensing what had not happened but what might happen. He had not heard Paula’s brief significant words at the hitching post; nor had he seen Graham catch her in that deep scrutiny of him under the arcade. Dick had heard nothing, seen little, but sensed much; and, even in advance of Paula, had he apprehended in vague ways what she afterward had come to apprehend.
The most tangible thing he had to build on was the night, immersed in bridge, when he had not been unaware of the abrupt leaving of the piano after the singing of the “Gypsy Trail”; nor when, in careless smiling greeting of them when they came down the room to devil him over his losing, had he failed to receive a hint or feeling of something unusual in Paula’s roguish teasing face. On the moment, laughing retorts, giving as good as she sent, Dick’s own laughing eyes had swept over Graham beside her and likewise detected the unusual. The man was overstrung, had been Dick’s mental note at the time. But why should he be overstrung? Was there any connection between his overstrungness and the sudden desertion by Paula of the piano? And all the while these questions were slipping through his thoughts, he had laughed at their sallies, dealt, sorted his hand, and won the bid on no trumps.
Yet to himself he had continued to discount as absurd and preposterous the possibility of his vague apprehension ever being realized. It was a chance guess, a silly speculation, based upon the most trivial data, he sagely concluded. It merely connoted the attractiveness of his wife and of his friend. But—and on occasional moments he could not will the thought from coming uppermost in his mind—why had they broken off from singing that evening? Why had he received the feeling that there was something unusual about it? Why had Graham been overstrung?
Nor did Bonbright, one morning, taking dictation of a telegram in the last hour before noon, know that Dick’s casual sauntering to the window, still dictating, had been caused by the faint sound of hoofs on the driveway. It was not the first of recent mornings that Dick had so sauntered to the window, to glance out with apparent absentness at the rush of the morning riding party in the last dash home to the hitching rails. But he knew, on this morning, before the first figures came in sight whose those figures would be.
“Braxton is safe,” he went on with the dictation without change of tone, his eyes on the road where the riders must first come into view. “If things break he can get out across the mountains into Arizona. See Connors immediately. Braxton left Connors complete instructions. Connors to-morrow in Washington. Give me fullest details any move— signed.”
Up the driveway the Fawn and Altadena clattered neck and neck. Dick had not been disappointed in the figures he expected to see. From the rear, cries and laughter and the sound of many hoofs tokened that the rest of the party was close behind.
“And the next one, Mr. Bonbright, please put in the Harvest code,” Dick went on steadily, while to himself he was commenting that Graham was a passable rider but not an excellent one, and that it would have to be seen to that he was given a heavier horse than Altadena. “It is to Jeremy Braxton. Send it both ways. There is a chance one or the other may get through...”
Once again the tide of guests ebbed from the Big House, and more than one lunch and dinner found only the two men and Paula at the table. On such evenings, while Graham and Dick yarned for their hour before bed, Paula no longer played soft things to herself at the piano, but sat with them doing fine embroidery and listening to the talk.
Both men had much in common, had lived life in somewhat similar ways, and regarded life from the same angles. Their philosophy was harsh rather than sentimental, and both were realists. Paula made a practice of calling them the pair of “Brass Tacks.”
“Oh, yes,” she laughed to them, “I understand your attitude. You are successes, the pair of you—physical successes, I mean. You have health. You are resistant. You can stand things. You have survived where men less resistant have gone down. You pull through African fevers and bury the other fellows. This poor chap gets pneumonia in Cripple Creek and cashes in before you can get him to sea level. Now why didn’t you get pneumonia? Because you were more deserving? Because you had lived more virtuously? Because you were more careful of risks and took more precautions?”
She shook her head.
“No. Because you were luckier—I mean by birth, by possession of constitution and stamina. Why, Dick buried his three mates and two engineers at Guayaquil. Yellow fever. Why didn’t the yellow fever germ, or whatever it is, kill Dick? And the same with you, Mr. Broad-shouldered Deep-chested Graham. In this last trip of yours, why didn’t you die in the swamps instead of your photographer? Come. Confess. How heavy was he? How broad were his shoulders? How deep his chest?—wide his nostrils?—tough his resistance?”
“He weighed a hundred and thirty-five,” Graham admitted ruefully. “But he looked all right and fit at the start. I think I was more surprised than he when he turned up his toes.” Graham shook his head. “It wasn’t because he was a light weight and small. The small men are usually the toughest, other things being equal. But you’ve put your finger on the reason just the same. He didn’t have the physical stamina, the resistance,—You know what I mean, Dick?”
“In a way it’s like the quality of muscle and heart that enables some prizefighters to go the distance—twenty, thirty, forty rounds, say,” Dick concurred. “Right now, in San Francisco, there are several hundred youngsters dreaming of success in the ring. I’ve watched them trying out. All look good, fine-bodied, healthy, fit as fiddles, and young. And their spirits are most willing. And not one in ten of them can last ten rounds. I don’t mean they get knocked out. I mean they blow up. Their muscles and their hearts are not made out of first-grade fiber. They simply are not made to move at high speed and tension for ten rounds. And some of them blow up in four or five rounds. And not one in forty can go the twenty-round route, give and take, hammer and tongs, one minute of rest to three of fight, for a full hour of fighting. And the lad who can last forty rounds is one in ten thousand—lads like Nelson, Gans, and Wolgast.
“You understand the point I am making,” Paula took up. “Here are the pair of you. Neither will see forty again. You’re a pair of hard-bitten sinners. You’ve gone through hardship and exposure that dropped others all along the way. You’ve had your fun and folly. You’ve roughed and rowdied over the world—”
“Played the wild ass,” Graham laughed in.
“And drunk deep,” Paula added. “Why, even alcohol hasn’t burned you. You were too tough. You put the other fellows under the table, or into the hospital or the grave, and went your gorgeous way, a song on your lips, with tissues uncorroded, and without even the morning-after headache. And the point is that you are successes. Your muscles are blond-beast muscles, your vital organs are blond-beast organs. And from all this emanates your blond-beast philosophy. That’s why you are brass tacks, and preach realism, and practice realism, shouldering and shoving and walking over lesser and unluckier creatures, who don’t dare talk back, who, like Dick’s prizefighting boys, would blow up in the first round if they resorted to the arbitrament of force.”
Dick whistled a long note of mock dismay.
“And that’s why you preach the gospel of the strong,” Paula went on. “If you had been weaklings, you’d have preached the gospel of the weak and turned the other cheek. But you—you pair of big-muscled giants— when you are struck, being what you are, you don’t turn the other cheek—”
“No,” Dick interrupted quietly. “We immediately roar, ’Knock his block off!’ and then do it.—She’s got us, Evan, hip and thigh. Philosophy, like religion, is what the man is, and is by him made in his own image.”
And while the talk led over the world, Paula sewed on, her eyes filled with the picture of the two big men, admiring, wondering, pondering, without the surety of self that was theirs, aware of a slipping and giving of convictions so long accepted that they had seemed part of her.
Later in the evening she gave voice to her trouble.
“The strangest part of it,” she said, taking up a remark Dick had just made, “is that too much philosophizing about life gets one worse than nowhere. A philosophic atmosphere is confusing—at least to a woman. One hears so much about everything, and against everything, that nothing is sure. For instance, Mendenhall’s wife is a Lutheran. She hasn’t a doubt about anything. All is fixed, ordained, immovable. Star-drifts and ice-ages she knows nothing about, and if she did they would not alter in the least her rules of conduct for men and women in this world and in relation to the next.
“But here, with us, you two pound your brass tacks, Terrence does a Greek dance of epicurean anarchism, Hancock waves the glittering veils of Bergsonian metaphysics, Leo makes solemn obeisance at the altar of Beauty, and Dar Hyal juggles his sophistic blastism to no end save all your applause for his cleverness. Don’t you see? The effect is that there is nothing solid in any human judgment. Nothing is right. Nothing is wrong. One is left compassless, rudderless, chartless on a sea of ideas. Shall I do this? Must I refrain from that? Will it be wrong? Is there any virtue in it? Mrs. Mendenhall has her instant answer for every such question. But do the philosophers?”
Paula shook her head.
“No. All they have is ideas. They immediately proceed to talk about it, and talk and talk and talk, and with all their erudition reach no conclusion whatever. And I am just as bad. I listen and listen, and talk and talk, as I am talking now, and remain convictionless. There is no test—”
“But there is,” Dick said. “The old, eternal test of truth—Will it work?”
“Ah, now you are pounding your favorite brass tack,” Paula smiled. “And Dar Hyal, with a few arm-wavings and word-whirrings, will show that all brass tacks are illusions; and Terrence, that brass tacks are sordid, irrelevant and non-essential things at best; and Hancock, that the overhanging heaven of Bergson is paved with brass tacks, only that they are a much superior article to yours; and Leo, that there is only one brass tack in the universe, and that it is Beauty, and that it isn’t brass at all but gold.”
“Come on, Red Cloud, go riding this afternoon,” Paula asked her husband. “Get the cobwebs out of your brain, and let lawyers and mines and livestock go hang.”
“I’d like to, Paul,” he answered. “But I can’t. I’ve got to rush in a machine all the way to the Buckeye. Word came in just before lunch. They’re in trouble at the dam. There must have been a fault in the under-strata, and too-heavy dynamiting has opened it. In short, what’s the good of a good dam when the bottom of the reservoir won’t hold water?”
Three hours later, returning from the Buckeye, Dick noted that for the first time Paula and Graham had gone riding together alone.
The Wainwrights and the Coghlans, in two machines, out for a week’s trip to the Russian River, rested over for a day at the Big House, and were the cause of Paula’s taking out the tally-ho for a picnic into the Los Baños Hills. Starting in the morning, it was impossible for Dick to accompany them, although he left Blake in the thick of dictation to go out and see them off. He assured himself that no detail was amiss in the harnessing and hitching, and reseated the party, insisting on Graham coming forward into the box-seat beside Paula.
“Just must have a reserve of man’s strength alongside of Paula in case of need,” Dick explained. “I’ve known a brake-rod to carry away on a down grade somewhat to the inconvenience of the passengers. Some of them broke their necks. And now, to reassure you, with Paula at the helm, I’ll sing you a song:
“What can little Paula do?Why, drive a phaeton and two.Can little Paula do no more?Yes, drive a tally-ho and four.”
All were in laughter as Paula nodded to the grooms to release the horses’ heads, took the feel of the four mouths on her hands, and shortened and slipped the reins to adjustment of four horses into the collars and taut on the traces.
In the babel of parting gibes to Dick, none of the guests was aware of aught else than a bright morning, the promise of a happy day, and a genial host bidding them a merry going. But Paula, despite the keen exhilaration that should have arisen with the handling of four such horses, was oppressed by a vague sadness in which, somehow, Dick’s being left behind figured. Through Graham’s mind Dick’s merry face had flashed a regret of conscience that, instead of being seated there beside this one woman, he should be on train and steamer fleeing to the other side of the world.
But the merriness died on Dick’s face the moment he turned on his heel to enter the house. It was a few minutes later than ten when he finished his dictation and Mr. Blake rose to go. He hesitated, then said a trifle apologetically:
“You told me, Mr. Forrest, to remind you of the proofs of your Shorthorn book. They wired their second hurry-up yesterday.”
“I won’t be able to tackle it myself,” Dick replied. “Will you please correct the typographical, submit the proofs to Mr. Manson for correction of fact—tell him be sure to verify that pedigree of King of Devon—and ship them off.”
Until eleven Dick received his managers and foremen. But not for a quarter of an hour after that did he get rid of his show manager, Mr. Pitts, with the tentative make-up of the catalogue for the first annual stock-sale on the ranch. By that time Mr. Bonbright was on hand with his sheaf of telegrams, and the lunch-hour was at hand ere they were cleaned up.
For the first time alone since he had seen the tally-ho off, Dick stepped out on his sleeping porch to the row of barometers and thermometers on the wall. But he had come to consult, not them, but the girl’s face that laughed from the round wooden frame beneath them.
“Paula, Paula,” he said aloud, “are you surprising yourself and me after all these years? Are you turning madcap at sober middle age?”
He put on leggings and spurs to be ready for riding after lunch, and what his thoughts had been while buckling on the gear he epitomized to the girl in the frame.
“Play the game,” he muttered. And then, after a pause, as he turned to go: “A free field and no favor ... and no favor.”
“Really, if I don’t go soon, I’ll have to become a pensioner and join the philosophers of the madroño grove,” Graham said laughingly to Dick.
It was the time of cocktail assembling, and Paula, in addition to Graham, was the only one of the driving party as yet to put in an appearance.
“If all the philosophers together would just make one book!” Dick demurred. “Good Lord, man, you’ve just got to complete your book here. I got you started and I’ve got to see you through with it.”
Paula’s encouragement to Graham to stay on—mere stereotyped, uninterested phrases—was music to Dick. His heart leapt. After all, might he not be entirely mistaken? For two such mature, wise, middle-aged individuals as Paula and Graham any such foolishness was preposterous and unthinkable. They were not young things with their hearts on their sleeves.
“To the book!” he toasted. He turned to Paula. “A good cocktail,” he praised. “Paul, you excel yourself, and you fail to teach Oh Joy the art. His never quite touch yours.—Yes, another, please.”