Chapter 23

THE DRAMAfor May Contained This Interesting MaterialTHE CLASSICAL STAGE OF JAPAN Ernest Fenollosa’s Work on the Japanese “Noh.” Edited by Ezra Pound.“Noh” Dramas (from the Fenollosa Manuscript).Sotoba Komachi.Kayoi Komachi.Suma Genji.Kumasaka.Shojo.Tamura.Tsunemasa.Kunasaka.THE THEORY AND PRACTICE OF THE CENSORSHIP, byThomas H. DickinsonMAURICE MAETERLINCK byRemy de GourmontAuthorized translation by Richard Aldington.THE “BOOK OF THE PAGEANT,” AND ITS DEVELOPMENT byFrank Chouteau BrownON THE READING OF PLAYS byElizabeth R. HuntA PYRAMUS-AND-THISBE PLAY OF SHAKESPEARE’S TIME, with notes byEleanor Prescott HammondTHE PUBLISHED PLAY byArchibald HendersonTHE THEATRE TODAY—AND TOMORROW, a review, byAlice Corbin HendersonTHE GERMAN STAGE AND ITS ORGANIZATION—Part III, Private Theatres byFrank E. Washburn FreundASPECTS OF MODERN DRAMA, a review, byLander MacClintockTHE JAPANESE PLAY OF THE CENTURIES byGertrude EmersonA SELECTIVE LIST OF ESSAYS AND BOOKS ABOUT THE THEATRE AND OF PLAYS, published during the first quarter of 1915 compiled byFrank Chouteau BrownThe Dramafor August will contain Augier’sMariage d’Olympe, with a foreword by Eugene Brieux; an amusing account of his experiences with Parsee drama, by George Cecil; a paper on theEvolution of the Actor, by Arthur Pollock; a discussion of Frank Wedekind, by Frances Fay; a review of the work of the recent Drama League Convention; a plan for an autumn community festival; an outline of the nation-wide celebration of the Shakespeare tercentenary, and an article entitledDepersonalizing the Instruments of the Drama, by Huntly Carter.The Drama, a Quarterly$3.00 per year736 Marquette BuildingChicago

THE DRAMA

for May Contained This Interesting Material

THE CLASSICAL STAGE OF JAPAN Ernest Fenollosa’s Work on the Japanese “Noh.” Edited by Ezra Pound.

“Noh” Dramas (from the Fenollosa Manuscript).

Sotoba Komachi.Kayoi Komachi.Suma Genji.Kumasaka.Shojo.Tamura.Tsunemasa.Kunasaka.

Sotoba Komachi.Kayoi Komachi.Suma Genji.Kumasaka.Shojo.Tamura.Tsunemasa.Kunasaka.

THE THEORY AND PRACTICE OF THE CENSORSHIP, byThomas H. Dickinson

MAURICE MAETERLINCK byRemy de GourmontAuthorized translation by Richard Aldington.

THE “BOOK OF THE PAGEANT,” AND ITS DEVELOPMENT byFrank Chouteau Brown

ON THE READING OF PLAYS byElizabeth R. Hunt

A PYRAMUS-AND-THISBE PLAY OF SHAKESPEARE’S TIME, with notes byEleanor Prescott Hammond

THE PUBLISHED PLAY byArchibald Henderson

THE THEATRE TODAY—AND TOMORROW, a review, byAlice Corbin Henderson

THE GERMAN STAGE AND ITS ORGANIZATION—Part III, Private Theatres byFrank E. Washburn Freund

ASPECTS OF MODERN DRAMA, a review, byLander MacClintock

THE JAPANESE PLAY OF THE CENTURIES byGertrude Emerson

A SELECTIVE LIST OF ESSAYS AND BOOKS ABOUT THE THEATRE AND OF PLAYS, published during the first quarter of 1915 compiled byFrank Chouteau Brown

The Dramafor August will contain Augier’sMariage d’Olympe, with a foreword by Eugene Brieux; an amusing account of his experiences with Parsee drama, by George Cecil; a paper on theEvolution of the Actor, by Arthur Pollock; a discussion of Frank Wedekind, by Frances Fay; a review of the work of the recent Drama League Convention; a plan for an autumn community festival; an outline of the nation-wide celebration of the Shakespeare tercentenary, and an article entitledDepersonalizing the Instruments of the Drama, by Huntly Carter.

The Drama, a Quarterly$3.00 per year

736 Marquette BuildingChicago


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