4

As Ronnie, striding solitary home, saw on the posters "Towers Case Sensation; Witness Arrested for Perjury." it seemed to him as though victory had been already in his grasp.

Hector Brunton tottered out of his car and up the steps into his chambers like a man in a palsy. Three clients were waiting in the outer office for consultations. He told Patterson: "Send them away. Get rid of them. Say I'm too ill to see anybody." Then heavily he sat down at his desk.

The shock of Maggie Peterson's arrest, climaxing emotion, was still on him. Definitely his experience knew himself defeated. "God!" he muttered, "another night--another night of the rack."

The previous night had been torment enough. Then he had thought: "I may fail. Cavendish may have something up his sleeve"; then he had seen only success in jeopardy; dreaded only the failure of his vengeance. But now--now he was beaten--worse than beaten--delivered up, body and soul, to the Furies.

The clerk came in to ask if he might go. "Yes," said Brunton; "go. Go as soon as you like." The clerk went out, leaving him alone; alone with his Furies.

The Furies showed him Aliette, infinitely fastidious, infinitely desirable; they showed him Renée, Renée who would even now be awaiting him; they showed Lucy, Lucy Towers, stubborn in her cell. "Don't let her go free from her cell," whispered the Furies. "You're not beaten yet. She did kill the man. Convict her, Hector Brunton. Convict her of manslaughter."

They showed him Cavendish, Cavendish gloating at the prospect of victory. "To be beaten," whispered the Furies, "to be beaten by Cavendish, by the adulterer who stole away your wife!"

But all the time Hector Brunton knew in his inmost soul that he had sought to compass the death of an innocent woman; that he had sinned against his own code, against the holy ghost of justice.

And gradually, terrifyingly, the reason of that sinning was brought home to him. He had sinned, not as a woman sins, lovingly, but for sheer hate. Out of his hatred for Cavendish he had plotted--as surely as any murderer--the death of Lucy Towers.

And suddenly, starkly, irresistibly, it was brought home to him that--even as he had plotted the death of Lucy Towers--so, and for the same hideous reason, he had plotted the social ruin of his own wife.

Till finally the ultimate pretext, the pretext of his love for Aliette, was stripped from him, and he saw that love in all its hideous nakedness, as lust--the savage sadic lust which had hounded him to crime.

David Patterson had long gone home; but Brunton sat on--alone in his chambers--alone with his conscience, naked before his God. His worldly house, the sure material legal house of his own making, had crashed, in that one second of time when he watched Lucy Towers step down from the dock, to ruin. The law, basis of work and life, lay--a tablet shattered to ten thousand fragments--at his feet. Ghosts--the palpable ghosts of those two women for the compassing of whose ruin he had invoked the law--sidled about the darkling room, terrifying him. He knew himself a prisoner--prisoner in the invisible house of God.

Was there no way out? No escape from God's house of conscience? Had he, abiding by the letter of man's law, forfeited--for all time--the merciful spirit of the law of God?

"Yes," said conscience, "there is one way out. One way, and one way only, of escape. Make reparation, Hector Brunton. Set both these women free."

Must he, then, give up everything--wife, vengeance, victory--because of this one damnable insistent whisper, this whisper of conscience that was driving him to madness?

And now, again, he saw the phantoms--phantom of Aliette and phantom of Lucy Towers. They were behind bars--bars--innocent women behind bars which he, Hector Brunton, had socketed home with his own hands.

At last, thought of those bars drove him into the night. King's Bench Walk lay deserted, chill-gleaming under autumnal trees. Leaves strewed it, swishing against his boots as he strode. "Autumn," thought Brunton. "Autumn! We've reached middle age, the year and I. And what have I garnered? Nothing."

Suddenly he realized whither his feet were carrying him; suddenly he found himself under the colonnade of Pump Court, at the door of his rival's chambers. The door was shut, the court deserted. Yet for a long time Brunton stood by the door; stood, as a man stands who waits for some sign, for an opening window or the gleam of a light. But no window opened, no light gleamed.

He came, hardly knowing how, out of the gloom of the Temple into the raw glare of empty Fleet Street. In front of him uprose the long façade of the high courts, the courts where he had won fame and money. What did fame and money matter to him--to Hector Brunton, who, gaining the whole legal world, had lost his own soul?

Counsel for the defense, as he watched counsel for the prosecution make his way into court next morning, could almost feel sorry for the man. Brunton, the overbearing, overconfident Brunton, looked the veriest wreck of his old self. He tottered rather than walked to his seat. His eyes were dull, bloodshot; his hands trembled; his jowl twitched and twitched.

The judge had not yet arrived; and Ronnie's eyes, switching here and there about the packed court, suddenly envisaged, below the judge's dais, the "exhibits" of the prosecution: among them the revolver which had killed its man. More than once, in the last year, he, Ronald Cavendish, had known the desire to kill his man. But now, looking on the wreck which had been Brunton, he knew the desire dead. No longer could he even hate Brunton. The man was beaten--beaten.

Bunce, approaching, handed up a telegram: "Congratulations. Masterly. Feel confident of your success.Bertram Standon."

Ronnie's heart glowed at the penciled words. Already he saw success, fame, victory; already the sentences he would speak throbbed in his brain. And then, abruptly, the sight of Lucy Towers entering the witness-box for reëxamination recalled the fact that Brunton was still undefeated. The alternative charge of manslaughter had yet to be fought out between them!

The judge took his seat. The short reëxamination of Lucy Towers began--ended. Quietly she went back to the dock; quietly she took her seat by the blue-uniformed wardress.

"Robert Fielding!" called the constables on guard outside the doors.

The armless sailor, unskilled in law, had taken small comfort from the morning's papers. His face, shaved clean, was gray with apprehension; his whole body drooped as he made his way into the box. Ronnie could see pity written clear on the faces of the jury. The fat matron--she still wore her red hat--made a convulsive movement as if to assist, when the crier of the court lifted the Bible to the kiss of that trembling mouth. Even the two dour spinsters seemed moved.

Robert Fielding's tale of the happenings at Laburnum Grove on the afternoon of July 5 corroborated his cousin's in almost every detail. Yet he told it haltingly; only when Ronnie asked, "Have you any knowledge of the relations between Mrs. Towers and her husband?" did any certainty come into the low voice.

"Nobody except me," said Robert Fielding, "knows all that Lucy had to put up with from that fellow. He was always a wrong 'un, was Bill Towers. I looked after her all I could, but a cripple like me hasn't got much chance."

"Did you ever make any secret of your affection for your cousin?"

"No, sir."

"When you told James Travers that your cousin's husband ought to be shot, what did you mean to imply?"

The sailor hesitated; and Ronnie, nervous of the one weakness left in his case, tried to prompt him. "When you told James Travers that Bill Towers ought to be shot, did you have any intention----"

But at that, the judge intervened--leading questions being barred in law; and Ronnie, a trifle annoyed with himself for the solecism, repeated his former query.

Again Fielding hesitated; then he said, self-excusingly: "When I made that remark, I made it as a good many of us who have been in the service do make it--in a general sort of way, meaning that Bill Towers was a bad lot, and that it wouldn't be any loss if somebody did shoot him."

"I see." Ronnie smiled; and a man on the jury, obviously an ex-service man, smiled with him. "Now, about the pistol--or rather the revolver. Can you tell us how long it had been in your possession?"

"Two years, I should say."

"Had it always been loaded?"

"Yes. Ever since I can remember."

"When did your cousin first know that you possessed this revolver?"

"Not until that afternoon."

"Which afternoon?"

"The afternoon she shot Bill Towers."

"One other point. James Travers told us that you said to him, 'I'd rather cut off my right hand than that Lucy should marry Bill Towers.' Did you ever make such a statement to James Travers?"

The sailor looked down, piteously, at his two empty sleeves. "I may have," he said. "But if I did, it must have been a long time ago."

"Before she married?"

"Yes, before she married."

"James Travers also told us that you said to him, when you showed him the revolver, 'This will cook Bill's goose for him.' Did you say that?"

"Yes." The answer was hardly audible. "He'd been knocking Lucy about--and I was mad with him."

"Was there any other reason why you were mad with him?"

"Yes, there was." And the sailor--fears momentarily forgotten--rapped out, so swiftly that even the judge could not stop him, "He drank, and he was carrying on with another woman. Everybody in the house knew about it."

On the hush which followed that statement--a statement confirmatory of the point which Ronnie, without specifically alleging it, had been trying to establish ever since his opening question to Maggie Peterson--fell the last question of Mr. Justice Heber: "Do you know, of your own knowledge, any woman other than his wife with whom the dead man was on terms of sexual intimacy?"

And Robert Fielding, looking squarely into those gleaming spectacles, answered, "Yes, my lord. With Maggie Peterson. Many's the time I've seen the blackguard a-sneaking into her room."

At two o'clock of the afternoon, in a court packed to suffocation point, Ronald Cavendish rose to begin his final speech for the defense of Lucy Towers.

Robert Fielding's testimony, unshaken in cross-examination, had been followed by more evidence, collected by Standon's assiduous reporters, as to the character of the dead man; and that evidence--Ronnie felt,--coupled with the arrest of Maggie Peterson, made the main issue, the issue of wilful murder, safe.

Nevertheless, the Wixton imagination in him was doubtful of the second issue, the issue of manslaughter. In England, the unwritten law did not run; and although, thanks to the press, the streets outside were black with people, with a mob hungry for news of the verdict, determined on his client's acquittal, Ronnie knew the difficulties of securing that acquittal too well for overconfidence.

Again he had spent the luncheon interval alone; praying--voicelessly--that his oratory might not fail; visualizing always those two dour-faced spinsters on the jury, and Mr. Justice Heber, having summed up in cold legal phraseology the bare facts of the case, awarding, on the jury's recommendation, the lenient sentence of a year's imprisonment.

In those few seconds of time before his speech began, Ronnie's imagination could almost hear the murmur of the mob without. The murmur flustered him. After all, Lucyhadshot her husband. Between her, pale in the dock, and the dark cell of felony, stood only a dumb advocate, a fencer unskilled with the sword of the spoken word.

Till suddenly, standing there silent before Lucy's peers, it seemed to Ronnie as though all the emotions of the last year stirred in his heart, as though all that pity for womankind which Aliette had engendered in him fought for utterance at his lips. For one fleeting moment, his keen gaze swept the court, envisaging judge, jury, the motionless figure of his client, the constable and the wardress either side of her, the spectators standing two-deep round the closed doors, Benjamin Bunce, David Patterson, John Cartwright, Brunton. For one fleeting moment he thought of Brunton, and of the wrong which Brunton had done to the woman he loved. Then, gravely, quietly, feeling the sword of the spoken word quiver like a live blade at his lips, he engaged his enemy.

Sentence by calm sentence, Julia Cavendish's son--making scarcely a gesture, referring hardly to a note--traversed the statements of his enemy and of the witnesses for his enemy; sentence by grave sentence, he demonstrated to those twelve watchful faces, to the nine men and the three women in the jury-box, that the crime---if crime it were--had been committed on a sudden impulse, without motive, without malice, without premeditation.

"Members of the jury, if we except the evidence of Maggie Peterson--evidence which we now know to be one tissue of lies,--what proof have we of motive or of malice aforethought? No proof, no proof whatsoever. When counsel for the Crown dared to call my client an adulteress, on what did he base his foul allegation? On the word of a proved liar. I venture to tell him that, if any one fact has emerged from the evidence which he has seen fit to put before you, it is the fact of my client's fidelity to the blackguard whom she had the misfortune to marry."

At that, fearfully, the "hanging prosecutor" craned forward in his seat; and fearfully--as though it were of himself and not of the dead that Ronnie spoke--his bloodshot eyes glanced up at the set, stern face of counsel for the defense. But counsel for the defense deigned him never a glance. Terribly, counsel for the defense went on:

"My lord, members of the jury, he, counsel for the Crown, is a distinguished, perhaps our most distinguished advocate. Behind him are all the resources of the public purse, of the public power. Yet I, the humblest of pleaders, should not be doing my duty to my client did I not tell him that this prosecution to which he has thought fit to add the weight of his advocacy is a prosecution founded on false witness, bolstered on perjury, a prosecution which no just advocate would have dared to support."

With those words, unprofessional, unpremeditated--for now the sword of oratory had outlunged Ronnie's self-control, so that he spoke from his heart, careless of etiquette,--a shiver of excitement rippled the gray-wigged heads behind. The wigged heads nodded toward one another, whispering, "I say! Why the deuce don't Brunton protest!" But Brunton did not protest. And counsel for the defense spoke on:

"Why he has so dared, is for my learned friend to explain. My learned friend spoke of mercy. The poet tells us that the quality of mercy is not strained. Did my learned friend ponder that saying when his hands drew up the indictment against my client? Did any spirit of mercy move him when his brain schemed the evidence which has been put before this court? Is he merciful or merciless, truthful or truthless, when he asks you to believe that this woman, this unfortunate Lucy Towers, is guilty not only of murder but of adultery?"

Still Brunton did not protest. His eyes, the bloodshot eyes under the wig awry, dared look no more upon his enemy. For now it seemed to Hector Brunton as though Ronnie pleaded with him--as he had pleaded long ago--not only for the freedom of the woman in the dock, but for the freedom of Aliette.

"Adultery!" pleaded Ronnie. "Has my learned friend brought any proof of that adultery? He has brought none. None. None. Has he brought any proof of murder? Any proof of that malice aforethought without which--as he himself has told you--there can be no murder? He has brought none. None. None. Yet deliberately he has sought to twine"--one hand shot out, pointing first at Brunton, then at the unmoving figure of Lucy Towers--"the hangman's rope round the neck of this innocent woman. For she is innocent! Innocent of murder as she is of adultery. Innocent--I declare it to you in all solemnity!--innocent before the sight of man as she is innocent before the sight of God--of any and of every charge that counsel for the Crown has thought fit to bring against her. Of no charge, not even of manslaughter, can she be found guilty! Is it manslaughter to defend the defenseless? Is it manslaughter when a weak woman protects the man she loves from the beast who makes her days and her nights a living hell?

"A living hell!" For a second the flood of oratory ceased; for a second, through the silence of bated breaths, it seemed to Ronald Cavendish as though once again he caught the murmurs of the crowd without. But now the crowd gave strength to his words.

"Members of the jury,Ido not ask for mercy. I ask only for justice. I ask you, when you weigh your verdict, to remember what manner of man was this William Towers. I ask you to look upon my client. I ask you to think of this woman, faithful always, complaining never, enduring always--year after hellish year--the bestial defilements of the drunken reprobate into whose black heart, not of premeditation but in sheer and sudden defense of a fellow-creature, she fired her fatal shot. Oh, yes, Lucy Towers fired that shot. Lucy Towers and no other killed her husband. That is the one truth in the tissue of lies which has been put before you. But was that killing a crime? Is not the world well rid of men like William Towers? Members of the jury, you, who have heard from the lips of unbiased witnesses what were his cruelties, what his drinkings and what his lecheries, will you not say to yourselves--as I say to myself--when you come to consider your verdict: 'God save all women from such a man.'"

And then, for the first time, Ronnie deigned one scornful look upon his enemy.

"Yet, believe me, you men and you women on whose word depends life or death for this woman I am defending, it is not on the ground of her husband's cruelties that I ask you to let her go free. However degraded, however debauched, however cruel; this man, this William Towers still had the right to live. Neither by his lechery nor by his drunkenness did he forfeit his life. Yet his life was forfeit. Why? Let me tell you why. Let me tell you in one sentence. Because he sought to take the life of another.

"Remember that. Never forget that. William Towers sought to take the life of another!" Ronnie's voice slowed to emphasis. Subconsciously, he knew himself at the very core of his defense. But consciously he knew nothing. The faces of the judge, of the jury and the spectators--phantom symbols whose intelligences his own intelligence must now grapple--blurred to his sight. He swayed as he stood.

"Members of the jury, that is the issue; the whole simple issue before this court. Dismiss from your minds all prejudice. That my learned friend stooped to call false witnesses is for my learned friend's conscience to excuse. You have not been summoned to decide the guilt of Maggie Peterson. You are not here to weigh the sins of the dead. You have been summoned to decide whether or no my client is guilty of any crime. Judge--impartially yet compassionately--that single simple issue. And, judging, keep before your minds this picture, the picture my client herself painted for you in unshaken, unforgettable words, the picture of the poor clean room in the tenement-house where Lucy Towers sits with her cousin; with the armless man, whose arms (need I remind you?) were sacrificed for your sake and for mine.

"Day by day Lucy Towers has visited that room; day by day her hands and hers alone have ministered to its helpless, to its defenseless occupant. Day by day she has brought him, despite her husband's threats, a little money--food perhaps. Is that a crime? But to-day she has not even brought money. She has only helped him--the piteousness of it!--to drink his tea. They are cousins, these two. They are happy with one another; not, as my learned friend would have you believe, guiltily happy, but innocently happy. They love one another--as they themselves told you--in the best, in the highest way, even as brother and sister love one another.

"So, they are sitting. And then, without warning, comes the crash of a stick-handle on the door. Startled, they look up. Startled, they see, framed in the doorway, the cruel terrible face of a man, of this woman's legal owner, of William Towers. In his hand this reprobate, this cruel drunken reprobate, brandishes his stick. The stick is no ordinary walking-stick. It is a weapon--a deadly weapon--a loaded stick. William Towers grasps the loaded stick by the ferrule. He lifts it menacingly; he makes as though to brain Robert Fielding--the armless, the helpless, the defenseless man, Robert Fielding. Robert Fielding's cousin is afraid; she fears this reprobate's violence, fears that he has been drinking, fears his ungovernable temper. There is a revolver in the cupboard. A revolver!

"A revolver!" Unconsciously, Ronnie's hand shot out, pointing at the weapon.

"My client runs to the cupboard. She opens the cupboard. She sees the revolver. Mad with fear, she grasps the revolver. She points it at William Towers. And William Towers jeers at her, jeers at them both. 'I'll do you in. I'll do you both in, damn you!' shouts this madman, this drunken madman who has made my client's life a living hell. And again he brandishes his stick, threatening a defenseless man.

"And then? Even then, does Robert Fielding call upon his cousin to fire? No. Remember that he knows himself in danger of his life; knows that one pressure of his cousin's finger on the trigger will save his life. Yet Robert Fielding does not call upon his cousin to fire. He warns the man--the reprobate who is seeking to slay him; he cries, 'Look out, Bill. The gun's loaded.' But William Towers only sneers. 'You can't frighten me,' sneers William Towers, and once more he brandishes his weapon, making as though to batter out Robert Fielding's life.

"To batter out Robert Fielding's life!" Now, irresistible, the sword of the spoken word plunges to its peroration. "My lord, members of the jury, was it murder, or a defense against murder, when my client, my innocent client, maddened by fear--driven to desperation by the thought of this foul crime which only she could prevent--pulled the trigger, sped the bullet which sent William Towers to his account with God? My lord, members of the jury, all you who listen to me in this court to-day, is there any one of you who--fearful as my client was fearful--provoked as my client was provoked--maddened as my client was maddened, by the sight of an armless man, of the one creature she loved in all the world, about to suffer death at the hands of a reprobate--would not have done what Lucy Towers did, would not have torn madly at the revolver trigger, would not have taken a life that a life might live?

"Men and women in whose hands lies the fate of my client, it is on that plea--on that plea alone--on the plea that the life she took was a life already forfeit--that I ask you to set her free. Were I in France, were I in America, I might plead the unwritten law. I do not plead it. By the written statutes of England; by every precedent of British justice; by the written law and by the written law alone; by that inalienable right which every citizen of this country possesses, the right to kill in another's defense, I ask you by your verdict to-day to manumit Lucy Towers of all and every penalty, to let her go free from this court, to acquit her at the hands of her fellow-men--as I, her advocate, am convinced that she stands acquitted at the hands of God."

To Ronald Cavendish, the actual world--the judge, the jury, the spectators, the motionless woman in the dock--were still blurred, a blur of many faces. He knew only that he had made his effort; that he was still on his feet; that he was tottering on his feet. His hands still gripped the lapels of his robe. He could feel the sweat of his hands as they gripped the black stuff; feel the sweat pouring down his body. He knew that his body was twitching; twitching in every nerve. But his brain was a gutted mechanism, unfunctioning, telling neither success nor failure. Of all the words his lips had spoken, no memory remained.

And then, sharply, the actual world came back. He saw the faces distinctly; Heber's face, the faces of the jury. Followed tumult. Men, men and women, were applauding; applauding him, Ronald Cavendish, who could remember no word of all the words he had spoken. Had he succeeded? Surely, he must have succeeded? Mr. Justice Heber was threatening to have the court cleared; but the men, the men and the women in the well of the court still applauded. Even Cartwright--"that old stick Cartwright" was applauding. . . .

At last the tumult quelled; and Ronnie was conscious of a silence, the silence of abashed English folk. Only one sound--the sound of a woman's sobs--intruded upon that silence. And Ronnie knew that the woman in the dock was crying; crying like a broken soul; crying to herself, faintly, feebly, careless of the judge, careless of the spectators, careless of the other woman, the woman in the blue prison-uniform, who bent over her, patting her shoulder, striving to comfort.

Then even that sound ceased; and Ronnie, leaning back exhausted against the oak, saw that his enemy had risen.

But no words came from Hector Brunton. Speechless, he eyed the jury. The jury turned from him; turned their heads this way and that in conference. The jury--men and women--shifted up and down on their benches, taking counsel with one another. Whispers carried across from the jury-box; tense shrill whispers: "It ought to stop." "I've heard enough." "Too much." "Don't lethimsay any more." And promptly, a bearded man rose among the jury and turned to the judge.

"My lord," the man's lips trembled, "we have heard all we want to hear. We are all of one opinion. We have made up our minds. We find the prisoner not guilty."

Once again, tumult--the tumult of men and women applauding--broke upon Ronnie's ears. Then he saw Mr. Justice Heber hold up his hand; heard the crier calling for silence; heard his lordship's quiet "Prisoner at the bar, the jury have found you not guilty. With that verdict I concur. You are discharged"; and saw Hector Brunton collapse, as a stricken boxer collapses to the knock-out.

There followed, on that amazing and unprecedented verdict, the craziest half-hour in Ronnie's life. Still stunned by the swiftness of his victory, he heard--as a man battle-mazed hears gunfire--the plaudits in the court, the plaudits on landing and staircase, the plaudits of the mob without.

The plaudits of the mob deepened to a roar, to a great sullen roar of cheers, till it seemed to Ronnie as though all England must have been waiting in the street below. And within, all about him, were men; mad excitable men. One of those men--Cartwright--was shouting in his ear, "Bravo, my boy! Bravo!" A second--Spillcroft--kept on smiting him between the shoulders. A third--the gigantic Henry Smith-Assher--had grasped both his hands, whispering, "By God, you deserved to beat us," as another robed figure, a figure whom Ronnie remembered to have been his one-time enemy, slunk off through the crowding people.

Then, for a second, the people parted; and his eyes--dazed as his brain--saw Aliette. Aliette stood, high above him, ringed by people, in the oak-paneled dock. A wardress, a blue-uniformed prison-wardress, was kissing her; kissing his Aliette on the cheeks. Damn it, he had freed Aliette, freed her from the dock! Why didn't the wardress release her? Damn it, he'd release her himself.

"Come on, old man," said a voice; Spillcroft's voice; and suddenly Ronnie felt himself impelled through the people, impelled toward the dock.

And Aliette came down to him from the dock! Only now his brain, clearing a little, knew that this was not Aliette, but Lucy, Lucy Towers whom he had saved from the hangman's rope and the felon's cell.

She came toward him through the ringing, crowding people. He was looking into her eyes; Aliette's eyes. The eyes were tear-stained; and he knew, thrilling, that her reserve--the reserve stubborn as Aliette's own--had been broken at last.

They had reached one another. Both her hands were outstretched. Her hands grasped his. He knew that she was trying to raise his hands to her lips. But people pressed on them. People--panting, emotional people--pressed them apart. He heard some one say, "Let's chair them. Let's chair them both." He felt himself lifted off his feet. He heard a constable's voice: "Easy on, gentlemen. Easy on. This ain't a bear-garden."

And suddenly he found himself in the street of Old Bailey. The street, from wall to wall, was a river of upturned faces, laughing faces, cheering faces, shouting faces.

For the London mob had gone mob-mad; and the police could not hold them, hardly tried to hold them. "Good old Cavendish," howled the mob. "Good old Cut Cavendish. Put that in yer pipe and smoke it!" And again: "Luc-ee Towers. We want ter see Luc-ee. Where's Luc-ee? We want to see Standon--Standon. Where's Bertram Standon?"

Hector Brunton, K.C., hearing, alone in the deserted robing-room, the hoarse cheering of the mob, seemed to hear in it his father's rumbling voice: "The man who lets his wife live with somebody else is a common or garden pimp."

"I think I'll be going now, if you'll permit me, sir," said Benjamin Bunce. "And, if I may be allowed to say so, sir, congratulations."

"Thanks, Bunce. Toddle off if you like."

It was past eight o'clock, and the Temple curiously quiet. Ronnie, kindling himself a pipe and leaning back in his battered armchair, heard his clerk's boot-soles hurrying through, the colonnade of Pump Court; and after that, never a footfall.

Despite Spillcroft's invitation and Cartwright's, despite an imploring wire from Bertram Standon to meet his entire staff at the Savoy, the barrister had dined early and alone. His work had played him out. Looking back, he could remember nothing of the case, except that last frenzied scene outside the court, whence--the police good-temperedly intervening--he and his client and the armless sailor had escaped in John Cartwright's car. Trying to recapture the events of the last three days, and more especially the words of his final speech, it seemed as though he had been some one other than himself, as though the hand of fate itself had steered him to victory. Perhaps that was why victory seemed so valueless!

To sit there in the old chambers where he had dreamed so many dreams; to watch the pipe-smoke curling round his head, and know Lucy Towers saved; to imagine Lucy Towers and Bob Fielding happily married; even to realize Brunton, his enemy Brunton, beaten--afforded no satisfaction. Curious, he thought, how little his public triumph over Aliette's husband, his public success, affected him! So often in the last fifteen months he had thrilled to the vision of himself successful: yet now--now that success had actually been accomplished--it held no joy.

Glooming, Ronnie's thoughts switched from the public issue to the personal. What did it avail that he, Ronald Cavendish, should have rolled the "hanging prosecutor" in the dust; that the press was already blazing his fame from one end of England to another--so long as Brunton remained, as Brunton would remain, the legal owner of Aliette? What did it profit him to have saved the woman in the dock if he could not save the woman in his own home?

The pipe went out, and his slack fingers could not be bothered to rekindle it. Depression, the terrible depression of overstrain, settled like a miasma-cloud on his brain. His triumph became a mockery, his fame a whited sepulcher. Saving others, he could save neither himself nor the woman he loved. Aliette was outcast, would remain outcast; and he with her. All the pleasant things his success might have won for them both--social position, companionship of friends, political possibilities--were beyond their reach. To them, success could only bring money.

Bitterly he fell to reproaching himself--as all the lovers of all the Aliettes do reproach themselves in those hours when love comes not to their aid--for ever having persuaded her to run away with him. What was the use of blaming Brunton, of hating Brunton? He himself and no other was responsible. He felt the flame of his old hatred against Brunton blow back, scorching his own head. Truly loving Aliette, he should have been satisfied--as Robert Fielding had been satisfied--with renunciation.

"I've been selfish," he thought, "selfish"; and, so thinking, remembered his mother.

Toward her, too, he had played the complete egoist; forgetful--in his self-concentration, in the absorption of his work and the battle against his enemy--of her need for him, of her illness.

And abruptly, luminous through the darkness which had settled on his mind, Ronnie saw a picture of Daffadillies. The great house stood foursquare under the moon. Trees spired sable from the gleam of its lawns. Its roof glittered under a glittering sky. From its gabled windows glowed the saffron welcome of lamp-light. Behind one of those gabled windows, his mother, who had loved him all her life, who had grudged him never a thought, never a sacrifice, lay ill; mortally ill perhaps.

And suddenly it seemed to Julia's son as though the darkness of his own mind came between the moon and Daffadillies. Black clouds, ragged and menacing, drifted down from the glitter of the skies, blurring the saffron window-gleams. Mists swirled about the spring trees, across the gleam of the lawns. Watching the menace of those ragged clouds, the cold swirl of the mists, he knew fear, the old battle-fear of death.

If only the clouds would break, the mists roll away from Daffadillies. But there came no break in the ragged clouds. Black they banked, and blacker, round the high moon; till the moon was no more, and only the ghost of a ghostly house trembled--as smoke seen through smoked glass--through the swirl of the mist.

Then even the ghost of Daffadillies vanished; and, sightless, he peered at the void.

Till, out of the void, sound issued--the sound of a woman's voice--of his mother's voice: "Ronnie! Ronnie! I am afraid. Come to me."

With a start, Ronald Cavendish awoke.

The green-shaded lamp still burned at his head, showing up every stain on the leather desk-top, every ink-spot on the pewter inkstand. There were his quill pens; his thumb-soiled brief. There, on the shelves, were his law-books. At his feet, its ashes spilled from cracked bowl to worn carpet, lay the pipe he had been smoking. "I must have been dreaming," he thought.

But the dream and the fear of the dream still haunted his mind. Vainly, rubbing his eyes, he strove for courage. Always, his imagination saw the darkness gathering about Daffadillies; always, out of the gathering darkness, he heard his mother's voice--calling--calling. Till, fear-haunted, he sprang to his feet.

His feet moved under him. They moved very slowly, as the feet of a sleep-walker. He said to his feet, "This is foolishness, foolishness." He said to his feet, "Be still."

He found himself in the corridor. He found himself at the telephone. He said to himself, "I might just make certain that she's all right."

Then, startlingly, the telephone-bell rang; and, startled, he picked the receiver from the clip. Ages seemed to pass before he heard the operator's: "City double-four two eight? Don't go away. I want you."

Followed, very distinct at that hour of the night, "Horsham, you're through"; and after a pause, "Is that Mr. Cavendish? Mr. Ronald Cavendish? This is Mrs. Sanderson speaking. I rang up Embankment House, but the porter said you weren't back yet." Already Ronnie's ears, acute, apprehensive, knew the worst. "Can you get through to Dr. Baynet? Can you bring him down at once? Your mother has had another hemorrhage."

"A bad one?" Ronnie tried to smooth the fear from his voice.

"I'm afraid so. Your wife's upstairs with Dr. Thompson. Would you like to speak to her?"

"No. Tell her that I'll get on to Sir Heron at once. Tell her, please," the words snapped decision, "that I'll bring him down to Daffadillies to-night. Do you understand? To-night! Tell the lodge-keeper to wait up for us, to have the gates open. Is that quite clear?"

"Quite clear." The automaton's answer sounded irritatingly calm. "Quite clear, thank you."

"Then good night." With a click of decision, Ronnie replaced the receiver. Danger, ousting fear, galvanized him to action. He looked at the clock. The hands pointed to 9:15. The last train for West Water left at nine! He snatched up the telephone-book; found the doctor's number; called it.

A man-servant answered. "Sir Heron's engaged. Can I take any message?"

"No. I want to speak to him personally."

"Sir Heron is giving a dinner-party, sir."

"Tell him the matter is urgent ... Yes ... Cavendish ... Ronald Cavendish."

The man left the instrument. Waiting, Ronnie grew apprehensive. Suppose Sir Heron refused to come.... Then he heard, "Is that you, Cavendish? No bad news, I hope?"

"Very bad, I'm afraid. I've just spoken to Daffadillies on the telephone. My mother's had another hemorrhage. Can you come down to-night?"

"To-night?"

"Yes. With me. The last train's gone. I'm going down by taxi."

Silence ... and again Ronnie grew apprehensive. Sir Heron was a specialist--a great man. Absurd to ask such a favor of him!

Interrupted Sir Heron's decisive, "Very well. No need for a taxi. You can come down in my car. Where are you telephoning from?"

"The Temple."

"Then be here in twenty minutes."

Snatching his hat and his coat, clicking off the light, and slamming his oak behind him, Ronnie darted downstairs into Pump Court, through Pump Court and up Middle Temple Lane toward the barred gate which gives on to Fleet Street. In seconds he was at the side door of the gate--through it--and into a taxi. In seconds he was whirling away from the deserted law courts, past the gleaming front of the Gaiety Theater, down the Strand.

He wanted speed--speed. Not till they were out of the Strand and through Trafalgar Square did thought oust action from his mind. And then thought was fearful--terrifying. Again, as on that night when he and Aliette had taxied from Embankment House to Bruton Street, he saw his mother dying. But now he saw himself guilty of her death.

Harley Street reached, a long blue car purred past his taxi and pulled up a hundred yards ahead. Reaching the car, the taxi stopped. Ronnie leaped out; flung a couple of half-crowns to his driver; leaped up the steps of the Georgian house; and rang. The door opened instantaneously; revealing--behind the portly form of the butler--a long tessellated hall. Down the staircase into the hall--his dinner-party abandoned--came the punctual specialist.

"That you, Cavendish? I sha'n't be a moment." Sir Heron, already in his fur coat, his slouch hat pulled on anyhow, disappeared round the newel post of the staircase toward his consulting room; and reëmerged, with a battered black medicine-case in his hand. "Come along. We can talk in the car. In you go----"

The butler closed the door of the limousine behind them; and the doctor's chauffeur, obviously preinstructed as to their destination, turned the long Rolls-Royce bonnet south.

"Another hemorrhage, you say?" Sir Heron lit himself a cigarette; and in the red spurt of the match, Ronnie could see that his face was troubled. "I'm glad you telephoned."

"It's very good of you to come down at such short notice, Sir Heron.''

"Only my duty."

The great car swept down Portland Place, down Regent Street. At the Circus, Heron Baynet picked up the speaking-tube, and called, "Take the Bromley road, please."

"Wonderful woman, your mother," he said suddenly. "I wish I could have done more for her."

"There's no chance, then?"

"None now, I'm afraid." The car purred on out of London, and after a long time the specialist said: "Not that there ever was more than the ghost of a chance."

"There was a chance then--once?" Ronnie's face, seen in the intermittent light of the passing street-lamps, showed white with misery. Again he was remembering that other night--the night when he had waited with Smithers outside Julia's door.

"Meaning?" prevaricated the specialist.

"This." Bonnie's teeth clenched on the Bullet. "Suppose that my mother had gone away to Switzerland or the south of France a year ago, she might have been saved?"

"I doubt it."

"But you advised Switzerland, didn't you?"

"Admitted." Sir Heron looked shrewdly at his cross-examiner. "Blaming yourself?" he asked bruskly.

"Yes."

"You needn't. Even if she had done what I told her, we couldn't have cured the diabetes." He plunged into medical details.

"Nobody's to blame then?" The voice of Julia Cavendish's son embodied a whole army of questions.

"No, nobody. Not even herself. If you blame any one, blame nature." And Sir Heron, who knew more of Ronnie's story than Ronnie guessed, added quietly: "Your wife has been a wonderful nurse, Cavendish."

"Thank you, Sir Heron." The men's thoughts, meeting, understood one another. "You've taken rather a weight off my mind. Tell me one thing more. This work she's been doing: has it been harmful?"

"Not as harmful as trying to prevent her from doing it."

"I see." Consoled, Ronnie fell silent.

But the consolation was short-lived. All said and done, what did it matter at whose hand--his own or nature's--his mother lay stricken? Remained always the bitter unescapable knowledge that the surest consultant in England spoke of her as one already doomed. In a little while there would be no Julia. Even now--impossible as it seemed, driving thus down the living breathing streets into the living breathing country--she might be already dead.

"We've done it in well under two hours." Sir Heron, who had been dozing, opened his eyes as the car-lights climbed West Water Hill and began to thread their illuminated path through the woods which surround Daffadillies.

The Rolls-Royce made the lodge-gates; found them swung back from their stone pillars; swept through; and, rounding the drive, pulled up noiselessly at the open door of the great house. In the glow of the doorway stood Aliette. Ronnie hardly saw, as she came down the steps to meet him, how lined and drawn was her face, how wide with anxiety her brown eyes.

"Sir Heron"--her voice sounded calm, controlled; the hand on her lover's arm did not tremble--"you'll go to her at once, won't you? I made the local doctor give her morphia. That was right, wasn't it?"

"Quite right."

Kate, appearing through the baize door at the end of the hall, led the doctor upstairs.

"I did what I could, dear," said Aliette hurriedly. "Nurse has been splendid. Dr. Thompson came at once. But I'm afraid it isn't much good. It was all so terribly sudden. She'd gone to bed quite comfortably. Neither nurse nor I had the least idea. She only just managed to ring her bell in time. Smithers said it was just the same that first time at Bruton Street. She asked for you--twice."

"Is she in any pain?"

"No, darling, not now."

"You're sure?"

"Quite sure."

"But--that's all we can do for her?"

"I--I'm afraid so. Unless Sir Heron----" They spoke in whispers, like people already in the presence of death. Kate, running downstairs, disturbed them. Kate's eyes were swollen. Tears choked her voice.

"The doctor says, will you please come up, Mr. Ronnie."

Swiftly Ronnie passed up that gloomy balustered staircase. He couldn't think. He couldn't feel. Pain numbed his limbs, numbed his brain. Just outside his mother's room stood Smithers. She, too--he could see--had been crying. He wanted to console her--but his lips found no word.

His mother's door was ajar. Pushing it open, he knew fear. In that room waited Death--an impalpable figure--a figure of mist--icy-cold.

Entering the room, he was just aware of the local doctor's tweeded figure stooped over his mother's bed, and of Sir Heron--hand on his arm--whispering, "It's the end, I'm afraid, Cavendish."

Dr. Thompson made way; and, still incapable of thought, Ronnie moved toward the bed. A light burned by the bed. In the ring of the light he saw a face. The face, he knew, had been in pain, in terror. But now both the terror and the pain were gone from it. Morphia--eons ago some one must have told him about the morphia--had driven the terror and the pain away.

Could this gray countenance--this mask of shrunken cheek-bones, of closed eyes, and open mouth--be Julia's? If Julia, surely Julia was already dead. Surely the last breath had already left that wasted body, motionless under its bedclothes.

He became aware that his mother was not yet dead. Every now and then, breath gurgled in her throat. The gurgle of her breath terrified him. She was still in pain--in pain.

But she could not be in pain. No agony twitched that wasted body. The fingers of that hand which lay, white and shrunken on the eiderdown, did not move.

Surely he had been standing by his mother's bedside since the dawn of time. Fatigue rocked his limbs. His eyelids smarted with unshed tears. He wanted to kneel down, to press his lips in homage on those shrunken fingers.

Surely, the fingers moved. Surely, even at the gates of death, his mother was aware of him. Her eyes opened. The gurgling of her breath ceased. And suddenly, desperately, he wanted to hear her voice, to hear one last word from those bluing lips.

Then, in fear, Ronnie knew that the soul was passing. Then, in fear, he saw the flutter of it at his mother's mouth; saw the hover of it--palest tenuous flame--above her head. Despairingly, his soul called to hers: "Mater! Mater!"

But the soul might not speak with him. The tenuous flame fled upwards; and he knew that the body which had born his body was dead.

Both doctors were gone. Already nurse busied herself in the death-chamber.

But to Ronnie and Aliette, sitting side by side in the empty drawing-room, it seemed as though Julia's spirit still haunted the house, as though at any moment they might hear her fine courageous voice and see her come in to them. Outside--weeping for her--rain fell. The drip of it among the shrubberies, heard through closed curtains, was like the patter of little unhappy feet. If only, like the voice of the rain, their voices could weep for her! If only, like the feet of the rain, their feet could busy themselves about some task in her service!

A faint diffident knocking startled them. Mrs. Sanderson came in.

The automaton's cheeks were swollen. The eyes under her tortoise-shell spectacles showed red and heavy-lidded. "I'm sorry to disturb you," said Mrs. Sanderson, "but it was her wish." She moved toward them across the carpet; and Ronnie saw that she carried under her arm a thick wad of papers.

"Shetold me"--they hardly recognized the woman's voice--"to give you this as soon as she died. She told me to telephone Mr. Wilberforce, Mr. James Wilberforce. There's a letter for him, you know. I'm going to telephone Mr. Wilberforce in the morning. But this--this is for you, Mr. Ronnie. She said I was to give it to you as soon as I possibly could. She said I was to tell you that you were not to show it to anybody else until you had spoken to Mr. Wilberforce, Mr. James Wilberforce."

"Man," Aliette had risen; "what can it be?"

"It's a book." Ronnie spoke in a whisper. "The manuscript of a book. I wonder if she finished it."

"Yes. She finished it." The automaton handed her burden, to Ronnie, and disappeared.

"She"--Aliette moved away from the sofa where they had been sitting--"she said you weren't to show it to any one else."

"But that couldn't have included you."

"I'd rather not see--not yet." She was at the door now; and Ronnie, looking up at her--the parcel still in his hands--saw that she had gone very pale.

"Darling," he asked, "you're not ill, are you?"

"Ill?" She laughed--unsteadily--her fingers on the door-handle. "Ill? No, I'm not ill--only ... only----"

"But you are ill." He put the parcel down on the sofa and came across the room toward her. "Why, you're shaking all over."

She laughed again, hysterically. "I'm not. I'm not. I'm only tired. Worn out. I'm going to bed. Don't come up, Ronnie. Don't come up." And, kissing him, she ran from the room.

"Poor Alie," thought the man, "it's been too much for her."

Alone in the drawing-room, Ronnie sat staring at the thick wad of papers, and at the envelope which topped them. "To my son," read the writing on the envelope; the well-known handwriting with the little loops at the top of the "o's" and the upright triangles of the "m's" and "n's."

He took up and opened the envelope. Inside of it, folded, lay a single sheet of note-paper: "Don't be unhappy, Ronnie. Don't blame yourself. This book is my last effort for you and Aliette. I feel it is your way to freedom. Use it as you and James Wilberforce think best. I have just had news of your great success. It makes me very proud.Your Mother."

Ronnie's eyes blurred, as Julia's eyes had blurred when her weak hands penciled the uneven lines. Puzzled and miserable--his heart choking in his mouth--he turned from the letter to the papers. The papers were in typescript; six pads, each holed and taped.

"'Man's Law,'" read the topmost paper of all; "'The Story of a Wrong,' By Julia Cavendish: and by her dedicated to all those of her own sex who have suffered and are suffering injustice."

Julia's son picked the top pad from the manuscript, turned over the title-page, and began to read his mother's preface.

For a few lines he read aimlessly, as folk obsessed by grief read, their thoughts wandering from the written word. Then, with one paragraph, the words gripped him, so that he forgot even his grief.

"All my life," read the paragraph, "I have believed in the sanctity of the Christian marriage tie. Believing that the oath taken by a man and a woman before their God--'so long as ye both shall live'--might only be set aside by death, I made the safeguarding of that oath a fetish and a shibboleth. The purpose of this book is to undo, so far as in me lies, the teachings of my former works on the marriage question; and I embrace this purpose the more firmly because it has been brought home to me by personal experience that there are and must always be many cases in which the application of a rigid doctrine leads to misery. Therefore I have felt it my duty--a duty not undertaken lightly--to combat that rigid doctrine; and to plead, in substitution for a code which I now believe un-Christian, the doctrine of 'The Right to Married Happiness.'"

Interested, Ronnie read on. Outside, rain fell and fell. Within was no sound save the rustle of turned paper. The first chapter of "Man's Law"--the second--the third raced through his brain, enthralling him, holding him spellbound. The words became symbols of speech--speech itself. It seemed to him as though Julia Cavendish were actually in the room, as though actually he heard her voice. And the voice told him a story similar to his own. The story of a Ronald Cavendish and an Aliette Brunton!

But so grandly did the story draw him on, that only gradually--gradually as a man sees dawn dissolving night---did Ronnie realize the personal application of it; realize that here, in words of sheer genius, an advocate not tonguetied--where he himself would always have been tonguetied, in Aliette's defense--pleaded not so much the cause of all the Aliettes in the world as, in sentences now so reasoned that they convinced the very intellect, now so passionate that they wrung the very heart, the cause of his own individual Aliette, the cause of Hector Brunton's wife against her legal owner.

And at that, a little, the lawyer in Ronnie's mind ousted, the lover.

Half-way through the book, he put it down for a moment. Sentences--certain sentences so venomous that he marveled his mother could have written them--comments, certain comments all leveled against one particular character, stuck like needles in his legal mind. His legal mind said to him: "Slander. Those sentences, those comments, are actionable."

Then he picked up the manuscript again, and read on--on and on,--unconscious of the clock-tick from the mantelpiece, of the rain ceasing without, of the day dawning wan across the Sussex Downs.

Till violently, with the ending of the tale, remembering his mother's letter, he saw her purpose plain.

"Man's Law" represented Julia's "flaunting policy" carried to its uttermost extreme! It wasn't fiction at all--it was his own story--his story, and Aliette's and Hector's--scarcely disguised! He recollected her interest in the Carrington case--recollected telling her how Belfield had broken Carrington, at long last, by the aid of the press.

Julia, obviously, had planned to break Aliette's husband in much the same way. This book once published, Hector Brunton would be compelled (Julia's photographic memory had etched the husband of her tale so accurately that no reader could mistake him for other than the "hanging prosecutor") to bring an action for divorce. Brunton, even as Carrington, could not permit the knowledge that his wife lived openly with another man to become the public property of Julia Cavendish's million readers.

"Yes!"--for a moment hope kindled in Ronnie's dazed mind--"'Man's Law' would bring Aliette's husband to his senses! Publish the book; and Bruntonmustfile his petition! Unless--unless he brought suit for libel. But if he did that, surely he would have to admit that his wife was living unsued in open adultery. Could a man make that admission--and still wear silk?"

Ronnie's hope expired; violently reaction set in. His heart quaked. He saw, in a flash, the thousand consequences which the publication of "Man's Law"--if, indeed, any publisher would set his imprint on so libelous a story--must entail. This, his mother's last effort to set Aliette free, was a two-edged weapon. However wielded, it would have to be wielded publicly. And publicity--even if it injured his enemy--could help neither him nor Aliette.

Publish the book--and the whole world would know their story! Yes, but who, in all the world, knowing their story, would sympathize with them? Even sympathizing, who would take their side? It took more than a book to turn public opinion. As far as decent people were concerned, the very asking for sympathy would alienate it. Suppose Brunton risked the scandal--sued for libel but not for divorce? Brunton couldn't very well do that. Still----

Fearfully, clutching the letter and the manuscript, Ronnie stumbled up the fast-lightening staircase. "Man's Law" seemed like a ton-weight of social dynamite--of social dynamite he dared not use--in his arms.

A night-light still burned on the landing. Still clutching "Man's Law," Ronnie stole toward the door of his mother's room. If only he could speak with her, kneel by her bedside, ask her for counsel! But the door was locked and he might not go in. Julia Cavendish on whom, lifelong, he had relied for counsel, could counsel him no more. And fearfully, doubtfully, dreading lest the weapon she had forged for him should shiver in pieces if he dared draw it from its scabbard, Julia's son crept to his dressing-room, and locked the weapon away.

"I'll ask Alie," he thought, "I'll ask Alie what she thinks about it."

But Aliette, when he went in to her, was fast asleep. She lay averted from the window, her head on her right arm, the tumble of her hair vivid among the pillows. Every now and then a little tormented moan came from between her lips.

Listening to that moan, believing--in his ignorance--that Hector Brunton was the sole cause of it, Ronald Cavendish made oath with himself, whatever the personal consequences, to use the weapon of his mother's forging.


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