My physician, Dr. O'Rell, has often told me that he who has a well-assorted ballad library should never be lonely, for the limitations of balladly are so broad that within them are to be found performances adapted to every mood to which humanity is liable. And, indeed, my experience confirms the truth of my physician's theory. It were hard for me to tell what delight I have had upon a hot and gusty day in a perusal of the history of Robin Hood, for there is such actuality in those simple rhymes as to dispel the troublesome environments of the present and transport me to better times and pleasanter scenes.
Aha! how many times have I walked with brave Robin in Sherwood forest! How many times have Little John and I couched under the greenwood tree and shared with Friar Tuck the haunch of juicy venison and the pottle of brown October brew! And Will Scarlet and I have been famous friends these many a year, and if Allen-a-Dale were here he would tell you that I have trolled full many a ballad with him in praise of Maid Marian's peerless beauty.
Who says that Sherwood is no more and that Robin and his merry men are gone forever! Why, only yesternight I walked with them in that gracious forest and laughed defiance at the doughty sheriff and his craven menials. The moonlight twinkled and sifted through the boscage, and the wind was fresh and cool. Right merrily we sang, and I doubt not we should have sung the whole night through had not my sister, Miss Susan, come tapping at my door, saying that I had waked her parrot and would do well to cease my uproar and go to sleep.
Judge Methuen has a copy of Bishop Percy's "Reliques of Ancient English Poetry" that he prizes highly. It is the first edition of this noble work, and was originally presented by Percy to Dr. Birch of the British Museum. The Judge found these three volumes exposed for sale in a London book stall, and he comprehended them without delay—a great bargain, you will admit, when I tell you that they cost the Judge but three shillings! How came these precious volumes into that book stall I shall not presume to say.
Strange indeed are the vicissitudes which befall books, stranger even than the happenings in human life. All men are not as considerate of books as I am; I wish they were. Many times I have felt the deepest compassion for noble volumes in the possession of persons wholly incapable of appreciating them. The helpless books seemed to appeal to me to rescue them, and too many times I have been tempted to snatch them from their inhospitable shelves, and march them away to a pleasant refuge beneath my own comfortable roof tree.
Too few people seem to realize that books have feelings. But if I know one thing better than another I know this, that my books know me and love me. When of a morning I awaken I cast my eyes about my room to see how fare my beloved treasures, and as I cry cheerily to them, "Good-day to you, sweet friends!" how lovingly they beam upon me, and how glad they are that my repose has been unbroken. When I take them from their places, how tenderly do they respond to the caresses of my hands, and with what exultation do they respond unto my call for sympathy!
Laughter for my gayer moods, distraction for my cares, solace for my griefs, gossip for my idler moments, tears for my sorrows, counsel for my doubts, and assurance against my fears—these things my books give me with a promptness and a certainty and a cheerfulness which are more than human; so that I were less than human did I not love these comforters and bear eternal gratitude to them.
Judge Methuen read me once a little poem which I fancy mightily; it is entitled "Winfreda," and you will find it in your Percy, if you have one. The last stanza, as I recall it, runs in this wise:
And when by envy time transportedShall seek to rob us of our joys,You'll in our girls again be courtedAnd I'll go wooing in our boys.
"Now who was the author of those lines?" asked the Judge.
"Undoubtedly Oliver Wendell Holmes," said I. "They have the flavor peculiar to our Autocrat; none but he could have done up so much sweetness in such a quaint little bundle."
"You are wrong," said the Judge, "but the mistake is a natural one. The whole poem is such a one as Holmes might have written, but it saw the light long before our dear doctor's day: what a pity that its authorship is not known!"
"Yet why a pity?" quoth I. "Is it not true that words are the only things that live forever? Are we not mortal, and are not books immortal? Homer's harp is broken and Horace's lyre is unstrung, and the voices of the great singers are hushed; but their songs—their songs are imperishable. O friend! what moots it to them or to us who gave this epic or that lyric to immortality? The singer belongs to a year, his song to all time. I know it is the custom now to credit the author with his work, for this is a utilitarian age, and all things are by the pound or the piece, and for so much money.
"So when a song is printed it is printed in small type, and the name of him who wrote it is appended thereunto in big type. If the song be meritorious it goes to the corners of the earth through the medium of the art preservative of arts, but the longer and the farther it travels the bigger does the type of the song become and the smaller becomes the type wherein the author's name is set.
"Then, finally, some inconsiderate hand, wielding the pen or shears, blots out or snips off the poet's name, and henceforth the song is anonymous. A great iconoclast—a royal old iconoclast—is Time: but he hath no terrors for those precious things which are embalmed in words, and the only fellow that shall surely escape him till the crack of doom is he whom men know by the name of Anonymous!"
"Doubtless you speak truly," said the Judge; "yet it would be different if I but had the ordering of things. I would let the poets live forever and I would kill off most of their poetry."
I do not wonder that Ritson and Percy quarrelled. It was his misfortune that Ritson quarrelled with everybody. Yet Ritson was a scrupulously honest man; he was so vulgarly sturdy in his honesty that he would make all folk tell the truth even though the truth were of such a character as to bring the blush of shame to the devil's hardened cheek.
On the other hand, Percy believed that there were certain true things which should not be opened out in the broad light of day; it was this deep-seated conviction which kept him from publishing the manuscript folio, a priceless treasure, which Ritson never saw and which, had it fallen in Ritson's way instead of Percy's, would have been clapped at once into the hands of the printer.
How fortunate it is for us that we have in our time so great a scholar as Francis James Child, so enamored of balladry and so learned in it, to complete and finish the work of his predecessors. I count myself happy that I have heard from the lips of this enthusiast several of the rarest and noblest of the old British and old Scottish ballads; and I recall with pride that he complimented me upon my spirited vocal rendering of "Burd Isabel and Sir Patrick," "Lang Johnny More," "The Duke o' Gordon's Daughter," and two or three other famous songs which I had learned while sojourning among the humbler classes in the North of England.
After paying our compliments to the Robin Hood garlands, to Scott, to Kirkpatrick Sharpe, to Ritson, to Buchan, to Motherwell, to Laing, to Christie, to Jamieson, and to the other famous lovers and compilers of balladry, we fell to discoursing of French song and of the service that Francis Mahony performed for English-speaking humanity when he exploited in his inimitable style those lyrics of the French and the Italian people which are now ours as much as they are anybody else's.
Dear old Beranger! what wonder that Prout loved him, and what wonder that we all love him? I have thirty odd editions of his works, and I would walk farther to pick up a volume of his lyrics than I would walk to secure any other book, excepting of course a Horace. Beranger and I are old cronies. I have for the great master a particularly tender feeling, and all on account of Fanchonette.
But there—you know nothing of Fanchonette, because I have not told you of her. She, too, should have been a book instead of the dainty, coquettish Gallic maiden that she was.
Judge Methuen tells me that he fears what I have said about my bookseller will create the impression that I am unkindly disposed toward the bookselling craft. For the last fifty years I have had uninterrupted dealings with booksellers, and none knows better than the booksellers themselves that I particularly admire them as a class. Visitors to my home have noticed that upon my walls are hung noble portraits of Caxton, Wynkin de Worde, Richard Pynson, John Wygthe, Rayne Wolfe, John Daye, Jacob Tonson, Richard Johnes, John Dunton, and other famous old printers and booksellers.
I have, too, a large collection of portraits of modern booksellers, including a pen-and-ink sketch of Quaritch, a line engraving of Rimell, and a very excellent etching of my dear friend, the late Henry Stevens. One of the portraits is a unique, for I had it painted myself, and I have never permitted any copy to be made of it; it is of my bookseller, and it represents him in the garb of a fisherman, holding his rod and reel in one hand and the copy of the "Compleat Angler" in the other.
Mr. Curwen speaks of booksellers as being "singularly thrifty, able, industrious, and persevering—in some few cases singularly venturesome, liberal, and kind-hearted." My own observation and experience have taught me that as a class booksellers are exceptionally intelligent, ranking with printers in respect to the variety and extent of their learning.
They have, however, this distinct advantage over the printers—they are not brought in contact with the manifold temptations to intemperance and profligacy which environ the votaries of the art preservative of arts. Horace Smith has said that "were there no readers there certainly would be no writers; clearly, therefore, the existence of writers depends upon the existence of readers: and, of course, since the cause must be antecedent to the effect, readers existed before writers. Yet, on the other hand, if there were no writers there could be no readers; so it would appear that writers must be antecedent to readers."
It amazes me that a reasoner so shrewd, so clear, and so exacting as Horace Smith did not pursue the proposition further; for without booksellers there would have been no market for books—the author would not have been able to sell, and the reader would not have been able to buy.
The further we proceed with the investigation the more satisfied we become that the original man was three of number, one of him being the bookseller, who established friendly relations between the other two of him, saying: "I will serve you both by inciting both a demand and a supply." So then the author did his part, and the reader his, which I take to be a much more dignified scheme than that suggested by Darwin and his school of investigators.
By the very nature of their occupation booksellers are broad-minded; their association with every class of humanity and their constant companionship with books give them a liberality that enables them to view with singular clearness and dispassionateness every phase of life and every dispensation of Providence. They are not always practical, for the development of the spiritual and intellectual natures in man does not at the same time promote dexterity in the use of the baser organs of the body, I have known philosophers who could not harness a horse or even shoo chickens.
Ralph Waldo Emerson once consumed several hours' time trying to determine whether he should trundle a wheelbarrow by pushing it or by pulling it. A. Bronson Alcott once tried to construct a chicken coop, and he had boarded himself up inside the structure before he discovered that he had not provided for a door or for windows. We have all heard the story of Isaac Newton—how he cut two holes in his study-door, a large one for his cat to enter by, and a small one for the kitten.
This unworldliness—this impossibility, if you please—is characteristic of intellectual progression. Judge Methuen's second son is named Grolier; and the fact that he doesn't know enough to come in out of the rain has inspired both the Judge and myself with the conviction that in due time Grolier will become a great philosopher.
The mention of this revered name reminds me that my bookseller told me the other day that just before I entered his shop a wealthy patron of the arts and muses called with a volume which he wished to have rebound.
"I can send it to Paris or to London," said my bookseller. "If you have no choice of binder, I will entrust it to Zaehnsdorf with instructions to lavish his choicest art upon it."
"But indeed I HAVE a choice," cried the plutocrat, proudly. "I noticed a large number of Grolier bindings at the Art Institute last week, and I want something of the same kind myself. Send the book to Grolier, and tell him to do his prettiest by it, for I can stand the expense, no matter what it is."
Somewhere in his admirable discourse old Walton has stated the theory that an angler must be born and then made. I have always held the same to be true of the bookseller. There are many, too many, charlatans in the trade; the simon-pure bookseller enters upon and conducts bookselling not merely as a trade and for the purpose of amassing riches, but because he loves books and because he has pleasure in diffusing their gracious influences.
Judge Methuen tells me that it is no longer the fashion to refer to persons or things as being "simon-pure"; the fashion, as he says, passed out some years ago when a writer in a German paper "was led into an amusing blunder by an English review. The reviewer, having occasion to draw a distinction between George and Robert Cruikshank, spoke of the former as the real Simon Pure. The German, not understanding the allusion, gravely told his readers that George Cruikshank was a pseudonym, the author's real name being Simon Pure."
This incident is given in Henry B. Wheatley's "Literary Blunders," a very charming book, but one that could have been made more interesting to me had it recorded the curious blunder which Frederick Saunders makes in his "Story of Some Famous Books." On page 169 we find this information: "Among earlier American bards we instance Dana, whose imaginative poem 'The Culprit Fay,' so replete with poetic beauty, is a fairy tale of the highlands of the Hudson. The origin of the poem is traced to a conversation with Cooper, the novelist, and Fitz-Greene Halleck, the poet, who, speaking of the Scottish streams and their legendary associations, insisted that the American rivers were not susceptible of like poetic treatment. Dana thought otherwise, and to make his position good produced three days after this poem."
It may be that Saunders wrote the name Drake, for it was James Rodman Drake who did "The Culprit Fay." Perhaps it was the printer's fault that the poem is accredited to Dana. Perhaps Mr. Saunders writes so legible a hand that the printers are careless with his manuscript.
"There is," says Wheatley, "there is a popular notion among authors that it is not wise to write a clear hand. Menage was one of the first to express it. He wrote: 'If you desire that no mistake shall appear in the works which you publish, never send well-written copy to the printer, for in that case the manuscript is given to young apprentices, who make a thousand errors; while, on the other hand, that which is difficult to read is dealt with by the master-printers.'"
The most distressing blunder I ever read in print was made at the time of the burial of the famous antiquary and litterateur, John Payne Collier. In the London newspapers of Sept. 21, 1883, it was reported that "the remains of the late Mr. John Payne Collier were interred yesterday in Bray churchyard, near Maidenhead, in the presence of a large number of spectators." Thereupon the Eastern daily press published the following remarkable perversion: "The Bray Colliery Disaster. The remains of the late John Payne, collier, were interred yesterday afternoon in the Bray churchyard in the presence of a large number of friends and spectators."
Far be it from the book-lover and the book-collector to rail at blunders, for not unfrequently these very blunders make books valuable. Who cares for a Pine's Horace that does not contain the "potest" error? The genuine first edition of Hawthorne's "Scarlet Letter" is to be determined by the presence of a certain typographical slip in the introduction. The first edition of the English Scriptures printed in Ireland (1716) is much desired by collectors, and simply because of an error. Isaiah bids us "sin no more," but the Belfast printer, by some means or another, transposed the letters in such wise as to make the injunction read "sin on more."
The so-called Wicked Bible is a book that is seldom met with, and, therefore, in great demand. It was printed in the time of Charles I., and it is notorious because it omits the adverb "not" in its version of the seventh commandment; the printers were fined a large sum for this gross error. Six copies of the Wicked Bible are known to be in existence. At one time the late James Lenox had two copies; in his interesting memoirs Henry Stevens tells how he picked up one copy in Paris for fifty guineas.
Rabelais' printer got the satirical doctor into deep water for printing asne for ame; the council of the Sorbonne took the matter up and asked Francis I. to prosecute Rabelais for heresy; this the king declined to do, and Rabelais proceeded forthwith to torment the council for having founded a charge of heresy upon a printer's blunder.
Once upon a time the Foulis printing establishment at Glasgow determined to print a perfect Horace; accordingly the proof sheets were hung up at the gates of the university, and a sum of money was paid for every error detected.
Notwithstanding these precautions the edition had six uncorrected errors in it when it was finally published. Disraeli says that the so-called Pearl Bible had six thousand errata! The works of Picus of Mirandula, Strasburg, 1507, gave a list of errata covering fifteen folio pages, and a worse case is that of "Missae ac Missalis Anatomia" (1561), a volume of one hundred and seventy-two pages, fifteen of which are devoted to the errata. The author of the Missae felt so deeply aggrieved by this array of blunders that he made a public explanation to the effect that the devil himself stole the manuscript, tampered with it, and then actually compelled the printer to misread it.
I am not sure that this ingenious explanation did not give origin to the term of "printer's devil."
It is frightful to thinkWhat nonsense sometimesThey make of one's senseAnd, what's worse, of one's rhymes.
It was only last week,In my ode upon spring,Which I meant to have madeA most beautiful thing,
When I talked of the dewdropsFrom freshly blown roses,The nasty things made itFrom freshly blown noses.
We can fancy Richard Porson's rage (for Porson was of violent temper) when, having written the statement that "the crowd rent the air with their shouts," his printer made the line read "the crowd rent the air with their snouts." However, this error was a natural one, since it occurs in the "Catechism of the Swinish Multitude." Royalty only are privileged when it comes to the matter of blundering. When Louis XIV. was a boy he one day spoke of "un carosse"; he should have said "une carosse," but he was king, and having changed the gender of carosse the change was accepted, and unto this day carosse is masculine.
That errors should occur in newspapers is not remarkable, for much of the work in a newspaper office is done hastily. Yet some of these errors are very amusing. I remember to have read in a Berlin newspaper a number of years ago that "Prince Bismarck is trying to keep up honest and straightforward relations with all the girls" (madchen).
This statement seemed incomprehensible until it transpired that the word "madchen" was in this instance a misprint for "machten," a word meaning all the European powers.
The garden in which I am straying has so many diversions to catch my eye, to engage my attention and to inspire reminiscence that I find it hard to treat of its beauties methodically. I find myself wandering up and down, hither and thither, in so irresponsible a fashion that I marvel you have not abandoned me as the most irrational of madmen.
Yet how could it be otherwise? All around me I see those things that draw me from the pathway I set out to pursue: like a heedless butterfly I flit from this sweet unto that, glorying and revelling in the sunshine and the posies. There is little that is selfish in a love like this, and herein we have another reason why the passion for books is beneficial. He who loves women must and should love some one woman above the rest, and he has her to his keeping, which I esteem to be one kind of selfishness.
But he who truly loves books loves all books alike, and not only this, but it grieves him that all other men do not share with him this noble passion. Verily, this is the most unselfish of loves!
To return now to the matter of booksellers, I would fain impress you with the excellences of the craft, for I know their virtues. My association with them has covered so long a period and has been so intimate that even in a vast multitude of people I have no difficulty in determining who are the booksellers and who are not.
For, having to do with books, these men in due time come to resemble their wares not only in appearance but also in conversation. My bookseller has dwelt so long in his corner with folios and quartos and other antique tomes that he talks in black-letter and has the modest, engaging look of a brown old stout binding, and to the delectation of discriminating olfactories he exhaleth an odor of mildew and of tobacco commingled, which is more grateful to the true bibliophile than all the perfumes of Araby.
I have studied the craft so diligently that by merely clapping my eyes upon a bookseller I can tell you with certainty what manner of books he sells; but you must know that the ideal bookseller has no fads, being equally proficient in and a lover of all spheres, departments, branches, and lines of his art. He is, moreover, of a benignant nature, and he denies credit to none; yet, withal, he is righteously so discriminating that he lets the poor scholar have for a paltry sum that which the rich parvenu must pay dearly for. He is courteous and considerate where courtesy and consideration are most seemly.
Samuel Johnson once rolled into a London bookseller's shop to ask for literary employment. The bookseller scrutinized his burly frame, enormous hands, coarse face, and humble apparel.
"You would make a better porter," said he.
This was too much for the young lexicographer's patience. He picked up a folio and incontinently let fly at the bookseller's head, and then stepping over the prostrate victim he made his exit, saying: "Lie there, thou lump of lead!"
This bookseller was Osborne, who had a shop at Gray's Inn Gate. To Boswell Johnson subsequently explained: "Sir, he was impertinent to me, and I beat him."
Jacob Tonson was Dryden's bookseller; in the earlier times a seller was also a publisher of books. Dryden was not always on amiable terms with Tonson, presumably because Dryden invariably was in debt to Tonson. On one occasion Dryden asked for an advance of money, but Tonson refused upon the grounds that the poet's overdraft already exceeded the limits of reasonableness. Thereupon Dryden penned the following lines and sent them to Tonson with the message that he who wrote these lines could write more:
With leering looks, bull-faced and freckled fairWith two left legs, with Judas-colored hair,And frowzy pores that taint the ambient air.
These lines wrought the desired effect: Tonson sent the money which Dryden had asked for. When Dryden died Tonson made overtures to Pope, but the latter soon went over to Tonson's most formidable rival, Bernard Lintot. On one occasion Pope happened to be writing to both publishers, and by a curious blunder he inclosed to each the letter intended for the other. In the letter meant for Tonson, he said that Lintot was a scoundrel, and in the letter meant for Lintot he declared that Tonson was an old rascal. We can fancy how little satisfaction Messrs. Lintot and Tonson derived from the perusal of these missent epistles.
Andrew Millar was the publisher who had practical charge of the production of Johnson's dictionary. It seems that Johnson drew out his stipulated honorarium of eight thousand dollars (to be more exact, L1575) before the dictionary went to press; this is not surprising, for the work of preparation consumed eight years, instead of three, as Johnson had calculated. Johnson inquired of the messenger what Millar said when he received the last batch of copy. The messenger answered: "He said 'Thank God I have done with him.'" This made Johnson smile. "I am glad," said he, quietly, "that he thanks God for anything."
I was not done with my discourse when a book was brought in from Judge Methuen; the interruption was a pleasant one. "I was too busy last evening," writes the judge, "to bring you this volume which I picked up in a La Salle street stall yesterday. I know your love for the scallawag Villon, so I am sure you will fancy the lines which, evidently, the former owner of this book has scribbled upon the fly-leaf." Fancy them? Indeed I do; and if you dote on the "scallawag" as I dote on him you also will declare that our anonymous poet has not wrought ill.
If I were Francois Villon and Francois Villon I,What would it matter to me how the time might drag or fly?HE would in sweaty anguish toil the days and nights away,And still not keep the prowling, growling, howling wolf at bay!But, with my valiant bottle and my frouzy brevet-bride,And my score of loyal cut-throats standing guard for me outside,What worry of the morrow would provoke a casual sighIf I were Francois Villon and Francois Villon I?
If I were Francois Villon and Francois Villon I,To yonder gloomy boulevard at midnight I would hie;"Stop, stranger! and deliver your possessions, ere you feelThe mettle of my bludgeon or the temper of my steel!"He should give me gold and diamonds, his snuff-box and his cane—"Now back, my boon companions, to our bordel with our gain!"And, back within that brothel, how the bottles they would fly,If I were Francois Villon and Francois Villon I!
If I were Francois Villon and Francois Villon I,We both would mock the gibbet which the law has lifted high;HE in his meagre, shabby home,Iin my roaring den—HE with his babes around him,Iwith my hunted men!His virtue be his bulwark—my genius should be mine!—"Go, fetch my pen, sweet Margot, and a jorum of your wine!
. . . . . . .
So would one vainly plod, and one win immortality—If I were Francois Villon and Francois Villon I!
My acquaintance with Master Villon was made in Paris during my second visit to that fascinating capital, and for a while I was under his spell to that extent that I would read no book but his, and I made journeys to Rouen, Tours, Bordeaux, and Poitiers for the purpose of familiarizing myself with the spots where he had lived, and always under the surveillance of the police. In fact, I became so infatuated of Villonism that at one time I seriously thought of abandoning myself to a life of crime in order to emulate in certain particulars at least the example of my hero.
There were, however, hindrances to this scheme, first of which was my inability to find associates whom I wished to attach to my cause in the capacity in which Colin de Cayeulx and the Baron de Grigny served Master Francois. I sought the companionship of several low-browed, ill-favored fellows whom I believed suited to my purposes, but almost immediately I wearied of them, for they had never looked into a book and were so profoundly ignorant as to be unable to distinguish between a folio and a thirty-twomo.
Then again it befell that, while the Villon fever was raging within and I was contemplating a career of vice, I had a letter from my uncle Cephas, apprising me that Captivity Waite (she was now Mrs. Eliphalet Parker) had named her first-born after me! This intelligence had the effect of cooling and sobering me; I began to realize that, with the responsibility the coming and the christening of Captivity's first-born had imposed upon me, it behooved me to guard with exceeding jealousy the honor of the name which my namesake bore.
While I was thus tempest-tossed, Fanchonette came across my pathway, and with the appearance of Fanchonette every ambition to figure in the annals of bravado left me. Fanchonette was the niece of my landlady; her father was a perfumer; she lived with the old people in the Rue des Capucins. She was of middling stature and had blue eyes and black hair. Had she not been French, she would have been Irish, or, perhaps, a Grecian. Her manner had an indefinable charm.
It was she who acquainted me with Beranger; that is why I never take up that precious volume that I do not think, sweetly and tenderly, of Fanchonette. The book is bound, as you see, in a dainty blue, and the border toolings are delicate tracings of white—all for a purpose, I can assure you. She used to wear a dainty blue gown, from behind the nether hem of which the most immaculate of petticoats peeped out.
If we were never boys, how barren and lonely our age would be. Next to the ineffably blessed period of youth there is no time of life pleasanter than that in which serene old age reviews the exploits and the prodigies of boyhood. Ah, my gay fellows, harvest your crops diligently, that your barns and granaries be full when your arms are no longer able to wield the sickle!
Haec meminisse—to recall the old time—to see her rise out of the dear past—to hear Fanchonette's voice again—to feel the grace of springtime—how gloriously sweet this is! The little quarrels, the reconciliations, the coquetries, the jealousies, the reproaches, the forgivenesses—all the characteristic and endearing haps of the Maytime of life—precious indeed are these retrospections to the hungry eyes of age!
She wed with the perfumer's apprentice; but that was so very long ago that I can pardon, if not forget, the indiscretion. Who knows where she is to-day? Perhaps a granny beldame in a Parisian alley; perhaps for years asleep in Pere la Chaise. Come forth, beloved Beranger, and sing me the old song to make me young and strong and brave again!
Let them be served on gold—The wealthy and the great;Two lovers only wantA single glass and plate!Ring ding, ring ding,Ring ding ding—Old wine, young lassie,Sing, boys, sing!
For a good many years I was deeply interested in British politics. I was converted to Liberalism, so-called, by an incident which I deem well worth relating. One afternoon I entered a book-shop in High Holborn, and found that the Hon. William E. Gladstone had preceded me thither. I had never seen Mr. Gladstone before. I recognized him now by his resemblance to the caricatures, and by his unlikeness to the portraits which the newspapers had printed.
As I entered the shop I heard the bookseller ask: "What books shall I send?"
To this, with a very magnificent sweep of his arms indicating every point of the compass, Gladstone made answer: "Send me THOSE!"
With these words he left the place, and I stepped forward to claim a volume which had attracted my favorable attention several days previous.
"I beg your pardon, sir," said the bookseller, politely, "but that book is sold."
"Sold?" I cried.
"Yes, sir," replied the bookseller, smiling with evident pride; "Mr. Gladstone just bought it; I haven't a book for sale—Mr. Gladstone just bought them ALL!"
The bookseller then proceeded to tell me that whenever Gladstone entered a bookshop he made a practice of buying everything in sight. That magnificent, sweeping gesture of his comprehended everything—theology, history, social science, folk-lore, medicine, travel, biography—everything that came to his net was fish!
"This is the third time Mr. Gladstone has visited me," said the bookseller, "and this is the third time he has cleaned me out."
"This man is a good man," says I to myself. "So notable a lover of books surely cannot err. The cause of home rule must be a just one after all."
From others intimately acquainted with him I learned that Gladstone was an omnivorous reader; that he ordered his books by the cart-load, and that his home in Hawarden literally overflowed with books. He made a practice, I was told, of overhauling his library once in so often and of weeding out such volumes as he did not care to keep. These discarded books were sent to the second-hand dealers, and it is said that the dealers not unfrequently took advantage of Gladstone by reselling him over and over again (and at advanced prices, too) the very lots of books he had culled out and rejected.
Every book-lover has his own way of buying; so there are as many ways of buying as there are purchasers. However, Judge Methuen and I have agreed that all buyers may be classed in these following specified grand divisions:
The reckless buyer.The shrewd buyer.The timid buyer.
Of these three classes the third is least worthy of our consideration, although it includes very many lovers of books, and consequently very many friends of mine. I have actually known men to hesitate, to ponder, to dodder for weeks, nay, months over the purchase of a book; not because they did not want it, nor because they deemed the price exorbitant, nor yet because they were not abundantly able to pay that price. Their hesitancy was due to an innate, congenital lack of determination—that same hideous curse of vacillation which is responsible for so much misery in human life.
I have made a study of these people, and I find that most of them are bachelors whose state of singleness is due to the fact that the same hesitancy which has deprived them of many a coveted volume has operated to their discomfiture in the matrimonial sphere. While they deliberated, another bolder than they came along and walked off with the prize.
One of the gamest buyers I know of was the late John A. Rice of Chicago. As a competitor at the great auction sales he was invincible; and why? Because, having determined to buy a book, he put no limit to the amount of his bid. His instructions to his agent were in these words: "I must have those books, no matter what they cost."
An English collector found in Rice's library a set of rare volumes he had been searching for for years.
"How did you happen to get them?" he asked. "You bought them at the Spencer sale and against my bid. Do you know, I told my buyer to bid a thousand pounds for them, if necessary!"
"That was where I had the advantage of you," said Rice, quietly. "I specified no limit; I simply told my man to buy the books."
The spirit of the collector cropped out early in Rice. I remember to have heard him tell how one time, when he was a young man, he was shuffling over a lot of tracts in a bin in front of a Boston bookstall. His eye suddenly fell upon a little pamphlet entitled "The Cow-Chace." He picked it up and read it. It was a poem founded upon the defeat of Generals Wayne, Irving, and Proctor. The last stanza ran in this wise:
And now I've closed my epic strain,I tremble as I show it,Lest this same warrior-drover, Wayne,Should ever catch the poet.
Rice noticed that the pamphlet bore the imprint of James Rivington, New York, 1780. It occurred to him that some time this modest tract of eighteen pages might be valuable; at any rate, he paid the fifteen cents demanded for it, and at the same time he purchased for ten cents another pamphlet entitled "The American Tories, a Satire."
Twenty years later, having learned the value of these exceedingly rare tracts, Mr. Rice sent them to London and had them bound in Francis Bedford's best style—"crimson crushed levant morocco, finished to a Grolier pattern." Bedford's charges amounted to seventy-five dollars, which with the original cost of the pamphlets represented an expenditure of seventy-five dollars and twenty-five cents upon Mr. Rice's part. At the sale of the Rice library in 1870, however, this curious, rare, and beautiful little book brought the extraordinary sum of seven hundred and fifty dollars!
The Rice library contained about five thousand volumes, and it realized at auction sale somewhat more than seventy-two thousand dollars. Rice has often told me that for a long time he could not make up his mind to part with his books; yet his health was so poor that he found it imperative to retire from business, and to devote a long period of time to travel; these were the considerations that induced him finally to part with his treasures. "I have never regretted having sold them," he said. "Two years after the sale the Chicago fire came along. Had I retained those books, every one of them would have been lost."
Mrs. Rice shared her husband's enthusiasm for books. Whenever a new invoice arrived, the two would lock themselves in their room, get down upon their knees on the floor, open the box, take out the treasures and gloat over them, together! Noble lady! she was such a wife as any good man might be proud of. They were very happy in their companionship on earth, were my dear old friends. He was the first to go; their separation was short; together once more and forever they share the illimitable joys which await all lovers of good books when virtue hath mournfully writ the colophon to their human careers.
Although Mr. Rice survived the sale of his remarkable library a period of twenty-six years, he did not get together again a collection of books that he was willing to call a library. His first collection was so remarkable that he preferred to have his fame rest wholly upon it. Perhaps he was wise; yet how few collectors there are who would have done as he did.
As for myself, I verily believe that, if by fire or by water my library should be destroyed this night, I should start in again to-morrow upon the collection of another library. Or if I did not do this, I should lay myself down to die, for how could I live without the companionships to which I have ever been accustomed, and which have grown as dear to me as life itself?
Whenever Judge Methuen is in a jocular mood and wishes to tease me, he asks me whether I have forgotten the time when I was possessed of a spirit of reform and registered a solemn vow in high heaven to buy no more books. Teasing, says Victor Hugo, is the malice of good men; Judge Methuen means no evil when he recalls that weakness—the one weakness in all my career.
No, I have not forgotten that time; I look back upon it with a shudder of horror, for wretched indeed would have been my existence had I carried into effect the project I devised at that remote period!
Dr. O'Rell has an interesting theory which you will find recorded in the published proceedings of the National Academy of Sciences (vol. xxxiv., p. 216). Or, if you cannot procure copies of that work, it may serve your purpose to know that the doctor's theory is to this effect—viz., that bibliomania does not deserve the name of bibliomania until it is exhibited in the second stage. For secondary bibliomania there is no known cure; the few cases reported as having been cured were doubtless not bibliomania at all, or, at least, were what we of the faculty call false or chicken bibliomania.
"In false bibliomania, which," says Dr. O'Rell, "is the primary stage of the grand passion—the vestibule to the main edifice—the usual symptoms are flushed cheeks, sparkling eyes, a bounding pulse, and quick respiration. This period of exaltation is not unfrequently followed by a condition of collapse in which we find the victim pale, pulseless, and dejected. He is pursued and tormented of imaginary horrors, he reproaches himself for imaginary crimes, and he implores piteously for relief from fancied dangers. The sufferer now stands in a slippery place; unless his case is treated intelligently he will issue from that period of gloom cured of the sweetest of madnesses, and doomed to a life of singular uselessness.
"But properly treated," continues Dr. O'Rell, "and particularly if his spiritual needs be ministered to, he can be brought safely through this period of collapse into a condition of reenforced exaltation, which is the true, or secondary stage of, bibliomania, and for which there is no cure known to humanity."
I should trust Dr. O'Rell's judgment in this matter, even if I did not know from experience that it was true. For Dr. O'Rell is the most famous authority we have in bibliomania and kindred maladies. It is he (I make the information known at the risk of offending the ethics of the profession)—it is he who discovered the bacillus librorum, and, what is still more important and still more to his glory, it is he who invented that subtle lymph which is now everywhere employed by the profession as a diagnostic where the presence of the germs of bibliomania (in other words, bacilli librorum) is suspected.
I once got this learned scientist to inject a milligram of the lymph into the femoral artery of Miss Susan's cat. Within an hour the precocious beast surreptitiously entered my library for the first time in her life, and ate the covers of my pet edition of Rabelais. This demonstrated to Dr. O'Rell's satisfaction the efficacy of his diagnostic, and it proved to Judge Methuen's satisfaction what the Judge has always maintained—viz., that Rabelais was an old rat.