Lola Montez was a charmer. There was something—I do not quite know what—about her appearance that was provocative and voluptuous, and which attracted one. She had a white skin, hair suggestive of the tendrils of honeysuckle, and a mouth that could be compared with a pomegranate. Added to this was a ravishing figure, charming feet, and perfect grace. Unfortunately, as a dancer, she had very little talent.Towards the year 1845 the author of these notes saw much of her. She wanted him to write her memoirs, and gave him some material for them.... She was born in Seville in 1823, with a French officer for a godfather and (as is the custom in Spain) the city of Seville for a godmother. The adventures of her life were written out by her in an exercise-book. She told me that, at a ball in Calcutta, she had once refused to waltz with a wealthy gentleman who was so encrusted with diamonds that he resembled a snuff-box. When he asked her the reason for refusing to dance, she replied: "Sir, I cannot dance with you because you have hurt my foot." The would-be waltzer was a chiropodist!
Lola Montez was a charmer. There was something—I do not quite know what—about her appearance that was provocative and voluptuous, and which attracted one. She had a white skin, hair suggestive of the tendrils of honeysuckle, and a mouth that could be compared with a pomegranate. Added to this was a ravishing figure, charming feet, and perfect grace. Unfortunately, as a dancer, she had very little talent.
Towards the year 1845 the author of these notes saw much of her. She wanted him to write her memoirs, and gave him some material for them.... She was born in Seville in 1823, with a French officer for a godfather and (as is the custom in Spain) the city of Seville for a godmother. The adventures of her life were written out by her in an exercise-book. She told me that, at a ball in Calcutta, she had once refused to waltz with a wealthy gentleman who was so encrusted with diamonds that he resembled a snuff-box. When he asked her the reason for refusing to dance, she replied: "Sir, I cannot dance with you because you have hurt my foot." The would-be waltzer was a chiropodist!
Writing, as he did, nearly fifty years after the episode to which he thus refers, Claudin's memory was a little shaky. Thus Lola Montez was born in Limerick in 1818, not, as he says, at Seville in 1823; nor could Claudin have met her in Paris in the spring of 1841, as she had not then left India.
Dujarier, according to Lola, was much impressed by her political acumen, and employed her on "secret service" for the Government, entrusting her as a preliminary with a "mission to St. Petersburg." The story is an obvious concoction, if merely because Dujarier, being little beyond a penny-a-liner hack, had no power to employ anybody on such atask. Still, Lola always stuck to it. Still, it is just possible that she may have gone to Russia at this period, for Nicholas was interested in the art of the ballet, and welcomed foreign exponents of Terpsichore from wherever they came. He was a familiar figure in the green-rooms of his capital. He patronised Taglioni and Elssler, and was always ready to make up any deficit in the box-office receipts. It only meant grinding more out of his army of serfs.
If she did go from Paris to Russia, Lola did not waste her time there, for, she says, she "nearly married Prince Schulkoski," whom she had already met in Berlin. This, she adds, was "one of the romances of her life." But something went wrong with it, for the princely wooer, "while furiously telegraphing kisses three times a day," was discovered to be enjoying the companionship of another charmer. Lola could put up with a great deal. There were, however, limits to her toleration, and this was one of them. First, Tom James; then, George Lennox; and now Prince Schulkoski. Masculine promises were no more substantial than pie-crust. Poor Lola was having a sad awakening. It is not remarkable that she formed the conclusion that men were "deceivers ever." After such an experience, nothing else was possible.
Among other items in her repertoire of alleged happenings in Russia at this period was one that certainly takes a good deal of swallowing. This was that, while having a "private audience" with the Czar himself and Count Benkendorf (the Chief of the Secret Police), an important visitor was announced. Thereupon, and to avoid her presence being known to the newcomer, she was locked up in a cupboard and left there for several hours. When the Czar came back, he was "full of apologies and insisted that she should accept from him a gift of a thousand roubles."
Other details follow:
"A great magnate conquers her at St. Petersburg; Grand Dukes perform their tricks; and Circassian Princes die for her. But soon she has enough of caviare and vodka. What,she wonders, is the good of becoming fuddled with drunkards and wasting valuable time on half-civilized Asiatics?"
"A great magnate conquers her at St. Petersburg; Grand Dukes perform their tricks; and Circassian Princes die for her. But soon she has enough of caviare and vodka. What,she wonders, is the good of becoming fuddled with drunkards and wasting valuable time on half-civilized Asiatics?"
No good at all, was Lola's decision. Accordingly, she bade farewell to Russian hospitality, and, relinquishing all prospects of wearing the Muscovite diadem, returned to Paris and Dujarier. Her lover's influence secured her an engagement inLa Biche au Boisat the Porte St. Martin Theatre; but, as had happened at the Académie Royale, she was a "flop." The critics said so with no uncertain voice; and the manager announced that he agreed with them. Clearly, then, the ballet was not hermétier.
"Well, dancing isn't everything," said Lola, who always took a reverse in philosophical fashion.
T
he evening of March 7, 1845, was one pregnant with fate where Dujarier was concerned. He had received, and accepted, an invitation to a supper-party at the Frères-Provençaux restaurant, given by Mlle Anais Liévenne, a young actress from the Vaudeville company. Among the otherconvivesgathered round the festive board were a quartet of attractive damsels, Atala Beauchene, Victorine Capon, Cecile John, and Alice Ozy, with, to keep them company, a trio of typicalflâneursin Rosemond de Beauvallon (a swarthy Creole from Guadaloupe, with ambitions to be considered a novelist), Roger de Beauvoir (a friend of Alphonse Karr, and whose other claim to distinction was that he had once challenged Balzac), and Saint-Agnan (an individual dubbed by journalists a "man-about-town"). Altogether, a gathering thoroughly representative of the theatre, the press, the world, and the half-world.
Lola was invited to join the party; but, at Dujarier's special request, she excused herself. If, however, she had gone with him, the tragedy for which the evening was to be responsible might have been averted. Still, nobody can look ahead.
For some time, all went merrily as the proverbial marriage bell. The ladies were not too strait-laced; dull care was banished. Food and drink without stint; music and lights and laughter; bright eyes and pretty faces. Champagne corks popped; toasts were offered; jests were cracked; and tongues wagged.
But it did not last. The clouds were gathering; and presently the harmony was interrupted. Dujarier was to blame. Unable to carry his liquor well, or else, under the spell of her bright eyes, he went so far as to remark to his hostess: "My dear Anais, figure to yourself, in six months from now you and I will be sleeping together." The damsel's acknowledged cavalier, de Beauvallon, a stickler for propriety, took this amiss and declared the assertion to be unwarranted. Words followed. Warm words. Mlle Liévenne, however, being good-tempered, merely laughed, and peace was restored.
But the patched-up truce was only a temporary one. Feeling still ran high. A few minutes later, de Beauvallon picked another quarrel with Dujarier, this time complaining that he had neglected to publish a feuilleton of his,Mémoires de M. Montholon, that had been accepted by him. As was to be expected, the result of pestering the sub-editor at such a moment was to receive the sharp response that he "must wait his turn, and that, in the meantime, there were more important authors than himself to be considered."
With the idea of calming frayed nerves, somebody suggested that they should all adjourn for a flutter at lansquenet, then ousting écarté. The proposal was accepted; and, the revellers having settled down, Saint-Agnan, having the best-lined wallet, took the bank.
Fortune did not smile on Dujarier. The luck seemed against him; and, when the party broke up in the small hours, he was a couple of thousand francs to the bad. Worse than this, he was unable to settle his losses until he had borrowed the necessary billets from the head waiter. As a result, his temper was soured, his nerves on edge. Accordingly, when de Beauvallon was tactless enough to upset him again, he "answered somewhat abruptly."
This, however, was not all. The "wine being in, the wit was out." A woman's name cropped up, that of a certain Madame Albert, a young actress in whose affections Dujarier had, before Lola Montez appeared on the scene, been oustedby de Beauvallon. The recollection rankled, and he made some sneering reference to the subject. With an obvious effort, the other kept his temper and curtly remarking, "You will hear from me to-morrow, Monsieur," left the restaurant.
"It might have been thought," is the comment of Larousse, "that, with the fever of the wine abated, these happenings and the recollection of the indecorous words accompanying them would, by the next morning, have been forgotten."
But they were not forgotten. They were remembered. On the following afternoon, while Dujarier was in his office, lamenting the fact that he had made such a fool of himself, and wondering how he was to explain matters to Lola, two visitors were announced. One of them was the Comte de Flers and the other was the Vicomte d'Ecquevillez. With ceremonious bows, they stated the purport of their call. This was that they represented de Beauvallon, who "demanded satisfaction for the insults he had received from M. Dujarier."
The quarrel, however, was really one between two rival papers,La PresseandLe Globe, which had long been at daggers drawn. Granier de Cassagnac, the editor ofLe Globe, was the brother-in-law of de Beauvallon, and Emile de Girardin, the proprietor ofLa Presse, had systematically held him up to ridicule in his columns. Hence, when the news of the restaurant fracas leaked out among the café gossipers, the result was that everybody said: "il n'y eut qu'une voix pour dire 'c'est leGlobequi veut se battre avec laPresse.'"
Dujarier, who had no stomach for fighting—except with his pen—would have backed out if he could. But he could not. Things had already gone too far. Accordingly, he referred the visitors to his friends, Arthur Bertrand (a god-son of the Emperor) and Charles de Boignes, and then hurried off to consult them himself.
"Pistols for two and coffee for one," was their decisionwhen they heard what he had to tell them. There was, they were emphatic, no other way by which he could satisfy his "honour." The code demanded it.
Clutching at a straw, Dujarier next sought counsel of Alexandre Dumas.
"I don't know why I am fighting," he said.
If it came to that, Dumas shared his ignorance. Still, he insisted that a "meeting" was inevitable.
This was the case. For a Frenchman to refuse to "go out"—no matter what his reason—would be to incur social ignominy. He would be looked upon as a pariah; not a hand would be offered him; and he would have bundles of white feathers showered upon him by his former acquaintances.
It was all very ridiculous. Still, it must be remembered that "the period was one when journalists aped fine gentlemen, and killed themselves for nothing." Ferdinand Bac declares that this practice was "largely the fault of Dumas, who, in his romances, would describe lovely women throwing themselves between the combatants to effect their reconciliation."
Since a meeting could be a serious affair, the seconds were naturally anxious to protect themselves. Accordingly, the four of them, putting their heads together, drew up a document which, in the event of untoward consequences occurring, would, they felt, absolve them of responsibility:
"We, the undersigned, state that, as the result of a disagreement, M. de Beauvallon has provoked M. Dujarier in a fashion that makes it impossible for him to refuse an encounter. We ourselves have done all we can to reconcile these gentlemen; and it is only at M. de Beauvallon's urgent demand that we are proceeding in the matter."
As the challenged party, Dujarier had the choice of weapons. The privilege, however, was not worth much to him. He had never handled cold steel, while his adversary was an expert fencer, and he was also such a poor marksman that he could not have made sure of hitting a haystack at twenty yards. Still, he reflected that, although de Beauvallon was unlikelyto miss him with a rapier, he might possibly do so with a bullet. Accordingly, he elected for pistols.
When Dujarier came back to her that evening, Lola, with womanly intuition, saw that some trouble had befallen him. Under pressure, he admitted that he was about to fight a duel for which he had no stomach. At the same time, however, he led her to believe that his adversary was de Beauvoir, and not de Beauvallon.
Having thus calmed her fears, for she knew that de Beauvoir was no more a fire-eater than was he himself, he went off to have another consultation with his seconds.
"I shall not be back until late," he said, "as I am supping with Dumas. You must not stop up for me."
Instead, however, of returning that night, Dujarier, feeling that he could not face Lola and tell her the truth, stopped with one of his seconds. There he wrote and sealed a couple of letters, charging de Boignes to "deliver them if required by circumstances." The first was to his mother:
If this letter reaches you, it will be because I shall be dead or else dangerously wounded. To-morrow morning I am going out to fight with pistols. My position requires it; and, as a man of honour, I accept the challenge. If you, my good mother, should have cause to weep, it is better that you should shed tears for a son worthy of yourself than to shed them for a coward. I go to the combat in the spirit of a man who is calm and sure of himself. Justice is on my side.
If this letter reaches you, it will be because I shall be dead or else dangerously wounded. To-morrow morning I am going out to fight with pistols. My position requires it; and, as a man of honour, I accept the challenge. If you, my good mother, should have cause to weep, it is better that you should shed tears for a son worthy of yourself than to shed them for a coward. I go to the combat in the spirit of a man who is calm and sure of himself. Justice is on my side.
A more difficult, although less flamboyant, letter to write was the second one, for its recipient would be the woman who had given him her heart: and was even then anxiously awaiting his return:
My ever dearest Lola:
I want to explain why it was I slept by myself and did not come to you this morning. It is because I haveto fight a duel. All my calmness is required, and seeing you would have upset me. By two o'clock this afternoon everything will be over.A thousand fond farewells to the dear little girl I love so much, and the thoughts of whom will be with me for ever.
I want to explain why it was I slept by myself and did not come to you this morning. It is because I haveto fight a duel. All my calmness is required, and seeing you would have upset me. By two o'clock this afternoon everything will be over.
A thousand fond farewells to the dear little girl I love so much, and the thoughts of whom will be with me for ever.
Having written his letters, he proceeded to draw up his will. This document left, among specific bequests to his mother and sister, certain shares that he held in the Palais Royal to Lola Montez.
The date of the meeting was March 11, and the rendezvous was a retired spot in the Bois de Boulogne. A bitterly cold morning, with snow on the ground and heavy clouds in a leaden sky. As the clock struck the appointed hour, Dujarier, accompanied by his seconds, and M. de Guise, a medical man, drove up in a cab. They were the first to arrive.
After waiting for more than an hour, Dujarier was in such a nervous condition that his seconds declared he would be justified in leaving the field, since his adversary had not kept the appointment. Instead, however, of jumping at the chance, he took a swig at a flask of cognac. The potent spirit gave him some measure of Dutch courage, and his teeth stopped chattering.
"I will fight," he announced grandiloquently. "I am a Frenchman, and my honour is very dear to me."
It was to be put to the test, for a few minutes later de Beauvallon and his seconds arrived, with a tardy apology.
On behalf of their principal, Dujarier's seconds then made a last appeal for an amicable settlement. It was coldly received; and they were told that "the insult offered was too serious to be wiped out by words." There being nothing else for it, the preliminaries were discussed, the conditions of the combat being that the adversaries should stand thirty paces apart, advance six paces, and then fire.
The pistols were furnished by d'Ecquevillez, and it had been expressly stipulated that his principal should not have handled them until that moment. When, however, Bertrand examined the pair, he remarked that, since the barrels were blackened and still warm to the touch, it was obvious that somebody had already practised with them. As, however, d'Ecquevillez swore that they had not been tried by de Beauvallon, the protest was withdrawn.
The distance being measured and the adversaries placed in position, the seconds stepped aside. Then, at a signal, the word was given. The first to fire was Dujarier. He was, however, so agitated that he sent a bullet wide of the mark. De Beauvallon, on the other hand, was perfectly cool and collected. He lifted his weapon and aimed with such deliberate care that de Boignes, unable to restrain himself, called out excitedly: "Mais, tirez donc, Monsieur!" With a nod, de Beauvallon pressed the trigger. There was an answering flash and a report; and, as the smoke drifted away, Dujarier reeled and fell, blood gushing from his mouth and nostrils.
When Dr. de Guise examined him, he looked grave. He saw at once that the injury was serious. As a matter of fact, Dujarier was dead before they returned to Paris.
As the cab reached the house in the rue Lafitte, Lola, waiting there in an agony of suspense, heard the rumble of wheels. Rushing downstairs, she stepped back with a cry of terror, for three men were carrying a heavy burden into the hall. Instinctively, she realised that the worst had happened, that her suspense was at an end.
"Mademoiselle, we have ill tidings for you," said de Boignes.
"I know it," said Lola. "Dujarier is killed. I felt sure this would happen. You should not have let him fight."
The funeral of Dujarier, which took place a couple of days later in the cemetery at Montmartre, was attended by characteristic pomp. The velvet pall above his coffin was held by Balzac, Dumas, and Joseph Méry, and a flowery "oration" delivered at the graveside by Emile de Girardin:
"Whether it endure but a single day, or be deep and prolonged, Man's sorrow is always barren and profitless. It cannot restore to a disconsolate mother, bemoaning her untimely loss, the son for whom she weeps, or give him back to his friends.... Let the words written by Dujarier: 'I am about to fight a duel for the most absurd and futile of causes,' never be effaced from our memory. Farewell, Dujarier! Rest in peace! Let us carry away from the graveside the hope that the recollection of so lamentable an end will last long enough to shield others from a similar one. Let all mothers—still astounded and trembling—derive some measure of confidence from this hope, and pray to God for poor Dujarier with all the fervour of their souls!"
"Whether it endure but a single day, or be deep and prolonged, Man's sorrow is always barren and profitless. It cannot restore to a disconsolate mother, bemoaning her untimely loss, the son for whom she weeps, or give him back to his friends.... Let the words written by Dujarier: 'I am about to fight a duel for the most absurd and futile of causes,' never be effaced from our memory. Farewell, Dujarier! Rest in peace! Let us carry away from the graveside the hope that the recollection of so lamentable an end will last long enough to shield others from a similar one. Let all mothers—still astounded and trembling—derive some measure of confidence from this hope, and pray to God for poor Dujarier with all the fervour of their souls!"
As may be imagined, talk followed. A vast amount of talk, in the newspapers and elsewhere. "The topic was discussed," one reads, "at the royal table itself by the family of Louis-Philippe; and Queen Amelie and Aunt Adelaide stigmatised the conduct of this wicked hussy, Lola Montez, in severe terms."
After such an experience, Lola felt that she had had enough of France for a time. Accordingly, she went back to Germany. There she resumed relations with Liszt, who took her to a second Beethoven Festival at Bonn. While allowance could be made for the artistic temperament, this was considered to be straining it, and caustic remarks on the subject appeared in the press.
During the absence of Lola from Paris, the relatives of Dujarier had not been idle. Unpleasant whispers were heard that the dead man had not fallen in a fair fight; and that the fatal bullet had come from a weapon with which his adversary had already practised. As this was contrary to the conditions of the encounter, the arm of the law reached out, and de Beauvallon and his seconds were called upon for an explanation. The one they furnished to them was deemed adequate by the authorities. Still, if "honour was satisfied,"the friends of de Beauvallon's victim were not. Accordingly, they set to work, and, pulling fresh strings, managed to get the official decision upset.
Fanny Elssler. Predecessor of Lola Montez in ParisFanny Elssler. Predecessor of Lola Montez in Paris
An article on the subject that appeared inLe Droittook a severe tone:
"The grounds alleged to be responsible for this deplorable business," declared an editorial, "were utterly frivolous. As a result, the public prosecutor has instructed an examining-magistrate to enquire into all the circumstances, and an autopsy will be held. It is possible that other measures will be adopted."
Other measureswereadopted.
"All duels," was the austere comment of the examining-magistrate who conducted the enquiry, "are marked by folly, and some by deliberate baseness." Where this one was concerned, he hinted at something sinister, and asked pointed questions about the pistols that d'Ecquevillez had been obliging enough to furnish. The answer was that they belonged to M. de Cassignac, who, for his part, declared that, until the actual day of the meeting, they had been in the custody of the gunsmith from whom he had bought them. The gunsmith, however, M. Devismes, said that this was not the case; and another witness declared that he had seen de Beauvallon having a little surreptitious practice with them in the garden.
The next thing that happened was that, before the magisterial enquiry was finished, de Beauvallon and d'Ecquevillez made a hurried departure from Paris. During their absence, it was decided to abandon further proceedings for want of evidence. Thinking himself safe, de Beauvallon then returned. But he was not safe. The Supreme Court cancelled the decision of the inferior one, and announced that he was to stand his trial for murder.
As public feeling ran high, and it was felt that an impartial jury could not have been secured in Paris, the trial was held at Rouen. The date was March 26, 1846. Attractedby the special circumstances of the case, the court was crowded.
"Nearly all those who were present," says Claudin, "belonged to the world of the boulevards." Albert Vandam was among the spectators; and with him for a companion was a much more distinguished person, Gustave Flaubert.
All being in readiness, and the stage set for the drama that was about to be unfolded, the judges, in the traditional red robes, took their seats, with M. Letendre de Tourville as president of the Court. M. Salveton, the public prosecutor, and M. Rieff, the advocate-general, represented the Government; and Mâitre Berryer and M. Léon Duval appeared respectively on behalf of the accused and the dead man's mother and sister.
As it had been suggested that de Beauvallon had purposely arrived late on the ground, in order to have some preliminary practice, he was told to give an account of his movements of the morning of the duel.
"I got up at seven o'clock," he said, "and went downstairs with the pistols which had been waiting for me at the concierge's when I returned home on the previous evening."
"The concierge remembers nothing of that," interrupted M. Duval. "This is a fresh fact. We must certainly consider it. What happened next?"
"I went off in a cab to M. d'Ecquevillez, and handed the pistols to him. At half-past ten I returned home, to wait for my seconds. We arrived on the ground at half-past eleven. M. de Boignes received us coldly, with his hands in his pockets, and said: 'You do well to keep us waiting like this for you. Name of God! this isn't a summer morning. We think there is not sufficient motive to fight a duel.' I answered frigidly, but politely, that I did not agree with him, and that I was in the hands of my seconds."
"But one of them, M. de Flers," remarked the President,"thought the quarrel trifling and said so. Another thing. Why did M. d'Ecquevillez tell us that the pistols belonged to him? Remember, he has given us details as to where he got them."
"I ignore details," was the lofty response.
"If you do, we don't," returned the judge.
A vigorous denial was made by de Beauvallon to the suggestion that he was familiar with the pistols used in the duel. To convince the jury that he was not to be believed, the opposing counsel then told them that he had once pawned a watch belonging to somebody else. When the judge expressed himself shocked at such depravity, de Beauvallon, says a report, "hung his head and wept."
Nor did d'Ecquevillez, the other defendant, cut a very happy figure. His real name was said to be Vincent, and aspersions were cast on his right to dub himself a "Count." He swore he had never admitted that the pistols belonged to him, and that de Beauvallon had borrowed them from the gunsmith, Desvismes. The latter, however, calling on heaven for support, declared the statement to be a "wicked invention."
Believing in the efficacy of numbers in getting up their case, forty-six witnesses were assembled by the prosecution. Mlle Lièvenne, the first of them to be examined, brought with her an atmosphere of the theatre, "adopting a flashy costume, in deplorably bad taste." "This," says a chronicler, "took the form of a blue velvet dress, a scarlet shawl, and a pearl-grey mantle." Altogether, a striking colour-scheme. But it did not help her. To the indignation of the examining-counsel, she affected to remember nothing, declaring that she had been "too busy at the supper-table, looking after the company."
The other young women, described as "more or less actresses," who had also been present, appeared to be suffering from a similar loss of memory. Their minds, they protested, were absolutely blank as to what had happened at therestaurant and very little could be extracted from them. When they had given their evidence, they looked for seats in the body of the court. The Rouen ladies, however, having somewhat rigid standards, would not permit them to sit between the wind and their propriety.
"Things are coming to a pretty pass," they declared, "when play-actresses imagine they can sit beside respectable women like ourselves."
Thereupon, the discomfited damsels withdrew to the hard benches of the public gallery.
Dumas, subpœnaed as a witness, drove all the way from Paris in a four-horsed carriage, with Méry as a travelling companion. When he took his place on the stand, M. de Tourville, affecting judicial ignorance, enquired his profession.
"If," returned the other, striking an attitude, "I did not here happen to find myself in the country of the illustrious Corneille, I should call myself a dramatist."
"Just so," was the caustic response, "but there are degrees among dramatists."
Taking this for encouragement, Dumas launched out into a disquisition on the history of the duello through the ages that was nearly as long as one of his own serials. In the middle of it, a member of the jury, anxious to be in the limelight, asked him a question.
"How does it happen," he enquired, "that Dujarier, who considered that a man of fashion must fight at least one duel, had never prepared himself by learning to shoot and fence?"
"I cannot tell you," was the reply. "My son, however, told me that he once accompanied him to a shooting-gallery. Out of twenty shots, he only hit the target twice."
Dumas made an exit as dramatic as his entry.
"I beg," he said, "that the honourable Court will permit me to return to Paris, where I have a new tragedy in five acts being performed this evening."
Lola Montez, garbed in heavy mourning, was the next summoned to give evidence.
"When," says one who was there, "she lifted her veil and removed her glove, to take the prescribed oath, a murmur of admiration ran through the gathering." To this an impressed reporter adds: "Her lovely eyes appeared to the judges of a deeper black than her lace ruffles."
The presiding judge had no qualms about enquiring her age; and she had none about lopping five years off it and declaring that she was just twenty-one. Nor did she advance any objection to being described, with Gallic candour, as the "mistress of Dujarier."
During her evidence, Lola Montez, probably coached by Dumas, did just what was expected of her. Thus, she shed abundant tears, struck pathetic attitudes, and several times looked on the point of collapsing. But what she had to say amounted to very little. In fact, it was nothing more than an assertion that ill-feeling existed between Dujarier and de Cassagnac, the brother-in-law of de Beauvallon, and that the quarrel was connected with an alleged debt.
Dujarier, she said, had forbidden her to make de Beauvallon's acquaintance, or to attend the supper at the restaurant. He had returned from it in an excited condition at 6 o'clock the next morning and told her that he would have to accept a challenge.
"I was troubled about it," she said, "all day long. But for M. Bertrand's assurance that the encounter was to be with M. de Beauvoir, I would have gone to the police. You see, de Beauvoir was a high-minded gentleman, and would not have condescended to profit from the poor Dujarier's lack of skill."
"Did you not," enquired counsel, "say 'I am a woman of courage, and, if the meeting is in order, I will not stop it'?"
"Yes, but that was because I understood it was to be with de Beauvoir, and he would not willingly have harmedDujarier. When I heard it was to be with de Beauvallon I exclaimed, 'My God! Dujarier is as good as dead!'"
"I myself," she added, "could handle a pistol more accurately than the poor Dujarier; and, if he had wanted satisfaction, I should have been quite willing to have gone out with M. de Beauvallon myself."
A murmur of applause met this assurance. Lola's attitude appealed to the spectators. She was clearly a woman of spirit.
During the proceedings that followed some sharp things were said about M. Granier de Cassagnac, the accused's brother-in-law. Some of them were so bitter that at last he protested.
"Monsieur le President," he exclaimed hotly. "I cannot bear these abominable attacks on myself any longer."
"If you can't bear them, you can always leave the court," was the response.
"This gentleman's indignation does not disturb me in the least," said the public prosecutor. "I have already had experience of it, and I consider it to be artificial."
After all the witnesses had been examined and cross-examined, and bullied and threatened in the approved fashion, Mâitre Duval addressed the jury on behalf of the dead man's relatives. In the course of this he delivered a powerful speech, full of passion and invective, drawing a parallel between thisaffaire d'honneurand the historic one between Alceste and Oronte in Molière's drama. According to him, Dujarier was a shining exemplar, while de Beauvallon was an unmitigated scoundrel, with a "past" of the worst description imaginable. Having once, years earlier, pledged a watch that did not belong to him, he had "no right to challenge anybody, much less a distinguished man of letters, such as the noble Dujarier." The various causes of the quarrel were discussed next. Counsel thought very little of them.
De Beauvallon had complained that Dujarier had "cut" him. "Is it an offence," enquired M. Duval, "for one man to avoid another? Upon my word, M. de Beauvallon will have to kill a number of people if he wants to kill all those who decline the honour of his companionship." As for the gambling quarrel, this was not serious. What, however, was serious was that, on the morning of the encounter, de Beauvallon had gone to a shooting gallery and had some private practice with the very pistols that were afterwards used. This gave him an unfair advantage. "If," was the advocate's final effort to win a verdict, "M. de Beauvallon is acquitted, the result will be not only a victory for an improperly conducted duel, but the very custom of the duel itself will be dishonoured by such a decision."
Léon Duval having sat down, the President turned to the defendant's counsel.
"The word is with you, M. Berryer," he said.
Mâitre Berryer, a master of forensic oratory, began his address by contending that duelling was not prohibited by the law of France. In support he quoted Guizot's dictum: "Where the barbarian murders, the Frenchman seeks honourable combat; legislation on the subject is profitless; and this must be the case, since the duel is the complement of modern civilization."
The judges were unprepared to accept this view off-hand; and, after consulting with the assessors, the President insisted that, whatever M. Berryer might say, duelling was illegal in France. Although he did not tell him so, it was also quite as illegal in England, where Lord Cardigan had, a little earlier, only just wriggled out of a conviction for taking part in one by a combination of false swearing and the subservience of his brother peers.
Not in the least upset, M. Berryer advanced another point. As might have been expected of so accomplished an advocate, he had little difficulty in demolishing the elaborate, but specious and unsupported, hypothesis built up by the otherside. Hard facts did more with the stolid and unimaginative Rouen jury than did picturesque embroideries.
"Is the accusation true?" demanded the President.
"On my honour and on my conscience, before God and before man," announced the foreman, "the declaration of the jury is that it is not true."
As a result of this finding, de Beauvallon was acquitted of the charge of murder. But he did not escape without penalty, for he was ordered to pay 20,000 francs "compensation" to the mother and Dujarier's relatives.
"He was the only son of his mother, and she was a widow." Convinced that there had been a miscarriage of justice and a vast amount of false swearing, the dead man's friends set to work to collect other evidence. By a stroke of luck, they got into touch with a gardener, who said that he had seen de Beauvallon, in company with d'Ecquevillez, having some surreptitious pistol practice on the morning of the duel. Thereupon, the pair of them were rearrested and tried for perjury. Being convicted, d'Ecquevillez was sentenced to ten years' imprisonment and de Beauvallon to eight years. But neither couple stopped in durance very long. The revolution of 1848 opened the doors of the Conciergerie and they made good their escape, the one of them to Spain, and the other to his Creole relatives in Guadeloupe.
I
mmediately after the Rouen trial, Lola left France, returning once more to Germany. Perhaps the Irish strain in her blood made her a little superstitious. At any rate, just before starting, she consulted a clairvoyante. She felt that she had her money's worth, for the Sibyl declared that she would "exercise much influence on a monarch and the destiny of a kingdom." A long shot, and, as it happened, quite a sound one.
Her intention being, as she had candidly informed Dumas, to "hook a prince," she studied theAlmanach de Gotha, and familiarised herself with the positions and revenues of the various "notables" accorded niches therein.
Germany was obviously the best field to exploit, for that country just then was full of princes. As a matter of fact there were no less than thirty-six of them waiting to be "hooked." The first place to which she went on this errand was Baden, where, according to Ferdinand Bac, she "bewitched the future Emperor William I. The Prince, however, being warned of her syren spell, presently smiled and passed on."
Better luck befell the wanderer at her next attempt to establish intimate contact with a member of thehoch geboren, Henry LXXII. His principality, Reuss-Lobenstein-Ebersdorf (afterwards amalgamated with Thuringia), had the longest name, but the smallest area, of any in the kingdom, for it was only about the size of a pocket-handkerchief. But to Lolathis was of no great consequence. What, however, was of consequence was that he was a millionaire (in thalers) and possessed an inflammable heart.
A great stickler for etiquette, he once published the following notice in hisCourt Gazette:
"For twenty years it has been my express injunction that every official shall always be alluded to by his correct title. This injunction, however, has not always been obeyed. In future, therefore, I shall impose a fine of one thaler on any member of my staff who neglects to refer to another by his proper title or description."
But that the Prince could unbend on occasion is revealed by another notification to his subjects:
"His Most Serene Highness and All-Highest Self has graciously condescended to approve the conduct of those six members of the Reuss militia who recently assisted to put out a fire. With his own All-Highest hand he is (on production of a satisfactory birth certificate) even prepared to shake that of the oldest among them."
Risking a prosecution forlèse-majesté, a local laureate described the incident in stirring verse. An extract from this effort, translated by Professor J. G. Legge, in hisRhyme and Revolution in Germany, is as follows:
HONOUR TO WHOM HONOUR IS DUE
Quite recently in ReussMilitia at a fire(I'm sure it will rejoice you)Great credit did acquire.When this, through a memorial,Their gracious Prince by RightHad learned; those territorialsHe to him did invite.And when the good men shylyStood up before him, eachHis Gracious Highness highlyPraised in a Gracious speech.A solemn affidavit(With parents' names and date)Each then produced and gave it—His birth certificate.His Highness then demandedThe eldest of the band,And clasped that horny-handedWith his All-Highest hand.Now, this great deed recorded,Who would not dwell for choiceWhere heroes are rewardedAs in the land of Reuss?
Quite recently in ReussMilitia at a fire(I'm sure it will rejoice you)Great credit did acquire.
When this, through a memorial,Their gracious Prince by RightHad learned; those territorialsHe to him did invite.
And when the good men shylyStood up before him, eachHis Gracious Highness highlyPraised in a Gracious speech.
A solemn affidavit(With parents' names and date)Each then produced and gave it—His birth certificate.
His Highness then demandedThe eldest of the band,And clasped that horny-handedWith his All-Highest hand.
Now, this great deed recorded,Who would not dwell for choiceWhere heroes are rewardedAs in the land of Reuss?
Where Lola was concerned, she very soon put a match to the inflammable, if arrogant, heart of Prince Henry, and, as a result, was "commanded" to accompany him to his miniature court at Ebersdorf. She did not, however, stop there very long, for, by her imperious attitude and contempt of etiquette, she disturbed the petty officials and bourgeois citizens surrounding it to such a degree that they made formal complaints to his High-and-Mightiness. At first he would not hear a word on the subject. Such was his favourite's position that criticism of her actions was perilously nearlèse-majestéand incurred reprisals. As soon, however, as the amorous princeling discovered that his bank balance was being depleted considerably beyond the amount for which he had budgeted, he suffered a sudden spasm of virtue and issued marching-orders to the "Fair Impure," as his shocked and strait-laced Ebersdorfians dubbed the intruder among them. There was also some suggestion, advanced by a gardener, that she had a habit of taking a short cut across the princely flower-beds when she was in a hurry. This was the last straw.
"Leave my kingdom at once," exclaimed the furious Henry. "You are nothing but a feminine devil!"
Not in the least discomfited by this change of opinion, Lola riposted by presenting a lengthy and detailed account for "services rendered"; and, when it had been met (and notbefore), shook the dust of Reuss-Lobenstein-Ebersdorf from her pretty feet.
"You can keep your Thuringia," was her parting-shot. "I wouldn't have it as a gift."
The next places at which she halted were Homburg and Carlsbad, two resorts then beginning to become popular and attracting a wealthy crowd seeking a promised "cure" for their various ills. But, finding the barons apt to be close-fisted, and the smart young lieutenants without onepfennigin their pockets to rub against another, Lola was soon continuing her travels.
In September, 1846, she found herself in Wurtemburg, where, much to her annoyance, she discovered that a certain Amalia Stubenrauch, a prepossessing damsel, who would now be called a gold-digger, had conquered the spare affections of King William, on whom Lola herself had designs. But that large-hearted monarch had, as it happened, few affections to spare for anybody just then, for, when she encountered him at Stuttgart, he was on the point of being married to Princess Olga of Russia. A correspondent of theAthenæum, who was there to chronicle the wedding festivities for his paper, registered disapproval at her presence in the district. "From the capital of Wurtemburg," he announced sourly, "Lola Montez departed in theschnellpostfor Munich, unimpeded by any luggage." Somebody else, however (perhaps a more careful observer), is emphatic that she "went off with three carts full of trunks." As she always had a considerable wardrobe, this is quite possible.
When, at the suggestion of Baron Maltitz (a Homburg acquaintance who had suggested that she should "try her luck in Munich"), Lola set off for Bavaria, that country was ruled by Ludwig I. A god-child of Marie-Antoinette, and the son of Prince Max Joseph of Zweibrucken and Princess Augusta of Hesse-Darmstadt, he was born at Salzburg in 1786 and had succeeded his father in 1825. As a young man,he had served with the Bavarian troops under Napoleon, and detesting the experience, had conceived a hatred of everything military. This hatred was so strongly developed that he would not permit his sons to wear uniform. Under his regime the military estimates were cut down to the bone. The army, he said, was a "waste of money," and he grudged everypfennigit cost the annual budget. He did his best to abolish conscription, but had to abandon the effort. For all, too, that he was a god-son of Marie-Antoinette, he had no love for France.