CROWNED HEADS

Katie had never been more surprised in her life than when the serious young man with the brown eyes and the Charles Dana Gibson profile spirited her away from his friend and Genevieve. Till that moment she had looked on herself as playing a sort of 'villager and retainer' part to the brown-eyed young man's hero and Genevieve's heroine. She knew she was not pretty, though somebody (unidentified) had once said that she had nice eyes; whereas Genevieve was notoriously a beauty, incessantly pestered, so report had it, by musical comedy managers to go on the stage.

Genevieve was tall and blonde, a destroyer of masculine peace of mind. She said 'harf' and 'rahther', and might easily have been taken for an English duchess instead of a cloak-model at Macey's. You would have said, in short, that, in the matter of personable young men, Genevieve would have swept the board. Yet, here was this one deliberately selecting her, Katie, for his companion. It was almost a miracle.

He had managed it with the utmost dexterity at the merry-go-round. With winning politeness he had assisted Genevieve on her wooden steed, and then, as the machinery began to work, had grasped Katie's arm and led her at a rapid walk out into the sunlight. Katie's last glimpse of Genevieve had been the sight of her amazed and offended face as it whizzed round the corner, while the steam melodeon drowned protests with a spirited plunge into 'Alexander's Ragtime Band'.

Katie felt shy. This young man was a perfect stranger. It was true she had had a formal introduction to him, but only from Genevieve, who had scraped acquaintance with him exactly two minutes previously. It had happened on the ferry-boat on the way to Palisades Park. Genevieve's bright eye, roving among the throng on the lower deck, had singled out this young man and his companion as suitable cavaliers for the expedition. The young man pleased her, and his friend, with the broken nose and the face like a good-natured bulldog, was obviously suitable for Katie.

Etiquette is not rigid on New York ferry-boats. Without fuss or delay she proceeded to make their acquaintance—to Katie's concern, for she could never get used to Genevieve's short way with strangers. The quiet life she had led had made her almost prudish, and there were times when Genevieve's conduct shocked her. Of course, she knew there was no harm in Genevieve. As the latter herself had once put it, 'The feller that tries to get gay with me is going to get a call-down that'll make him holler for his winter overcoat.' But all the same she could not approve. And the net result of her disapproval was to make her shy and silent as she walked by this young man's side.

The young man seemed to divine her thoughts.

'Say, I'm on the level,' he observed. 'You want to get that. Right on the square. See?'

'Oh, yes,' said Katie, relieved but yet embarrassed. It was awkward to have one's thoughts read like this.

'You ain't like your friend. Don't think I don't see that.'

'Genevieve's a sweet girl,' said Katie, loyally.

'A darned sight too sweet. Somebody ought to tell her mother.'

'Why did you speak to her if you did not like her?'

'Wanted to get to know you,' said the young man simply.

They walked on in silence. Katie's heart was beating with a rapidity that forbade speech. Nothing like this very direct young man had ever happened to her before. She had grown so accustomed to regarding herself as something too insignificant and unattractive for the notice of the lordly male that she was overwhelmed. She had a vague feeling that there was a mistake somewhere. It surely could not be she who was proving so alluring to this fairy prince. The novelty of the situation frightened her.

'Come here often?' asked her companion.

'I've never been here before.'

'Often go to Coney?'

'I've never been.'

He regarded her with astonishment.

'You've never been to Coney Island! Why, you don't know what this sort of thing is till you've taken in Coney. This place isn't on the map with Coney. Do you mean to say you've never seen Luna Park, or Dreamland, or Steeplechase, or the diving ducks? Haven't you had a look at the Mardi Gras stunts? Why, Coney during Mardi Gras is the greatest thing on earth. It's a knockout. Just about a million boys and girls having the best time that ever was. Say, I guess you don't go out much, do you?'

'Not much.'

'If it's not a rude question, what do you do? I been trying to place you all along. Now I reckon your friend works in a store, don't she?'

'Yes. She's a cloak-model. She has a lovely figure, hasn't she?'

'Didn't notice it. I guess so, if she's what you say. It's what they pay her for, ain't it? Do you work in a store, too?'

'Not exactly. I keep a little shop.'

'All by yourself?'

'I do all the work now. It was my father's shop, but he's dead. It began by being my grandfather's. He started it. But he's so old now that, of course, he can't work any longer, so I look after things.'

'Say, you're a wonder! What sort of a shop?'

'It's only a little second-hand bookshop. There really isn't much to do.'

'Where is it?'

'Sixth Avenue. Near Washington Square.'

'What name?'

'Bennett.'

'That's your name, then?'

'Yes.'

'Anything besides Bennett?'

'My name's Kate.'

The young man nodded.

'I'd make a pretty good district attorney,' he said, disarming possible resentment at this cross-examination. 'I guess you're wondering if I'm ever going to stop asking you questions. Well, what would you like to do?'

'Don't you think we ought to go back and find your friend and Genevieve? They will be wondering where we are.'

'Let 'em,' said the young man briefly. 'I've had all I want of Jenny.'

'I can't understand why you don't like her.'

'I like you. Shall we have some ice-cream, or would you rather go on the Scenic Railway?'

Katie decided on the more peaceful pleasure. They resumed their walk, socially licking two cones. Out of the corner of her eyes Katie cast swift glances at her friend's face. He was a very grave young man. There was something important as well as handsome about him. Once, as they made their way through the crowds, she saw a couple of boys look almost reverently at him. She wondered who he could be, but was too shy to inquire. She had got over her nervousness to a great extent, but there were still limits to what she felt herself equal to saying. It did not strike her that it was only fair that she should ask a few questions in return for those which he had put. She had always repressed herself, and she did so now. She was content to be with him without finding out his name and history.

He supplied the former just before he finally consented to let her go.

They were standing looking over the river. The sun had spent its force, and it was cool and pleasant in the breeze which was coming up the Hudson. Katie was conscious of a vague feeling that was almost melancholy. It had been a lovely afternoon, and she was sorry that it was over.

The young man shuffled his feet on the loose stones.

'I'm mighty glad I met you,' he said. 'Say, I'm coming to see you. On Sixth Avenue. Don't mind, do you?'

He did not wait for a reply.

'Brady's my name. Ted Brady, Glencoe Athletic Club,' he paused. 'I'm on the level,' he added, and paused again. 'I like you a whole lot. There's your friend, Genevieve. Better go after her, hadn't you? Good-bye.' And he was gone, walking swiftly through the crowd about the bandstand.

Katie went back to Genevieve, and Genevieve was simply horrid. Cold and haughty, a beautiful iceberg of dudgeon, she refused to speak a single word during the whole long journey back to Sixth Avenue. And Katie, whose tender heart would at other times have been tortured by this hostility, leant back in her seat, and was happy. Her mind was far away from Genevieve's frozen gloom, living over again the wonderful happenings of the afternoon.

Yes, it had been a wonderful afternoon, but trouble was waiting for her in Sixth Avenue. Trouble was never absent for very long from Katie's unselfish life. Arriving at the little bookshop, she found Mr Murdoch, the glazier, preparing for departure. Mr Murdoch came in on Mondays, Wednesdays, and Fridays to play draughts with her grandfather, who was paralysed from the waist, and unable to leave the house except when Katie took him for his outing in Washington Square each morning in his bath-chair.

Mr Murdoch welcomed Katie with joy.

'I was wondering whenever you would come back, Katie. I'm afraid the old man's a little upset.'

'Not ill?'

'Not ill. Upset. And it was my fault, too. Thinking he'd be interested, I read him a piece from the paper where I seen about these English Suffragettes, and he just went up in the air. I guess he'll be all right now you've come back. I was a fool to read it, I reckon. I kind of forgot for the moment.'

'Please don't worry yourself about it, Mr Murdoch. He'll be all right soon. I'll go to him.'

In the inner room the old man was sitting. His face was flushed, and he gesticulated from time to time.

'I won't have it,' he cried as Katie entered. 'I tell you I won't have it. If Parliament can't do anything, I'll send Parliament about its business.'

'Here I am, grandpapa,' said Katie quickly. 'I've had the greatest time. It was lovely up there. I—'

'I tell you it's got to stop. I've spoken about it before. I won't have it.'

'I expect they're doing their best. It's your being so far away that makes it hard for them. But I do think you might write them a very sharp letter.'

'I will. I will. Get out the paper. Are you ready?' He stopped, and looked piteously at Katie. 'I don't know what to say. I don't know how to begin.'

Katie scribbled a few lines.

'How would this do? "His Majesty informs his Government that he is greatly surprised and indignant that no notice has been taken of his previous communications. If this goes on, he will be reluctantly compelled to put the matter in other hands."'

She read it glibly as she had written it. The formula had been a favourite one of her late father, when roused to fall upon offending patrons of the bookshop.

The old man beamed. His resentment was gone. He was soothed and happy.

'That'll wake 'em up,' he said. 'I won't have these goings on while I'm king, and if they don't like it, they know what to do. You're a good girl, Katie.'

He chuckled.

'I beat Lord Murdoch five games to nothing,' he said.

It was now nearly two years since the morning when old Matthew Bennett had announced to an audience consisting of Katie and a smoky blue cat, which had wandered in from Washington Square to take pot-luck, that he was the King of England.

This was a long time for any one delusion of the old man's to last. Usually they came and went with a rapidity which made it hard for Katie, for all her tact, to keep abreast of them. She was not likely to forget the time when he went to bed President Roosevelt and woke up the Prophet Elijah. It was the only occasion in all the years they had passed together when she had felt like giving way and indulging in the fit of hysterics which most girls of her age would have had as a matter of course.

She had handled that crisis, and she handled the present one with equal smoothness. When her grandfather made his announcement, which he did rather as one stating a generally recognized fact than as if the information were in any way sensational, she neither screamed nor swooned, nor did she rush to the neighbours for advice. She merely gave the old man his breakfast, not forgetting to set aside a suitable portion for the smoky cat, and then went round to notify Mr Murdoch of what had happened.

Mr Murdoch, excellent man, received the news without any fuss or excitement at all, and promised to look in on Schwartz, the stout saloon-keeper, who was Mr Bennett's companion and antagonist at draughts on Tuesdays, Thursdays, and Saturdays, and, as he expressed it, put him wise.

Life ran comfortably in the new groove. Old Mr Bennett continued to play draughts and pore over his second-hand classics. Every morning he took his outing in Washington Square where, from his invalid's chair, he surveyed somnolent Italians and roller-skating children with his old air of kindly approval. Katie, whom circumstances had taught to be thankful for small mercies, was perfectly happy in the shadow of the throne. She liked her work; she liked looking after her grandfather; and now that Ted Brady had come into her life, she really began to look on herself as an exceptionally lucky girl, a spoilt favourite of Fortune.

For Ted Brady had called, as he said he would, and from the very first he had made plain in his grave, direct way the objects of his visits. There was no subtlety about Ted, no finesse. He was as frank as a music-hall love song.

On his first visit, having handed Katie a large bunch of roses with the stolidity of a messenger boy handing over a parcel, he had proceeded, by way of establishing hisbona fides, to tell her all about himself. He supplied the facts in no settled order, just as they happened to occur to him in the long silences with which his speech was punctuated. Small facts jostled large facts. He spoke of his morals and his fox-terrier in the same breath.

'I'm on the level. Ask anyone who knows me. They'll tell you that. Say, I got the cutest little dog you ever seen. Do you like dogs? I've never been a fellow that's got himself mixed up with girls. I don't like 'em as a general thing. A fellow's got too much to do keeping himself in training, if his club expects him to do things. I belong to the Glencoe Athletic. I ran the hundred yards dash in evens last sports there was. They expect me to do it at the Glencoe, so I've never got myself mixed up with girls. Till I seen you that afternoon I reckon I'd hardly looked at a girl, honest. They didn't seem to kind of make any hit with me. And then I seen you, and I says to myself, "That's the one." It sort of came over me in a flash. I fell for you directly I seen you. And I'm on the level. Don't forget that.'

And more in the same strain, leaning on the counter and looking into Katie's eyes with a devotion that added emphasis to his measured speech.

Next day he came again, and kissed her respectfully but firmly, making a sort of shuffling dive across the counter. Breaking away, he fumbled in his pocket and produced a ring, which he proceeded to place on her finger with the serious air which accompanied all his actions.

'That looks pretty good to me,' he said, as he stepped back and eyed it.

It struck Katie, when he had gone, how differently different men did things. Genevieve had often related stories of men who had proposed to her, and according to Genevieve, they always got excited and emotional, and sometimes cried. Ted Brady had fitted her with the ring more like a glover's assistant than anything else, and he had hardly spoken a word from beginning to end. He had seemed to take her acquiescence for granted. And yet there had been nothing flat or disappointing about the proceedings. She had been thrilled throughout. It is to be supposed that Mr Brady had the force of character which does not require the aid of speech.

It was not till she took the news of her engagement to old Mr Bennett that it was borne in upon Katie that Fate did not intend to be so wholly benevolent to her as she supposed.

That her grandfather could offer any opposition had not occurred to her as a possibility. She took his approval for granted. Never, as long as she could remember, had he been anything but kind to her. And the only possible objections to marriage from a grandfather's point of view—badness of character, insufficient means, or inferiority of social position—were in this case gloriously absent.

She could not see how anyone, however hypercritical, could find a flaw in Ted. His character was spotless. He was comfortably off. And so far from being in any way inferior socially, it was he who condescended. For Ted, she had discovered from conversation with Mr Murdoch, the glazier, was no ordinary young man. He was a celebrity. So much so that for a moment, when told the news of the engagement, Mr Murdoch, startled out of his usual tact, had exhibited frank surprise that the great Ted Brady should not have aimed higher.

'You're sure you've got the name right, Katie?' he had said. 'It's really Ted Brady? No mistake about the first name? Well-built, good-looking young chap with brown eyes? Well, this beats me. Not,' he went on hurriedly, 'that any young fellow mightn't think himself lucky to get a wife like you, Katie, but Ted Brady! Why, there isn't a girl in this part of the town, or in Harlem or the Bronx, for that matter, who wouldn't give her eyes to be in your place. Why, Ted Brady is the big noise. He's the star of the Glencoe.'

'He told me he belonged to the Glencoe Athletic.'

'Don't you believe it. It belongs to him. Why, the way that boy runs and jumps is the real limit. There's only Billy Burton, of the Irish-American, that can touch him. You've certainly got the pick of the bunch, Katie.'

He stared at her admiringly, as if for the first time realizing her true worth. For Mr Murdoch was a great patron of sport.

With these facts in her possession Katie had approached the interview with her grandfather with a good deal of confidence.

The old man listened to her recital of Mr Brady's qualities in silence. Then he shook his head.

'It can't be, Katie. I couldn't have it.'

'Grandpapa!'

'You're forgetting, my dear.'

'Forgetting?'

'Who ever heard of such a thing? The grand-daughter of the King of England marrying a commoner! It wouldn't do at all.'

Consternation, surprise, and misery kept Katie dumb. She had learned in a hard school to be prepared for sudden blows from the hand of fate, but this one was so entirely unforeseen that it found her unprepared, and she was crushed by it. She knew her grandfather's obstinacy too well to argue against the decision.

'Oh, no, not at all,' he repeated. 'Oh, no, it wouldn't do.'

Katie said nothing; she was beyond speech. She stood there wide-eyed and silent among the ruins of her little air-castle. The old man patted her hand affectionately. He was pleased at her docility. It was the right attitude, becoming in one of her high rank.

'I am very sorry, my dear, but—oh, no! oh, no! oh, no—' His voice trailed away into an unintelligible mutter. He was a very old man, and he was not always able to concentrate his thoughts on a subject for any length of time.

So little did Ted Brady realize at first the true complexity of the situation that he was inclined, when he heard of the news, to treat the crisis in the jaunty, dashing, love-laughs-at-locksmith fashion so popular with young men of spirit when thwarted in their loves by the interference of parents and guardians.

It took Katie some time to convince him that, just because he had the licence in his pocket, he could not snatch her up on his saddle-bow and carry her off to the nearest clergyman after the manner of young Lochinvar.

In the first flush of his resentment at restraint he saw no reason why he should differentiate between old Mr Bennett and the conventional banns-forbidding father of the novelettes with which he was accustomed to sweeten his hours of idleness. To him, till Katie explained the intricacies of the position, Mr Bennett was simply the proud millionaire who would not hear of his daughter marrying the artist.

'But, Ted, dear, you don't understand,' Katie said. 'We simply couldn't do that. There's no one but me to look after him, poor old man. How could I run away like that and get married? What would become of him?'

'You wouldn't be away long,' urged Mr Brady, a man of many parts, but not a rapid thinker. 'The minister would have us fixed up inside of half an hour. Then we'd look in at Mouquin's for a steak and fried, just to make a sort of wedding breakfast. And then back we'd come, hand-in-hand, and say, "Well, here we are. Now what?"'

'He would never forgive me.'

'That,' said Ted judicially, 'would be up to him.'

'It would kill him. Don't you see, we know that it's all nonsense, this idea of his; but he really thinks he is the king, and he's so old that the shock of my disobeying him would be too much. Honest, Ted, dear, I couldn't.'

Gloom unutterable darkened Ted Brady's always serious countenance. The difficulties of the situation were beginning to come home to him.

'Maybe if I went and saw him—' he suggested at last.

'Youcould,' said Katie doubtfully.

Ted tightened his belt with an air of determination, and bit resolutely on the chewing-gum which was his inseparable companion.

'I will,' he said.

'You'll be nice to him, Ted?'

He nodded. He was the man of action, not words.

It was perhaps ten minutes before he came out of the inner room in which Mr Bennett passed his days. When he did, there was no light of jubilation on his face. His brow was darker than ever.

Katie looked at him anxiously. He returned the look with a sombre shake of the head.

'Nothing doing,' he said shortly. He paused. 'Unless,' he added, 'you count it anything that he's made me an earl.'

In the next two weeks several brains busied themselves with the situation. Genevieve, reconciled to Katie after a decent interval of wounded dignity, said she supposed there was a way out, if one could only think of it, but it certainly got past her. The only approach to a plan of action was suggested by the broken-nosed individual who had been Ted's companion that day at Palisades Park, a gentleman of some eminence in the boxing world, who rejoiced in the name of the Tennessee Bear-Cat.

What they ought to do, in the Bear-Cat's opinion, was to get the old man out into Washington Square one morning. He of Tennessee would then sasshay up in a flip manner and make a break. Ted, waiting close by, would resent his insolence. There would be words, followed by blows.

'See what I mean?' pursued the Bear-Cat. 'There's you and me mixing it. I'll square the cop on the beat to leave us be; he's a friend of mine. Pretty soon you land me one on the plexus, and I take th' count. Then there's you hauling me up by th' collar to the old gentleman, and me saying I quits and apologizing. See what I mean?'

The whole, presumably, to conclude with warm expressions of gratitude and esteem from Mr Bennett, and an instant withdrawal of the veto.

Ted himself approved of the scheme. He said it was a cracker-jaw, and he wondered how one so notoriously ivory-skulled as the other could have had such an idea. The Bear-Cat said modestly that he had 'em sometimes. And it is probable that all would have been well, had it not been necessary to tell the plan to Katie, who was horrified at the very idea, spoke warmly of the danger to her grandfather's nervous system, and said she did not think the Bear-Cat could be a nice friend for Ted. And matters relapsed into their old state of hopelessness.

And then, one day, Katie forced herself to tell Ted that she thought it would be better if they did not see each other for a time. She said that these meetings were only a source of pain to both of them. It would really be better if he did not come round for—well, quite some time.

It had not been easy for her to say it. The decision was the outcome of many wakeful nights. She had asked herself the question whether it was fair for her to keep Ted chained to her in this hopeless fashion, when, left to himself and away from her, he might so easily find some other girl to make him happy.

So Ted went, reluctantly, and the little shop on Sixth Avenue knew him no more. And Katie spent her time looking after old Mr Bennett (who had completely forgotten the affair by now, and sometimes wondered why Katie was not so cheerful as she had been), and—for, though unselfish, she was human—hating those unknown girls whom in her mind's eye she could see clustering round Ted, smiling at him, making much of him, and driving the bare recollection of her out of his mind.

The summer passed. July came and went, making New York an oven. August followed, and one wondered why one had complained of July's tepid advances.

It was on the evening of September the eleventh that Katie, having closed the little shop, sat in the dusk on the steps, as many thousands of her fellow-townsmen and townswomen were doing, turning her face to the first breeze which New York had known for two months. The hot spell had broken abruptly that afternoon, and the city was drinking in the coolness as a flower drinks water.

From round the corner, where the yellow cross of the Judson Hotel shone down on Washington Square, came the shouts of children, and the strains, mellowed by distance, of the indefatigable barrel-organ which had played the same tunes in the same place since the spring.

Katie closed her eyes, and listened. It was very peaceful this evening, so peaceful that for an instant she forgot even to think of Ted. And it was just during this instant that she heard his voice.

'That you, kid?'

He was standing before her, his hands in his pockets, one foot on the pavement, the other in the road; and if he was agitated, his voice did not show it.

'Ted!'

'That's me. Can I see the old man for a minute, Katie?'

This time it did seem to her that she could detect a slight ring of excitement.

'It's no use, Ted. Honest.'

'No harm in going in and passing the time of day, is there? I've got something I want to say to him.'

'What?'

'Tell you later, maybe. Is he in his room?'

He stepped past her, and went in. As he went, he caught her arm and pressed it, but he did not stop. She saw him go into the inner room and heard through the door as he closed it behind him, the murmur of voices. And almost immediately, it seemed to her, her name was called. It was her grandfather's voice which called, high and excited. The door opened, and Ted appeared.

'Come here a minute, Katie, will you?' he said. 'You're wanted.'

The old man was leaning forward in his chair. He was in a state of extraordinary excitement. He quivered and jumped. Ted, standing by the wall, looked as stolid as ever; but his eyes glittered.

'Katie,' cried the old man, 'this is a most remarkable piece of news. This gentleman has just been telling me—extraordinary. He—'

He broke off, and looked at Ted, as he had looked at Katie when he had tried to write the letter to the Parliament of England.

Ted's eye, as it met Katie's, was almost defiant.

'I want to marry you,' he said.

'Yes, yes,' broke in Mr Bennett, impatiently, 'but—'

'And I'm a king.'

'Yes, yes, that's it, that's it, Katie. This gentleman is a king.'

Once more Ted's eye met Katie's, and this time there was an imploring look in it.

'That's right,' he said, slowly. 'I've just been telling your grandfather I'm the King of Coney Island.'

'That's it. Of Coney Island.'

'So there's no objection now to us getting married, kid—Your Royal Highness. It's a royal alliance, see?'

'A royal alliance,' echoed Mr Bennett.

Out in the street, Ted held Katie's hand, and grinned a little sheepishly.

'You're mighty quiet, kid,' he said. 'It looks as if it don't make much of a hit with you, the notion of being married to me.'

'Oh, Ted! But—'

He squeezed her hand.

'I know what you're thinking. I guess it was raw work pulling a tale like that on the old man. I hated to do it, but gee! when a fellow's up against it like I was, he's apt to grab most any chance that comes along. Why, say, kid, it kind of looked to me as if it was sort ofmeant. Coming just now, like it did, just when it was wanted, and just when it didn't seem possible it could happen. Why, a week ago I was nigh on two hundred votes behind Billy Burton. The Irish-American put him up, and everybody thought he'd be King at the Mardi Gras. And then suddenly they came pouring in for me, till at the finish I had Billy looking like a regular has-been.

'It's funny the way the voting jumps about every year in this Coney election. It was just Providence, and it didn't seem right to let it go by. So I went in to the old man, and told him. Say, I tell you I was just sweating when I got ready to hand it to him. It was an outside chance he'd remember all about what the Mardi Gras at Coney was, and just what being a king at it amounted to. Then I remembered you telling me you'd never been to Coney, so I figured your grandfather wouldn't be what you'd call well fixed in his information about it, so I took the chance.

'I tried him out first. I tried him with Brooklyn. Why, say, from the way he took it, he'd either never heard of the place, or else he'd forgotten what it was. I guess he don't remember much, poor old fellow. Then I mentioned Yonkers. He asked me what Yonkers were. Then I reckoned it was safe to bring on Coney, and he fell for it right away. I felt mean, but it had to be done.'

He caught her up, and swung her into the air with a perfectly impassive face. Then, having kissed her, he lowered her gently to the ground again. The action seemed to have relieved his feelings, for when he spoke again it was plain that his conscience no longer troubled him.

'And say,' he said, 'come to think of it, I don't see where there's so much call for me to feel mean. I'm not so far short of being a regular king. Coney's just as big as some of those kingdoms you read about on the other side; and, from what you see in the papers about the goings-on there, it looks to me that, having a whole week on the throne like I'm going to have, amounts to a pretty steady job as kings go.'

As I walked to Geisenheimer's that night I was feeling blue and restless, tired of New York, tired of dancing, tired of everything. Broadway was full of people hurrying to the theatres. Cars rattled by. All the electric lights in the world were blazing down on the Great White Way. And it all seemed stale and dreary to me.

Geisenheimer's was full as usual. All the tables were occupied, and there were several couples already on the dancing-floor in the centre. The band was playing 'Michigan':

I want to go back, I want to go backTo the place where I was born.Far away from harmWith a milk-pail on my arm.

I suppose the fellow who wrote that would have called for the police if anyone had ever really tried to get him on to a farm, but he has certainly put something into the tune which makes you think he meant what he said. It's a homesick tune, that.

I was just looking round for an empty table, when a man jumped up and came towards me, registering joy as if I had been his long-lost sister.

He was from the country. I could see that. It was written all over him, from his face to his shoes.

He came up with his hand out, beaming.

'Why, Miss Roxborough!'

'Why not?' I said.

'Don't you remember me?'

I didn't.

'My name is Ferris.'

'It's a nice name, but it means nothing in my young life.'

'I was introduced to you last time I came here. We danced together.'

This seemed to bear the stamp of truth. If he was introduced to me, he probably danced with me. It's what I'm at Geisenheimer's for.

'When was it?'

'A year ago last April.'

You can't beat these rural charmers. They think New York is folded up and put away in camphor when they leave, and only taken out again when they pay their next visit. The notion that anything could possibly have happened since he was last in our midst to blur the memory of that happy evening had not occurred to Mr Ferris. I suppose he was so accustomed to dating things from 'when I was in New York' that he thought everybody else must do the same.

'Why, sure, I remember you,' I said. 'Algernon Clarence, isn't it?'

'Not Algernon Clarence. My name's Charlie.'

'My mistake. And what's the great scheme, Mr Ferris? Do you want to dance with me again?'

He did. So we started. Mine not to reason why, mine but to do and die, as the poem says. If an elephant had come into Geisenheimer's and asked me to dance I'd have had to do it. And I'm not saying that Mr Ferris wasn't the next thing to it. He was one of those earnest, persevering dancers—the kind that have taken twelve correspondence lessons.

I guess I was about due that night to meet someone from the country. There still come days in the spring when the country seems to get a stranglehold on me and start in pulling. This particular day had been one of them. I got up in the morning and looked out of the window, and the breeze just wrapped me round and began whispering about pigs and chickens. And when I went out on Fifth Avenue there seemed to be flowers everywhere. I headed for the Park, and there was the grass all green, and the trees coming out, and a sort of something in the air—why, say, if there hadn't have been a big policeman keeping an eye on me, I'd have flung myself down and bitten chunks out of the turf.

And as soon as I got to Geisenheimer's they played that 'Michigan' thing.

Why, Charlie from Squeedunk's 'entrance' couldn't have been better worked up if he'd been a star in a Broadway show. The stage was just waiting for him.

But somebody's always taking the joy out of life. I ought to have remembered that the most metropolitan thing in the metropolis is a rustic who's putting in a week there. We weren't thinking on the same plane, Charlie and me. The way I had been feeling all day, what I wanted to talk about was last season's crops. The subject he fancied was this season's chorus-girls. Our souls didn't touch by a mile and a half.

'This is the life!' he said.

There's always a point when that sort of man says that.

'I suppose you come here quite a lot?' he said.

'Pretty often.'

I didn't tell him that I came there every night, and that I came because I was paid for it. If you're a professional dancer at Geisenheimer's, you aren't supposed to advertise the fact. The management thinks that if you did it might send the public away thinking too hard when they saw you win the Great Contest for the Love-r-ly Silver Cup which they offer later in the evening. Say, that Love-r-ly Cup's a joke. I win it on Mondays, Wednesdays, and Fridays, and Mabel Francis wins it on Tuesdays, Thursdays, and Saturdays. It's all perfectly fair and square, of course. It's purely a matter of merit who wins the Love-r-ly Cup. Anybody could win it. Only somehow they don't. And the coincidence of the fact that Mabel and I always do has kind of got on the management's nerves, and they don't like us to tell people we're employed there. They prefer us to blush unseen.

'It's a great place,' said Mr Ferris, 'and New York's a great place. I'd like to live in New York.'

'The loss is ours. Why don't you?'

'Some city! But dad's dead now, and I've got the drugstore, you know.'

He spoke as if I ought to remember reading about it in the papers.

'And I'm making good with it, what's more. I've got push and ideas. Say, I got married since I saw you last.'

'You did, did you?' I said. 'Then what are you doing, may I ask, dancing on Broadway like a gay bachelor? I suppose you have left your wife at Hicks' Corners, singing "Where is my wandering boy tonight"?'

'Not Hicks' Corners. Ashley, Maine. That's where I live. My wife comes from Rodney.... Pardon me, I'm afraid I stepped on your foot.'

'My fault,' I said; 'I lost step. Well, I wonder you aren't ashamed even to think of your wife, when you've left her all alone out there while you come whooping it up in New York. Haven't you got any conscience?'

'But I haven't left her. She's here.'

'In New York?'

'In this restaurant. That's her up there.'

I looked up at the balcony. There was a face hanging over the red plush rail. It looked to me as if it had some hidden sorrow. I'd noticed it before, when we were dancing around, and I had wondered what the trouble was. Now I began to see.

'Why aren't you dancing with her and giving her a good time, then?' I said.

'Oh, she's having a good time.'

'She doesn't look it. She looks as if she would like to be down here, treading the measure.'

'She doesn't dance much.'

'Don't you have dances at Ashley?'

'It's different at home. She dances well enough for Ashley, but—well, this isn't Ashley.'

'I see. But you're not like that?'

He gave a kind of smirk.

'Oh, I've been in New York before.'

I could have bitten him, the sawn-off little rube! It made me mad. He was ashamed to dance in public with his wife—didn't think her good enough for him. So he had dumped her in a chair, given her a lemonade, and told her to be good, and then gone off to have a good time. They could have had me arrested for what I was thinking just then.

The band began to play something else.

'This is the life!' said Mr Ferris. 'Let's do it again.'

'Let somebody else do it,' I said. 'I'm tired. I'll introduce you to some friends of mine.'

So I took him off, and whisked him on to some girls I knew at one of the tables.

'Shake hands with my friend Mr Ferris,' I said. 'He wants to show you the latest steps. He does most of them on your feet.'

I could have betted on Charlie, the Debonair Pride of Ashley. Guess what he said? He said, 'This is the life!'

And I left him, and went up to the balcony.

She was leaning with her elbows on the red plush, looking down on the dancing-floor. They had just started another tune, and hubby was moving around with one of the girls I'd introduced him to. She didn't have to prove to me that she came from the country. I knew it. She was a little bit of a thing, old-fashioned looking. She was dressed in grey, with white muslin collar and cuffs, and her hair done simple. She had a black hat.

I kind of hovered for awhile. It isn't the best thing I do, being shy; as a general thing I'm more or less there with the nerve; but somehow I sort of hesitated to charge in.

Then I braced up, and made for the vacant chair.

'I'll sit here, if you don't mind,' I said.

She turned in a startled way. I could see she was wondering who I was, and what right I had there, but wasn't certain whether it might not be city etiquette for strangers to come and dump themselves down and start chatting. 'I've just been dancing with your husband,' I said, to ease things along.

'I saw you.'

She fixed me with a pair of big brown eyes. I took one look at them, and then I had to tell myself that it might be pleasant, and a relief to my feelings, to take something solid and heavy and drop it over the rail on to hubby, but the management wouldn't like it. That was how I felt about him just then. The poor kid was doing everything with those eyes except crying. She looked like a dog that's been kicked.

She looked away, and fiddled with the string of the electric light. There was a hatpin lying on the table. She picked it up, and began to dig at the red plush.

'Ah, come on sis,' I said; 'tell me all about it.'

'I don't know what you mean.'

'You can't fool me. Tell me your troubles.'

'I don't know you.'

'You don't have to know a person to tell her your troubles. I sometimes tell mine to the cat that camps out on the wall opposite my room. What did you want to leave the country for, with summer coming on?'

She didn't answer, but I could see it coming, so I sat still and waited. And presently she seemed to make up her mind that, even if it was no business of mine, it would be a relief to talk about it.

'We're on our honeymoon. Charlie wanted to come to New York. I didn't want to, but he was set on it. He's been here before.'

'So he told me.'

'He's wild about New York.'

'But you're not.'

'I hate it.'

'Why?'

She dug away at the red plush with the hatpin, picking out little bits and dropping them over the edge. I could see she was bracing herself to put me wise to the whole trouble. There's a time comes when things aren't going right, and you've had all you can stand, when you have got to tell somebody about it, no matter who it is.

'I hate New York,' she said getting it out at last with a rush. 'I'm scared of it. It—it isn't fair Charlie bringing me here. I didn't want to come. I knew what would happen. I felt it all along.'

'What do you think will happen, then?'

She must have picked away at least an inch of the red plush before she answered. It's lucky Jimmy, the balcony waiter, didn't see her; it would have broken his heart; he's as proud of that red plush as if he had paid for it himself.

'When I first went to live at Rodney,' she said, 'two years ago—we moved there from Illinois—there was a man there named Tyson—Jack Tyson. He lived all alone and didn't seem to want to know anyone. I couldn't understand it till somebody told me all about him. I can understand it now. Jack Tyson married a Rodney girl, and they came to New York for their honeymoon, just like us. And when they got there I guess she got to comparing him with the fellows she saw, and comparing the city with Rodney, and when she got home she just couldn't settle down.'

'Well?'

'After they had been back in Rodney for a little while she ran away. Back to the city, I guess.'

'I suppose he got a divorce?'

'No, he didn't. He still thinks she may come back to him.'

'He still thinks she will come back?' I said. 'After she has been away three years!'

'Yes. He keeps her things just the same as she left them when she went away, everything just the same.'

'But isn't he angry with her for what she did? If I was a man and a girl treated me that way, I'd be apt to murder her if she tried to show up again.'

'He wouldn't. Nor would I, if—if anything like that happened to me; I'd wait and wait, and go on hoping all the time. And I'd go down to the station to meet the train every afternoon, just like Jack Tyson.'

Something splashed on the tablecloth. It made me jump.

'For goodness' sake,' I said, 'what's your trouble? Brace up. I know it's a sad story, but it's not your funeral.'

'It is. It is. The same thing's going to happen to me.'

'Take a hold on yourself. Don't cry like that.'

'I can't help it. Oh! I knew it would happen. It's happening right now. Look—look at him.'

I glanced over the rail, and I saw what she meant. There was her Charlie, dancing about all over the floor as if he had just discovered that he hadn't lived till then. I saw him say something to the girl he was dancing with. I wasn't near enough to hear it, but I bet it was 'This is the life!' If I had been his wife, in the same position as this kid, I guess I'd have felt as bad as she did, for if ever a man exhibited all the symptoms of incurable Newyorkitis, it was this Charlie Ferris.

'I'm not like these New York girls,' she choked. 'I can't be smart. I don't want to be. I just want to live at home and be happy. I knew it would happen if we came to the city. He doesn't think me good enough for him. He looks down on me.'

'Pull yourself together.'

'And I do love him so!'

Goodness knows what I should have said if I could have thought of anything to say. But just then the music stopped, and somebody on the floor below began to speak.

'Ladeez 'n' gemmen,' he said, 'there will now take place our great Numbah Contest. This gen-u-ine sporting contest—'

It was Izzy Baermann making his nightly speech, introducing the Love-r-ly Cup; and it meant that, for me, duty called. From where I sat I could see Izzy looking about the room, and I knew he was looking for me. It's the management's nightmare that one of these evenings Mabel or I won't show up, and somebody else will get away with the Love-r-ly Cup.

'Sorry I've got to go,' I said. 'I have to be in this.'

And then suddenly I had the great idea. It came to me like a flash, I looked at her, crying there, and I looked over the rail at Charlie the Boy Wonder, and I knew that this was where I got a stranglehold on my place in the Hall of Fame, along with the great thinkers of the age.

'Come on,' I said. 'Come along. Stop crying and powder your nose and get a move on. You're going to dance this.'

'But Charlie doesn't want to dance with me.'

'It may have escaped your notice,' I said, 'but your Charlie is not the only man in New York, or even in this restaurant. I'm going to dance with Charlie myself, and I'll introduce you to someone who can go through the movements. Listen!'

'The lady of each couple'—this was Izzy, getting it off his diaphragm—'will receive a ticket containing a num-bah. The dance will then proceed, and the num-bahs will be eliminated one by one, those called out by the judge kindly returning to their seats as their num-bah is called. The num-bah finally remaining is the winning num-bah. The contest is a genuine sporting contest, decided purely by the skill of the holders of the various num-bahs.' (Izzy stopped blushing at the age of six.) 'Will ladies now kindly step forward and receive their num-bahs. The winner, the holder of the num-bah left on the floor when the other num-bahs have been eliminated' (I could see Izzy getting more and more uneasy, wondering where on earth I'd got to), 'will receive this Love-r-ly Silver Cup, presented by the management. Ladies will now kindly step forward and receive their num-bahs.'

I turned to Mrs Charlie. 'There,' I said, 'don't you want to win a Love-r-ly Silver Cup?'

'But I couldn't.'

'You never know your luck.'

'But it isn't luck. Didn't you hear him say it's a contest decided purely by skill?'

'Well, try your skill, then.' I felt as if I could have shaken her. 'For goodness' sake,' I said, 'show a little grit. Aren't you going to stir a finger to keep your Charlie? Suppose you win, think what it will mean. He will look up to you for the rest of your life. When he starts talking about New York, all you will have to say is, "New York? Ah, yes, that was the town I won that Love-r-ly Silver Cup in, was it not?" and he'll drop as if you had hit him behind the ear with a sandbag. Pull yourself together and try.'

I saw those brown eyes of hers flash, and she said, 'I'll try.'

'Good for you,' I said. 'Now you get those tears dried, and fix yourself up, and I'll go down and get the tickets.'

Izzy was mighty relieved when I bore down on him.

'Gee!' he said, 'I thought you had run away, or was sick or something. Here's your ticket.'

'I want two, Izzy. One's for a friend of mine. And I say, Izzy, I'd take it as a personal favour if you would let her stop on the floor as one of the last two couples. There's a reason. She's a kid from the country, and she wants to make a hit.'

'Sure, that'll be all right. Here are the tickets. Yours is thirty-six, hers is ten.' He lowered his voice. 'Don't go mixing them.'

I went back to the balcony. On the way I got hold of Charlie.

'We're dancing this together,' I said.

He grinned all across his face.

I found Mrs Charlie looking as if she had never shed a tear in her life. She certainly had pluck, that kid.

'Come on,' I said. 'Stick to your ticket like wax and watch your step.'

I guess you've seen these sporting contests at Geisenheimer's. Or, if you haven't seen them at Geisenheimer's, you've seen them somewhere else. They're all the same.

When we began, the floor was so crowded that there was hardly elbow-room. Don't tell me there aren't any optimists nowadays. Everyone was looking as if they were wondering whether to have the Love-r-ly Cup in the sitting-room or the bedroom. You never saw such a hopeful gang in your life.

Presently Izzy gave tongue. The management expects him to be humorous on these occasions, so he did his best.

'Num-bahs, seven, eleven, and twenty-one will kindly rejoin their sorrowing friends.'

This gave us a little more elbow-room, and the band started again.

A few minutes later, Izzy once more: 'Num-bahs thirteen, sixteen, and seventeen—good-bye.'

Off we went again.

'Num-bah twelve, we hate to part with you, but—back to your table!'

A plump girl in a red hat, who had been dancing with a kind smile, as if she were doing it to amuse the children, left the floor.

'Num-bahs six, fifteen, and twenty, thumbs down!'

And pretty soon the only couples left were Charlie and me, Mrs Charlie and the fellow I'd introduced her to, and a bald-headed man and a girl in a white hat. He was one of your stick-at-it performers. He had been dancing all the evening. I had noticed him from the balcony. He looked like a hard-boiled egg from up there.

He was a trier all right, that fellow, and had things been otherwise, so to speak, I'd have been glad to see him win. But it was not to be. Ah, no!

'Num-bah nineteen, you're getting all flushed. Take a rest.'

So there it was, a straight contest between me and Charlie and Mrs Charlie and her man. Every nerve in my system was tingling with suspense and excitement, was it not? It was not.

Charlie, as I've already hinted, was not a dancer who took much of his attention off his feet while in action. He was there to do his durnedest, not to inspect objects of interest by the wayside. The correspondence college he'd attended doesn't guarantee to teach you to do two things at once. It won't bind itself to teach you to look round the room while you're dancing. So Charlie hadn't the least suspicion of the state of the drama. He was breathing heavily down my neck in a determined sort of way, with his eyes glued to the floor. All he knew was that the competition had thinned out a bit, and the honour of Ashley, Maine, was in his hands.

You know how the public begins to sit up and take notice when these dance-contests have been narrowed down to two couples. There are evenings when I quite forget myself, when I'm one of the last two left in, and get all excited. There's a sort of hum in the air, and, as you go round the room, people at the tables start applauding. Why, if you didn't know about the inner workings of the thing, you'd be all of a twitter.

It didn't take my practised ear long to discover that it wasn't me and Charlie that the great public was cheering for. We would go round the floor without getting a hand, and every time Mrs Charlie and her guy got to a corner there was a noise like election night. She sure had made a hit.

I took a look at her across the floor, and I didn't wonder. She was a different kid from what she'd been upstairs. I never saw anybody look so happy and pleased with herself. Her eyes were like lamps, and her cheeks all pink, and she was going at it like a champion. I knew what had made a hit with the people. It was the look of her. She made you think of fresh milk and new-laid eggs and birds singing. To see her was like getting away to the country in August. It's funny about people who live in the city. They chuck out their chests, and talk about little old New York being good enough for them, and there's a street in heaven they call Broadway, and all the rest of it; but it seems to me that what they really live for is that three weeks in the summer when they get away into the country. I knew exactly why they were cheering so hard for Mrs Charlie. She made them think of their holidays which were coming along, when they would go and board at the farm and drink out of the old oaken bucket, and call the cows by their first names.

Gee! I felt just like that myself. All day the country had been tugging at me, and now it tugged worse than ever.

I could have smelled the new-mown hay if it wasn't that when you're in Geisenheimer's you have to smell Geisenheimer's, because it leaves no chance for competition.

'Keep working,' I said to Charlie. 'It looks to me as if we are going back in the betting.'

'Uh, huh!' he says, too busy to blink.

'Do some of those fancy steps of yours. We need them in our business.'

And the way that boy worked—it was astonishing!

Out of the corner of my eye I could see Izzy Baermann, and he wasn't looking happy. He was nerving himself for one of those quick referee's decisions—the sort you make and then duck under the ropes, and run five miles, to avoid the incensed populace. It was this kind of thing happening every now and then that prevented his job being perfect. Mabel Francis told me that one night when Izzy declared her the winner of the great sporting contest, it was such raw work that she thought there'd have been a riot. It looked pretty much as if he was afraid the same thing was going to happen now. There wasn't a doubt which of us two couples was the one that the customers wanted to see win that Love-r-ly Silver Cup. It was a walk-over for Mrs Charlie, and Charlie and I were simply among those present.

But Izzy had his duty to do, and drew a salary for doing it, so he moistened his lips, looked round to see that his strategic railways weren't blocked, swallowed twice, and said in a husky voice:

'Num-bah ten, please re-tiah!'

I stopped at once.

'Come along,' said I to Charlie. 'That's our exit cue.'

And we walked off the floor amidst applause.

'Well,' says Charlie, taking out his handkerchief and attending to his brow, which was like the village blacksmith's, 'we didn't do so bad, did we? We didn't do so bad, I guess! We—'

And he looked up at the balcony, expecting to see the dear little wife, draped over the rail, worshipping him; when, just as his eye is moving up, it gets caught by the sight of her a whole heap lower down than he had expected—on the floor, in fact.

She wasn't doing much in the worshipping line just at that moment. She was too busy.

It was a regular triumphal progress for the kid. She and her partner were doing one or two rounds now for exhibition purposes, like the winning couple always do at Geisenheimer's, and the room was fairly rising at them. You'd have thought from the way they were clapping that they had been betting all their spare cash on her.

Charlie gets her well focused, then he lets his jaw drop, till he pretty near bumped it against the floor.

'But—but—but—' he begins.

'I know,' I said. 'It begins to look as if she could dance well enough for the city after all. It begins to look as if she had sort of put one over on somebody, don't it? It begins to look as if it were a pity you didn't think of dancing with her yourself.'

'You come along and have a nice cold drink,' I said, 'and you'll soon pick up.'

He tottered after me to a table, looking as if he had been hit by a street-car. He had got his.

I was so busy looking after Charlie, flapping the towel and working on him with the oxygen, that, if you'll believe me, it wasn't for quite a time that I thought of glancing around to see how the thing had struck Izzy Baermann.

If you can imagine a fond father whose only son has hit him with a brick, jumped on his stomach, and then gone off with all his money, you have a pretty good notion of how poor old Izzy looked. He was staring at me across the room, and talking to himself and jerking his hands about. Whether he thought he was talking to me, or whether he was rehearsing the scene where he broke it to the boss that a mere stranger had got away with his Love-r-ly Silver Cup, I don't know. Whichever it was, he was being mighty eloquent.

I gave him a nod, as much as to say that it would all come right in the future, and then I turned to Charlie again. He was beginning to pick up.

'She won the cup!' he said in a dazed voice, looking at me as if I could do something about it.

'You bet she did!'

'But—well, what do you know about that?'

I saw that the moment had come to put it straight to him. 'I'll tell you what I know about it,' I said. 'If you take my advice, you'll hustle that kid straight back to Ashley—or wherever it is that you said you poison the natives by making up the wrong prescriptions—before she gets New York into her system. When I was talking to her upstairs, she was telling me about a fellow in her village who got it in the neck just the same as you're apt to do.'

He started. 'She was telling you about Jack Tyson?'

'That was his name—Jack Tyson. He lost his wife through letting her have too much New York. Don't you think it's funny she should have mentioned him if she hadn't had some idea that she might act just the same as his wife did?'

He turned quite green.

'You don't think she would do that?'

'Well, if you'd heard her—She couldn't talk of anything except this Tyson, and what his wife did to him. She talked of it sort of sad, kind of regretful, as if she was sorry, but felt that it had to be. I could see she had been thinking about it a whole lot.'

Charlie stiffened in his seat, and then began to melt with pure fright. He took up his empty glass with a shaking hand and drank a long drink out of it. It didn't take much observation to see that he had had the jolt he wanted, and was going to be a whole heap less jaunty and metropolitan from now on. In fact, the way he looked, I should say he had finished with metropolitan jauntiness for the rest of his life.

'I'll take her home tomorrow,' he said. 'But—will she come?'

'That's up to you. If you can persuade her—Here she is now. I should start at once.'

Mrs Charlie, carrying the cup, came to the table. I was wondering what would be the first thing she would say. If it had been Charlie, of course he'd have said, 'This is the life!' but I looked for something snappier from her. If I had been in her place there were at least ten things I could have thought of to say, each nastier than the other.

She sat down and put the cup on the table. Then she gave the cup a long look. Then she drew a deep breath. Then she looked at Charlie.

'Oh, Charlie, dear,' she said, 'I do wish I'd been dancing with you!'

Well, I'm not sure that that wasn't just as good as anything I would have said. Charlie got right off the mark. After what I had told him, he wasn't wasting any time.

'Darling,' he said, humbly, 'you're a wonder! What will they say about this at home?' He did pause here for a moment, for it took nerve to say it; but then he went right on. 'Mary, how would it be if we went home right away—first train tomorrow, and showed it to them?'

'Oh, Charlie!' she said.

His face lit up as if somebody had pulled a switch.

'You will? You don't want to stop on? You aren't wild about New York?'

'If there was a train,' she said, 'I'd start tonight. But I thought you loved the city so, Charlie?'


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