Part Third

LE PÈRE POLYPHÈME

"'Sais pas,'" said Josselin; "don't like killing things, I suppose.'"

So Barty became quite indispensable to the happiness and comfort of Père Polyphème, as he called him, as well as of his amiable family.

On the 1st of September there was a grand breakfast in honor of the partridges (not in the kitchen this time), and many guests were invited; and Barty had to sing and talk and play the fool all through breakfast; and got very tipsy, and had to be put to bed for the rest of the day. It was no fault of his, and Madame Lafertó declared that "ces messieurs" ought to be ashamed of themselves, and watched over Barty like a mother. He has often declared he was never quite the same after that debauch—and couldn't feel the north for a month.

The house was soon full of guests, and Barty and I slept in M. Laferté's bedroom—his wife in a room adjoining.

Every morning old Polyphemus would wake us up by roaring out:

"Hé! ma femme!"

"Voilà, voilà, mon ami!" from the next room.

"Viens vite panser mon cautère!"

And in came Madame L. in her dressing‑gown, and dressed a blister he wore on his big arm.

Then: "Café!"

And coffee came, and he drank it in bed.

Then: "Pipe!"

And his pipe was brought and filled, and he lit it.

Then: "Josselin!"

"Oui, M'sieur Laferté."

"Tire moi une gamme."

"Dorémifasollasido—Dosilasolfamirédo!" sangJosselin, up and down, in beautiful tune, with his fresh bird‑like soprano.

"Ah! q' ça fait du bien!" says M. L.; then a pause, and puffs of smoke and grunts and sighs of satisfaction.

"Josselin?"

"Oui, M'sieur Laferté!"

"'La brune Thérèse!'"

And Josselin would sing about the dark‑haired Thérèsa—three verses.

"Tu as changé la fin du second couplet—tu as dit 'des comtesses' au lieu de dire 'des duchesses'—recommence!" (You changed the end of the second verse—you said "countesses" instead of "duchesses"—begin again.)

And Barty would re‑sing it, as desired, and bring in the duchesses.

"Maintenant, 'Colin, disait Lisette!'"

And Barty would sing that charming little song, most charmingly:

"'Colin,' disait Lisette,'Je voudrais passer l'eau!Mais je suis trop pauvrettePour payer le bateau!''Entrez, entrez, ma belle!Entrez, entrez toujours!Et vogue la nacelleQui porte mes amours!"

"'Colin,' disait Lisette,'Je voudrais passer l'eau!Mais je suis trop pauvrettePour payer le bateau!''Entrez, entrez, ma belle!Entrez, entrez toujours!Et vogue la nacelleQui porte mes amours!"

And old L. would smoke and listen with an air of heavenly beatitude almost pathetic.

"Elle était bien gentille, Lisette—n'est‑ce pas, petiot?—recommence!" (She was very nice, Lisette; wasn't she, sonny?—being again!)

"Now both get up and wash and go to breakfast. Come here, Josselin—you see this little silver dagger"(producing it from under his pillow). "It's rather pointy, but not at all dangerous. My mother gave it me when I was just your age—to cut books with; it's for you. Allons, file! [cut along] no thanks!—but look here—are you coming with us à la chasse to‑day?"

"Non, M. Laferté!"

"Pourquoi?—t'as pas peur, j'espère!"

"Sais pas. J' n'aime pas les choses mortes—ça saigne—et ça n' sent pas bon—ça m'fait mal au cœur." (Don't know. I'm not fond of dead things. They bleed—and they don't smell nice—it makes me sick.)

And two or three times a day would Barty receive some costly token of this queer old giant's affection, till he got quite unhappy about it. He feared he was despoiling the House of Laferté of all its treasures in silver and gold; but he soothed his troubled conscience later on by giving them all away to favorite boys and masters at Brossard's—especially M. Bonzig, who had taken charge of his white mouse (and her family, now quite grown up—children and grandchildren and all) when Mlle. Marceline went for her fortnight's holiday. Indeed, he had made a beautiful cage for them out of wood and wire, with little pasteboard mangers (which they nibbled away).

Well, the men of the party and young Laferté and I would go off with the dogs and keepers into the forest—and Barty would pick filberts and fruit with Jeanne and Marie, and eat them with bread‑and‑butter and jam andcernaux(unripe walnuts mixed with salt and water and verjuice—quite the nicest thing in the world). Then he would find his way into the heart of the forest, which he loved—and where he had scraped up a warm friendship with some charcoal‑burners, whose huts were near an old yellow‑watered pond, very brackish and stagnantand deep, and full of leeches and water‑spiders. It was in the densest part of the forest, where the trees were so tall and leafy that the sun never fell on it, even at noon. The charcoal‑burners told him that in '93 a young de la Tremblaye was taken there at sunset to be hanged on a giant oak‑tree—but he talked so agreeably and was so pleasant all round that they relented, and sent for bread and wine and cider and made a night of it, and didn't hang him till dawn next day; after which they tied a stone to his ankles and dropped him into the pond, which was called "the pond of the respite" ever since; and his young wife, Claire Élisabeth, drowned herself there the week after, and their bones lie at the bottom to this very day.

And, ghastly to relate, the ringleader in this horrible tragedy was a beautiful young woman, a daughter of the people, it seems—one Séraphine Doucet, whom the young viscount had betrayed before marriage—le droit du seigneur!—and but for whom he would have been let off after that festive night. Ten or fifteen years later, smitten with incurable remorse, she hanged herself on the very branch of the very tree where they had strung up her noble lover; and still walks round the pond at night, wringing her hands and wailing. It's a sad story—let us hope it isn't true.

Barty Josselin evidently had this pond in his mind when he wrote in "Âmes en peine":

Sous la berge hantéeL'eau morne croupit—Sous la sombre futaieLe renard glapit,Et le cerf‑dix‑cors brame, et les daims viennent boire à l'Étang du Répit."Lâchez‑moi, Loupgaroux!"

Que sinistre est la mareQuand tombe la nuit;La chouette s'effare—Le blaireau s'enfuit!L'on y sent que les morts se réveillent—qu'une ombre sans nom vous poursuit."Lâchez‑moi, Loup‑garoux!"

Forêt! forêt! what a magic there is in that little French dissyllable! Morne forêt! Is it the lost "s," and the heavy "^" that makes up for it, which lend such a mysterious and gloomy fascination?

Forest! that sounds rather tame—almost cheerful! Ifwewant a forest dream we have to go so far back for it, and dream of Robin Hood and his merrie men! and even then Epping forces itself into our dream—and even Chingford, where there was never a were‑wolf within the memory of man. Give us at least thevirginforest, in some far Guyana or Brazil—or even the forest primeval—

"... where the murmuring pines and the hemlocks,Bearded with moss and in garments green, indistinct in the twilight,Stand like druids of eld, with voices sad and prophetic,Stand like harpers hoar"—

"... where the murmuring pines and the hemlocks,Bearded with moss and in garments green, indistinct in the twilight,Stand like druids of eld, with voices sad and prophetic,Stand like harpers hoar"—

that we may dream of scalp‑hunting Mingoes, and grizzly‑bears, and moose, and buffalo, and the beloved Bas‑de‑cuir with that magic rifle of his, that so seldom missed its mark and never got out of repair.

"Prom'nons nous dans les boisPendant que le loup n'y est pas...."

"Prom'nons nous dans les boisPendant que le loup n'y est pas...."

That's the first song I ever heard. Céline used to sing it, my nurse—who was very lovely, though she hada cast in her eye and wore a black cap, and cotton in her ears, and was pitted with the smallpox. It was in Burgundy, which was rich in forests, with plenty of wolves in them, and wild‑boars too—and that was only a hundred years ago, when that I was a little tiny boy. It's just an old nursery rhyme to lull children to sleep with, or set them dancing—pas aut' chose—but there's a deal of Old France in it!

There I go again—digressing as usual and quoting poetry and trying to be literary and all that! C'est plus fort que moi....

One beautiful evening after dinner we went, the whole lot of us, fishing for crayfish in the meadows beyond the home farm.

As we set about waiting for the crayfish to assemble round the bits of dead frog that served for bait and were tied to the wire scales (which were left in the water), a procession of cows came past us from the farm. One of them had a wound in her flank—a large tumor.

"It's the bull who did that," said Marie. "Il est très méchant!"

Presently the bull appeared, following the herd in sulky dignity. We all got up and crossed the stream on a narrow plank—all but Josselin, who remained sitting on a camp‑stool.

"Josselin! Josselin! venez donc! il est très mauvais, le taureau!"

Barty didn't move.

The bull came by; and suddenly, seeing him, walked straight to within a yard of him—and stared at him for five minutes at least, lashing its tail. Barty didn't stir. Our hearts were in our mouths!

Then the big brindled brute turned quietly round with a friendly snort and went after the cows—and Barty gotup and made it a courtly farewell salute, saying, "Bon voyage—au plaisir!"

After which he joined the rest of us across the stream, and came in for a good scolding and much passionate admiration from the ladies, and huggings and tears of relief from Madame Laferté.

"I knew well he wouldn't be afraid!" said M. Laferté; "they are all like that, those English—le sang‑froid du diable! nom d'un Vellington! It is we who were afraid—we are not so brave as the little Josselin! plucky little Josselin! But why did you not come with us? Temerity is not valor, Josselin!"

"Because I wanted to show off [faire le fanfaron]!" said Barty, with extreme simplicity.

"Ah, diable! Anyhow, it was brave of you to sit still when he came and looked at you in the white of the eyes! it was just the right thing to do; ces Anglais! je n'en reviens pas! à quatorze ans! hein, ma femme?"

"Pardi!" said Barty, "I was in such a blue funk [j'avais une venette si bleue] that I couldn't have moved a finger to save my life!"

At this, old Polyphemus went into a Homeric peal of laughter.

"Ces Anglais! what originals—they tell you the real truth at any cost [ils vous disent la vraie vérité, coûte que coûte]!" and his affection for Barty seemed to increase, if possible, from that evening.

Now this was Barty all over—all through life. He always gave himself away with a liberality quite uncalled for—so he ought to have some allowances made for that reckless and impulsive indiscretion which caused him to be so popular in general society, but got him into so many awkward scrapes in after‑life, and made him such

FANFARONNADE

mean enemies, and gave his friends so much anxiety and distress.

(And here I think it right to apologize for so much translating of such a well‑known language as French; I feel quite like another Ollendorf—who must have been a German, by‑the‑way—but M. Laferté's grammar and accent would sometimes have puzzled Ollendorf himself!)

Towards the close of September, M. Laferté took it into his head to make a tour of provincial visitsen famille. He had never done such a thing before, and I really believe it was all to show off Barty to his friends and relations.

It was the happiest time I ever had, and shines out by itself in that already so unforgettably delightful vacation.

We went in a large charabancs drawn by two stout horses, starting at six in the morning, and driving right through the Forest of la Tremblaye; and just ahead of us, to show us the way, M. Laferté driving himself in an old cabriolet, with Josselin (from whom he refused to be parted) by his side, singing or talking, according to order, or cracking jokes; we could hear the big laugh of Polyphemus!

We travelled very leisurely; I forget whether we ever changed horses or not—but we got over a good deal of ground. We put up at the country houses of friends and relations of the Lafertés; and visited old historical castles and mediæval ruins—Châteaudun and others—and fished in beautiful pellucid tributaries of the Loire—shot over "des chiens anglais"—danced half the night with charming people—wandered in lovely parks and woods, and beautiful old formal gardens withfishponds, terraces, statues, marble fountains; charmilles, pelouses, quinconces; and all the flowers and all the fruits of France! And the sun shone every day and all day long—and in one's dreams all night.

And the peasants in that happy country of the Loire spoke the most beautiful French, and had the most beautiful manners in the world. They're famous for it.

It all seems like a fairy tale.

If being made much of, and petted and patted and admired and wondered at, make up the sum of human bliss, Barty came in for as full a share of felicity during that festive week as should last an ordinary mortal for a twelvemonth.Figaro quà, Figaro là, from morning till night in three departments of France!

But he didn't seem to care very much about it all; he would have been far happier singing and tumbling and romancing away to his charbonniers by the pond in the Forest of la Tremblaye. He declared he was never quite himself unless he could feel the north for at least an hour or two every day, and all night long in his sleep—and that he should never feel the north again—that it was gone forever; that he had drunk it all away at that fatal breakfast—and it made him lonely to wake up in the middle of the night and not know which way he lay! "dépaysé," as he called it—"désorienté—perdu!"

And laughing, he would add, "Ayez pitié d'un pauvre orphelin!"

Then back to Le Gué des Aulnes. And one evening, after a good supper at Grandmaman Laferté's, the diligence de Paris came jingling and rumbling through the main street of La Tremblaye, flashing right and left its two big lamps, red and blue. And we three boys, afterthe most grateful and affectionate farewells, packed ourselves into the coupé, which had been retained for us, and rumbled back to Paris through the night.

There was quite a crowd to see us off. Not only Lafertés, but others—all sorts and conditions of men, women, and children—and among them three or four of Barty's charcoal‑burning friends; one of whom, an old man with magnificent black eyes and an immense beard, that would have been white if he hadn't been a charcoal‑burner, kissed Barty on both cheeks, and gave him a huge bag full of some kind of forest berry that is good to eat; also a young cuckoo (which Barty restored to liberty an hour later); also a dormouse and a large green lizard; also, in a little pasteboard box, a gigantic pale green caterpillar four inches long and thicker than your thumb, with a row of shiny blue stars in relief all along each side of its back—the most beautiful thing of the kind you ever saw.

"Pioche bien ta géométrie, mon bon petit Josselin! c'est la plus belle science au monde, crois‑moi!" said M. Laferté to Barty, and gave him the hug of a grizzly‑bear; and to me he gave a terrific hand‑squeeze, and a beautiful double‑barrelled gun by Lefaucheux, for which I felt too supremely grateful to find suitable thanks. I have it now, but I have long given up killing things with it.

I had grown immensely fond of this colossal old "bourru bienfaisant," as he was called in La Tremblaye, and believe that all his moroseness and brutality were put on, to hide one of the warmest, simplest, and tenderest hearts in the world.

Before dawn Barty woke up with such a start that he woke me:

"Enfin! ça y est! quelle chance!" he exclaimed.

"Quoi, quoi, quoi?" said I, quacking like a duck.

"Le nord—c'est revenu—it's just ahead of us—a little to the left!"

We were nearing Paris.

And thus ended the proudest and happiest time I ever had in my life. Indeed I almost had an adventure on my own account—une bonne fortune, as it was called at Brossard's by boys hardly older than myself. I did not brag of it, however, when I got back to school.

It was at "Les Laiteries," or "Les Poteries," or "Les Crucheries," or some such place, the charming abode of Monsieur et Madame Pélisson—only their name wasn't Pélisson, or anything like it. At dinner I sat next to a Miss ———, who was very tall and wore blond side ringlets. I think she must have been the English governess.

We talked very much together, in English; and after dinner we walked in the garden together by starlight arm in arm, and she was so kind and genial to me in English that I felt quite chivalrous and romantic, and ready to do doughty deeds for her sake.

Then, at M. Pélisson's request, all the company assembled in a group for evening prayer, under a spreading chestnut‑tree on the lawn: the prayer sounded very much like the morning or evening prayer at Brossard's, except that the Almighty was addressed as "toi" instead of "vous"; it began:

"Notre Père qui es aux cieux—toi dont le regard scrutateur pénètre jusque dans les replis les plus profonds de nos cœurs"—and ended, "Ainsi soit‑il!"

The night was very dark, and I stood close to Miss ———, who stood as it seemed with her hands somewhere behind her back. I was so grateful to her for having talked to me so nicely, and so fond of her for beingEnglish, that the impulse seized me to steal my hand into hers—and her hand met mine with a gentle squeeze which I returned; but soon the pressure of her hand increased, and by the time M. le Curé had got to "au nom du Père" the pressure of her hand had become an agony—a thing to make one shriek!

"Ainsi soit‑il!" said M. le Curé, and the little group broke up, and Miss ——— walked quietly indoors with her arm around Madame Pélisson's waist, and without even wishing me good‑night—and my hand was being squeezed worse than ever.

"Ah ha! Lequel de nous deux est volé, petit coquin?" hissed an angry male voice in my ear—(which of us two is sold, you little rascal?).

And I found my hand in that of Monsieur Pélisson, whose name was something else—and I couldn't make it out, nor why he was so angry. It has dawned upon me since that each of us took the other's hand by mistake for that of the English governess!

All this is beastly and cynical and French, and I apologize for it—but it's true.

October!

It was a black Monday for me when school began again after that ideal vacation. The skies they were ashen and sober, and the leaves they were crisped and sere. But anyhow I was stillen quatrième, and Barty was in it too—and we sat next to each other in "L'étude des grands."

There was only one étude now; only half the boys came back, and the pavillon des petits was shut up, study, class‑rooms, dormitories, and all—except that two masters slept there still.

Eight or ten small boys were put in a small

MÉROVÉE RINGS THE BELL

school-room in the same house as ours, and had a small dormitory to themselves, with M. Bonzig to superintend them.

I made up my mind that I would no longer be acancreand acrétin, but work hard and do my little best, so that I might keep up with Barty and pass into thetroisièmewith him, and then intoRhétorique(seconde), and then intoPhilosophie(première)—that we might do our humanities and take our degree together—our "Bachot," which is short forBaccalauréat‑ès‑lettres. Most especially did I love Monsieur Durosier's class of French Literature—for which Mérovée always rang the bell himself.

My mother and sister were still at Ste.‑Adresse, Hâvre, with my father; so I spent my first Sunday that term at the Archibald Rohans', in the Rue du Bac.

I had often seen them at Brossard's, when they came to see Barty, but had never been at their house before.

They were very charming people.

Lord Archibald was dressing when we got there that Sunday morning, and we sat with him while he shaved—in an immense dressing‑room where there were half a dozen towel‑horses with about thirty pairs of newly ironed trousers on them instead of towels, and quite thirty pairs of shiny boots on trees were ranged along the wall. James, an impeccable English valet, waited on "his lordship," and never spoke unless spoken to.

"Hullo, Barty! Who's your friend?"

"Bob Maurice, Uncle Archie."

And Uncle Archie shook hands with me most cordially.

"And how's the north pole this morning?"

"Nicely, thanks, Uncle Archie."

Lord Archibald was a very tall and handsome man,about fifty—very droll and full of anecdote; he had stories to tell about everything in the room.

For instance, how Major Welsh of the 10th Hussars had given him that pair of Wellingtons, which fitted him better than any boots Hoby ever made him to measure; they were too tight for poor Welsh, who was a head shorter than himself.

How Kerlewis made him that frock‑coat fifteen years ago, and it wasn't threadbare yet, and fitted him as well as ever—for he hadn't changed his weight for thirty years, etc.

How that pair of braces had been made by "my lady" out of a pair of garters she wore on the day they were married.

And then he told us how to keep trousers from bagging at the knees, and how cloth coats should be ironed, and how often—and how to fold an umbrella.

It suddenly occurs to me that perhaps these little anecdotes may not be so amusing to the general reader as they were to me when he told them, so I won't tell any more. Indeed, I have often noticed that things look sometimes rather dull in print that were so surprisingly witty when said in spontaneous talk a great many years ago!

Then we went to breakfast with my lady and Daphne, their charming little daughter—Barty's sister, as he called her—"m'amour"—and who spoke both French and English equally well.

But we didn't breakfast at once, ravenous as we boys were, for Lady Archibald took a sudden dislike to Lord A.'s cravat, which, it seems, he had never worn before. It was in brown satin, and Lady A. declared that Loulou (so she called him) never looked "en beauté" with a brown cravat; and there was quite a little quarrelbetween husband and wife on the subject—so that he had to go back to his dressing‑room and put on a blue one.

At breakfast he talked about French soldiers of the line, and their marching kit (as it would be called now), quite earnestly, and, as it seemed to me, very sensibly—though he went through little mimicries that made his wife scream with laughter, and me too; and in the middle of breakfast Barty sang "Le Chant du Départ" as well as he could for laughing:

"La victoire en chantant nous ouvre la carrière!La liberté‑é gui‑i‑de nos pas" ...

"La victoire en chantant nous ouvre la carrière!La liberté‑é gui‑i‑de nos pas" ...

while Lord A. went through an expressive pantomime of an overladen foot‑soldier up and down the room, in time to the music. The only person who didn't laugh was James—which I thought ungenial.

Then Lady A. hadherinnings, and sang "Rule Britannia, Britannia rule de vaves"—and declared it was far more ridiculous really than the "Chant du Départ," and she made it seem so, for she went through a pantomime too. She was a most delightful person, and spoke English quite well when she chose; and seemed as fond of Barty as if he were her own and only son—and so did Lord Archibald. She would say:

"Quel dommage qu'on ne peut pas avoir des crompettes [crumpets]! Barty les aime tant! n'est‑ce pas, mon chou, tu aimes bien les crompettes? voici venir du buttered toast—c'est toujours ça!"

And, "Mon Dieu, comme il a bonne mine, ce cher Barty—n'est‑ce pas, mon amour, que tu as bonne mine? regarde‑toi dans la glace."

And, "Si nous allions à l'Hippodrôme cette après‑midi voir la belle écuyère Madame Richard? Barty adore les jolies femmes, comme son oncle! n'est‑ce pas, méchantpetit Barty, que tu adores les jolies femmes? et tu n'as jamais vu Madame Richard? Tu m'en diras des nouvelles! et vous, mon ami [this to me], est‑ce que vous adorez aussi les jolies femmes?"

"Ô oui," says Daphne, "allons voir M'ame Richard; it'll besuchfun! oh, bully!"

So after breakfast we went for a walk, and to a café on the Quai d'Orsay, and then to the HippodrÔme, and saw the beautiful écuyère in graceful feats of la haute école, and lost our hearts—especially Lord Archibald, though him she knew; for she kissed her hand to him, and he his to her.

Then we dined at the Palais Royal, and afterwards went to the Café des Aveugles, an underground coffee‑house near the Café de la Rotonde, and where blind men made instrumental music; and we had a capital evening.

I have met in my time more intellectual people, perhaps, than the Archibald Rohans—but never people more amiable, or with kinder, simpler manners, or who made one feel more quickly and thoroughly at home—and the more I got to know them, the more I grew to like them; and their fondness for each other and Daphne, and for Barty too, was quite touching; as was his for them. So the winter sped happily till February, when a sad thing happened.

I had spent Sunday with my mother and sister, who now lived on the ground‑floor of 108 Champs Élysées.

I slept there that Sunday night, and walked back to school next morning. To my surprise, as I got to a large field through which a diagonal footpath led to Père Jaurion's loge, I saw five or six boys sitting on the terrace parapet with their legs dangling outside. They should have been in class, by rights. They watched me cross the field, but made no sign.

"What on earthcanbe the matter?" thought I.

The cordon was pulled, and I came on a group of boys all stiff and silent.

"Qu'est‑ce que vous avez donc, tous?" I asked.

"Le Père Brossard est mort!" said De Villars.

Poor M. Brossard had died of apoplexy on the previous afternoon. He had run to catch the Passy omnibus directly after lunch, and had fallen down in a fit and died immediately.

"Il est tombé du haut mal"—as they expressed it.

His son Mérovée and his daughter Madame Germain were distracted. The whole of that day was spent by the boys in a strange, unnatural state ofdésœuvrementand suppressed excitement for which no outlet was possible. The meals, especially, were all but unbearable. One was ashamed of having an appetite, and yet one had—almost keener than usual, if I may judge by myself—and for some undiscovered reason the food was better than on other Mondays!

Next morning we all went up in sorrowful procession to kiss our poor dear head‑master's cold forehead as he lay dead in his bed, with sprigs of boxwood on his pillow, and above his head a jar of holy water with which we sprinkled him. He looked very serene and majestic, but it was a harrowing ceremony. Mérovée stood by with swollen eyes and deathly pale—incarnate grief.

On Wednesday afternoon M. Brossard was buried in the Cimetière de Passy, a tremendous crowd following the hearse; the boys and masters just behind Mérovée and M. Germain, the chief male mourners. The women walked in another separate procession behind.

Béranger and Alphonse Karr were present among the notabilities, and speeches were made over his open grave, for he was a very distinguished man.

And, tragical to relate, that evening in the study Barty and I fell out, and it led to a stand‑up fight next day.

There was no preparation that evening; he and I sat side by side reading out of a book by Châteaubriand—eitherAtala, orRenéorLes Natchez, I forget which. I have never seen either since.

The study was hushed; M. Dumollard wasde serviceasmaître d'études, although there was no attempt to do anything but sadly read improving books.

If I remember aright, René, a very sentimental young Frenchman, who had loved the wrong person not wisely, but too well (a very wrong person indeed, in his case), emigrated to North America, and there he met a beautiful Indian maiden, one Atala, of the Natchez tribe, who had rosy heels and was charming, and whose entire skin was probably a warm dark red, although this is not insisted upon. She also had a brother, whose name was Outogamiz.

Well, René loved Atala, Atala loved René, and they were married; and Outogamiz went through some ceremony besides, which made him blood brother and bosom friend to René—a bond which involved certain obligatory rites and duties and self‑sacrifices.

Atala died and was buried. René died and was buried also; and every day, as in duty bound, poor Outogamiz went and pricked a vein and bled over Rene's tomb, till he died himself of exhaustion before he was many weeks older. I quote entirely from memory.

This simple story was told in very touching and beautiful language, by no means telegraphese, and Barty and I were deeply affected by it.

"I say, Bob!" Barty whispered to me, with a break in his voice, "some day I'll marry your sister, and we'll allgo off to America together, and she'll die, andI'll die, and you shall bleed yourself to death on my tomb!"

"No," said I, after a moment's thought. "No—look here!I'll marryyoursister, andI'll die, andyoushall bleed overmytomb!"

Then, after a pause:

"I haven't got a sister, as you know quite well—and if I had she wouldn't be foryou!" says Barty.

"Why not?"

"Because you're not good‑looking enough!" says Barty.

At this, just for fun, I gave him a nudge in the wind with my elbow—and he gave me a "twisted pinch" on the arm—and I kicked him on the ankle, but so much harder than I intended that it hurt him, and he gave me a tremendous box on the ear, and we set to fighting like a couple of wild‑cats, without even getting up, to the scandal of the whole study and the indignant disgust of M. Dumollard, who separated us, and read us a pretty lecture:

"Voilà bien les Anglais!—rien n'est sacré pour eux, pas même la mort! rien que les chiens et les chevaux." (Nothing, not even death, is sacred to Englishmen—nothing but dogs and horses.)

When we went up to bed the head‑boy of the school—a first‑rate boy called d'Orthez, and Berquin (another first‑rate boy), who had each a bedroom to himself, came into the dormitory and took up the quarrel, and discussed what should be done. Both of us were English—ergo, both of us ought to box away the insult with our fists; so "they set a combat us between, to fecht it in the dawing"—that is, just after breakfast, in the school‑room.

I went to bed very unhappy, and so, I think, did Barty.

Next morning at six, just after the morning prayer,M. Mérovée came into the school‑room and made us a most straightforward, manly, and affecting speech; in which he told us he meant to keep on the school, and thanked us, boys and masters, for our sympathy.

We were all moved to our very depths—and sat at our work solemn and sorrowful all through that lamp‑lit hour and a half; we hardly dared to cough, and never looked up from our desks.

Then 7.30—ding‑dang‑dong and breakfast. Thursday—bread‑and‑butter morning!

I felt hungry and greedy and very sad, and disinclined to fight. Barty and I had sat turned away from each other, and made no attempt at reconciliation.

We all went to the réfectoire: it was raining fast. I made my ball of salt and butter, and put it in a hole in my hunk of bread, and ran back to the study, where I locked these treasures in my desk.

The study soon filled with boys: no masters ever came there during that half‑hour; they generally smoked and read their newspapers in the gymnastic ground, or else in their own rooms when it was wet outside.

D'Orthez and Berquin moved one or two desks and forms out of the way so as make a ring—l'arène, as they called it—with comfortable seats all round. Small boys stood on forms and window‑sills eating their bread‑and‑butter with a tremendous relish.

"Dites donc, vous autres," says Bonneville, the wit of the school, who was in very high spirits; "it's like the Roman Empire during the decadence—'panem et circenses!'"

"What's that,circenses? what does it mean?" says Rapaud, with his mouth full.

"Why,butter, you idiot! Didn't you knowthat?" says Bonneville.

Barty and I stood opposite each other; at his sides as seconds were d'Orthez and Berquin; at mine, Jolivet trois (the only Jolivet now left in the school) and big du Tertre‑Jouan (the young marquis who wasn't Bonneville).

We began to spar at each other in as knowing and English a way as we knew how—keeping a very respectful distance indeed, and trying to bear ourselves as scientifically as we could, with a keen expression of the eye.

When I looked into Barty's face I felt that nothing on earth would ever make me hit such a face as that—whatever he might do to mine. My blood wasn't up; besides, I was a coarse‑grained, thick‑set, bullet‑headed little chap with no nerves to speak of, and didn't mind punishment the least bit. No more did Barty, for that matter, though he was the most highly wrought creature that ever lived.

At length they all got impatient, and d'Orthez said:

"Allez donc, godems—ce n'est pas un quadrille! Nous n'sommes pas à La Salle Valentino!"

And Barty was pushed from behind so roughly that he came at me, all his science to the winds and slogging like a French boy; and I, quite without meaning to, in the hurry, hit out just as he fell over me, and we both rolled together over Jolivet's foot—Barty on top (he was taller, though not heavier, than I); and I saw the blood flow from his nose down his lip and chin, and some of it fell on my blouse.

Says Barty to me, in English, as we lay struggling on the dusty floor:

"Look here, it's no good. Ican'tfight to‑day; poor Mérovée, you know. Let's make it up!"

"All right!" says I. So up we got and shook hands, Barty saying, with mock dignity:

"Messieurs, le sang a coulé; l'honneur britannique est sauf;" and the combat was over.

"Cristi! J'ai joliment faim!" says Barty, mopping his nose with his handkerchief. "I left my crust on the bench outside the réfectoire. I wish one of you fellows would get it for me."

"Rapaud finished your crust [ta miche] while you were fighting," says Jolivet. "I saw him."

Says Rapaud: "Ah, Dame, it was getting prettily wet, your crust, and I was prettily hungry too; and I thought you didn't want it, naturally."

I then producedmycrust and cut it in two, butter and all, and gave Barty half, and we sat very happily side by side, and breakfasted together in peace and amity. I never felt happier or hungrier.

"Cristi, comme ils se sont bien battus," says little Vaissière to little Cormenu. "As‑tu vu? Josselin a saigné tout plein sur la blouse à Maurice." (How well they fought! Josselin bled all over Maurice's blouse!)

Then says Josselin, in French, turning to me with that delightful jolly smile that always reminded one of the sun breaking through a mist:

"I would sooner bleed on your blouse than on your tomb." (J'aime mieux saigner sur ta blouse que sur ta tombe.)

So ended the only quarrel we ever had.

"Que ne puis‑je aller où s'en vont les roses,Et n'attendre pasCes regrets navrants que la fin des chosesNous garde ici‑bas!"—Anon.

"Que ne puis‑je aller où s'en vont les roses,Et n'attendre pasCes regrets navrants que la fin des chosesNous garde ici‑bas!"—Anon.

Barty worked very hard, and so did I—forme! Horace—Homer—Æschylus—Plato—etc., etc., etc., etc., etc., and all there was to learn in that French school-boy's encyclopædia—"Le Manuel du Baccalauréat"; a very thick book in very small print. And I came to the conclusion that it is good to work hard: it makes one enjoy food and play and sleep so keenly—and Thursday afternoons.

The school was all the pleasanter for having fewer boys; we got more intimate with each other, and with the masters too. During the winter M. Bonzig told us capital stories—Modeste Mignon, by Balzac—Le Chevalier de Maison‑rouge, by A. Dumas père—etc., etc.

In the summer the Passy swimming‑bath was more delightful than ever. Both winter and summer we passionately fenced with a pupil (un prévôt) of the famous M. Bonnet, and did gymnastics with M. Louis, the gymnastic master of the Collège Charlemagne—the finest man I ever saw—a gigantic dwarf six feet high, all made up of lumps of sinew and muscles, like....

Also, we were taught equitation at the riding‑school in the Rue Duphot.

On Saturday nights Barty would draw a lovely femaleprofile, with a beautiful big black eye, in pen and ink, and carefully shade it; especially the hair, which was always as the raven's wing! And on Sunday morning he and I used to walk together to 108 Champs Élysées and enter the rez‑de‑chaussée (where my mother and sister lived) by the window, before my mother was up. Then Barty took out his lovely female pen‑and‑ink profile to gaze at, and rolled himself a cigarette and lit it, and lay back on the sofa, and made my sister play her lightest music—"La pluie de Perles," by Osborne—and "Indiana," a beautiful valse by Marcailhou—and thus combine three or four perfect blisses in one happy quart d'heure.

Then my mother would appear, and we would have breakfast—after which Barty and I would depart by the window as we had come, and go and do our bit of Boulevard and Palais Royal. Then to the Rue du Bac for another breakfast with the Rohans; and then, "au petit bonheur"; that is, trusting to Providence for whatever turned up. The programme didn't vary very much: either I dined with him at the Rohans', or he with me at 108. Then, back to Brossard's at ten—tired and happy.

One Sunday I remember well we stayed in school, for old Josselin the fisherman came to see us there—Barty's grandfather, now a widower; and M. Mérovée asked him to lunch with us, and go to the baths in the afternoon.

Imagine old Bonzig's delight in this "vieux loup de mer," as he called him! That was a happy day for the old fisherman also; I shall never forget his surprise at M. Dumollard's telescope—and how clever he was on the subject.

He came to the baths, and admired and criticised the good swimming of the boys—especially Barty's, which was really remarkable. I don't believe he could swim a stroke himself.

Then we went and dined together at Lord Archibald's, in the Rue du Bac—"Mon Colonel," as the old fisherman always called him. He was a very humorous and intelligent person, this fisher, though nearer eighty than seventy; very big, and of a singularly picturesque appearance—for he had notendimanchéhimself in the least; and very clean. A splendid old man; oddly enough, somewhat Semitic of aspect—as though he had just come from a miraculous draught of fishes in the Sea of Galilee, out of a cartoon by Raphael!

I recollect admiring how easily and pleasantly everything went during dinner, and all through the perfection of this ancient sea‑toiler's breeding in all essentials.

Of course the poor all over the world are less nice in their habits than the rich, and less correct in their grammar and accent, and narrower in their views of life; but in every other respect there seemed little to choose between Josselins and Rohans and Lonlay‑Savignacs; and indeed, according to Lord Archibald, the best manners were to be found at these two opposite poles—or even wider still. He would have it that Royalty and chimney‑sweeps were the best‑bred people all over the world—because there was no possible mistake about their social status.

I felt a little indignant—after all, Lady Archibald was built out of chocolate, for all her Lonlay and her Savignac! just as I was built out of Beaune and Chambertin.

I'm afraid I shall be looked upon as a snob and a traitor to my class if I say that I have at last come to be of the same opinion myself. That is, if absolute simplicity, and the absence of all possible temptation to try and seem an inch higher up than we really are—Butthere! this is a very delicate question, about which I don't care a straw; and there are such exceptions, and so many, to confirm any such rule!

Anyhow, I saw how Bartycouldn't helphaving the manners we all so loved him for. After dinner Lady Archibald showed old Josselin some of Barty's lovely female profiles—a sight that affected him strangely. He would have it that they were all exact portraits of his beloved Antoinette, Barty's mother.

They were certainly singularly like each other, these little chefs‑d'œuvre of Barty's, and singularly handsome—an ideal type of his own; and the old grandfather was allowed his choice, and touchingly grateful at being presented with such treasures.

The scene made a great impression on me.

So spent itself that year—a happy year that had no history—except for one little incident that I will tell because it concerns Barty, and illustrates him.

One beautiful Sunday morning the yellow omnibus was waiting for some of us as we dawdled about in the school‑room, titivating; the masters nowhere, as usual on a Sunday morning; and some of the boys began to sing in chorus a not very edifyingchanson, which they did not "Bowdlerize," about a holy Capuchin friar; it began (if I remember rightly):

"C'était un Capucin, oui bien, un père Capucin,Qui confessait trois filles—Itou, itou, itou, là là là!Qui confessait trois fillesAu fond de son jardin—Oui bien—Au fond de son jardin!Il dit à la plus jeune—

"C'était un Capucin, oui bien, un père Capucin,Qui confessait trois filles—Itou, itou, itou, là là là!Qui confessait trois fillesAu fond de son jardin—Oui bien—Au fond de son jardin!Il dit à la plus jeune—

Itou, itou, itou, là là là!Il dit à la plus jeune... 'Vous reviendrez demain!'"Etc, etc., etc.

Itou, itou, itou, là là là!Il dit à la plus jeune... 'Vous reviendrez demain!'"Etc, etc., etc.

I have quite forgotten the rest.

Now this little song, which begins so innocently, like a sweet old idyl of mediæval France—"un écho du temps passé"—seems to have been a somewhat Rabelaisian ditty; by no means proper singing for a Sunday morning in a boys' school. But boys will be boys, even in France; and the famous "esprit Gaulois" was somewhat precocious in the forties, I suppose. Perhaps it is now, if it still exists (which I doubt—the dirt remains, but all the fun seems to have evaporated).

Suddenly M. Dumollard bursts into the room in his violent sneaky way, pale with rage, and says:

"Je vais gifler tous ceux qui ont chanté" (I'll box the ears of every boy who sang).

So he puts all in a row and begins:

"Rubinel, sur votre parole d'honneur, avez‑vous chanté?"

"Non, m'sieur!"

"Caillard, avez‑vous chanté?"

"Non, m'sieur!"

"Lipmann, avez‑vous chanté?"

"Non, m'sieur!"

"Maurice, avez‑vous chanté?"

"Non, m'sieur" (which, for a wonder, was true, for I happened not to know either the words or the tune).

"Josselin, avez‑vous chanté?"

"Oui, m'sieur!"

And down went Barty his full length on the floor, from a tremendous open‑handed box on the ear.Dumollard was a very Herculean person—though by no means gigantic.

Barty got up and made Dumollard a polite little bow, and walked out of the room.

"Vous êtes tous consignés!" says M. Dumollard—and the omnibus went away empty, and we spent all that Sunday morning as best we might.

In the afternoon we went out walking in the Bois. Dumollard had recovered his serenity and came with us; for he wasde servicethat day.

Says Lipmann to him:

"Josselin drapes himself in his English dignity—he sulks like Achilles and walks by himself."

"Josselin is at least aman," says Dumollard. "He tells the truth, and doesn't know fear—and I'm sorry he's English!"

And later, at the Mare d'Auteuil, he put out his hand to Barty and said:

"Let's make it up, Josselin—au moins vous avez du cœur, vous. Promettez‑moi que vous ne chanterez plus cette sale histoire de Capucin!"

Josselin took the usher's hand, and smiled his open, toothy smile, and said:

"Pas le dimanche matin toujours—quand c'est vous qui serez de service, M. Dumollard!" (Anyhow not Sunday morning whenyou're on duty, Mr. D.)

And Mr. D. left off running down the English in public after that—except to say that theycouldn'tbe simple and natural if they tried; and that they affected a ridiculous accent when they spoke French—not Josselin and Maurice, but all the others he had ever met. As if plain French, which had been good enough for William the Conqueror, wasn't good enough for the subjects of her Britannic Majesty to‑day!

The only event of any importance in Barty's life that year was his first communion, which he took with several others of about his own age. An event that did not seem to make much impression on him—nothing seemed to make much impression on Barty Josselin when he was very young. He was just a lively, irresponsible, irrepressible human animal—always in perfect health and exuberant spirits, with an immense appetite for food and fun and frolic; like a squirrel, a collie pup, or a kitten.

Père Bonamy, the priest who confirmed him, was fonder of the boy than of any one, boy or girl, that he had ever prepared for communion, and could hardly speak of him with decent gravity, on account of his extraordinary confessions—all of which were concocted in the depths of Barty's imagination for the sole purpose of making the kind old curé laugh; and the kind old curé was just as fond of laughing as was Barty of playing the fool, in and out of season. I wonder if he always thought himself bound to respect the secrets of the confessional in Barty's case!

And Barty would sing to him—even in the confessional:

"Stabat mater dolorosaJuxta crucem lachrymoseDum pendebat fllius" ...

"Stabat mater dolorosaJuxta crucem lachrymoseDum pendebat fllius" ...


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