1.The Steel Hammer.ByLouis Ulbach.2.Eve.A Novel. ByS. Baring-Gould.3.For Fifteen Years.A Sequel to The Steel Hammer. ByLouis Ulbach.4.A Counsel of Perfection.A Novel. ByLucas Malet.5.The Deemster.A Romance. ByHall Caine.6.A Virginia Inheritance.ByEdmund Pendleton.7.Ninette: An Idyll of Provence. By the author of Véra.8. "The Right Honourable." ByJustin McCarthyand Mrs.Campbell-Praed.9.The Silence of Dean Maitland.ByMaxwell Gray.10.Mrs. Lorimer: A Study in Black and White. ByLucas Malet.11.The Elect Lady.ByGeorge MacDonald.12.The Mystery of the "Ocean Star."ByW. Clark Russell.13.Aristocracy.A Novel.14.A Recoiling Vengeance.ByFrank Barrett. With Illustrations.15.The Secret of Fontaine-la-Croix.ByMargaret Field.16.The Master of Rathkelly.ByHawley Smart.17.Donovan:A Modern Englishman. ByEdna Lyall.18.This Mortal Coil.ByGrant Allen.19.A Fair Emigrant.ByRosa Mulholland.20.The Apostate.ByErnest Daudet.21.Raleigh Westgate; or, Epimenides in Maine. ByHelen Kendrick Johnson.22.Arius the Libyan: A Romance of the Primitive Church.23.Constance, and Calbot's Rival.ByJulian Hawthorne.24.We Two.ByEdna Lyall.25.A Dreamer of Dreams.By the author of Thoth.26.The Ladies' Gallery.ByJustin McCarthyand Mrs.Campbell-Praed.27.The Reproach of Annesley.ByMaxwell Gray.28.Near to Happiness.29.In the Wire-Grass.ByLouis Pendleton.30.Lace.A Berlin Romance. ByPaul Lindau.31.American Coin.A Novel. By the author of Aristocracy.32.Won by Waiting.ByEdna Lyall.33.The Story of Helen Davenant.ByViolet Fane.34.The Light of Her Countenance.ByH. H. Boyesen.35.Mistress Beatrice Cope.ByM. E. Le Clerc.36.The Knight-Errant.ByEdna Lyall.37.In the Golden Days.ByEdna Lyall.38.Giraldi;or, The Curse of Love. ByRoss George Dering.39.A Hardy Norseman.ByEdna Lyall.40.The Romance of Jenny Harlowe, andSketches of Maritime Life.ByW. Clark Russell.41.Passion's Slave. ByRichard Ashe-King.42.The Awakening of Mary Fenwick.ByBeatrice Whitby.43.Countess Loreley.Translated from the German ofRudolf Menger.44.Blind Love.ByWilkie Collins.45.The Dean's Daughter.BySophie F. F. Veitch.46.Countess Irene.A Romance of Austrian Life. ByJ. Fogerty.47.Robert Browning's Principal Shorter Poems.48.Frozen Hearts.ByG. Webb Appleton.49.Djambek the Georgian.ByA. G. von Suttner.50.The Craze of Christian Engelhart.ByHenry Faulkner Darnell.51.Lal.ByWilliam A. Hammond, M. D.52.Aline.A Novel. ByHenry Gréville.53.Joost Avelingh.A Dutch Story. ByMaarten Maartens.54.Katy of Catoctin.ByGeorge Alfred Townsend.55.Throckmorton.A Novel. ByMolly Elliot Seawell.56.Expatriation.By the author of Aristocracy.57.Geoffrey Hampstead.ByT. S. Jarvis.58.Dmitri.A Romance of Old Russia. ByF. W. Bain, M.A.59.Part of the Property.ByBeatrice Whitby.60.Bismarck in Private Life.By a Fellow-Student.61.In Low Relief.ByMorley Roberts.62.The Canadians of Old.A Historical Romance. ByPhilippe Gaspé.63.A Squire of Low Degree.ByLily A. Long.64.A Fluttered Dovecote.ByGeorge Manville Fenn.65.The Nugents of Carriconna.An Irish Story. ByTighe Hopkins.66.A Sensitive Plant.ByE. andD.Gerard.67.Doña Luz.ByJuan Valera. Translated by Mrs.Mary J. Serrano.68.Pepita Ximenez.ByJuan Valera. Translated by Mrs.Mary J. Serrano.69.The Primes and their Neighbors.ByRichard Malcolm Johnston.70.The Iron Game.ByHenry F. Keenan.71.Stories of Old New Spain.ByThomas A. Janvier.72.The Maid of Honor.By Hon.Lewis Wingfield.73.In the Heart of the Storm.ByMaxwell Gray.74.Consequences.ByEgerton Castle.75.The Three Miss Kings.ByAda Cambridge.76.A Matter of Skill.ByBeatrice Whitby.77.Maid Marian, and other Stories.ByMolly Elliot Seawell.78.One Woman's Way.ByEdmund Pendleton.79.A Merciful Divorce.ByF. W. Maude.80.Stephen Ellicott's Daughter.By MrsJ. H. Needell.81.One Reason Why.ByBeatrice Whitby.82.The Tragedy of Ida Noble.ByW. Clark Russell.83.The Johnstown Stage, and other Stories.ByRobert H. Fletcher.84.A Widower Indeed.ByRhoda BroughtonandElizabeth Bisland.85.The Flight of the Shadow.ByGeorge MacDonald.86.Love or Money.ByKatharine Lee.87.Not All in Vain.ByAda Cambridge.88.It Happened Yesterday.ByFrederick Marshall.89.My Guardian.ByAda Cambridge.90.The Story of Philip Methuen.By Mrs.J. H. Needell.91.Amethyst: The Story of a Beauty. ByChristabel R. Coleridge.92.Don Braulio.ByJuan Valera. Translated byClara Bell.93.The Chronicles of Mr. Bill Williams.ByRichard Malcolm Johnston.94.A Queen of Curds and Cream.ByDorothea Gerard.95."La Bella" and Others.ByEgerton Castle.96. "December Roses." By Mrs.Campbell-Praed.97.Jean de Kerdren.ByJeanne Schultz.98.Etelka's Vow.ByDorothea Gerard.99.Cross Currents.ByMary A. Dickens.100.His Life's Magnet.ByTheodora Elmslie.101.Passing the Love of Women.By Mrs.J. H. Needell.102.In Old St. Stephen's.ByJeanie Drake.103.The Berkeleys and their Neighbors.ByMolly Elliot Seawell.104.Mona Maclean, Medical Student.ByGraham Travers.105.Mrs. Bligh.ByRhoda Broughton.106.A Stumble on the Threshold.ByJames Payn.107.Hanging Moss.ByPaul Lindau.108.A Comedy of Elopement.ByChristian Reid.109.In the Suntime of her Youth.ByBeatrice Whitby.110.Stories in Black and White.ByThomas Hardyand Others.110½.An Englishman in Paris.Notes and Recollections.111.Commander Mendoza.ByJuan Valera.112.Dr. Paull's Theory.By Mrs.A. M. Diehl.113.Children of Destiny.ByMolly Elliot Seawell.114.A Little Minx.ByAda Cambridge.115.Capt'n Davy's Honeymoon.ByHall Caine.116.The Voice of a Flower.ByE. Gerard.117.Singularly Deluded.BySarah Grand.118.Suspected.ByLouisa Stratenus.119.Lucia, Hugh and Another.By Mrs.J. H. Needell.120.The Tutor's Secret.ByVictor Cherbulies.121.From the Five Rivers.By Mrs.F. A. Steel.122.An Innocent Impostor, and Other Stories.ByMaxwell Gray.123.Ideala.BySarah Grand.124.A Comedy of Masks.ByErnest DowsonandArthur Moore.125.Relics.byFrancis MacNab.126.Dodo: A Detail of the Day.ByE. F. Benson.127.A Woman of Forty.ByEsmè Stuart.128.Diana Tempest.ByMary Cholmondeley.129.A Recipe for Diamonds.ByC. J. Cutliffe Hyne.130.Christina Chard.By Mrs.Campbell-Praed.131.A Gray Eye or So.ByFrank Frankfort Moore.132.Earlscourt.ByAlexander Allardyce.133.A Marriage Ceremony.ByAda Cambridge.134.A Ward in Chancery.By Mrs.Alexander.135.Lot 13.ByDorothea Gerard.136.Our Manifold Nature.BySarah Grand.137.A Costly Freak.ByMaxwell Gray.138.A Beginner.ByRhoda Broughton.139.A Yellow Aster.By Mrs.Mannington Caffyn("Iota").140.The Rubicon.ByE. F. Benson.141.The Trespasser.ByGilbert Parker.142.The Rich Miss Riddell.ByDorothea Gerard.143.Mary Fenwick's Daughter.ByBeatrice Whitby.144.Red Diamonds.ByJustin McCarthy.145.A Daughter of Music.ByG. Colmore.146.Outlaw and Lawmaker.By Mrs.Campbell-Praed.147.Dr. Janet of Harley Street.ByArabella Kenealy.148.George Mandeville's Husband.ByC. E. Raimond.149.Vashti and Esther.150.Timar's Two Worlds.ByM. Jokai.151.A Victim of Good Luck.ByW. E. Norris.152.The Trail of the Sword.ByGilbert Parker.153.A Mild Barbarian.ByEdgar Fawcett.154.The God in the Car.ByAnthony Hope.155.Children of Circumstance.By Mrs.M. Caffyn("Iota").156.At the Gate of Samaria.ByWilliam J. Locke.157.The Justification of Andrew Lebrun.ByFrank Barrett.158.Dust and Laurels.ByMary L. Pendered.159.The Good Ship Mohock.ByW. Clark Russell.160.Noemi.ByS. Baring-Gould.161.The Honour of Savelli.ByS. Levett Yeats.162.Kitty's Engagement.ByFlorence Warden.
Each, 12mo. Paper, 50 cents; cloth, $1.00.
Cleopatra. Translated from the German byMary J. Safford. 2 volumes.A Thorny Path. (Per Aspera.) Translated byClara Bell. 2 volumes.An Egyptian Princess. Translated byEleanor Grove. 2 volumes.Uarda. Translated byClara Bell. 2 volumes.Homo Sum. Translated byClara Bell. 1 volume.The Sisters. Translated byClara Bell. 1 volume.A Question. Translated byMary J. Safford. 1 volume.The Emperor. Translated byClara Bell. 2 volumes.The Burgomaster's Wife. Translated byMary J. Safford. 1 volume.A Word, only a Word. Translated byMary J. Safford. 1 volume.Serapis. Translated byClara Bell. 1 volume.The Bride of the Nile. Translated byClara Bell. 2 volumes.Margery. (Gred.) Translated byClara Bell. 2 volumes.Joshua. Translated byMary J. Safford. 1 volume.The Elixir and Other Tales. Translated by Mrs.Edward H. Bell. 1 vol.
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"A story of marvelous dramatic intensity, and in its ethical meaning has a force comparable only to Hawthorne's 'Scarlet Letter.'"—Boston Beacon.
"A work of power which is another stone added to the foundation of enduring fame to which Mr. Caine is yearly adding."—Public Opinion.
"A wonderfully strong study of character; a powerful analysis of those elements which go to make up the strength and weakness of a man, which are at fierce warfare within the same breast: contending against each other, as it were, the one to raise him to fame and power, the other to drag him down to degradation and shame. Never in the whole range of literature have we seen the struggle between these forces for supremacy over the man more powerfully, more realistically delineated, than Mr. Caine pictures it."—Boston Home Journal.
"'The Manxman' is one of the most notable novels of the year, and is unquestionably destined to perpetuate the fame of Hall Caine for many a year to come."—Philadelphia Telegraph.
"The author exhibits a mastery of the elemental passions of life that places hum high among the foremost of present writers of fiction."—Philadelphia Inquirer.
"Hall Caine has already given us some very strong and fine work, and 'The Deemster' is a story of unusual power.... Certain passages and chapters have an intensely dramatic grasp, and hold the fascinated reader with a force rarely excited nowadays in literature."—The Critic.
"One of the strongest novels which has appeared for many a day."—San Francisco Chronicle.
"Fascinates the mind like the gathering and bursting of a storm."—Illustrated London News.
"Deserves to be ranked among the remarkable novels of the day."—Chicago Times.
"Remarkably powerful, and is undoubtedly one of the strongest works of fiction of our time. Its conception and execution are both very fine."—Philadelphia Inquirer.
"A new departure by this author. Unlike his previous works, this little tale is almost wholly humorous, with, however, a current of pathos underneath. It is not always that an author can succeed equally well in tragedy and in comedy, but it looks as though Mr. Hall Caine would be one of the exceptions."—London Literary World.
"It is pleasant to meet the author of 'The Deemster' in a brightly humorous little story like this.... It shows the same observation of Manx character, and much of the same artistic skill."—Philadelphia Times.
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"Until the Appletons discovered the merits of Maarten Maartens, the foremost of Dutch novelists, it is doubtful if many American readers knew that there were Dutch novelists. His 'God's Fool' and 'Joost Avelingh' made for him an American reputation. To our mind this just published work of his is his best.... He is a master of epigram, an artist in description, a prophet in insight."—Boston Advertiser.
"It would take several columns to give any adequate idea of the superb way in which the Dutch novelist has developed his theme and wrought out one of the most impressive stories of the period.... It belongs to the small class of novels which one can not afford to neglect."—San Francisco Chronicle.
"Maarten Maartens stands head and shoulders above the average novelist of the day in intellectual subtlety and imaginative power."—Boston Beacon.
"Throughout there is an epigrammatic force which would make palatable a less interesting story of human lives or one less deftly told."—London Saturday Review."Perfectly easy, graceful, humorous.... The author's skill in character-drawing is undeniable."—London Chronicle.
"A remarkable work."—New York Times.
"Maarten Maartens has secured a firm footing in the eddies of current literature.... Pathos deepens into tragedy in the thrilling story of 'God's Fool.'"—Philadelphia Ledger.
"Its preface alone stamps the author as one of the leading English novelists of to-day."—Boston Daily Advertiser.
"The story is wonderfully brilliant.... The interest never lags; the style is realistic and intense; and there is a constantly underlying current of subtle humor.... It is, in short, a book which no student of modern literature should fail to read."—Boston Times.
"A story of remarkable interest and point."—New York Observer.
"So unmistakably good as to induce the hope that an acquaintance with the Dutch literature of fiction may soon became more general among us."—London Morning Post.
"In scarcely any of the sensational novels of the day will the reader find more mature or more human nature."—London Standard.
"A novel of a very high type. At once strongly realistic and powerfully idealistic."—London Literary World.
"Full of local color and rich in quaint phraseology and suggestion."—London Telegraph.
"Maarten Maartens is a capital story-teller."—Pall Mall Gazette.
"Our English writers of fiction will have to look to their laurels."—Birmingham Daily Post.
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The "Red Lamp," the trade-mark, as it were, of the English country practitioner's office, is the central point of these dramatic stories of professional life. There are no secrets for the surgeon, and, a surgeon himself as well as a novelist, the author has made a most artistic use of the motives and springs of action revealed to him in a field of which he is the master.
"A volume of bright, clever sketches, ... an array of facts and fancies of medical life, and contains some of the gifted author's best work."—London Daily News.
"The story is well written and interesting, the style is limpid and pure as fresh water, and is so artistically done that it is only a second thought that notices it."—San Francisco Call.
"A love story pure and simple, one of the old-fashioned, wholesome, sunshiny kind, with a pure-minded, sound-hearted hero, and a heroine who is merely a good and beautiful woman; and if any other love story half so sweet has been written this year it has escaped us."—New York Times.
"A paradox of literary genius. It is not a history, and yet has more of the stuff of history in it, more of the true national character and fate, than any historical monograph we know. It is not a novel, and yet fascinates us more than any novel."—London Spectator.
In this picturesque travel romance the author of "The Land of the Sky" takes her characters from New Orleans to fascinating Mexican cities like Guanajuato, Zacarecas, Aguas Calientes, Guadalajara, and of course the City of Mexico. What they see and what they do are described in a vivacious style which renders the book most valuable to those who wish an interesting Mexican travel-book unencumbered with details, while the story as a story sustains the high reputation of this talented author.
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"Her characters, even when broadly absurd, are always consistent with themselves, and the stream of fun flows naturally on, hardly ever flagging or forced."—London Athenæum.
"The book is well worth the attention it demands, and if the conviction at last slowly dawns upon the reader that it contains a purpose, it is one which has been produced by the inevitable law of reaction, and is cleverly manipulated."—London Athenæum.
"This novel is a strong and serious piece of work; one of a kind that is getting too rare in these days of universal crankiness."—Boston Courier.
"A new and capital story, full of quiet, happy touches of humor."—Philadelphia Press.
"Widely read and praised on both sides of the Atlantic and Pacific, with scores of illustrations which fit the text exactly and show the mind of artist and writer in unison."—New York Evening Post.
"It is to be doubted whether another book can be found so thoroughly amusing from beginning to end."—Boston Daily Advertiser.
"A brighter, merrier, more entirely charming book would be, indeed, difficult to find."—St. Louis Republic.
"One of the most naïve and entertaining books of the season."—New York Observer.
"So sprightly a book as this, on life in London as observed by an American, has never before been written."—Philadelphia Bulletin.
"Overrunning with cleverness and good-will."—New York Commercial Advertiser.
"It is like traveling without leaving one's armchair to read it. Miss Duncan has the descriptive and narrative gift in large measure, and she brings vividly before us the street scenes, the interiors, the bewilderingly queer natives, the gayeties of the English colony."—Philadelphia Telegraph.
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"A story which will, from first to last, enlist the sympathies of the reader by its simplicity of style and fresh, genuine feeling.... The author isau faitat the delineation of character."—Boston Transcript.
"Thedénouementis all that the most ardent romance-reader could desire."—Chicago Evening Journal.
"An exceedingly strong novel. It is an Australian story, teeming with a certain calmness of emotional power that finds expression in a continual outflow of living thought and feeling."—Boston Times.
"The story is told with great brilliancy, the character and society sketching is very charming, while delightful incidents and happy surprises abound. It is a triple love-story, pure in tone, and of very high literary merit."—Chicago Herald.
"A worthy companion to the best of the author's former efforts, and in some respects superior to any of them."—Detroit Free Press.
"Its surprises are as unexpected as Frank Stockton's, but they are the surprises that are met with so commonly in human experience.... A better story has not been published in many moons."—Philadelphia Inquirer.
"'A Marriage Ceremony' is highly original in conception, its action graceful though rapid, and its characters speaking with that life and sprightliness that have made their author rank as a peer of delineators."—Baltimore American.
"This story by Ada Cambridge is one of her best, and to say that is to at once award it high praise."—Boston Advertiser.
"It is a pleasure to read this novel."—London Athenæum.
"A thoroughly charming new novel, which is just the finest bit of work its author has yet accomplished."—Baltimore American.
"The character of the heroine is especially cleverly drawn."—New York Commercial Advertiser.
"Many of the types of character introduced would not have disgraced George Eliot."—Vanity Fair.
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