The unventilated dressing-room of the Olympia Music-Hall in Marseilles reeked of grease paint, stale human exhalations, the acrid odour, creeping up the iron stairs, of a mangy performing lion, and all manner of unmentionable things. The month of June is not the ideal month to visit Marseilles, even if one is free to pass the evening at a café table on the Cannebière, and there is a breeze coming in from over the sea; but in copper-skied thundery weather, the sirocco conditions of more southerly latitudes, especially when one is cooped up in a confined and airless space, Marseilles in June can be a gasping inferno. Andrew, in spite of hard physical training, was wet through. His little white-jacketed dresser, says he, perspired audibly. There was not so much air in the dressing-room as tangible swelter.
He sat by the wooden table, in front of a cracked and steaming mirror, the contents of his make-up box laid out before him, and (save for one private dress rehearsal carried out in surroundings of greater coolness and comfort) transformed himself, for the first time, from General Lackaday into the mountebank clown, Petit Patou. The electric lights that should have illuminated the mirror were not working--he had found, to his discomfort, that manifold things in post-war France refused to work--and two candles fainting into hopeless curves took their place. Anxiously over a wet skin he painted the transfiguring lines, from lip corner to ear, from nostril to eye, from eye to brow, once the mechanical hand-twist of a few moments--now the painfully concentrated effort of all his faculties.
He finished at last. The swart and perspiring dresser dried his limbs, held out the green silk high-heeled tights which reached to his armpits. Then the grotesque short-sleeved jacket. Then the blazing crimson wig rising to the point of its extravagant foot height. He felt confined within a red-hot torture-skin, a Nessus garment specially adapted to the use of discarded Brigadier-Generals. He sat on the straight-backed chair and looked round the nine foot square flyblown room, with its peeling paper and its strained, sooty skylight, which all the efforts of himself and the dresser had failed to open. It was Mademoiselle Chose, the latter at last remembered, an imperious lady with a horror of draughts and the ear (and--who knows?--perhaps the heart of the management) who had ordered it, in the winter, to be nailed down from the outside. As proof, the broken cords.
"Tell the manager that if it is not unnailed tomorrow, I shall smash a hole in it," said Andrew.
It did not matter now. In a few moments he would be summoned from the suffocating den, and then, his turn over, he would dress quickly and emerge into the open air. Meanwhile, however, he gasped in the heat and the heavy odour of the place; his head ached with an intolerable pain round his temples and at the back of his eyeballs; and acute nervousness gripped his vitals.
Presently the call-boy put his head in the doorway. Andrew rose, descended the iron stairs to the wings. Instinctively he went to the waiting table, covered with green velvet and gold, on which lay piled the once familiar properties--the one-stringed fiddle, the pith balls, the rings, the cigar, the matches, the trick silk hat, the cards, the coins, and the rest of the juggler's apparatus, and methodically checked them. In the visible shaft of brilliantly lit stage he could see the back of the head and the plump shoulders and tournure of a singer rendering in bravura fashion the Jewel Song from "Faust." The stillness whence arose this single flood of sound seemed almost uncanny. The superheated air thickened with hot human breath and tobacco smoke stood stagnant like a miasma in the unventilated wings and back of the stage. The wild beast smell of the lion, although his cage had been hurriedly wheeled out through the scenery door, still persisted and caught the throat, and in the dim white-washed bareness, a few figures, stagehands in shirt-sleeves, and vague pale men in hard felt hats tiptoed about like perspiring ghosts. One of the latter approached Andrew. Monsieur Patou need have no fear, he whispered. Everything was arranged--the beautiful ballroom interior--the men who were to set the stage had their orders, also the lime-light operators. Andrew nodded, already having given explicit instructions. The singer vanished from the quivering streak of stage, in order to give her finale close to the footlights. She ceased. Rapturous applause. She appeared panting, perspiring, beaming in the wings; went on again to bow her acknowledgments, amid hoarse cries of "bis, bis!" She reappeared, glowing vaporously in her triumph, and spread out her arms before the pallid man in the hard felt hat.
"Well! What did I say? You made difficulties about offering me an engagement. I told you I could make these little birds eat out of my hand. You hear?"--the clamour would have been perceptible to a deaf mute--"They are mad about me. I go on again."
"Mais non, madame. Three songs. That is your contract. The programme is long."
So spake the assistant manager. But the lady snapped her fingers, heard like a pistol shot amid the uproar, and made a vast gesture with her arms. "If I am not allowed to have my encore, I tear up my contract."
The assistant manager released himself from responsibility, yielded to woman's unreason, and the lady, who had arranged the matter with the leader of the orchestra, returned in contemptuous triumph to the stage.
Elodie, meanwhile, had descended and stood by Andrew's side. She wore a very low-cut and short-skirted red evening frock, so tight that she seemed to ooze distressingly from every aperture. A red rose drooped in her thick black hair. Like the lank green-clad Andrew, she betrayed anxiety beneath her heavy make-up. The delay to their turn, prolonging her suspense, caused her to stamp her foot with annoyance.
"Thesale grue!and she sings like a duck."
"She pleases the audience," whispered Andrew.
"And ruins our reception. It is the last straw."
"It can't be helped," said Andrew.
The singer gave as her encore a song from "La Traviata." She certainly had the mechanical technique so beloved by French audiences. That of Olympia listened spell-bound to her trills and when she had finished broke once more into enthusiastic cheering, calling and recalling her two or three times. At last the curtain came finally down and she disappeared up the iron staircase.
The interior backcloth and wings provided for Les Petit Patou were let down, stage hands set the table and properties, Andrew and Elodie anxiously supervising, and when all was clear the curtain went up. Andrew went on alone and grinned familiarly, his old tradition, before the sea of faces. A few faint hand-claps instead of the old expectant laughter welcomed him. A generation had apparently risen that knew not Petit Patou. His heart sank. The heat of the footlights shimmered like a furnace and smote him with sudden lassitude. He began his tricks. Took his tiny one-stringed broomstick handled fiddle and played it with his hands encased in grotesquely long cotton gloves. Presently, with simulated impatience, he drew off the gloves, threw them, conjurer fashion, vanishing into the air, and then resumed his violin to find himself impeded now and then by various articles cunningly fixed to his attire, one after another of which he disposed of like the gloves. Finally in his perplexity he made as if to undo his tights (a certain laugh in former days) but thinking better of it, threw fiddle and bow as in disgust across the stage into the wings, where they were caught by the waiting Elodie. The act, once arousing merriment, fell flat. Andrew's heart sank lower. In itself the performance, which he had carried through with skilful cleanness, contained nothing risible; for laughter it depended solely on a personal note of grotesquerie, of exaggerated bewilderment and impatience and of appealingly idiotic self-satisfaction when each impediment was discovered and discarded. Had he lost that personal touch, merely gone through his conjuring with the mechanical precision of a soldier on parade? Heavens, how he hated himself and his aching head and the audience and the lay out of futile properties! Elodie appeared. The performance must continue. He threw into it all his energy. Elodie gave him her old loyal support. They did their famous cigar trick, developed from the act of Prépimpin. He had elaborated much of the comic business. The new patter, with up-to-date allusions, had resulted from serious conclave with Horatio Bakkus, whose mordant wit supplied many a line that should have convulsed the house. But the house refused to be convulsed. His look of vacant imbecility when one after another of a set of plates with which he juggled, disappeared, being fastened to an elastic contrivance to his back, and his expression of reproach when, turning Elodie round, he discovered her wearing the plates as a sort of basque, which once excited, on no matter what stage, rolling guffaws of mirth, now passed by unappreciated.
The final item in the programme was one invented and brought to mechanical perfection just before the war broke out. He insisted on playing his cigar box and broom-handle fiddle in spite of Elodie's remonstrances. There was a pretty squabble. He pulled and she pulled, with the result that both bow and handle, by a tubular device, aided by a ratchet apparatus for the strings, assumed gigantic proportions. Petit Patou prevailing, after an almost disastrous fall, perched his great height on chair superimposed on table, and, with his long lean legs and arms, looking like a monstrous and horrible spider, began to work the heavy bow across the long strings. He had rehearsed it to perfection. In performance, something happened. His artist's nerve had gone. His fingers fumbled impotently for the stops. His professional experience saved a calamitous situation. With an acrobat's stride he reached the stage, telescoped fiddle and bow to normal proportions, and after a lightning nod to thechef d'orchestre, played the Marseillaise. At the end there was half-hearted perfunctory applause. A light hearted section of every audience applauds anything. But mingled with it there came from another section a horrible sibilant sound, the stage death warrant of many an artist's dreams, the modern down-turned thumb of the Roman populace demanding a gladiator's doom.
The curtain fell. Blank silence now from its further side. A man swiftly bundled together the properties and drew them off. A tired looking man in evening dress, with a hideously painted face and long waxed moustaches, stood in the wings amid performing dogs, some free, some in basket cages, and amid the waiting clutter of apparatus that at once was rushed upon the stage. Andrew and Elodie moved clear and at the bottom of the iron staircase he motioned to her to ascend first. She clutched him by the arm and gulped down a sob.
"Mon pauvre vieux!"
He tried to smile. "Want of habit. We'll get it all back soon.Voyons"--he took her fat chin in his hand and turned up her face, on which make-up, perspiration and tears melted into one piteous paste. "This is not the way that battles are won."
On the landing they separated. Andrew entered his sweltering dressing-room and gave himself over to the little dresser who had just turned out the dog-trainer in his shabby evening suit.
"Monsieur had a good reception?"
"Good enough," said Andrew, stretching himself out for the slipping off of his tights.
"Ah," said the intuitive little man in the white jacket. "It is the war. Audiences are no longer the same. They no longer care for subtlety. Monsieur heard the singer before his turn? Well. Before the war Olympia wouldn't have listened to her. One didn't pay to hear a bad gramophone. And, on the other hand, a performance really artistic"--the little man sighed--"it was heart-breaking."
Andrew let him talk; obviously the hisses had mounted from the wings to the dressing-room corridors; the man meant well and kindly. When he had dressed and appeared in his own Lackaday image, he put a twenty-franc note into the dresser's hand with a "Thank you, my friend," and marched out and away into the comparatively fresh air of the sulphurous night. He lit a cigarette and sat down at the corner of a little obscure café, commanding a view of the stage-door and waited for Elodie. His nervousness, even his headache, had gone. He felt cold and grim and passionless, like a man measuring himself against fate.
When Elodie came out, a while later, he sat her down at the table, and insisted on her drinking aGrog Américainto restore her balance. But iced rum and water could not medicine an overwrought soul. In her native air, nothing could check her irrepressibility of expression. She had to spend her fury with the audience. In all her life never had she encountered such imbecility--such bestial stupidity. Like the dresser, she upbraided the war. It had changed everything. It had changed the heart of France. She, Marseillaise of the Marseillais, was ashamed of being of Marseilles. Once the South was warm and generous and responsive. Now it was colder than Paris. She had never imagined that the war could press like a dead hand on the heart of the people of Provence. Now she knew it was true what Bakkus had once said--she had been very angry, but he was right--that through the sunny nature of every child of the Midi swept themistral.
She was not very consecutive or coherent or logical. She sought clamorously for every evil influence, postwar, racial, political, that could account for the frozen failure of the evening's performance. No thought disloyal to André hovered on the outskirts of her mind. He perceived it, greatly touched. When she paused in her vehement outburst, he leaned towards her, elbow on table, and his delicate hand at the end of his long bony wrist held up as a signal of arrest:
"The fault is not that of France, or Marseilles, my dear Elodie. Perhaps the war may have something to do with it. But the fault is mine."
She waved away so insane a suggestion. Went into details. How could it be his fault when the night's tricks were as identical with the tricks which used to command applause as two reproductions of the same cinema film? As for the breakdown of the new trick with the elongated violin and bow, she had seen where the mechanism had not worked properly. A joint had stuck; the audience had seen it too; an accident which could happen anywhere; that had nothing to do with the failure of the entertainment. The failure lay in the mental and moral condition of the degraded post-war audience. For all her championing, Andrew shook his head sadly.
"No. Your cinema analogy won't hold. The fault's in me, and I'm sorry, my dear."'
He tried to explain. She tried to understand. It was hopeless. He knew that he had lost, and had not yet recovered, that spiritual or magnetic contact with his audience which is the first element in artistic success, be the artistry never so primitive. The audience, he realized full well, had regarded him as a mechanical figure executing mechanical antics which in themselves had no particular claim on absorbing human interest. The eternal appeal, the "held me with his eye" of the Ancient Mariner, was wanting. And the man trained in the school of war saw why.
They walked to their modest hostelry. He had shrunk from the great hotels where the lounges were still full of men in khaki going or coming from overseas--among whom he would surely find acquaintances. But he no longer desired to meet them. He had cut himself clean adrift from the old associations. He told me that Bakkus and I were his only correspondents. Henceforth he would exist solely as Petit Patou, flinging General Lackaday dead among the dead things of war.... Besides, the great hotels of Marseilles cost the eyes of your head. The good old days of the comfortable car and inexpensive lodging had gone apparently for ever, and he had to fall back on the travel and accommodation of his early struggling days.
Elodie continued the discussion of the disaster. His face wore its wry grin of discomfiture; but he said little. They must go on as they had begun. Perhaps things would right themselves. He would lose his loathing of his mountebank trade and thus win back the sympathy of his audience.
Before they separated for the night she flung her arm protectingly round him and kissed him.
"They shall applaud you,mon vieux, I promise you."
He laughed. Again her faith touched him deeply.
"You have not changed since our first meeting in the Restaurant Garden at Avignon. You are always my mascot, Elodie!"
The menacing thunder broke in the night, and all the next day it rained pitilessly. Two or three morning hours they spent at the music-hall, rehearsing, so that no physical imperfection should mar the evening performance. The giant violin worked with the precision of a Stradivarius. All that human care could do was done. They drove back to the hotel to lunch. Elodie lounged for the rest of the afternoon in her room, with a couple of love-birds for company--the rest of the aviary in the Saint-Denis flat being under the guardianship of Bakkus; and Andrew, with his cleared dressing-table for a desk, brought up-to-date the autobiographical manuscript which for the past few months had solaced so many hours of enforced leisure. Then they dined and proceeded to the music-hall, Elodie defiant, with a flush on her cheek, Andrew with his jaw set in a sort of hopeless determination.
The preparations of the preceding evening repeated themselves. The rain had slightly cooled the air, but the smell of drains and humanity and leaky gas-pipes and the mangy lion, still caught at Andrew's throat. The little dresser, while investing him in the hated motley, pointed proudly to the open skylight. He himself had mounted, at great personal peril, to the roof. One was not a Chasseur Alpin for nothing. O yes, he had gone all through the war. He had the military medal, and four chevrons. Had Monsieur Patou seen any service? Like everybody else, said Andrew. It was good to get back to civil life and one's ordinary tasks, said the dresser whom the change in the weather perhaps had rendered more optimistic. Was not Monsieur Patou glad to return to the stage? A man's work, what? The war was for savages and wild beasts--not for human beings. Andrew let him talk on, wondering idly how he had sloughed his soldier's life without a regret. He stood up, once more, in his zany garb, and, looking in the mirror, lost sight of himself for a poignant second while the dressing-room changed into an evil-smelling dug-out, dark save for one guttering candle stuck in a bottle, and in the shadows he saw half a dozen lean, stern faces lit with the eyes of men whom he was sending forth to defy death. And every one of them hung upon his words as though they were a god's. The transient vision faded, and he became aware again of the grotesque and painted clown gibbering meaninglessly out of the glass.
He strode down the iron stairs. There was the table of properties waiting in the wings. There came Elodie to join him. There, in the fiercely lighted strip of stage, the back, cut by the wing, of the singer with the voice of the duck, ending the "Jewel Song." Then came the applause, the now undisputed encore, the weary nervous wait.... Such had been his life night after night in unconsidered, undreamed-of monotony--before the war...such would be his life henceforward--changeless, deadly, appalling.
At last, he went on. Through the mysterious psychological influence which one audience has on another, his reception was even more frigid than before. Elodie made her entrance. The house grew restless, inattentive, Andrew flogged his soul until he seemed to sweat his heart's blood. Here and there loud talking and hoarse laughter rose above the buzz and rustle of an unappreciative audience. Elodie's breast heaved and her face grew pallid beneath its heavy paint, but her eyes were bright.
"Allons toujours," Andrew whispered.
But in the famous cigar act he missed, for the first time since the far off rehearsals after the death of Prépimpin, when the fault was due to Elodie's lack of skill. But now, she threw it fair. It was he who missed. The lighted cigar smote him on the cheek. The impossibility of the occurrence staggered him for a second. But a second on the stage is an appreciable space of time, sufficient for the audience to pounce on his clumsiness, to burst into a roar of jeering laughter, to take up the cruelty of the hiss.
But before he could do anything Elodie, coarse and bulging out of her short red bodice and skirt, her features contorted with anger, was in front of the footlights, defying the house.
"Lâches!" she cried.
The word which no Frenchman can hear unperturbed cut the clamour like a trumpet call. There was sudden silence.
"Yes. Cowards. You make me ashamed that I am of Marseilles. To you a demobilized hero is nothing. But instead of practising his tricks during the war to amuse you, he has been fighting for his country. And he has earned this." She flashed from her bosom a white-enamelled cross depending from a red ribbon. "Voilà!NotChevalier--butOfficier de la Légion d'Honneur!" With both pudgy arms outstretched she held the audience for the tense moment. "And from simple soldier to General of Brigade. And that is the Petit Patou whom you insult." She threatened them with the cross. "You insult France!"
Reaction followed swift on her lightning speech. The French audience, sensitive to the dramatic and the patriotic, burst into tumultuous acclamation. Elodie smiled at them triumphantly and turned to Andrew, who stood at the back of the stage, petrified, his chin in the air, at the full stretch of his inordinate height, his eyes gleaming, his long thin lips tightened so that they broke the painted grin, his hands on his hips.
Now if Elodie had carried out the plan developed during the night she could then and there have died happily. Exulting in her success, she tripped up the stage to Andrew, the clasp of the decoration between finger and thumb, hoping to pin it on his breast. The applause dropped, the house hovering for an instant on the verge of anti-climax. But Andrew, with a flash of rage and hatred, waved her away, and strode down to the footlights, tearing off his grotesque wig and revealing his shock of carroty hair. His soul was sick with horror. Only the swift silence made him realize that he was bound to address the audience.
"Ladies and gentlemen," said he, "I thank you for your generosity to me as a soldier. But I am here to try to merit your approbation as an artist. For what has just happened I must ask you to pardon a woman's heart."
He remaned for a while glaring at them. Then, when the applause came to an end, he bowed, half ironically and gave a quick, imperious order, at which the curtain was rung down amid an uproar of excitement. He strode into the wings followed by Elodie starry-eyed, and stood panting. The curtain rose as if automatically. The manager thrust him towards the stage.
"They want you," he cried.
"They can go to the devil," said Andrew.
Regardless of the clamour, he stalked with Elodie to the foot of the iron stairs. On their way they passed the waxed moustachioed trainer of the performing dogs.
"A goodcoup de théâtre, Madame," he remarked jealously.
Andrew glowered down on him.
"You say, Monsieur----?"
But the dog trainer meeting the eyes burning in the painttd face, thought it best to say nothing, and Andrew mounted the stairs. Elodie followed him into his dressing-room palpitating with excitement and perplexity and clutching both his arms looked wildly into his face.
"You are not pleased with me?"
For a moment or two he regarded her with stupid hostility; then, getting a grip on himself, he saw things from her point of view and realized her wit and her courage and her devotion. It was no fault of hers that she had no notion of his abhorrence of the scene.
He smiled.
"It is only you who could have dared," he said.
"I told you last night they should applaud you."
"And last night I told you you are always my mascot."
"If it only weren't true that you love me no longer," said Elodie.
The dresser entered. Elodie slipped out. Andrew made a step, after her to the threshold.
"What the devil did she mean by that?" said he, after the manner of men.
She did not repeat the reproach, nor did Andrew put to her the question which he had asked himself. The amicable placidity unruffled by quarrel, which marked their relations, was far too precious to be disturbed by an unnecessary plumbing of emotional depths. As far as he could grapple with psychological complexities, there had been nothing between them, through all the years, of the divine passion. She had come to him disillusioned and weary. He had come to her with a queer superstitious gratitude for help in the past and a full recognition of present sympathy and service. As the French say, they had made togetherun bon ménage. Save for a few half-hysterical days during the war--and in that incomprehensible pre-war period at the end of which the birds came to her rescue, there had been little talk of love and dreams of delight and the rest of the vaporous paradise of the mutually infatuated. He could not manifest, nor did she demand, a lover's ardour. It had all been as comfortable and satisfactory as you please. And now, at the most irrelevant moment, according to his masculine mind, came this cry of the heart.
But was it of the heart? Did it not rather proceed from childish disappointment at his lack of enthusiastic praise of her splendid exploit? As I say, he judged it prudent to leave the problem unsolved. Of the exploit itself, needless to remark, she talked interminably. Generous and kind-hearted, he agreed with her arguments. Of the humiliation she had wrought for him, he allowed her to have no notion.
He shivered all night at the degradation of his proudest honour. It had been gained, not as one of a batch of crosses handed over to the British military authorities for distribution, but on the field. He had come, with a handful of men, to the relief of a sorely pressed village held by the French; somehow he had rallied the composite force, wiped out two or three nests of machine guns and driven out the Germans; as officer in command he had consolidated the village, so that, when the French came up, he had handed it over to them as a victor. A French general had pinned the cross on his breast on a day of wind and rain and bursting shell, on a vast plain of unutterable devastation. The upholding of it before the mob of Marseilles had been a profanation. In these moments of anguished amazement he had suffered as he had never suffered in his life before. And he had been helpless. Before he realized what was being done, Elodie, in her tempestuous swiftness, had done it. It was only when she came to fix the cross on his breast that his soul sprang to irresistible revolt. He could have taken her by the throat and wrung it, and flung her away dead.
Thus, they were infinite leagues asunder. She met what amounted to wearily indulgent forgiveness when she had fully expected to reap the golden meed of heroism.
The next morning, she went about silent, perplexed, unhappy. By her stroke of genius she had secured for him a real success. If he had allowed her to crown the dramatic situation by pinning on the cross, his triumph had been such as the stage had never seen.
"Why didn't you let me do it?" she asked.
"To complete a work of art," said he, "is always a mistake. You must leave something to the imagination."
"But I did right. Tell me I did right."
Denial would have been a dagger thrust through a loyal heart.
"You acted, my dear," said he, "like a noble woman."
And she was aware of a shell which she could not pierce. From their first intimate days, she had always felt him aloof from her; as a soldier during the war she had found him the counterpart of the millions of men who had heroically fought; as an officer of high rank, as a General, she had stood, in her attitude towards him, in uneducated awe; as a General demobilized and a reincarnation of Petit Patou, he had inspired her with a familiarity bred not of contempt--that was absurd--but of disillusion. And now, to her primitive intelligence, he loomed again as an incomprehensible being actuated by a moral network of motives of which she had no conception.
He escaped early from the little hotel and wandered along the quays encumbered with mountains of goods awaiting transport, mighty crates of foodstuffs, bales of hay, barrels of wine from Algiers. Troops and sailors of all nations mingled with the dock employees who tried to restore order out of chaos. Calm goods trains whistled idly by the side of ships or on sidings, the engine drivers lounging high above the crowd in Olympian indifference. The broken down organization had nothing to do with them. Here, in the din and the clatter and the dust and the smell of tar and other sea-faring things reeking shorewards under the blazing sun, Andrew could hide himself from the reputable population of the town. In the confusion of a strange world he could think. His life's unmeaningness overwhelmed him; he moved under the burden of its irony. In that she had hurled insulting defiance at a vast, rough audience, Elodie had done a valiant thing. She had done it for love of him. His failure to respond had evoked her reproach. But the very act for which she claimed due reward was a stab to the heart of any lingering love.
And yet, he must go on. There was no way out. He had faced facts ever since the days of Ben Flint--and Elodie was a fact, the principal fact in his life. Curious that she should have faded into comparative insignificance during the war--especially during the last two years of it when he had not seen her. She seemed to have undergone a vehement resurrection. The shadow of the war had developed into the insistent flesh and blood of peace.
He wandered far over the quay, where the ancient Algiers boat was on the point of departure, crammed with red-tarbooshed troops, zouaves, colonials, swarthy Turcos and Spahis, grinning blacks with faces like polished boots, all exultant in the approaching demobilization. The grey-blue mass glistened with medals. The blacks were eating--with the contented merriment of children at a Sunday School treat. Andrew smiled at many memories. Black troops seemed always to be eating. As he stood watching, porters and pack-laden blue helmeted poilus jostled him, until he found a small oasis of quiet near the bows. Here a hand was clapped on his shoulder and a voice said:
"Surely you're Lackaday?"
He turned and beheld the clean-cut bronzed face of a man in civilian dress. As often happens, what he had sought to avoid in the streaming streets of the town, he had found in the wilderness--an acquaintance. It was one Arbuthnot, an Australian colonel of artillery who, through the chances of war, had rendered his battalion great service. A keen, sparely built man made of leather and whipcord, with the Australian's shrewd blue eyes.
They exchanged the commonplaces of greeting.
"Demobilized?" said Andrew.
"Thank Heaven."
"You seem glad."
"Good Lord! I should think so. Aren't you glad it's all over?"
"I don't quite know," said Andrew, smiling wistfully.
"Well, I am," declared Arbuthnot. "It was a beastly mess that had to be cleared up, and now it's done as far as my little responsibility is concerned. I'm delighted. I want to get back to my wife and family and lead the life of a human being. War's a dog's life. It has nothing to recommend it. It's as stupid and senseless as a typhoon." He laughed. "What are you doing here?"
Andrew waved a hand. "Putting in time."
"So am I. Till my boat sails. I thought before I left I'd look at a merrier end of France. By Gosh! They're a happy crowd"--he pointed to the packed mass on board the ancient tub of the Compagnie Générale Transatlantique.
"You share their feelings," said Andrew.
Arbuthnot glanced at him keenly.
"I heard they made you a Brigadier. Yes? And you've chucked it?"
"I'm a civilian, even as you are," said Andrew.
Arbuthnot pushed back his hat and wiped the perspiration from his forehead.
"For goodness' sake let us get out of this and sit down somewhere and have a talk."
He moved away, Andrew following, and hailed a broken down cab, a victoria which had just deposited a passenger by the steamer's side.
"To the Cannebière," said he, and they drove off. "If you have anything to do, please tell me. But I know nobody in this furnace of a town. You're a godsend."
A while afterwards they were seated beneath the awning of a crowded café on the Cannebière. Ceaseless thousands of the globe's population passed by, from the bare-headed, impudent work girls of Marseilles, as like each other and the child Elodie as peas in a pod, to the daintily costumed maiden; from the feathered, flashing quean of the streets to the crape encumbered figure of the French war-widow; from the abject shuffler clad in flapping rags and frowsy beard to the stout merchant dressed English fashion, in grey flannels and straw hat, with two rolls of comfortable fat above his silk collar; from the stray British or American private perspiring in khaki to splendid officers, French, Italian, Roumanian, Serbian, Czecho-Slovak, be-medalled like the advertisements of patent foods; from the middle aged, leaden pipe laden Marseilles plumber, in his blue smock, to the blue-uniformed Senegalese private, staring with his childish grin, at the multitudinous hurrying sights of an unfamiliar crowd. Backwards and forwards they passed in two thick unending streams. And the roadway clashed with trams following each other, up and down, at fraction of a second intervals, and with a congestion of waggons, carts, cabs, automobiles, waiting patiently on the pleasure of these relentless, strident symbols of democracy.
In his troubled mood, Andrew found Arbuthnot also a godsend. It was good to talk once more with a man of his own calibre about the things that had once so intensely mattered. He lost his shyness and forgot for a time his anxieties. The rushing life before him had in its way a soothing charm to one resting, as it were, on the quiet bank. It was good, too, to talk English--or listen to it; for much of the talking was done by his companion. Arbuthnot was full of the big, beloved life that lay before him. Of the wife and children whom he had not seen for four years. Of his home near Sydney. Of the Solomon Islands, where he spent the few healthy months of the year growing coco-nuts for copra and developing a pearl fishery. A glorious, free existence, said he. And real men to work with. Every able-bodied white in the Solomon Islands had joined up--some hundred and sixty of them. How many would be going back, alas! he did not yet know. They had been distributed among so many units of the Australian Forces. But he was looking forward to seeing some of the old hard-bitten faces in those isles of enchantment.
"I thought," said Andrew, "that it rained all the year round on the Solomon Islands; that they were so depressing, in fact, that the natives ate each other to keep up their spirits."
Arbuthnot protested vehemently. It was the loveliest climate in the world during the time that white folk stayed there. Of course, there was a rainy season, but then everybody went back to Australia. As for cannibals--he laughed.
"If you're at a loose end," said he, "come out with me and have a look round. It will clear the war out of your system."
Andrew held a cigarette between the tips of his fingers and looked at the curling smoke. The picture of the reefs and surfs and white sands and palm-trees of these far off islands rose, fascinating, before his eyes. And then he remembered that he had once a father and mother--and a birth-place.
"Curiously enough," said he, "I am Australian born."
He had scarcely ever realized the fact.
"All the more reason," said Arbuthnot heartily. "Come with me on the Osway. The captain's a pal of mine. He'll fix up a bunk for you somewhere."
He offered boundless hospitality. Andrew grew more wistful. He thanked Arbuthnot. But----
"I'm a poor man," said he, "and have to earn my living at my old job."
"And what's that?"
"I'm a music-hall artist," said Andrew.
"You? Good Lord! I thought you had been a soldier all your life. One of the old contemptibles."
"I enlisted as a private in the Grenadier Guards," smiled Andrew.
"And came to be a General in a brass hat--and now you're back on the stage. Somehow it doesn't fit. Do you like it?"
Andrew winched at the intimate question of the frank and direct Australian. Last night's scene swept across his vision, hateful and humiliating.
"I have no choice," said he.
As before, on the quay, Arbuthnot looked at him, keenly.
"I don't think you do like it. I've met hundreds of fellows who feel just the same as you. I'm different, as I told you. But I can understand the other point of view. Perhaps I should kick if I had to go back to a poky office, instead of a free, open-air life. After all, we're creatures of circumstance."
He paused to light a cigar. Andrew made no reply, and the conversational topic died a natural death. They talked of other things--went back to Arras, the Somme, Saint Quentin. Presently Arbuthnot, pulling out his watch, suggested lunch. Andrew rose, pleading an engagement--his daily engagement with Elodie at the stuffy little hotel table d'hôte. But the other begged him for God's sake not to desert him in this lonely multitude. It would not be the act of a Christian and a comrade. Andrew was tempted, feeling the charm and breeziness of the Australian like a breath of the free air of Flanders and Picardy. He went indoors to the telephone. Elodie, eventually found, responded. Of course, her poor André must have his little pleasure. He deserved it,mon Dieu!It wasgentilof him to consult her. And it had fallen out quite well, for she herself could not eat. The stopping had dislodged itself from one of her teeth which was driving her mad with pain and she was going to a dentist at one o'clock. He commiserated with her on her misadventure. Elodie went into realistic details of the wreck of the gold stopping on the praline stuffing of a chocolate. Then an anguished "Ne me coupez pas, Mademoiselle." But Mademoiselle of the Exchange cut ruthlessly, and Andrew returned to Arbuthnot.
"I'm at your service," said he.
Arbuthnot put himself into Lackaday's hands. The best place. The best food. It was not often he had the honour of entertaining a British General unawares. Andrew protested. The other insisted. The General was his guest. Where should they go? Somewhere characteristic. He was sick of the food at grand hotels. It was the same all the world over--Stockholm, Tokio, Scarborough, Melbourne, Marseilles.
"Marseilles has nothing to boast of in the way of cookery," said Andrew, "save its bouillabaisse."
"Now what's that?" cried Arbuthnot. "I've sort of heard of it."
"My dear fellow," said Andrew, with his ear-to-ear grin. "To live in Marseilles and be innocent of bouillabaisse is like having gone through the war without tasting bully beef."
He was for dragging him to the little restaurant up a side street in the heart of the town which is the true shrine of bouillabaisse. But Arbuthnot had heard vaguely of another place, celebrated for the dish, where one could fill one's lungs as well as one's stomach.
"The Reserve."
"That's it. Taxi!" cried Arbuthnot.
So they drove out and sat in the cool gallery of the Reserve, by a window table, and looked on the blue Mediterranean, and the wonderous dish was set before them and piously served by the maître d'hôtel. Rascasse, Loup-de-mer, mostelle, langouste ... a studied helping of each in a soup plate, then the sodden toast from the tureen and the ladles of clear, rich, yellow liquid flavoured with saffron and with an artist's inspiration of garlic, the essence of the dozen kinds of fish that had yielded up their being to the making of the bouillabaisse. The perfect serving of it is a ceremonial in the grand manner.
Arbuthnot, regarding his swimming plate, looked embarrassed.
"Knife, fork and spoon," said Andrew.
They ate for a while in silence. Then Arbuthnot said:
"Do you remember that wonderful chapter in Meredith'sEgoistwhen Sir Willoughby Patterne offers the second bottle of the Patterne Port to Doctor Middleton, Clara's father--and the old fellow says: 'I have but a girl to give?' Well, I feel like that. This is the most wonderful eating that humanity has ever devised. I'm not a glutton. If I were I should have sampled this before. I'm just an uncivilized man from the bush overwhelmed by a new sensation. I'm your debtor, General, to all eternity. And your genius in recommending this wine"--he filled Andrew's glass with Cinzano's Asti Spumante--"is worthy of the man who saw us out at Bourdon Wood. By the way," he added, after a pause, "what really happened afterwards? I knew you got through. But we poor devils of gunners--we do our job--and away we go to loose off Hell at another section and we never get a clear knowledge of the results."
"I'll tell you in a minute," said Andrew, emptying the salt cellars and running a trench-making finger through the salt, and disposing pepper pots, knives and spoons and supplementing these material objects with lead pencil lines on the table-cloth--all vestiges of the bouillabaisse had been cleared away--"You see, here were the German lines. Here were their machine-guns."
"And my little lot," said Arbuthnot, tapping a remote corner, "was somewhere over here."
They worked out the taking of Bourdon Wood. A médallion de veau perigourdine, a superimposition of toast, foie gras, veal and truffles, interrupted operations. They concluded them, more languidly, before the cheese. The mild mellow Asti softened their hearts, so that at the end of the exquisite meal, in the mingled aroma of coffee, a cigarette, and the haunting saltness of the sea, they spoke (with Andrew's eternal reserve) like brothers.
"My dear fellow," said Arbuthnot, "the more I talk to you the more impossible does it seem that you should settle down to your pre-war job. Why don't you chuck it and come out with me on a business footing?"
"I have no capital," said Andrew.
"You don't need much--a few thousands."
He might have said a few millions for all Andrew's power to command such a sum. The other continued his fairy-tale of the islands. They were going to boom one of these near days. Fortune lay to the hand of the man who came in first. Labour was cheap, the world was shrieking for copra, the transport difficulty would soon adjust itself---and then a dazzling reward. It was quite possible, he suggested with some delicacy, to find financial aid, and in the meantime to do management work on a salary, so as to keep himself going. The qualities which made him a General were just those which out there would command success. And, Australian born, as he was, he could claim a welcome among his own people.
"I can guarantee you a living, anyhow," said the enthusiast. "Think it over, and let me know before the Osway sails."
It was a great temptation. If he were a free man, he would have cast off the garb of Petit Patou for ever and gone to seek fortune in a new world where he could unashamedly use his own name and military rank among men who did men's work and thought all the better of a man for doing the same. And also he became conscious of a longing to leave France for a season. France was passing through a post-war stage of disgruntlement and suspicion, drawing tight around her feet her tri-coloured skirts so that they should not be touched by the passing foreigner. France was bleeding from her wounds--weeping for her children and refusing to be comforted. The Englishman in Andrew stood hurt and helpless before this morbid, convulsive nationalism. Like a woman in certain emotional states she were better left alone for awhile, till she recovered and smiled her benevolent graciousness again.
Yet if he remained Petit Patou he must stay in France, the land of his professional adoption. From appearing on the English stage he shrank, with morbid sensitiveness. There was America, where he was unknown.... Already Moignon was in touch, on his behalf, with powerful American agencies. Just before he left Paris Moignon had said: "They are nibbling for the winter." But it was all vague. France alone appeared solid--in spite of the disasters of these first two nights.
"I wish to God," he cried suddenly, after a long silence, "I wish to God I could cut everything and come with you."
"What prevents you?" asked Arbuthnot.
"I have ties," said he.
Arbuthnot met the grim look on his face which forbade further questioning.
"Ah!" said he. "Still," he added with a laugh, "I'm at the Hôtel de Noailles till Friday. That is to say----"
He explained that he was going the next day to Monte Carlo, which he had never seen, to spend a night or two, but would return in good time for the sailing of the Osway and the hearing of General Lackaday's final decision.
On their drive back to Marseilles, Arbuthnot, during a pause in their talk, said:
"What I can't understand is this. If you're on the music-hall stage, what the deuce are you doing in Marseilles?"
"I'm here on business with my partner," Andrew replied curtly. "If it weren't for that--a business engagement--I would ask you to spend the evening with me," he added. "What are you going to do?"
"I went to the theatre last night. What else is there?"
"They have an excellent Revue at the El Dorado. Go there."
"I will," said Arbuthnot.
Andrew breathed freely, relieved from the dread lest this genial and unsuspecting brother in arms should wander into Olympia and behold--what? What kind of a performance? What kind of a reception? All apart from beholding him in his green silk tights and painted face.
They parted at the Hôtel de Noailles. The Australian shook him warmly by the hand.
"This has been one of the great days of my life," said he, with his frank smile. "The day when I return and you tell me you're coming with me, will be a greater."
Andrew walked away in a glow. Here was a man of proved worth, proved in the furnace in which they had met, straight as his eyes, sincere to his soul, who had claimed him as a leader of the Great Brotherhood, who, with a generosity acceptable under the unwritten law of that 'Brotherhood's Freemasonry, had opened his way to freedom and a man's hie. Whether he could follow the way or not was another matter. The fact of the generous opening remained; a heartening thing for all time.
You may perhaps remember that, in the introductory letter which accompanied the manuscript and is quoted at the beginning of this record of the doings of Andrew Lackaday, he remarks:
"At the present moment I am between the devil and the deep sea. I am hoping that the latter will be the solution of my difficulties."
This was written in his hotel room, as soon as he returned. Elodie, unnerved by an over-driven dentist's torture, lay resting in her bedroom with closed windows and drawn shutters. He was between the Devil of Petit Patou-ism and the Deep Sea beyond which lay the Fortunate Isles where men were men and coco-nuts were gold and where the sweat could roll down your leather skin undefiled with greasepaint.
When he had finished writing, he dined with a curiously preoccupied though pain-relieved Elodie. He attributed her unusual mood either to anxiety as to their reception at Olympia, after the previous night's performance, or to realization of the significance of her indiscretion. She ate little, drank less, and scarcely spoke at all.
They reached the music-hall. Andrew changed into his tights. The little dresser retailed the gossip of the place. Elodie had undoubtedly caused a sensation. The dresser loudly acclaimed Madame's action as abeau geste.
"In these days of advertisement one can't afford to be so modest,mon général," said he. "And I, for example, who committed the stupidity of asking whether you had served in the war! To-night we are going to see something quite different."
Andrew laughed. Haunted by the great seas and the Solomon Islands and the palm trees, he found himself scarcely interested in his reception. The audience could talk and cough and hiss as much as they liked. He had practically told them to go to the devil last night. He was quite ready, if need be, to do it again. He was buoyed up by a sublime indifference.
The singer was ending her encore from "La Traviata" when he went down the iron stairs. Elodie met him punctually, for they had agreed to avoid the dreary wait. As soon as the stage was set and the curtain up, he went on and was greeted by a round of applause. Somehow the word had been passed round the populace that formed the Olympia clientèle. Thenceforward the performance went without a hitch, to the attentive gratification of the audience. There was no uproarious demonstration; but they laughed in the right places and acclaimed satisfactorily his finale on the giant violin. They gave him a call, to which he responded, leading Elodie by the hand.
For himself, he hardly knew whether to feel relief or contempt, but Elodie, blindly stumbling through the cages of the performing dogs in the wings, almost broke down.
"Now all goes well. Confess I was right."
He turned at the bottom of the stairs.
"Yes. I confess. You did what was right to make it go well."
She scanned his face to read his meaning. Of late he had grown so remote and difficult to understand. He put his arm round her kindly and smiled--and near by his smile, painted to the upper tip of each ear, was grotesquely horrible.
"Why yes, little goose. Now everything will go on wheels."
"That is true?" she asked anxiously.
"I swear it," said he.
When they reached the hotel, she swiftly discarded the walking clothes and slipped on her wrapper in which only was she the real Elodie, and went to his room and sat on the little narrow bed.
"Mon ami," said she, "I have something to tell you. I would not speak this afternoon because it was necessary that nothing should disturb your performance."
Andrew lit a pipe and sat down in the straight-backed arm-chair.
"What's the matter?"
"I had to wait an hour at the dentist's. Why those people say one o'clock when they mean two, except to make you think they are so busy that they do you a favour to look inside your mouth, and can charge you whatever they like--thirty francs, the monster charged me--you ought to go and tell him it was a robbery--"
"My dear," he interrupted, thus cutting out the predicate of her rhetorical sentence, "you surely couldn't have thought a dentist's fee of thirty francs would have put me off my work?"
She threw up her arms. "Mon Dieu! Men are stupid! No. Listen. I had to wait an hour. I had to distract myself--well--you know the supplement toL'Illustrationthat has appeared every week during the war--the pages of photographs of the heroes of France. I found them all collected in a portfolio on the table. Ah! Some living, but mostly dead. It was heart-breaking. And do you know what I found? I found this. I stole it."
She drew from her pocket peignoir a crumpled page covered with vignette photographs of soldiers, a legend underneath each one, and handed it to Andrew, her thumb indicating a particular portrait.
"There! Look!"
And Andrew looked and beheld the photograph of a handsome, vast mustachioed, rake-helly officer of Zouaves, labelled as Captain Raoul Marescaux, who had died gloriously for France on the twenty-sixth of March, 1917.
For a second or two he groped for some association with a far distant past.
"But don't you see?" cried Elodie. "It is my husband. He has been dead for over two years."