The old lady looked at him with stupefaction. As though Felicia were like other girls! And then what danger was there with the Nabob, so staid a man and so ugly? Besides, Jenkins ought to know quite well that Felicia never consulted anybody, that she always had her own way.
“No, no, it is impossible! I cannot tolerate this,” exclaimed the Irishman.
And, without paying any further heed to the dancer, who raised her arms to heaven as a call upon it to witness what was about to happen, he moved towards the studio; but, instead of entering immediately, he softly half-opened the door and raised a corner of the hangings, whereby the portion of the room in which the Nabob was posing became visible to him, although at a considerable distance.
Jansoulet, seated without cravat and with his waist-coat open, was talking apparently in some agitation and in a low voice. Felicia was replying in a similar tone, in laughing whispers. The sitting was very animated. Then a silence, a silken rustle of skirts, and the artist, going up to her model, turned down his linen collar all round with familiar gesture, allowing her light hand to run over the sun-tanned skin.
That Ethiopian face on which the muscles stood out in the very intoxication of health, with its long drooping eyelashes as of some deer being gently stroked in its sleep; the bold profile of the girl as she leaned over those strange features in order to verify their proportions; then a violent, irresistible gesture, clutching the delicate hand as it passed and pressing it to two thick, passionate lips. Jenkins saw all that in one red flash.
The noise that he made in entering caused the two personages instantly to resume their respective positions, and, in the strong light which dazzled his prying eyes, he saw the young girl standing before him, indignant, stupefied.
“Who is that? Who has taken the liberty?” and the Nabob, on his platform, with his collar turned down, petrified, monumental.
Jenkins, a little abashed, frightened by his own audacity, murmured some excuses. He had something very urgent to say to M. Jansoulet, a piece of news which was most important and would suffer no delay. “He knew upon the best authority that certain decorations were to be bestowed on the 16th of March.”
Immediately the face of the Nabob, that for a moment had been frowning, relaxed.
“Ah! can it be true?”
He abandoned his pose. The thing was worth the trouble,que diable!M. de la Perriere, a secretary of the department involved had been commissioned by the Empress to visit the Bethlehem Refuge. Jenkins had come in search of the Nabob to take him to see the secretary at the Tuileries and to appoint a day. This visit to Bethlehem, it meant the cross for him.
“Quick, let us start, my dear doctor. I follow you.”
He was no longer angry with Jenkins for having disturbed him, and he knotted his cravat feverishly, forgetting in his new emotions how he had been upset a moment earlier, for ambition with him came before all else.
While the two men were talking in a half-whisper, Felicia, standing motionless before them, with quivering nostrils and her lip curled in contempt, watched them with an air of saying, “Well, I am waiting.”
Jansoulet apologized for being obliged to interrupt the sitting; but a visit of the most extreme importance—She smiled in pity.
“Don’t mention it, don’t mention it. At the point which we have reached I can work without you.”
“Oh, yes,” said the doctor, “the work is almost completed.”
He added with the air of a connoisseur:
“It is a fine piece of work.”
And, counting upon covering his retreat with this compliment, he made for the door with shoulders drooped; but Felicia detained him abruptly.
“Stay, you. I have something to say to you.”
He saw clearly from her look that he would have to yield, on pain of an explosion.
“You will excuse me,cher ami? Mademoiselle has a word for me. My brougham is at the door. Get in. I will be with you immediately.”
As soon as the door of the studio had closed on that heavy, retreating foot, each of them looked at the other full in the face.
“You must be either drunk or mad to have allowed yourself to behave in this way. What! you dare to enter my house when I am not at home? What does this violence mean? By what right—”
“By the right of a despairing and incurable passion.”
“Be silent, Jenkins, you are saying words that I will not hear. I allow you to come here out of pity, from habit, because my father was fond of you. But never speak to me again of your—love”—she uttered the word in a very low voice, as though it were shameful—“or you shall never see me again, even though I should have to kill myself in order to escape you once and for all.”
A child caught in mischief could not bend its head more humbly than did Jenkins, as he replied:
“It is true. I was in the wrong. A moment of madness, of blindness—But why do you amuse yourself by torturing my heart as you do?”
“I think of you often, however.”
“Whether you think of me or not, I am there, I see what goes on, and your coquetry hurts me terribly.”
A touch of red mounted to her cheeks at this reproach.
“A coquette, I? And with whom?”
“With that,” said the Irishman, indicating the ape-like and powerful bust.
She tried to laugh.
“The Nabob? What folly!”
“Don’t tell an untruth about it now. Do you think I am blind, that I do not notice all your little manoeuvres? You remain alone with him for very long at a time. Just now, I was there. I saw you.” He dropped his voice as though breath had failed him. “What do you want, strange and cruel child? I have seen you repulse the most handsome, the most noble, the greatest. That little de Gery devours you with his eyes; you take no notice. The Duc de Mora himself has not been able to reach your heart. And it is that man there who is ugly, vulgar, who had no thought of you, whose head is full of quite other matters than love. You saw how he went off just now. What can you mean? What do you expect from him?”
“I want—I want him to marry me. There!”
Coldly, in a softened tone, as though this avowal had brought her nearer the level of the man whom she so much despised, she explained her motives. The life which she led was pushing her into a situation from which there was no way out. She had luxurious and expensive tastes, habits of disorder which nothing could conquer and which would bring her inevitably to poverty, both her and that good Crenmitz, who was allowing herself to be ruined without saying a word. In three years, four years at the outside, all would be over with them. And then the wretched expedients, the debts, the tatters and old shoes of poor artists’ households. Or, indeed, the lover, the man who keeps a mistress—that is to say, slavery and infamy.
“Come, come,” said Jenkins. “And what of me, am I not here?”
“Anything rather than you,” she exclaimed, stiffening. “No, what I require, what I want, is a husband who will protect me from others and from myself, who will save me from many terrible things of which I am afraid in my moments of ennui, from the gulfs in which I feel that I may perish, some one who will love me while I am at work and relieve my poor old wearied fairy of her sentry duty. This man here suits my purpose, and I thought of him from the first time I met him. He is ugly, but he has a kind manner; then, too, he is ridiculously rich, and wealth, upon that scale, must be amusing. Oh, I know well enough. No doubt there is in his life some blemish that has brought him luck. All that money cannot be made honestly. But come, truly now, Jenkins, with your hand on that heart you so often invoke, do you think me a wife who should be very attractive to an honest man? See: among all these young men who ask permission as a favour to be allowed to come here, which one has dreamed of offering me marriage? Never a single one. De Gery no more than the rest. I am attractive, but I make men afraid. It is intelligible enough. What can one imagine of a girl brought up as I have been, without a mother, among my father’s models and mistresses? What mistresses,mon Dieu! And Jenkins for sole guardian. Oh, when I think, when I think!”
And from that far-off memory things surged up that stirred her to a deeper wrath.
“Ah, yes,parbleu! I am a daughter of adventure, and this adventurer is, of a truth, the fit husband for me.”
“You must wait at least till he is a widower,” replied Jenkins calmly. “And, in that case, you run the risk of having a long time to wait, for his Levantine seems to enjoy excellent health.”
Felicia Ruys turned pale.
“He is married?”
“Married? certainly, and father of a bevy of children. The whole camp of them landed a couple of days ago.”
For a minute she remained overwhelmed, looking into space, her cheeks quivering. Opposite her, the Nabob’s large face, with its flattened nose, its sensual and weak mouth, spoke insistently of life and reality in the gloss of its clay. She looked at it for an instant, then made a step forward and, with a gesture of disgust, overturned, with the high wooden stool on which it stood, the glistening and greasy block, which fell on the floor shattered to a heap of mud.
Married he was and had been so for twelve years, but he had mentioned the fact to no one among his Parisian acquaintances, through Eastern habit, that silence which the people of those countries preserve upon affairs of the harem. Suddenly it was reported that madame was coming, that apartments were to be prepared for herself, her children, and her female attendants. The Nabob took the whole second floor of the house on the Place Vendome, the tenant of which was turned out at an expense worthy of a Nabob. The stables also were extended, the staff doubled; then, one day, coachmen and carriages went to the Gare de Lyon to meet madame, who arrived by train heated expressly for her during the journey from Marseilles and filled by a suite of negresses, serving-maids, and little negro boys.
She arrived in a condition of frightful exhaustion, utterly worn out and bewildered by her long railway journey, the first of her life, for, after being taken to Tunis while still quite a child, she had never left it. From her carriage, two negroes carried her into her apartments on an easy chair which, subsequently, always remained downstairs beneath the entrance porch, in readiness for these difficult removals. Mme. Jansoulet could not mount the staircase, which made her dizzy; she would not have lifts, which creaked under her weight; besides, she never walked. Of enormous size, bloated to such a degree that it was impossible to assign to her any particular age between twenty-five and forty, with a rather pretty face but grown shapeless in its features, dull eyes beneath lids that drooped, vulgarly dressed in foreign clothes, laden with diamonds and jewels after the fashion of a Hindu idol, she was as fine a sample as could be found of those transplanted European women called Levantines—a curious race of obese creoles whom speech and costume alone attach to our world, but whom the East wraps round with its stupefying atmosphere, with the subtle poisons of its drugged air in which everything, from the tissues of the skin to the waists of garments, even to the soul, is enervated and relaxed.
This particular specimen of it was the daughter of an immensely rich Belgian who was engaged in the coral trade at Tunis, and in whose business Jansoulet, after his arrival in the country, had been employed for some months. Mlle. Afchin, in those days a delicious little doll of twelve years old, with radiant complexion, hair, and health, used often to come to fetch her father from the counting-house in the great chariot with its yoke of mules which carried them to their fine villa at La Marsu, in the vicinity of Tunis. This mischievous child with splendid bare shoulders, had dazzled the adventurer as he caught glimpses of her amid her luxurious surroundings, and, years afterward, when, having become rich and the favourite of the Bey, he began to think of settling down, it was to her that his thoughts went. The child had grown into a fat young woman, heavy and white. Her intelligence, dull in the first instance, had become still more obscured through the inertia of a dormouse’s existence, the carelessness of a father given over to business, the use of opium-saturated tobacco and of preserves made from rose-leaves, the torpor of her Flemish blood, re-enforced by Oriental indolence. Furthermore, she was ill-bred, gluttonous, sensual, arrogant, a Levantine jewel in perfection.
But Jansoulet saw nothing of all this.
For him she was, and remained, up to the time of her arrival in Paris, a superior creature, a lady of the most exalted rank, a Demoiselle Afchin. He addressed her with respect, in her presence maintained an attitude which was a little constrained and timid, gave her money without counting, satisfied her most costly fantasies, her wildest caprices, all the strange desires of a Levantine’s brain disordered through boredom and idleness. One word alone excused everything. She was a Demoiselle Afchin. Beyond this, no intercourse between them; he always at the Kasbah or the Bardo, courting the favour of the Bey, or else in his counting-houses; she passing her days in bed, wearing in her hair a diadem of pearls worth three hundred thousand francs which she never took off, befuddling her brain with smoking, living as in a harem, admiring herself in the glass, adorning herself, in company with a few other Levantines, whose supreme distraction consisted in measuring with their necklaces arms and legs which rivalled each other in plumpness, and bearing children about whom she never gave herself the least trouble, whom she never used to see, who had not even cost her a pang, for she gave birth to them under chloroform. A lump of white flesh perfumed with musk. And, as Jansoulet used to say with pride: “I married a Demoiselle Afchin!”
Under the sky of Paris and its cold light the disillusion began. Determined to settle down, to receive, to give entertainments, the Nabob had brought his wife over with the idea of setting her at the head of the establishment; but when he saw the arrival of that display of gaudy draperies of Palais-Royal jewelry, and all the strange paraphernalia in her suite, he had the vague impression of a Queen Pomare in exile. The fact was that now he had seen real women of the world, and he made comparisons. After having planned a great ball to celebrate her arrival, he prudently changed his mind. Besides, Mme. Jansoulet desired to see nobody. Here her natural indolence was increased by the home-sickness which she suffered, from the first hour of her coming, by the chilliness of a yellow fog and the dripping rain. She passed several days without getting up, weeping aloud like a child, saying that it was in order to cause her death that she had been brought to Paris, and not permitting her women to do even the least thing for her. She lay there bellowing among the laces of her pillow, with her hair bristling in disorder about her diadem, the windows of the room closed, the curtains drawn close, the lamps lighted night and day, crying out that she wanted to go away-y, to go away-y; and it was pitiful to see, in that funeral gloom, the half-unpacked trunks scattered over the carpets, the frightened maids, the negresses crouched around their mistress in her nervous attack, they also groaning, with haggard eyes like those dogs of artic travellers that go mad without the sun.
The Irish doctor, called in to deal with all this trouble, had no success with his fatherly manners, the pretty phrases that issued from his compressed lips. The Levantine would have nothing to do at any price with the arsenic pearls as a tonic. The Nabob was in consternation. What was to be done? Send her back to Tunis with the children? It was scarcely possible. He was decidedly in disgrace in that quarter. The Hemerlingues were triumphant. A last affront had filled up the measure. At Jansoulet’s departure, the Bey had commissioned him to have gold-pieces struck at the Paris Mint of a new design to the value of several millions; then the order, suddenly withdrawn, had been given to Hemerlingue. Publicly outraged, Jansoulet had replied by a public demonstration, offering for sale all his possessions, his palace at the Bardo given to him by the former Bey, his villas of La Marsu all of white marble, surrounded by splendid gardens, his counting-houses which were the largest and the most sumptuous in the city, and, charging, finally, the intelligent Bompain to bring over to him his wife and children in order to make a clear affirmation of a definitive departure. After such an uproar, it was no easy thing for him to return there; this was what he endeavoured to make evident to Mlle. Afchin, who only replied to him by deep groans. He tried to console her, to amuse her, but what distraction could be found to appeal to that monstrously apathetic nature? And then, could he change the sky of Paris, restore to the unhappy Levantine herpatiopaved with marble, where she used to pass long hours in a cool, delicious sleepiness, listening to the water as it dripped on the great alabaster fountain with its three basins, one over the other, and her gilded barge, with its awning of crimson, which eight Tripolitan boatmen supple and vigorous rowed after sunset on the beautiful lake of El-Baheira? However luxurious the apartment of the Place Vendome might be, it could not compensate for the loss of these marvels. And then she would be more miserable than ever. At last, a man who was a frequent visitor to the house succeeded in lifting her out of her despair. This was Cabassu, the man who described himself on his cards as “professor of massage,” a big, dark, thick-set man, smelling of garlic and pomade, square-shouldered, hairy to the eyes, and who knew stories of Parisian seraglios, tales within the reach of madame’s intelligence. Having once come to massage her, she wished to see him again, retained him. He had to give up all his other clients, and became, at the salary of a senator, the masseur of this stout lady, her page, her reader, her body-guard. Jansoulet, delighted to see his wife contented, was unconscious of the ridicule attached to this intimacy.
Cabassu was now seen in the Bois, seated beside the favourite maid in the huge and sumptuous open carriage, also at the back of the theatre boxes taken by the Levantine, for she began to go out, since she had grown less torpid under the treatment of her masseur and was determined to amuse herself. The theatre pleased her, especially farces or melodramas. The apathy of her large body found a stimulus in the false glare of the footlights. But it was to Cardailhac’s theatre that she went for preference. There, the Nabob found himself in his own house. From the chief superintendent to the humblestouvreuse, the whole staff was under his control. He had a key which enabled him to pass from the corridors on to the stage; and the small drawing-room communicating with his box was decorated in Oriental manner, with a concave ceiling like a beehive, its couches covered in camel’s hair, the flame of the gas inclosed in a little Moorish lantern. Here one could enjoy a siesta during rather long intervals between the acts; a gallant attention on the part of the manager to the wife of his partner. Nor did that ape of a Cardailhac stop at this. Remarking the taste of the Demoiselle Afchin for the drama, he had ended by persuading her that she also possessed the intuition, the knowledge of it, and by begging her when she had nothing better to do to glance over and let him know what she thought of the pieces that were submitted to him. A good way of cementing the partnership more firmly.
Poor manuscripts in your blue or yellow covers, bound by hope with fragile ribbons, that set out full of ambition and dreams, who knows what hands may touch you, turn over your pages, what indiscreet fingers deflower your charm, the charm of the unknown, that glittering dust which lies on new ideas? Who may judge you and who condemn? Sometimes, before dining out, Jansoulet, mounting to his wife’s room, would find her on her lounge, smoking, her head thrown back, bundles of manuscripts by her side, and Cabassu, armed with a blue pencil, reading in his thick voice and with the Bourg-Saint-Andeol accent, some dramatic lucubration which he cut and scored without pity at the least criticism from the lady.
“Don’t disturb yourselves,” the good Nabob would signal with his hand, entering on tiptoe. He would listen, shake his head with an admiring air, as he watched his wife: “She is astonishing!” for he himself understood nothing about literature, and there, at least, he could discover once again the superiority of Mlle. Afchin.
“She had the instinct of the stage,” as Cardailhac used to say; but, on the other hand, the maternal instinct was wanting in her. Never did she take any interest in her children, abandoning them to the hands of strangers, and, when they were brought to her once a month, contenting herself with offering to them the flaccid and inanimate flesh of her cheeks between two puffs of cigarette-smoke, without making any inquiries into those details of their bringing up and of their health which perpetuate the physical bond of maternity and make the hearts of true mothers bleed at the least suffering of their children.
They were three big, dull and apathetic boys of eleven, nine, and seven years, having, with the sallow complexion and the precocious bloatedness of the Levantine, the kind, black, velvety eyes of their father. They were ignorant as young lords of the middle ages. At Tunis, M. Bompain had directed their studies; but at Paris, the Nabob, anxious to give them the benefit of a Parisian education, had sent them to that smartest and most expensive of boarding-schools, the College Bourdaloue, managed by good priests who sought less to instruct their pupils than to make of them good-mannered and right-thinking men of the world, and succeeded in turning them out affectedly grave and ridiculous little prigs, disdainful of games, absolutely ignorant, without anything spontaneous or boyish about them, and of a desperate precocity. The little Jansoulets were not very happy in this forcing-house, notwithstanding the immunities which they enjoyed by reason of their immense wealth; they were, indeed, utterly left to themselves. Even the creoles in the charge of the institution had some friend whom they visited and people who came to see them; but the Jansoulets were never summoned to the parlour, no one knew any of their relatives; from time to time they received basketfuls of sweetmeats, piles of confectionery, and that was all. The Nabob, doing some shopping in Paris, would strip for them the whole of a pastry-cook’s window and send the spoils to the college, with that generous impulse of the heart mingled with negro ostentation which characterized all his actions. It was the same in the matter of playthings. They were always too pretty, tricked out too finely, useless—those toys that are for show but which the Parisian does not buy. But that which above all attracted to the little Jansoulets the respect both of pupils and masters, were their purses heavy with gold, ever ready for school subscriptions, for the professors’ birthdays, and the charity visits, those famous visits organized by the College Bourdaloue, one of the tempting things in the prospectus, the marvel of sensitive souls.
Twice a month, turn and turn about, the pupils who were members of the miniature Society of St. Vincent de Paul founded in the college upon the model of the great one, went in little squads, alone, as though they had been grown-up, to bear succour and consolation into the deepest recesses of the more densely populated quarters of the town. This was designed to teach them a practical charity, the art of knowing the needs, the miseries of the lower classes, and to heal these heart-rending evils by a nostrum of kind words and ecclesiastical maxims. To console, to evangelize the masses by the help of childhood, to disarm religious incredulity by the youth andnaiveteof the apostles, such was the aim of this little society; an aim entirely missed, moreover. The children, healthy, well-dressed, well-fed, calling only at addresses previously selected, found poor persons of good appearance, sometimes rather unwell, but very clean, already on the parish register and in receipt of aid from the wealthy organization of the Church. Never did they chance to enter one of those nauseous dwellings wherein hunger, grief, humiliation, all physical and moral ills are written in leprous mould on the walls, in indelible lines on the brows. Their visits were prepared for, like that of the sovereign who enters a guard-room to taste the soldiers’ soup: the guard-room is warmed and the soup seasoned for the royal palate. Have you seen those pictures in pious books, where a little communicant, with candle in hand, and perfectly groomed, comes to minister to a poor old man lying sick on his straw pallet and turning the whites of his eyes to heaven? These visits of charity had the same conventionality of setting and of accent. To the measured gestures of the little preachers were corresponding words learned by heart and false enough to make one squint. To the comic encouragement, to the “consolations lavished” in prize-book phrases by the voices of young urchins with colds, were the affecting benedictions, the whining and piteous mummeries of a church-porch after vespers. And the moment the young visitors departed, what an explosion of laughter and shouting in the garret, what a dance in a circle round the present brought, what an upsetting of the arm-chair in which one had pretended to be lying ill, of the medicine spilt in the fire, a fire of cinders very artistically prepared!
When the little Jansoulets went out to visit their parents at home, they were intrusted to the care of the man with the red fez, the indispensable Bompain. It was Bompain who conducted them to the Champs-Elysees, clad in English jackets, bowler hats of the latest fashion—at seven years old!—and carrying little canes in their dog-skin-gloved hands. It was Bompain who stuffed the race-wagonette with provisions. Here he mounted with the children, who, with their entrance-cards stuck in their hats round which green veils were twisted, looked very like those personages in Liliputian pantomimes whose entire funniness lies in the enormous size of their heads compared with their small legs and dwarf-like gestures. They smoked and drank; it was a painful sight. Sometimes the man in the fez, hardly able to hold himself upright, would bring them home frightfully sick. And yet Jansoulet was fond of them, the youngest especially, who, with his long hair, his doll-like manner, recalled to him the little Afchin passing in her carriage. But they were still of the age when children belong to the mother, when neither the fashionable tailor, nor the most accomplished masters, nor the smart boarding-school, nor the ponies girthed specially for the little men in the stable, nor anything else can replace the attentive and caressing hand, the warmth and the gaiety of the home-nest. The father could not give them that; and then, too, he was so busy!
A thousand irons in the fire: the Territorial Bank, the installation of the picture gallery, drives to Tattersall’s with Bois l’Hery, somebibelotto inspect, here or there, at the houses of collectors indicated by Schwalbach, hours passed with trainers, jockeys, dealers in curiosities, the encumbered and multiple existence of abourgeois gentilhommein modern Paris. This rubbing of shoulders with all sorts and conditions of people brought him improvement, in that each day he was becoming a little more Parisianized; he was received at Monpavon’s club, in the green-room of the ballet, behind the scenes at the theatres, and presided regularly at his famous bachelor luncheons, the only receptions possible in his household. His existence was really a very busy one, and de Gery relieved him of the heaviest part of it, the complicated department of appeals and of charities.
The young man now became acquainted with all the audacious and burlesque inventions, all the serio-comic combinations of that mendicancy of great cities, organized like a department of state, innumerable as an army, which subscribes to the newspapers and knows itsBottinby heart. He received the blonde lady, bold, young, and already faded, who only asks for a hundred napoleons, with the threat that she will throw herself into the river when she leaves if they are not given to her, and the stout matron of prepossessing and unceremonious manner, who says, as she enters: “Sir, you do not know me. Neither have I the honour of knowing you. But we shall soon make each other’s acquaintance. Be kind enough to sit down and let us have a chat.” The merchant at bay, on the verge of bankruptcy—sometimes it is true—who comes to entreat you to save his honour, with a pistol ready to shoot himself, bulging out the pocket of his overcoat—sometimes it is only his pipe-case. And often genuine distresses, wearisome and prolix, of people who are unable even to tell how little competent they are to earn a livelihood. Side by side with this open begging, there was that which wears various kinds of disguise: charity, philanthropy, good works, the encouragement of projects of art, the house-to-house begging for infant asylums, parish churches, rescued women, charitable societies, local libraries. Finally, those who wear a society mask, with tickets for concerts, benefit performances, entrance-cards of all colours, “platform, front seats, reserved seats.” The Nabob insisted that no refusals should be given, and it was a concession that he no longer burdened his own shoulders with such matters. For quite a long time, in generous indifference, he had gone on covering with gold all that hypocritical exploitation, paying five hundred francs for a ticket for the concert of some Wurtemberg cithara-player or Languedocian flutist, which at the Tuileries or at the Duc de Mora’s might have fetched ten francs. There were days when the young de Gery issued from these audiences nauseated. All the honesty of his youth revolted; he approached the Nabob with schemes of reform. But the Nabob’s face, at the first word, would assume the bored expression of weak natures when they have to make a decision, or he would perhaps reply: “But that is Paris, my dear boy. Don’t get frightened or interfere with my plans. I know what I am doing and what I want.”
At that time he wanted two things: a deputyship and the cross of the Legion of Honour. These were for him the first two stages of the great ascent to which his ambition pushed him. Deputy he would certainly be through the influence of the Territorial Bank, at the head of which he stood. Paganetti of Porto-Vecchio was often saying it to him: “When the day arrives, the island will rise and vote for you as one man.”
It is not enough, however, to control electors; it is necessary also that there be a seat vacant in the Chamber, and the representation of Corsica was complete. One of its members, however, the old Popolusca, infirm and in no condition to do his work, might perhaps, upon certain conditions, be willing to resign his seat. It was a difficult matter to negotiate, but quite feasible, the old fellow having a numerous family, estates which produced little or nothing, a palace in ruins at Bastia, where his children lived onpolenta, and a furnished apartment at Paris in an eighteenth-rate lodging-house. If a hundred or two hundred thousand francs were not a consideration, one ought to be able to obtain a favourable decision from this honourable pauper who, sounded by Paganetti, would say neither yes nor no, tempted by the large sum of money, held back by the vainglory of his position. The matter had reached that point, it might be decided from one day to another.
As for the cross, things were going still better. The Bethlehem Society had assuredly made the devil of a noise at the Tuileries. They were now only waiting until after the visit of M. de la Perriere and his report, which could not be other than favorable, before inscribing on the list for the 16th March, on the date of an imperial anniversary, the glorious name of Jansoulet. The 16th March; that was to say, within a month. What would the fat Hemerlingue find to say of this signal favour, he who for so long had had to content himself with the Nisham? And the Bey, who had been misled into believing that Jansoulet was cut by Parisian society, and the old mother, down yonder at Saint-Romans, ever so happy in the successes of her son! Was that not worth a few millions cleverly squandered along the path of glory which the Nabob was treading like a child, all unconscious of the fate that lay waiting to devour him at its end? And in these external joys, these honours, this consideration so dearly bought, was there not a compensation for all the troubles of this Oriental won back to European life, who desired a home and possessed only a caravansary, looked for a wife and found only a Levantine?
BETHLEHEM! Why did it give one such a chill to see written in letters of gold over the iron gate that historic name, sweet and warm like the straw of the miraculous stable! Perhaps it was partly to be accounted for by the melancholy of the landscape, that immense gloomy plain which stretches from Nanterre to Saint Cloud, broken only by a few clumps of trees or the smoke of factory chimneys. Possibly also by the disproportion that existed between the humble little straggling village which you expected to find and the grandiose establishment, this country mansion in the style of Louis XIII, an agglomeration of mortar looking pink through the branches of its leafless park, ornamented with wide pieces of water thick with green weeds. What is certain is that as you passed this place your heart was conscious of an oppression. When you entered it was still worse. A heavy inexplicable silence weighed on the house, and the faces you might see at the windows had a mournful air behind the little, old-fashioned greenish panes. The goats scattered along the paths nibbled languidly at the new spring grass, with “baas” at the woman who was tending them, and looked bored, as she followed the visitors with a lack-lustre eye. A mournfulness was over the place, like the terror of a contagion. Yet it had been a cheerful house, and one where even recently there had been high junketings. Replanted with timber for the famous singer who had sold it to Jenkins, it revealed clearly the kind of imagination which is characteristic of the opera-house in a bridge flung over the miniature lake, with its broken punt half filled with mouldy leaves, and in its pavilion all of rockery-work, garlanded by ivy. It had witnessed gay scenes, this pavilion, in the singer’s time; now it looked on sad ones, for the infirmary was installed in it.
To tell the truth, the whole establishment was one vast infirmary. The children had hardly arrived when they fell ill, languished, and ended by dying, if their parents did not quickly take them away and put them again under the protection of home. The cure of Nanterre had to go so often to Bethlehem with his black vestments and his silver cross, the undertaker had so many orders from the house, that it became known in the district, and indignant mothers shook their fists at the model nurse; from a long way off, it is true, for they might chance to have in their arms pink-and-white babies to be preserved from all the contagions of the place. It was these things that gave to the poor place so heart-rending an aspect. A house in which children die cannot be gay; you cannot see trees break into flower there, birds building, streams flowing like rippling laughter.
The thing seemed altogether false. Excellent in itself, Jenkins’s scheme was difficult, almost impracticable in its application. Yet, God knows, the affair had been started and carried out with the greatest enthusiasm to the last details, with as much money and as large a staff as were requisite. At its head, one of the most skilful of practitioners, M. Pondevez, who had studied in the Paris hospitals; and by his side, to attend to the more intimate needs of the children, a trusty matron, Mme. Polge. Then there were nursemaids, seamstresses, infirmary-nurses. And how many the arrangements and how thorough was the maintenance of the establishment, from the water distributed by a regular system from fifty taps to the omnibus trotting off with jingling of its posting bells to meet every train of the day at Rueil station! Finally, magnificent goats, Thibetan goats, silky, swollen with milk. In regard to organization, everything was admirable; but there was a point where it all failed. This artificial feeding, so greatly extolled by the advertisements, did not agree with the children. It was a singular piece of obstinacy, a word which seemed to have been passed between them by a signal, poor little things! for they couldn’t yet speak, most of them indeed were never to speak at all: “Please, we will not suck the goats.” And they did not suck them, they preferred to die one after another rather than suck them. Was Jesus of Bethlehem in his stable suckled by a goat? On the contrary, did he not press a woman’s soft breast, on which he could go to sleep when he was satisfied? Who ever saw a goat between the ox and the ass of the story on that night when the beasts spoke to each other? Then why lie about it, why call the place Bethlehem?
The director had been moved at first by the spectacle of so many victims. This Pondevez, a waif of the life of the “Quarter,” mere student still after twenty years, and well known in all the resorts of the Boulevard St. Michel under the name of Pompon, was not an unkind man. When he perceived the small success of the artificial feeding, he simply brought in four or five vigorous nurses from the district around and the children’s appetites soon returned. This humane impulse went near costing him his place.
“Nurses at Bethlehem!” said Jenkins, furious, when he came to pay his weekly visit. “Are you out of your mind? Well! why then have we goats at all, and meadows to pasture them; what becomes of my idea, and the pamphlets upon my idea? What happens to all that? But you are going against my system. You are stealing the founder’s money.”
“All the same,mon cher maitre,” the student tried to reply, passing his hands through his long red beard, “all the same, they will not take this nourishment.”
“Well, then, let them go without, but let the principle of artificial lactation be respected. That is the whole point. I do not wish to have to repeat it to you again. Send off these wretched nurses. For the rearing of our children we have goats’ milk, cows’ milk in case of absolute necessity. I can make no further concession in the matter.”
He added, with an assumption of his apostle’s air: “We are here for the demonstration of a philanthropic idea. It must be made to triumph, even at the price of some sacrifices.”
Pondevez insisted no further. After all the place was a good one, near enough to Paris to allow of descents upon Nanterre of a Sunday from the Quarter, or to allow the director to pay a visit to his oldbrasseries. Mme. Polge, to whom Jenkins always referred as “our intelligent superintendent,” and whom he had placed there to superintend everything, and chiefly the director himself, was not so austere, as her prerogatives might have led one to suppose, and submitted willingly to a few liqueur-glasses of cognac or to a game of bezique. He dismissed the nurses, therefore, and endeavoured to harden himself in advance to everything that could happen. What did happen? A veritable Massacre of the Innocents. Consequently the few parents in fairly easy circumstances, workpeople or suburban tradesfolk, who, tempted by the advertisements, had severed themselves from their children, very soon took them home again, and there only remained in the establishment some little unfortunates picked up on doorsteps or in out-of-the-way places, sent from the foundling hospitals, doomed to all evil things from their birth. As the mortality continued to increase, even these came to be scarce, and the omnibus which had posted to the railway station would return bouncing and light as an empty hearse. How long would the thing last? How long would the twenty-five or thirty little ones who remained take to die? This was what Monsieur the Director, or rather, to give him the nickname which he had himself invented, Monsieur the Grantor-of-Certificates-of-death Pondevez, was asking himself one morning as he sat opposite Mme. Polge’s venerable ringlets, taking a hand in this lady’s favourite game.
“Yes, my good Mme. Polge, what is to become of us? Things cannot go on much longer as they are. Jenkins will not give way; the children are as obstinate as mules. There is no denying it, they will all slip through our fingers. There is the little Wallachian—I mark the king, Mme. Polge—who may die from one moment to another. Just think, the poor little chap for the last three days has had nothing in his stomach. It is useless for Jenkins to talk. You cannot improve children like snails by making them go hungry. It is disheartening all the same not to be able to save one of them. The infirmary is full. It is really a wretched outlook. Forty and bezique.”
A double ring at the entrance gate interrupted his monologue. The omnibus was returning from the railway station and its wheels were grinding on the sand in an unusual manner.
“What an astonishing thing,” remarked Pondevez, “the conveyance is not empty.”
Indeed it did draw up at the foot of the steps with a certain pride, and the man who got out of it sprang up the staircase at a bound. He was a courier from Jenkins bearing a great piece of news. The doctor would arrive in two hours to visit the Home, accompanied by the Nabob and a gentleman from the Tuileries. He urgently enjoined that everything should be ready for their reception. The thing had been decided at such short notice that he had not had the time to write; but he counted on M. Pondevez to do all that was necessary.
“That is good!—necessary!” murmured Pondevez in complete dismay. The situation was critical. This important visit was occurring at the worst possible moment, just as the system had utterly broken down. The poor Pompon, exceedingly perplexed, tugged at his beard, thoughtfully gnawing wisps of it.
“Come,” said he suddenly to Mme. Polge, whose long face had grown still longer between her ringlets, “we have only one course to take. We must remove the infirmary and carry all the sick into the dormitory. They will be neither better nor worse for passing another half-day there. As for those with the rash, we will put them out of the way in some corner. They are too ugly, they must not be seen. Come along, you up there! I want every one on the bridge.”
The dinner-bell being violently rung, immediately hurried steps are heard. Seamstresses, infirmary-nurses, servants, goatherds, issue from all directions, running, jostling each other across the court-yards. Others fly about, cries, calls; but that which dominates is the noise of a mighty cleansing, a streaming of water as though Bethlehem had been suddenly attacked by fire. And those groanings of sick children snatched from the warmth of their beds, all those little screaming bundles carried across the damp park, their coverings fluttering through the branches, powerfully complete the impression of a fire. At the end of two hours, thanks to a prodigious activity, the house is ready from top to bottom for the visit which it is about to receive, all the staff at their posts, the stove lighted, the goats picturesquely sprinkled over the park. Mme. Polge has donned her green silk dress, the director a costume somewhat lessnegligethan usual, but of which the simplicity excluded all idea of premeditation. The Departmental Secretary may come.
And here he is.
He alights with Jenkins and Jansoulet from a splendid coach with the red and gold livery of the Nabob. Feigning the deepest astonishment, Pondevez rushes forward to meet his visitors.
“Ah, M. Jenkins, what an honour! What a surprise!”
Greetings are exchanged on the flight of steps, bows, shakings of hands, introductions. Jenkins with his flowing overcoat wide open over his loyal breast, beams his best and most cordial smile; there is a significant wrinkle on his brow, however. He is uneasy about the surprises which may be held in store for them by the establishment, of the distressful condition of which he is better aware than any one. If only Pondevez had taken proper precautions. Things begin well, at any rate. The rather theatrical view from the entrance, of those white fleeces frisking about among the bushes, have enchanted M. de la Perriere, who himself, with his honest eyes, his little white beard, and the continual nodding of his head, resembles a goat escaped from its tether.
“In the first place, gentlemen, the apartment of principal importance in the house, the nursery,” said the director, opening a massive door at the end of the entrance-hall. His guests follow him, go down a few steps and find themselves in an immense, low room, with a tiled floor, formerly the kitchen of the mansion. The most striking object on entering is a lofty and vast fireplace built on the antique model, of red brick, with two stone benches opposite one another beneath the chimney, and the singer’s coat of arms—an enormous lyre barred with a roll of music—carved on the monumental pediment. The effect is startling; but a frightful draught comes from it, which joined to the coldness of the tile floor and the dull light admitted by the little windows on a level with the ground, may well terrify one for the health of the children. But what was do be done? The nursery had to be installed in this insalubrious spot on account of the sylvan and capricious nurses, accustomed to the unconstraint of the stable. You only need to notice the pools of milk, the great reddish puddles drying up on the tiles, to breathe in the strong odour that meets you as you enter, a mingling of whey, of wet hair, and of many other things besides, in order to be convinced of the absolute necessity of this arrangement.
The gloomy-walled apartment is so large that to the visitors at first the nursery seems to be deserted. However, at the farther end, a group of creatures, bleating, moaning, moving about, is soon distinguished. Two peasant women, hard and brutalized in appearance, with dirty faces, two “dry-nurses,” who well deserve the name, are seated on mats, each with an infant in her arms and a big nanny-goat in front of her, offering its udder with legs parted. The director seems pleasantly surprised.
“Truly, gentlemen, this is lucky. Two of our children are having their little luncheon. We shall see how well the nurses and infants understand each other.”
“What can he be doing? He is mad,” said Jenkins to himself in consternation.
But the director on the contrary knows very well what he is doing and has himself skilfully arranged the scene, selecting two patient and gentle beasts and two exceptional subjects, two little desperate mortals who want to live at any price and open their mouths to swallow, no matter what food, like young birds still in the nest.
“Come nearer, gentlemen, and observe.”
Yes, they are indeed sucking, these little cherubs! One of them, lying close to the ground, squeezed up under the belly of the goat, is going at it so heartily that you can hear the gurglings of the warm milk descending, it would seem, even into the little limbs that kick with satisfaction at the meal. The other, calmer, lying down indolently, requires some little encouragement from his Auvergnoise attendant.
“Suck, will you suck then, you little rogue!” And at length, as though he had suddenly come to a decision, he begins to drink with such avidity that the woman leans over to him, surprised by this extraordinary appetite, and exclaims laughing:
“Ah, the rascal, is he not cunning?—it is his thumb that he is sucking instead of the goat.”
The angel has hit on that expedient so that he may be left in peace. The incident does not create a bad impression. M. de la Perriere is much amused by this notion of the nurse that the child was trying to take them all in. He leaves the nursery, delighted. “Positively de-e-elighted,” he repeats, nodding his head as they ascend the great staircase with its echoing walls decorated with the horns of stags, leading to the dormitory.
Very bright, very airy, is this vast room, running the whole length of one side of the house, with numerous windows and cots, separated one from another by a little distance, hung with fleecy white curtains like clouds. Women go and come through the large arch in the centre, with piles of linen on their arms, or keys in their hands, nurses with the special duty of washing the babies.
Here too much has been attempted and the first impression of the visitors is a bad one. All this whiteness of muslin, this polished parquet, the brightness of the window-panes reflecting the sky sad at beholding these things, seem to throw into bold relief the thinness, the unhealthy pallor of these dying little ones, already the colour of their shrouds. Alas! the oldest are only aged some six months, the youngest barely a fortnight, and already there is in all these faces, these faces in embryo, a disappointed expression, a scowling, worn look, a suffering precocity visible in the numerous lines on those little bald foreheads, cramped by linen caps edged with poor, narrow hospital lace. What are they suffering? What diseases can they have? They have everything, everything that one can have: diseases of children and diseases of men. The fruit of vice and poverty, they bring into the world hideous phenomena of heredity at their very birth. This one has a perforated palate, and this great copper-coloured patches on the forehead, all of them rickety. Then they are dying of hunger. Notwithstanding the spoonfuls of milk, of sweetened water, which are forced down their throats, notwithstanding the feeding-bottle employed now and then, though against orders, they perish of inanition. These little creatures, worn out before birth, require the most tender and the most strengthening food; the goats might perhaps be able to give it, but apparently they have sworn not to suck the goats. And this is what makes the dormitory mournful and silent, not one of those little clinched-fisted tempers, one of those cries showing the pink and firm gums in which the child makes trial of his lungs and strength; only a plaintive moaning, as it were the disquiet of a soul that turns over and over in a little sick body, without being able to find a comfortable place to rest there.
Jenkins and the director, who have seen the bad impression produced on their guests by this inspection of the dormitory, try to put a little life into the situation, talk very loudly in a good-natured, complacent, satisfied way. Jenkins shakes hands warmly with the superintendent.
“Well, Mme. Polge, and how are our little nurslings getting on?”
“As you see, M. le Docteur,” she replies, pointing to the beds.
This tall Mme. Polge is funereal in her green dress, the ideal of dry-nurses. She completes the picture.
But where has Monsieur the Departmental Secretary gone? He has stopped before a cot which he examines sadly, as he stands nodding his head.
“Bigre de bigre!” says Pompon in a low voice to Mme. Polge. “It is the Wallachian.”
The little blue placard hung over the cot, as in the foundling hospitals, states the child’s nationality: “Moldo, Wallachian.” What a piece of ill-luck that Monsieur the Secretary’s attention should have been attracted to that particular child! Oh, that poor little head lying on the pillow, its linen cap askew, with pinched nostrils, and mouth half opened by a quick, panting respiration, the breathing of the newly born, of those also who are about to die.
“Is he ill?” asked Monsieur the Secretary softly of the director, who has come up to him.
“Not the least in the world,” the shameless Pompon replies, and, advancing to the side of the cot, he tries to make the little one laugh by tickling him with his finger, straightens the pillow, and says in a hearty voice, somewhat overcharged with tenderness: “Well, old fellow?” Shaken out of his torpor, escaping for a moment from the shades which already are closing on him, the child opens his eyes on those faces leaning over him, glances at them with a gloomy indifference, then, returning to his dream which he finds more interesting, clinches his little wrinkled hands and heaves an elusive sigh. Mystery! Who shall say for what end that baby had been born into life? To suffer for two months and to depart without having seen anything, understood anything, without any one even knowing the sound of his voice.
“How pale he is!” murmurs M. de la Perriere, very pale himself. The Nabob is livid also. A cold breath seems to have passed over the place. The director assumes an air of unconcern.
“It is the reflection. We are all of us green here.”
“Yes, yes, that is so,” remarks Jenkins, “it is the reflection of the lake. Come and look, Monsieur the Secretary.” And he draws him to the window to point out to him the large sheet of water with its dipping willows, while Mme. Polge makes haste to draw over the eternal dream of the little Wallachian the parted curtains of his cradle.
The inspection of the establishment must be continued very quickly in order to destroy this unfortunate impression.
To begin with, M. de la Perriere is shown a splendid laundry, with stoves, drying-rooms, thermometers, immense presses of polished walnut, full of babies’ caps and frocks, labelled and tied up in dozens. When the linen has been warmed, the linen-room maid passes it out through a little door in exchange for the number left by the nurse. A perfect order reigns, one can see, and everything, down to its healthy smell of soap-suds, gives to this apartment a wholesome and rural aspect. There is clothing here for five hundred children. That is the number which Bethlehem can accommodate, and everything has been arranged upon a corresponding scale; the vast pharmacy, glittering with bottles and Latin inscriptions, pestles and mortars of marble in every corner, the hydropathic installation, its large rooms built of stone, with gleaming baths possessing a huge apparatus including pipes of all dimensions for douches, upward and downward, spray, jet, or whip-lash, and the kitchens adorned with superb kettles of copper, and with economical coal and gas ovens. Jenkins wished to institute a model establishment; and he found the thing easy, for the work was done on a large scale, as it can be when funds are not lacking. You feel also over it all the experience and the iron hand of “our intelligent superintendent,” to whom the director cannot refrain from paying a public tribute. This is the signal for general congratulations. M. de la Perriere, delighted with the manner in which the establishment is equipped, congratulates Dr. Jenkins upon his fine creations, Jenkins compliments his friend Pondevez, who, in his turn, thanks the Departmental secretary for having consented to honour Bethlehem with a visit. The good Nabob makes his voice heard in this chorus of eulogy, finds a kind word for each one, but is a little surprised all the same that he has not been congratulated himself, since they were about it. It is true that the best of congratulations awaits him on the 16th March on the front page of theOfficial Journalin a decree which flames in advance before his eyes and makes him glance every now and then at his buttonhole.
These pleasant words are exchanged as the party passes along a big corridor in which the voices ring out in all their honest accents; but suddenly a frightful noise interrupts the conversation and the advance of the visitors. It seems to be made up of the mewing of cats in delirium, of bellowings, of the howlings of savages performing a war-dance, an appalling tempest of human cries, reverberated, swelled, and prolonged by the echoing vaults. It rises and falls, ceases suddenly, then goes on again with an extraordinary effect of unanimity.
Monsieur the Director begins to be uneasy, makes an inquiry. Jenkins rolls furious eyes.
“Let us go on,” says the director, rather anxious this time. “I know what it is.”
He knows what it is; but M. de la Perriere wishes to know also what it is, and, before Pondevez has had the time to unfasten it, he pushes open the massive door whence this horrible concert proceeds.
In a sordid kennel which the great cleansing has passed over, for, in fact, it was not intended to be exhibited, on mattresses ranged on the floor, a dozen little wretches are laid, watched over by an empty chair on which the beginning of a knitted vest lies with an air of dignity, and by a little broken saucepan, full of hot wine, boiling on a smoky wood fire. These are the children with ringworm, with rashes, the disfavoured of Bethlehem, who had been hidden in this retired corner with recommendation to their dry-nurse to rock them, to soothe them, to sit on them, if need were, in order to keep them from crying; but whom this country-woman, stupid and inquisitive, had left alone there in order to see the fine carriage standing in the court-yard. Her back turned, the infants had very quickly grown weary of their horizontal position; and then all these little scrofulous patients raised their lusty concert, for they, by a miracle, are strong, their malady saves and nourishes them. Bewildered and kicking like beetles when they are turned on their backs, helping themselves with their hips and their elbows, some fallen on one side and unable to regain their balance, others raising in the air their little benumbed, swaddled legs, spontaneously they cease their gesticulations and cries as they see the door open; but M. de la Perrier’s nodding goatee beard reassures them, encourages them anew, and in the renewed tumult the explanation given by the director is only heard with difficulty: “Children kept separate—Contagion—Skin-diseases.” This is quite enough for Monsieur the Departmental Secretary; less heroic than Bonaparte on his visit to the plague-stricken of Jaffa, he hastens towards the door, and in his timid anxiety, wishing to say something and yet not finding words, murmurs with an ineffable smile: “They are char-ar-ming.”
Next, the inspection at an end, see them all gathered in the salon on the ground floor, where Mme. Polge has prepared a little luncheon. The cellar of Bethlehem is well stocked. The keen air of the table-land, these climbs up and downstairs have given the old gentleman from the Tuileries an appetite such as he has not known for a long time, so that he chats and laughs as if he were at a picnic, and at the moment of departure, as they are all standing, raises his glass, nodding his head, to drink, “To Be-Be-Bethlehem!” Those present are moved, glasses are touched, then, at a quick trot, the carriage bears the party away down the long avenue of limes, over which a red and cold sun is just setting. Behind them the park resumes its dismal silence. Great dark masses gather in the depths of the copses, surround the house, gain little by little the paths and open spaces. Soon all is lost in gloom save the ironical letters embossed above the entrance-gate, and, away over yonder, at a first-floor window, one red and wavering spot, the light of a candle burning by the pillow of the dead child.