Some letters, tied together with a ribbon, attracted Mercy’s attention first. The ink in which the addresses were written had faded with age. The letters, directed alternately to Colonel Roseberry and to the Honorable Mrs. Roseberry, contained a correspondence between the husband and wife at a time when the Colonel’s military duties had obliged him to be absent from home. Mercy tied the letters up again, and passed on to the papers that lay next in order under her hand.
These consisted of a few leaves pinned together, and headed (in a woman’s handwriting) “My Journal at Rome.” A brief examination showed that the journal had been written by Miss Roseberry, and that it was mainly devoted to a record of the last days of her father’s life.
After replacing the journal and the correspondence in the case, the one paper left on the table was a letter. The envelope, which was unclosed, bore this address: “Lady Janet Roy, Mablethorpe House, Kensington, London.” Mercy took the inclosure from the open envelope. The first lines she read informed her that she had found the Colonel’s letter of introduction, presenting his daughter to her protectress on her arrival in England.
Mercy read the letter through. It was described by the writer as the last efforts of a dying man. Colonel Roseberry wrote affectionately of his daughter’s merits, and regretfully of her neglected education—ascribing the latter to the pecuniary losses which had forced him to emigrate to Canada in the character of a poor man. Fervent expressions of gratitude followed, addressed to Lady Janet. “I owe it to you,” the letter concluded, “that I am dying with my mind at ease about the future of my darling girl. To your generous protection I commit the one treasure I have left to me on earth. Through your long lifetime you have nobly used your high rank and your great fortune as a means of doing good. I believe it will not be counted among the least of your virtues hereafter that you comforted the last hours of an old soldier by opening your heart and your home to his friendless child.”
So the letter ended. Mercy laid it down with a heavy heart. What a chance the poor girl had lost! A woman of rank and fortune waiting to receive her—a woman so merciful and so generous that the father’s mind had been easy about the daughter on his deathbed—and there the daughter lay, beyond the reach of Lady Janet’s kindness, beyond the need of Lady Janet’s help!
The French captain’s writing-materials were left on the table. Mercy turned the letter over so that she might write the news of Miss Roseberry’s death on the blank page at the end. She was still considering what expressions she should use, when the sound of complaining voices from the next room caught her ear. The wounded men left behind were moaning for help—the deserted soldiers were losing their fortitude at last.
She entered the kitchen. A cry of delight welcomed her appearance—the mere sight of her composed the men. From one straw bed to another she passed with comforting words that gave them hope, with skilled and tender hands that soothed their pain. They kissed the hem of her black dress, they called her their guardian angel, as the beautiful creature moved among them, and bent over their hard pillows her gentle, compassionate face. “I will be with you when the Germans come,” she said, as she left them to return to her unwritten letter. “Courage, my poor fellows! you are not deserted by your nurse.”
“Courage, madam!” the men replied; “and God bless you!”
If the firing had been resumed at that moment—if a shell had struck her dead in the act of succoring the afflicted, what Christian judgment would have hesitated to declare that there was a place for this woman in heaven? But if the war ended and left her still living, where was the place for her on earth? Where were her prospects? Where was her home?
She returned to the letter. Instead, however, of seating herself to write, she stood by the table, absently looking down at the morsel of paper.
A strange fancy had sprung to life in her mind on re-entering the room; she herself smiled faintly at the extravagance of it. What if she were to ask Lady Janet Roy to let her supply Miss Roseberry’s place? She had met with Miss Roseberry under critical circumstances, and she had done for her all that one woman could do to help another. There was in this circumstance some little claim to notice, perhaps, if Lady Janet had no other companion and reader in view. Suppose she ventured to plead her own cause—what would the noble and merciful lady do? She would write back, and say, “Send me references to your character, and I will see what can be done.” Her character! Her references! Mercy laughed bitterly, and sat down to write in the fewest words all that was needed from her—a plain statement of the facts.
No! Not a line could she put on the paper. That fancy of hers was not to be dismissed at will. Her mind was perversely busy now with an imaginative picture of the beauty of Mablethorpe House and the comfort and elegance of the life that was led there. Once more she thought of the chance which Miss Roseberry had lost. Unhappy creature! what a home would have been open to her if the shell had only fallen on the side of the window, instead of on the side of the yard!
Mercy pushed the letter away from her, and walked impatiently to and fro in the room.
The perversity in her thoughts was not to be mastered in that way. Her mind only abandoned one useless train of reflection to occupy itself with another. She was now looking by anticipation at her own future. What were her prospects (if she lived through it) when the war was over? The experience of the past delineated with pitiless fidelity the dreary scene. Go where she might, do what she might, it would always end in the same way. Curiosity and admiration excited by her beauty; inquiries made about her; the story of the past discovered; Society charitably sorry for her; Society generously subscribing for her; and still, through all the years of her life, the same result in the end—the shadow of the old disgrace surrounding her as with a pestilence, isolating her among other women, branding her, even when she had earned her pardon in the sight of God, with the mark of an indelible disgrace in the sight of man: there was the prospect! And she was only five-and-twenty last birthday; she was in the prime of her health and her strength; she might live, in the course of nature, fifty years more!
She stopped again at the bedside; she looked again at the face of the corpse.
To what end had the shell struck the woman who had some hope in her life, and spared the woman who had none? The words she had herself spoken to Grace Roseberry came back to her as she thought of it. “If I only had your chance! If I only had your reputation and your prospects!” And there was the chance wasted! there were the enviable prospects thrown away! It was almost maddening to contemplate that result, feeling her own position as she felt it. In the bitter mockery of despair she bent over the lifeless figure, and spoke to it as if it had ears to hear her. “Oh!” she said, longingly, “if you could be Mercy Merrick, and if I could be Grace Roseberry,now!”
The instant the words passed her lips she started into an erect position. She stood by the bed with her eyes staring wildly into empty space; with her brain in a flame; with her heart beating as if it would stifle her. “If you could be Mercy Merrick, and if I could be Grace Roseberry, now!” In one breathless moment the thought assumed a new development in her mind. In one breathless moment the conviction struck her like an electric shock.She might be Grace Roseberry if she dared!There was absolutely nothing to stop her from presenting herself to Lady Janet Roy under Grace’s name and in Grace’s place!
What were the risks? Where was the weak point in the scheme?
Grace had said it herself in so many words—she and Lady Janet had never seen each other. Her friends were in Canada; her relations in England were dead. Mercy knew the place in which she had lived—the place called Port Logan—as well as she had known it herself. Mercy had only to read the manuscript journal to be able to answer any questions relating to the visit to Rome and to Colonel Roseberry’s death. She had no accomplished lady to personate: Grace had spoken herself—her father’s letter spoke also in the plainest terms—of her neglected education. Everything, literally everything, was in the lost woman’s favor. The people with whom she had been connected in the ambulance had gone, to return no more. Her own clothes were on Miss Roseberry at that moment—marked with her own name. Miss Roseberry’s clothes, marked withhername, were drying, at Mercy’s disposal, in the next room. The way of escape from the unendurable humiliation of her present life lay open before her at last. What a prospect it was! A new identity, which she might own anywhere! a new name, which was beyond reproach! a new past life, into which all the world might search, and be welcome! Her color rose, her eyes sparkled; she had never been so irresistibly beautiful as she looked at the moment when the new future disclosed itself, radiant with new hope.
She waited a minute, until she could look at her own daring project from another point of view. Where was the harm of it? what did her conscience say?
As to Grace, in the first place. What injury was she doing to a woman who was dead? The question answered itself. No injury to the woman. No injury to her relations. Her relations were dead also.
As to Lady Janet, in the second place. If she served her new mistress faithfully, if she filled her new sphere honorably, if she was diligent under instruction and grateful for kindness—if, in one word, she was all that she might be and would be in the heavenly peace and security of that new life—what injury was she doing to Lady Janet? Once more the question answered itself. She might, and would, give Lady Janet cause to bless the day when she first entered the house.
She snatched up Colonel Roseberry’s letter, and put it into the case with the other papers. The opportunity was before her; the chances were all in her favor; her conscience said nothing against trying the daring scheme. She decided then and there—“I’ll do it!”
Something jarred on her finer sense, something offended her better nature, as she put the case into the pocket of her dress. She had decided, and yet she was not at ease; she was not quite sure of having fairly questioned her conscience yet. What if she laid the letter-case on the table again, and waited until her excitement had all cooled down, and then put the contemplated project soberly on its trial before her own sense of right and wrong?
She thought once—and hesitated. Before she could think twice, the distant tramp of marching footsteps and the distant clatter of horses’ hoofs were wafted to her on the night air. The Germans were entering the village! In a few minutes more they would appear in the cottage; they would summon her to give an account of herself. There was no time for waiting until she was composed again. Which should it be—the new life, as Grace Roseberry? or the old life, as Mercy Merrick?
She looked for the last time at the bed. Grace’s course was run; Grace’s future was at her disposal. Her resolute nature, forced to a choice on the instant, held by the daring alternative. She persisted in the determination to take Grace’s place.
The tramping footsteps of the Germans came nearer and nearer. The voices of the officers were audible, giving the words of command.
She seated herself at the table, waiting steadily for what was to come.
The ineradicable instinct of the sex directed her eyes to her dress, before the Germans appeared. Looking it over to see that it was in perfect order, her eyes fell upon the red cross on her left shoulder. In a moment it struck her that her nurse’s costume might involve her in a needless risk. It associated her with a public position; it might lead to inquiries at a later time, and those inquiries might betray her.
She looked round. The gray cloak which she had lent to Grace attracted her attention. She took it up, and covered herself with it from head to foot.
The cloak was just arranged round her when she heard the outer door thrust open, and voices speaking in a strange tongue, and arms grounded in the room behind her. Should she wait to be discovered? or should she show herself of her own accord? It was less trying to such a nature as hers to show herself than to wait. She advanced to enter the kitchen. The canvas curtain, as she stretched out her hand to it, was suddenly drawn back from the other side, and three men confronted her in the open doorway.
THE youngest of the three strangers—judging by features, complexion, and manner—was apparently an Englishman. He wore a military cap and military boots, but was otherwise dressed as a civilian. Next to him stood an officer in Prussian uniform, and next to the officer was the third and the oldest of the party. He also was dressed in uniform, but his appearance was far from being suggestive of the appearance of a military man. He halted on one foot, he stooped at the shoulders, and instead of a sword at his side he carried a stick in his hand. After looking sharply through a large pair of tortoise-shell spectacles, first at Mercy, then at the bed, then all round the room, he turned with a cynical composure of manner to the Prussian officer, and broke the silence in these words:
“A woman ill on the bed; another woman in attendance on her, and no one else in the room. Any necessity, major, for setting a guard here?”
“No necessity,” answered the major. He wheeled round on his heel and returned to the kitchen. The German surgeon advanced a little, led by his professional instinct, in the direction of the bedside. The young Englishman, whose eyes had remained riveted in admiration on Mercy, drew the canvas screen over the doorway and respectfully addressed her in the French language.
“May I ask if I am speaking to a French lady?” he said.
“I am an Englishwoman,” Mercy replied.
The surgeon heard the answer. Stopping short on his way to the bed, he pointed to the recumbent figure on it, and said to Mercy, in good English, spoken with a strong German accent.
“Can I be of any use there?”
His manner was ironically courteous, his harsh voice was pitched in one sardonic monotony of tone. Mercy took an instantaneous dislike to this hobbling, ugly old man, staring at her rudely through his great tortoiseshell spectacles.
“You can be of no use, sir,” she said, shortly. “The lady was killed when your troops shelled this cottage.”
The Englishman started, and looked compassionately toward the bed. The German refreshed himself with a pinch of snuff, and put another question.
“Has the body been examined by a medical man?” he asked.
Mercy ungraciously limited her reply to the one necessary word “Yes.”
The present surgeon was not a man to be daunted by a lady’s disapproval of him. He went on with his questions.
“Who has examined the body?” he inquired next.
Mercy answered, “The doctor attached to the French ambulance.”
The German grunted in contemptuous disapproval of all Frenchmen, and all French institutions. The Englishman seized his first opportunity of addressing himself to Mercy once more.
“Is the lady a countrywoman of ours?” he asked, gently.
Mercy considered before she answered him. With the object she had in view, there might be serious reasons for speaking with extreme caution when she spoke of Grace.
“I believe so,” she said. “We met here by accident. I know nothing of her.”
“Not even her name?” inquired the German surgeon.
Mercy’s resolution was hardly equal yet to giving her own name openly as the name of Grace. She took refuge in flat denial.
“Not even her name,” she repeated obstinately.
The old man stared at her more rudely than ever, considered with himself, and took the candle from the table. He hobbled back to the bed and examined the figure laid on it in silence. The Englishman continued the conversation, no longer concealing the interest that he felt in the beautiful woman who stood before him.
“Pardon me,” he said, “you are very young to be alone in war-time in such a place as this.”
The sudden outbreak of a disturbance in the kitchen relieved Mercy from any immediate necessity for answering him. She heard the voices of the wounded men raised in feeble remonstrance, and the harsh command of the foreign officers bidding them be silent. The generous instincts of the woman instantly prevailed over every personal consideration imposed on her by the position which she had assumed. Reckless whether she betrayed herself or not as nurse in the French ambulance, she instantly drew aside the canvas to enter the kitchen. A German sentinel barred the way to her, and announced, in his own language, that no strangers were admitted. The Englishman politely interposing, asked if she had any special object in wishing to enter the room.
“The poor Frenchmen!” she said, earnestly, her heart upbraiding her for having forgotten them. “The poor wounded Frenchmen!”
The German surgeon advanced from the bedside, and took the matter up before the Englishman could say a word more.
“You have nothing to do with the wounded Frenchmen,” he croaked, in the harshest notes of his voice. “The wounded Frenchmen are my business, and not yours. They areourprisoners, and they are being moved toourambulance. I am Ingatius Wetzel, chief of the medical staff—and I tell you this. Hold your tongue.” He turned to the sentinel and added in German, “Draw the curtain again; and if the woman persists, put her back into this room with your own hand.”
Mercy attempted to remonstrate. The Englishman respectfully took her arm, and drew her out of the sentinel’s reach.
“It is useless to resist,” he said. “The German discipline never gives way. There is not the least need to be uneasy about the Frenchmen. The ambulance under Surgeon Wetzel is admirably administered. I answer for it, the men will be well treated.” He saw the tears in her eyes as he spoke; his admiration for her rose higher and higher. “Kind as well as beautiful,” he thought. “What a charming creature!”
“Well!” said Ignatius Wetzel, eying Mercy sternly through his spectacles. “Are you satisfied? And will you hold your tongue?”
She yielded: it was plainly useless to resist. But for the surgeon’s resistance, her devotion to the wounded men might have stopped her on the downward way that she was going. If she could only have been absorbed again, mind and body, in her good work as a nurse, the temptation might even yet have found her strong enough to resist it. The fatal severity of the German discipline had snapped asunder the last tie that bound her to her better self. Her face hardened as she walked away proudly from Surgeon Wetzel, and took a chair.
The Englishman followed her, and reverted to the question of her present situation in the cottage.
“Don’t suppose that I want to alarm you,” he said. “There is, I repeat, no need to be anxious about the Frenchmen, but there is serious reason for anxiety on your own account. The action will be renewed round this village by daylight; you ought really to be in a place of safety. I am an officer in the English army—my name is Horace Holmcroft. I shall be delighted to be of use to you, and Icanbe of use, if you will let me. May I ask if you are traveling?”
Mercy gathered the cloak which concealed her nurse’s dress more closely round her, and committed herself silently to her first overt act of deception. She bowed her head in the affirmative.
“Are you on your way to England?”
“Yes.”
“In that case I can pass you through the German lines, and forward you at once on your journey.”
Mercy looked at him in unconcealed surprise. His strongly-felt interest in her was restrained within the strictest limits of good-breeding: he was unmistakably a gentleman. Did he really mean what he had just said?
“You can pass me through the German lines?” she repeated. “You must possess extraordinary influence, sir, to be able to do that.”
Mr. Horace Holmcroft smiled.
“I possess the influence that no one can resist,” he answered—“the influence of the Press. I am serving here as war correspondent of one of our great English newspapers. If I ask him, the commanding officer will grant you a pass. He is close to this cottage. What do you say?”
She summoned her resolution—not without difficulty, even now—and took him at his word.
“I gratefully accept your offer, sir.”
He advanced a step toward the kitchen, and stopped.
“It may be well to make the application as privately as possible,” he said. “I shall be questioned if I pass through that room. Is there no other way out of the cottage?”
Mercy showed him the door leading into the yard. He bowed—and left her.
She looked furtively toward the German surgeon. Ignatius Wetzel was still at the bed, bending over the body, and apparently absorbed in examining the wound which had been inflicted by the shell. Mercy’s instinctive aversion to the old man increased tenfold, now that she was left alone with him. She withdrew uneasily to the window, and looked out at the moonlight.
Had she committed herself to the fraud? Hardly, yet. She had committed herself to returning to England—nothing more. There was no necessity, thus far, which forced her to present herself at Mablethorpe House, in Grace’s place. There was still time to reconsider her resolution—still time to write the account of the accident, as she had proposed, and to send it with the letter-case to Lady Janet Roy. Suppose she finally decided on taking this course, what was to become of her when she found herself in England again? There was no alternative open but to apply once more to her friend the matron. There was nothing for her to do but to return to the Refuge!
The Refuge! The matron! What past association with these two was now presenting itself uninvited, and taking the foremost place in her mind? Of whom was she now thinking, in that strange place, and at that crisis in her life? Of the man whose words had found their way to her heart, whose influence had strengthened and comforted her, in the chapel of the Refuge. One of the finest passages in his sermon had been especially devoted by Julian Gray to warning the congregation whom he addressed against the degrading influences of falsehood and deceit. The terms in which he had appealed to the miserable women round him—terms of sympathy and encouragement never addressed to them before—came back to Mercy Merrick as if she had heard them an hour since. She turned deadly pale as they now pleaded with her once more. “Oh!” she whispered to herself, as she thought of what she had proposed and planned, “what have I done? what have I done?”
She turned from the window with some vague idea in her mind of following Mr. Holmcroft and calling him back. As she faced the bed again she also confronted Ignatius Wetzel. He was just stepping forward to speak to her, with a white handkerchief—the handkerchief which she had lent to Grace—held up in his hand.
“I have found this in her pocket,” he said. “Here is her name written on it. She must be a countrywoman of yours.” He read the letters marked on the handkerchief with some difficulty. “Her name is—Mercy Merrick.”
Hislips had said it—not hers!Hehad given her the name.
“‘Mercy Merrick’ is an English name?” pursued Ignatius Wetzel, with his eyes steadily fixed on her. “Is it not so?”
The hold on her mind of the past association with Julian Gray began to relax. One present and pressing question now possessed itself of the foremost place in her thoughts. Should she correct the error into which the German had fallen? The time had come—to speak, and assert her own identity; or to be silent, and commit herself to the fraud.
Horace Holmcroft entered the room again at the moment when Surgeon Wetzel’s staring eyes were still fastened on her, waiting for her reply.
“I have not overrated my interest,” he said, pointing to a little slip of paper in his hand. “Here is the pass. Have you got pen and ink? I must fill up the form.”
Mercy pointed to the writing materials on the table. Horace seated himself, and dipped the pen in the ink.
“Pray don’t think that I wish to intrude myself into your affairs,” he said. “I am obliged to ask you one or two plain questions. What is your name?”
A sudden trembling seized her. She supported herself against the foot of the bed. Her whole future existence depended on her answer. She was incapable of uttering a word.
Ignatius Wetzel stood her friend for once. His croaking voice filled the empty gap of silence exactly at the right time. He doggedly held the handkerchief under her eyes. He obstinately repeated: “Mercy Merrick is an English name. Is it not so?”
Horace Holmcroft looked up from the table. “Mercy Merrick?” he said. “Who is Mercy Merrick?”
Surgeon Wetzel pointed to the corpse on the bed.
“I have found the name on the handkerchief,” he said. “This lady, it seems, had not curiosity enough to look for the name of her own countrywoman.” He made that mocking allusion to Mercy with a tone which was almost a tone of suspicion, and a look which was almost a look of contempt. Her quick temper instantly resented the discourtesy of which she had been made the object. The irritation of the moment—so often do the most trifling motives determine the most serious human actions—decided her on the course that she should pursue. She turned her back scornfully on the rude old man, and left him in the delusion that he had discovered the dead woman’s name.
Horace returned to the business of filling up the form. “Pardon me for pressing the question,” he said. “You know what German discipline is by this time. What is your name?”
She answered him recklessly, defiantly, without fairly realizing what she was doing until it was done.
“Grace Roseberry,” she said.
The words were hardly out of her mouth before she would have given everything she possessed in the world to recall them.
“Miss?” asked Horace, smiling.
She could only answer him by bowing her head.
He wrote: “Miss Grace Roseberry”—reflected for a moment—and then added, interrogatively, “Returning to her friends in England?” Her friends in England? Mercy’s heart swelled: she silently replied by another sign. He wrote the words after the name, and shook the sandbox over the wet ink. “That will be enough,” he said, rising and presenting the pass to Mercy; “I will see you through the lines myself, and arrange for your being sent on by the railway. Where is your luggage?”
Mercy pointed toward the front door of the building. “In a shed outside the cottage,” she answered. “It is not much; I can do everything for myself if the sentinel will let me pass through the kitchen.”
Horace pointed to the paper in her hand. “You can go where you like now,” he said. “Shall I wait for you here or outside?”
Mercy glanced distrustfully at Ignatius Wetzel. He was again absorbed in his endless examination of the body on the bed. If she left him alone with Mr. Holmcroft, there was no knowing what the hateful old man might not say of her. She answered:
“Wait for me outside, if you please.”
The sentinel drew back with a military salute at the sight of the pass. All the French prisoners had been removed; there were not more than half-a-dozen Germans in the kitchen, and the greater part of them were asleep. Mercy took Grace Roseberry’s clothes from the corner in which they had been left to dry, and made for the shed—a rough structure of wood, built out from the cottage wall. At the front door she encountered a second sentinel, and showed her pass for the second time. She spoke to this man, asking him if he understood French. He answered that he understood a little. Mercy gave him a piece of money, and said: “I am going to pack up my luggage in the shed. Be kind enough to see that nobody disturbs me.” The sentinel saluted, in token that he understood. Mercy disappeared in the dark interior of the shed.
Left alone with Surgeon Wetzel, Horace noticed the strange old man still bending intently over the English lady who had been killed by the shell.
“Anything remarkable,” he asked, “in the manner of that poor creature’s death?”
“Nothing to put in a newspaper,” retorted the cynic, pursuing his investigations as attentively as ever.
“Interesting to a doctor—eh?” said Horace.
“Yes. Interesting to a doctor,” was the gruff reply.
Horace good-humoredly accepted the hint implied in those words. He quitted the room by the door leading into the yard, and waited for the charming Englishwoman, as he had been instructed, outside the cottage.
Left by himself, Ignatius Wetzel, after a first cautious look all round him, opened the upper part of Grace’s dress, and laid his left hand on her heart. Taking a little steel instrument from his waistcoat pocket with the other hand, he applied it carefully to the wound, raised a morsel of the broken and depressed bone of the skull, and waited for the result. “Aha!” he cried, addressing with a terrible gayety the senseless creature under his hands. “The Frenchman says you are dead, my dear—does he? The Frenchman is a Quack! The Frenchman is an Ass!” He lifted his head, and called into the kitchen. “Max!” A sleepy young German, covered with a dresser’s apron from his chin to his feet, drew the curtain, and waited for his instructions. “Bring me my black bag,” said Ignatius Wetzel. Having given that order, he rubbed his hands cheerfully, and shook himself like a dog. “Now I am quite happy,” croaked the terrible old man, with his fierce eyes leering sidelong at the bed. “My dear, dead Englishwoman, I would not have missed this meeting with you for all the money I have in the world. Ha! you infernal French Quack, you call it death, do you? I call it suspended animation from pressure on the brain!”
Max appeared with the black bag.
Ignatius Wetzel selected two fearful instruments, bright and new, and hugged them to his bosom. “My little boys,” he said, tenderly, as if they were his children; “my blessed little boys, come to work!” He turned to the assistant. “Do you remember the battle of Solferino, Max—and the Austrian soldier I operated on for a wound on the head?”
The assistant’s sleepy eyes opened wide; he was evidently interested. “I remember,” he said. “I held the candle.”
The master led the way to the bed.
“I am not satisfied with the result of that operation at Solferino,” he said; “I have wanted to try again ever since. It’s true that I saved the man’s life, but I failed to give him back his reason along with it. It might have been something wrong in the operation, or it might have been something wrong in the man. Whichever it was, he will live and die mad. Now look here, my little Max, at this dear young lady on the bed. She gives me just what I wanted; here is the case at Solferino once more. You shall hold the candle again, my good boy; stand there, and look with all your eyes. I am going to try if I can save the life and the reason too this time.”
He tucked up the cuffs of his coat and began the operation. As his fearful instruments touched Grace’s head, the voice of the sentinel at the nearest outpost was heard, giving the word in German which permitted Mercy to take the first step on her journey to England:
“Pass the English lady!”
The operation proceeded. The voice of the sentinel at the next post was heard more faintly, in its turn: “Pass the English lady!”
The operation ended. Ignatius Wetzel held up his hand for silence and put his ear close to the patient’s mouth.
The first trembling breath of returning life fluttered over Grace Roseberry’s lips and touched the old man’s wrinkled cheek. “Aha!” he cried. “Good girl! you breathe—you live!” As he spoke, the voice of the sentinel at the final limit of the German lines (barely audible in the distance) gave the word for the last time:
“Pass the English lady!”
THE place is England.
The time is winter, in the year eighteen hundred and seventy.
The persons are, Julian Gray, Horace Holmcroft, Lady Janet Roy, Grace Roseberry, and Mercy Merrick.
IT is a glorious winter’s day. The sky is clear, the frost is hard, the ice bears for skating.
The dining-room of the ancient mansion called Mablethorpe House, situated in the London suburb of Kensington, is famous among artists and other persons of taste for the carved wood-work, of Italian origin, which covers the walls on three sides. On the fourth side the march of modern improvement has broken in, and has va ried and brightened the scene by means of a conservatory, forming an entrance to the room through a winter-garden of rare plants and flowers. On your right hand, as you stand fronting the conservatory, the monotony of the paneled wall is relieved by a quaintly patterned door of old inlaid wood, leading into the library, and thence, across the great hall, to the other reception-rooms of the house. A corresponding door on the left hand gives access to the billiard-room, to the smoking-room next to it, and to a smaller hall commanding one of the secondary entrances to the building. On the left side also is the ample fireplace, surmounted by its marble mantelpiece, carved in the profusely and confusedly ornate style of eighty years since. To the educated eye the dining-room, with its modern furniture and conservatory, its ancient walls and doors, and its lofty mantelpiece (neither very old nor very new), presents a startling, almost a revolutionary, mixture of the decorative workmanship of widely differing schools. To the ignorant eye the one result produced is an impression of perfect luxury and comfort, united in the friendliest combination, and developed on the largest scale.
The clock has just struck two. The table is spread for luncheon.
The persons seated at the table are three in number. First, Lady Janet Roy. Second, a young lady who is her reader and companion. Third, a guest staying in the house, who has already appeared in these pages under the name of Horace Holmcroft—attached to the German army as war correspondent of an English newspaper.
Lady Janet Roy needs but little introduction. Everybody with the slightest pretension to experience in London society knows Lady Janet Roy.
Who has not heard of her old lace and her priceless rubies? Who has not admired her commanding figure, her beautifully dressed white hair, her wonderful black eyes, which still preserve their youthful brightness, after first opening on the world seventy years since? Who has not felt the charm of her frank, easily flowing talk, her inexhaustible spirits, her good-humored, gracious sociability of manner? Where is the modern hermit who is not familiarly acquainted, by hearsay at least, with the fantastic novelty and humor of her opinions; with her generous encouragement of rising merit of any sort, in all ranks, high or low; with her charities, which know no distinction between abroad and at home; with her large indulgence, which no ingratitude can discourage, and no servility pervert? Everybody has heard of the popular old lady—the childless widow of a long-forgotten lord. Everybody knows Lady Janet Roy.
But who knows the handsome young woman sitting on her right hand, playing with her luncheon instead of eating it? Nobody really knows her.
She is prettily dressed in gray poplin, trimmed with gray velvet, and set off by a ribbon of deep red tied in a bow at the throat. She is nearly as tall as Lady Janet herself, and possesses a grace and beauty of figure not always seen in women who rise above the medium height. Judging by a certain innate grandeur in the carriage of her head and in the expression of her large melancholy gray eyes, believers in blood and breeding will be apt to guess that this is another noble lady. Alas! she is nothing but Lady Janet’s companion and reader. Her head, crowned with its lovely light brown hair, bends with a gentle respect when Lady Janet speaks. Her fine firm hand is easily and incessantly watchful to supply Lady Janet’s slightest wants. The old lady—affectionately familiar with her—speaks to her as she might speak to an adopted child. But the gratitude of the beautiful companion has always the same restraint in its acknowledgment of kindness; the smile of the beautiful companion has always the same underlying sadness when it responds to Lady Janet’s hearty laugh. Is there something wrong here, under the surface? Is she suffering in mind, or suffering in body? What is the matter with her?
The matter with her is secret remorse. This delicate and beautiful creature pines under the slow torment of constant self-reproach.
To the mistress of the house, and to all who inhabit it or enter it, she is known as Grace Roseberry, the orphan relative by marriage of Lady Janet Roy. To herself alone she is known as the outcast of the London streets; the inmate of the London Refuge; the lost woman who has stolen her way back—after vainly trying to fight her way back—to Home and Name. There she sits in the grim shadow of her own terrible secret, disguised in another person’s identity, and established in another person’s place. Mercy Merrick had only to dare, and to become Grace Roseberry if she pleased. She has dared, and she has been Grace Roseberry for nearly four months past.
At this moment, while Lady Janet is talking to Horace Holmcroft, something that has passed between them has set her thinking of the day when she took the first fatal step which committed her to the fraud.
How marvelously easy of accomplishment the act of personation had been! At first sight Lady Janet had yielded to the fascination of the noble and interesting face. No need to present the stolen letter; no need to repeat the ready-made story. The old lady had put the letter aside unopened, and had stopped the story at the first words. “Your face is your introduction, my dear; your father can say nothing for you which you have not already said for yourself.” There was the welcome which established her firmly in her false identity at the outset. Thanks to her own experience, and thanks to the “Journal” of events at Rome, questions about her life in Canada and questions about Colonel Roseberry’s illness found her ready with answers which (even if suspicion had existed) would have disarmed suspicion on the spot. While the true Grace was slowly and painfully winning her way back to life on her bed in a German hospital, the false Grace was presented to Lady Janet’s friends as the relative by marriage of the Mistress of Mablethorpe House. From that time forward nothing had happened to rouse in her the faintest suspicion that Grace Roseberry was other than a dead-and-buried woman. So far as she now knew—so far as any one now knew—she might live out her life in perfect security (if her conscience would let her), respected, distinguished, and beloved, in the position which she had usurped.
She rose abruptly from the table. The effort of her life was to shake herself free of the remembrances which haunted her perpetually as they were haunting her now. Her memory was her worst enemy; her one refuge from it was in change of occupation and change of scene.
“May I go into the conservatory, Lady Janet?” she asked.
“Certainly, my dear.”
She bent her head to her protectress, looked for a moment with a steady, compassionate attention at Horace Holmcroft, and, slowly crossing the room, entered the winter-garden. The eyes of Horace followed her, as long as she was in view, with a curious contradictory expression of admiration and disapproval. When she had passed out of sight the admiration vanished, but the disapproval remained. The face of the young man contracted into a frown: he sat silent, with his fork in his hand, playing absently with the fragments on his plate.
“Take some French pie, Horace,” said Lady Janet.
“No, thank you.”
“Some more chicken, then?”
“No more chicken.”
“Will nothing tempt you?”
“I will take some more wine, if you will allow me.”
He filled his glass (for the fifth or sixth time) with claret, and emptied it sullenly at a draught. Lady Janet’s bright eyes watched him with sardonic attention; Lady Janet’s ready tongue spoke out as freely as usual what was passing in her mind at the time.
“The air of Kensington doesn’t seem to suit you, my young friend,” she said. “The longer you have been my guest, the oftener you fill your glass and empty your cigar-case. Those are bad signs in a young man. When you first came here you arrived invalided by a wound. In your place, I should not have exposed myself to be shot, with no other object in view than describing a battle in a newspaper. I suppose tastes differ. Are you ill? Does your wound still plague you?”
“Not in the least.”
“Are you out of spirits?”
Horace Holmcroft dropped his fork, rested his elbows on the table, and answered:
“Awfully.”
Even Lady Janet’s large toleration had its limits. It embraced every human offense except a breach of good manners. She snatched up the nearest weapon of correction at hand—a tablespoon—and rapped her young friend smartly with it on the arm that was nearest to her.
“My table is not the club table,” said the old lady. “Hold up your head. Don’t look at your fork—look at me. I allow nobody to be out of spirits in My house. I consider it to be a reflection on Me. If our quiet life here doesn’t suit you, say so plainly, and find something else to do. There is employment to be had, I suppose—if you choose to apply for it? You needn’t smile. I don’t want to see your teeth—I want an answer.”
Horace admitted, with all needful gravity, that there was employment to be had. The war between France and Germany, he remarked, was still going on: the newspaper had offered to employ him again in the capacity of correspondent.
“Don’t speak of the newspapers and the war!” cried Lady Janet, with a sudden explosion of anger, which was genuine anger this time. “I detest the newspapers! I won’t allow the newspapers to enter this house. I lay the whole blame of the blood shed between France and Germany at their door.”
Horace’s eyes opened wide in amazement. The old lady was evidently in earnest. “What can you possibly mean?” he asked. “Are the newspapers responsible for the war?”
“Entirely responsible,” answered Lady Janet. “Why, you don’t understand the age you live in! Does anybody do anything nowadays (fighting included) without wishing to see it in the newspapers?Isubscribe to a charity;thouart presented with a testimonial;hepreaches a sermon;wesuffer a grievance;youmake a discovery;theygo to church and get married. And I, thou, he; we, you, they, all want one and the same thing—we want to see it in the papers. Are kings, soldiers, and diplomatists exceptions to the general rule of humanity? Not they! I tell you seriously, if the newspapers of Europe had one and all decided not to take the smallest notice in print of the war between France and Germany, it is my firm conviction the war would have come to an end for want of encouragement long since. Let the pen cease to advertise the sword, and I, for one, can see the result. No report—no fighting.”
“Your views have the merit of perfect novelty, ma’am,” said Horace. “Would you object to see them in the newspapers?”
Lady Janet worsted her young friend with his own weapons.
“Don’t I live in the latter part of the nineteenth century?” she asked. “In the newspapers, did you say? In large type, Horace, if you love me!”
Horace changed the subject.
“You blame me for being out of spirits,” he said; “and you seem to think it is because I am tired of my pleasant life at Mablethorpe House. I am not in the least tired, Lady Janet.” He looked toward the conservatory: the frown showed itself on his face once more. “The truth is,” he resumed, “I am not satisfied with Grace Roseberry.”
“What has Grace done?”
“She persists in prolonging our engagement. Nothing will persuade her to fix the day for our marriage.”
It was true! Mercy had been mad enough to listen to him, and to love him. But Mercy was not vile enough to marry him under her false character, and in her false name. Between three and four months had elapsed since Horace had been sent home from the war, wounded, and had found the beautiful Englishwoman whom he had befriended in France established at Mablethorpe House. Invited to become Lady Janet’s guest (he had passed his holidays as a school-boy under Lady Janet’s roof)—free to spend the idle time of his convalescence from morning to night in Mercy’s society—the impression originally produced on him in a French cottage soon strengthened into love. Before the month was out Horace had declared himself, and had discovered that he spoke to willing ears. From that moment it was only a question of persisting long enough in the resolution to gain his point. The marriage engagement was ratified—most reluctantly on the lady’s side—and there the further progress of Horace Holmcroft’s suit came to an end. Try as he might, he failed to persuade his betrothed wife to fix the day for the marriage. There were no obstacles in her way. She had no near relations of her own to consult. As a connection of Lady Janet’s by marriage, Horace’s mother and sisters were ready to receive her with all the honors due to a new member of the family. No pecuniary considerations made it necessary, in this case, to wait for a favorable time. Horace was an only son; and he had succeeded to his father’s estate with an ample income to support it. On both sides alike there was absolutely nothing to prevent the two young people from being married as soon as the settlements could be drawn. And yet, to all appearance, here was a long engagement in prospect, with no better reason than the lady’s incomprehensible perversity to explain the delay. “Can you account for Grace’s conduct?” asked Lady Janet. Her manner changed as she put the question. She looked and spoke like a person who was perplexed and annoyed.
“I hardly like to own it,” Horace answered, “but I am afraid she has some motive for deferring our marriage which she cannot confide either to you or to me.”
Lady Janet started.
“What makes you think that?” she asked.
“I have once or twice caught her in tears. Every now and then—sometimes when she is talking quite gayly—she suddenly changes color and becomes silent and depressed. Just now, when she left the table (didn’t you notice it?), she looked at me in the strangest way—almost as if she was sorry for me. What do these things mean?”
Horace’s reply, instead of increasing Lady Janet’s anxiety, seemed to relieve it. He had observed nothing which she had not noticed herself. “You foolish boy!” she said, “the meaning is plain enough. Grace has been out of health for some time past. The doctor recommends change of air. I shall take her away with me.”
“It would be more to the purpose,” Horace rejoined, “if I took her away with me. She might consent, if you would only use your influence. Is it asking too much to ask you to persuade her? My mother and my sisters have written to her, and have produced no effect. Do me the greatest of all kindnesses—speak to her to-day!” He paused, and possessing himself of Lady Janet’s hand, pressed it entreatingly. “You have always been so good to me,” he said, softly, and pressed it again.
The old lady looked at him. It was impossible to dispute that there were attractions in Horace Holmcroft’s face which made it well worth looking at. Many a woman might have envied him his clear complexion, his bright blue eyes, and the warm amber tint in his light Saxon hair. Men—especially men skilled in observing physiognomy—might have noticed in the shape of his forehead and in the line of his upper lip the signs indicative of a moral nature deficient in largeness and breadth—of a mind easily accessible to strong prejudices, and obstinate in maintaining those prejudices in the face of conviction itself.
To the observation of women these remote defects were too far below the surface to be visible. He charmed the sex in general by his rare personal advantages, and by the graceful deference of his manner. To Lady Janet he was endeared, not by his own merits only, but by old associations that were connected with him. His father had been one of her many admirers in her young days. Circumstances had parted them. Her marriage to another man had been a childless marriage. In past times, when the boy Horace had come to her from school, she had cherished a secret fancy (too absurd to be communicated to any living creature) that he ought to have beenherson, and might have been her son, if she had married his father! She smiled charmingly, old as she was—she yielded as his mother might have yielded—when the young man took her hand and entreated her to interest herself in his marriage. “Must I really speak to Grace?” she asked, with a gentleness of tone and manner far from characteristic, on ordinary occasions, of the lady of Mablethorpe House. Horace saw that he had gained his point. He sprang to his feet; his eyes turned eagerly in the direction of the conservatory; his handsome face was radiant with hope. Lady Janet (with her mind full of his father) stole a last look at him, sighed as she thought of the vanished days, and recovered herself.
“Go to the smoking-room,” she said, giving him a push toward the door. “Away with you, and cultivate the favorite vice of the nineteenth century.” Horace attempted to express his gratitude. “Go and smoke!” was all she said, pushing him out. “Go and smoke!”
Left by herself, Lady Janet took a turn in the room, and considered a little.
Horace’s discontent was not unreasonable. There was really no excuse for the delay of which he complained. Whether the young lady had a special motive for hanging back, or whether she was merely fretting because she did not know her own mind, it was, in either case, necessary to come to a distinct understanding, sooner or later, on the serious question of the marriage. The difficulty was, how to approach the subject without giving offense. “I don’t understand the young women of the present generation,” thought Lady Janet. “In my time, when we were fond of a man, we were ready to marry him at a moment’s notice. And this is an age of progress! They ought to be readier still.”
Arriving, by her own process of induction, at this inevitable conclusion, she decided to try what her influence could accomplish, and to trust to the inspiration of the moment for exerting it in the right way. “Grace!” she called out, approaching the conservatory door. The tall, lithe figure in its gray dress glided into view, and stood relieved against the green background of the winter-garden.
“Did your ladyship call me?”
“Yes; I want to speak to you. Come and sit down by me.”
With those words Lady Janet led the way to a sofa, and placed her companion by her side.