The doctor was quivering with excitement.
"Let the man stay with her. In time she will come to see the brute nature of Daniel Barry. That will be the end of him with her."
"Brute. Doc. They ain't nobody as gentle as Dan!"
"Till he tastes blood, a lion can be raised like a house-dog," answered the doctor.
"Then she mustn't marry him? Ay, I've felt it—jest what you've put in words. It's livin' death for Kate if she marries him! She's kept him here to-day. To-morrow something may cross him, and the minute he feels the pull of it, he'll be off on the trail—the blow of a man, the hollering out of the wild geese—God knows what it'll take to start him wild again and forget us all—jest the way a child forgets its parents!"
A voice broke in upon them, calling far away: "Dan! Dan Barry!"
In the living-room below they heard it, Dan and Kate Cumberland. All day she had sat by the fire which still blazed on the hearth, replenished from time to time by the care of Wung Lu. She had taken up some sewing, and she worked at it steadily. Some of that time Dan Barry was in the room, sitting through long intervals, watching her with lynx-eyed attention. Very rarely did he speak—almost never, and she could have numbered upon her two hands the words he had spoken—ay, and she could have repeated them one by one. Now and again he rose and went out, and the wolf-dog went with him each time. But towards the last Black Bart preferred to stay in the room, crouched in front of her and blinking at the fire, as if he knew that each time his master would return to the fire. Then, why leave the pleasant warmth for the chilly greyness of the day outside?
There he remained, stirring only now and then to lift a clumsy paw and brush it across his eyes in an oddly human gesture. Once or twice, also, he lifted that great, scarred head and laid it on her knees, looking curiously from her busy hands to her face, and from her face back again to her work, until, having apparently assured himself that all was well, he dropped his head again and lay once more motionless. She could see him open a listless eye when the master entered the room again. And with each coming of Dan Barry she felt again surrounded as if by invisible arms. Something was prying at her, striving to win a secret from her.
As the day wore on, a great, singing happiness rose in her throat, and at about the same time she heard a faint sound, impalpable, from the farther side of the room where Dan Barry sat. He was whistling.
A simple thing for a man to do, to be sure, but the astonishment of it nearly stopped the heart of Kate Cumberland. For in all her life she had never before heard him whistle except when he was in the open, and preferably when he was astride of the strength and the speed of Satan, with Black Bart scouting swiftly and smoothly ahead. But now he whistled here by the warmth of the fire. To be sure the sound was small and thin, but there was such music in it as she had never heard before. It was so thin that it was almost ghostly, as if the soul of wild Paganini played here on a muted violin. No tune that might be repeated, but as always when she heard it, a picture rose before the eyes of Kate. It wavered at first against the yellow glow of the firelight. Then it quite shut out all else.
It was deep night, starry night. The black horse and his rider wound up a deep ravine. To one side a bold mountain tumbled up to an infinite height, bristling with misshapen trees here and there, and losing its head against the very stars. On the other side were jagged hills, all carved in the solid rock. And down the valley, between the mountains and the stars, blew a soft wind; as if that wind made the music. They were climbing up, up, up, and now they reach—the music rising also to a soft but triumphant outburst—a high plateau. They were pressed up against the heart of the sky. The stars burned low, and low. Around them the whole earth seemed in prospect at their feet. The moon burst through a mass of clouds, and she saw, far off, a great river running silver through the night.
Happy? Ay, and he was happy too, and his happiness was one with hers. He was not even looking out the window while he whistled, but his eyes were fixed steadily, unchangingly, upon her face.
It was then that they heard it: "Dan! Dan Barry! Come out!"
A hoarse, ringing cry, as of one who is shouting against a great wind:"Dan! Dan Barry! Come out!"
Dan Barry was on his feet and gliding to the wall, where he took down his belt from a nail and buckled it swiftly around him. And Kate ran to the window with the wolf-dog snarling beside her and saw standing in front of the house, his hat off, his black hair wildly tumbled, and two guns in his hands, Buck Daniels! Behind him the tall bay mare shook with her panting and glistened with the sweat of the long ride.
She heard a scratching next and saw the wolf-dog rear up and paw at the door. Once through that door and he would be at the throat of the man outside, she knew. Nor he alone, for Dan Barry was coming swiftly across the room with that strange, padding step. He had no eye for her. He was smiling, and she had rather have seen him in a cursing fury than to see this smile. It curled the upper lip with something like a sneer; and she caught the white glint of his teeth; the wolf-dog snarled back over his shoulder to hurry his master. It was the crisis which she had known all day was coming, sooner or later. She had only prayed that it might be delayed for a little time. And confronting the danger was like stepping into the path of runaway horses. Fear ruled her with an iron hand, and she swayed back against the wall and supported herself with an outstretched hand.
What was there to be done? If she stepped in between him and his man, he would brush her aside from his path and out of his life forever. If he went on to his vengeance he would no less be started on the path which led around the world away from her. The law would be the hound which pursued him and relentlessly nipped at his heels—an eternal terror and unrest. No thought of Buck Daniels who had done so much for her. She cast his services out of her mind with the natural cruelty of woman. Her whole thought was, selfishly, for the man before her, and for herself.
He was there—his hand was upon the knob of the door. And then she remembered how the teeth of Black Bart had closed over her arm—and how they had not broken even the skin. In an instant she was pressed against the door before Dan Barry—her arms outstretched.
He fell back the slightest bit before her, and then he came again and brushed her slowly, gently, to one side, with an irresistible strength. She had to meet his eyes now—there was no help for it—and she saw there that swirl of yellow light—that insatiable hunger. And she knew, fully and bitterly, that she had failed. With the wolf-dog, indeed, she had conquered, but the man escaped her. If time had been granted her she would have won, she knew, but the hand of Buck Daniels, so long her ally, had destroyed her chances. It was his hand now which shook the knob of the door, and she turned with a sob of despair to face the new danger.
In her wildest dreams she had never visioned Buck Daniels transformed like this. She knew that in his past, as one of those long-riders who roam the mountain-desert, their hand against the hands of every man, Buck Daniels had been known and feared by the strongest. But all she had seen of Buck Daniels had been gentleness itself. Yet what faced her as the door flew wide was a nightmare thing with haggard face and shadow-buried, glittering eyes—unshaven, unkempt of hair, his shirt open at the throat, his great hands clenched for the battle. The wolf-dog, at that familiar sight, whined a low greeting, but with a glance at his master knew that there was a change—the old alliance was broken—so he bared his white teeth and changed his whine to a snarl of hate.
Then a strange terror struck Kate Cumberland. She had never dreamed that she could fear for Dan Barry at the hands of any man, but now the desperate resolve which breathed from every line of Buck Daniels, chilled her blood at the heart. She sprang back before Dan Barry. Facing him, she saw that demoniac glitter of yellow rising momently brighter in his eyes, and he was smiling. No execration or loud voiced curse could have contained the distilled malignancy of that smile. All this she caught in a single glimpse. The next instant she had whirled and stood before Dan, shielding him with outspread arms and facing Buck Daniels. The latter thrust back into the holster the gun which he had drawn when he entered the room.
"Stand away from him, Kate," he commanded, and his eyes went past her to dwell on the face of Barry. "Stand away from him. It's been comin' for a long time, and now it's here. Barry I'm takin' no start on you. Stand away from the girl and pull your gun—and I'll pump you full of lead."
The softest of soft voices murmured behind her: "I been waitin' for you, Buck, days and days and days. I ain't never been so glad to see anybody!"
And she felt Barry slip shadowlike to one side. She sprang in front of him again with a wild cry.
"Buck!" she begged, "don't shoot!"
Laughter, ringing and unhuman, filled the throat of Buck Daniels.
"Is it him you're beggin' for?" he sneered at her. "Is it him you got your fears for? Ain't you got a word of pity for poor Buck Daniels that sneaked off like a whipped puppy? Bah! Dan Barry, the time is come. I been leadin' the life of a houn' dog for your sake. But it's ended. Pull your gun and get out from behind the skirts of that girl!"
As long as they faced each other with the challenge in their eyes, nothing on earth could avert the fight, she knew, but if she could delay them for one moment—she felt that swift moving form behind her slipping away from behind her—she could follow Barry's movements by the light in Daniels' eyes.
"Buck!" she cried, "for God's sake—for my sake turn away from him—and—roll another cigarette!"
For she remembered the story—how Daniels had turned under the very nose of danger and done this insane thing in the saloon at Brownsville and in her despair she could think of no other appeal.
It was the very strangeness of it that gave it point. Buck Daniels turned on his heel.
"It's the last kindness I do you, Dan," he said, with his broad back to them. "But before you die you got to know why I'm killin' you. I'm going to roll one cigarette and smoke it and while I smoke it I'm goin' to tell you the concentrated truth about your worthless self and when I'm done smokin' I'm goin' to turn around and drop you where you stand. D'ye hear?"
"They's no need of waitin'," answered the soft voice of Barry. "Talkin' don't mean much."
But Kate Cumberland turned and faced him. He was fairly a-quiver with eagerness and the hate welled and blazed and flickered in his eyes; his face was pale—very pale—and it seemed to her that she could make out in the pallor the print of the fingers of Buck Daniels and that blow those many days before. And she feared him as she had never feared him before—yet she blocked his way still with the outspread arms.
They could hear the crinkle of the cigarette paper as Buck rolled his smoke.
"No," said Buck, his voice suddenly altered to an almost casual moderation, "talk don't mean nothin' to you. Talk is human, and nothin' human means nothin' to you. But I got to tell you why you ought to die, Barry.
"I started out this mornin' hatin' the ground you walked on, but now I see that they ain't no use to hate you. Is they any use hatin' a mountain-lion that kills calves? No, you don't hate it, but you get a gun and trail it and shoot it down. And that's the way with you."
They heard the scratch of his match.
"That's the way with you. I got my back to you right now because if I looked you in the eye I couldn't let you live no more'n I could let a mountain-lion live. I know you're faster with your gun than I am and stronger than I am, and made to fight. But I know I'm going to kill you. You've done your work—you've left hell on all sides of you—it's your time to die. I know it! You been lyin' like a snake in the rocks with your poison ready for any man that walks past you. Now your poison is about used up."
He paused, and then when he spoke again there was a ring of exultation in his voice: "I tell you, Dan, I don't fear you, and I know that the bullet in this gun here on my hips is the one that's goin' to tear your heart out. Iknowit!"
Something like a sob came from the lips of Dan Barry. His hands moved out towards Buck Daniels as though he were plucking something from the empty air.
"You've said enough," he said. "You said plenty. Now turn around and fight!"
And Kate Cumberland stepped back, out of line of the two. She knew that in what followed she could not play the part of the protector or the delayer. Here they stood, hungry, for battle, and there was no power in her weak hands to separate them. She stood far back and fumbled with her hands at the wall for support. She tried to close her eyes, but the fascination of the horror forced her to watch against her strongest will. And the chief part of that dreadful suspense lay in the even, calm voice of Buck Daniels as he went on: "I'll turn around and fight soon enough. But Kate asked me to smoke another cigarette. I know what she means. She wants me to leave you the way I done in the saloon that day. I ain't goin' to leave, Dan. But I'm glad she asked me to turn away, because it gives me a chance to tell you some things you got to know before you go west.
"Dan, you been like a fire that burns every hand that touches you." He inhaled a long breath of smoke and blew it up towards the ceiling. "You've busted the heart of the friend that follered you; you've busted the heart of the girl that loves you."
He paused again, for another long inhalation, and Kate Cumberland, staring in fearful suspense, waiting for the instant when Buck should at last turn and when the shots should explode, saw that the yellow glow was now somewhat misted in the eyes of Barry. He frowned, as one bewildered.
"Think of her, Dan!" went on Buck Daniels. "Think of her wasting herself on a no-good houn' dog like you—a no-good wildwolf! My God A'mighty, she might of made some good man happy—some man with a soul and a heart—but instead of that God sent you like a blast across her—you with your damned soul of wind and your heart of stone! Think of it! When you see what you been, Barry, I wonder you don't go out and take your own gun and blow off your head."
"Buck," called Dan Barry, "so help me God, if you don't turn your face to me—I'll shoot you through the back!"
"I knew," said the imperturbable Daniels, "that you'd come to that in the end. You used to fight like a man, but now you're followin' your instincts, and you fight like a huntin' wolf. Look at the brute that's slinkin' up to me there! That's what you are. You kill for the sake of killin'—like the beasts.
"If you was a man, could you treat me like you've done? Your damned cold heart and your yaller eyes and all would of burned up in the barn the other night—you and your wolf and your damned hoss. Why didn't I let you burn? Because I was a fool. Because I still thought they was something of the man in you. But I seen afterwards what you was, and I rode off to get out of your way—to keep your hands from gettin' red with my blood. And then you plan on follerin' me—damn you!—on follerin'me!
"So that, Dan, is why I've come to put you out of the world—as I'm goin' to do now! Once you hated to give pain, and if you hurt people it was because you couldn't help it. But now you live on torturin' others. Barry, pull your gun!"
And as he spoke, he whirled, the heavy revolver leaping into his hand.
Still Kate Cumberland could not close her eyes on the horror. She could not even cry out; she was frozen.
But there was no report—no spurt of smoke—no form of a man stumbling blindly towards death. Dan Barry stood with one hand pressed over his eyes and the other dangled at his side, harmless, while he frowned in bewilderment at the floor.
He said slowly, at length: "Buck, I kind of think you're right. They ain't no use in me. I been rememberin', Buck, how you sent Kate to me when I was sick."
There was a loud clatter; the revolver dropped from the hand of BuckDaniels.
The musical voice of Dan Barry murmured again: "And I remember how you stood up to Jim Silent, for my sake. Buck, what's come between us since them days? You hit me a while back, and since then I been wantin' your blood—but hearin' you talk now, somehow—I feel sort of lost and lonesome—like I'd thrown somethin' away that I valued most."
Buck Daniels threw out his great arms and his voice was broken terribly.
"Oh, God A'mighty, Dan," he cried, "jest take one step back to me andI'll come all the way around the world to meet you!"
He stumbled across the floor and grasped at the hand of Barry, for a mist had half-blinded his eyes.
"Dan," he pleaded, "ain't things as they once was? D'you forgive me?"
"Why, Buck," murmured Dan Barry, in that same bewildered fashion, "seems like we was bunkies once."
"Dan," muttered Buck Daniels, choking, "Dan——" but he dared not trust his voice further, and turning, he fairly fled from the room.
The dazed eyes of Dan Barry followed him. Then they moved until they encountered the face of Kate Cumberland. A shock, as if of surprise, widened the lids. For a long moment they stared in silence, and then he began to walk, very slowly, a step at a time, towards the girl. Now, as he faced her, she saw that there was no longer a hint of the yellow in his eyes, but he stepped closer and closer; he was right before her, watching her with an expression of mute suffering that made her heart grow large.
He said, more to himself than to her: "Seems like I been away a long time."
"A very long time," she whispered.
He drew a great breath.
"Is it true, what Buck said? About you?"
"Oh, my dear, my dear!" she cried. "Don't you see?"
He started a little, and taking both her hands he made her face the dull light from the windows.
"Seems like you're kind of pale, Kate."
"The colour went while I waited for you, Dan."
"But there comes a touch of red—like morning—in your throat, and runnin' up your cheeks."
"Don't you see? It's because you've come back!"
He closed his eyes and murmured: "I remember we was close—closer than this. We were sittin' here—in this room—by a fire. And then something called me out and I follered it."
"The wild geese—yes."
"Wild geese?" he repeated blankly, and then shook his head. "How could wild geese call me? But things happened. I was kept away. Sometimes I wanted to come back to you, but somehow I could never get started. Was it ten years ago that I left?"
"Months—months longer than years."
"What is it?" he asked. "I been watchin' you, and waitin' to find out what was different in you. Black Bart seen something in you. I dunno what. Today I sort of guessed what it is. I can feel it now. It's something like a pain. It starts sort of in the stomach, Kate. It's like bein' away from a place where you want to be. Queer, ain't it? I ain't far from you. I've got your hands in mine, but somehow you don't feel near. I want to walk—a long ways—closer. And the pain keeps growin'."
His voice fell away to a murmur, and now a deadly silence lay between them, and it seemed as if lights were varying upon their faces, so swift and subtle were the changes of expression. And they drew closer by imperceptible degrees. So his arms, fumbling, found their away about her, drew her closer, till her head drooped back, and her face was close beneath his.
"Was it true," he whispered, "what Buck said?"
"There's nothing true except that we're together."
"But your eyes are brimful of tears!"
"The same pain you feel, Dan; the same loneliness and the hurt."
"But it's going now. I feel as if I'd been riding three days without more'n enough water to moisten my tongue every hour; with the sand white hot, and my hoss staggerin', and the sun droppin' closer and closer till the mountains are touched with white fire. Then I come, in the evenin', to a valley with cool shadows beginning to slip across from the western side, and I stand in the shadow and feel the red-hot blood go smashin', smashin', smashin' in my temples—and then—a sound of runnin' water somewhere up the hill-side. Runnin', cool, fresh, sparkling water whispering over the rocks. Ah, God, that's what it means to me to stand here close to you, Kate!
"And it's like standin' up in the mornin' on the top of a high hill and seein' the light jump up quick in the east, and there lies all the world at my feet, mile after mile of it—they's a river like silver away off yonder—and they's range after range walkin' off into a blue nothing. That's what it's like to stand here and look down into them blue eyes of yours, Kate—miles and miles into 'em, till I feel as if I seen your heart beneath. And they's the rose of the mornin' on your cheeks, and the breath of the mornin' stirrin' between your lips, and the light of the risin' sun comes flarin' in your eyes. And I own the world—I own the world.'
"Two burnin' pieces of wood, that's you and me, and when I was away from you the fire went down to a smoulder; but now that we're close a wind hits us, and the flames come together and rise and jump and twine together. Two pieces of burnin' wood, but only one flame—d'you feel it?—Oh, Kate, our bodies is ashes and dust, and all that's worth while is that flame blowin' up from us, settin' the world on fire!"
Even in Elkhead there were fires this day. In the Gilead saloon one might have thought that the liquid heat which the men imbibed would serve in place of stoves, but the proprietor, "Pale Annie," had an eye to form, and when the sky was grey he always lighted the stove.
"Pale Annie" he was called because his real name was Anderson Hawberry Sandringham. That name had been a great aid to him when he was an undertaker in Kansas City; but Anderson Hawberry Sandringham had fallen from the straight and narrow path of good undertakers some years before and he had sought refuge in the mountain-desert, where most things prosper except sheriffs and grass. He was fully six inches more than six feet in height and his face was so long and pale that even Haw-Haw Langley seemed cheerful beside the ex-undertaker. In Kansas City this had been much prized, for that single face could lend solemnity to any funeral. In Elkhead it was hardly less of an asset.
People came out of curiosity to see Pale Annie behind the bar with his tall silk hat—which he could never bring himself to lay aside—among the cobwebs of the rafters. They came out of curiosity and they remained to drink—which is a habit in the mountain-desert. A travelling drummer or a patent medicine man had offered Pale Annie a handsome stake to simply go about with him and lend the sanction of his face to the talk of the drummer, but Pale Annie had discovered a veritable philosopher's stone in Elkhead and he was literally turning whiskey into gold.
This day was even more prosperous than usual for Pale Annie, for the grey weather and the chilly air made men glad of the warmth, both external and internal, which Pale Annie possessed in his barroom. His dextrous hands were never for a moment still at the bar, either setting out drinks or making change, except when he walked out and threw a fresh feed into the fire, and stirred up the ruddy depths of the stove with a tall poker. It was so long, indeed, that it might have served even Pale Annie for a cane and it was a plain untapered bar of iron which the blacksmith had given him as the price of a drink, on a day. He needed a large poker, however, for there was only the one stove in the entire big room, and it was a giant of its kind, as capacious as a hogshead. This day Pale Annie kept it red hot, so that the warmth might penetrate to the door on the one hand and to the rear of the room where the tables and chairs were, on the other.
Since Pale Annie's crowd took little exercise except for bending their elbows now and again, and since the majority of them had been in the place fully half the day, by ten in the evening sounds of hilarity began to rise from the saloon. Solemn-faced men who had remained in their places for hour after hour, industriously putting away the red-eye, now showed symptoms of life. Some of them discovered hitherto hidden talents as singers, and they would rise from their places, remove their hats, open their bearded mouths, and burst into song. An antiquarian who had washed gold in '49 and done nothing the rest of his life save grow a prodigious set of pure white whiskers, sprang from his place and did a hoe-down that ravished the beholders. Thrice he was compelled to return to the floor; and in the end his performance was only stopped by an attack of sciatica. Two strong men carried him back to his chair and wept over him, and there was another drink all around.
In this scene of universal joy there were two places of shadow. For at the rear end of the room, almost out of reach of the lantern-light, sat Haw-Haw Langley and Mac Strann. The more Haw-Haw Langley drank the more cadaverous grew his face, until in the end it was almost as solemn as that of Pale Annie himself; as for Mac Strann, he seldom drank at all.
A full hour had just elapsed since either of them spoke, yet Haw-Haw Langley said, as if in answer to a remark: "He's heard too much about you, Mac. He ain't no such fool as to come to Elkhead."
"He ain't had time," answered the giant.
"Ain't had time? All these days?"
"Wait till the dog gets well. He'll follow the dog to Elkhead."
"Why, Mac, the trail's been washed out long ago. That wind the other day would of knocked out any trail less'n a big waggon."
"It won't wash out the trail forthatdog," said Mac Strann calmly.
"Well," snarled Haw-Haw, "I got to be gettin' back home pretty soon. I ain't rollin' in coin the way you are, Mac."
The other returned no answer, but let his eyes rove vacantly over the room, and since his head was turned the other way, Haw-Haw Langley allowed a sneer to twist at his lips for a moment.
"If I had the price," he said, "we'd have another drink."
"I ain't drinkin'," answered the giant monotonously.
"Then I'll go up and bum one off'n Pale Annie. About time he come through with a little charity."
So he unfurled his length and stalked through the crowd up to the bar.Here he leaned and confidentially whispered in the ear of Pale Annie.
"Partner, I been sprinklin' dust for a long time in here, and there ain't been any reward. I'm dry, Annie."
Pale Annie regarded him with grave disapproval.
"My friend," he said solemnly, "liquor is the real root of all evil. For my part, I quench my thirst with water. They's a tub over there in the corner with a dipper handy. Don't mention it."
"I didn't thank you," said Haw-Haw Langley furiously. "Damn a tight-wad, say I!"
The long hand of Pale Annie curled affectionately around the neck of an empty bottle.
"I didn't quite gather what you said?" he remarked courteously, and leaned across the bar—within striking distance.
"I'll tell you later," remarked Haw-Haw sullenly, and turned his shoulder to the bar.
As he did so two comparatively recent arrivals came up beside him. They were fresh from a couple of months of range-finding, and they had been quenching a concentrated thirst by concentrated effort. Haw-Haw Langley looked them over, sighed with relief, and then instantly produced Durham and the brown papers. He paused in the midst of rolling his cigarette and offered them to the nearest fellow.
"Smoke?" he asked.
Now a man of the mountain-desert knows a great many things, but he does not know how to refuse. The proffer of a gift embarrasses him, but he knows no way of avoiding it; also he never rests easy until he has made some return.
"Sure," said the man, and gathered in the tobacco and papers. "Thanks!"
He covertly dropped the cigarette which he had just lighted, and stepped on it, then he rolled another from Haw-Haw's materials. The while, he kept an uneasy eye on his new companion.
"Drinkin'?" he asked at length.
"Not jest now," said Haw-Haw carelessly.
"Always got room for another," protested the other, still more in earnest as he saw his chance of a return disappearing.
"All right, then," said Haw-Haw. "Jest one more."
And he poured a glass to the brim, waved it gracefully towards the others without spilling a drop, and downed it at a gulp.
"Ben in town long?" he asked.
"Not long enough to find any action," answered the other.
The eye of Haw-Haw Langley brightened. He looked over the two carefully. The one had black hair and the other red, but they were obviously brothers, both tall, thick-shouldered, square-jawed, and pug-nosed. There was Irish blood in that twain; the fire in their eyes could have come from only one place on earth. And Haw-Haw grinned and looked down the length of the room to where Mac Strann sat, a heavy, inert mass, his fleshy forehead puckered into a half-frown of animal wistfulness.
"You ain't the only ones," he said to his companion at the bar. "They's a man in town who says they don't turn out any two men in this range that could give him action."
"The hell!" grunted he of the red hair. And he looked down to his blunt-knuckled hands.
"'S matter of fact," continued Haw-Haw easily, "he's right here now!"
He looked again towards Mac Strann and remembered once more the drink which Mac might so easily have purchased for him.
"It ain't Pale Annie, is it?" asked the black haired man, casting a dubious glance up and down the vast frame of the undertaker.
"Him? Not half!" grinned Haw-Haw. "It's a fet feller down to the end of the bar. I guess he's been drinkin' some. Kind of off his nut."
He indicated Mac Strann.
"He looks to me," said the red-haired man, setting his jaw, "like a feller that ain't any too old to learn one more thing about the range in these parts."
"He looks to me," chimed in the black haired brother, "like a feller that might be taught something right here in Pale Annie's barroom. Anyway, he's got room at his table for two more."
So saying the two swallowed their drinks and rumbled casually down the length of the room until they came to the table where Mac Strann sat. Haw-Haw Langley followed at a discreet distance and came within earshot to hear the deep voice of Mac Strann rumbling: "Sorry, gents, but that chair is took."
The black-haired man sank into the indicated chair.
"You're right," he announced calmly. "Anybody could see with half an eye that you ain't a fool. It's took by me!"
And he grinned impudently in the face of Mac Strann. The latter, who had been sitting with slightly bent head, now raised it and looked the pair over carelessly; there was in his eye the same dumb curiosity which Haw-Haw Langley had seen many a time in the eye of a bull, leader of the herd.
The giant explained carefully: "I mean, they's a friend of mine that's been sittin' in that chair."
"If I ain't your friend," answered the black-haired brother instantly, "it ain't any fault of mine. Lay it up to yourself, partner!"
Mac Strann stretched out his hand on the surface of the table.
He said: "I got an idea you better get out of that chair."
The other turned his head slowly on all sides and then looked Mac Strann full in the face.
"Maybe they's something wrong with my eyes," he said, "but I don't see no reason."
The little dialogue had lasted long enough to focus all eyes on the table at the end of the room, and therefore there were many witnesses to what followed. The arm of Mac Strann shot out; his hand fastened in the collar of the black-haired man's shirt, and the latter was raised from his seat and propelled to one side by a convulsive jerk. He probably would have been sent crashing into the bar had not his shirt failed under the strain. It ripped in two at the shoulders, and the seeker after action, naked to the waist, went reeling back to the middle of the room, before he gained his balance. After him went Mac Strann with an agility astonishing in that squat, formless bulk. His long arms were outstretched and his fingers tensed, and in his face there was an uncanny joy; his lip had lifted in that peculiarly disheartening sneer.
He was not a pace from him of the black hair when a yell of rage behind him and the other brother leaped through the air and landed on Mac Strann's back. He doubled up, slipped his arms behind him, and the next instant, without visible reason, the red-headed man hurtled through the air and smashed against the bar with a jolt that set the glassware shivering and singing. Then he relaxed on the floor, a twisted and foolish looking mass.
As for the seeker after action, he had at first reached after his revolver, but he changed his mind at the last instant and instead picked up the great poker which leaned against the stove. It was a ponderous weapon and he had to wield it in both hands. As he swung it around his head there was a yell from men ducking out of the way, and Pale Annie curled his hand again around his favorite empty bottle. He had no good opportunity to demonstrate its efficiency, however. Mac Strann, crouching in the position from which he had catapulted the red-haired man, cast upwards a single glance at the other brother, and then he sprang in. The poker hissed through the air with the vigour of a strong man's arms behind it and it would have cracked the head of Mac Strann like an empty egg-shell if it had hit its mark. But it was heaved too high, and Mac Strann went in like a football player rushing the line, almost doubled up against the floor as he ran. His shoulders struck the other hardly higher than the knees, and they went down together, but so doing the head of Mac Strann's victim cracked against the floor, and he also was still.
The exploit was greeted by a yell of applause and then someone proposed a cheer, and it was given. It died off short on the lips of the applauders, however, for it was seen that Mac Strann was not yet done with his work, and he went about it in a manner which made men sober suddenly and exchange glances.
First the stranger dragged the two brothers together, laying one of them face down on the floor. The second he placed over the first, back to back. Next he picked up the long poker from the floor and slipped it under the head and down to the neck of the first man. The bystanders watched in utter silence, with a touch of horror coming now in their eyes.
Now Mac Strann caught the ends of the iron and began to twist up on them. There was no result at first. He refreshed his hold and tried again. The sleeves of his shirt were seen to swell and then grow hard and taut with vast play of muscle beneath. His head bowed lower between his shoulders, and those shoulders trembled, and the muscles over them quivered like heat-waves rising of a spring morning. There was a creaking, now, and then the iron was seen to shiver and then bend, slowly, and once it was wrenched out of the horizontal, the motion was more and more rapid. Until, when the giant was done with his labor, the ends of the iron over-lapped around the necks of the two luckless brothers. Mac Strann stepped back and surveyed his work; the rest of the room was in silence, saving that the red-headed man was coming back to consciousness and now writhed and groaned feebly. He could not rise; that was manifest, for the thick band of iron tied his neck to the neck of his brother.
Upon this scene Mac Strann gazed with a thoughtful air and then stepped to the side of the room where stood a bucket of dirty water, recently used for mopping behind the bar. This he caught up, returned, and dashed the black, greasy water over the pair.
If it had been electricity it could not have operated more effectively. The two awoke with one mind, and with a tremendous spluttering and cursing struggled to regain their feet. It was no easy thing, however, for when one stood up the other slipped and in his fall involved the brother. In the meantime it made a jest exactly suited to the mind of Elkhead, and shrieks of hysterical laughter rewarded their struggles. Until at length they sat solemnly, back to back, easing the pressure of the iron as best they might with their hands. Assembled Elkhead reeled about the room, drunken with laughter. But Mac Strann went quietly back to his table and paid no attention to the scene.
There is an end to all good things, however, and finally the two brothers concerted action together, rose, and then side-stepped towards the door, dripping the mop-water at every step. Obviously they were bound for the blacksmith's to lose their collar; and everyone in the saloon knew that the blacksmith was not in town.
The old man who had done the hoe-down hobbled to the end of the barroom and before the table of Mac Strann made a speech to the effect that Elkhead had everything it needed except laughter, that Mac Strann had come to their assistance in that respect, and that if he, the old man, had the power, he would pension such an efficient jester and keep him permanently in the town. To all of this Mac Strann paid not the slightest heed, but with his fleshy brow puckered considered the infinite distance. Even the drink which Pale Annie, grateful for the averted riot, placed on the table before him, Mac Strann allowed to stand untasted. And it was private stock!
It was at this time that Haw-Haw Langley made his way back to the table and occupied the contested seat.
"That was a bum play," he said solemnly to Mac Strann. "When Barry hears about what you done here to two men, d'you think that he'll ever hit your trail?"
The other started.
"I never thought about it," he murmured, his thick lips, as always, framing speech with difficulty. "D'you s'pose I'd ought to go back to the Cumberland place for him?"
A yell rose at the farther end of the room.
"A wolf! Hey! Shoot the damn wolf!"
"You fool!" cried another. "He ain't skinny enough to be a wolf.Besides, whoever heard of a tame wolf comin' into a barroom?"
Nevertheless many a gun was held in readiness, and the men, even the most drunken, fell back to one side and allowed a free passage for the animal. It seemed, indeed, to be a wolf, and a giant of its kind, and it slunk now with soundless step through the silence of the barroom, glancing neither to right nor to left, until it came before the table of Mac Strann. There it halted and slunk back a little, the upper lip lifted away from the long fangs, its eyes glittered upon the face of the giant, and then it swung about and slipped out of the barroom as it had come, in utter silence.
In the utter silence Mac Strann leaned across the table to Haw-HawLangley.
"He's come alone this time," he said, "but the next time he'll bring his master with him. We'll wait!"
The Adam's-apple rose and fell in the throat of Haw-Haw.
"We'll wait," he nodded, and he burst into the harsh, unhuman laughter which had given him his name.
This is the letter which Swinnerton Loughburne received over the signature of Doctor Randall Byrne. It was such a strange letter that between paragraphs Swinnerton Loughburne paced up and down his Gramercy Park studio and stared, baffled, at the heights of the Metropolitan Tower.
"Dear Swinnerton,
"I'll be with you in good old Manhattan about as soon as you get this letter. I'm sending this ahead because I want you to do me a favour. If I have to go back to those bare, blank rooms of mine with the smell of chemicals drifting in from the laboratory, I'll—get drunk. That's all!"
Here Swinnerton Loughburne lowered the letter to his knees and grasped his head in both hands. Next he turned to the end of the letter and made sure that the signature was "Randall Byrne." He stared again at the handwriting. It was not the usual script of the young doctor. It was bolder, freer, and twice as large as usual; there was a total lack of regard for the amount of stationery consumed.
Shaking his head in bewilderment, Swinnerton Loughburne shook his fine grey head and read on: "What I want you to do, is to stir about and find me a new apartment. Mind you, I don't want the loft of some infernal Arcade building in the Sixties. Get me a place somewhere between Thirtieth and Fifty-eighth.Twobed-rooms. I want a place to put some of the boys when they drop around my way. And at least one servant's room. Also at least one large room where I can stir about and wave my arms without hitting the chandelier. Are you with me?"
Here Swinnerton Loughburne seized his head between both hands again and groaned: "Dementia! Plain and simple dementia! And at his age, poor boy!"
He continued: "Find an interior decorator. Not one of these fuzzy haired women-in-pants, but a he-man who knows what a he-man needs. Tell him I want that place furnished regardless of expense. I want some deep chairs that will hit me under the knees. I want some pictures on the wall—butnothing out of the Eighteenth Century—no impressionistic landscapes—no girls dolled up in fluffy stuff. I want some pictures I can enjoy, even if my maiden aunt can't. There you are. Tell him to go ahead on those lines.
"In a word, Swinnerton, old top, I want to live. For about thirty years I'vethought, and now I know that there's nothing in it. All the thinking in the world won't make one more blade of grass grow; put one extra pound on the ribs of a long-horn; and in a word, thinking is the bunk, pure and simple!"
At this point Swinnerton Loughburne staggered to the window, threw it open, and leaned out into the cold night. After a time he had strength enough to return to his chair and read through the rest of the epistle without interruption.
"You wonder how I've reached the new viewpoint? Simply by seeing some concentrated life here at the Cumberland ranch. My theories are blasted and knocked in the head—praise God!—and I've brushed a million cobwebs out of my brain. Chemistry? Rot! There's another sort of chemistry that works on the inside of a man. That's what I want to study. There are three great preliminary essentials to the study:
1st: How to box with a man. 2nd: How to talk with a girl. 3rd: How to drink old wine.
Try the three, Swinnerton; they aren't half bad. At first they may give you a sore jaw, an aching heart, and a spinning head, but in the end they teach you how to keep your feet andfight!
"This is how my eyes were opened.
"When I came out to this ranch it was hard for me to ride a horse. So I've been studying how it should be done. Among other things, you should keep your toes turned in, you know. And there are many other things to learn.
"When I had mastered them one by one I went out the other day and asked to have a horse saddled. It was done, and a lantern-jawed cowpuncher brought out a piebald gelding with long ears and sleepy eyes. Not a lovely beast, but a mild one. So I went into the saddle according to theory—with some slight hesitations here and there, planted my feet in the stirrups, and told the lantern-jawed fellow to turn loose the head of the piebald. This was done. I shook the reins. The horse did not move. I called to the brute by name. One ear wagged back to listen to me.
"I kicked the beast in the ribs. Unfortunately I had forgotten that long spurs were on my heels. The horse was instantly aware of that fact, however. He leaped into a full gallop. A very jolty process. Then he stopped—but I kept on going. A fence was in the way, so I was halted. Afterwards the lantern-jawed man picked me up and offered to carry me back to the house or at least get a wheelbarrow for me. I refused with some dignity. I remarked that I preferred walking, really, and so I started out across the hills and away from the house. My head was sore; so were my shoulders where I hit the fence; I began to think of the joy of facing that horse again, armed with a club.
"It was evening—after supper, you see—and the light of the moon was already brighter than the sunlight. And by the time I had crossed the first range of hills, it was quite dark. As I walked I brooded upon many things. There were enough to disturb me.
"There was old Joe Cumberland, at death's door and beyond the reach of my knowledge; and he had been taken away from death by the wild man, Dan Barry. There was the girl with the bright hair—Kate Cumberland. In education, nothing; in brain, nothing; in experience, nothing; and yet I was attracted. But she was not attracted in the least until along came the wild man again, and then she fell into his arms—actually fought for him! Why? I could not tell. My name and the things I have done and even my money, meant nothing to her. But when he came it was only a glance, a word, a smile, and she was in his arms. I felt like Caligula. I wished the world had only one neck, and I an axe. But why should I have felt depressed because of failures in the eyes of these silly yokels? Not one of them could read the simplest chemical formula!
"All very absurd, you will agree, and you may get some inkling as to my state of mind while I walked over those same dark hills. I seemed a part of that darkness. I looked up to the stars. They were merely like the pages of a book. I named them off hand, one after the other, and thought of their characteristics, their distances, their composition, and meditated on the marvels the spectrum has made known to us. But no sooner did such a train of thoughts start in my brain, than I again recurred to the girl, Kate Cumberland, and all I was aware of was a pain at heart—something like homesickness. Very strange.
"She and the man are together constantly. The other day I was in Joseph Cumberland's room and we heard whistling outside. The face of the old man lighted, 'They are together again,' he said. 'How do you guess at that?' I asked. 'By the sound of his whistling,' he answered. 'For he whistles as if he expected an answer—as if he were talking with someone.' And by the Lord, the old man was right. It would never have occurred to me!
"Now as I started down the farther slope of a hill a whistling sound ran upon me through the wind, and looking back I saw a horseman galloping with great swiftness along the line of the crest, very plainly outlined by the sky, and by something of smoothness in the running of the horse I knew that it was Barry and his black stallion. But the whistling—the music! Dear God, man, have you read of the pipes of Pan? That night I heard them and it made a riot in my heart.
"He was gone, suddenly, and the whistling went out like a light, but something had happened inside me—the first beginning of this process of internal change. The ground no longer seemed so dark. There were earth smells—very friendly—I heard some little creature chirruping contentedly to itself. Something hummed—a grasshopper, perhaps. And then I looked up to the stars. There was not a name I could think of—I forgot them all, and for the first time I was contented to look at them and wonder at their beauty without an attempt at analysis or labelling.
"If I say that I went back to the ranch-house with my feet on the ground and by heart up there among the stars, will you understand?
"I found the girl sewing in front of the fire in the living room. Simply looked up to me with a smile, and a certain dimness about the eyes—well, my breath stopped.
"'Kate,' said I, 'I am going away to-morrow morning!'
"'And leave Dad?' said she.
"'To tell you the truth,' I answered, 'there is nothing I can do for him. There has never been anything I could do for him.'
"'I am sorry,' said she, and lifted up her eyes to me.
"Now, I had begun by being stiff with her, but the ringing of that whistling—pipes of Pan, you know—was in my ears. I took a chair beside her. Something overflowed in my heart. For the first time in whole days I could look on her beauty without pain.
"'Do you know why I'm going?' I asked.
"She waited.
"'Because,' said I, and smiled right into her face, 'I love you, Kate, most infernally; and I know perfectly well that I will get never the devil a bit of good out of it.'
"She peered at me. 'You aren't jesting?' says she. 'No, you're serious.I'm very sorry, Doctor Byrne.'
"'And I,' I answered, 'am glad. I wouldn't change it for the world. For once in my life—to-night—I've forgotten myself. No, I won't go away and nurse a broken heart, but I'll think of you as a man should think of something bright and above him. You'll keep my heart warm, Kate, till I'm a very old man. Because of you, I'll be able to love some other girl—and a fine one, by the Lord!'
"Something in the nature of an outburst, eh? But it was the music which had done it. All the time it rang and echoed through my ears. My words were only an echo of it. I was in tune with the universe. I was living for the first time. The girl dropped her sewing—tossed it aside. She came over to me and took my hands in a way that would have warmed even the icicles of your heart, Swinnerton.
"'Doctor,' says she, 'I know that you are going to be very happy.'
"'Happiness,' said I, 'is a trick, like riding a horse. And I think thatI've learned the trick. I've caught it from you and from Barry.'
"At that, she let go my hands and stepped back. The very devil is in these women, Swinnerton. You never can place them for a minute at a time.
"'I am trying to learn myself,' she said, and there was a shadow of wistfulness in her eyes.
"In another moment I should have made a complete fool of myself, but I remembered in time and got out of the room. To-morrow I start back for the old world but I warn you beforehand, my dear fellow, that I'm bringing something of the new world with me.
"What has it all brought to me? I am sad one day and gay the next. But at least I know that thinking is not life and now I'm ready to fight.
"Randall Byrne."
The morning of the doctor's departure witnessed quite a ceremony at the Cumberland ranch, for old Joe Cumberland insisted that he be brought down from his room to his old place in the living-room. When he attempted to rise from his bed, however, he found that he could not stand; and big Buck Daniels lifted the old man like a child and carried him down the stairs. Once ensconced on the sofa in the living-room Joe Cumberland beckoned his daughter close to him, and whispered with a smile as she leaned over: "Here's what comes of pretendin', Kate. I been pretending to be too sick to walk, and now Ican'twalk; and if I'd pretended to be well, I'd be ridin' Satan right now!"
He looked about him.
"Where's Dan?" he asked.
"Upstairs getting ready for the trip."
"Trip?"
"He's riding with Doctor Byrne to town and he'll bring back DoctorByrne's horse."
The old man grew instantly anxious.
"They's a lot of things can happen on a long trip like that, Kate."
She nodded gravely.
"But we have to try him," she said. "We can't keep him here at the ranch all the time. And if he really cares, Dad, he'll come back."
"And you let him go of your own free will?" asked Joe Cumberland, wonderingly.
"I asked him to go," she answered quietly, but some of the colour left her face.
"Of course it's going to come out all right," nodded her father.
"I asked him when he'd be back, and he said he would be here by dark to-night."
The old man sighed with relief.
"He don't never slip up on promises," he said. "But oh, lass, I'll be glad when he's back again! Buck, how'd you and Dan come along together?"
"We don't come," answered Buck gloomily. "I tried to shake hands with him yesterday and call it quits. But he wouldn't touch me. He jest leaned back and smiled at me and hated me with his eyes, that way he has. He don't even look at me except when he has to, and when he does I feel like someone was sneaking up behind me with a knife ready. And he ain't said ten words to me since I come back." He paused and considered Kate with the same dark, lowering glance. "To-morrow I leave."
"You'll think better of that," nodded Joe Cumberland. "Here's the doctor now."
He came in with Dan Barry behind him. A changed man was the doctor. He was a good two inches taller because he stood so much more erect, and there was a little spring in his step which gave aspiration and spirit to his carriage. He bade them good-bye one by one, and by Joe Cumberland he sat down for an instant and wished him luck. The old ranchman drew the other down closer.
"They's no luck for me," he whispered, "but don't tell none of 'em. I'm about to take a longer trip than you'll ride to-day. But first I'll see 'em settled down here—Dan quiet and both of 'em happy. S'long, doc—thanks for takin' care of me. But this here is something that can't be beat no way. Too many years'll break the back of any man, doc. Luck to ye!"
"If you'll step to the door," said the doctor, smiling upon the rest, "you'll have some fun to watch. I'm going to ride on the piebald."
"Him that throwed you yesterday?" grinned Buck Daniels.
"The same," said the doctor. "I think I can come to a gentleman's understanding with him. A gentleman from the piebald's point of view is one who is never unintentionally rude. He may change his mind this morning—or he may break my back. One of the two is sure to happen."
In front of the house Dan Barry already sat on Satan with Black Bart sitting nearby watching the face of his master. And beside them the lantern-jawed cowpuncher held the bridle of the piebald mustang. Never in the world was there a lazier appearing beast. His lower lip hung pendulous, a full inch and a half below the upper. His eyes were rolled so that hardly more than the whites showed. He seemed to stand asleep, dreaming of some Nirvana for equine souls. And the only signs of life were the long ears, which wobbled, occasionally, back and forth.
When the doctor mounted, the piebald limited all signs of interest to opening one eye.
The doctor clucked. The piebald switched his tail. Satan, at a word from Dan Barry, moved gracefully into a soft trot away from the house. The doctor slapped his mount on the neck. An ear flicked back and forth. The doctor stretched out both legs, and then he dug both spurs deep into the flanks of the mustang.
It was a perfectly successful maneuvre. The back of the piebald changed from an ugly humped line to a decidedly sharp parabola and the horse left the ground with all four feet. He hit it again, almost in the identical hoof-marks, and with all legs stiff. The doctor sagged drunkenly in the saddle, and his head first swung far back, and then snapped over so that the chin banged against his chest. Nevertheless he clung to the saddle with both hands, and stayed in his seat. The piebald swung his head around sufficiently to make sure of the surprising fact, and then he commenced to buck in earnest.
It was a lovely exhibition. He bucked with his head up and his head between his knees. He bucked in a circle and in a straight line and then mixed both styles for variety. He made little spurts at full speed, leaped into the air, and came down stiff-legged at the end of the run, his head between his braced forefeet, and then he whirled as if on a peg and darted back the other way. He bucked criss-cross, jumping from side to side, and he interspersed this with samples of all his other kinds of bucking thrown in. That the doctor stuck on the saddle was a miracle beyond belief. Of course he pulled leather shamelessly throughout the contest, but riding straight up is a good deal of a myth. Fancy riding is reserved for circus men. The mountain-desert is a place where men stick close to utility and let style go hang.
And the doctor stuck in the saddle. He had set his teeth, and he was a sea-sick greenish-white. His hat was a-jog over one ear—his shirt tails flew out behind. And still he remained to battle. Aye, for he ceased the passive clinging to the saddle. He gathered up the long quirt which had hitherto dangled idly from his wrist, and at the very moment when the piebald had let out another notch in his feats, the doctor, holding on desperately with one hand, with the other brandished the quirt around his head and brought it down with a crack along the flanks of the piebald.
The effect was a little short of a miracle. The mustang snorted and leaped once into the air, but he forgot to come down stiff-legged, and then, instantly, he broke into a little, soft dog trot, and followed humbly in the trail of the black stallion. The laughter and cheers from the house were the sweetest of music in the ears of Doctor Randall Byrne; the most sounding sentences of praise from the lips of the most learned of professors, after this, would be the most shabby of anticlimaxes. He waved his arm back to a group standing in front of the house—Buck Daniels, Kate, the lantern-jawed cowboy, and Wung Lu waving his kitchen apron. In another moment he was beside the rider of the stallion, and the man was whistling one of those melodies which defied repetition. It simply ran on and on, smoothly, sweeping through transition after transition, soaring and falling in the most effortless manner. Now it paused, now it began again. It was never loud, but it carried like the music of a bird on wing, blown by the wind. There was about it, also, something which escaped from the personal. He began to forget that it was a man who whistled, and such a man! He began to look about to the hills and the sky and the rocks—for these, it might be said, were set to music—they, too, had the sweep of line, and the broken rhythms, the sense of spaciousness, the far horizons.
That day was a climax of the unusual weather. For a long time the sky had been periodically blanketed with thick mists, but to-day the wind had freshened and it tore the mists into a thousand mighty fragments. There was never blue sky in sight—only, far up, a diminishing and lighter grey to testify that above it the yellow sun might be shining; but all the lower heavens were a-sweep with vast cloud masses, irregular, huge, hurling across the sky. They hung so low that one could follow the speed of their motion and almost gauge it by miles per hour. And in the distance they seemed to brush the tops of the hills. Seeing this, the doctor remembered what he had heard of rain in this region. It would come, they said, in sheets and masses—literal water-falls. Dry arroyos suddenly filled and became swift torrent, rolling big boulders down their courses. There were tales of men fording rivers who were suddenly overwhelmed by terrific walls of water which rushed down from the higher mountains in masses four and eight feet high. In coming they made a thundering among the hills and they plucked up full grown trees like twigs thrust into wet mud. Indeed, that was the sort of rain one would expect in such a country, so whipped and naked of life. Even the reviving rainfall was sent in the form of a scourge; and that which should make the grass grow might tear it up by the roots.
That was a time of change and of portent, and a day well fitted to the mood of Randall Byrne. He, also, had altered, and there was about to break upon him the rain of life, and whether it would destroy him or make him live, and richly, he could not guess. But he was naked to the skies of chance—naked as this landscape.
Far past the mid-day they reached the streets of Elkhead and stopped at the hotel. As the doctor swung down from his saddle, cramped and sore from the long ride, thunder rattled over the distant hills and a patter of rain splashed in the dust and sent up a pungent odor to his nostrils. It was like the voice of the earth proclaiming its thirst. And a blast of wind leaped down the street and lifted the brim of Barry's hat and set the bandana at his throat fluttering. He looked away into the teeth of the wind and smiled.
There was something so curious about him at the instant that Randall Byrne wanted to ask him into the hotel—wanted to have him knee to knee for a long talk. But he remembered an old poem—the sea-shell needs the waves of the sea—the bird will not sing in the cage. And the yellow light in the eyes of Barry, phosphorescent, almost—a thing that might be nearly seen by night—that, surely, would not shine under any roof. It was the wind which made him smile. These things he understood, without fear.
So he said good-bye, and the rider waved carelessly and took the reins of the piebald and turned the stallion back. He noted the catlike grace of the horse in moving, as if his muscles were steel springs; and he noted also that the long ride had scarcely stained the glossy hide with sweat—while the piebald reeked with the labour. Randall Byrne drew thoughtfully back onto the porch of the hotel and followed the rider with his eyes. In a moment a great cloud of dust poured down the street, covered the rider, and when it was gone he had passed around a corner and out of the life of the doctor.