At supper, with her red, downcast eyes, she had returned to sheer girlishness again, overawed by her mother. The meal had an unusual aspect. Mr. Povey, safe from the dentist’s, but having lost two teeth in two days, was being fed on ‘slops’—bread and milk, to wit; he sat near the fire. The others had cold pork, half a cold apple-pie, and cheese; but Sophia only pretended to eat; each time she tried to swallow, the tears came into her eyes, and her throat shut itself up. Mrs. Baines and Constance had a too careful air of eating just as usual. Mrs. Baines’s handsome ringlets dominated the table under the gas.
“I’m not so set up with my pastry to-day,” observed Mrs. Baines, critically munching a fragment of pie-crust.
She rang a little hand-bell. Maggie appeared from the cave. She wore a plain white bib-less apron, but no cap.
“Maggie, will you have some pie?”
“Yes, if you can spare it, ma’am.”
This was Maggie’s customary answer to offers of food.
“We can always spare it, Maggie,” said her mistress, as usual. “Sophia, if you aren’t going to use that plate, give it to me.”
Maggie disappeared with liberal pie.
Mrs. Baines then talked to Mr. Povey about his condition, and in particular as to the need for precautions against taking cold in the bereaved gum. She was a brave and determined woman; from start to finish she behaved as though nothing whatever in the household except her pastry and Mr. Povey had deviated that day from the normal. She kissed Constance and Sophia with the most exact equality, and called them ‘my chucks’ when they went up to bed.
Constance, excellent kind heart, tried to imitate her mother’s tactics as the girls undressed in their room. She thought she could not do better than ignore Sophia’s deplorable state.
“Mother’s new dress is quite finished, and she’s going to wear it on Sunday,” said she, blandly.
“If you say another word I’ll scratch your eyes out!” Sophia turned on her viciously, with a catch in her voice, and then began to sob at intervals. She did not mean this threat, but its utterance gave her relief. Constance, faced with the fact that her mother’s shoes were too big for her, decided to preserve her eyesight.
Long after the gas was out, rare sobs from Sophia shook the bed, and they both lay awake in silence.
“I suppose you and mother have been talking me over finely to-day?” Sophia burst forth, to Constance’s surprise, in a wet voice.
“No,” said Constance soothingly. “Mother only told me.”
“Told you what?”
“That you wanted to be a teacher.”
“And I will be, too!” said Sophia, bitterly.
“You don’t know mother,” thought Constance; but she made no audible comment.
There was another detached, hard sob. And then, such is the astonishing talent of youth, they both fell asleep.
The next morning, early, Sophia stood gazing out of the window at the Square. It was Saturday, and all over the Square little stalls, with yellow linen roofs, were being erected for the principal market of the week. In those barbaric days Bursley had a majestic edifice, black as basalt, for the sale of dead animals by the limb and rib—it was entitled ‘the Shambles’—but vegetables, fruit, cheese, eggs, and pikelets were still sold under canvas. Eggs are now offered at five farthings apiece in a palace that cost twenty-five thousand pounds. Yet you will find people in Bursley ready to assert that things generally are not what they were, and that in particular the romance of life has gone. But until it has gone it is never romance. To Sophia, though she was in a mood which usually stimulates the sense of the romantic, there was nothing of romance in this picturesque tented field. It was just the market. Holl’s, the leading grocer’s, was already open, at the extremity of the Square, and a boy apprentice was sweeping the pavement in front of it. The public-houses were open, several of them specializing in hot rum at 5.30 a.m. The town-crier, in his blue coat with red facings, crossed the Square, carrying his big bell by the tongue. There was the same shocking hole in one of Mrs. Povey’s (confectioner’s) window-curtains—a hole which even her recent travail could scarcely excuse. Such matters it was that Sophia noticed with dull, smarting eyes.
“Sophia, you’ll take your death of cold standing there like that!”
She jumped. The voice was her mother’s. That vigorous woman, after a calm night by the side of the paralytic, was already up and neatly dressed. She carried a bottle and an egg-cup, and a small quantity of jam in a table-spoon.
“Get into bed again, do! There’s a dear! You’re shivering.”
White Sophia obeyed. It was true; she was shivering. Constance awoke. Mrs. Baines went to the dressing-table and filled the egg-cup out of the bottle.
“Who’s that for, mother?” Constance asked sleepily.
“It’s for Sophia,” said Mrs. Baines, with good cheer. “Now, Sophia!” and she advanced with the egg-cup in one hand and the table-spoon in the other.
“What is it, mother?” asked Sophia, who well knew what it was.
“Castor-oil, my dear,” said Mrs. Baines, winningly.
The ludicrousness of attempting to cure obstinacy and yearnings for a freer life by means of castor-oil is perhaps less real than apparent. The strange interdependence of spirit and body, though only understood intelligently in these intelligent days, was guessed at by sensible mediaeval mothers. And certainly, at the period when Mrs. Baines represented modernity, castor-oil was still the remedy of remedies. It had supplanted cupping. And, if part of its vogue was due to its extreme unpleasantness, it had at least proved its qualities in many a contest with disease. Less than two years previously old Dr. Harrop (father of him who told Mrs. Baines about Mrs. Povey), being then aged eighty-six, had fallen from top to bottom of his staircase. He had scrambled up, taken a dose of castor-oil at once, and on the morrow was as well as if he had never seen a staircase. This episode was town property and had sunk deep into all hearts.
“I don’t want any, mother,” said Sophia, in dejection. “I’m quite well.”
“You simply ate nothing all day yesterday,” said Mrs. Baines. And she added, “Come!” As if to say, “There’s always this silly fuss with castor-oil. Don’t keep me waiting.”
“I don’t WANT any,” said Sophia, irritated and captious.
The two girls lay side by side, on their backs. They seemed very thin and fragile in comparison with the solidity of their mother. Constance wisely held her peace.
Mrs. Baines put her lips together, meaning: “This is becoming tedious. I shall have to be angry in another moment!”
“Come!” said she again.
The girls could hear her foot tapping on the floor.
“I really don’t want it, mamma,” Sophia fought. “I suppose I ought to know whether I need it or not!” This was insolence.
“Sophia, will you take this medicine, or won’t you?”
In conflicts with her children, the mother’s ultimatum always took the formula in which this phrase was cast. The girls knew, when things had arrived at the pitch of ‘or won’t you’ spoken in Mrs. Baines’s firmest tone, that the end was upon them. Never had the ultimatum failed.
There was a silence.
“And I’ll thank you to mind your manners,” Mrs. Baines added.
“I won’t take it,” said Sophia, sullenly and flatly; and she hid her face in the pillow.
It was a historic moment in the family life. Mrs. Baines thought the last day had come. But still she held herself in dignity while the apocalypse roared in her ears.
“OF COURSE I CAN’T FORCE YOU TO TAKE IT,” she said with superb evenness, masking anger by compassionate grief. “You’re a big girl and a naughty girl. And if you will be ill you must.”
Upon this immense admission, Mrs. Baines departed.
Constance trembled.
Nor was that all. In the middle of the morning, when Mrs. Baines was pricing new potatoes at a stall at the top end of the Square, and Constance choosing threepennyworth of flowers at the same stall, whom should they both see, walking all alone across the empty corner by the Bank, but Sophia Baines! The Square was busy and populous, and Sophia was only visible behind a foreground of restless, chattering figures. But she was unmistakably seen. She had been beyond the Square and was returning. Constance could scarcely believe her eyes. Mrs. Baines’s heart jumped. For let it be said that the girls never under any circumstances went forth without permission, and scarcely ever alone. That Sophia should be at large in the town, without leave, without notice, exactly as if she were her own mistress, was a proposition which a day earlier had been inconceivable. Yet there she was, and moving with a leisureliness that must be described as effrontery!
Red with apprehension, Constance wondered what would happen. Mrs. Baines said nought of her feelings, did not even indicate that she had seen the scandalous, the breath-taking sight. And they descended the Square laden with the lighter portions of what they had bought during an hour of buying. They went into the house by the King Street door; and the first thing they heard was the sound of the piano upstairs. Nothing happened. Mr. Povey had his dinner alone; then the table was laid for them, and the bell rung, and Sophia came insolently downstairs to join her mother and sister. And nothing happened. The dinner was silently eaten, and Constance having rendered thanks to God, Sophia rose abruptly to go.
“Sophia!”
“Yes, mother.”
“Constance, stay where you are,” said Mrs. Baines suddenly to Constance, who had meant to flee. Constance was therefore destined to be present at the happening, doubtless in order to emphasize its importance and seriousness.
“Sophia,” Mrs. Baines resumed to her younger daughter in an ominous voice. “No, please shut the door. There is no reason why everybody in the house should hear. Come right into the room—right in! That’s it. Now, what were you doing out in the town this morning?”
Sophia was fidgeting nervously with the edge of her little black apron, and worrying a seam of the carpet with her toes. She bent her head towards her left shoulder, at first smiling vaguely. She said nothing, but every limb, every glance, every curve, was speaking. Mrs. Baines sat firmly in her own rocking-chair, full of the sensation that she had Sophia, as it were, writhing on the end of a skewer. Constance was braced into a moveless anguish.
“I will have an answer,” pursued Mrs. Baines. “What were you doing out in the town this morning?”
“I just went out,” answered Sophia at length, still with eyes downcast, and in a rather simpering tone.
“Why did you go out? You said nothing to me about going out. I heard Constance ask you if you were coming with us to the market, and you said, very rudely, that you weren’t.”
“I didn’t say it rudely,” Sophia objected.
“Yes you did. And I’ll thank you not to answer back.”
“I didn’t mean to say it rudely, did I, Constance?” Sophia’s head turned sharply to her sister. Constance knew not where to look.
“Don’t answer back,” Mrs. Baines repeated sternly. “And don’t try to drag Constance into this, for I won’t have it.”
“Oh, of course Constance is always right!” observed Sophia, with an irony whose unparalleled impudence shook Mrs. Baines to her massive foundations.
“Do you want me to have to smack you, child?”
Her temper flashed out and you could see ringlets vibrating under the provocation of Sophia’s sauciness. Then Sophia’s lower lip began to fall and to bulge outwards, and all the muscles of her face seemed to slacken.
“You are a very naughty girl,” said Mrs. Baines, with restraint. (“I’ve got her,” said Mrs. Baines to herself. “I may just as well keep my temper.”)
And a sob broke out of Sophia. She was behaving like a little child. She bore no trace of the young maiden sedately crossing the Square without leave and without an escort.
(“I knew she was going to cry,” said Mrs. Baines, breathing relief.)
“I’m waiting,” said Mrs. Baines aloud.
A second sob. Mrs. Baines manufactured patience to meet the demand.
“You tell me not to answer back, and then you say you’re waiting,” Sophia blubbered thickly.
“What’s that you say? How can I tell what you say if you talk like that?” (But Mrs. Baines failed to hear out of discretion, which is better than valour.)
“It’s of no consequence,” Sophia blurted forth in a sob. She was weeping now, and tears were ricocheting off her lovely crimson cheeks on to the carpet; her whole body was trembling.
“Don’t be a great baby,” Mrs. Baines enjoined, with a touch of rough persuasiveness in her voice.
“It’s you who make me cry,” said Sophia, bitterly. “You make me cry and then you call me a great baby!” And sobs ran through her frame like waves one after another. She spoke so indistinctly that her mother now really had some difficulty in catching her words.
“Sophia,” said Mrs. Baines, with god-like calm, “it is not I who make you cry. It is your guilty conscience makes you cry. I have merely asked you a question, and I intend to have an answer.”
“I’ve told you.” Here Sophia checked the sobs with an immense effort.
“What have you told me?”
“I just went out.”
“I will have no trifling,” said Mrs. Baines. “What did you go out for, and without telling me? If you had told me afterwards, when I came in, of your own accord, it might have been different. But no, not a word! It is I who have to ask! Now, quick! I can’t wait any longer.”
(“I gave way over the castor-oil, my girl,” Mrs. Baines said in her own breast. “But not again! Not again!”)
“I don’t know,” Sophia murmured.
“What do you mean—you don’t know?”
The sobbing recommenced tempestuously. “I mean I don’t know. I just went out.” Her voice rose; it was noisy, but scarcely articulate. “What if I did go out?”
“Sophia, I am not going to be talked to like this. If you think because you’re leaving school you can do exactly as you like—”
“Do I want to leave school?” yelled Sophia, stamping. In a moment a hurricane of emotion overwhelmed her, as though that stamping of the foot had released the demons of the storm. Her face was transfigured by uncontrollable passion. “You all want to make me miserable!” she shrieked with terrible violence. “And now I can’t even go out! You are a horrid, cruel woman, and I hate you! And you can do what you like! Put me in prison if you like! I know you’d be glad if I was dead!”
She dashed from the room, banging the door with a shock that made the house rattle. And she had shouted so loud that she might have been heard in the shop, and even in the kitchen. It was a startling experience for Mrs. Baines. Mrs. Baines, why did you saddle yourself with a witness? Why did you so positively say that you intended to have an answer?
“Really,” she stammered, pulling her dignity about her shoulders like a garment that the wind has snatched off. “I never dreamed that poor girl had such a dreadful temper! What a pity it is, for her OWN sake!” It was the best she could do.
Constance, who could not bear to witness her mother’s humiliation, vanished very quietly from the room. She got halfway upstairs to the second floor, and then, hearing the loud, rapid, painful, regular intake of sobbing breaths, she hesitated and crept down again.
This was Mrs. Baines’s first costly experience of the child thankless for having been brought into the world. It robbed her of her profound, absolute belief in herself. She had thought she knew everything in her house and could do everything there. And lo! she had suddenly stumbled against an unsuspected personality at large in her house, a sort of hard marble affair that informed her by means of bumps that if she did not want to be hurt she must keep out of the way.
On the Sunday afternoon Mrs. Baines was trying to repose a little in the drawing-room, where she had caused a fire to be lighted. Constance was in the adjacent bedroom with her father. Sophia lay between blankets in the room overhead with a feverish cold. This cold and her new dress were Mrs. Baines’s sole consolation at the moment. She had prophesied a cold for Sophia, refuser of castor-oil, and it had come. Sophia had received, for standing in her nightdress at a draughty window of a May morning, what Mrs. Baines called ‘nature’s slap in the face.’ As for the dress, she had worshipped God in it, and prayed for Sophia in it, before dinner; and its four double rows of gimp on the skirt had been accounted a great success. With her lace-bordered mantle and her low, stringed bonnet she had assuredly given a unique lustre to the congregation at chapel. She was stout; but the fashions, prescribing vague outlines, broad downward slopes, and vast amplitudes, were favourable to her shape. It must not be supposed that stout women of a certain age never seek to seduce the eye and trouble the meditations of man by other than moral charms. Mrs. Baines knew that she was comely, natty, imposing, and elegant; and the knowledge gave her real pleasure. She would look over her shoulder in the glass as anxious as a girl: make no mistake.
She did not repose; she could not. She sat thinking, in exactly the same posture as Sophia’s two afternoons previously. She would have been surprised to hear that her attitude, bearing, and expression powerfully recalled those of her reprehensible daughter. But it was so. A good angel made her restless, and she went idly to the window and glanced upon the empty, shuttered Square. She too, majestic matron, had strange, brief yearnings for an existence more romantic than this; shootings across her spirit’s firmament of tailed comets; soft, inexplicable melancholies. The good angel, withdrawing her from such a mood, directed her gaze to a particular spot at the top of the square.
She passed at once out of the room—not precisely in a hurry, yet without wasting time. In a recess under the stairs, immediately outside the door, was a box about a foot square and eighteen inches deep covered with black American cloth. She bent down and unlocked this box, which was padded within and contained the Baines silver tea-service. She drew from the box teapot, sugar-bowl, milk-jug, sugar-tongs, hot-water jug, and cake-stand (a flattish dish with an arching semicircular handle)—chased vessels, silver without and silver-gilt within; glittering heirlooms that shone in the dark corner like the secret pride of respectable families. These she put on a tray that always stood on end in the recess. Then she looked upwards through the banisters to the second floor.
“Maggie!” she piercingly whispered.
“Yes, mum,” came a voice.
“Are you dressed?”
“Yes, mum. I’m just coming.”
“Well, put on your muslin.” “Apron,” Mrs. Baines implied.
Maggie understood.
“Take these for tea,” said Mrs. Baines when Maggie descended. “Better rub them over. You know where the cake is—that new one. The best cups. And the silver spoons.”
They both heard a knock at the side-door, far off, below.
“There!” exclaimed Mrs. Baines. “Now take these right down into the kitchen before you open.”
“Yes, mum,” said Maggie, departing.
Mrs. Baines was wearing a black alpaca apron. She removed it and put on another one of black satin embroidered with yellow flowers, which, by merely inserting her arm into the chamber, she had taken from off the chest of drawers in her bedroom. Then she fixed herself in the drawing-room.
Maggie returned, rather short of breath, convoying the visitor.
“Ah! Miss Chetwynd,” said Mrs. Baines, rising to welcome. “I’m sure I’m delighted to see you. I saw you coming down the Square, and I said to myself, ‘Now, I do hope Miss Chetwynd isn’t going to forget us.’”
Miss Chetwynd, simpering momentarily, came forward with that self-conscious, slightly histrionic air, which is one of the penalties of pedagogy. She lived under the eyes of her pupils. Her life was one ceaseless effort to avoid doing anything which might influence her charges for evil or shock the natural sensitiveness of their parents. She had to wind her earthly way through a forest of the most delicate susceptibilities—fern-fronds that stretched across the path, and that she must not even accidentally disturb with her skirt as she passed. No wonder she walked mincingly! No wonder she had a habit of keeping her elbows close to her sides, and drawing her mantle tight in the streets! Her prospectus talked about ‘a sound and religious course of training,’ 'study embracing the usual branches of English, with music by a talented master, drawing, dancing, and calisthenics.’ Also ‘needlework plain and ornamental;’ also ‘moral influence;’ and finally about terms, 'which are very moderate, and every particular, with references to parents and others, furnished on application.’ (Sometimes, too, without application.) As an illustration of the delicacy of fern-fronds, that single word ‘dancing’ had nearly lost her Constance and Sophia seven years before!
She was a pinched virgin, aged forty, and not ‘well off;’ in her family the gift of success had been monopolized by her elder sister. For these characteristics Mrs. Baines, as a matron in easy circumstances, pitied Miss Chetwynd. On the other hand, Miss Chetwynd could choose ground from which to look down upon Mrs. Baines, who after all was in trade. Miss Chetwynd had no trace of the local accent; she spoke with a southern refinement which the Five Towns, while making fun of it, envied. All her O’s had a genteel leaning towards ‘ow,’ as ritualism leans towards Romanism. And she was the fount of etiquette, a wonder of correctness; in the eyes of her pupils’ parents not so much ‘a perfect LADY’ as ‘a PERFECT lady.’ So that it was an extremely nice question whether, upon the whole, Mrs. Baines secretly condescended to Miss Chetwynd or Miss Chetwynd to Mrs. Baines. Perhaps Mrs. Baines, by virtue of her wifehood, carried the day.
Miss Chetwynd, carefully and precisely seated, opened the conversation by explaining that even if Mrs. Baines had not written she should have called in any case, as she made a practice of calling at the home of her pupils in vacation time: which was true. Mrs. Baines, it should be stated, had on Friday afternoon sent to Miss Chetwynd one of her most luxurious notes—lavender-coloured paper with scalloped edges, the selectest mode of the day—to announce, in her Italian hand, that Constance and Sophia would both leave school at the end of the next term, and giving reasons in regard to Sophia.
Before the visitor had got very far, Maggie came in with a lacquered tea-caddy and the silver teapot and a silver spoon on a lacquered tray. Mrs. Baines, while continuing to talk, chose a key from her bunch, unlocked the tea-caddy, and transferred four teaspoonfuls of tea from it to the teapot and relocked the caddy.
“Strawberry,” she mysteriously whispered to Maggie; and Maggie disappeared, bearing the tray and its contents.
“And how is your sister? It is quite a long time since she was down here,” Mrs. Baines went on to Miss Chetwynd, after whispering “strawberry.”
The remark was merely in the way of small-talk—for the hostess felt a certain unwilling hesitation to approach the topic of daughters—but it happened to suit the social purpose of Miss Chetwynd to a nicety. Miss Chetwynd was a vessel brimming with great tidings.
“She is very well, thank you,” said Miss Chetwynd, and her expression grew exceedingly vivacious. Her face glowed with pride as she added, “Of course everything is changed now.”
“Indeed?” murmured Mrs. Baines, with polite curiosity.
“Yes,” said Miss Chetwynd. “You’ve not heard?”
“No,” said Mrs. Baines. Miss Chetwynd knew that she had not heard.
“About Elizabeth’s engagement? To the Reverend Archibald Jones?”
It is the fact that Mrs. Baines was taken aback. She did nothing indiscreet; she did not give vent to her excusable amazement that the elder Miss Chetwynd should be engaged to any one at all, as some women would have done in the stress of the moment. She kept her presence of mind.
“This is really MOST interesting!” said she.
It was. For Archibald Jones was one of the idols of the Wesleyan Methodist Connexion, a special preacher famous throughout England. At 'Anniversaries’ and ‘Trust sermons,’ Archibald Jones had probably no rival. His Christian name helped him; it was a luscious, resounding mouthful for admirers. He was not an itinerant minister, migrating every three years. His function was to direct the affairs of the ‘Book Room,’ the publishing department of the Connexion. He lived in London, and shot out into the provinces at week-ends, preaching on Sundays and giving a lecture, tinctured with bookishness, ‘in the chapel’ on Monday evenings. In every town he visited there was competition for the privilege of entertaining him. He had zeal, indefatigable energy, and a breezy wit. He was a widower of fifty, and his wife had been dead for twenty years. It had seemed as if women were not for this bright star. And here Elizabeth Chetwynd, who had left the Five Towns a quarter of a century before at the age of twenty, had caught him! Austere, moustached, formidable, desiccated, she must have done it with her powerful intellect! It must be a union of intellects! He had been impressed by hers, and she by his, and then their intellects had kissed. Within a week fifty thousand women in forty counties had pictured to themselves this osculation of intellects, and shrugged their shoulders, and decided once more that men were incomprehensible. These great ones in London, falling in love like the rest! But no! Love was a ribald and voluptuous word to use in such a matter as this. It was generally felt that the Reverend Archibald Jones and Miss Chetwynd the elder would lift marriage to what would now be termed an astral plane.
After tea had been served, Mrs. Baines gradually recovered her position, both in her own private esteem and in the deference of Miss Aline Chetwynd.
“Yes,” said she. “You can talk about your sister, and you can call HIM Archibald, and you can mince up your words. But have you got a tea-service like this? Can you conceive more perfect strawberry jam than this? Did not my dress cost more than you spend on your clothes in a year? Has a man ever looked at you? After all, is there not something about my situation ... in short, something...?”
She did not say this aloud. She in no way deviated from the scrupulous politeness of a hostess. There was nothing in even her tone to indicate that Mrs. John Baines was a personage. Yet it suddenly occurred to Miss Chetwynd that her pride in being the prospective sister-in-law of the Rev. Archibald Jones would be better for a while in her pocket. And she inquired after Mr. Baines. After this the conversation limped somewhat.
“I suppose you weren’t surprised by my letter?” said Mrs. Baines.
“I was and I wasn’t,” answered Miss Chetwynd, in her professional manner and not her manner of a prospective sister-in-law. “Of course I am naturally sorry to lose two such good pupils, but we can’t keep our pupils for ever.” She smiled; she was not without fortitude—it is easier to lose pupils than to replace them. “Still”—a pause—“what you say of Sophia is perfectly true, perfectly. She is quite as advanced as Constance. Still”—another pause and a more rapid enunciation—“Sophia is by no means an ordinary girl.”
“I hope she hasn’t been a very great trouble to you?”
“Oh NO!” exclaimed Miss Chetwynd. “Sophia and I have got on very well together. I have always tried to appeal to her reason. I have never FORCED her ... Now, with some girls ... In some ways I look on Sophia as the most remarkable girl—not pupil—but the most remarkable—what shall I say?—individuality, that I have ever met with.” And her demeanour added, “And, mind you, this is something—from me!”
“Indeed!” said Mrs. Baines. She told herself, “I am not your common foolish parent. I see my children impartially. I am incapable of being flattered concerning them.”
Nevertheless she was flattered, and the thought shaped itself that really Sophia was no ordinary girl.
“I suppose she has talked to you about becoming a teacher?” asked Miss Chetwynd, taking a morsel of the unparalleled jam.
She held the spoon with her thumb and three fingers. Her fourth finger, in matters of honest labour, would never associate with the other three; delicately curved, it always drew proudly away from them.
“Has she mentioned that to you?” Mrs. Baines demanded, startled.
“Oh yes!” said Miss Chetwynd. “Several times. Sophia is a very secretive girl, very—but I think I may say I have always had her confidence. There have been times when Sophia and I have been very near each other. Elizabeth was much struck with her. Indeed, I may tell you that in one of her last letters to me she spoke of Sophia and said she had mentioned her to Mr. Jones, and Mr. Jones remembered her quite well.”
Impossible for even a wise, uncommon parent not to be affected by such an announcement!
“I dare say your sister will give up her school now,” observed Mrs. Baines, to divert attention from her self-consciousness.
“Oh NO!” And this time Mrs. Baines had genuinely shocked Miss Chetwynd. “Nothing would induce Elizabeth to give up the cause of education. Archibald takes the keenest interest in the school. Oh no! Not for worlds!”
“THEN YOU THINK SOPHIA WOULD MAKE A GOOD TEACHER?” asked Mrs. Baines with apparent inconsequence, and with a smile. But the words marked an epoch in her mind. All was over.
“I think she is very much set on it and—”
“That wouldn’t affect her father—or me,” said Mrs. Baines quickly.
“Certainly not! I merely say that she is very much set on it. Yes, she would, at any rate, make a teacher far superior to the average.” (“That girl has got the better of her mother without me!” she reflected.) “Ah! Here is dear Constance!”
Constance, tempted beyond her strength by the sounds of the visit and the colloquy, had slipped into the room.
“I’ve left both doors open, mother,” she excused herself for quitting her father, and kissed Miss Chetwynd.
She blushed, but she blushed happily, and really made a most creditable debut as a young lady. Her mother rewarded her by taking her into the conversation. And history was soon made.
So Sophia was apprenticed to Miss Aline Chetwynd. Mrs. Baines bore herself greatly. It was Miss Chetwynd who had urged, and her respect for Miss Chetwynd ... Also somehow the Reverend Archibald Jones came into the cause.
Of course the idea of Sophia ever going to London was ridiculous, ridiculous! (Mrs. Baines secretly feared that the ridiculous might happen; but, with the Reverend Archibald Jones on the spot, the worst could be faced.) Sophia must understand that even the apprenticeship in Bursley was merely a trial. They would see how things went on. She had to thank Miss Chetwynd.
“I made Miss Chetwynd come and talk to mother,” said Sophia magnificently one night to simple Constance, as if to imply, ‘Your Miss Chetwynd is my washpot.’
To Constance, Sophia’s mere enterprise was just as staggering as her success. Fancy her deliberately going out that Saturday morning, after her mother’s definite decision, to enlist Miss Chetwynd in her aid!
There is no need to insist on the tragic grandeur of Mrs. Baines’s renunciation—a renunciation which implied her acceptance of a change in the balance of power in her realm. Part of its tragedy was that none, not even Constance, could divine the intensity of Mrs. Baines’s suffering. She had no confidant; she was incapable of showing a wound. But when she lay awake at night by the organism which had once been her husband, she dwelt long and deeply on the martyrdom of her life. What had she done to deserve it? Always had she conscientiously endeavoured to be kind, just, patient. And she knew herself to be sagacious and prudent. In the frightful and unguessed trials of her existence as a wife, surely she might have been granted consolations as a mother! Yet no; it had not been! And she felt all the bitterness of age against youth—youth egotistic, harsh, cruel, uncompromising; youth that is so crude, so ignorant of life, so slow to understand! She had Constance. Yes, but it would be twenty years before Constance could appreciate the sacrifice of judgment and of pride which her mother had made, in a sudden decision, during that rambling, starched, simpering interview with Miss Aline Chetwynd. Probably Constance thought that she had yielded to Sophia’s passionate temper! Impossible to explain to Constance that she had yielded to nothing but a perception of Sophia’s complete inability to hear reason and wisdom. Ah! Sometimes as she lay in the dark, she would, in fancy, snatch her heart from her bosom and fling it down before Sophia, bleeding, and cry: “See what I carry about with me, on your account!” Then she would take it back and hide it again, and sweeten her bitterness with wise admonitions to herself.
All this because Sophia, aware that if she stayed in the house she would be compelled to help in the shop, chose an honourable activity which freed her from the danger. Heart, how absurd of you to bleed!
“Sophia, will you come and see the elephant? Do come!” Constance entered the drawing-room with this request on her eager lips.
“No,” said Sophia, with a touch of condescension. “I’m far too busy for elephants.”
Only two years had passed; but both girls were grown up now; long sleeves, long skirts, hair that had settled down in life; and a demeanour immensely serious, as though existence were terrific in its responsibilities; yet sometimes childhood surprisingly broke through the crust of gravity, as now in Constance, aroused by such things as elephants, and proclaimed with vivacious gestures that it was not dead after all. The sisters were sharply differentiated. Constance wore the black alpaca apron and the scissors at the end of a long black elastic, which indicated her vocation in the shop. She was proving a considerable success in the millinery department. She had learnt how to talk to people, and was, in her modest way, very self-possessed. She was getting a little stouter. Everybody liked her. Sophia had developed into the student. Time had accentuated her reserve. Her sole friend was Miss Chetwynd, with whom she was, having regard to the disparity of their ages, very intimate. At home she spoke little. She lacked amiability; as her mother said, she was ‘touchy.’ She required diplomacy from others, but did not render it again. Her attitude, indeed, was one of half-hidden disdain, now gentle, now coldly bitter. She would not wear an apron, in an age when aprons were almost essential to decency. No! She would not wear an apron, and there was an end of it. She was not so tidy as Constance, and if Constance’s hands had taken on the coarse texture which comes from commerce with needles, pins, artificial flowers, and stuffs, Sophia’s fine hands were seldom innocent of ink. But Sophia was splendidly beautiful. And even her mother and Constance had an instinctive idea that that face was, at any rate, a partial excuse for her asperity.
“Well,” said Constance, “if you won’t, I do believe I shall ask mother if she will.”
Sophia, bending over her books, made no answer. But the top of her head said: “This has no interest for me whatever.”
Constance left the room, and in a moment returned with her mother.
“Sophia,” said her mother, with gay excitement, “you might go and sit with your father for a bit while Constance and I just run up to the playground to see the elephant. You can work just as well in there as here. Your father’s asleep.”
“Oh, very, well!” Sophia agreed haughtily. “Whatever is all this fuss about an elephant? Anyhow, it’ll be quieter in your room. The noise here is splitting.” She gave a supercilious glance into the Square as she languidly rose.
It was the morning of the third day of Bursley Wakes; not the modern finicking and respectable, but an orgiastic carnival, gross in all its manifestations of joy. The whole centre of the town was given over to the furious pleasures of the people. Most of the Square was occupied by Wombwell’s Menagerie, in a vast oblong tent, whose raging beasts roared and growled day and night. And spreading away from this supreme attraction, right up through the market-place past the Town Hall to Duck Bank, Duck Square and the waste land called the ‘playground’ were hundreds of booths with banners displaying all the delights of the horrible. You could see the atrocities of the French Revolution, and of the Fiji Islands, and the ravages of unspeakable diseases, and the living flesh of a nearly nude human female guaranteed to turn the scale at twenty-two stone, and the skeletons of the mysterious phantoscope, and the bloody contests of champions naked to the waist (with the chance of picking up a red tooth as a relic). You could try your strength by hitting an image of a fellow-creature in the stomach, and test your aim by knocking off the heads of other images with a wooden ball. You could also shoot with rifles at various targets. All the streets were lined with stalls loaded with food in heaps, chiefly dried fish, the entrails of animals, and gingerbread. All the public-houses were crammed, and frenzied jolly drunkards, men and women, lunged along the pavements everywhere, their shouts vying with the trumpets, horns, and drums of the booths, and the shrieking, rattling toys that the children carried.
It was a glorious spectacle, but not a spectacle for the leading families. Miss Chetwynd’s school was closed, so that the daughters of leading families might remain in seclusion till the worst was over. The Baineses ignored the Wakes in every possible way, choosing that week to have a show of mourning goods in the left-hand window, and refusing to let Maggie outside on any pretext. Therefore the dazzling social success of the elephant, which was quite easily drawing Mrs. Baines into the vortex, cannot imaginably be over-estimated.
On the previous night one of the three Wombwell elephants had suddenly knelt on a man in the tent; he had then walked out of the tent and picked up another man at haphazard from the crowd which was staring at the great pictures in front, and tried to put this second man into his mouth. Being stopped by his Indian attendant with a pitchfork, he placed the man on the ground and stuck his tusk through an artery of the victim’s arm. He then, amid unexampled excitement, suffered himself to be led away. He was conducted to the rear of the tent, just in front of Baines’s shuttered windows, and by means of stakes, pulleys, and ropes forced to his knees. His head was whitewashed, and six men of the Rifle Corps were engaged to shoot at him at a distance of five yards, while constables kept the crowd off with truncheons. He died instantly, rolling over with a soft thud. The crowd cheered, and, intoxicated by their importance, the Volunteers fired three more volleys into the carcase, and were then borne off as heroes to different inns. The elephant, by the help of his two companions, was got on to a railway lorry and disappeared into the night. Such was the greatest sensation that has ever occurred, or perhaps will ever occur, in Bursley. The excitement about the repeal of the Corn Laws, or about Inkerman, was feeble compared to that excitement. Mr. Critchlow, who had been called on to put a hasty tourniquet round the arm of the second victim, had popped in afterwards to tell John Baines all about it. Mr. Baines’s interest, however, had been slight. Mr. Critchlow succeeded better with the ladies, who, though they had witnessed the shooting from the drawing-room, were thirsty for the most trifling details.
The next day it was known that the elephant lay near the playground, pending the decision of the Chief Bailiff and the Medical Officer as to his burial. And everybody had to visit the corpse. No social exclusiveness could withstand the seduction of that dead elephant. Pilgrims travelled from all the Five Towns to see him.
“We’re going now,” said Mrs. Baines, after she had assumed her bonnet and shawl.
“All right,” said Sophia, pretending to be absorbed in study, as she sat on the sofa at the foot of her father’s bed.
And Constance, having put her head in at the door, drew her mother after her like a magnet.
Then Sophia heard a remarkable conversation in the passage.
“Are you going up to see the elephant, Mrs. Baines?” asked the voice of Mr. Povey.
“Yes. Why?”
“I think I had better come with you. The crowd is sure to be very rough.” Mr. Povey’s tone was firm; he had a position.
“But the shop?”
“We shall not be long,” said Mr. Povey.
“Oh yes, mother,” Constance added appealingly.
Sophia felt the house thrill as the side-door banged. She sprang up and watched the three cross King Street diagonally, and so plunge into the Wakes. This triple departure was surely the crowning tribute to the dead elephant! It was simply astonishing. It caused Sophia to perceive that she had miscalculated the importance of the elephant. It made her regret her scorn of the elephant as an attraction. She was left behind; and the joy of life was calling her. She could see down into the Vaults on the opposite side of the street, where working men—potters and colliers—in their best clothes, some with high hats, were drinking, gesticulating, and laughing in a row at a long counter.
She noticed, while she was thus at the bedroom window, a young man ascending King Street, followed by a porter trundling a flat barrow of luggage. He passed slowly under the very window. She flushed. She had evidently been startled by the sight of this young man into no ordinary state of commotion. She glanced at the books on the sofa, and then at her father. Mr. Baines, thin and gaunt, and acutely pitiable, still slept. His brain had almost ceased to be active now; he had to be fed and tended like a bearded baby, and he would sleep for hours at a stretch even in the daytime. Sophia left the room. A moment later she ran into the shop, an apparition that amazed the three young lady assistants. At the corner near the window on the fancy side a little nook had been formed by screening off a portion of the counter with large flower-boxes placed end-up. This corner had come to be known as “Miss Baines’s corner.” Sophia hastened to it, squeezing past a young lady assistant in the narrow space between the back of the counter and the shelf-lined wall. She sat down in Constance’s chair and pretended to look for something. She had examined herself in the cheval-glass in the showroom, on her way from the sick-chamber. When she heard a voice near the door of the shop asking first for Mr. Povey and then for Mrs. Baines, she rose, and seizing the object nearest to her, which happened to be a pair of scissors, she hurried towards the showroom stairs as though the scissors had been a grail, passionately sought and to be jealously hidden away. She wanted to stop and turn round, but something prevented her. She was at the end of the counter, under the curving stairs, when one of the assistants said:
“I suppose you don’t know when Mr. Povey or your mother are likely to be back, Miss Sophia? Here’s—”
It was a divine release for Sophia.
“They’re—I—” she stammered, turning round abruptly. Luckily she was still sheltered behind the counter.
The young man whom she had seen in the street came boldly forward.
“Good morning, Miss Sophia,” said he, hat in hand. “It is a long time since I had the pleasure of seeing you.”
Never had she blushed as she blushed then. She scarcely knew what she was doing as she moved slowly towards her sister’s corner again, the young man following her on the customer’s side of the counter.
She knew that he was a traveller for the most renowned and gigantic of all Manchester wholesale firms—Birkinshaws. But she did not know his name, which was Gerald Scales. He was a rather short but extremely well-proportioned man of thirty, with fair hair, and a distinguished appearance, as became a representative of Birkinshaws. His broad, tight necktie, with an edge of white collar showing above it, was particularly elegant. He had been on the road for Birkinshaws for several years; but Sophia had only seen him once before in her life, when she was a little girl, three years ago. The relations between the travellers of the great firms and their solid, sure clients in small towns were in those days often cordially intimate. The traveller came with the lustre of a historic reputation around him; there was no need to fawn for orders; and the client’s immense and immaculate respectability made him the equal of no matter what ambassador. It was a case of mutual esteem, and of that confidence-generating phenomenon, “an old account.” The tone in which a commercial traveller of middle age would utter the phrase “an old account” revealed in a flash all that was romantic, prim, and stately in mid-Victorian commerce. In the days of Baines, after one of the elaborately engraved advice-circulars had arrived (‘Our Mr. —— will have the pleasure of waiting upon you on ——day next, the —— inst.’) John might in certain cases be expected to say, on the morning of ——day, ‘Missis, what have ye gotten for supper to-night?’
Mr. Gerald Scales had never been asked to supper; he had never even seen John Baines; but, as the youthful successor of an aged traveller who had had the pleasure of St. Luke’s Square, on behalf of Birkinshaws, since before railways, Mrs. Baines had treated him with a faint agreeable touch of maternal familiarity; and, both her daughters being once in the shop during his visit, she had on that occasion commanded the gawky girls to shake hands with him.
Sophia had never forgotten that glimpse. The young man without a name had lived in her mind, brightly glowing, as the very symbol and incarnation of the masculine and the elegant.
The renewed sight of him seemed to have wakened her out of a sleep. Assuredly she was not the same Sophia. As she sat in her sister’s chair in the corner, entrenched behind the perpendicular boxes, playing nervously with the scissors, her beautiful face was transfigured into the ravishingly angelic. It would have been impossible for Mr. Gerald Scales, or anybody else, to credit, as he gazed at those lovely, sensitive, vivacious, responsive features, that Sophia was not a character of heavenly sweetness and perfection. She did not know what she was doing; she was nothing but the exquisite expression of a deep instinct to attract and charm. Her soul itself emanated from her in an atmosphere of allurement and acquiescence. Could those laughing lips hang in a heavy pout? Could that delicate and mild voice be harsh? Could those burning eyes be coldly inimical? Never! The idea was inconceivable! And Mr. Gerald Scales, with his head over the top of the boxes, yielded to the spell. Remarkable that Mr. Gerald Scales, with all his experience, should have had to come to Bursley to find the pearl, the paragon, the ideal! But so it was. They met in an equal abandonment; the only difference between them was that Mr. Scales, by force of habit, kept his head.
“I see it’s your wakes here,” said he.
He was polite to the wakes; but now, with the least inflection in the world, he put the wakes at its proper level in the scheme of things as a local unimportance! She adored him for this; she was athirst for sympathy in the task of scorning everything local.
“I expect you didn’t know,” she said, implying that there was every reason why a man of his mundane interests should not know.
“I should have remembered if I had thought,” said he. “But I didn’t think. What’s this about an elephant?”
“Oh!” she exclaimed. “Have you heard of that?”
“My porter was full of it.”
“Well,” she said, “of course it’s a very big thing in Bursley.”
As she smiled in gentle pity of poor Bursley, he naturally did the same. And he thought how much more advanced and broad the younger generation was than the old! He would never have dared to express his real feelings about Bursley to Mrs. Baines, or even to Mr. Povey (who was, however, of no generation); yet here was a young woman actually sharing them.
She told him all the history of the elephant.
“Must have been very exciting,” he commented, despite himself.
“Do you know,” she replied, “it WAS.”
After all, Bursley was climbing in their opinion.
“And mother and my sister and Mr. Povey have all gone to see it. That’s why they’re not here.”
That the elephant should have caused both Mr. Povey and Mrs. Baines to forget that the representative of Birkinshaws was due to call was indeed a final victory for the elephant.
“But not you!” he exclaimed.
“No,” she said. “Not me.”
“Why didn’t you go too?” He continued his flattering investigations with a generous smile.
“I simply didn’t care to,” said she, proudly nonchalant.
“And I suppose you are in charge here?”
“No,” she answered. “I just happened to have run down here for these scissors. That’s all.”
“I often see your sister,” said he. “‘Often’ do I say?—that is, generally, when I come; but never you.”
“I’m never in the shop,” she said. “It’s just an accident to-day.”
“Oh! So you leave the shop to your sister?”
“Yes.” She said nothing of her teaching.
Then there was a silence. Sophia was very thankful to be hidden from the curiosity of the shop. The shop could see nothing of her, and only the back of the young man; and the conversation had been conducted in low voices. She tapped her foot, stared at the worn, polished surface of the counter, with the brass yard-measure nailed along its edge, and then she uneasily turned her gaze to the left and seemed to be examining the backs of the black bonnets which were perched on high stands in the great window. Then her eyes caught his for an important moment.
“Yes,” she breathed. Somebody had to say something. If the shop missed the murmur of their voices the shop would wonder what had happened to them.
Mr. Scales looked at his watch. ‘“I dare say if I come in again about two—” he began.
“Oh yes, they’re SURE to be in then,” she burst out before he could finish his sentence.
He left abruptly, queerly, without shaking hands (but then it would have been difficult—she argued—for him to have put his arm over the boxes), and without expressing the hope of seeing her again. She peeped through the black bonnets, and saw the porter put the leather strap over his shoulders, raise the rear of the barrow, and trundle off; but she did not see Mr. Scales. She was drunk; thoughts were tumbling about in her brain like cargo loose in a rolling ship. Her entire conception of herself was being altered; her attitude towards life was being altered. The thought which knocked hardest against its fellows was, “Only in these moments have I begun to live!”
And as she flitted upstairs to resume watch over her father she sought to devise an innocent-looking method by which she might see Mr. Scales when he next called. And she speculated as to what his name was.
When Sophia arrived in the bedroom, she was startled because her father’s head and beard were not in their accustomed place on the pillow. She could only make out something vaguely unusual sloping off the side of the bed. A few seconds passed—not to be measured in time—and she saw that the upper part of his body had slipped down, and his head was hanging, inverted, near the floor between the bed and the ottoman. His face, neck, and hands were dark and congested; his mouth was open, and the tongue protruded between the black, swollen, mucous lips; his eyes were prominent and coldly staring. The fact was that Mr. Baines had wakened up, and, being restless, had slid out partially from his bed and died of asphyxia. After having been unceasingly watched for fourteen years, he had, with an invalid’s natural perverseness, taken advantage of Sophia’s brief dereliction to expire. Say what you will, amid Sophia’s horror, and her terrible grief and shame, she had visitings of the idea: he did it on purpose!
She ran out of the room, knowing by intuition that he was dead, and shrieked out, “Maggie,” at the top of her voice; the house echoed.
“Yes, miss,” said Maggie, quite close, coming out of Mr. Povey’s chamber with a slop-pail.
“Fetch Mr. Critchlow at once. Be quick. Just as you are. It’s father—”
Maggie, perceiving darkly that disaster was in the air, and instantly filled with importance and a sort of black joy, dropped her pail in the exact middle of the passage, and almost fell down the crooked stairs. One of Maggie’s deepest instincts, always held in check by the stern dominance of Mrs. Baines, was to leave pails prominent on the main routes of the house; and now, divining what was at hand, it flamed into insurrection.
No sleepless night had ever been so long to Sophia as the three minutes which elapsed before Mr. Critchlow came. As she stood on the mat outside the bedroom door she tried to draw her mother and Constance and Mr. Povey by magnetic force out of the wakes into the house, and her muscles were contracted in this strange effort. She felt that it was impossible to continue living if the secret of the bedroom remained unknown one instant longer, so intense was her torture, and yet that the torture which could not be borne must be borne. Not a sound in the house! Not a sound from the shop! Only the distant murmur of the wakes!
“Why did I forget father?” she asked herself with awe. “I only meant to tell him that they were all out, and run back. Why did I forget father?” She would never be able to persuade anybody that she had literally forgotten her father’s existence for quite ten minutes; but it was true, though shocking.
Then there were noises downstairs.
“Bless us! Bless us!” came the unpleasant voice of Mr. Critchlow as he bounded up the stairs on his long legs; he strode over the pail. “What’s amiss?” He was wearing his white apron, and he carried his spectacles in his bony hand.
“It’s father—he’s—” Sophia faltered.
She stood away so that he should enter the room first. He glanced at her keenly, and as it were resentfully, and went in. She followed, timidly, remaining near the door while Mr. Critchlow inspected her handiwork. He put on his spectacles with strange deliberation, and then, bending his knees outwards, thus lowered his body so that he could examine John Baines point-blank. He remained staring like this, his hands on his sharp apron-covered knees, for a little space; and then he seized the inert mass and restored it to the bed, and wiped those clotted lips with his apron.
Sophia heard loud breathing behind her. It was Maggie. She heard a huge, snorting sob; Maggie was showing her emotion.
“Go fetch doctor!” Mr. Critchlow rasped. “And don’t stand gaping there!”
“Run for the doctor, Maggie,” said Sophia.
“How came ye to let him fall?” Mr. Critchlow demanded.
“I was out of the room. I just ran down into the shop—”
“Gallivanting with that young Scales!” said Mr. Critchlow, with devilish ferocity. “Well, you’ve killed yer father; that’s all!”
He must have been at his shop door and seen the entry of the traveller! And it was precisely characteristic of Mr. Critchlow to jump in the dark at a horrible conclusion, and to be right after all. For Sophia Mr. Critchlow had always been the personification of malignity and malevolence, and now these qualities in him made him, to her, almost obscene. Her pride brought up tremendous reinforcements, and she approached the bed.
“Is he dead?” she asked in a quiet tone. (Somewhere within a voice was whispering, “So his name is Scales.”)
“Don’t I tell you he’s dead?”
“Pail on the stairs!”
This mild exclamation came from the passage. Mrs. Baines, misliking the crowds abroad, had returned alone; she had left Constance in charge of Mr. Povey. Coming into her house by the shop and showroom, she had first noted the phenomenon of the pail—proof of her theory of Maggie’s incurable untidiness.
“Been to see the elephant, I reckon!” said Mr. Critchlow, in fierce sarcasm, as he recognized Mrs. Baines’s voice.
Sophia leaped towards the door, as though to bar her mother’s entrance. But Mrs. Baines was already opening the door.
“Well, my pet—” she was beginning cheerfully.
Mr. Critchlow confronted her. And he had no more pity for the wife than for the daughter. He was furiously angry because his precious property had been irretrievably damaged by the momentary carelessness of a silly girl. Yes, John Baines was his property, his dearest toy! He was convinced that he alone had kept John Baines alive for fourteen years, that he alone had fully understood the case and sympathized with the sufferer, that none but he had been capable of displaying ordinary common sense in the sick-room. He had learned to regard John Baines as, in some sort, his creation. And now, with their stupidity, their neglect, their elephants, between them they had done for John Baines. He had always known it would come to that, and it had come to that.
“She let him fall out o’ bed, and ye’re a widow now, missis!” he announced with a virulence hardly conceivable. His angular features and dark eyes expressed a murderous hate for every woman named Baines.
“Mother!” cried Sophia, “I only ran down into the shop to—to—”
She seized her mother’s arm in frenzied agony.
“My child!” said Mrs. Baines, rising miraculously to the situation with a calm benevolence of tone and gesture that remained for ever sublime in the stormy heart of Sophia, “do not hold me.” With infinite gentleness she loosed herself from those clasping hands. “Have you sent for the doctor?” she questioned Mr. Critchlow.
The fate of her husband presented no mysteries to Mrs. Baines. Everybody had been warned a thousand times of the danger of leaving the paralytic, whose life depended on his position, and whose fidgetiness was thereby a constant menace of death to him. For five thousand nights she had wakened infallibly every time he stirred, and rearranged him by the flicker of a little oil lamp. But Sophia, unhappy creature, had merely left him. That was all.
Mr. Critchlow and the widow gazed, helplessly waiting, at the pitiable corpse, of which the salient part was the white beard. They knew not that they were gazing at a vanished era. John Baines had belonged to the past, to the age when men really did think of their souls, when orators by phrases could move crowds to fury or to pity, when no one had learnt to hurry, when Demos was only turning in his sleep, when the sole beauty of life resided in its inflexible and slow dignity, when hell really had no bottom, and a gilt-clasped Bible really was the secret of England’s greatness. Mid-Victorian England lay on that mahogany bed. Ideals had passed away with John Baines. It is thus that ideals die; not in the conventional pageantry of honoured death, but sorrily, ignobly, while one’s head is turned—
And Mr. Povey and Constance, very self-conscious, went and saw the dead elephant, and came back; and at the corner of King Street, Constance exclaimed brightly—
“Why! who’s gone out and left the side-door open?”
For the doctor had at length arrived, and Maggie, in showing him upstairs with pious haste, had forgotten to shut the door.
And they took advantage of the side-door, rather guiltily, to avoid the eyes of the shop. They feared that in the parlour they would be the centre of a curiosity half ironical and half reproving; for had they not accomplished an escapade? So they walked slowly.
The real murderer was having his dinner in the commercial room up at the Tiger, opposite the Town Hall.