The Rector spoke too long; every one felt that. But at length he finished. The bands performed the Doxology, and the immense multitudes began to disperse by the eight streets that radiate from the Square. At the same time one o’clock struck, and the public-houses opened with their customary admirable promptitude. Respectable persons, of course, ignored the public-houses and hastened homewards to a delayed dinner. But in a town of over thirty thousand souls there are sufficient dregs to fill all the public-houses on an occasion of ceremonial excitement. Constance saw the bar of the Vaults crammed with individuals whose sense of decent fitness was imperfect. The barman and the landlord and the principal members of the landlord’s family were hard put to it to quench that funereal thirst. Constance, as she ate a little meal in the bedroom, could not but witness the orgy. A bandsman with his silver instrument was prominent at the counter. At five minutes to three the Vaults spewed forth a squirt of roysterers who walked on the pavement as on a tight-rope; among them was the bandsman, his silver instrument only half enveloped in its bag of green serge. He established an equilibrium in the gutter. It would not have mattered so seriously if he had not been a bandsman. The barman and the landlord pushed the ultimate sot by force into the street and bolted the door (till six o’clock) just as a policeman strolled along, the first policeman of the day. It became known that similar scenes were enacting at the thresholds of other inns. And the judicious were sad.
When the altercation between the policeman and the musician in the gutter was at its height, Samuel Povey became restless; but since he had scarcely stirred through the performances of the bands, it was probably not the cries of the drunkard that had aroused him.
He had shown very little interest in the preliminaries of the great demonstration. The flame of his passion for the case of Daniel Povey seemed to have shot up on the day before the execution, and then to have expired. On that day he went to Stafford in order, by permit of the prison governor, to see his cousin for the last time. His condition then was undoubtedly not far removed from monomania. ‘Unhinged’ was the conventional expression which frequently rose in Constance’s mind as a description of the mind of her husband; but she fought it down; she would not have it; it was too crude—with its associations. She would only admit that the case had ‘got on’ his mind. A startling proof of this was that he actually suggested taking Cyril with him to see the condemned man. He wished Cyril to see Daniel; he said gravely that he thought Cyril ought to see him. The proposal was monstrous, inexplicable—or explicable only by the assumption that his mind, while not unhinged, had temporarily lost its balance. Constance opposed an absolute negative, and Samuel being in every way enfeebled, she overcame. As for Cyril, he was divided between fear and curiosity. On the whole, perhaps Cyril regretted that he would not be able to say at school that he had had speech with the most celebrated killer of the age on the day before his execution.
Samuel returned hysterical from Stafford. His account of the scene, which he gave in a very loud voice, was a most absurd and yet pathetic recital, obviously distorted by memory. When he came to the point of the entrance of Dick Povey, who was still at the hospital, and who had been specially driven to Stafford and carried into the prison, he wept without restraint. His hysteria was painful in a very high degree.
He went to bed—of his own accord, for his cough had improved again. And on the following day, the day of the execution, he remained in bed till the afternoon. In the evening the Rector sent for him to the Rectory to discuss the proposed demonstration. On the next day, Saturday, he said he should not get up. Icy showers were sweeping the town, and his cough was worse after the evening visit to the Rector. Constance had no apprehensions about him. The most dangerous part of the winter was over, and there was nothing now to force him into indiscretions. She said to herself calmly that he should stay in bed as long as he liked, that he could not have too much repose after the cruel fatigues, physical and spiritual, which he had suffered. His cough was short, but not as troublesome as in the past; his face flushed, dusky, and settled in gloom; and he was slightly feverish, with quick pulse and quick breathing—the symptoms of a renewed cold. He passed a wakeful night, broken by brief dreams in which he talked. At dawn he had some hot food, asked what day it was, frowned, and seemed to doze off at once. At eleven o’clock he had refused food. And he had intermittently dozed during the progress of the demonstration and its orgiastic sequel.
Constance had food ready for his waking, and she approached the bed and leaned over him. The fever had increased somewhat, the breathing was more rapid, and his lips were covered with tiny purple pimples. He feebly shook his head, with a disgusted air, at her mention of food. It was this obstinate refusal of food which first alarmed her. A little uncomfortable suspicion shot up in her: Surely there’s nothing the MATTER with him?
Something—impossible to say what—caused her to bend still lower, and put her ear to his chest. She heard within that mysterious box a rapid succession of thin, dry, crackling sounds: sounds such as she would have produced by rubbing her hair between her fingers close to her ear. The crepitation ceased, then recommenced, and she perceived that it coincided with the intake of his breath. He coughed; the sounds were intensified; a spasm of pain ran over his face; and he put his damp hand to his side.
“Pain in my side!” he whispered with difficulty.
Constance stepped into the drawing-room, where Cyril was sketching by the fire.
“Cyril,” she said, “go across and ask Dr. Harrop to come round at once. And if he isn’t in, then his new partner.”
“Is it for father?”
“Yes.”
“What’s the matter?”
“Now do as I say, please,” said Constance, sharply, adding: “I don’t know what’s the matter. Perhaps nothing. But I’m not satisfied.”
The venerable Harrop pronounced the word ‘pneumonia.’ It was acute double pneumonia that Samuel had got. During the three worst months of the year, he had escaped the fatal perils which await a man with a flat chest and a chronic cough, who ignores his condition and defies the weather. But a journey of five hundred yards to the Rectory had been one journey too many. The Rectory was so close to the shop that he had not troubled to wrap himself up as for an excursion to Stafford. He survived the crisis of the disease and then died of toxsemia, caused by a heart that would not do its duty by the blood. A casual death, scarce noticed in the reaction after the great febrile demonstration! Besides, Samuel Povey never could impose himself on the burgesses. He lacked individuality. He was little. I have often laughed at Samuel Povey. But I liked and respected him. He was a very honest man. I have always been glad to think that, at the end of his life, destiny took hold of him and displayed, to the observant, the vein of greatness which runs through every soul without exception. He embraced a cause, lost it, and died of it.
Constance, alone in the parlour, stood expectant by the set tea-table. She was not wearing weeds; her mother and she, on the death of her father, had talked of the various disadvantages of weeds; her mother had worn them unwillingly, and only because a public opinion not sufficiently advanced had intimidated her. Constance had said: “If ever I’m a widow I won’t wear them,” positively, in the tone of youth; and Mrs. Baines had replied: “I hope you won’t, my dear.” That was over twenty years ago, but Constance perfectly remembered. And now, she was a widow! How strange and how impressive was life! And she had kept her word; not positively, not without hesitations; for though times were changed, Bursley was still Bursley; but she had kept it.
This was the first Monday after Samuel’s funeral. Existence in the house had been resumed on the plane which would henceforth be the normal plane. Constance had put on for tea a dress of black silk with a jet brooch of her mother’s. Her hands, just meticulously washed, had that feeling of being dirty which comes from roughening of the epidermis caused by a day spent in fingering stuffs. She had been 'going through’ Samuel’s things, and her own, and ranging all anew. It was astonishing how little the man had collected, of ‘things,’ in the course of over half a century. All his clothes were contained in two long drawers and a short one. He had the least possible quantity of haberdashery and linen, for he invariably took from the shop such articles as he required, when he required them, and he would never preserve what was done with. He possessed no jewellery save a set of gold studs, a scarf-ring, and a wedding-ring; the wedding-ring was buried with him. Once, when Constance had offered him her father’s gold watch and chain, he had politely refused it, saying that he preferred his own—a silver watch (with a black cord) which kept excellent time; he had said later that she might save the gold watch and chain for Cyril when he was twenty-one. Beyond these trifles and a half-empty box of cigars and a pair of spectacles, he left nothing personal to himself. Some men leave behind them a litter which takes months to sift and distribute. But Samuel had not the mania for owning. Constance put his clothes in a box to be given away gradually (all except an overcoat and handkerchiefs which might do for Cyril); she locked up the watch and its black cord, the spectacles and the scarf-ring; she gave the gold studs to Cyril; she climbed on a chair and hid the cigar-box on the top of her wardrobe; and scarce a trace of Samuel remained!
By his own wish the funeral had been as simple and private as possible. One or two distant relations, whom Constance scarcely knew and who would probably not visit her again until she too was dead, came—and went. And lo! the affair was over. The simple celerity of the funeral would have satisfied even Samuel, whose tremendous self-esteem hid itself so effectually behind such externals that nobody had ever fully perceived it. Not even Constance quite knew Samuel’s secret opinion of Samuel. Constance was aware that he had a ridiculous side, that his greatest lack had been a lack of spectacular dignity. Even in the coffin, where nevertheless most people are finally effective, he had not been imposing—with his finicky little grey beard persistently sticking up.
The vision of him in his coffin—there in the churchyard, just at the end of King Street!—with the lid screwed down on that unimportant beard, recurred frequently in the mind of the widow, as something untrue and misleading. She had to say to herself: “Yes, he is really there! And that is why I have this particular feeling in my heart.” She saw him as an object pathetic and wistful, not majestic. And yet she genuinely thought that there could not exist another husband quite so honest, quite so just, quite so reliable, quite so good, as Samuel had been. What a conscience he had! How he would try, and try, to be fair with her! Twenty years she could remember, of ceaseless, constant endeavour on his part to behave rightly to her! She could recall many an occasion when he had obviously checked himself, striving against his tendency to cold abruptness and to sullenness, in order to give her the respect due to a wife. What loyalty was his! How she could depend on him! How much better he was than herself (she thought with modesty)!
His death was an amputation for her. But she faced it with calmness. She was not bowed with sorrow. She did not nurse the idea that her life was at an end; on the contrary, she obstinately put it away from her, dwelling on Cyril. She did not indulge in the enervating voluptuousness of grief. She had begun in the first hours of bereavement by picturing herself as one marked out for the blows of fate. She had lost her father and her mother, and now her husband. Her career seemed to be punctuated by interments. But after a while her gentle commonsense came to insist that most human beings lose their parents, and that every marriage must end in either a widower or a widow, and that all careers are punctuated by interments. Had she not had nearly twenty-one years of happy married life? (Twenty-one years—rolled up! The sudden thought of their naive ignorance of life, hers and his, when they were first married, brought tears into her eyes. How wise and experienced she was now!) And had she not Cyril? Compared to many women, she was indeed very fortunate.
The one visitation which had been specially hers was the disappearance of Sophia. And yet even that was not worse than the death outright of Sophia, was perhaps not so bad. For Sophia might return out of the darkness. The blow of Sophia’s flight had seemed unique when it was fresh, and long afterwards; had seemed to separate the Baines family from all other families in a particular shame. But at the age of forty-three Constance had learnt that such events are not uncommon in families, and strange sequels to them not unknown. Thinking often of Sophia, she hoped wildly and frequently.
She looked at the clock; she had a little spasm of nervousness lest Cyril might fail to keep his word on that first day of their new regular life together. And at the instant he burst into the room, invading it like an armed force, having previously laid waste the shop in his passage.
“I’m not late, mother! I’m not late!” he cried proudly.
She smiled warmly, happy in him, drawing out of him balm and solace. He did not know that in that stout familiar body before him was a sensitive, trembling soul that clutched at him ecstatically as the one reality in the universe. He did not know that that evening meal, partaken of without hurry after school had released him to her, was to be the ceremonial sign of their intimate unity and their interdependence, a tender and delicious proof that they were ‘all in all to each other’: he saw only his tea, for which he was hungry—just as hungry as though his father were not scarcely yet cold in the grave.
But he saw obscurely that the occasion demanded something not quite ordinary, and so exerted himself to be boyishly charming to his mother. She said to herself ‘how good he was.’ He felt at ease and confident in the future, because he detected beneath her customary judicial, impartial mask a clear desire to spoil him.
After tea, she regretfully left him, at his home-lessons, in order to go into the shop. The shop was the great unsolved question. What was she to do with the shop? Was she to continue the business or to sell it? With the fortunes of her father and her aunt, and the economies of twenty years, she had more than sufficient means. She was indeed rich, according to the standards of the Square; nay, wealthy! Therefore she was under no material compulsion to keep the shop. Moreover, to keep it would mean personal superintendence and the burden of responsibility, from which her calm lethargy shrank. On the other hand, to dispose of the business would mean the breaking of ties and leaving the premises: and from this also she shrank. Young Lawton, without being asked, had advised her to sell. But she did not want to sell. She wanted the impossible: that matters should proceed in the future as in the past, that Samuel’s death should change nothing save in her heart.
In the meantime Miss Insull was priceless. Constance thoroughly understood one side of the shop; but Miss Insull understood both, and the finance of it also. Miss Insull could have directed the establishment with credit, if not with brilliance. She was indeed directing it at that moment. Constance, however, felt jealous of Miss Insull; she was conscious of a slight antipathy towards the faithful one. She did not care to be in the hands of Miss Insull.
There were one or two customers at the millinery counter. They greeted her with a deplorable copiousness of tact. Most tactfully they avoided any reference to Constance’s loss; but by their tone, their glances, at Constance and at each other, and their heroically restrained sighs, they spread desolation as though they had been spreading ashes instead of butter on bread. The assistants, too, had a special demeanour for the poor lone widow which was excessively trying to her. She wished to be natural, and she would have succeeded, had they not all of them apparently conspired together to make her task impossible.
She moved away to the other side of the shop, to Samuel’s desk, at which he used to stand, staring absently out of the little window into King Street while murmurously casting figures. She lighted the gas-jet there, arranged the light exactly to suit her, and then lifted the large flap of the desk and drew forth some account books.
“Miss Insull!” she called, in a low, clear voice, with a touch of haughtiness and a touch of command in it. The pose, a comical contradiction of Constance’s benevolent character, was deliberately adopted; it illustrated the effects of jealousy on even the softest disposition.
Miss Insull responded. She had no alternative but to respond. And she gave no sign of resenting her employer’s attitude. But then Miss Insull seldom did give any sign of being human.
The customers departed, one after another, obsequiously sped by the assistants, who thereupon lowered the gases somewhat, according to secular rule; and in the dim eclipse, as they restored boxes to shelves, they could hear the tranquil, regular, half-whispered conversation of the two women at the desk, discussing accounts; and then the chink of gold.
Suddenly there was an irruption. One of the assistants sprang instinctively to the gas; but on perceiving that the disturber of peace was only a slatternly girl, hatless and imperfectly clean, she decided to leave the gas as it was, and put on a condescending, suspicious demeanour.
“If you please, can I speak to the missis?” said the girl, breathlessly.
She seemed to be about eighteen years of age, fat and plain. Her blue frock was torn, and over it she wore a rough brown apron, caught up at one corner to the waist. Her bare forearms were of brick-red colour.
“What is it?” demanded the assistant.
Miss Insull looked over her shoulder across the shop. “It must be Maggie’s—Mrs. Hollins’s daughter!” said Miss Insull under her breath.
“What can she want?” said Constance, leaving the desk instantly; and to the girl, who stood sturdily holding her own against the group of assistants: “You are Mrs. Hollins’s daughter, aren’t you?”
“Yes, mum.”
“What’s your name?”
“Maggie, mum. And, if you please, mother’s sent me to ask if you’ll kindly give her a funeral card.”
“A funeral card?”
“Yes. Of Mr. Povey. She’s been expecting of one, and she thought as how perhaps you’d forgotten it, especially as she wasn’t asked to the funeral.”
The girl stopped.
Constance perceived that by mere negligence she had seriously wounded the feelings of Maggie, senior. The truth was, she had never thought of Maggie. She ought to have remembered that funeral cards were almost the sole ornamentation of Maggie’s abominable cottage.
“Certainly,” she replied after a pause. “Miss Insull, there are a few cards left in the desk, aren’t there? Please put me one in an envelope for Mrs. Hollins.”
She gave the heavily bordered envelope to the ruddy wench, who enfolded it in her apron, and with hurried, shy thanks ran off.
“Tell your mother I send her a card with pleasure,” Constance called after the girl.
The strangeness of the hazards of life made her thoughtful. She, to whom Maggie had always seemed an old woman, was a widow, but Maggie’s husband survived as a lusty invalid. And she guessed that Maggie, vilely struggling in squalor and poverty, was somehow happy in her frowsy, careless way.
She went back to the accounts, dreaming.
When the shop had been closed, under her own critical and precise superintendence, she extinguished the last gas in it and returned to the parlour, wondering where she might discover some entirely reliable man or boy to deal with the shutters night and morning. Samuel had ordinarily dealt with the shutters himself, and on extraordinary occasions and during holidays Miss Insull and one of her subordinates had struggled with their unwieldiness. But the extraordinary occasion had now become ordinary, and Miss Insull could not be expected to continue indefinitely in the functions of a male. Constance had a mind to engage an errand-boy, a luxury against which Samuel had always set his face. She did not dream of asking the herculean Cyril to open and shut shop.
He had apparently finished his home-lessons. The books were pushed aside, and he was sketching in lead-pencil on a drawing-block. To the right of the fireplace, over the sofa, there hung an engraving after Landseer, showing a lonely stag paddling into a lake. The stag at eve had drunk or was about to drink his fill, and Cyril was copying him. He had already indicated a flight of birds in the middle distance; vague birds on the wing being easier than detailed stags, he had begun with the birds.
Constance put a hand on his shoulder. “Finished your lessons?” she murmured caressingly.
Before speaking, Cyril gazed up at the picture with a frowning, busy expression, and then replied in an absent-minded voice:
“Yes.” And after a pause: “Except my arithmetic. I shall do that in the morning before breakfast.”
“Oh, Cyril!” she protested.
It had been a positive ordinance, for a long time past, that there should be no sketching until lessons were done. In his father’s lifetime Cyril had never dared to break it.
He bent over his block, feigning an intense absorption. Constance’s hand slipped from his shoulder. She wanted to command him formally to resume his lessons. But she could not. She feared an argument; she mistrusted herself. And, moreover, it was so soon after his father’s death!
“You know you won’t have time to-morrow morning!” she said weakly.
“Oh, mother!” he retorted superiorly. “Don’t worry.” And then, in a cajoling tone: “I’ve wanted to do that stag for ages.”
She sighed and sat down in her rocking-chair. He went on sketching, rubbing out, and making queer expostulatory noises against his pencil, or against the difficulties needlessly invented by Sir Edwin Landseer. Once he rose and changed the position of the gas-bracket, staring fiercely at the engraving as though it had committed a sin.
Amy came to lay the supper. He did not acknowledge that she existed.
“Now, Master Cyril, after you with that table, if you please!” She announced herself brusquely, with the privilege of an old servant and a woman who would never see thirty again.
“What a nuisance you are, Amy!” he gruffly answered. “Look here, mother, can’t Amy lay the cloth on that half of the table? I’m right in the middle of my drawing. There’s plenty of room there for two.”
He seemed not to be aware that, in the phrase ‘plenty of room for two,’ he had made a callous reference to their loss. The fact was, there WAS plenty of room for two.
Constance said quickly: “Very well, Amy. For this once.”
Amy grunted, but obeyed.
Constance had to summon him twice from art to nourishment. He ate with rapidity, frequently regarding the picture with half-shut, searching eyes. When he had finished, he refilled his glass with water, and put it next to his sketching-block.
“You surely aren’t thinking of beginning to paint at this time of night!” Constance exclaimed, astonished.
“Oh YES, mother!” he fretfully appealed. “It’s not late.”
Another positive ordinance of his father’s had been that there should be nothing after supper except bed. Nine o’clock was the latest permissible moment for going to bed. It was now less than a quarter to.
“It only wants twelve minutes to nine,” Constance pointed out.
“Well, what if it does?”
“Now, Cyril,” she said, “I do hope you are going to be a good boy, and not cause your mother anxiety.”
But she said it too kindly.
He said sullenly: “I do think you might let me finish it. I’ve begun it. It won’t take me long.”
She made the mistake of leaving the main point. “How can you possibly choose your colours properly by gas-light?” she said.
“I’m going to do it in sepia,” he replied in triumph.
“It mustn’t occur again,” she said.
He thanked God for a good supper, and sprang to the harmonium, where his paint-box was. Amy cleared away. Constance did crochet-work. There was silence. The clock struck nine, and it also struck half-past nine. She warned him repeatedly. At ten minutes to ten she said persuasively:
“Now, Cyril, when the clock strikes ten I shall really put the gas out.”
The clock struck ten.
“Half a mo, half a mo!” he cried. “I’ve done! I’ve done!”
Her hand was arrested.
Another four minutes elapsed, and then he jumped up. “There you are!” he said proudly, showing her the block. And all his gestures were full of grace and cajolery.
“Yes, it’s very good,” Constance said, rather indifferently.
“I don’t believe you care for it!” he accused her, but with a bright smile.
“I care for your health,” she said. “Just look at that clock!”
He sat down in the other rocking-chair, deliberately.
“Now, Cyril!”
“Well, mother, I suppose you’ll let me take my boots off!” He said it with teasing good-humour.
When he kissed her good night, she wanted to cling to him, so affectionate was his kiss; but she could not throw off the habits of restraint which she had been originally taught and had all her life practised. She keenly regretted the inability.
In her bedroom, alone, she listened to his movements as he undressed. The door between the two rooms was unlatched. She had to control a desire to open it ever so little and peep at him. He would not have liked that. He could have enriched her heart beyond all hope, and at no cost to himself; but he did not know his power. As she could not cling to him with her hands, she clung to him with that heart of hers, while moving sedately up and down the room, alone. And her eyes saw him through the solid wood of the door. At last she got heavily into bed. She thought with placid anxiety, in the dark: “I shall have to be firm with Cyril.” And she thought also, simultaneously: “He really must be a good boy. He MUST.” And clung to him passionately, without shame! Lying alone there in the dark, she could be as unrestrained and girlish as her heart chose. When she loosed her hold she instantly saw the boy’s father arranged in his coffin, or flitting about the room. Then she would hug that vision too, for the pleasure of the pain it gave her.
She was reassured as to Cyril during the next few days. He did not attempt to repeat his ingenious naughtiness of the Monday evening, and he came directly home for tea; moreover he had, as a kind of miracle performed to dazzle her, actually arisen early on the Tuesday morning and done his arithmetic. To express her satisfaction she had manufactured a specially elaborate straw-frame for the sketch after Sir Edwin Landseer, and had hung it in her bedroom: an honour which Cyril appreciated. She was as happy as a woman suffering from a recent amputation can be; and compared with the long nightmare created by Samuel’s monomania and illness, her existence seemed to be now a beneficent calm.
Cyril, she thought, had realized the importance in her eyes of tea, of that evening hour and that companionship which were for her the flowering of the day. And she had such confidence in his goodness that she would pour the boiling water on the Horniman tea-leaves even before he arrived: certainty could not be more sure. And then, on the Friday of the first week, he was late! He bounded in, after dark, and the state of his clothes indicated too clearly that he had been playing football in the mud that was a grassy field in summer.
“Have you been kept in, my boy?” she asked, for the sake of form.
“No, mother,” he said casually. “We were just kicking the ball about a bit. Am I late?”
“Better go and tidy yourself,” she said, not replying to his question. “You can’t sit down in that state. And I’ll have some fresh tea made. This is spoilt.”
“Oh, very well!”
Her sacred tea—the institution which she wanted to hallow by long habit, and which was to count before everything with both of them—had been carelessly sacrificed to the kicking of a football in mud! And his father buried not ten days! She was wounded: a deep, clean, dangerous wound that would not bleed. She tried to be glad that he had not lied; he might easily have lied, saying that he had been detained for a fault and could not help being late. No! He was not given to lying; he would lie, like any human being, when a great occasion demanded such prudence, but he was not a liar; he might fairly be called a truthful boy. She tried to be glad, and did not succeed. She would have preferred him to have lied.
Amy, grumbling, had to boil more water.
When he returned to the parlour, superficially cleaned, Constance expected him to apologize in his roundabout boyish way; at any rate to woo and wheedle her, to show by some gesture that he was conscious of having put an affront on her. But his attitude was quite otherwise. His attitude was rather brusque and overbearing and noisy. He ate a very considerable amount of jam, far too quickly, and then asked for more, in a tone of a monarch who calls for his own. And ere tea was finished he said boldly, apropos of nothing:
“I say, mother, you’ll just have to let me go to the School of Art after Easter.”
And stared at her with a fixed challenge in his eyes.
He meant, by the School of Art, the evening classes at the School of Art. His father had decided absolutely against the project. His father had said that it would interfere with his lessons, would keep him up too late at night, and involve absence from home in the evening. The last had always been the real objection. His father had not been able to believe that Cyril’s desire to study art sprang purely from his love of art; he could not avoid suspecting that it was a plan to obtain freedom in the evenings—that freedom which Samuel had invariably forbidden. In all Cyril’s suggestions Samuel had been ready to detect the same scheme lurking. He had finally said that when Cyril left school and took to a vocation, then he could study art at night if he chose, but not before.
“You know what your father said!” Constance replied.
“But, mother! That’s all very well! I’m sure father would have agreed. If I’m going to take up drawing I ought to do it at once. That’s what the drawing-master says, and I suppose he ought to know.” He finished on a tone of insolence.
“I can’t allow you to do it yet,” said Constance, quietly. “It’s quite out of the question. Quite!”
He pouted and then he sulked. It was war between them. At times he was the image of his Aunt Sophia. He would not leave the subject alone; but he would not listen to Constance’s reasoning. He openly accused her of harshness. He asked her how she could expect him to get on if she thwarted him in his most earnest desires. He pointed to other boys whose parents were wiser.
“It’s all very fine of you to put it on father!” he observed sarcastically.
He gave up his drawing entirely.
When she hinted that if he attended the School of Art she would be condemned to solitary evenings, he looked at her as though saying: “Well, and if you are—?” He seemed to have no heart.
After several weeks of intense unhappiness she said: “How many evenings do you want to go?”
The war was over.
He was charming again. When she was alone she could cling to him again. And she said to herself: “If we can be happy together only when I give way to him, I must give way to him.” And there was ecstasy in her yielding. “After all,” she said to herself, “perhaps it’s very important that he should go to the School of Art.” She solaced herself with such thoughts on three solitary evenings a week, waiting for him to come home.
In the summer of that year the occurrence of a white rash of posters on hoardings and on certain houses and shops, was symptomatic of organic change in the town. The posters were iterations of a mysterious announcement and summons, which began with the august words: “By Order of the Trustees of the late William Clews Mericarp, Esq.” Mericarp had been a considerable owner of property in Bursley. After a prolonged residence at Southport, he had died, at the age of eighty-two, leaving his property behind. For sixty years he had been a name, not a figure; and the news of his death, which was assuredly an event, incited the burgesses to gossip, for they had come to regard him as one of the invisible immortals. Constance was shocked, though she had never seen Mericarp. (“Everybody dies nowadays!” she thought.) He owned the Baines-Povey shop, and also Mr. Critchlow’s shop. Constance knew not how often her father and, later, her husband, had renewed the lease of those premises that were now hers; but from her earliest recollections rose a vague memory of her father talking to her mother about 'Mericarp’s rent,’ which was and always had been a hundred a year. Mericarp had earned the reputation of being ‘a good landlord.’ Constance said sadly: “We shall never have another as good!” When a lawyer’s clerk called and asked her to permit the exhibition of a poster in each of her shop-windows, she had misgivings for the future; she was worried; she decided that she would determine the lease next year, so as to be on the safe side; but immediately afterwards she decided that she could decide nothing.
The posters continued: “To be sold by auction, at the Tiger Hotel at six-thirty for seven o’clock precisely.” What six-thirty had to do with seven o’clock precisely no one knew. Then, after stating the name and credentials of the auctioneer, the posters at length arrived at the objects to be sold: “All those freehold messuages and shops and copyhold tenements namely.” Houses were never sold by auction in Bursley. At moments of auction burgesses were reminded that the erections they lived in were not houses, as they had falsely supposed, but messuages. Having got as far as ‘namely’ the posters ruled a line and began afresh: “Lot I. All that extensive and commodious shop and messuage with the offices and appurtenances thereto belonging situate and being No. 4 St. Luke’s Square in the parish of Bursley in the County of Stafford and at present in the occupation of Mrs. Constance Povey widow under a lease expiring in September 1889.” Thus clearly asserting that all Constance’s shop was for sale, its whole entirety, and not a fraction or slice of it merely, the posters proceeded: “Lot 2. All that extensive and commodious shop and messuage with the offices and appurtenances thereto belonging situate and being No. 3 St. Luke’s Square in the parish of Bursley in the County of Stafford and at present in the occupation of Charles Critchlow chemist under an agreement for a yearly tenancy.” The catalogue ran to fourteen lots. The posters, lest any one should foolishly imagine that a non-legal intellect could have achieved such explicit and comprehensive clarity of statement, were signed by a powerful firm of solicitors in Hanbridge. Happily in the Five Towns there were no metaphysicians; otherwise the firm might have been expected to explain, in the ‘further particulars and conditions’ which the posters promised, how even a messuage could ‘be’ the thing at which it was ‘situate.’
Within a few hours of the outbreak of the rash, Mr. Critchlow abruptly presented himself before Constance at the millinery counter; he was waving a poster.
“Well!” he exclaimed grimly. “What next, eh?”
“Yes, indeed!” Constance responded.
“Are ye thinking o’ buying?” he asked. All the assistants, including Miss Insull, were in hearing, but he ignored their presence.
“Buying!” repeated Constance. “Not me! I’ve got quite enough house property as it is.”
Like all owners of real property, she usually adopted towards her possessions an attitude implying that she would be willing to pay somebody to take them from her.
“Shall you?” she added, with Mr. Critchlow’s own brusqueness.
“Me! Buy property in St. Luke’s Square!” Mr. Critchlow sneered. And then left the shop as suddenly as he had entered it.
The sneer at St. Luke’s Square was his characteristic expression of an opinion which had been slowly forming for some years. The Square was no longer what it had been, though individual businesses might be as good as ever. For nearly twelve months two shops had been to let in it. And once, bankruptcy had stained its annals. The tradesmen had naturally searched for a cause in every direction save the right one, the obvious one; and naturally they had found a cause. According to the tradesmen, the cause was ‘this football.’ The Bursley Football Club had recently swollen into a genuine rival of the ancient supremacy of the celebrated Knype Club. It had transformed itself into a limited company, and rented a ground up the Moorthorne Road, and built a grand stand. The Bursley F.C. had ‘tied’ with the Knype F.C. on the Knype ground—a prodigious achievement, an achievement which occupied a column of the Athletic News one Monday morning! But were the tradesmen civically proud of this glory? No! They said that ‘this football’ drew people out of the town on Saturday afternoons, to the complete abolition of shopping. They said also that people thought of nothing but ‘this football;’ and, nearly in the same breath, that only roughs and good-for-nothings could possibly be interested in such a barbarous game. And they spoke of gate-money, gambling, and professionalism, and the end of all true sport in England. In brief, something new had come to the front and was submitting to the ordeal of the curse.
The sale of the Mericarp estate had a particular interest for respectable stake-in-the-town persons. It would indicate to what extent, if at all, ‘this football’ was ruining Bursley. Constance mentioned to Cyril that she fancied she might like to go to the sale, and as it was dated for one of Cyril’s off-nights Cyril said that he fancied he might like to go too. So they went together; Samuel used to attend property sales, but he had never taken his wife to one. Constance and Cyril arrived at the Tiger shortly after seven o’clock, and were directed to a room furnished and arranged as for a small public meeting of philanthropists. A few gentlemen were already present, but not the instigating trustees, solicitors, and auctioneers. It appeared that ‘six-thirty for seven o’clock precisely’ meant seven-fifteen. Constance took a Windsor chair in the corner nearest the door, and motioned Cyril to the next chair; they dared not speak; they moved on tiptoe; Cyril inadvertently dragged his chair along the floor, and produced a scrunching sound; he blushed, as though he had desecrated a church, and his mother made a gesture of horror. The remainder of the company glanced at the corner, apparently pained by this negligence. Some of them greeted Constance, but self-consciously, with a sort of shamed air; it might have been that they had all nefariously gathered together there for the committing of a crime. Fortunately Constance’s widowhood had already lost its touching novelty, so that the greetings, if self-conscious, were at any rate given without unendurable commiseration and did not cause awkwardness.
When the official world arrived, fussy, bustling, bearing documents and a hammer, the general feeling of guilty shame was intensified. Useless for the auctioneer to try to dissipate the gloom by means of bright gestures and quick, cheerful remarks to his supporters! Cyril had an idea that the meeting would open with a hymn, until the apparition of a tapster with wine showed him his error. The auctioneer very particularly enjoined the tapster to see to it that no one lacked for his thirst, and the tapster became self-consciously energetic. He began by choosing Constance for service. In refusing wine, she blushed; then the fellow offered a glass to Cyril, who went scarlet, and mumbled ‘No’ with a lump in his throat; when the tapster’s back was turned, he smiled sheepishly at his mother. The majority of the company accepted and sipped. The auctioneer sipped and loudly smacked, and said: “Ah!”
Mr. Critchlow came in.
And the auctioneer said again: “Ah! I’m always glad when the tenants come. That’s always a good sign.”
He glanced round for approval of this sentiment. But everybody seemed too stiff to move. Even the auctioneer was self-conscious.
“Waiter! Offer wine to Mr. Critchlow!” he exclaimed bullyingly, as if saying: “Man! what on earth are you thinking of, to neglect Mr. Critchlow?”
“Yes, sir; yes, sir,” said the waiter, who was dispensing wine as fast as a waiter can.
The auction commenced.
Seizing the hammer, the auctioneer gave a short biography of William Clews Mericarp, and, this pious duty accomplished, called upon a solicitor to read the conditions of sale. The solicitor complied and made a distressing exhibition of self-consciousness. The conditions of sale were very lengthy, and apparently composed in a foreign tongue; and the audience listened to this elocution with a stoical pretence of breathless interest.
Then the auctioneer put up all that extensive and commodious messuage and shop situate and being No. 4, St. Luke’s Square. Constance and Cyril moved their limbs surreptitiously, as though being at last found out. The auctioneer referred to John Baines and to Samuel Povey, with a sense of personal loss, and then expressed his pleasure in the presence of ‘the ladies;’ he meant Constance, who once more had to blush.
“Now, gentlemen,” said the auctioneer, “what do you say for these famous premises? I think I do not exaggerate when I use the word 'famous.’”
Some one said a thousand pounds, in the terrorized voice of a delinquent.
“A thousand pounds,” repeated the auctioneer, paused, sipped, and smacked.
“Guineas,” said another voice self-accused of iniquity.
“A thousand and fifty,” said the auctioneer.
Then there was a long interval, an interval that tightened the nerves of the assembly.
“Now, ladies and gentlemen,” the auctioneer adjured.
The first voice said sulkily: “Eleven hundred.”
And thus the bids rose to fifteen hundred, lifted bit by bit, as it were, by the magnetic force of the auctioneer’s personality. The man was now standing up, in domination. He bent down to the solicitor’s head; they whispered together.
“Gentlemen,” said the auctioneer, “I am happy to inform you that the sale is now open.” His tone translated better than words his calm professional beatitude. Suddenly in a voice of wrath he hissed at the waiter: “Waiter, why don’t you serve these gentlemen?”
“Yes, sir; yes, sir.”
The auctioneer sat down and sipped at leisure, chatting with his clerk and the solicitor and the solicitor’s clerk.
When he rose it was as a conqueror. “Gentlemen, fifteen hundred is bid. Now, Mr. Critchlow.”
Mr. Critchlow shook his head. The auctioneer threw a courteous glance at Constance, who avoided it.
After many adjurations, he reluctantly raised his hammer, pretended to let it fall, and saved it several times.
And then Mr. Critchlow said: “And fifty.”
“Fifteen hundred and fifty is bid,” the auctioneer informed the company, electrifying the waiter once more. And when he had sipped he said, with feigned sadness: “Come, gentlemen, you surely don’t mean to let this magnificent lot go for fifteen hundred and fifty pounds?”
But they did mean that.
The hammer fell, and the auctioneer’s clerk and the solicitor’s clerk took Mr. Critchlow aside and wrote with him.
Nobody was surprised when Mr. Critchlow bought Lot No. 2, his own shop.
Constance whispered then to Cyril that she wished to leave. They left, with unnatural precautions, but instantly regained their natural demeanour in the dark street.
“Well, I never! Well, I never!” she murmured outside, astonished and disturbed.
She hated the prospect of Mr. Critchlow as a landlord. And yet she could not persuade herself to leave the place, in spite of decisions.
The sale demonstrated that football had not entirely undermined the commercial basis of society in Bursley; only two Lots had to be withdrawn.
On Thursday afternoon of the same week the youth whom Constance had ended by hiring for the manipulation of shutters and other jobs unsuitable for fragile women, was closing the shop. The clock had struck two. All the shutters were up except the last one, in the midst of the doorway. Miss Insull and her mistress were walking about the darkened interior, putting dust-sheets well over the edges of exposed goods; the other assistants had just left. The bull-terrier had wandered into the shop as he almost invariably did at closing time—for he slept there, an efficient guard—and had lain down by the dying stove; though not venerable, he was stiffening into age.
“You can shut,” said Miss Insull to the youth.
But as the final shutter was ascending to its position, Mr. Critchlow appeared on the pavement.
“Hold on, young fellow!” Mr. Critchlow commanded, and stepped slowly, lifting up his long apron, over the horizontal shutter on which the perpendicular shutters rested in the doorway.
“Shall you be long, Mr. Critchlow?” the youth asked, posing the shutter. “Or am I to shut?”
“Shut, lad,” said Mr. Critchlow, briefly. “I’ll go out by th’ side door.”
“Here’s Mr. Critchlow!” Miss Insull called out to Constance, in a peculiar tone. And a flush, scarcely perceptible, crept very slowly over her dark features. In the twilight of the shop, lit only by a few starry holes in the shutters, and by the small side-window, not the keenest eye could have detected that flush.
“Mr. Critchlow!” Constance murmured the exclamation. She resented his future ownership of her shop. She thought he was come to play the landlord, and she determined to let him see that her mood was independent and free, that she would as lief give up the business as keep it. In particular she meant to accuse him of having deliberately deceived her as to his intentions on his previous visit.
“Well, missis!” the aged man greeted her. “We’ve made it up between us. Happen some folk’ll think we’ve taken our time, but I don’t know as that’s their affair.”
His little blinking eyes had a red border. The skin of his pale small face was wrinkled in millions of minute creases. His arms and legs were marvellously thin and sharply angular. The corners of his heliotrope lips were turned down, as usual, in a mysterious comment on the world; and his smile, as he fronted Constance with his excessive height, crowned the mystery.
Constance stared, at a loss. It surely could not after all be true, the substance of the rumours that had floated like vapours in the Square for eight years and more!
“What...?” she began.
“Me, and her!” He jerked his head in the direction of Miss Insull.
The dog had leisurely strolled forward to inspect the edges of the fiance’s trousers. Miss Insull summoned the animal with a noise of fingers, and then bent down and caressed it. A strange gesture proving the validity of Charles Critchlow’s discovery that in Maria Insull a human being was buried!
Miss Insull was, as near as any one could guess, forty years of age. For twenty-five years she had served in the shop, passing about twelve hours a day in the shop; attending regularly at least three religious services at the Wesleyan Chapel or School on Sundays, and sleeping with her mother, whom she kept. She had never earned more than thirty shillings a week, and yet her situation was considered to be exceptionally good. In the eternal fusty dusk of the shop she had gradually lost such sexual characteristics and charms as she had once possessed. She was as thin and flat as Charles Critchlow himself. It was as though her bosom had suffered from a prolonged drought at a susceptible period of development, and had never recovered. The one proof that blood ran in her veins was the pimply quality of her ruined complexion, and the pimples of that brickish expanse proved that the blood was thin and bad. Her hands and feet were large and ungainly; the skin of the fingers was roughened by coarse contacts to the texture of emery-paper. On six days a week she wore black; on the seventh a kind of discreet half-mourning. She was honest, capable, and industrious; and beyond the confines of her occupation she had no curiosity, no intelligence, no ideas. Superstitions and prejudices, deep and violent, served her for ideas; but she could incomparably sell silks and bonnets, braces and oilcloth; in widths, lengths, and prices she never erred; she never annoyed a customer, nor foolishly promised what could not be performed, nor was late nor negligent, nor disrespectful. No one knew anything about her, because there was nothing to know. Subtract the shop-assistant from her, and naught remained. Benighted and spiritually dead, she existed by habit.
But for Charles Critchlow she happened to be an illusion. He had cast eyes on her and had seen youth, innocence, virginity. During eight years the moth Charles had flitted round the lamp of her brilliance, and was now singed past escape. He might treat her with what casualness he chose; he might ignore her in public; he might talk brutally about women; he might leave her to wonder dully what he meant, for months at a stretch: but there emerged indisputable from the sum of his conduct the fact that he wanted her. He desired her; she charmed him; she was something ornamental and luxurious for which he was ready to pay—and to commit follies. He had been a widower since before she was born; to him she was a slip of a girl. All is relative in this world. As for her, she was too indifferent to refuse him. Why refuse him? Oysters do not refuse.
“I’m sure I congratulate you both,” Constance breathed, realizing the import of Mr. Critchlow’s laconic words. “I’m sure I hope you’ll be happy.”
“That’ll be all right,” said Mr. Critchlow.
“Thank you, Mrs. Povey,” said Maria Insull.
Nobody seemed to know what to say next. “It’s rather sudden,” was on Constance’s tongue, but did not achieve utterance, being patently absurd.
“Ah!” exclaimed Mr. Critchlow, as though himself contemplating anew the situation.
Miss Insull gave the dog a final pat.
“So that’s settled,” said Mr. Critchlow. “Now, missis, ye want to give up this shop, don’t ye?”
“I’m not so sure about that,” Constance answered uneasily.
“Don’t tell me!” he protested. “Of course ye want to give up the shop.”
“I’ve lived here all my life,” said Constance.
“Ye’ve not lived in th’ shop all ye’re life. I said th’ shop. Listen here!” he continued. “I’ve got a proposal to make to you. You can keep on the house, and I’ll take the shop off ye’re hands. Now?” He looked at her inquiringly.
Constance was taken aback by the brusqueness of the suggestion, which, moreover, she did not understand.
“But how—” she faltered.
“Come here,” said Mr. Critchlow, impatiently, and he moved towards the house-door of the shop, behind the till.
“Come where? What do you want?” Constance demanded in a maze.
“Here!” said Mr. Critchlow, with increasing impatience. “Follow me, will ye?”
Constance obeyed. Miss Insull sidled after Constance, and the dog after Miss Insull. Mr. Critchlow went through the doorway and down the corridor, past the cutting-out room to his right. The corridor then turned at a right-angle to the left and ended at the parlour door, the kitchen steps being to the left.
Mr. Critchlow stopped short of the kitchen steps, and extended his arms, touching the walls on either side.
“Here!” he said, tapping the walls with his bony knuckles. “Here! Suppose I brick ye this up, and th’ same upstairs between th’ showroom and th’ bedroom passage, ye’ve got your house to yourself. Ye say ye’ve lived here all your life. Well, what’s to prevent ye finishing up here? The fact is,” he added, “it would only be making into two houses again what was two houses to start with, afore your time, missis.”
“And what about the shop?” cried Constance.
“Ye can sell us th’ stock at a valuation.”
Constance suddenly comprehended the scheme. Mr. Critchlow would remain the chemist, while Mrs. Critchlow became the head of the chief drapery business in the town. Doubtless they would knock a hole through the separating wall on the other side, to balance the bricking-up on this side. They must have thought it all out in detail. Constance revolted.
“Yes!” she said, a little disdainfully. “And my goodwill? Shall you take that at a valuation too?”
Mr. Critchlow glanced at the creature for whom he was ready to scatter thousands of pounds. She might have been a Phryne and he the infatuated fool. He glanced at her as if to say: “We expected this, and this is where we agreed it was to stop.”
“Ay!” he said to Constance. “Show me your goodwill. Lap it up in a bit of paper and hand it over, and I’ll take it at a valuation. But not afore, missis! Not afore! I’m making ye a very good offer. Twenty pound a year, I’ll let ye th’ house for. And take th’ stock at a valuation. Think it over, my lass.”
Having said what he had to say, Charles Critchlow departed, according to his custom. He unceremoniously let himself out by the side door, and passed with wavy apron round the corner of King Street into the Square and so to his own shop, which ignored the Thursday half-holiday. Miss Insull left soon afterwards.
Constance’s pride urged her to refuse the offer. But in truth her sole objection to it was that she had not thought of the scheme herself. For the scheme really reconciled her wish to remain where she was with her wish to be free of the shop.
“I shall make him put me in a new window in the parlour—one that will open!” she said positively to Cyril, who accepted Mr. Critchlow’s idea with fatalistic indifference.
After stipulating for the new window, she closed with the offer. Then there was the stock-taking, which endured for weeks. And then a carpenter came and measured for the window. And a builder and a mason came and inspected doorways, and Constance felt that the end was upon her. She took up the carpet in the parlour and protected the furniture by dustsheets. She and Cyril lived between bare boards and dustsheets for twenty days, and neither carpenter nor mason reappeared. Then one surprising day the old window was removed by the carpenter’s two journeymen, and late in the afternoon the carpenter brought the new window, and the three men worked till ten o’clock at night, fixing it. Cyril wore his cap and went to bed in his cap, and Constance wore a Paisley shawl. A painter had bound himself beyond all possibility of failure to paint the window on the morrow. He was to begin at six a.m.; and Amy’s alarm-clock was altered so that she might be up and dressed to admit him. He came a week later, administered one coat, and vanished for another ten days. Then two masons suddenly came with heavy tools, and were shocked to find that all was not prepared for them. (After three carpetless weeks Constance had relaid her floors.) They tore off wall-paper, sent cascades of plaster down the kitchen steps, withdrew alternate courses of bricks from the walls, and, sated with destruction, hastened away. After four days new red bricks began to arrive, carried by a quite guiltless hodman who had not visited the house before. The hodman met the full storm of Constance’s wrath. It was not a vicious wrath, rather a good-humoured wrath; but it impressed the hodman. “My house hasn’t been fit to live in for a month,” she said in fine. “If these walls aren’t built to-morrow, upstairs AND down—to-morrow, mind!—don’t let any of you dare to show your noses here again, for I won’t have you. Now you’ve brought your bricks. Off with you, and tell your master what I say!”
It was effective. The next day subdued and plausible workmen of all sorts awoke the house with knocking at six-thirty precisely, and the two doorways were slowly bricked up. The curious thing was that, when the barrier was already a foot high on the ground-floor Constance remembered small possessions of her own which she had omitted to remove from the cutting-out room. Picking up her skirts, she stepped over into the region that was no more hers, and stepped back with the goods. She had a bandanna round her head to keep the thick dust out of her hair. She was very busy, very preoccupied with nothings. She had no time for sentimentalities. Yet when the men arrived at the topmost course and were at last hidden behind their own erection, and she could see only rough bricks and mortar, she was disconcertingly overtaken by a misty blindness and could not even see bricks and mortar. Cyril found her, with her absurd bandanna, weeping in a sheet-covered rocking-chair in the sacked parlour. He whistled uneasily, remarked: “I say, mother, what about tea?” and then, hearing the heavy voices of workmen above, ran with relief upstairs. Tea had been set in the drawing-room, he was glad to learn that from Amy, who informed him also that she should 'never get used to them there new walls,’ not as long as she lived.
He went to the School of Art that night. Constance, alone, could find nothing to do. She had willed that the walls should be built, and they had been built; but days must elapse before they could be plastered, and after the plaster still more days before the papering. Not for another month, perhaps, would her house be free of workmen and ripe for her own labours. She could only sit in the dust-drifts and contemplate the havoc of change, and keep her eyes as dry as she could. The legal transactions were all but complete; little bills announcing the transfer of the business lay on the counters in the shop at the disposal of customers. In two days Charles Critchlow would pay the price of a desire realized. The sign was painted out and new letters sketched thereon in chalk. In future she would be compelled, if she wished to enter the shop, to enter it as a customer and from the front. Yes, she saw that, though the house remained hers, the root of her life had been wrenched up.
And the mess! It seemed inconceivable that the material mess could ever be straightened away!
Yet, ere the fields of the county were first covered with snow that season, only one sign survived of the devastating revolution, and that was a loose sheet of wall-paper that had been too soon pasted on to new plaster and would not stick. Maria Insull was Maria Critchlow. Constance had been out into the Square and seen the altered sign, and seen Mrs. Critchlow’s taste in window-curtains, and seen—most impressive sight of all—that the grimy window of the abandoned room at the top of the abandoned staircase next to the bedroom of her girlhood, had been cleaned and a table put in front of it. She knew that the chamber, which she herself had never entered, was to be employed as a storeroom, but the visible proof of its conversion so strangely affected her that she had not felt able to go boldly into the shop, as she had meant to do, and make a few purchases in the way of friendliness. “I’m a silly woman!” she muttered. Later, she did venture, timidly abrupt, into the shop, and was received with fitting state by Mrs. Critchlow (as desiccated as ever), who insisted on allowing her the special trade discount. And she carried her little friendly purchases round to her own door in King Street. Trivial, trivial event! Constance, not knowing whether to laugh or cry, did both. She accused herself of developing a hysterical faculty in tears, and strove sagely against it.