KELLARTHE PEERLESS MAGICIAN.Special Engagement ofPAUL VALADONFrom England’s Home of Mystery, the Egyptian Hall, London. Tour under the management ofDUDLEYMCADOW.FIRST PART.KELLARIn a series of original experiments in pure sleight of hand, thoroughly up to date. A display of marvelous digital dexterity, surpassing anything heretofore achieved in the field of magic. Novel, unique, original, including:OLD GLORY,THE DYEING ENIGMA,AND THE GREAT HYPNOTIC SCENE,The Levitation of Princess KarnacThe most daring and bewildering illusion, and by far the most difficult achievement Mr. Kellar ever attempted. Absolutely new in principle. The dream in midair of the dainty Princess of Karnac surpasses the fabled feats of the ancient Egyptian sorcerers, nor can anything more magical be found in the pages of The Thousand and One Nights, and it lends a resemblance to the miraculous tales of levitation that come out of India. This{253}illusion is acknowledged by critics and historians of the goetic art to be the profoundest achievement in either ancient or modern magic. Its perfection represents fifteen years of patient research and abstruse study, and the expenditure of as many thousands of dollars. The result of these labors is a veritable masterpiece of magic, the sensational marvel of the twentieth century and the crowning achievement of Mr. Kellar’s long and brilliant career.PART SECOND.By Herr VALADONThe most accomplished exponent of pure sleight of hand ever seen in this or any other age, introducing his entirely new and original mystery, entitled:A Drum That Can’t Be Beaten—AND—WellI’m————!!!PART THIRD.KELLARTHE YOGE’S LAMP,MIND POWER,THE SIMLA SEANCE,FLY TO, OR THE PRINCESS OF KARNAC,An astonishing illusion, exploiting the theosophic theory of projection of astral bodies through the air. An original conception so startling in effect and so nearly approaching the supernatural as to seem miraculous. Affinity with an unseen power seems plausible, and scientific minds marvel at the production.
KELLARTHE PEERLESS MAGICIAN.Special Engagement ofPAUL VALADONFrom England’s Home of Mystery, the Egyptian Hall, London. Tour under the management ofDUDLEYMCADOW.FIRST PART.KELLARIn a series of original experiments in pure sleight of hand, thoroughly up to date. A display of marvelous digital dexterity, surpassing anything heretofore achieved in the field of magic. Novel, unique, original, including:OLD GLORY,THE DYEING ENIGMA,AND THE GREAT HYPNOTIC SCENE,The Levitation of Princess KarnacThe most daring and bewildering illusion, and by far the most difficult achievement Mr. Kellar ever attempted. Absolutely new in principle. The dream in midair of the dainty Princess of Karnac surpasses the fabled feats of the ancient Egyptian sorcerers, nor can anything more magical be found in the pages of The Thousand and One Nights, and it lends a resemblance to the miraculous tales of levitation that come out of India. This{253}illusion is acknowledged by critics and historians of the goetic art to be the profoundest achievement in either ancient or modern magic. Its perfection represents fifteen years of patient research and abstruse study, and the expenditure of as many thousands of dollars. The result of these labors is a veritable masterpiece of magic, the sensational marvel of the twentieth century and the crowning achievement of Mr. Kellar’s long and brilliant career.PART SECOND.By Herr VALADONThe most accomplished exponent of pure sleight of hand ever seen in this or any other age, introducing his entirely new and original mystery, entitled:A Drum That Can’t Be Beaten—AND—WellI’m————!!!PART THIRD.KELLARTHE YOGE’S LAMP,MIND POWER,THE SIMLA SEANCE,FLY TO, OR THE PRINCESS OF KARNAC,An astonishing illusion, exploiting the theosophic theory of projection of astral bodies through the air. An original conception so startling in effect and so nearly approaching the supernatural as to seem miraculous. Affinity with an unseen power seems plausible, and scientific minds marvel at the production.
From England’s Home of Mystery, the Egyptian Hall, London. Tour under the management ofDUDLEYMCADOW.
FIRST PART.KELLAR
In a series of original experiments in pure sleight of hand, thoroughly up to date. A display of marvelous digital dexterity, surpassing anything heretofore achieved in the field of magic. Novel, unique, original, including:
The Levitation of Princess Karnac
The most daring and bewildering illusion, and by far the most difficult achievement Mr. Kellar ever attempted. Absolutely new in principle. The dream in midair of the dainty Princess of Karnac surpasses the fabled feats of the ancient Egyptian sorcerers, nor can anything more magical be found in the pages of The Thousand and One Nights, and it lends a resemblance to the miraculous tales of levitation that come out of India. This{253}illusion is acknowledged by critics and historians of the goetic art to be the profoundest achievement in either ancient or modern magic. Its perfection represents fifteen years of patient research and abstruse study, and the expenditure of as many thousands of dollars. The result of these labors is a veritable masterpiece of magic, the sensational marvel of the twentieth century and the crowning achievement of Mr. Kellar’s long and brilliant career.
PART SECOND.By Herr VALADON
The most accomplished exponent of pure sleight of hand ever seen in this or any other age, introducing his entirely new and original mystery, entitled:
A Drum That Can’t Be Beaten—AND—WellI’m————!!!
THE YOGE’S LAMP,
MIND POWER,
THE SIMLA SEANCE,
FLY TO, OR THE PRINCESS OF KARNAC,
An astonishing illusion, exploiting the theosophic theory of projection of astral bodies through the air. An original conception so startling in effect and so nearly approaching the supernatural as to seem miraculous. Affinity with an unseen power seems plausible, and scientific minds marvel at the production.