V.

V.The greatest event of Houdin’s life was his embassy to Algeria, “at the special request of the French Government, which desired to lessen the influence of the Marabouts, whose conjuring tricks, accepted as actual magic by the Arabs, gave them too much influence.” He went to play off his tricks against those of Arab priests, or holy men, and, by “greater marvels than they could show, destroy theprestigewhich they had acquired. He so completely succeeded that the Arabs lost all faith in the miracles of the Marabouts, and thus was destroyed an influence very dangerous to the French Government.” His first performance was given at the leading theatre of Algiers, before a great assemblage of Arabs, who had been summoned to witness thesoirée magique, by the mandate of the Marshall-Governor of Algeria. Houdin’s “Light and Heavy Chest” literally paralyzed the Arabs with astonishment. He altered themise en scène, and pretended to be able to make the strongest man so weak that he would be unable to lift a small box from the floor. He says in his memoirs:“I advanced with my box in my hand, to the center of the ‘practicable,’ communicating from the stage to the pit; then addressing the Arabs, I said to them:“ ‘From what you have witnessed, you will attribute a supernatural power to me, and you are right. I will give you a new proof of my marvelous authority, by showing that I can deprive the most powerful man of his strength and restore it at my will. Any one who thinks himself strong enough to try the experiment may draw near me.’ (I spoke slowly, in order to give the interpreter time to translate my words).“An Arab of middle height, but well built and muscular, like many of the Arabs are, came to my side with sufficient assurance.“ ‘Are you very strong?’ I said to him, measuring him from head to foot.“ ‘Oh yes!’ he replied carelessly.“ ‘Are you sure you will always remain so?’“ ‘Quite sure.’“ ‘You are mistaken, for in an instant I will rob you of your strength, and you shall become like as a little child.’{151}“The Arab smiled disdainfully, as a sign of his incredulity.“ ‘Stay,’ I continued; ‘lift up this box.’“The Arab stooped, lifted up the box, and said to me, ‘Is this all?’“ ‘Wait——!’I replied.“Then with all possible gravity, I made an imposing gesture and solemnly pronounced the words:“ ‘Behold! you are weaker than a woman; now, try to lift the box.’“The Hercules, quite cool as to my conjuration, seized the box once again by the handle, and gave it a violent tug, but this time the box resisted, and spite of his most vigorous attacks, would not budge an inch.“The Arab vainly expended on this unlucky box a strength which would have raised an enormous weight, until at length exhausted, panting, and red with anger, he stopped, became thoughtful, and began to comprehend the influences of magic.“He was on the point of withdrawing; but that would be allowing his weakness, and that he, hitherto respected for his vigor, had become as a little child. This thought rendered him almost mad.“Deriving fresh strength from the encouragements his friends offered him by word and deed, he turned a glance around them, which seemed to say, ‘You will see what a son of the desert can do.’“He bent once again over the box: his nervous hands twined around the handle, and his legs, placed on either side like two bronze columns, served as a support for the final effort.“But, wonder of wonders! this Hercules, a moment since so strong and proud, now bows his head; his arms, riveted to the box, undergo a violent muscular contraction; his legs give way, and he falls on his knees with a yell of agony.“An electric shock, produced by an induction apparatus, had been passed, on a signal from me, from the further end of the stage into the handle of the box. Hence the contortions of the poor Arab!“It would have been cruelty to prolong this scene.{152}“I gave a second signal, and the electric current was immediately intercepted. My athlete, disengaged from his terrible bondage, raised his hands over his head.“ ‘Allah! Allah’ he exclaimed, full of terror; then, wrapping himself up quickly in the folds of his burnous, as if to hide his disgrace, he rushed through the ranks of the spectators and gained the front entrance.“With the exception of the dignitaries occupying the stage boxes and the privileged spectators, in the body of the house, who seemed to take great pleasure in this great experiment, my audience had become grave and silent, and I heard the words ‘Shaitan!’ ‘Djenoum!’ passing in a murmur round the circle of credulous men, who, while gazing on me, seemed astonished that I possessed none of the physical qualities attributed to the angel of darkness.”The Marabout priests constantly boasted of their invulnerability. They were reputed to be possessed of powerful talismans which caused loaded weapons to flash in the pan when fired at them. Houdin counteracted these claims by performing his celebrated bullet-catching feat, in which a marked bullet apparently shot from a gun is caught by the magician in a plate or between his teeth. There are two ways of accomplishing this trick. One is by substituting a bullet of hollow wax for the real leaden bullet. The explosion scatters the wax into minute fragments which fly in all directions and do not come in contact with the person shot at; provided he stands at a respectable distance from the individual who handles the pistol or gun. The second method is to insert into the barrel of the weapon a small tube open at one end. Into this receptacle the bullet falls, and the tube is withdrawn from the gun in the act of ramming it, forming as it were a part of the ramrod. The performer, once in possession of the little tube, secretly extracts the marked bullet and produces it at the proper time. Houdin had recourse to both ways of performing this startling trick. Sometimes he filled the wax bullet with blood, extracted from his thumb. When the bullet smashed against a white wall it left a red splash. Houdin, after traveling into the interior of Algeria, visiting many prominent chieftains, returned to France, and settled down at St. Gervais, a suburb{153}of Blois. He relinquished his theatre to his brother-in-law, Pierre Chocat (M. Hamilton), and devoted himself to scientific work, and writing hisConfidencesand other works on natural magic.

The greatest event of Houdin’s life was his embassy to Algeria, “at the special request of the French Government, which desired to lessen the influence of the Marabouts, whose conjuring tricks, accepted as actual magic by the Arabs, gave them too much influence.” He went to play off his tricks against those of Arab priests, or holy men, and, by “greater marvels than they could show, destroy theprestigewhich they had acquired. He so completely succeeded that the Arabs lost all faith in the miracles of the Marabouts, and thus was destroyed an influence very dangerous to the French Government.” His first performance was given at the leading theatre of Algiers, before a great assemblage of Arabs, who had been summoned to witness thesoirée magique, by the mandate of the Marshall-Governor of Algeria. Houdin’s “Light and Heavy Chest” literally paralyzed the Arabs with astonishment. He altered themise en scène, and pretended to be able to make the strongest man so weak that he would be unable to lift a small box from the floor. He says in his memoirs:

“I advanced with my box in my hand, to the center of the ‘practicable,’ communicating from the stage to the pit; then addressing the Arabs, I said to them:

“ ‘From what you have witnessed, you will attribute a supernatural power to me, and you are right. I will give you a new proof of my marvelous authority, by showing that I can deprive the most powerful man of his strength and restore it at my will. Any one who thinks himself strong enough to try the experiment may draw near me.’ (I spoke slowly, in order to give the interpreter time to translate my words).

“An Arab of middle height, but well built and muscular, like many of the Arabs are, came to my side with sufficient assurance.

“ ‘Are you very strong?’ I said to him, measuring him from head to foot.

“ ‘Oh yes!’ he replied carelessly.

“ ‘Are you sure you will always remain so?’

“ ‘Quite sure.’

“ ‘You are mistaken, for in an instant I will rob you of your strength, and you shall become like as a little child.’{151}

“The Arab smiled disdainfully, as a sign of his incredulity.

“ ‘Stay,’ I continued; ‘lift up this box.’

“The Arab stooped, lifted up the box, and said to me, ‘Is this all?’

“ ‘Wait——!’I replied.

“Then with all possible gravity, I made an imposing gesture and solemnly pronounced the words:

“ ‘Behold! you are weaker than a woman; now, try to lift the box.’

“The Hercules, quite cool as to my conjuration, seized the box once again by the handle, and gave it a violent tug, but this time the box resisted, and spite of his most vigorous attacks, would not budge an inch.

“The Arab vainly expended on this unlucky box a strength which would have raised an enormous weight, until at length exhausted, panting, and red with anger, he stopped, became thoughtful, and began to comprehend the influences of magic.

“He was on the point of withdrawing; but that would be allowing his weakness, and that he, hitherto respected for his vigor, had become as a little child. This thought rendered him almost mad.

“Deriving fresh strength from the encouragements his friends offered him by word and deed, he turned a glance around them, which seemed to say, ‘You will see what a son of the desert can do.’

“He bent once again over the box: his nervous hands twined around the handle, and his legs, placed on either side like two bronze columns, served as a support for the final effort.

“But, wonder of wonders! this Hercules, a moment since so strong and proud, now bows his head; his arms, riveted to the box, undergo a violent muscular contraction; his legs give way, and he falls on his knees with a yell of agony.

“An electric shock, produced by an induction apparatus, had been passed, on a signal from me, from the further end of the stage into the handle of the box. Hence the contortions of the poor Arab!

“It would have been cruelty to prolong this scene.{152}

“I gave a second signal, and the electric current was immediately intercepted. My athlete, disengaged from his terrible bondage, raised his hands over his head.

“ ‘Allah! Allah’ he exclaimed, full of terror; then, wrapping himself up quickly in the folds of his burnous, as if to hide his disgrace, he rushed through the ranks of the spectators and gained the front entrance.

“With the exception of the dignitaries occupying the stage boxes and the privileged spectators, in the body of the house, who seemed to take great pleasure in this great experiment, my audience had become grave and silent, and I heard the words ‘Shaitan!’ ‘Djenoum!’ passing in a murmur round the circle of credulous men, who, while gazing on me, seemed astonished that I possessed none of the physical qualities attributed to the angel of darkness.”

The Marabout priests constantly boasted of their invulnerability. They were reputed to be possessed of powerful talismans which caused loaded weapons to flash in the pan when fired at them. Houdin counteracted these claims by performing his celebrated bullet-catching feat, in which a marked bullet apparently shot from a gun is caught by the magician in a plate or between his teeth. There are two ways of accomplishing this trick. One is by substituting a bullet of hollow wax for the real leaden bullet. The explosion scatters the wax into minute fragments which fly in all directions and do not come in contact with the person shot at; provided he stands at a respectable distance from the individual who handles the pistol or gun. The second method is to insert into the barrel of the weapon a small tube open at one end. Into this receptacle the bullet falls, and the tube is withdrawn from the gun in the act of ramming it, forming as it were a part of the ramrod. The performer, once in possession of the little tube, secretly extracts the marked bullet and produces it at the proper time. Houdin had recourse to both ways of performing this startling trick. Sometimes he filled the wax bullet with blood, extracted from his thumb. When the bullet smashed against a white wall it left a red splash. Houdin, after traveling into the interior of Algeria, visiting many prominent chieftains, returned to France, and settled down at St. Gervais, a suburb{153}of Blois. He relinquished his theatre to his brother-in-law, Pierre Chocat (M. Hamilton), and devoted himself to scientific work, and writing hisConfidencesand other works on natural magic.


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