'True, Madam, you may think to partConditions by a glacier-ridge,But Beauty's for the largest heart,And all abysses Love can bridge!'"
'True, Madam, you may think to partConditions by a glacier-ridge,But Beauty's for the largest heart,And all abysses Love can bridge!'"
Hippias now laughed; grimly, as men laugh at the emptiness of words.
"Largest heart!" he sneered. "What's a 'glacier-ridge'? I've never seen one. I can't deny it rhymes with 'bridge.' But don't go parading your admiration of that person, Richard. Your father will speak to you on the subject when he thinks fit."
"I thought they had quarrelled," said Richard. "What a pity!" and he murmured to a pleased ear:
"Beauty's for the largest heart!"
"Beauty's for the largest heart!"
The flow of their conversation was interrupted by the entrance of passengers at a station. Richard examined their faces with pleasure. All faces pleased him. Human nature sat tributary at the feet of him and his Golden Bride. As he could not well talk his thoughts before them, he looked out at the windows, and enjoyed the changing landscape, projecting all sorts of delights for his old friend Ripton, and musing hazily on the wondrous things he was to do in the world; of the great service he was to be to his fellow-creatures. In the midst of his reveries he was landed in London. Tom Bakewell stood at the carriage door. A glance told Richard that his squire had somethingcurious on his mind, and he gave Tom the word to speak out. Tom edged his master out of hearing, and began sputtering a laugh.
"Dash'd if I can help it, sir!" he said. "That young Tom! He've come to town dressed that spicy! and he don't know his way about no more than a stag. He's come to fetch somebody from another rail, and he don't know how to get there, and he ain't sure about which rail 'tis. Look at him, Mr. Richard! There he goes."
Young Tom appeared to have the weight of all London on his beaver.
"Who has he come for?" Richard asked.
"Don't you know, sir? You don't like me to mention the name," mumbled Tom, bursting to be perfectly intelligible.
"Is it for her, Tom?"
"Miss Lucy, sir."
Richard turned away, and was seized by Hippias, who begged him to get out of the noise and pother, and caught hold of his slack arm to bear him into a conveyance; but Richard, by wheeling half to the right, or left, always got his face round to the point where young Tom was man[oe]uvring to appear at his ease. Even when they were seated in the conveyance, Hippias could not persuade him to drive off. He made the excuse that he did not wish to start till there was a clear road. At last young Tom cast anchor by a policeman, and, doubtless at the official's suggestion, bashfully took seat in a cab, and was shot into the whirlpool of London. Richard then angrily asked his driver what he was waiting for.
"Are you ill, my boy?" said Hippias. "Where's your colour?"
He laughed oddly, and made a random answer that he hoped the fellow would drive fast.
"I hate slow motion after being in the railway," he said.
Hippias assured him there was something the matter with him.
"Nothing, uncle! nothing!" said Richard, looking fiercely candid.
They say, that when the skill and care of men rescue a drowned wretch from extinction, and warm the flickering spirit into steady flame, such pain it is, the bloodforcing its way along the dry channels, and the heavily-ticking nerves, and the sullen heart—the struggle of life and death in him—grim death relaxing his gripe; such pain it is, he cries out no thanks to them that pull him by inches from the depths of the dead river. And he who has thought a love extinct, and is surprised by the old fires, and the old tyranny, he rebels, and strives to fight clear of the cloud of forgotten sensations that settle on him; such pain it is, the old sweet music reviving through his frame, and the charm of his passion fixing him afresh. Still was fair Lucy the one woman to Richard. He had forbidden her name but from an instinct of self-defence. Must the maids of baser metal dominate him anew, it is in Lucy's shape. Thinking of her now so near him—his darling! all her graces, her sweetness, her truth; for, despite his bitter blame of her, he knew her true—swam in a thousand visions before his eyes; visions pathetic, and full of glory, that now wrung his heart, and now elated it. As well might a ship attempt to calm the sea, as this young man the violent emotion that began to rage in his breast. "I shall not see her!" he said to himself exultingly, and at the same instant thought, how black was every corner of the earth but that one spot where Lucy stood! how utterly cheerless the place he was going to! Then he determined to bear it; to live in darkness; there was a refuge in the idea of a voluntary martyrdom. "For if I chose I could see her—this day within an hour!—I could see her, and touch her hand, and, oh, heaven!—But I do not choose." And a great wave swelled through him, and was crushed down only to swell again more stormily.
Then Tom Bakewell's words recurred to him that young Tom Blaize was uncertain where to go for her, and that she might be thrown on this Babylon alone. And flying from point to point, it struck him that they had known at Raynham of her return, and had sent him to town to be out of the way—they had been miserably plotting against him once more. "They shall see what right they have to fear me. I'll shame them!" was the first turn taken by his wrathful feelings, as he resolved to go, and see her safe, and calmly return to his uncle, whom he sincerely believed not to be one of the conspirators.Nevertheless, after forming that resolve, he sat still, as if there was something fatal in the wheels that bore him away from it—perhaps because he knew, as some do when passion is lord, that his intelligence juggled with him; though none the less keenly did he feel his wrongs and suspicions. His Golden Bride was waning fast. But when Hippias ejaculated to cheer him: "We shall soon be there!" the spell broke. Richard stopped the cab, saying he wanted to speak to Tom, and would ride with him the rest of the journey. He knew well enough which line of railway his Lucy must come by. He had studied every town and station on the line. Before his uncle could express more than a mute remonstrance, he jumped out and hailed Tom Bakewell, who came behind with the boxes and baggage in a companion cab, his head a yard beyond the window to make sure of his ark of safety, the vehicle preceding.
"What an extraordinary, impetuous boy it is," said Hippias. "We're in the very street!"
Within a minute the stalwart Berry, despatched by the baronet to arrange everything for their comfort, had opened the door, and made his bow.
"Mr. Richard, sir?—evaporated?" was Berry's modulated inquiry.
"Behind—among the boxes, fool!" Hippias growled, as he received Berry's muscular assistance to alight. "Lunch ready—eh!"
"Luncheon was ordered precise at two o'clock, sir—been in attendance one quarter of an hour. Heah!" Berry sang out to the second cab, which, with its pyramid of luggage, remained stationary some thirty paces distant. At his voice the majestic pile deliberately turned its back on them, and went off in a contrary direction.
On the stroke of the hour when Ripton Thompson was accustomed to consult his good watch for practical purposes, and sniff freedom and the forthcoming dinner, a burglarious foot entered the clerk's office where he sat, and a man of a scowling countenance, who looked a villain, and whom he was afraid he knew, slid a letter into his hands, nodding that it would be prudent for him to read, and be silent. Ripton obeyed in alarm. Apparently the contents of the letter relieved his conscience; for he reached down his hat, and told Mr. Beazley to inform his father that he had business of pressing importance in the West, and should meet him at the station. Mr. Beazley zealously waited upon the paternal Thompson without delay, and together making their observations from the window, they beheld a cab of many boxes, into which Ripton darted and was followed by one in groom's dress. It was Saturday, the day when Ripton gave up his law-readings, magnanimously to bestow himself upon his family, and Mr. Thompson liked to have his son's arm as he walked down to the station; but that third glass of Port which always stood for his second, and the groom's suggestion of aristocratic acquaintances, prevented Mr. Thompson from interfering: so Ripton was permitted to depart.
In the cab Ripton made a study of the letter he held. It had the preciseness of an imperial mandate.
"Dear Ripton,—You are to get lodgings for a lady immediately. Not a word to a soul. Then come along with Tom.R. D. F."
"Dear Ripton,—You are to get lodgings for a lady immediately. Not a word to a soul. Then come along with Tom.
R. D. F."
"Lodgings for a lady!" Ripton meditated aloud: "What sort of lodgings? Where am I to get lodgings? Who's the lady?—I say!" he addressed the mysterious messenger. "So you're Tom Bakewell, are you, Tom?"
Tom grinned his identity.
"Do you remember the rick, Tom? Ha! ha! We got out of that neatly. We might all have been transported, though. I could have convicted you, Tom, safe! It's no use coming across a practised lawyer. Now tell me." Ripton having nourished his powers, commenced his examination: "Who's this lady?"
"Better wait till you see Mr. Richard, sir," Tom resumed his scowl to reply.
"Ah!" Ripton acquiesced. "Is she young, Tom?"
Tom said she was not old.
"Handsome, Tom?"
"Some might think one thing, some another," Tom said.
"And where does she come from now?" asked Ripton with the friendly cheerfulness of a baffled counsellor.
"Comes from the country, sir."
"A friend of the family, I suppose? a relation?"
Ripton left this insinuating query to be answered by a look. Tom's face was a dead blank.
"Ah!" Ripton took a breath, and eyed the mask opposite him. "Why, you're quite a scholar, Tom! Mr. Richard is well? All right at home?"
"Come to town this mornin' with his uncle," said Tom. "All well, thank ye, sir."
"Ha!" cried Ripton, more than ever puzzled, "now I see. You all came to town to-day, and these are your boxes outside. So, so! But Mr. Richard writes for me to get lodgings for a lady. There must be some mistake—he wrote in a hurry. He wants lodgings for you all—eh?"
"'M sure I d'n know what he wants," said Tom. "You'd better go by the letter, sir."
Ripton re-consulted that document. "'Lodgings for a lady, and then come along with Tom. Not a word to a soul.' I say! that looks like—but he never cared forthem. You don't mean to say, Tom, he's been running away with anybody?"
Tom fell back upon his first reply: "Better wait till ye see Mr. Richard, sir," and Ripton exclaimed: "Hanged if you ain't the tightest witness I ever saw! I shouldn't like to have you in a box. Some of you country fellows beat any number of cockneys. You do!"
Tom received the compliment stubbornly on his guard,and Ripton, as nothing was to be got out of him, set about considering how to perform his friend's injunctions; deciding firstly, that a lady fresh from the country ought to lodge near the parks, in which direction he told the cabman to drive. Thus, unaware of his high destiny, Ripton joined the hero, and accepted his character in the New Comedy.
It is, nevertheless, true that certain favoured people do have beneficent omens to prepare them for their parts when the hero is in full career, so that they really may be nerved to meet him; ay, and to check him in his course, had they that signal courage. For instance, Mrs. Elizabeth Berry, a ripe and wholesome landlady of advertised lodgings, on the borders of Kensington, noted, as she sat rocking her contemplative person before the parlour fire this very March afternoon, a supernatural tendency in that fire to burnall on one side: which signifies that a wedding approaches the house. Why—who shall say? Omens are as impassable as heroes. It may be because in these affairs the fire is thought to be all on one side. Enough that the omen exists, and spoke its solemn warning to the devout woman. Mrs. Berry, in her circle, was known as a certified lecturer against the snares of matrimony. Still that was no reason why she should not like a wedding. Expectant, therefore, she watched the one glowing cheek of Hymen, and with pleasing tremours beheld a cab of many boxes draw up by her bit of garden, and a gentleman emerge from it in the act of consulting an advertisement paper. The gentleman required lodgings for a lady. Lodgings for a lady Mrs. Berry could produce, and a very roseate smile for a gentleman; so much so that Ripton forgot to ask about the terms, which made the landlady in Mrs. Berry leap up to embrace him as the happy man. But her experienced woman's eye checked her enthusiasm. He had not the air of a bridegroom: he did not seem to have a weight on his chest, or an itch to twiddle everything with his fingers. At any rate, he was not the bridegroom for whom omens fly abroad. Promising to have all ready for the lady within an hour, Mrs. Berry fortified him with her card, curtsied him back to his cab, and floated him off on her smiles.
The remarkable vehicle which had woven this thread ofintrigue through London streets, now proceeded sedately to finish its operations. Ripton was landed at a hotel in Westminster. Ere he was half-way up the stairs, a door opened, and his old comrade in adventure rushed down. Richard allowed up time for salutations. "Have you done it?" was all he asked. For answer Ripton handed him Mrs. Berry's card. Richard took it, and left him standing there. Five minutes elapsed, and then Ripton heard the gracious rustle of feminine garments above. Richard came a little in advance, leading and half supporting a figure in a black-silk mantle and small black straw bonnet; young—that was certain, though she held her veil so close he could hardly catch the outlines of her face; girlishly slender, and sweet and simple in appearance. The hush that came with her, and her soft manner of moving, stirred the silly youth to some of those ardours that awaken the Knight of Dames in our bosoms. He felt that he would have given considerable sums for her to lift her veil. He could see that she was trembling—perhaps weeping. It was the master of her fate she clung to. They passed him without speaking. As she went by, her head passively bent, Ripton had a glimpse of noble tresses and a lovely neck; great golden curls hung loosely behind, pouring from under her bonnet. She looked a captive borne to the sacrifice. What Ripton, after a sight of those curls, would have given for her just to lift her veil an instant and strike him blind with beauty, was, fortunately for his exchequer, never demanded of him. And he had absolutely been composing speeches as he came along in the cab! gallant speeches for the lady, and sly congratulatory ones for his friend, to be delivered as occasion should serve, that both might know him a man of the world, and be at their ease. He forgot the smirking immoralities he had revelled in. This was clearly serious. Ripton did not require to be told that his friend was in love, and meant that life and death business called marriage, parents and guardians consenting or not.
Presently Richard returned to him, and said hurriedly, "I want you now to go to my uncle at our hotel. Keep him quiet till I come. Say I had to see you—say anything. I shall be there by the dinner hour. Rip! I must talk to you alone after dinner."
Ripton feebly attempted to reply that he was due at home. He was very curious to hear the plot of the New Comedy; and besides, there was Richard's face questioning him sternly and confidently for signs of unhesitating obedience. He finished his grimaces by asking the name and direction of the hotel. Richard pressed his hand. It is much to obtain even that recognition of our devotion from the hero.
Tom Bakewell also received his priming, and, to judge by his chuckles and grins, rather appeared to enjoy the work cut out for him. In a few minutes they had driven to their separate destinations; Ripton was left to the unusual exercise of his fancy. Such is the nature of youth and its thirst for romance, that only to act as a subordinate is pleasant. When one unfurls the standard of defiance to parents and guardians, he may be sure of raising a lawless troop of adolescent ruffians, born rebels, to any amount. The beardless crew know that they have not a chance of pay; but what of that when the rosy prospect of thwarting their elders is in view? Though it is to see another eat the Forbidden Fruit, they will run all his risks with him. Gaily Ripton took rank as lieutenant in the enterprise, and the moment his heart had sworn the oaths, he was rewarded by an exquisite sense of the charms of existence. London streets wore a sly laugh to him. He walked with a dandified heel. The generous youth ogled aristocratic carriages, and glanced intimately at the ladies, overflowingly happy. The crossing-sweepers blessed him. He hummed lively tunes, he turned over old jokes in his mouth unctuously, he hugged himself, he had a mind to dance down Piccadilly, and all because a friend of his was running away with a pretty girl, and he was in the secret.
It was only when he stood on the door-step of Richard's hotel, that his jocund mood was a little dashed by remembering that he had then to commence the duties of his office, and must fabricate a plausible story to account for what he knew nothing about—a part that the greatest of sages would find it difficult to perform. The young, however, whom sages well may envy, seldom fail in lifting their inventive faculties to the level of their spirits, and two minutes of Hippias's angry complaints againstthe friend he serenely inquired for, gave Ripton his cue.
"We're in the very street—within a stone's-throw of the house, and he jumps like a harlequin out of my cab into another; he must be mad—that boy's got madness in him!—and carries off all the boxes—my dinner-pills, too! and keeps away the whole of the day, though he promised to go to the doctor, and had a dozen engagements with me," said Hippias, venting an enraged snarl to sum up his grievances.
Ripton at once told him that the doctor was not at home.
"Why, you don't mean to say he's been to the doctor?" Hippias cried out.
"He has called on him twice, sir," said Ripton, expressively. "On leaving me he was going a third time. I shouldn't wonder that's what detains him—he's so determined."
By fine degrees Ripton ventured to grow circumstantial, saying that Richard's case was urgent and required immediate medical advice; and that both he and his father were of opinion Richard should not lose an hour in obtaining it.
"He's alarmed about himself," said Ripton, and tapped his chest.
Hippias protested he had never heard a word from his nephew of any physical affliction.
"He was afraid of making you anxious, I think, sir."
Algernon Feverel and Richard came in while he was hammering at the alphabet to recollect the first letter of the doctor's name. They had met in the hall below, and were laughing heartily as they entered the room. Ripton jumped up to get the initiative.
"Have you seen the doctor?" he asked, significantly plucking at Richard's fingers.
Richard was all abroad at the question.
Algernon clapped him on the back. "What the deuce do you want with doctor, boy?"
The solid thump awakened him to see matters as they were. "Oh, ay! the doctor!" he said, smiling frankly at his lieutenant. "Why, he tells me he'd back me to do Milo's trick in a week from the present day.—Uncle," hecame forward to Hippias, "I hope you'll excuse me for running off as I did. I was in a hurry. I left something at the railway. This stupid Rip thinks I went to the doctor about myself. The fact was, I wanted to fetch the doctor to see you here—so that you might have no trouble, you know. You can't bear the sight of his instruments and skeletons—I've heard you say so. You said it set all your marrow in revolt—'fried your marrow,' I think were the words, and made you see twenty thousand different ways of sliding down to the chambers of the Grim King. Don't you remember?"
Hippias emphatically did not remember, and he did not believe the story. Irritation at the mad ravishment of his pill-box rendered him incredulous. As he had no means of confuting his nephew, all he could do safely to express his disbelief in him, was to utter petulant remarks on his powerlessness to appear at the dinner-table that day: upon which—Berry just then trumpeting dinner—Algernon seized one arm of the Dyspepsy, and Richard another, and the laughing couple bore him into the room where dinner was laid, Ripton sniggering in the rear, the really happy man of the party.
They had fun at the dinner-table. Richard would have it; and his gaiety, his by-play, his princely superiority to truth and heroic promise of over-riding all our laws, his handsome face, the lord and possessor of beauty that he looked, as it were a star shining on his forehead, gained the old complete mastery over Ripton, who had been, mentally at least, half patronizing him till then, because he knew more of London and life, and was aware that his friend now depended upon him almost entirely.
After a second circle of the claret, the hero caught his lieutenant's eye across the table, and said:
"We must go out and talk over that law-business, Rip, before you go. Do you think the old lady has any chance?"
"Not a bit!" said Ripton, authoritatively.
"But it's worth fighting—eh, Rip?"
"Oh, certainly!" was Ripton's mature opinion.
Richard observed that Ripton's father seemed doubtful. Ripton cited his father's habitual caution. Richard made a playful remark on the necessity of sometimes acting inopposition to fathers. Ripton agreed to it—in certain cases.
"Yes, yes! in certain cases," said Richard.
"Pretty legal morality, gentlemen!" Algernon interjected; Hippias adding: "And lay, too!"
The pair of uncles listened further to the fictitious dialogue, well kept up on both sides, and in the end desired a statement of the old lady's garrulous case; Hippias offering to decide what her chances were in law, and Algernon to give a common-sense judgment.
"Rip will tell you," said Richard, deferentially signalling the lawyer. "I've a bad hand at these matters. Tell them how it stands, Rip."
Ripton disguised his excessive uneasiness under endeavours to right his position on his chair, and, inwardly praying speed to the claret jug to come and strengthen his wits, began with a careless aspect: "Oh, nothing! She—very curious old character! She—a—wears a wig. She—a—very curious old character indeed! She—a—quite the old style. There's no doing anything with her!" and Ripton took a long breath to relieve himself after his elaborate fiction.
"So it appears," Hippias commented, and Algernon asked: "Well? and about her wig? Somebody stole it?" while Richard, whose features were grim with suppressed laughter, bade the narrator continue.
Ripton lunged for the claret jug. He had got an old lady like an oppressive bundle on his brain, and he was as helpless as she was. In the pangs of ineffectual authorship his ideas shot at her wig, and then at her one characteristic of extreme obstinacy, and tore back again at her wig, but she would not be animated. The obstinate old thing would remain a bundle. Law studies seemed light in comparison with this tremendous task of changing an old lady from a doll to a human creature. He flung off some claret, perspired freely, and, with a mental tribute to the cleverness of those author fellows, recommenced: "Oh, nothing! She—Richard knows her better than I do—an old lady—somewhere down in Suffolk. I think we had better advise her not to proceed. The expenses of litigation are enormous! She—I think we had better advise her to stop short, and not make any scandal."
"And not make any scandal!" Algernon took him up. "Come, come! there's something more than a wig, then?"
Ripton was commanded to proceed, whether she did or no. The luckless fictionist looked straight at his pitiless leader, and blurted out dubiously, "She—there's a daughter."
"Born with effort!" ejaculated Hippias. "Must give her pause after that! and I'll take the opportunity to stretch my length on the sofa. Heigho! that's true what Austin says: 'The general prayer should be for a full stomach, and the individual for one that works well; for on that basis only are we a match for temporal matters, and able to contemplate eternal.' Sententious, but true. I gave him the idea, though! Take care of your stomachs, boys! and if ever you hear of a monument proposed to a scientific cook or gastronomic doctor, send in your subscriptions. Or say to him while he lives, Go forth, and be a Knight. Ha! They have a good cook at this house. He suits me better than ours at Raynham. I almost wish I had brought my manuscript to town, I feel so much better. Aha! I didn't expect to digest at all without my regular incentive. I think I shall give it up.—What do you say to the theatre to-night, boys!"
Richard shouted, "Bravo, uncle!"
"Let Mr. Thompson finish first," said Algernon. "I want to hear the conclusion of the story. The old girl has a wig and a daughter. I'll swear somebody runs away with one of the two! Fill your glass, Mr. Thompson, and forward!"
"So somebody does," Ripton received his impetus. "And they're found in town together," he made a fresh jerk. "She—a—that is, the old lady—found them in company."
"She finds him with her wig on in company!" said Algernon. "Capital! Here's matter for the lawyers!"
"And you advise her not to proceed, under such circumstances of aggravation?" Hippias observed, humorously twinkling with his stomachic contentment.
"It's the daughter," Ripton sighed, and surrendering to pressure, hurried on recklessly, "A runaway match—beautiful girl!—the only son of a baronet—married by special licence. A—the point is," he now brightened and spoke from his own element, "the point is whether the marriage can be annulled, as she's of the Catholic persuasion andhe's a Protestant, and they're both married under age. That's the point."
Having come to the point he breathed extreme relief, and saw things more distinctly; not a little amazed at his leader's horrified face.
The two elders were making various absurd inquiries, when Richard sent his chair to the floor, crying, "What a muddle you're in, Rip! You're mixing half-a-dozen stories together. The old lady I told you about was old Dame Bakewell, and the dispute was concerning a neighbour of hers who encroached on her garden, and I said I'd pay the money to see her righted!"
"Ah," said Ripton, humbly, "I was thinking of the other. Her garden! Cabbages don't interest me"——
"Here, come along," Richard beckoned to him savagely. "I'll be back in five minutes, uncle," he nodded coolly to either.
The young men left the room. In the hall-passage they met Berry, dressed to return to Raynham. Richard dropped a helper to the intelligence into his hand, and warned him not to gossip much of London. Berry bowed perfect discreetness.
"What on earth induced you to talk about Protestants and Catholics marrying, Rip?" said Richard, as soon as they were in the street.
"Why," Ripton answered, "I was so hard pushed for it, 'pon my honour, I didn't know what to say. I ain't an author, you know; I can't make a story. I was trying to invent a point, and I couldn't think of any other, and I thought that was just the point likely to make a jolly good dispute. Capital dinners they give at those crack hotels. Why did you throw it all upon me? I didn't begin on the old lady."
The hero mused, "It's odd! It's impossible you could have known! I'll tell you why, Rip! I wanted to try you. You fib well at long range, but you don't do at close quarters and single combat. You're good behind walls, but not worth a shot in the open. I just see what you're fit for. You're staunch—that I am certain of. You always were. Lead the way to one of the parks—down in that direction. You know?—where she is!"
Ripton led the way. His dinner had prepared thisyoung Englishman to defy the whole artillery of established morals. With the muffled roar of London around them, alone in a dark slope of green, the hero, leaning on his henchman, and speaking in a harsh clear undertone, delivered his explanations. Doubtless the true heroic insignia and point of view will be discerned, albeit in common private's uniform.
"They've been plotting against me for a year, Rip! When you see her, you'll know what it was to have such a creature taken away from you. It nearly killed me. Never mind what she is. She's the most perfect and noble creature God ever made! It's not only her beauty—I don't care so much about that!—but when you've once seen her, she seems to draw music from all the nerves of your body; but she's such an angel. I worship her. And her mind's like her face. She's pure gold. There, you'll see her to-night.
"Well," he pursued, after inflating Ripton with this rapturous prospect, "they got her away, and I recovered. It was Mister Adrian's work. What's my father's objection to her? Because of her birth? She's educated; her manners are beautiful—full of refinement—quick and soft! Can they show me one of their ladies like her?—she's the daughter of a naval lieutenant! Because she's a Catholic? What has religion to do with"—he pronounced "Love!" a little modestly—as it were a blush in his voice.
"Well, when I recovered I thought I did not care for her. It shows how we know ourselves! And I cared for nothing. I felt as if I had no blood. I tried to imitate my dear Austin. I wish to God he were here. I love Austin. He would understand her. He's coming back this year, and then—but it'll be too late then.—Well, my father's always scheming to make me perfect—he has never spoken to me a word about her, but I can see her in his eyes—he wanted to give me a change, he said, and asked me to come to town with my uncle Hippy, and I consented. It was another plot to get me out of the way! As I live, I had no more idea of meeting her than of flying to heaven!"
He lifted his face. "Look at those old elm branches! How they seem to mix among the stars!—glittering; fruits of Winter!"
Ripton tipped his comical nose upward, and was in duty bound to say, Yes! though he observed no connection between them and the narrative.
"Well," the hero went on, "I came to town. There I heard she was coming, too—coming home. It must have been fate, Ripton! Heaven forgive me! I was angry with her, and I thought I should like to see her once—only once—and reproach her for being false—for she never wrote to me. And, oh, the dear angel! what she must have suffered!—I gave my uncle the slip, and got to the railway she was coming by. There was a fellow going to meet her—a farmer's son—and, good God! they were going to try and make her marry him! I remembered it all then. A servant of the farm had told me. That fellow went to the wrong station, I suppose, for we saw nothing of him. There she was—not changed a bit!—looking lovelier than ever! And when she saw me, I knew in a minute that she must love me till death!—You don't know what it is yet, Rip!—Will you believe it?—Though I was as sure she loved me and had been true as steel, as that I shall see her to-night, I spoke bitterly to her. And she bore it meekly—she looked like a saint. I told her there was but one hope of life for me—she must prove she was true, and as I give up all, so must she. I don't know what I said. The thought of losing her made me mad. She tried to plead with me to wait—it was for my sake, I know. I pretended, like a miserable hypocrite, that she did not love me at all. I think I said shameful things. Oh what noble creatures women are! She hardly had strength to move. I took her to that place where you found us.—Rip! she went down on her knees to me. I never dreamed of anything in life so lovely as she looked then. Her eyes were thrown up, bright with a crowd of tears—her dark brows bent together, like Pain and Beauty meeting in one; and her glorious golden hair swept off her shoulders as she hung forward to my hands.—Could I lose such a prize?—If anything could have persuaded me, would not that?—I thought of Dante's Madonna—Guido's Magdalen.—Is there sin in it? I see none! And if there is, it's all mine! I swear she's spotless of a thought of sin. I see her very soul! Cease to love her? Who dares ask me? Cease to love her? Why, I live onher!—To see her little chin straining up from her throat, as she knelt to me!—there was one curl that fell across her throat"....
Ripton listened for more. Richard had gone off in a muse at the picture.
"Well?" said Ripton, "and how about that young farmer fellow?"
The hero's head was again contemplating the starry branches. His lieutenant's question came to him after an interval.
"Young Tom? Why, it's young Tom Blaize—son of our old enemy, Rip! I like the old man now. Oh! I saw nothing of the fellow."
"Lord!" cried Ripton, "are we going to get into a mess with Blaizes again? I don't like that!"
His commander quietly passed his likes or dislikes.
"But when he goes to the train, and finds she's not there?" Ripton suggested.
"I've provided for that. The fool went to the South-east instead of the South-west. All warmth, all sweetness, comes with the South-west!—I've provided for that, friend Rip. My trusty Tom awaits him there, as if by accident. He tells him he has not seen her, and advises him to remain in town, and go for her there to-morrow, and the day following. Tom has money for the work. Young Tom ought to see London, you know, Rip!—like you. We shall gain some good clear days. And when old Blaize hears of it—what then? I have her! she's mine!—Besides, he won't hear for a week. This Tom beats that Tom in cunning, I'll wager. Ha! ha!" the hero burst out at a recollection. "What do you think, Rip? My father has some sort of System with me, it appears, and when I came to town the time before, he took me to some people—the Grandisons—and what do you think? one of the daughters is a little girl—a nice little thing enough—very funny—and he wants me to wait for her! He hasn't said so, but I know it. I know what he means. Nobody understands him but me. I know he loves me, and is one of the best of men—but just consider!—alittle girlwho just comes up to my elbow. Isn't it ridiculous? Did you ever hear such nonsense?"
Ripton emphasized his opinion that it certainly was foolish.
"No, no! The die's cast!" said Richard. "They've been plotting for a year up to this day, and this is what comes of it! If my father loves me, he will love her. And if he loves me, he'll forgive my acting against his wishes, and see it was the only thing to be done. Come! step out! what a time we've been!" and away he went, compelling Ripton to the sort of strides a drummer-boy has to take beside a column of grenadiers.
Ripton began to wish himself in love, seeing that it endowed a man with wind so that he could breathe great sighs, while going at a tremendous pace, and experience no sensation of fatigue. The hero was communing with the elements, his familiars, and allowed him to pant as he pleased. Some keen-eyed Kensington urchins, noticing the discrepancy between the pedestrian powers of the two, aimed their wit at Mr. Thompson junior's expense. The pace, and nothing but the pace, induced Ripton to proclaim that they had gone too far, when they discovered that they had overshot the mark by half a mile. In the street over which stood love's star, the hero thundered his presence at a door, and evoked a flying housemaid, who knew not Mrs. Berry. The hero attached significance to the fact that his instincts should have betrayed him, for he could have sworn to that house. The door being shut he stood in dead silence.
"Haven't you got her card?" Ripton inquired, and heard that it was in the custody of the cabman. Neither of them could positively bring to mind the number of the house.
"You ought to have chalked it, like that fellow in the Forty Thieves," Ripton hazarded a pleasantry which met with no response.
Betrayed by his instincts, the magic slaves of Love! The hero heavily descended the steps.
Ripton murmured that they were done for. His commander turned on him, and said: "Take all the houses on the opposite side, one after another. I'll take these." With a wry face Ripton crossed the road, altogether subdued by Richard's native superiority to adverse circumstances.
Then were families aroused. Then did mortals dimly guess that something portentous was abroad. Then were labourers all day in the vineyard, harshly wakened from their evening's nap. Hope and Fear stalked the street, as again and again the loud companion summonses resounded. Finally Ripton sang out cheerfully. He had Mrs. Berry before him, profuse of mellow curtsies.
Richard ran to her and caught her hands: "She's well?—upstairs?"
"Oh, quite well! only a trifle tired with her journey, and fluttering-like," Mrs. Berry replied to Ripton alone. The lover had flown aloft.
The wise woman sagely ushered Ripton into her own private parlour, there to wait till he was wanted.
"In all cases where two have joined to commit an offence, punish one of the two lightly," is the dictum ofThe Pilgrim's Scrip.
It is possible for young heads to conceive proper plans of action, and occasionally, by sheer force of will, to check the wild horses that are ever fretting to gallop off with them. But when they have given the reins and the whip to another, what are they to do? They may go down on their knees, and beg and pray the furious charioteer to stop, or moderate his pace. Alas! each fresh thing they do redoubles his ardour. There is a power in their troubled beauty women learn the use of, and what wonder? They have seen it kindle Ilium to flames so often! But ere they grow matronly in the house of Menelaus, they weep, and implore, and do not, in truth, know how terribly two-edged is their gift of loveliness. They resign themselves to an incomprehensible frenzy; pleasant to them, because they attribute it to excessive love. And so the very sensible things which they can and do say, are vain.
I reckon it absurd to ask them to be quite in earnest. Are not those their own horses in yonder team? Certainly, if they were quite in earnest, they might soon have my gentleman as sober as a carter. A hundred different ways of disenchanting him exist, and Adrian will point you out one or two that shall be instantly efficacious. For Love, the charioteer, is easily tripped, while honest jog-trot Love keeps his legs to the end. Granted dear women are not quite in earnest, still the mere words they utter should be put to their good account. They do mean them, though their hearts are set the wrong way. 'Tis a despairing, pathetic homage to the judgment of the majority, in whose faces they are flying. Punish Helen, very young, lightly. After a certain age you may select her for special chastisement. An innocent with Theseus, with Paris she is an advanced incendiary.
The fair young girl was sitting as her lover had left her; trying to recall her stunned senses. Her bonnet was unremoved, her hands clasped on her knees; dry tears in her eyes. Like a dutiful slave, she rose to him. And first he claimed her mouth. There was a speech, made up of all the pretty wisdom her wild situation and true love could gather, awaiting him there; but his kiss scattered it to fragments. She dropped to her seat weeping, and hiding her shamed cheeks.
By his silence she divined his thoughts, and took his hand and drew it to her lips.
He bent beside her, bidding her look at him.
"Keep your eyes so."
She could not.
"Do you fear me, Lucy?"
A throbbing pressure answered him.
"Do you love me, darling?"
She trembled from head to foot.
"Then why do you turn from me?"
She wept: "O Richard, take me home! take me home!"
"Look at me, Lucy!"
Her head shrank timidly round.
"Keep your eyes on me, darling! Now speak!"
But she could not look and speak too. The lover knew his mastery when he had her eyes.
"You wish me to take you home?"
She faltered: "O Richard? it is not too late."
"You regret what you have done for me?"
"Dearest! it is ruin."
"You weep because you have consented to be mine?"
"Not for me! O Richard!"
"For me you weep? Look at me! For me?"
"How will it end! O Richard!"
"You weep for me?"
"Dearest! I would die for you!"
"Would you see me indifferent to everything in the world? Would you have me lost? Do you think I will live another day in England without you? I have staked all I have on you, Lucy. You have nearly killed me once. A second time, and the earth will not be troubled by me. You ask me to wait, when they are plotting against us on all sides? Darling Lucy! look on me. Fix your fond eyes on me. You ask me to wait when here you are given to me—when you have proved my faith—when we know we love as none have loved. Give me your eyes! Let them tell me I have your heart!"
Where was her wise little speech? How could she match such mighty eloquence? She sought to collect a few more of the scattered fragments.
"Dearest! your father may be brought to consent by and by, and then—oh! if you take me home now"——
The lover stood up. "He who has been arranging that fine scheme to disgrace and martyrize you? True, as I live! that's the reason of their having you back. Your old servant heard him and your uncle discussing it. He!—Lucy! he's a good man, but he must not step in between you and me. I say God has given you to me."
He was down by her side again, his arms enfolding her.
She had hoped to fight a better battle than in the morning, and she was weaker and softer.
Ah! why should she doubt that his great love was the first law to her? Why should she not believe that she would wreck him by resisting? And if she suffered, oh sweet to think it was for his sake! Sweet to shut out wisdom; accept total blindness, and be led by him!
The hag Wisdom annoyed them little further. She rustled her garments ominously, and vanished.
"Oh, my own Richard!" the fair girl just breathed.
He whispered, "Call me that name."
She blushed deeply.
"Call me that name," he repeated. "You said it once to-day."
"Dearest!"
"Not that."
"O darling!"
"Not that."
"Husband!"
She was won. The rosy gate from which the word had issued was closed with a seal.
Ripton did not enjoy his introduction to the caged bird of beauty that night. He received a lesson in the art of pumping from the worthy landlady below, up to an hour when she yawned, and he blinked, and their common candle wore with dignity the brigand's hat of midnight, and cocked a drunken eye at them from under it.
Beauty, of course, is for the hero. Nevertheless, it is not always he on whom beauty works its most conquering influence. It is the dull commonplace man into whose slow brain she drops like a celestial light, and burns lastingly. The poet, for instance, is a connoisseur of beauty: to the artist she is a model. These gentlemen by much contemplation of her charms wax critical. The days when they had hearts being gone, they are haply divided between the blonde and the brunette; the aquiline nose and the Proserpine; this shaped eye and that. But go about among simple unprofessional fellows, boors, dunderheads, and here and there you shall find some barbarous intelligence which has had just enough to conceive, and has taken Beauty as its Goddess, and knows but one form to worship, in its poor stupid fashion, and would perish for her. Nay, more: the man would devote all his days to her, though he is dumb as a dog. And,indeed, he is Beauty's Dog. Almost every Beauty has her Dog. The hero possesses her; the poet proclaims her; the painter puts her upon canvas; and the faithful Old Dog follows her: and the end of it all is that the faithful Old Dog is her single attendant. Sir Hero is revelling in the wars, or in Armida's bowers; Mr. Poet has spied a wrinkle; the brush is for the rose in its season. She turns to her Old Dog then. She hugs him; and he, who has subsisted on a bone and a pat till there he squats decrepit, he turns his grateful old eyes up to her, and has not a notion that she is hugging sad memories in him: Hero, Poet, Painter, in one scrubby one! Then is she buried, and the village hears languid howls, and there is a paragraph in the newspapers concerning the extraordinary fidelity of an Old Dog.
Excited by suggestive recollections of Nooredeen and the Fair Persian, and the change in the obscure monotony of his life by his having quarters in a crack hotel, and living familiarly with West-End people—living on the fat of the land (which forms a stout portion of an honest youth's romance), Ripton Thompson breakfasted next morning with his chief at half-past eight. The meal had been fixed overnight for seven, but Ripton slept a great deal more than the nightingale, and (to chronicle his exact state) even half-past eight rather afflicted his new aristocratic senses and reminded him too keenly of law and bondage. He had preferred to breakfast at Algernon's hour, who had left word for eleven. Him, however, it was Richard's object to avoid, so they fell to, and Ripton no longer envied Hippias in bed. Breakfast done, they bequeathed the consoling information for Algernon that they were off to hear a popular preacher, and departed.
"How happy everybody looks!" said Richard, in the quiet Sunday streets.
"Yes—jolly!" said Ripton.
"When I'm—when this is over, I'll see that they are, too—as many as I can make happy," said the hero; adding softly: "Her blind was down at a quarter to six. I think she slept well!"
"You've been there this morning?" Ripton exclaimed; and an idea of what love was dawned upon his dull brain.
"Will she see me, Ricky?"
"Yes. She'll see you to-day. She was tired last night."
"Positively?"
Richard assured him that the privilege would be his.
"Here," he said, coming under some trees in the park, "here's where I talked to you last night. What a time it seems! How I hate the night!"
On the way, that Richard might have an exalted opinion of him, Ripton hinted decorously at a somewhat intimate and mysterious acquaintance with the sex. Headings of certain random adventures he gave.
"Well!" said his chief, "why not marry her?"
Then was Ripton shocked, and cried, "Oh!" and had a taste of the feeling of superiority, destined that day to be crushed utterly.
He was again deposited in Mrs. Berry's charge for a term that caused him dismal fears that the Fair Persian still refused to show her face, but Richard called out to him, and up Ripton went, unaware of the transformation he was to undergo. Hero and Beauty stood together to receive him. From the bottom of the stairs he had his vivaciously agreeable smile ready for them, and by the time he entered the room his cheeks were painfully stiff, and his eyes had strained beyond their exact meaning. Lucy, with one hand anchored to her lover, welcomed him kindly. He relieved her shyness by looking so extremely silly. They sat down, and tried to commence a conversation, but Ripton was as little master of his tongue as he was of his eyes. After an interval, the Fair Persian having done duty by showing herself, was glad to quit the room. Her lord and possessor then turned inquiringly to Ripton.
"You don't wonder now, Rip?" he said.
"No, Richard!" Ripton waited to reply with sufficient solemnity, "indeed I don't!"
He spoke differently; he looked differently. He had the Old Dog's eyes in his head. They watched the door she had passed through; they listened for her, as dogs' eyes do. When she came in, bonneted for a walk, his agitation was dog-like. When she hung on her lover timidly, and went forth, he followed without an idea of envy, or anything save the secret raptures the sight of her gavehim, which are the Old Dog's own. For beneficent Nature requites him. His sensations cannot be heroic, but they have a fulness and a wagging delight as good in their way. And this capacity for humble unaspiring worship has its peculiar guerdon. When Ripton comes to think of Miss Random now, what will he think of himself? Let no one despise the Old Dog. Through him doth Beauty vindicate her sex.
It did not please Ripton that others should have the bliss of beholding her, and as, to his perceptions, everybody did, and observed her offensively, and stared, and turned their heads back, and interchanged comments on her, and became in a minute madly in love with her, he had to smother low growls. They strolled about the pleasant gardens of Kensington all the morning, under the young chestnut buds, and round the windless waters, talking, and soothing the wild excitement of their hearts. If Lucy spoke, Ripton pricked up his ears. She, too, made the remark that everybody seemed to look happy, and he heard it with thrills of joy. "So everybody is, where you are!" he would have wished to say, if he dared, but was restrained by fears that his burning eloquence would commit him. Ripton knew the people he met twice. It would have been difficult to persuade him they were the creatures of accident.
From the Gardens, in contempt of Ripton's frowned protest, Richard boldly struck into the park, where solitary carriages were beginning to perform the circuit. Here Ripton had some justification for his jealous pangs. The young girl's golden locks of hair; her sweet, now dreamily sad, face; her gentle graceful figure in the black straight dress she wore; a sort of half-conventional air she had—a mark of something not of class, that was partly beauty's, partly maiden innocence growing conscious, partly remorse at her weakness and dim fear of the future it was sowing—did attract the eye-glasses. Ripton had to learn that eyes are bearable, but eye-glasses an abomination. They fixed a spell upon his courage; for somehow the youth had always ranked them as emblems of our nobility, and hearing two exquisite eye-glasses, who had been to front and rear several times, drawl in gibberish generally imputed to lords, that his heroinewas a charming little creature, just the size, but had no style,—he was abashed; he did not fly at them and tear them. He became dejected. Beauty's dog is affected by the eye-glass in a manner not unlike the common animal's terror of the human eye.
Richard appeared to hear nothing, or it was homage that he heard. He repeated to Lucy Diaper Sandoe's verses—