Chapter 9

Dora got up and strolled on to her balcony. The last attempt had apparently been unsuccessful, for Claude was starting again, and next moment with great strides his long legs were taking him across the grass that sloped down to the lake. This time it looked as if he would easily succeed, for the sixth leap had taken him well beyond the half-distance. The eleventh took him within a couple of yards of the edge, and next moment Dora joined in the shout of laughter that came from Jim. For it had not apparently occurred to Claude what happened next, if you leap at top speed to the margin of a lake. But he knew now, as he vanished in a fountain of spray. It was the deep end of the lake too.

Jim had collapsed altogether on the ground by the time Claude swam to shore, and Dora was equally helpless on the balcony, but by the time the involuntary bather had wrung his clothes out, Jim had recovered sufficiently to find the shilling he had lost to him.

“Oh! it was cheap at the price,” he said. “I wish it had been a florin.”

Claude walked up the terrace to the house, leaving a trail of water on the paving stones, and in a moment his dressing room door opened with a crack, and a head and naked shoulder came round the corner.

“Darling! I’ve been making a fool of myself,” he said“I must change first, and then shall I come in to read to you?”

“Yes, do,” she said, still laughing. “I saw it. I thought I should have a fit. Can’t you do it again before you change? It was too heavenly.”

“Yes, if you wish,” said he. “But I shall have to put on my wet clothes again.”

She laughed again.

“No, there would be no ‘first fine careless rapture’ the second time,” she said.

“What’s that?” asked Claude.

“Nothing. Browning. Change, and then come and read to me.”

It was not long before he joined her, and seated himself on the floor by the side of the sofa where she lay, with his back against it. The book he was reading was “Esmond,” and that evening they came to the chapter in which Harry comes home, on December 29th, and goes to the service in Winchester Cathedral. And Claude read:

“‘She gave him her hand, her little fair hand: there was only her marriage ring on it. The quarrel was all over. The year of grief and estrangement had passed. They had never been separated.’”

Dora’s hand lay on her husband’s arm, and he felt a soft pressure of her fingers.

“Oh, Claude,” she said, “how nice! He was so faithful and patient, and it all came right.”

He let the book fall to the ground. As soon as she spoke he ceased to think of Esmond, and though Dora’s words referred to him, she was not thinking of him either.

“‘They had never been separated,’”she went on, still quoting, but still not thinking of the book. “They hadn’t really been separated, because their love was present all the time, but she had let it get covered up with irritation and impatience. Was it like that it happened?”

“I can’t remember,” he said, “indeed I cannot. Everything seems unreal that isn’t perfect.”

“And there is something more coming,” she said, “coming soon, perhaps in a few days now. So to-night, dear, let us talk a little instead of reading even that beautiful chapter. I am glad we got to it to-day. I like stopping just at those very words, and I want you to tell me just once, what really I know so well, that you feel as if we had never been separated, that you forgive all my stupidity and shallowness. I want to let it all pass from my mind for ever: to know that I needn’t ever reproach myself any more. I think I have learned my lesson: I do indeed. Just tell me, if you can, that you think I have!”

He had turned himself about as she spoke, and now instead of sitting he knelt by her side, she leaning on her elbow toward him. In the humility of the simple words, there was something exquisite to him, they flooded his heart with a tender protectiveness.

“Oh, my darling, you say that to me! Indeed, indeed, I never reproached you.”

Dora was still grave.

“I know that,” she said, “but I reproached myself. How could I help it? But, Claude, the sting has gone out of my self-reproach. I can’t help it: it has. You have to tell me, if you truly can, that I needn’t barb it again.”

He saw she wanted the direct answer.

“You need not,” he said. “And I think you cannot. You can’t make an old bruise ache again when it is well.”

“Then it has gone,” she said. “Pull me up, dear, with those strong hands.”

He raised her to her feet, and she clung to him a moment.

“Oh, Claude! it is getting near the best time of all,” she said. “Your mother once told me that to bear a child was the best thing God ever thought of for women. Oh dear! and she was so funny at tea. Dad said something about a foreman he had discharged with nine children and another coming, and she pulled him up. How beautifully laughter and the biggest things in the world go together. They don’t interfere with one another in the least.”

“Lord! and to think that once I used to believe you weren’t respectful enough to Dad and her,” said he.

“And you were quite right. I can laugh at them now I love them. It’s that which makes the difference.”

She strolled to the window.

“Let’s come out on the balcony for a little,” she said. “What an evening!”

The sun had set, but not long, and in the west a flash of molten red lay along the horizon. That melted into orange, which again faded into pale green. Higher up the sky was of velvet blue, and little wisps of feathery cloud flushed with rose colour were flecked over it. The stars were already lit, and some noble planet near to its setting flamed jewel-like in that green strip of sky. Already the colours were half withdrawn from the gardenbeds, but a hint of the flower presences came to them in the little fragrant breeze that fluttered moth-like in the stillness. Beyond lay the lake, screened from the glory of sunset by the tall clumps of rhododendrons on its far side, and in the shadow the water was dark and steel-like in tone. Birds still chuckled in the bushes, and from far away came the pulse of some hurrying train. And in the hush and quiet of the hour they spoke together of the dear event that was coming and would not be long delayed.

“So I wanted,” she said at last, “to clear everything off my mind which could make me look backward. I want nothing to exist for me except you and our love for each other. Even Dad and Mother must get a little dim. I can’t explain.”

“I think I understand very well,” said he.

“And you won’t be frightened for me, Claude?” she asked. “Yet I needn’t ask you. I saw what you were when mother was ill.”

He did not answer.

“What then, dear?” asked Dora.

“Well, it’s you, you see, now,” he said. “I can’t help it. But I’ll do my best.”

A week more passed quietly enough. Lady Austell arrived, and that somehow was the last straw for Uncle Alf, for she was so extraordinarily appropriate, and he persuaded Jim to come back to Richmond with him. Lady Austell had very thoughtfully let the house at Deal most advantageously for the whole month of September, and intended to have a nice long stay at Grote. Really it was quite too wonderful that Dora’s baby should be born at Grote. It was a clear case of special Providence.

Then came a day when the house was very still, and the hot hours passed with leaden foot. To Claude it seemed that the morning would never pass to noon, and when noon was over each hour the more seemed an eternity twice told. But just before sunset there was heard the cry of a child.

Later, he was allowed to see Dora for a moment, and in a cot by her bed, tiny and red and crumpled, lay that which had come into the world.

“Oh Claude!” she said softly, as he came up to her bed, “all three of us—you and your son and I.”

THE END

GROSSET & DUNLAP’S

DRAMATIZED NOVELS

Original, sincere and courageous—often amusing—the kind that are making theatrical history.

MADAME X. By Alexandre Bisson and J. W. McConaughy. Illustrated with scenes from the play.

MADAME X. By Alexandre Bisson and J. W. McConaughy. Illustrated with scenes from the play.

A beautiful Parisienne became an outcast because her husband would not forgive an error of her youth. Her love for her son is the great final influence in her career. A tremendous dramatic success.

THE GARDEN OF ALLAH. By Robert Hichens.

THE GARDEN OF ALLAH. By Robert Hichens.

An unconventional English woman and an inscrutable stranger meet and love in an oasis of the Sahara. Staged this season with magnificent cast and gorgeous properties.

THE PRINCE OF INDIA. By Lew. Wallace.

THE PRINCE OF INDIA. By Lew. Wallace.

A glowing romance of the Byzantine Empire, presenting with extraordinary power the siege of Constantinople, and lighting its tragedy with the warm underflow of an Oriental romance. As a play it is a great dramatic spectacle.

TESS OF THE STORM COUNTRY. By Grace Miller White. Illust. by Howard Chandler Christy.

TESS OF THE STORM COUNTRY. By Grace Miller White. Illust. by Howard Chandler Christy.

A girl from the dregs of society, loves a young Cornell University student, and it works startling changes in her life and the lives of those about her. The dramatic version is one of the sensations of the season.

YOUNG WALLINGFORD. By George Randolph Chester. Illust. by F. R. Gruger and Henry Raleigh.

YOUNG WALLINGFORD. By George Randolph Chester. Illust. by F. R. Gruger and Henry Raleigh.

A series of clever swindles conducted by a cheerful young man, each of which is just on the safe side of a State’s prison offence. As “Get-Rich-Quick Wallingford,” it is probably the most amusing expose of money manipulation ever seen on the stage.

THE INTRUSION OF JIMMY. By P. G. Wodehouse. Illustrations by Will Grefe.

THE INTRUSION OF JIMMY. By P. G. Wodehouse. Illustrations by Will Grefe.

Social and club life in London and New York, an amateur burglary adventure and a love story. Dramatized under the title of “A Gentleman of Leisure,” it furnishes hours of laughter to the play-goers.

Grosset & Dunlap, 526 West26thSt., New York

TITLES SELECTED FROM

GROSSET & DUNLAP’S LIST

REALISTIC, ENGAGING PICTURES OF LIFE

THE GARDEN OF FATE. By Roy Norton. Illustrated by Joseph Clement Coll.

THE GARDEN OF FATE. By Roy Norton. Illustrated by Joseph Clement Coll.

The colorful romance of an American girl in Morocco, and of a beautiful garden, whose beauty and traditions of strange subtle happenings were closed to the world by a Sultan’s seal.

THE MAN HIGHER UP. By Henry Russell Miller. Full page vignette illustrations by M. Leone Bracker.

THE MAN HIGHER UP. By Henry Russell Miller. Full page vignette illustrations by M. Leone Bracker.

The story of a tenement waif who rose by his own ingenuity to the office of mayor of his native city. His experiences while “climbing,” make a most interesting example of the possibilities of human nature to rise above circumstances.

THE KEY TO YESTERDAY. By Charles Neville Buck. Illustrated by R. Schabelitz.

THE KEY TO YESTERDAY. By Charles Neville Buck. Illustrated by R. Schabelitz.

Robert Saxon, a prominent artist, has an accident, while in Paris, which obliterates his memory, and the only clue he has to his former life is a rusty key. What door in Paris will it unlock? He must know that before he woos the girl he loves.

THE DANGER TRAIL. By James Oliver Curwood. Illustrated by Charles Livingston Bull.

THE DANGER TRAIL. By James Oliver Curwood. Illustrated by Charles Livingston Bull.

The danger trail is over the snow-smothered North. A young Chicago engineer, who is building a road through the Hudson Bay region, is involved in mystery, and is led into ambush by a young woman.

THE GAY LORD WARING. By Houghton Townley. Illustrated by Will Grefe.

THE GAY LORD WARING. By Houghton Townley. Illustrated by Will Grefe.

A story of the smart hunting set in England. A gay young lord wins in love against his selfish and cowardly brother and apparently against fate itself.

BY INHERITANCE. By Octave Thanet. Illustrated by Thomas Fogarty. Elaborate wrapper in colors.

BY INHERITANCE. By Octave Thanet. Illustrated by Thomas Fogarty. Elaborate wrapper in colors.

A wealthy New England spinster with the most elaborate plans for the education of the negro goes to visit her nephew in Arkansas, where she learns the needs of the colored race first hand and begins to lose her theories.

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A FEW OF

GROSSET & DUNLAP’S

Great Books at Little Prices

CY WHITTAKER’S PLACE. By Joseph C. Lincoln. Illustrated by Wallace Morgan.

CY WHITTAKER’S PLACE. By Joseph C. Lincoln. Illustrated by Wallace Morgan.

A Cape Cod story describing the amusing efforts of an elderly bachelor and his two cronies to rear and educate a little girl. Full of honest fun—a rural drama.

THE FORGE IN THE FOREST. By Charles G. D. Roberts. Illustrated by H. Sandham.

THE FORGE IN THE FOREST. By Charles G. D. Roberts. Illustrated by H. Sandham.

A story of the conflict in Acadia after its conquest by the British. A dramatic picture that lives and shines with the indefinable charm of poetic romance.

A SISTER TO EVANGELINE. By Charles G. D. Roberts. Illustrated by E. McConnell.

A SISTER TO EVANGELINE. By Charles G. D. Roberts. Illustrated by E. McConnell.

Being the story of Yvonne de Lamourie, and how she went into exile with the villagers of Grand Prè. Swift action, fresh atmosphere, wholesome purity, deep passion and searching analysis characterize this strong novel.

THE OPENED SHUTTERS. By Clara Louise Burnham. Frontispiece by Harrison Fisher.

THE OPENED SHUTTERS. By Clara Louise Burnham. Frontispiece by Harrison Fisher.

A summer haunt on an island in Casco Bay is the background for this romance. A beautiful woman, at discord with life, is brought to realize, by her new friends, that she may open the shutters of her soul to the blessed sunlight of joy by casting aside vanity and self love. A delicately humorous work with a lofty motive underlying it all.

THE RIGHT PRINCESS. By Clara Louise Burnham.

THE RIGHT PRINCESS. By Clara Louise Burnham.

An amusing story, opening at a fashionable Long Island resort, where a stately Englishwoman employs a forcible New England housekeeper to serve in her interesting home. How types so widely apart react on each others’ lives, all to ultimate good, makes a story both humorous and rich in sentiment.

THE LEAVEN OF LOVE. By Clara Louise Burnham. Frontispiece by Harrison Fisher.

THE LEAVEN OF LOVE. By Clara Louise Burnham. Frontispiece by Harrison Fisher.

At a Southern California resort a world-weary woman, young and beautiful but disillusioned, meets a girl who has learned the art of living—of tasting life in all its richness, opulence and joy. The story hinges upon the change wrought in the soul of the blasè woman by this glimpse into a cheery life.

Grosset & Dunlap, 526 West26thSt., New York

LOUIS TRACY’S

CAPTIVATING AND EXHILARATING ROMANCES

THE STOWAWAY GIRL.Illustrated by Nesbitt Benson.

THE STOWAWAY GIRL.Illustrated by Nesbitt Benson.

The story of a shipwreck, a lovely girl who shipped stowaway fashion, a rascally captain, a fascinating young officer and thrilling adventure enroute to South America.

THE CAPTAIN OF THE KANSAS.

THE CAPTAIN OF THE KANSAS.

A story of love and the salt sea—of a helpless ship whirled into the hands of cannibal Fuegians—of desperate fighting and a tender romance. A story of extraordinary freshness.

THE MESSAGE.Illustrated by Joseph Cummings Chase.

THE MESSAGE.Illustrated by Joseph Cummings Chase.

A bit of parchment many, many years old, telling of a priceless ruby secreted in ruins far in the interior of Africa is the “message” found in the figurehead of an old vessel. A mystery develops which the reader will follow with breathless interest.

THE PILLAR OF LIGHT.

THE PILLAR OF LIGHT.

The pillar thus designated was a lighthouse, and the author tells with exciting detail the terrible dilemma of its cut-off inhabitants and introduces the charming comedy of a man eloping with his own wife.

THE RED YEAR: A Story of the Indian Mutiny.

THE RED YEAR: A Story of the Indian Mutiny.

The never-to-be-forgotten events of 1857 form the background of this story. The hero who begins as lieutenant and ends as Major Malcolm, has as stirring a military career as the most jaded novel reader could wish. A powerful book.

THE WHEEL O’FORTUNE.With illustrations by James Montgomery Flagg.

THE WHEEL O’FORTUNE.With illustrations by James Montgomery Flagg.

The story deals with the finding of a papyrus containing the particulars of the hiding of some of the treasures of the Queen of Sheba. The glamour of mystery added to the romance of the lovers, gives the novel an interest that makes it impossible to leave until the end is reached.

THE WINGS OF THE MORNING.

THE WINGS OF THE MORNING.

A sort of Robinson Crusoeredivivus, with modern settings and a very pretty love story added. The hero and heroine are the only survivors of a wreck, and have adventures on their desert island such as never could have happened except in a story.

Grosset & Dunlap, 526 West26thSt., New York

FAMOUS COPYRIGHT BOOKSIN POPULAR PRICED EDITIONS

Re-issues of the great literary successes of the time. Library size. Printed on excellent paper—most of them with illustrations of marked beauty—and handsomely bound in cloth. Price, 75 cents a volume, postpaid.

LAVENDER AND OLD LACE. By Myrtle Reed.

LAVENDER AND OLD LACE. By Myrtle Reed.

A charming story of a quaint corner of New England where bygone romance finds a modern parallel. One of the prettiest, sweetest, and quaintest of old-fashioned love stories * * * A rare book, exquisite in spirit and conception, full of delicate fancy, of tenderness, of delightful humor and spontaneity. A dainty volume, especially suitable for a gift.

DOCTOR LUKE OF THE LABRADOR. By Norman Duncan. With a frontispiece and inlay cover.

DOCTOR LUKE OF THE LABRADOR. By Norman Duncan. With a frontispiece and inlay cover.

How the doctor came to the bleak Labrador coast and there in saving life made expiation. In dignity, simplicity, humor, in sympathetic etching of a sturdy fisher people, and above all in the echoes of the sea,Doctor Lukeis worthy of great praise. Character, humor, poignant pathos, and the sad grotesque conjunctions of old and new civilizations are expressed through the medium of a style that has distinction and strikes a note of rare personality.

THE DAY’S WORK. By Rudyard Kipling. Illustrated.

THE DAY’S WORK. By Rudyard Kipling. Illustrated.

TheLondon Morning Postsays: “It would be hard to find better reading * * * the book is so varied, so full of color and life from end to end, that few who read the first two or three stories will lay it down till they have read the last—and the last is a veritable gem * * * contains some of the best of his highly vivid work * * * Kipling is a born story-teller and a man of humor into the bargain.

ELEANOR LEE. By Margaret E. Sangster. With a frontispiece.

ELEANOR LEE. By Margaret E. Sangster. With a frontispiece.

A story of married life, and attractive picture of wedded bliss * * an entertaining story of a man’s redemption through a woman’s love * * * no one who knows anything of marriage or parenthood can read this story with eyes that are always dry * * * goes straight to the heart of every one who knows the meaning of “love” and “home.”

THE COLONEL OF THE RED HUZZARS. By John Reed Scott. Illustrated by Clarence F. Underwood.

THE COLONEL OF THE RED HUZZARS. By John Reed Scott. Illustrated by Clarence F. Underwood.

“Full of absorbing charm, sustained interest, and a wealth of thrilling and romantic situations.” “So naively fresh in its handling, so plausible through its naturalness, that it comes like a mountain breeze across the far-spreading desert of similar romances.”—Gazette-Times, Pittsburg.“A slap-dashing day romance.”—New York Sun.

GROSSET & DUNLAP,-NEW YORK

FAMOUS COPYRIGHT BOOKSIN POPULAR PRICED EDITIONS

Re-issues of the great literary successes of the time. Library size. Printed on excellent paper—most of them with illustrations of marked beauty—and handsomely bound in cloth. Price, 75 cents a volume, postpaid.

THE SPIRIT OF THE SERVICE. By Edith Elmer Wood. With illustrations by Rufus Zogbaum.

THE SPIRIT OF THE SERVICE. By Edith Elmer Wood. With illustrations by Rufus Zogbaum.

The standards and life of “the new navy” are breezily set forth with a genuine ring impossible from the most gifted “outsider.” “The story of the destruction of the ‘Maine,’ and of the Battle of Manila, are very dramatic. The author is the daughter of one naval officer and the wife of another. Naval folks will find much to interest them in ‘The Spirit of the Service.’”—The Book Buyer.

A SPECTRE OF POWER. By Charles Egbert Craddock.

A SPECTRE OF POWER. By Charles Egbert Craddock.

Miss Murfree has pictured Tennessee mountains and the mountain people in striking colors and with dramatic vividness, but goes back to the time of the struggles of the French and English in the early eighteenth century for possession of the Cherokee territory. The story abounds in adventure, mystery, peril and suspense.

THE STORM CENTRE. By Charles Egbert Craddock.

THE STORM CENTRE. By Charles Egbert Craddock.

A war story; but more of flirtation, love and courtship than of fighting or history. The tale is thoroughly readable and takes its readers again into golden Tennessee, into the atmosphere which has distinguished all of Miss Murfree’s novels.

THE ADVENTURESS. By Coralie Stanton. With color frontispiece by Harrison Fisher, and attractive inlay cover in colors.

THE ADVENTURESS. By Coralie Stanton. With color frontispiece by Harrison Fisher, and attractive inlay cover in colors.

As a penalty for her crimes, her evil nature, her flint-like callousness, her more than inhuman cruelty, her contempt for the laws of God and man, she was condemned to bury her magnificent personality, her transcendent beauty, her superhuman charms, in gilded obscurity at a King’s left hand. A powerful story powerfully told.

THE GOLDEN GREYHOUND. A Novel by Dwight Tilton. With illustrations by E. Pollak.

THE GOLDEN GREYHOUND. A Novel by Dwight Tilton. With illustrations by E. Pollak.

A thoroughly good story that keeps you guessing to the very end, and never attempts to instruct or reform you. It is a strictly up-to-date story of love and mystery with wireless telegraphy and all the modern improvements. The events nearly all take place on a big Atlantic liner and the romance of the deep is skilfully made to serve as a setting for the romance, old as mankind, yet always new, involving our hero.

GROSSET & DUNLAP,-NEW YORK

A FEW OF

GROSSET & DUNLAP’S

Great Books at Little Prices

THE MUSIC MASTER. By Charles Klein. Illustrated by John Rae.

THE MUSIC MASTER. By Charles Klein. Illustrated by John Rae.

This marvelously vivid narrative turns upon the search of a German musician in New York for his little daughter. Mr. Klein has well portrayed his pathetic struggle with poverty, his varied experiences in endeavoring to meet the demands of a public not trained to an appreciation of the classic, and his final great hour when, in the rapidly shifting events of a big city, his little daughter, now a beautiful young woman, is brought to his very door. A superb bit of fiction, palpitating with the life of the great metropolis. The play in which David Warfield scored his highest success.

DR. LAVENDAR’S PEOPLE. By Margaret Deland. Illustrated by Lucius Hitchcock.

DR. LAVENDAR’S PEOPLE. By Margaret Deland. Illustrated by Lucius Hitchcock.

Mrs. Deland won so many friends through Old Chester Tales that this volume needs no introduction beyond its title. The lovable doctor is more ripened in this later book, and the simple comedies and tragedies of the old village are told with dramatic charm.

OLD CHESTER TALES. By Margaret Deland. Illustrated by Howard Pyle.

OLD CHESTER TALES. By Margaret Deland. Illustrated by Howard Pyle.

Stories portraying with delightful humor and pathos a quaint people in a sleepy old town. Dr. Lavendar, a very human and lovable “preacher,” is the connecting link between these dramatic stories from life.

HE FELL IN LOVE WITH HIS WIFE. By E. P. Roe. With frontispiece.

HE FELL IN LOVE WITH HIS WIFE. By E. P. Roe. With frontispiece.

The hero is a farmer—a man with honest, sincere views of life. Bereft of his wife, his home is cared for by a succession of domestics of varying degrees of inefficiency until, from a most unpromising source, comes a young woman who not only becomes his wife but commands his respect and eventually wins his love. A bright and delicate romance, revealing on both sides a love that surmounts all difficulties and survives the censure of friends as well as the bitterness of enemies.

THE YOKE. By Elizabeth Miller.

THE YOKE. By Elizabeth Miller.

Against the historical background of the days when the children of Israel were delivered from the bondage of Egypt, the author has sketched a romance of compelling charm. A biblical novel as great as any since “Ben Hur.”

SAUL OF TARSUS. By Elizabeth Miller. Illustrated by André Castaigne.

SAUL OF TARSUS. By Elizabeth Miller. Illustrated by André Castaigne.

The scenes of this story are laid in Jerusalem, Alexandria, Rome and Damascus. The Apostle Paul, the Martyr Stephen, Herod Agrippa and the Emperors Tiberius and Caligula are among the mighty figures that move through the pages. Wonderful descriptions, and a love story of the purest and noblest type mark this most remarkable religious romance.

Grosset & Dunlap, 526 West26thSt., New York

THE MASTERLY AND REALISTIC NOVELS OF

FRANK NORRIS

Handsomely bound in cloth. Price, 75 cents per volume, postpaid.

THE OCTOPUS. A Story of California.

Mr. Norris conceived the ambitious idea of writing a trilogy of novels which, taken together, shall symbolize American life as a whole, with all its hopes and aspirations and its tendencies, throughout the length and breadth of the continent. And for the central symbol he has taken wheat, as being quite literally the ultimate source of American power and prosperity.The Octopusis a story of wheat raising and railroad greed in California. It immediately made a place for itself.

It is full of enthusiasm and poetry and conscious strength. One cannot read it without a responsive thrill of sympathy for the earnestness, the breadth of purpose, the verbal power of the man.

THE PIT. A Story of Chicago.

This powerful novel is the fictitious narrative of a deal in the Chicago wheat pit and holds the reader from the beginning. In a masterly way the author has grasped the essential spirit of the great city by the lakes. The social existence, the gambling in stocks and produce, the characteristic life in Chicago, form a background for an exceedingly vigorous and human tale of modern life and love.

A MAN’S WOMAN.

A story which has for a heroine a girl decidedly out of the ordinary run of fiction. It is most dramatic, containing some tremendous pictures of the daring of the men who are trying to reach the Pole * * * but it is at the same time essentially awoman’sbook, and the story works itself out in the solution of a difficulty that is continually presented in real life—the wife’s attitude in relation to her husband when both have well-defined careers.

McTEAGUE. A Story of San Francisco.

“Since Bret Harte and the Forty-niner no one has written of California life with the vigor and accuracy of Mr. Norris. His ‘McTeague’ settled his right to a place in American literature; and he has now presented a third novel, ‘Blix,’ which is in some respects the finest and likely to be the most popular of the three.”—Washington Times.

BLIX.

“Frank Norris has written in ‘Blix’ just what such a woman’s name would imply—a story of a frank, fearless girl comrade to all men who are true and honest because she is true and honest. How she saved the man she fishes and picnics with in a spirit of outdoor platonic friendship, makes a pleasant story, and a perfect contrast to the author’s ‘McTeague.’ A splendid and successful story.”—Washington Times.

GROSSET & DUNLAP, Publishers, — New York


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