A KENTUCKY CINDERELLA
Iwasbending over my easel, hard at work upon a full-length portrait of a young girl in a costume of fifty years ago, when the door of my studio opened softly and Aunt Chloe came in.
"Good-mawnin', suh! I did n' think you'd come to-day, bein' a Sunday," she said, with a slight bend of her knees. "I'll jes' sweep up a lil mite; doan' ye move, I won't 'sturb ye."
Aunt Chloe had first opened my door a year before with a note from Marny, a brother brush, which began with "Here is an old Southern mammy who has seen better days; paint her if you can," and ended with, "Any way, give her a job."
The bearer of the note was indeed the ideal mammy, even to the bandanna handkerchief bound about her head, and the capacious waist and ample bosom—the lullaby resting-place for many a child, white and black. I had never seen a real one in the flesh before. I had heard about them in my earlier days. Daddy Billy, my father's body servant and my father's slave, who lived to be ninety-four, had told me of his own Aunt Mirey, who had died in the old days, but too far back for me to remember. And I had listened, when a boy, to the traditions connected with the plantations of my ancestors,—of the Keziahs and Mammy Crouches and Mammy Janes,—but I had never looked into the eyes of one of the old school until I saw Aunt Chloe, nor had I ever fully realized how quaintly courteous and gentle one of them could be until, with an old-time manner, born of a training seldom found outside of the old Southern homes, she bent forward, spread her apron with both hands, and with a little backward dip had said as she left me that first day: "Thank ye, suh! I'll come eve'y Sunday mawnin'. I'll do my best to please ye, an' I specs I kin."
I do not often work on Sunday, but my picture had been too long delayed waiting for a faded wedding dress worn once by the original when she was a bride, and which had only been found when two of her descendants had ransacked their respective garrets.
"Mus' be mighty driv, suh," she said, "a-workin' on de Sabbath day. Golly, but dat's a purty lady!" and she put down her pail. "I see it las' Sunday when I come in, but she didn't had dem ruffles 'round her neck den dat you done gib her. 'Clar' to goodness, dat chile look like she was jes' a-gwine to speak."
AUNT CHLOE
AUNT CHLOE
Aunt Chloe was leaning on her broom, her eyes scrutinizing the portrait.
"Well, if dat doan' beat de lan'. I ain't never seen none o' dem frocks since de ole times. An' dem lil low shoes wid de ribbons crossed on de ankles! She's de livin' pussonecation—she is so, for a fac'. Uhm! Uhm!" (It is difficult to convey this peculiar sound of complete approval in so many letters.)
"Did you ever know anybody like her?" I asked.
The old woman straightened her back, and for a moment her eyes looked into mine. I had often tried to draw from her something of her earlier life, but she had always evaded my questions. Marny had told me that his attempts had at first been equally disappointing.
"Body as ole's me, suh, seen a plenty o' people." Then her eyes sought the canvas again.
After a moment's pause she said, as if to herself: "You's de real quality, chile, dat you is; eve'y spec an' spinch o' ye."
I tried again.
"Does it look like anybody you ever saw, Aunt Chloe?"
"It do an' it don't," she answered critically. "De feet is like hern, but de eyes ain't."
"Who?"
"Oh, Miss Nannie." And she leaned again on her broom and looked down on the floor.
I heaped up a little pile of pigments on one corner of my palette and flattened them for a high light on a fold in the satin gown.
"Who was Miss Nannie?" I asked carelessly. I was afraid the thread would break if I pulled too hard.
"One o' my chillen, honey." A peculiar softness came into her voice.
"Tell me about her. It will help me get her eyes right, so you can remember her better. They don't look human enough to me anyhow" (this last to myself). "Where did she live?"
"Where dey all live—down in de big house. She warn't Marse Henry's real chile, but she come o' de blood. She didn't hab dem kind o' shoes on her footses when I fust see her, but she wore 'em when she lef' me. Dat she did." Her voice rose suddenly and her eyes brightened. "An' dem ain't nothin' to de way dey shined. I ain't never seen no satin slippers shine like dem slippers; dey was jes' ablaze!"
I worked on in silence. Marny had cautioned me not to be too curious. Some day she might open her heart and tell me wonderful stories of her earlier life, but I must not appear too anxious. She had become rather suspicious of strangers since she had moved North and lost track of her own people, Marny had said.
Aunt Chloe picked up her pail and began moving some easels into a far corner of my studio and piling the chairs in a heap. This done, she stopped again and stood behind me, looking intently at the canvas over my shoulder.
"My! My! ain't dat de ve'y image of dat frock? I kin see it now jes' as Miss Nannie come down de stairs. But you got to put dat gold chain on it 'fore it gits to be de ve'y 'spress image. I had it roun' my own neck once; I know jes' how it looked."
I laid down my palette, and picking up a piece of chalk asked her to describe it so that I could make an outline.
"It was long an' heavy, an' it woun' roun' de neck twice an' hung down to de wais'. An' dat watch on de end of it! Well, I ain't seen none like dat one sence. I 'clar' to ye it was jes' 's teeny as one o' dem lil biscuits I used to make for 'er when she come in de kitchen—an' she was dere most of de time. Dey didn't care nuffin for her much. Let 'er go roun' barefoot half de time, an' her hair a-fiyin'. Only one good frock to her name, an' dat warn't nuffin but calico. I used to wash dat many a time for her long 'fore she was outen her bed. Allus makes my blood bile to dis day whenever I think of de way dey treated dat chile. But it didn't make no diff'ence what she had on—shoes or no shoes—her footses was dat lil. An' purty! Wid her big eyes an' her cheeks jes' 's fresh as dem rosewater roses dat I used to snip off for ole Sam to put on de table. Oh! I tell ye, if ye could picter her like dat dey wouldn't be nobody clear from here to glory could come nigh her."
Aunt Chloe's eyes were kindling with every word. I remembered Marny's warning and kept still. I had abandoned the sketch of the chain as an unnecessary incentive, and had begun again with my palette knife, pottering away, nodding appreciatingly, and now and then putting a question to clear up some tangled situation as to dates and localities which her rambling talk had left unsettled.
"Yes, suh, down in the blue grass country, near Lexin'ton, Kentucky, whar my ole master, Marse Henry Gordon, lived," she answered to my inquiry as to where this all happened. "I used to go eve'y year to see him after de war was over, an' kep' it up till he died. Dere warn't nobody like him den, an' dere ain't none now. He warn't never spiteful to chillen, white or black. Eve'ybody knowed dat. I was a pickaninny myse'f, an' I b'longed to him. An' he ain't never laid a lick on me, an' he wouldn't let nobody else do't nuther, 'cept my mammy. I 'members one time when Aunt Dinah made cake dat ole Sam—he war a heap younger den—couldn't put it on de table 'ca'se dere was a piece broke out'n it. Sam he riz, an' Dinah she riz, an' after dey'd called each other all de names dey could lay dere tongues to, Miss Ann, my own fust mist'ess, come in an' she say dem chillen tuk dat cake, an' 'tain't nary one o' ye dat's 'sponsible.' 'What's dis,' says Marse Henry—'chillen stealin' cake? Send 'em here to me!' When we all come in—dere was six or eight of us—he says, 'Eve'y one o' ye look me in de eye; now which one tuk it?' I kep' lookin' away,—fust on de flo' an' den out de windy. 'Look at me,' he says agin. 'You ain't lookin', Clorindy.' Den I cotched him watchin' me. 'Now you all go out,' he says, 'and de one dat's guilty kin come back agin.' Den we all went out in de yard. 'You tell him,' says one. 'No, you tell him;' an' dat's de way it went on. I knowed I was de wustest, for I opened de door o' de sideboard an' gin it to de others. Den I thought, if I don't tell him mebbe he'll lick de whole passel on us, an' dat ain't right; but if I go tell him an' beg his 'umble pardon he might lemme go. So I crep' 'round where he was a-settin' wid his book on his knee,"—Aunt Chloe was now moving stealthily behind me, her eyes fixed on her imaginary master, head down, one finger in her mouth,—"an' I say, 'Marse Henry!' An' he look up an' say, 'Who's dat?' An' I say, 'Dat's Clorindy.' An' he say, 'What you want?' 'Marse Henry, I come to tell ye I was hungry, an' I see de door open an' I shove it back an' tuk de piece o' cake, an' maybe I thought if I done tole ye you'd forgib me.'
"'Den you is de ringleader,' he says, 'an' you tempted de other chillen?' 'Yes,' I says, 'I spec so.' 'Well,' he says, lookin' down on de carpet, 'now dat you has perfessed an' beg pardon, you is good an' ready to pay 'tention to what I'm gwine to say.' De other chillen had sneaked up an' was listenin'; dey 'spected to see me git it, though dere ain't nary one of 'em ever knowed him to strike 'em a lick. Den he says: 'Dis here is a lil thing,—dis stealin a cake; an' it's a big thing at de same time. Miss Ann has been right smart put out 'bout it, an' I'm gwine to see dat it don't happen agin. If you see a pin on de fl'or you wouldn't steal it,—you'd pick it up if you wanted it, an' it wouldn't be nuffin, 'cause somebody th'owed it away an' it was free to eve'body; but if you see a piece o' money on de fl'or, you knowed nobody didn't th'ow dat away, an' if you pick it up an' don't tell, dat's somethin' else—dat's stealin', 'cause you tuk somethin' dat somebody else has paid somethin' for an' dat belongs to him. Now dis cake ain't o' much 'count, but it warn't yourn, an' you oughtn't to ha' tuk it. If you'd asked yo'r mist'ess for it she'd gin you a piece. There ain't nuffin here you chillen doan' git when ye ask for it.' I didn't say nuffin more. I jes' waited for him to do anythin' he wanted to me. Den he looks at de carpet for a long time an' he says:—
"'I reckon you won't take no mo' cake 'thout askin' for it, Clorindy, an' you chillen kin go out an' play agin.'"
The tears were now standing in her eyes.
"Dat's what my ole master was, suh; I ain't never forgot it. If he had beat me to death he couldn't 'a' done no mo' for me. He jes' splained to me an' I ain't never forgot since."
"Did your own mother find it out?" I asked.
The tears were gone now; her face was radiant again at my question.
"Dat she did, suh. One o' de chillen done tole on me. Mammy jes' made one grab as I run pas' de kitchen door, an' reached for a barrel stave, an' she fairly sot—me—afire!"
Aunt Chloe was now holding her sides with laughter, fresh tears streaming down her cheeks.
"But Marse Henry never knowed it. Lawd, suh, dere ain't nobody round here like him, nor never was. I kin 'member him now same as it was yisterday, wid his white hair, an' he a-settin' in his big chair. It was de las' time I ever see him. De big house was gone, an' de colored people was gone, an' he was dat po' he didn't know where de nex' mouf'ful was a-comin' from. I come out behind him so,"—Aunt Chloe made me her old master and my stool his rocking-chair,—"an' I pat him on the shoulder dis way, an' he say, 'Chloe, is dat you? How is it yo' looks so comf'ble like?' An' I say, 'It's you, Marse Henry; you done it all; yo' teachin' made me what I is, an' if you study about it you'll know it's so. An' de others ain't no wus'. Of all de colored people you owned, dere ain't nary one been hung, or been in de penitentiary, nor ain't knowed as liars. Dat's de way you fotch us up.'
"An' I love him yet, an' if he was a-livin' to-day I'd work for him an' take care of him if I went hungry myse'f. De only fool thing Marster Henry ever done was a-marryin' dat widow woman for his second wife. Miss Nannie, dat looks a lil bit like dat chile you got dere before ye"—and she pointed to the canvas—"wouldn't a been sot on an' 'bused like she was but for her. Dat woman warn't nuffin but a harf-strainer noway, if I do say it. Eve'body knowed dat. How Marse Henry Gordon come to marry her nobody don't know till dis day. She warn't none o' our people. Dey do say dat he met her up to Frankfort when he was in de Legislater, but I don't know if dat's so. But she warn't nuffin, nohow."
"Was Miss Nannie her child?" I asked, stepping back from my easel to get the better effect of my canvas.
"No suh, dat she warn't!" with emphasis. "She was Marse Henry's own sister's chile, she was. Her people—Miss Nannie's—lived up in Indiany, an' dey was jes's po' as watermelon rinds, and when her mother died Marse Henry sent for her to come live wid him, 'cause he said Miss Rachel—dat was dat woman's own chile by her fust husband—was lonesome. Dey was bofe about de one age,—fo'teen or fifteen years old,—but Lawd-a-massy! Miss Rachel warn't lonesome 'cept for what she couldn't git, an' she most broke her heart 'bout dat, much's she could break it 'bout anything.
"I remember de ve'y day Miss Nannie come. I see her comin' down de road totin' a big ban'box, an' a carpet bag mos's big's herse'f. Den she turned in de gate. ''Fo' God,' I says to ole Sam, who was settin' de table for dinner, 'who's dis yere comin' in?' Den I see her stop an' set de bundles down an' catch her bref, and den she come on agin.
"'Dat's Marse Henry's niece,' he says. 'I heared de mist'ess say she was a-comin' one day dis week by de coach.'
"I see right away dat dat woman was up to one of her tricks; she didn't 'tend to let dat chile come no other way 'cept like a servant; she was dat dirt mean.
"Oh, you needn't look, suh! I ain't meanin' no onrespect, but I knowed dat woman when Marse Henry fust married her, an' she ain't never fooled me once. Fust time she come into de house she walked plumb in de kitchen, where me an' old Sam an' ole Dinah was a-eaten our dinner, we setten at de table like we useter did, and she flung her head up in de air and she says: 'After dis when I come in I want you niggers to git up on yo' feet.' Think o' dat, will ye? Marse Henry never called nary one of us nigger since we was pickaninnies. I knowed den she warn't 'customed to nuthin'. But I tell ye she never put on dem kind o' airs when Marse Henry was about. No, suh. She was always mighty sugar-like to him when he was home, but dere ain't no conniption she warn't up to when he couldn't hear of it. She had purty nigh riz de roof when he done tell her dat Miss Nannie was a-comin' to live wid 'em, but she couldn't stand agin him, for warn't her only daughter, Miss Rachel, livin' on him, an' not only Miss Rachel, but lots mo' of her people where she come from?
"Well, suh, as soon as ole Sam said what chile it was dat was a-comin' down de road I dropped my dishcloth an' I run out to meet 'er.
"'Is you Miss Nannie?' I says. 'Gimme dat bag,' I says, 'an' dat box.'
"'Yes,' she says, 'dat's me, an' ain't you Aunt Chloe what I heared so much about?'
"Honey, you ain't never gwine to git de kind o' look on dat picter you's workin' on dere, suh, as sweet as dat chile's face when she said dat to me. I loved her from dat fust minute I see her, an' I loved her ever since, jes' as I loved her mother befo' her.
"When she got to de house, me a-totin' de things on behind, de mist'ess come out on de po'ch.
"'Oh, dat's you, is it, Nannie?' she says. 'Well, Chloe'll tell ye where to go,' an' she went straight in de house agin. Never kissed her, nor touched her, nor nuffin!
"Ole Sam was bilin'. He heard her say it, an' if he was alive he'd tell ye same as me.
"'Where's she gwine to sleep?' I says, callin' after her; 'upstairs long wid Miss Rachel?' I was gittin' hot myse'f, though I didn't say nuffin.
"'No,' she says, flingin' up her head like a goat; 'my daughter needs all de room she's got. You kin take her downstairs an' fix up a place for her 'longside o' you an' Dinah.' She was de old cook.
"'Come 'long,' I says, 'Miss Nannie,' an' I dropped a curtsey same's if she was a princess. An' so she was, an' Marse Henry's own eyes in her head, an' 'nough like him to be his own chile. 'I'll hab ev'ything ready for ye,' I says. 'You wait here an' take de air,' an' I got a chair an' sot her down on de po'ch, an' ole Sam brung her some cake, an' I went to git de room ready—de room offn de kitchen pantry, where dey puts de overseer's chillen when dey come to see him.
"Purty soon Miss Rachel come down an' went up an' kissed her—dat is, Sam said so, though I ain't never seen her kiss her dat time nor no other time. Miss Rachel an' de mist'ess was bofe split out o' de same piece o' kindlin', an' what one was agin t'other was agin—a blind man could see dat. Miss Rachel never liked Miss Nannie from de fust, she was dat cross-grained and pernicketty. No matter what Miss Nannie done to please her it warn't good 'nough for her. Why, do you know, when de other chillen come over from de nex' plantation Miss Rachel wouldn't send for Miss Nannie to come in de parlor. No, suh, dat she wouldn't! An' dey'd run off an' leave her, too, when dey was gwine picknickin', an' treat dat chile owdacious, sayin' she was po' white trash, an' charity chile, an' things like dat, till I would go an' tell Marse Henry 'bout it. Den dere would be a 'ruction, an' Marse Henry'd blaze out, an' jes 's soon 's he was off agin to Frankfort—an' he was dere mos' of de time, for he was one o' dese yere ole-timers dat dey couldn't git 'long widout at de Legislater—dey'd treat her wus'n ever. Soon 's Dinah an' me see dat, we kep' Miss Nannie 'long wid us much as we could. She'd eat wid 'em when dere warn't no company 'round, but dat was 'bout all."
"Did they send her to school?" I asked, fearing she would again lose the thread. My picture had a new meaning for me now that it looked like her heroine.
"No, suh, dat dey didn't, 'cept to de schoolhouse at de cross-roads whar eve'ybody's chillen went. But dey sent Miss Rachel to a real highty-tighty school, dat dey did, down to Louisville. Two winters she was dere, an' eve'y time when she come home for holiday times she had mo' airs dan when she went away. Marse Henry wanted bofe chillen to go, but dat woman outdid him, an' she faced him up an' down dat dere warn't money 'nough for two, an' dat her daughter was de fittenest, an' all dat, an' he give in. I didn't hear it, but ole Sam did, an' his han' shook so he mos' spilt de soup. But law, honey, dat didn't make no diff'ence to Miss Nannie. She'd go off by herse'f wid her books an' sit all day under de trees, an' sing to herse'f jes' like a bird, an' dey'd sing to her, an' all dat time her face was a-beamin' an' her hair shinin' like gold, an' she a-growin' taller, an' her eyes gittin' bigger an' bigger, an' brighter, an' her little footses white an' cunnin' as a rabbit's.
"De only place whar she did go outside de big house was over to Mis' Morgan's, who lived on de nex' plantation. Miss Morgan didn't hab no chillen of her own, an' she'd send for Miss Nannie to come an' keep her company, she was dat dead lonesome, an' dey was glad 'nough to let dat chile go so dey could git her out o' de house. Ole Sam allers said dat, for he heared 'em talk at table an' knowed what was gwine on.
"Purty soon long come de time when Miss Rachel done finish her eddication, an' she come back to de big house an' sot herse'f up to 'ceive company. She warn't bad lookin' in dem days, I mus' say, an' if dat woman's sperit hadn't 'a' been in her she might 'a' pulled through. But dere warn't no fotching up could stand agin dat blood. Miss Rachel'd git dat ornery dat you couldn't do nuffin wid her, jes' like her maw. De fust real out-an'-out beau she had was Dr. Tom Boling. He lived 'bout fo'teen miles out o' Lexin'ton on de big plantation, an' was de richest young man in our parts. His paw had died 'bout two years befo' an' lef him mo' money dan he could th'ow away, an' he'd jes' come back from Philadelphy, whar he'd been a-learnin' to be a doctor. He met Miss Rachel at a party in Louisville, an' de fust Sunday she come home he driv over to see her. If ye could 'a' seen de mist'ess when she see him comin' in de gate! All in his ridin' boots an' his yaller breeches an' bottle-green coat, an' his servant a-ridin' behind to hold de horses.
"Ole Sam an' me was a-watchin' de mist'ess peekin' th'ough de blind at him, her eyes a-blazin', an' Sam laughed so he had to stuff a napkin in his mouf to keep 'er from hearin' him. Well, suh, dat went on all de summer. Eve'y time he come de mist'ess'd be dat sweet mos' make a body sick to see her, an' when he'd stay away she was dat pesky dere warn't no livin' wid her. Of co'se dere was plenty mo' gemmen co'rting Miss Rachel, too, but none o' dem didn't count wid de mist'ess 'cept de doctor, 'cause he was rich, dat's all dere was to 't, 'cause he was rich. I tell ye ole Sam had to tell many a lie to the other gemmen, sayin' Miss Rachel was sick or somethin' else when she was a-waitin' for de doctor to come, and was feared he might meet some of 'em an' git skeered away.
"Miss Nannie, she'd watch him, too, from behind de kitchen door, or scrunched down lookin' over de pantry winder sill, an' den she'd tell Dinah an' me what he did, an' how he got off his horse an' han' de reins to de boy, an' slap his boots wid his ridin' whip, like he was a-dustin' off a fly. An' she'd act it all out for me an' Dinah, an' slap her own frock, an' den she'd laugh fit to kill herse'f an' dance all 'round de kitchen. Would yo' believe it? No! dere ain't nobody'd believe it. Dey never asked her to come in once while he was in de parlor, an' dey never once tole him dat Miss Nannie was a-livin' on de top side o' de yearth!
"'Co'se people 'gin to talk, an' ev'ybody said dat Dr. Boling was gittin' nighest de coon, an' dat fust thing dey'd know dere would be a weddin' in de Gordon fambly. An' den agin dere was plenty mo' people said he was only passin' de time wid Miss Rachel, an' dat he come to see Marse Henry to talk pol'tics.
"Well, one day, suh, I was a-standin' in de door an' I see him come in a-foot, widout his horse an' servant, an' step up on de po'ch quick an' rap at de do', like he say to himse'f, 'Lemme in; I'm in a hurry; I got somethin' on my mind.' Ole Sam was jes' a-gwine to open de do' for him when Miss Nannie come a-runnin' in de kitchen from de yard, her cheeks like de roses, her hair a-flyin', an' her big hat hangin' to a string down her back. I gin Sam one look an' he stopped, an' I says to Miss Nannie, 'Run, honey,' I says, 'an' open de do' for ole Sam; I spec',' I says, 'it's one o' dem peddlers.'
"If you could 'a' seen dat chile's face when she come back!"
Aunt Chloe's hands were now waving above her head, her mouth wide open in her merriment, every tooth shining.
"She was white one minute an' red as a beet de nex'. 'Oh, Aunt Chloe, what did you let me go for?' she says. 'Oh! I wouldn't 'a' let him see me like dis for anythin' in de wo'ld. Oh, I'm dat put out.'
"'What did he say to ye, honey?' I says.
"'He didn't say nuffin; he jes' look at me an' say he beg my pardon, an' was Miss Rachel in, an' den I said I'd run an' tell her, an' when I come downstairs agin he was a-standin' in de hall wid his eyes up de staircase, an' he never stopped lookin' at me till I come down.'
"'Well, dat won't do you no harm, chile,' I says; 'a cat kin look at a king.'
"Ole Sam was a-watchin' her, too, an' when she'd gone in her leetle room an' shet de do' Sam says, 'I'll lay if Marse Tom Boling had anythin' on his mind when he come here to-day it's mighty unsettled by dis time.'
"Nex' time Dr. Tom Boling come he say to de mist'ess, 'Who's dat young lady,' he says, 'dat opened de door for me las' time I was here? I hoped to see her agin. Is she in?'
"Den dey bofe cooked up some lie 'bout her bein' over to Mis' Morgan's or somethin', an' as soon's he was gone dey come down an' riz Sam for not 'tendin' de door an' lettin' dat ragged fly-away gal open it. Den dey went for Miss Nannie till dey made her cry, an' she come to me, an' I took her in my lap an' comfo'ted her like I allers did.
"De nex' time he come he says, 'I hear dat yo'r niece, Miss Nannie Barnes, is livin' wid you, an' dat she is ve'y 'sclusive. I hope dat you'll 'suade her to come in de parlor,' he says. Dem was his ve'y words. Sam was a-standin' close to him as I am to you an' he heared him.
"'She ain't yet in s'ciety,' de mist'ess says, 'an' she's dat wild dat we can't p'esent her.'
"'Oh! is dat so?' he says. 'Is she in now?'
"'No,' she says, 'she's over to Mis' Morgan's.'
"Dat was a fac' dis time; she'd gone dat very mawnin'. Den Miss Rachel come down, an' co'se Sam didn't hear no mo' 'cause he had to go out. Purty soon out de Doctor come. Dese visits, min' ye, was gittin' shorter an' shorter, though he do come as often, an' over he goes to Mis' Morgan's hisse'f.
"Now I doan' know what he said to Miss Nannie, or what passed 'twixt 'em, 'cause she didn't tell me. Only dat she said he had come to see Mis' Morgan 'bout some land matters, an' dat Mis' Morgan interjuced 'em, but nuffin mo'. Lord bless dat chile! An', suh, dat was de fust time she ever kep' anythin' from her ole mammy. Dat made me mo' glad 'n ever. I knowed den dey was bofe hit.
"But my lan', de fur begin to fly when de mist'ess an' Miss Rachel heared 'bout dat visit!
"'What you mean by makin' eyes at Dr. Boling? Don't you know he's good as 'gaged to my daughter?' de mist'ess said. Dat was a lie, for he never said a word to Miss Rachel; ole Sam could tole you dat. 'Git out o' my house, you good-for-nothin' pauper, an' take yo' rags wid ye.'
"I see right away de fat was in de fire. Marse Henry warn't spected home till de nex' Sunday, an' so I tuk her over to Mis' Morgan, an' den I ups an' tells her eve'ything dat woman had done to dat chile since de day she come. An' when I'd done she tuk Miss Nannie by de han' an' she says:—
"'You won't never want a home, chile, so long as I live. Go back, Chloe, an' git her clo'es.' But I didn't git 'em. I knowed Marse Henry'd raise de roof when he come, an' he did, bless yo' heart. Went over hisse'f an' got her, an' brought her home, an' dat night when Dr. Boling come he made her sit down in de parlor, an' 'fo' he went home dat night de Doctor he say to Marse Henry, 'I want yo' permission, Mister Gordon, to pay my addresses to Miss Nannie, yo' niece.' Sam was a-standing close as he could git to de door, an' he heard ev'y word. Now he ain't never said dat, mind ye, to Marse Henry 'bout Miss Rachel! An' dat's why I know dat he warn't hit unto death wid her.
"Well, do you know, suh, dat dat woman was dat owdacious she wouldn't let 'em see each other after dat 'cept on de front po'ch. Wouldn't let 'em come in de house; make 'em do all dere co'rtin' on de steps an' out at de paster gate. De doctor would rare an' pitch an' git white in de face at de scand'lous way dat Miss Barnes was bein' treated, until Miss Nannie put bofe her leetle han's on his'n, soothin' like, an' den he'd grab 'em an' kiss 'em like he'd eat 'em up. Sam cotched him at it, an' done tole me; an' den dey'd sa'nter off down de po'ch, sayin' it was too hot or too cool, or dat dey was lookin' for birds' nests in de po'ch vines, till dey'd git to de far end, where de mist'ess nor Sam nor nobody else couldn't hear what dey was a-sayin' an' a-whisperin', an' dere dey'd sit fer hours.
"But I tell ye de doctor had a hard time a-gittin' her even when Marse Henry gin his consent. An' he never would 'a' got her if Miss Rachel, jes' for spite, I spec', hadn't 'a' took up wid Colonel Todhunter's son dat was a-co'rtin' on her too, an' run off an' married him. Den Miss Nannie knowed she was free to follow her own heart.
"I tell you it'd 'a' made ye cry yo' eyes out, suh, to see dat chile try an' fix herse'f up to meet him de days an' nights she knowed he was comin', an' she wid jes' one white frock to her name. An' we all felt jes' as bad as her. Dinah would wash it an' I'd smooth her hair, an' ole Sam'd git her a fresh rose to put in her neck.
"Purty soon de weddin' day was 'pinted, an' me an' Dinah an' ole Sam gin to wonder how dat chile was a-gwine to git clo'es to be married in. Sam heared ole marster ask dat same question at de table, an' he see him gib de mist'ess de money to buy 'em for her, an' de mist'ess said dat she reckoned 'Miss Nannie's people would want de priv'lege o' dressin' her now dat she was a-gwine to marry dat wo'thless young doctor, Tom Boling, dat nobody wouldn't hab in de house, but dat if dey didn't she'd gin her some of Miss Rachel's clo'es, an' if dem warn't 'nough den she'd spen' de money to de best advantage.' Dem was her ve'y words. Sam heared her say 'em. I knowed dat meant dat de chile would go naked, for she wouldn't a-worn none o' Miss Rachel's rubbish, an' not a cent would she git o' de money. So I got dat ole white frock out, an' Dinah found a white ribbon in a ole trunk in de garret, an' washed an' ironed it to tie 'round her waist, an' Miss Nannie come an' look at it, an' when she see it de tears riz up in her eyes.
"'Doan' you cry, chile,' I says. 'He ain't lovin' ye for yo' clo'es, an' never did. Fust time he see ye yo' was purty nigh barefoot. It's you he wants, not yo' frocks, honey;' an' den de sun come out in her face an' her eyes dried up, an' she gin to smile an' sing like a robin after de rain.
"Purty soon 'long come Chris'mas time, an' me an' ole Sam an' Dinah was a-watchin' out to see what Marse Tom Boling was gwine to gin his bride, fur she was purty nigh dat, as dey was to be married de week after Chris'mas. Well, suh, de mawnin' 'fore Chris'mas come, an' den de arternoon come, an' den de night come, an' mos' ev'y hour somebody sent somethin' for Miss Rachel, an' yet not one scrap of nuffin big as a chink-a-pin come for Miss Nannie. Dinah an' me was dat onres'less dat we couldn't sleep. Miss Nannie didn't say nuffin when she went to bed, but I see a little shadder creep over her face an' I knowed right away what hurted her.
"Well, de nex' mawnin'—Chris'mas mawnin' dat was—ole Sam come a-bustin' in de kitchen do', a-hollerin' loud as he could holler"—Aunt Chloe was now rocking herself back and forth, clapping her hands as she talked—"dat dere was a trunk on de front po'ch for Miss Nannie dat was dat heavy it tuk fo' niggers to lif it. I run, an' Dinah run, an' when we got to de trunk mos' all de niggers was thick 'round it as flies, an' Miss Nannie was standin' over it readin' a card wid her name on it an' a 'scription sayin' dat it was 'a Chris'mas gif', wid de compliments of a friend.' But who dat friend was, whether it was Marse Henry, who sent it dat way so dat woman wouldn't tear his hair out; or whether Mis' Morgan sent it, dat hadn't mo'n 'nough money to live on; or whether some of her own kin in Indiany, dat was dirt po', stole de money an' sent it; or whether de young Dr. Tom Boling, who had mo' money dan all de banks in Lexin'ton, done did it, don't nobody know till dis day, 'cept me an' ole Sam, an' we ain't tellin'.
"But, my soul alive, de insides of dat trunk took de bref clean out o' de mist'ess an' Miss Rachel. Sam opened it, an' I tuk out de things. Honey! dere was a weddin' dress all white satin dat would stand alone,—jes' de ve'y mate of de one you got in dat picter 'fore ye,—an' a change'ble silk, dat heavy! an' a plaid one, an' eve'ything a young lady could git on her back from her skin out, an' a thousand-dollar watch an' chain. I wore dat watch myse'f; Miss Nannie was standin' by me, a-clappin' her han's an' laughin', an' when dat watch an' chain came out she jes' th'owed de chain over my neck an' stuck de leetle watch in my bosom, an' says, 'Dere, you dear ole mammy, go look at you'se'f in de glass an' see how fine you is.'
"De nex' week come de weddin'. I'll never forgit dat weddin' to my dyin' day. Marse Tom Boling driv in wid a coach an' four an' two outriders, an' de horses wore white ribbons on dere ears; an' de coachman had flowers in his coat mos' big as his head, an' dey whirled up in front of de po'ch, an' out he stepped in his blue coat an' brass buttons an' a yaller wais'coat,—yaller as a gourd,—an' his bell-crown hat in his han'. She was a-waitin' for him wid dat white satin dress on, an' de chain 'round her neck, an' her lil footses tied up wid silk ribbons de ve'y match o' dem you got pictered, an' her face shinin' like a angel. An' all de niggers was a-standin' 'roun' de po'ch, dere eyes out'n dere heads, an' Marse Henry was dere in his new clo'es lookin' so grand, an' Sam in his white gloves, an' me in a new head han'chief.
"Eve'ybody was happy 'cept one. Dat one was de mist'ess, standin' in de door. She wouldn't come out to de coach where de horses was a-champin' de bits an' de froth a-droppin' on de groun', an' she wouldn't speak to Marse Tom. She kep' back in de do'way.
"Miss Rachel was dat mean she wouldn't come downstairs.
"Miss Nannie gib Marse Tom Boling her han' an' look up in his face like a queen, an' den she kissed Marse Henry, an' whispered somethin' in his ear dat nobody didn't hear, only de tears gin to jump out an' roll down his cheeks, an' den she looked de mist'ess full in de face, an' 'thout a word dropped her a low curtsey.
"I come de las'. She looked at me for a minute wid her eyes a-swimmin', an' den she th'owed her arms roun' my neck an' hugged an' kissed me, an' den I see an arm slip 'roun' her wais' an' lif' her in de coach. Den de horses gin a plunge an' dey was off.
"An 'arter dat dey had five years—de happiest years dem two ever seen. I know, 'cause Marse Henry gin me to her, an' I lived wid 'em day in an' day out till dat baby come, an' den"——
Aunt Chloe stopped and reached out her hand as if to steady herself. The tears were streaming down her cheeks.
Then she advanced a step, fixed her eyes on the portrait, and in a voice broken with emotion, said:—
"Honey, chile,—honey, chile,—is you tired a-waitin' for yo' ole mammy? Keep a-watchin', honey—keep a-watchin'—It won't be long now 'fore I come. Keep a-watchin'."
A WATERLOGGED TOWN
Hewas backed up against the Column of the Lion, holding at bay a horde of gondoliers who were shrieking, "Gondola! Gondola!" as only Venetian gondoliers can. He had a half-defiant look, like a cornered stag, as he stood there protecting a small wizen-faced woman of an uncertain age, dressed in a long gray silk duster and pigeon-winged hat—one of those hats that looked as if the pigeon had alighted on it and exploded.
"No, durn ye, I don't want no gon-do-la; I got one somewhere round here if I can find it."
If his tall gaunt frame, black chin whisker, and clearly defined features had not located him instantly in my mind, his dialect would have done so.
"You'll probably find your gondola at the next landing," I said, pointing to the steps.
He looked at me kindly, took the woman by the arm, as if she had been under arrest, and marched her to the spot indicated.
In another moment I felt a touch on my shoulder. "Neighbor, ain't you from the U.S.A.?"
I nodded my head.
"Shake! It's God's own land!" and he disappeared in the throng.
The next morning I was taking my coffee in the café at the Britannia, when I caught a pair of black eyes peering over a cup, at a table opposite. Then six feet and an inch or two of raw untilled American rose in the air, picked up his plates, cup, and saucer, and, crossing the room, hooked out a chair with his left foot from my table, and sat down.
"You're the painter feller that helped me out of a hole yesterday? Yes, I knowed it; I see you come in to dinner last night. Eliza-beth said it was you, but you was so almighty rigged up in that swallow-tailed coat of yourn I didn't catch on for a minute, but Eliza-beth said she was dead sure."
"The lady with you—your wife?"
HER HEAD CRAMMED FULL OF HIFALUTIN' NOTIONS
"HER HEAD CRAMMED FULL OF HIFALUTIN' NOTIONS"
"Not to any alarming extent, young man. Never had one—she's my sister—only one I got; and this summer she took it into her head—you don't mind my setting here, do you? I'm so durned lonesome among these jabbering Greeks I'm nearly froze stiff. Thank ye!—took it into her head she'd come over here, and of course I had to bring her. You ain't never traveled around, perhaps, with a young girl of fifty-five, with her head crammed full of hifalutin' notions,—convents and early masters and Mont Blancs and Bon Marchés,—with just enough French to make a muddle of everything she wants to get. Well, that's Eliza-beth. First it was a circulating library, at Unionville, back of Troy, where I live; then come a course of lectures twice a week on old Edinburgh and the Alps and German cities; and then, to cap all, there come a cuss with magic-lantern slides of 'most every old ruin in Europe, and half our women were crazy to get away from home, and Eliza-beth worse than any of 'em; and so I got a couple of Cook's tickets out and back, and here we are; and I don't mind saying," and a wicked, vindictive look filled his eyes, "that of all the cussed holes I ever got into in my life, this here Venice takes—the—cake. Here, John Henry, bring me another cup of coffee; this's stone-cold. P.D.Q., now! Don't let me have to build a fire under you." This to a waiter speaking every language but English.
"Do not the palaces interest you?" I asked inquiringly, in my effort to broaden his views.
"Palaces be durned! Excuse my French. Palaces! A lot of caved-in old rookeries; with everybody living on the second floor because the first one's so damp ye'd get your die-and-never-get-over-it if you lived in the basement, and the top floors so leaky that you go to bed under an umbrella; and they all braced up with iron clamps to keep 'em from falling into the canal, and not a square inch on any one of 'em clean enough to dry a shirt on! What kind of holes are they for decent—— Now see here," laying his hand confidingly on my shoulder, "just answer me one question—you seem like a level-headed young man, and ought to give it to me straight. Been here all summer, ain't you?"
"Yes."
"Been coming years, ain't you?"
I nodded my head.
"Well, now, I want it straight,"—and he lowered his voice,—"what does a sensible man find in an old waterlogged town like this?"
I gave him the customary answer: the glories of her past; the picturesque life of the lagoons; the beauty of her palaces, churches, and gardens; the luxurious gondolas, etc., etc.
"Don't see it," he broke out before I had half finished. "As for the gon-do-las, you're dead right, and no mistake. First time I settled on one of them cushions I felt just as if I'd settled in a basket of kittens; but as for palaces! Why, the State House at Al-ba-ny knocks 'em cold; and as for gardens! Lord! when I think of mine at home all chock-full of hollyhocks and sunflowers and morning-glories, and then think what a first-class cast-iron idiot I am wandering around here"—— He gazed abstractedly at the ceiling for a moment as if the thought overpowered him, and then went on, "I've got a stock-farm six miles from Unionville, where I've got some three-year-olds can trot in 2.23—Gardens!"—suddenly remembering his first train of thought,—"they simply ain't in it. And as for ler-goons! We've got a river sailing along in front of Troy that mayn't be so wide, but it's a durned sight safer and longer, and there ain't a gallon of water in it that ain't as sweet as a daisy; and that's what you can't say of these streaks of mud around here, that smell like a dumping-ground." Here he rose from his chair, his voice filling the room, the words dropping slowly: "I—ain't—got—no—use—for—a—place—where—there—ain't—a—horse —in—the—town,—and every—cellar—is—half—full—of—water."
A few mornings after, I was stepping into my gondola when I caught sight of the man from Troy sitting in a gondola surrounded by his trunks. His face expressed supreme content, illumined by a sort of grim humor, as if some master effort of his life had been rewarded with more than usual success. Eliza-beth was tucked away on "the basket of kittens," half hidden by the linen curtains.
"Off?" I said inquiringly.
"You bet!"
"Which way?"
"Paris, and then a bee-line for New York."
"But you are an hour too early for your train."
He held his finger to his lips and knitted his eyebrows.
"What's that?" came a shrill plaintive voice from the curtains. "An hour more? George, please ask the gentleman to tell the gondolier to take us to Salviate's; we've got time for that glass mirror, and I can't bear to leave Venice without"——
"Eliza-beth, you sit where you air, if it takes a week. No Salviate's in mine, and no glass mirror. We are stuffed now so jammed full of wooden goats, glass bottles, copper buckets, and old church rags that I had to jump on my trunk to lock it." Then waving his hand to me, he called out as I floated off, "This craft is pointed for home, and don't you forget it."
THE BOY IN THE CLOTH CAP
Ihadseen the little fellow but a moment before, standing on the car platform and peering wistfully into the night, as if seeking some face in the hurrying crowd at the station. I remembered distinctly the cloth cap pulled down over his ears, his chubby, rosy cheeks, and the small baby hand clutching the iron rail of the car, as I pushed by and sprang into a hack.
"Lively, now, cabby; I haven't a minute," and I handed my driver a trunk check.
Outside the snow whirled and eddied, the drifts glistening white in the glare of the electric light.
I drew my fur coat closer around my throat, and beat an impatient tattoo with my feet. The storm had delayed the train, and I had less than an hour in which to dine, dress, and reach my audience.
Two minutes later something struck the cab with a force that rattled every spoke in the wheels. It was my trunk, and cabby's head, white with snow, was thrust through the window.
"Morgan House, did you say, boss?"
"Yes, and on the double-quick."
Another voice now sifted in—a small, thin, pleading voice, too low and indistinct for me to catch the words from where I sat.
"Want to go where?" cried cabby. The conversation was like one over the telephone, in which only one side is heard. "To the orphan asylum? Why, that's three miles from here.... Walk?... See, here, sonny, you wouldn't get halfway.... No, I can't take yer—got a load."
My own head had filled the window now.
"Here, cabby, don't stand there all night! What's the matter, anyway?"
"It's a boy, boss, about a foot high, wants to walk to the orphan 'sylum."
"Pass him in."
He did, literally, through the window, without opening the door, his little wet shoes first, then his sturdy legs in wool stockings, round body encased in a pea-jacket, and last, his head, covered by the same cloth cap I had seen on the platform. I caught him, feet first, and helped land him on the front seat, where he sat looking at me with staring eyes that shone all the brighter in the glare of the arc light. Next a collar-box and a small paper bundle were handed in. These the little fellow clutched eagerly, one in each hand, his eyes still looking into mine.
"Are you an orphan?" I asked—a wholly thoughtless question, of course.
"Yes, sir."
"Got no father nor mother?"
Another, equally idiotic; but my interest in the boy had been inspired by the idea of the saving of valuable minutes. As long as he stood outside in the snow, he was an obstruction. Once aboard, I could take my time in solving his difficulties.
"Got a father, sir, but my mother's dead."
We were now whirling up the street, the cab lighting up and growing pitch dark by turns, depending on the location of the street lamps.
"Where's your father?"
"Went away, sir." He spoke the words without the slightest change in his voice, neither abashed nor too bold, but with a simple straightforwardness which convinced me of their truth.
"Do you want to go to the asylum?"
"Yes, sir."
"Why?"
"Because I can learn everything there is to learn, and there isn't any other place for me to go."
This was said with equal simplicity. No whining; no "me mother's dead, sir, an' I ain't had nothin' to eat all day," etc. Not that air about him at all. It was merely the statement of a fact which he felt sure I knew all about.
"What's your name?"
"Ned."
"Ned what?"
"Ned Rankin, sir."
"How old are you?"
"I'm eight"—then, thoughtfully—"no, I'm nine years old."
"Where do you live?"
I was firing these questions one after the other without the slightest interest in either the boy or his welfare. My mind was on my lecture, and the impatient look on the faces of the audience, and the consulted watch of the chairman of the committee, followed by the inevitable: "You are not very prompt, sir," etc. "Our people have been in their seats," etc. If the boy had previously replied to my question as to where he lived, I had forgotten the name of the town.
"I live"—— Then he stopped. "I live in—— Do you mean now?" he added simply.
"Yes."
There was another pause. "I don't know, sir; maybe they won't let me stay."
Another foolish question. Of course, if he had left home for good, and was now on his way to the asylum for the first time, his present home was this hack.
But he had won my interest now. His words had come in tones of such directness, and were so calm, and gave so full a statement of the exact facts, that I leaned over quickly, and began studying him a little closer.
I saw that this scrap of a boy wore a gray woolen suit, and I noticed that the cap was made of the same cloth as the jacket, and that both were the work of some inexperienced hand, with uneven, unpressed seams—the seams of a flat-iron, not a tailor's goose. Instinctively my mind went back to what his earlier life had been.
"Have you got any brothers and sisters, my boy?"
"Yes, sir."
"Where are they?"
"I don't know, sir; I was too little to remember."
The pathos of this answer stirred me all the more.
"Who's been taking care of you ever since your father left you?" I had lowered my voice now to a more confidential tone.
"A German man."
"What did you leave him for?"
"He had no work, and he took me to the priest."
"When?"
"Last week, sir."
"What did the priest do?"
"He gave me these clothes. Don't you think they're nice? The priest's sister made them for me—all but the stockings; she bought those."
As he said this he lifted his arms so I could look under them, and thrust out toward me his two plump legs. I said the clothes were very nice, and that I thought they fitted him very well, and I felt his chubby knees and calves as I spoke, and ended by getting hold of his soft wee hand, which I held on to. His fingers closed tightly over mine, and a slight smile lighted up his face. It seemed good to him to have something to hold on to. I began again:—
"Did the priest send you here?"
"Yes, sir. Do you want to see the letter?" The little hand—the free one—fumbled under the jacket, loosened the two lower buttons, and disclosed a white envelope pinned to his shirt.
"I'm to give it to 'em at the asylum. But I can't unpin it. He told me not to."
"That's right, my boy. Leave it where it is."
"You poor little rat," I said to myself. "This is pretty rough on you. You ought to be tucked up in some warm bed, not out here alone in this storm."
The boy felt for the pin in the letter, reassured himself that it was safe, and carefully rebuttoned his jacket. I looked out of the window, and caught glimpses of houses flying by, with lights in their windows, and now and then the cheery blaze of a fire. Then I looked into his eyes again. I still had hold of his hand.
"Surely," I said to myself, "this boy must have some one soul who cares for him." I determined to go a little deeper.
"How did you get here, my boy?" I had leaned nearer to him.
"The priest put me on the train, and a lady told me where to get off."
"Oh, a lady!" Now I was getting at it! Then he was not so desolate; a lady had looked after him. "What's her name?" This with increased eagerness.
"She didn't tell me, sir."
I sank back on my seat. No! I was all wrong. It was a positive, undeniable, piteous fact. Seventy millions of people about him, and not one living soul to look to. Not a tie that connected him with anything. A leaf blown across a field; a bottle adrift in the sea, sailing from no port and bound for no haven. I got hold of his other hand, and looked down into his eyes, and an almost irresistible desire seized me to pick him up in my arms and hug him; he was too big to kiss, and too little to shake hands with; hugging was all there was left. But I didn't. There was something in his face that repelled any such familiarity,—a quiet dignity, pluck, and patience that inspired more respect than tenderness, that would make one want rather to touch his hat to him.
Here the cab stopped with so sudden a jerk that I had to catch him by the arms to steady him. Cabby opened the door.
"Morgan House, boss. Goin's awful, or I'd got ye here sooner."
The boy looked up into my face; not with any show of uneasiness, only a calm patience. If he was to walk now, he was ready.
"Cabby, how far is it to the asylum?" I asked.
"'Bout a mile and a half."
"Throw that trunk off and drive on. This boy can't walk."
"I'll take him, boss."
"No; I'll take him myself. Lively, now."
I looked at my watch. Twenty minutes of the hour had gone. I would still have time to jump into a dress suit, but the dinner must be brief. There came a seesaw rocking, then a rebound, and a heavy thud told where the trunk had fallen. The cab sped on round a sharp corner, through a narrow street, and across a wide square.
Suddenly a thought rushed over me that culminated in a creeping chill. Where was his trunk? In my anxiety over my own, I had forgotten the boy's.
I turned quickly to the window, and shouted:—
"Cabby!Cabby, you didn't leave the boy's trunk, too, did you?"
The little fellow slid down from the seat, and began fumbling around in the dark.
"No, sir; I've got 'em here;" and he held up the collar box and brown paper bundle!
"Is that all?" I gasped.
"Oh, no, sir! I got ten cents the lady give me. Do you want to see it?" and he began cramming his chubby hand into his side pocket.
"No, my son, I don't want to see it."
I didn't want to see anything in particular. His word was good enough. I couldn't, really. My eyelashes somehow had got tangled up in each other, and my pupils wouldn't work. It's queer how a man's eyes act sometimes.
We were now reaching the open country. The houses were few and farther apart. The street lamps gave out; so did the telegraph wires festooned with snow loops. Soon a big building, square, gray, sombre-looking, like a jail, loomed up on a hill. Then we entered a gate between flickering lamps, and tugged up a steep road, and stopped. Cabby sprang down and rang a bell, which sounded in the white stillness like a fire-gong. A door opened, and a flood of light streamed out, showing the kindly face and figure of an old priest in silhouette, the yellow glow forming a golden background.
"Come, sonny," said cabby, throwing open the cab door.
The little fellow slid down again from the seat, caught up the box and bundle, and, looking me full in the face, said:—
"Itwastoo far to walk."
There were no thanks, no outburst. He was merely a chip in the current. If he had just escaped some sunken rock, it was the way with chips like himself. All boys went to asylums, and had no visible fathers nor invisible mothers nor friends. This talk about boys going swimming, and catching bull-frogs, and robbing birds' nests, and playing ball, and "hooky," and marbles, was all moonshine. Boys never did such things, except in story-books. He was a boy himself, and knew. There couldn't anything better happen to a boy than being sent to an orphan asylum. Everybody knew that. There was nothing strange about it. That's what boys were made for.
All this was in his eyes.
When I reached the platform and faced my audience, I was dinnerless, half an hour late, and still in my traveling dress.
I began as follows:—
"Ladies and gentlemen, I ask your forgiveness. I am very sorry to have kept you waiting, but I could not help it. I was occupied in escorting to his suburban home one of your most distinguished citizens."
And I described the boy in the cloth cap, with his box and bundle, and his patient, steady eyes, and plump little legs in the yarn stockings.
I was forgiven.