“Well?” they said.
“The worst of all the things that haunt poor mortal man,” said I; “and that is, in all its nakedness—Fear!Fear that will not have light nor sound, that will not bear with reason, that deafens and darkens and overwhelms. It followed me through the corridor, it fought against me in the room”—
I stopped abruptly. There was an interval of silence. My hand went up to my bandages.
Then the man with the shade sighed and spoke. “That is it,” said he. “I knew that was it. A Power of Darkness. To put such a curse upon a woman! It lurks there always. You can feel it even in the daytime, even of a bright summer’s day, in the hangings, in the curtains, keeping behind you however you face about. In the dusk it creeps along the corridor and follows you, so that you dare not turn. There is Fear in that room of hers—black Fear, and there will be—so long as this house of sin endures.”
Thenight was hot and overcast, the sky red-rimmed with the lingering sunset of midsummer. They sat at the open window, trying to fancy the air was fresher there. The trees and shrubs of the garden stood stiff and dark; beyond in the roadway a gas-lamp burnt, bright orange against the hazy blue of the evening. Farther were the three lights of the railway signal against the lowering sky. The man and woman spoke to one another in low tones.
“He does not suspect?” said the man, a little nervously.
“Not he,” she said peevishly, as though that too irritated her. “He thinks of nothing but the works and the prices of fuel. He has no imagination, no poetry.”
“None of these men of iron have,” he said sententiously. “They have no hearts.”
“Hehas not,” she said. She turned her discontented face towards the window. The distant sound of a roaring and rushing drew nearer and grew in volume; the house quivered; one heard the metallic rattle of the tender. As the trainpassed, there was a glare of light above the cutting and a driving tumult of smoke; one, two, three, four, five, six, seven, eight black oblongs—eight trucks—passed across the dim grey of the embankment, and were suddenly extinguished one by one in the throat of the tunnel, which, with the last, seemed to swallow down train, smoke, and sound in one abrupt gulp.
“This country was all fresh and beautiful once,” he said; “and now—it is Gehenna. Down that way—nothing but pot-banks and chimneys belching fire and dust into the face of heaven.... But what does it matter? An end comes, an end to all this cruelty....To-morrow.” He spoke the last word in a whisper.
“To-morrow,” she said, speaking in a whisper too, and still staring out of the window.
“Dear!” he said, putting his hand on hers.
She turned with a start, and their eyes searched one another’s. Hers softened to his gaze. “My dear one!” she said, and then: “It seems so strange—that you should have come into my life like this—to open”— She paused.
“To open?” he said.
“All this wonderful world”—she hesitated, and spoke still more softly—“this world ofloveto me.”
Then suddenly the door clicked and closed. They turned their heads, and he started violently back. In the shadow of the room stood a great shadowy figure—silent. They saw the face dimly in the half-light, with unexpressive dark patches under the penthouse brows. Every muscle in Raut’sbody suddenly became tense. When could the door have opened? What had he heard? Had he heard all? What had he seen? A tumult of questions.
The new-comer’s voice came at last, after a pause that seemed interminable. “Well?” he said.
“I was afraid I had missed you, Horrocks,” said the man at the window, gripping the window-ledge with his hand. His voice was unsteady.
The clumsy figure of Horrocks came forward out of the shadow. He made no answer to Raut’s remark. For a moment he stood above them.
The woman’s heart was cold within her. “I told Mr. Raut it was just possible you might come back,” she said, in a voice that never quivered.
Horrocks, still silent, sat down abruptly in the chair by her little work-table. His big hands were clenched; one saw now the fire of his eyes under the shadow of his brows. He was trying to get his breath. His eyes went from the woman he had trusted to the friend he had trusted, and then back to the woman.
By this time and for the moment all three half understood one another. Yet none dared say a word to ease the pent-up things that choked them.
It was the husband’s voice that broke the silence at last.
“You wanted to see me?” he said to Raut.
Raut started as he spoke. “I came to see you,” he said, resolved to lie to the last.
“Yes,” said Horrocks.
“You promised,” said Raut, “to show me some fine effects of moonlight and smoke.”
“I promised to show you some fine effects of moonlight and smoke,” repeated Horrocks in a colourless voice.
“And I thought I might catch you to-night before you went down to the works,” proceeded Raut, “and come with you.”
There was another pause. Did the man mean to take the thing coolly? Did he after all know? How long had he been in the room? Yet even at the moment when they heard the door, their attitudes.... Horrocks glanced at the profile of the woman, shadowy pallid in the half-light. Then he glanced at Raut, and seemed to recover himself suddenly. “Of course,” he said, “I promised to show you the works under their proper dramatic conditions. It’s odd how I could have forgotten.”
“If I am troubling you”—began Raut.
Horrocks started again. A new light had suddenly come into the sultry gloom of his eyes. “Not in the least,” he said.
“Have you been telling Mr. Raut of all these contrasts of flame and shadow you think so splendid?” said the woman, turning now to her husband for the first time, her confidence creeping back again, her voice just one half-note too high. “That dreadful theory of yours that machinery is beautiful, and everything else in the world ugly. I thought he would not spare you, Mr. Raut. It’s his great theory, his one discovery in art.”
“I am slow to make discoveries,” said Horrocksgrimly, damping her suddenly. “But what I discover....” He stopped.
“Well?” she said.
“Nothing;” and suddenly he rose to his feet.
“I promised to show you the works,” he said to Raut, and put his big, clumsy hand on his friend’s shoulder. “And you are ready to go?”
“Quite,” said Raut, and stood up also.
There was another pause. Each of them peered through the indistinctness of the dusk at the other two. Horrock’s hand still rested on Raut’s shoulder. Raut half fancied still that the incident was trivial after all. But Mrs. Horrocks knew her husband better, knew that grim quiet in his voice, and the confusion in her mind took a vague shape of physical evil. “Very well,” said Horrocks, and, dropping his hand, turned towards the door.
“My hat?” Raut looked round in the half-light.
“That’s my work-basket,” said Mrs. Horrocks, with a gust of hysterical laughter. Their hands came together on the back of the chair. “Here it is!” he said. She had an impulse to warn him in an undertone, but she could not frame a word. “Don’t go!” and “Beware of him!” struggled in her mind, and the swift moment passed.
“Got it?” said Horrocks, standing with the door half open.
Raut stepped towards him. “Better say good-bye to Mrs. Horrocks,” said the ironmaster, even more grimly quiet in his tone than before.
Raut started and turned. “Good-evening, Mrs. Horrocks,” he said, and their hands touched.
Horrocks held the door open with a ceremonial politeness unusual in him towards men. Raut went out, and then, after a wordless look at her, her husband followed. She stood motionless while Raut’s light footfall and her husband’s heavy tread, like bass and treble, passed down the passage together. The front door slammed heavily. She went to the window, moving slowly, and stood watching—leaning forward. The two men appeared for a moment at the gateway in the road, passed under the street lamp, and were hidden by the black masses of the shrubbery. The lamplight fell for a moment on their faces, showing only unmeaning pale patches, telling nothing of what she still feared, and doubted, and craved vainly to know. Then she sank down into a crouching attitude in the big arm-chair, her eyes wide open and staring out at the red lights from the furnaces that flickered in the sky. An hour after she was still there, her attitude scarcely changed.
The oppressive stillness of the evening weighed heavily upon Raut. They went side by side down the road in silence, and in silence turned into the cinder-made by-way that presently opened out the prospect of the valley.
A blue haze, half dust, half mist, touched the long valley with mystery. Beyond were Hanley and Etruria, grey and dark masses, outlined thinly by the rare golden dots of the street lamps, and here and there a gaslit window, or the yellow glare of some late-working factory or crowded public-house. Out of the masses, clear and slender againstthe evening sky, rose a multitude of tall chimneys, many of them reeking, a few smokeless during a season of “play.” Here and there a pallid patch and ghostly stunted beehive shapes showed the position of a pot-bank, or a wheel, black and sharp against the hot lower sky, marked some colliery where they raise the iridescent coal of the place. Nearer at hand was the broad stretch of railway, and half invisible trains shunted—a steady puffing and rumbling, with every run a ringing concussion and a rhythmic series of impacts, and a passage of intermittent puffs of white steam across the further view. And to the left, between the railway and the dark mass of the low hill beyond, dominating the whole view, colossal, inky-black, and crowned with smoke and fitful flames, stood the great cylinders of the Jeddah Company Blast Furnaces, the central edifices of the big ironworks of which Horrocks was the manager. They stood heavy and threatening, full of an incessant turmoil of flames and seething molten iron, and about the feet of them rattled the rolling-mills, and the steam-hammer beat heavily and splashed the white iron sparks hither and thither. Even as they looked, a truckful of fuel was shot into one of the giants, and the red flames gleamed out, and a confusion of smoke and black dust came boiling upwards towards the sky.
“Certainly you get some fine effects of colour with your furnaces,” said Raut, breaking a silence that had become apprehensive.
Horrocks grunted. He stood with his hands in his pockets, frowning down at the dim steamingrailway and the busy ironworks beyond, frowning as if he were thinking out some knotty problem.
Raut glanced at him and away again. “At present your moonlight effect is hardly ripe,” he continued, looking upward; “the moon is still smothered by the vestiges of daylight.”
Horrocks stared at him with the expression of a man who has suddenly awakened. “Vestiges of daylight?... Of course, of course.” He too looked up at the moon, pale still in the midsummer sky. “Come along,” he said suddenly, and, gripping Raut’s arm in his hand, made a move towards the path that dropped from them to the railway.
Raut hung back. Their eyes met and saw a thousand things in a moment that their lips came near to say. Horrocks’s hand tightened and then relaxed. He let go, and before Raut was aware of it, they were arm in arm, and walking, one unwillingly enough, down the path.
“You see the fine effect of the railway signals towards Burslem,” said Horrocks, suddenly breaking into loquacity, striding fast and tightening the grip of his elbow the while. “Little green lights and red and white lights, all against the haze. You have an eye for effect, Raut. It’s a fine effect. And look at those furnaces of mine, how they rise upon us as we come down the hill. That to the right is my pet—seventy feet of him. I packed him myself, and he’s boiled away cheerfully with iron in his guts for five long years. I’ve a particular fancy forhim. That line of red there—a lovely bit of warm orange you’d call it, Raut—that’s thepuddlers’ furnaces, and there, in the hot light, three black figures—did you see the white splash of the steam-hammer then?—that’s the rolling-mills. Come along! Clang, clatter, how it goes rattling across the floor! Sheet tin, Raut,—amazing stuff. Glass mirrors are not in it when that stuff comes from the mill. And, squelch!—there goes the hammer again. Come along!”
He had to stop talking to catch at his breath. His arm twisted into Raut’s with benumbing tightness. He had come striding down the black path towards the railway as though he was possessed. Raut had not spoken a word, had simply hung back against Horrocks’s pull with all his strength.
“I say,” he said now, laughing nervously, but with an undernote of snarl in his voice, “why on earth are you nipping my arm off, Horrocks, and dragging me along like this?”
At length Horrocks released him. His manner changed again. “Nipping your arm off?” he said. “Sorry. But it’s you taught me the trick of walking in that friendly way.”
“You haven’t learnt the refinements of it yet then,” said Raut, laughing artificially again. “By Jove! I’m black and blue.” Horrocks offered no apology. They stood now near the bottom of the hill, close to the fence that bordered the railway. The ironworks had grown larger and spread out with their approach. They looked up to the blast furnaces now instead of down; the further view of Etruria and Hanley had dropped out of sight with their descent. Before them, by the stile, rose anotice-board, bearing, still dimly visible, the words, “Beware of the trains,” half hidden by splashes of coaly mud.
“Fine effects,” said Horrocks, waving his arm. “Here comes a train. The puffs of smoke, the orange glare, the round eye of light in front of it, the melodious rattle. Fine effects! But these furnaces of mine used to be finer, before we shoved cones in their throats, and saved the gas.”
“How?” said Raut. “Cones?”
“Cones, my man, cones. I’ll show you one nearer. The flames used to flare out of the open throats, great—what is it?—pillars of cloud by day, red and black smoke, and pillars of fire by night. Now we run it off in pipes, and burn it to heat the blast, and the top is shut by a cone. You’ll be interested in that cone.”
“But every now and then,” said Raut, “you get a burst of fire and smoke up there.”
“The cone’s not fixed, it’s hung by a chain from a lever, and balanced by an equipoise. You shall see it nearer. Else, of course, there’d be no way of getting fuel into the thing. Every now and then the cone dips, and out comes the flare.”
“I see,” said Raut. He looked over his shoulder. “The moon gets brighter,” he said.
“Come along,” said Horrocks abruptly, gripping his shoulder again, and moving him suddenly towards the railway crossing. And then came one of those swift incidents, vivid, but so rapid that they leave one doubtful and reeling. Halfway across, Horrocks’s hand suddenly clenched upon him like a vice andswung him backward and through a half-turn, so that he looked up the line. And there a chain of lamp-lit carriage-windows telescoped swiftly as it came towards them, and the red and yellow lights of an engine grew larger and larger, rushing down upon them. As he grasped what this meant, he turned his face to Horrocks, and pushed with all his strength against the arm that held him back between the rails. The struggle did not last a moment. Just as certain as it was that Horrocks held him there, so certain was it that he had been violently lugged out of danger.
“Out of the way,” said Horrocks, with a gasp, as the train came rattling by, and they stood panting by the gate into the ironworks.
“I did not see it coming,” said Raut, still, even in spite of his own apprehensions, trying to keep up an appearance of ordinary intercourse.
Horrocks answered with a grunt. “The cone,” he said, and then, as one who recovers himself, “I thought you did not hear.”
“I didn’t,” said Raut.
“I wouldn’t have had you run over then for the world,” said Horrocks.
“For a moment I lost my nerve,” said Raut.
Horrocks stood for half a minute, then turned abruptly towards the ironworks again. “See how fine these great mounds of mine, these clinker-heaps, look in the night! That truck yonder, up above there! Up it goes, and out-tilts the slag. See the palpitating red stuff go sliding down the slope. As we get nearer, the heap rises up and cuts the blastfurnaces. See the quiver up above the big one. Not that way! This way, between the heaps. That goes to the puddling furnaces, but I want to show you the canal first.” He came and took Raut by the elbow, and so they went along side by side. Raut answered Horrocks vaguely. What, he asked himself, had really happened on the line? Was he deluding himself with his own fancies, or had Horrocks actually held him back in the way of the train? Had he just been within an ace of being murdered?
Suppose this slouching, scowling monsterdidknow anything? For a minute or two then Raut was really afraid for his life, but the mood passed as he reasoned with himself. After all, Horrocks might have heard nothing. At anyrate, he had pulled him out of the way in time. His odd manner might be due to the mere vague jealousy he had shown once before. He was talking now of the ash-heaps and the canal. “Eigh?” said Horrocks.
“What?” said Raut. “Rather! The haze in the moonlight. Fine!”
“Our canal,” said Horrocks, stopping suddenly. “Our canal by moonlight and firelight is an immense effect. You’ve never seen it? Fancy that! You’ve spent too many of your evenings philandering up in Newcastle there. I tell you, for real florid effects— But you shall see. Boiling water....”
As they came out of the labyrinth of clinker-heaps and mounds of coal and ore, the noises of the rolling-mill sprang upon them suddenly, loud, near, and distinct. Three shadowy workmen went by and touched their caps to Horrocks. Their faces werevague in the darkness. Raut felt a futile impulse to address them, and before he could frame his words, they passed into the shadows. Horrocks pointed to the canal close before them now: a weird-looking place it seemed, in the blood-red reflections of the furnaces. The hot water that cooled the tuyères came into it, some fifty yards up—a tumultuous, almost boiling affluent, and the steam rose up from the water in silent white wisps and streaks, wrapping damply about them, an incessant succession of ghosts coming up from the black and red eddies, a white uprising that made the head swim. The shining black tower of the larger blast-furnace rose overhead out of the mist, and its tumultuous riot filled their ears. Raut kept away from the edge of the water, and watched Horrocks.
“Here it is red,” said Horrocks, “blood-red vapour as red and hot as sin; but yonder there, where the moonlight falls on it, and it drives across the clinker-heaps, it is as white as death.”
Raut turned his head for a moment, and then came back hastily to his watch on Horrocks. “Come along to the rolling-mills,” said Horrocks. The threatening hold was not so evident that time, and Raut felt a little reassured. But all the same, what on earth did Horrocks mean about “white as death” and “red as sin”? Coincidence, perhaps?
They went and stood behind the puddlers for a little while, and then through the rolling-mills, where amidst an incessant din the deliberate steam-hammer beat the juice out of the succulent iron, and black, half-naked Titans rushed the plastic bars, like hotsealing-wax, between the wheels. “Come on,” said Horrocks in Raut’s ear, and they went and peeped through the little glass hole behind the tuyères, and saw the tumbled fire writhing in the pit of the blast-furnace. It left one eye blinded for a while. Then, with green and blue patches dancing across the dark, they went to the lift by which the trucks of ore and fuel and lime were raised to the top of the big cylinder.
And out upon the narrow rail that overhung the furnace, Raut’s doubts came upon him again. Was it wise to be here? If Horrocks did know—everything! Do what he would, he could not resist a violent trembling. Right under foot was a sheer depth of seventy feet. It was a dangerous place. They pushed by a truck of fuel to get to the railing that crowned the place. The reek of the furnace, a sulphurous vapour streaked with pungent bitterness, seemed to make the distant hillside of Hanley quiver. The moon was riding out now from among a drift of clouds, half-way up the sky above the undulating wooded outlines of Newcastle. The steaming canal ran away from below them under an indistinct bridge, and vanished into the dim haze of the flat fields towards Burslem.
“That’s the cone I’ve been telling you of,” shouted Horrocks; “and, below that, sixty feet of fire and molten metal, with the air of the blast frothing through it like gas in soda-water.”
Raut gripped the hand-rail tightly, and stared down at the cone. The heat was intense. The boiling of the iron and the tumult of the blast madea thunderous accompaniment to Horrocks’s voice. But the thing had to be gone through now. Perhaps, after all....
“In the middle,” bawled Horrocks, “temperature near a thousand degrees. Ifyouwere dropped into it ... flash into flame like a pinch of gunpowder in a candle. Put your hand out and feel the heat of his breath. Why, even up here I’ve seen the rain-water boiling off the trucks. And that cone there. It’s a damned sight too hot for roasting cakes. The top side of it’s three hundred degrees.”
“Three hundred degrees!” said Raut.
“Three hundred centigrade, mind!” said Horrocks. “It will boil the blood out of you in no time.”
“Eigh?” said Raut, and turned.
“Boil the blood out of you in.... No, you don’t!”
“Let me go!” screamed Raut. “Let go my arm!”
With one hand he clutched at the hand-rail, then with both. For a moment the two men stood swaying. Then suddenly, with a violent jerk, Horrocks had twisted him from his hold. He clutched at Horrocks and missed, his foot went back into empty air; in mid-air he twisted himself, and then cheek and shoulder and knee struck the hot cone together.
He clutched the chain by which the cone hung, and the thing sank an infinitesimal amount as he struck it. A circle of glowing red appeared about him, and a tongue of flame, released from the chaos within, flickered up towards him. An intense pain assailed him at the knees, and he could smell thesingeing of his hands. He raised himself to his feet, and tried to climb up the chain, and then something struck his head. Black and shining with the moonlight, the throat of the furnace rose about him.
Horrocks, he saw, stood above him by one of the trucks of fuel on the rail. The gesticulating figure was bright and white in the moonlight, and shouting, “Fizzle, you fool! Fizzle, you hunter of women! You hot-blooded hound! Boil! boil! boil!”
Suddenly he caught up a handful of coal out of the truck, and flung it deliberately, lump after lump, at Raut.
“Horrocks!” cried Raut. “Horrocks!”
He clung crying to the chain, pulling himself up from the burning of the cone. Each missile Horrocks flung hit him. His clothes charred and glowed, and as he struggled the cone dropped, and a rush of hot suffocating gas whooped out and burned round him in a swift breath of flame.
His human likeness departed from him. When the momentary red had passed, Horrocks saw a charred, blackened figure, its head streaked with blood, still clutching and fumbling with the chain, and writhing in agony—a cindery animal, an inhuman, monstrous creature that began a sobbing intermittent shriek.
Abruptly, at the sight, the ironmaster’s anger passed. A deadly sickness came upon him. The heavy odour of burning flesh came drifting up to his nostrils. His sanity returned to him.
“God have mercy upon me!” he cried. “O God! what have I done?”
He knew the thing below him, save that it still moved and felt, was already a dead man—that the blood of the poor wretch must be boiling in his veins. An intense realisation of that agony came to his mind, and overcame every other feeling. For a moment he stood irresolute, and then, turning to the truck, he hastily tilted its contents upon the struggling thing that had once been a man. The mass fell with a thud, and went radiating over the cone. With the thud the shriek ended, and a boiling confusion of smoke, dust, and flame came rushing up towards him. As it passed, he saw the cone clear again.
Then he staggered back, and stood trembling, clinging to the rail with both hands. His lips moved, but no words came to them.
Down below was the sound of voices and running steps. The clangour of rolling in the shed ceased abruptly.
Mr. Coombeswas sick of life. He walked away from his unhappy home, and, sick not only of his own existence, but of everybody else’s, turned aside down Gaswork Lane to avoid the town, and, crossing the wooden bridge that goes over the canal to Starling’s Cottages, was presently alone in the damp pinewoods and out of sight and sound of human habitation. He would stand it no longer. He repeated aloud with blasphemies unusual to him that he would stand it no longer.
He was a pale-faced little man, with dark eyes and a fine and very black moustache. He had a very stiff, upright collar slightly frayed, that gave him an illusory double chin, and his overcoat (albeit shabby) was trimmed with astrachan. His gloves were a bright brown with black stripes over the knuckles, and split at the finger ends. His appearance, his wife had said once in the dear, dead days beyond recall,—before he married her, that is,—was military. But now she called him— It seems a dreadful thing to tell of between husband and wife, but she called him “a little grub.” It wasn’t the only thing she had called him, either.
The row had arisen about that beastly Jennie again. Jennie was his wife’s friend, and, by no invitation of Mr. Coombes, she came in every blessed Sunday to dinner, and made a shindy all the afternoon. She was a big, noisy girl, with a taste for loud colours and a strident laugh; and this Sunday she had outdone all her previous intrusions by bringing in a fellow with her, a chap as showy as herself. And Mr. Coombes, in a starchy, clean collar and his Sunday frock-coat, had sat dumb and wrathful at his own table, while his wife and her guests talked foolishly and undesirably, and laughed aloud. Well, he stood that, and after dinner (which, “as usual,” was late), what must Miss Jennie do but go to the piano and play banjo tunes, for all the world as if it were a week-day! Flesh and blood could not endure such goings on. They would hear next door, they would hear in the road, it was a public announcement of their disrepute. He had to speak.
He had felt himself go pale, and a kind of rigour had affected his respiration as he delivered himself. He had been sitting on one of the chairs by the window—the new guest had taken possession of the arm-chair. He turned his head. “Sun Day!” he said over the collar, in the voice of one who warns. “Sun Day!” What people call a “nasty” tone it was.
Jennie had kept on playing, but his wife, who was looking through some music that was piled on the top of the piano, had stared at him. “What’s wrong now?” she said; “can’t people enjoy themselves?”
“I don’t mind rational ’njoyment, at all,” said littleCoombes, “but I ain’t a-going to have week-day tunes playing on a Sunday in this house.”
“What’s wrong with my playing now?” said Jennie, stopping and twirling round on the music-stool with a monstrous rustle of flounces.
Coombes saw it was going to be a row, and opened too vigorously, as is common with your timid, nervous men all the world over. “Steady on with that music-stool!” said he; “it ain’t made for ’eavy weights.”
“Never you mind about weights,” said Jennie, incensed. “What was you saying behind my back about my playing?”
“Surely you don’t ’old with not having a bit of music on a Sunday, Mr. Coombes?” said the new guest, leaning back in the arm-chair, blowing a cloud of cigarette smoke and smiling in a kind of pitying way. And simultaneously his wife said something to Jennie about “Never mind ’im. You go on, Jinny.”
“I do,” said Mr. Coombes, addressing the new guest.
“May I arst why?” said the new guest, evidently enjoying both his cigarette and the prospect of an argument. He was, by the bye, a lank young man, very stylishly dressed in bright drab, with a white cravat and a pearl and silver pin. It had been better taste to come in a black coat, Mr. Coombes thought.
“Because,” began Mr. Coombes, “it don’t suit me. I’m a business man. I ’ave to study my connection. Rational ’njoyment”—
“His connection!” said Mrs. Coombes scornfully. “That’s what he’s always a-saying. We got to do this, and we got to do that”—
“If you don’t mean to study my connection,” said Mr. Coombes, “what did you marry me for?”
“I wonder,” said Jennie, and turned back to the piano.
“I never saw such a man as you,” said Mrs. Coombes. “You’ve altered all round since we were married. Before”—
Then Jennie began at the tum, tum, tum again.
“Look here!” said Mr. Coombes, driven at last to revolt, standing up and raising his voice. “I tell you I won’t have that.” The frock-coat heaved with his indignation.
“No vi’lence, now,” said the long young man in drab, sitting up.
“Who the juice are you?” said Mr. Coombes fiercely.
Whereupon they all began talking at once. The new guest said he was Jennie’s “intended,” and meant to protect her, and Mr. Coombes said he was welcome to do so anywhere but in his (Mr. Coombes’) house; and Mrs. Coombes said he ought to be ashamed of insulting his guests, and (as I have already mentioned) that he was getting a regular little grub; and the end was, that Mr. Coombes ordered his visitors out of the house, and they wouldn’t go, and so he said he would go himself. With his face burning and tears of excitement in his eyes, he went into the passage, and as he struggled with his overcoat—his frock-coat sleeves got concertinaed up his arm—and gave a brush at his silk hat, Jennie began again at the piano, and strummed him insultingly out of the house. Tum,tum, tum. He slammed the shop door so that the house quivered. That, briefly, was the immediate making of his mood. You will perhaps begin to understand his disgust with existence.
As he walked along the muddy path under the firs,—it was late October, and the ditches and heaps of fir needles were gorgeous with clumps of fungi,—he recapitulated the melancholy history of his marriage. It was brief and commonplace enough. He now perceived with sufficient clearness that his wife had married him out of a natural curiosity and in order to escape from her worrying, laborious, and uncertain life in the workroom; and, like the majority of her class, she was far too stupid to realise that it was her duty to co-operate with him in his business. She was greedy of enjoyment, loquacious, and socially-minded, and evidently disappointed to find the restraints of poverty still hanging about her. His worries exasperated her, and the slightest attempt to control her proceedings resulted in a charge of “grumbling.” Why couldn’t he be nice—as he used to be? And Coombes was such a harmless little man, too, nourished mentally onSelf-Help, and with a meagre ambition of self-denial and competition, that was to end in a “sufficiency.” Then Jennie came in as a female Mephistopheles, a gabbling chronicle of “fellers,” and was always wanting his wife to go to theatres, and “all that.” And in addition were aunts of his wife, and cousins (male and female), to eat up capital, insult him personally, upset business arrangements, annoy good customers, and generally blight his life. It was not the first occasion by many that Mr.Coombes had fled his home in wrath and indignation, and something like fear, vowing furiously and even aloud that he wouldn’t stand it, and so frothing away his energy along the line of least resistance. But never before had he been quite so sick of life as on this particular Sunday afternoon. The Sunday dinner may have had its share in his despair—and the greyness of the sky. Perhaps, too, he was beginning to realise his unendurable frustration as a business man as the consequence of his marriage. Presently bankruptcy, and after that— Perhaps she might have reason to repent when it was too late. And destiny, as I have already intimated, had planted the path through the wood with evil-smelling fungi, thickly and variously planted it, not only on the right side, but on the left.
A small shopman is in such a melancholy position, if his wife turns out a disloyal partner. His capital is all tied up in his business, and to leave her, means to join the unemployed in some strange part of the earth. The luxuries of divorce are beyond him altogether. So that the good old tradition of marriage for better or worse holds inexorably for him, and things work up to tragic culminations. Bricklayers kick their wives to death, and dukes betray theirs; but it is among the small clerks and shopkeepers nowadays that it comes most often to a cutting of throats. Under the circumstances it is not so very remarkable—and you must take it as charitably as you can—that the mind of Mr. Coombes ran for a while on some such glorious close to his disappointed hopes, and that he thoughtof razors, pistols, bread-knives, and touching letters to the coroner denouncing his enemies by name, and praying piously for forgiveness. After a time his fierceness gave way to melancholia. He had been married in this very overcoat, in his first and only frock-coat that was buttoned up beneath it. He began to recall their courting along this very walk, his years of penurious saving to get capital, and the bright hopefulness of his marrying days. For it all to work out like this! Was there no sympathetic ruler anywhere in the world? He reverted to death as a topic.
He thought of the canal he had just crossed, and doubted whether he shouldn’t stand with his head out, even in the middle, and it was while drowning was in his mind that the purple pileus caught his eye. He looked at it mechanically for a moment, and stopped and stooped towards it to pick it up, under the impression that it was some such small leather object as a purse. Then he saw that it was the purple top of a fungus, a peculiarly poisonous-looking purple: slimy, shiny, and emitting a sour odour. He hesitated with his hand an inch or so from it, and the thought of poison crossed his mind. With that he picked the thing, and stood up again with it in his hand.
The odour was certainly strong—acrid, but by no means disgusting. He broke off a piece, and the fresh surface was a creamy white, that changed like magic in the space of ten seconds to a yellowish-green colour. It was even an inviting-looking change. He broke off two other pieces to see it repeated.They were wonderful things these fungi, thought Mr. Coombes, and all of them the deadliest poisons, as his father had often told him. Deadly poisons!
There is no time like the present for a rash resolve. Why not here and now? thought Mr. Coombes. He tasted a little piece, a very little piece indeed—a mere crumb. It was so pungent that he almost spat it out again, then merely hot and full-flavoured. A kind of German mustard with a touch of horse-radish and—well, mushroom. He swallowed it in the excitement of the moment. Did he like it or did he not? His mind was curiously careless. He would try another bit. It really wasn’t bad—it was good. He forgot his troubles in the interest of the immediate moment. Playing with death it was. He took another bite, and then deliberately finished a mouthful. A curious tingling sensation began in his finger-tips and toes. His pulse began to move faster. The blood in his ears sounded like a mill-race. “Try bi’ more,” said Mr. Coombes. He turned and looked about him, and found his feet unsteady. He saw and struggled towards a little patch of purple a dozen yards away. “Jol’ goo’ stuff,” said Mr. Coombes. “E—lomore ye’.” He pitched forward and fell on his face, his hands outstretched towards the cluster of pilei. But he did not eat any more of them. He forgot forthwith.
He rolled over and sat up with a look of astonishment on his face. His carefully brushed silk hat had rolled away towards the ditch. He pressed his hand to his brow. Something had happened, but he could not rightly determine what it was. Anyhow, he wasno longer dull—he felt bright, cheerful. And his throat was afire. He laughed in the sudden gaiety of his heart. Had he been dull? He did not know; but at anyrate he would be dull no longer. He got up and stood unsteadily, regarding the universe with an agreeable smile. He began to remember. He could not remember very well, because of a steam roundabout that was beginning in his head. And he knew he had been disagreeable at home, just because they wanted to be happy. They were quite right; life should be as gay as possible. He would go home and make it up, and reassure them. And why not take some of this delightful toadstool with him, for them to eat? A hatful, no less. Some of those red ones with white spots as well, and a few yellow. He had been a dull dog, an enemy to merriment; he would make up for it. It would be gay to turn his coat-sleeves inside out, and stick some yellow gorse into his waistcoat pockets. Then home—singing—for a jolly evening.
After the departure of Mr. Coombes, Jennie discontinued playing, and turned round on the music-stool again. “What a fuss about nothing,” said Jennie.
“You see, Mr. Clarence, what I’ve got to put up with,” said Mrs. Coombes.
“He is a bit hasty,” said Mr. Clarence judicially.
“He ain’t got the slightest sense of our position,” said Mrs. Coombes; “that’s what I complain of. He cares for nothing but his old shop; and if I have a bit of company, or buy anything to keep myself decent,or get any little thing I want out of the housekeeping money, there’s disagreeables. ‘Economy,’ he says; ‘struggle for life,’ and all that. He lies awake of nights about it, worrying how he can screw me out of a shilling. He wanted us to eat Dorset butter once. If once I was to give in to him—there!”
“Of course,” said Jennie.
“If a man values a woman,” said Mr. Clarence lounging back in the arm-chair, “he must be prepared to make sacrifices for her. For my own part,” said Mr. Clarence, with his eye on Jennie, “I shouldn’t think of marrying till I was in a position to do the thing in style. It’s downright selfishness. A man ought to go through the rough-and-tumble by himself, and not drag her”—
“I don’t agree altogether with that,” said Jennie. “I don’t see why a man shouldn’t have a woman’s help, provided he doesn’t treat her meanly, you know. It’s meanness”—
“You wouldn’t believe,” said Mrs. Coombes. “But I was a fool to ’ave ’im. I might ’ave known. If it ’adn’t been for my father, we shouldn’t have had not a carriage to our wedding.”
“Lord! he didn’t stick out at that?” said Mr. Clarence, quite shocked.
“Said he wanted the money for his stock, or some such rubbish. Why, he wouldn’t have a woman in to help me once a week if it wasn’t for my standing out plucky. And the fusses he makes about money—comes to me, well, pretty near crying, with sheets of paper and figgers. ‘If only we can tide over this year,’ he says, ‘the business is bound to go.’ ‘If onlywe can tide over this year,’ I says; ‘then it’ll be, if only we can tide over next year. I know you,’ I says. ‘And you don’t catch me screwing myself lean and ugly. Why didn’t you marry a slavey?’ I says, ‘if you wanted one—instead of a respectable girl,’ I says.”
So Mrs. Coombes. But we will not follow this unedifying conversation further. Suffice it that Mr. Coombes was very satisfactorily disposed of, and they had a snug little time round the fire. Then Mrs. Coombes went to get the tea, and Jennie sat coquettishly on the arm of Mr. Clarence’s chair until the tea-things clattered outside. “What was that I heard?” asked Mrs. Coombes playfully, as she entered, and there was badinage about kissing. They were just sitting down to the little circular table when the first intimation of Mr. Coombes’ return was heard.
This was a fumbling at the latch of the front door.
“’Ere’s my lord,” said Mrs. Coombes. “Went out like a lion and comes back like a lamb, I’ll lay.”
Something fell over in the shop: a chair, it sounded like. Then there was a sound as of some complicated step exercise in the passage. Then the door opened and Coombes appeared. But it was Coombes transfigured. The immaculate collar had been torn carelessly from his throat. His carefully-brushed silk hat, half-full of a crush of fungi, was under one arm; his coat was inside out, and his waistcoat adorned with bunches of yellow-blossomed furze. These little eccentricities of Sunday costume, however, were quite overshadowed by the change in his face; it was lividwhite, his eyes were unnaturally large and bright, and his pale blue lips were drawn back in a cheerless grin. “Merry!” he said. He had stopped dancing to open the door. “Rational ’njoyment. Dance.” He made three fantastic steps into the room, and stood bowing.
“Jim!” shrieked Mrs. Coombes, and Mr. Clarence sat petrified, with a dropping lower jaw.
“Tea,” said Mr. Coombes. “Jol’ thing, tea. Tose-stools, too. Brosher.”
“He’s drunk,” said Jennie in a weak voice. Never before had she seen this intense pallor in a drunken man, or such shining, dilated eyes.
Mr. Coombes held out a handful of scarlet agaric to Mr. Clarence. “Jo’ stuff,” said he; “ta’ some.”
At that moment he was genial. Then at the sight of their startled faces he changed, with the swift transition of insanity, into overbearing fury. And it seemed as if he had suddenly recalled the quarrel of his departure. In such a huge voice as Mrs. Coombes had never heard before, he shouted, “My house. I’m master ’ere. Eat what I give yer!” He bawled this, as it seemed, without an effort, without a violent gesture, standing there as motionless as one who whispers, holding out a handful of fungus.
Clarence approved himself a coward. He could not meet the mad fury in Coombes’ eyes; he rose to his feet, pushing back his chair, and turned, stooping. At that Coombes rushed at him. Jennie saw her opportunity, and, with the ghost of a shriek, made for the door. Mrs. Coombes followed her. Clarence tried to dodge. Over went the tea-table with a smashas Coombes clutched him by the collar and tried to thrust the fungus into his mouth. Clarence was content to leave his collar behind him, and shot out into the passage with red patches of fly agaric still adherent to his face. “Shut ’im in!” cried Mrs. Coombes, and would have closed the door, but her supports deserted her; Jennie saw the shop door open, and vanished thereby, locking it behind her, while Clarence went on hastily into the kitchen. Mr. Coombes came heavily against the door, and Mrs. Coombes, finding the key was inside, fled upstairs and locked herself in the spare bedroom.
So the new convert tojoie de vivreemerged upon the passage, his decorations a little scattered, but that respectable hatful of fungi still under his arm. He hesitated at the three ways, and decided on the kitchen. Whereupon Clarence, who was fumbling with the key, gave up the attempt to imprison his host, and fled into the scullery, only to be captured before he could open the door into the yard. Mr. Clarence is singularly reticent of the details of what occurred. It seems that Mr. Coombes’ transitory irritation had vanished again, and he was once more a genial playfellow. And as there were knives and meat choppers about, Clarence very generously resolved to humour him and so avoid anything tragic. It is beyond dispute that Mr. Coombes played with Mr. Clarence to his heart’s content; they could not have been more playful and familiar if they had known each other for years. He insisted gaily on Clarence trying the fungi, and after a friendly tussle, was smitten with remorse at the mess he was makingof his guest’s face. It also appears that Clarence was dragged under the sink and his face scrubbed with the blacking brush,—he being still resolved to humour the lunatic at any cost,—and that finally, in a somewhat dishevelled, chipped, and discoloured condition, he was assisted to his coat and shown out by the back door, the shopway being barred by Jennie. Mr. Coombes’ wandering thoughts then turned to Jennie. Jennie had been unable to unfasten the shop door, but she shot the bolts against Mr. Coombes’ latch-key, and remained in possession of the shop for the rest of the evening.
It would appear that Mr. Coombes then returned to the kitchen, still in pursuit of gaiety, and, albeit a strict Good Templar, drank (or spilt down the front of the first and only frock-coat) no less than five bottles of the stout Mrs. Coombes insisted upon having for her health’s sake. He made cheerful noises by breaking off the necks of the bottles with several of his wife’s wedding-present dinner-plates, and during the earlier part of this great drunk he sang divers merry ballads. He cut his finger rather badly with one of the bottles,—the only bloodshed in this story,—and what with that, and the systematic convulsion of his inexperienced physiology by the liquorish brand of Mrs. Coombes’ stout, it may be the evil of the fungus poison was somehow allayed. But we prefer to draw a veil over the concluding incidents of this Sunday afternoon. They ended in the coal cellar, in a deep and healing sleep.
An interval of five years elapsed. Again it was aSunday afternoon in October, and again Mr. Coombes walked through the pinewood beyond the canal. He was still the same dark-eyed, black-moustached little man that he was at the outset of the story, but his double chin was now scarcely so illusory as it had been. His overcoat was new, with a velvet lapel, and a stylish collar with turn-down corners, free of any coarse starchiness, had replaced the original all-round article. His hat was glossy, his gloves newish—though one finger had split and been carefully mended. And a casual observer would have noticed about him a certain rectitude of bearing, a certain erectness of head that marks the man who thinks well of himself. He was a master now, with three assistants. Beside him walked a larger sunburnt parody of himself, his brother Tom, just back from Australia. They were recapitulating their early struggles, and Mr. Coombes had just been making a financial statement.
“It’s a very nice little business, Jim,” said brother Tom. “In these days of competition you’re jolly lucky to have worked it up so. And you’re jolly lucky, too, to have a wife who’s willing to help like yours does.”
“Between ourselves,” said Mr. Coombes, “it wasn’t always so. It wasn’t always like this. To begin with, the missus was a bit giddy. Girls are funny creatures.”
“Dear me!”
“Yes. You’d hardly think it, but she was downright extravagant, and always having slaps at me. I was a bit too easy and loving, and all that, and shethought the whole blessed show was run for her. Turned the ’ouse into a regular caravansery, always having her relations and girls from business in, and their chaps. Comic songs a’ Sunday, it was getting to, and driving trade away. And she was making eyes at the chaps, too! I tell you, Tom, the place wasn’t my own.”
“Shouldn’t ’a’ thought it.”
“It was so. Well—I reasoned with her. I said, ‘I ain’t a duke, to keep a wife like a pet animal. I married you for ’elp and company.’ I said, ‘You got to ’elp and pull the business through.’ She wouldn’t ’ear of it. ‘Very well,’ I says; ‘I’m a mild man till I’m roused,’ I says, ‘and it’s getting to that.’ But she wouldn’t ’ear of no warnings.”
“Well?”
“It’s the way with women. She didn’t think I ’ad it in me to be roused. Women of her sort (between ourselves, Tom) don’t respect a man until they’re a bit afraid of him. So I just broke out to show her. In comes a girl named Jennie, that used to work with her, and her chap. We ’ad a bit of a row, and I came out ’ere—it was just such another day as this—and I thought it all out. Then I went back and pitched into them.”
“You did?”
“I did. I was mad, I can tell you. I wasn’t going to ’it ’er, if I could ’elp it, so I went back and licked into this chap, just to show ’er what I could do. ’E was a big chap, too. Well, I chucked him, and smashed things about, and gave ’er a scaring, and she ran up and locked ’erself into the spare room.”
“Well?”
“That’s all. I says to ’er the next morning, ‘Now you know,’ I says, ‘what I’m like when I’m roused.’ And I didn’t ’ave to say anything more.”
“And you’ve been happy ever after, eh?”
“So to speak. There’s nothing like putting your foot down with them. If it ’adn’t been for that afternoon I should ’a’ been tramping the roads now, and she’d ’a’ been grumbling at me, and all her family grumbling for bringing her to poverty—I know their little ways. But we’re all right now. And it’s a very decent little business, as you say.”
They proceed on their way meditatively. “Women are funny creatures,” said brother Tom.
“They want a firm hand,” says Coombes.
“What a lot of these funguses there are about here!” remarked brother Tom presently. “I can’t see what use they are in the world.”
Mr. Coombes looked. “I dessay they’re sent for some wise purpose,” said Mr. Coombes.
And that was as much thanks as the purple pileus ever got for maddening this absurd little man to the pitch of decisive action, and so altering the whole course of his life.
AsI sit writing in my study, I can hear our Jane bumping her way downstairs with a brush and dustpan. She used in the old days to sing hymn tunes, or the British national song for the time being, to these instruments, but latterly she has been silent and even careful over her work. Time was when I prayed with fervour for such silence, and my wife with sighs for such care, but now they have come we are not so glad as we might have anticipated we should be. Indeed, I would rejoice secretly, though it may be unmanly weakness to admit it, even to hear Jane sing “Daisy,” or by the fracture of any plate but one of Euphemia’s best green ones, to learn that the period of brooding has come to an end.
Yet how we longed to hear the last of Jane’s young man before we heard the last of him! Jane was always very free with her conversation to my wife, and discoursed admirably in the kitchen on a variety of topics—so well, indeed, that I sometimes left my study door open—our house is a small one—to partake of it. But after William came, it was always William, nothing but William; William this and William that; and when we thought William wasworked out and exhausted altogether, then William all over again. The engagement lasted altogether three years; yet how she got introduced to William, and so became thus saturated with him, was always a secret. For my part, I believe it was at the street corner where the Rev. Barnabas Baux used to hold an open-air service after evensong on Sundays. Young Cupids were wont to flit like moths round the paraffin flare of that centre of High Church hymn-singing. I fancy she stood singing hymns there, out of memory and her imagination, instead of coming home to get supper, and William came up beside her and said, “Hello!” “Hello yourself!” she said; and, etiquette being satisfied, they proceeded to talk together.
As Euphemia has a reprehensible way of letting her servants talk to her, she soon heard of him. “He issucha respectable young man, ma’am,” said Jane, “you don’t know.” Ignoring the slur cast on her acquaintance, my wife inquired further about this William.
“He is second porter at Maynard’s, the draper’s,” said Jane, “and gets eighteen shillings—nearly a pound—a week, m’m; and when the head porter leaves he will be head porter. His relatives are quite superior people, m’m. Not labouring people at all. His father was a greengrosher, m’m, and had a chumor, and he was bankrup’ twice. And one of his sisters is in a Home for the Dying. It will be a very good match for me, m’m,” said Jane, “me being an orphan girl.”
“Then you are engaged to him?” asked my wife.
“Not engaged, ma’am; but he is saving money to buy a ring—hammyfist.”
“Well, Jane, when you are properly engaged to him you may ask him round here on Sunday afternoons, and have tea with him in the kitchen.” For my Euphemia has a motherly conception of her duty towards her maid-servants. And presently the amethystine ring was being worn about the house, even with ostentation, and Jane developed a new way of bringing in the joint, so that this gage was evident. The elder Miss Maitland was aggrieved by it, and told my wife that servants ought not to wear rings. But my wife looked it up inEnquire WithinandMrs. Motherly’s Book of Household Management, and found no prohibition. So Jane remained with this happiness added to her love.
The treasure of Jane’s heart appeared to me to be what respectable people call a very deserving young man. “William, ma’am,” said Jane one day suddenly, with ill-concealed complacency, as she counted out the beer bottles, “William, ma’am, is a teetotaller. Yes, m’m; and he don’t smoke. Smoking, ma’am,” said Jane, as one who reads the heart, “domake such a dust about. Beside the waste of money.Andthe smell. However, I suppose it’s necessary to some.”
Possibly it dawned on Jane that she was reflecting a little severely upon Euphemia’s comparative ill-fortune, and she added kindly, “I’m sure the master is a hangel when his pipe’s alight. Compared to other times.”
William was at first a rather shabby young man of the ready-made black coat school of costume. Hehad watery grey eyes, and a complexion appropriate to the brother of one in a Home for the Dying. Euphemia did not fancy him very much, even at the beginning. His eminent respectability was vouched for by an alpaca umbrella, from which he never allowed himself to be parted.
“He goes to chapel,” said Jane. “His papa, ma’am”—
“Hiswhat, Jane?”
“His papa, ma’am, was Church; but Mr. Maynard is a Plymouth Brother, and William thinks it Policy, ma’am, to go there too. Mr. Maynard comes and talks to him quite friendly, when they ain’t busy, about using up all the ends of string, and about his soul. He takes a lot of notice, do Mr. Maynard, of William, and the way he saves string and his soul, ma’am.”
Presently we heard that the head porter at Maynard’s had left, and that William was head porter at twenty-three shillings a week. “He is really kind of over the man who drives the van,” said Jane, “and him married with three children.” And she promised in the pride of her heart to make interest for us with William to favour us so that we might get our parcels of drapery from Maynard’s with exceptional promptitude.
After this promotion a rapidly increasing prosperity came upon Jane’s young man. One day, we learned that Mr. Maynard had given William a book. “Smiles’ Elp Yourself, it’s called,” said Jane; “but it ain’t comic. It tells you how to get on in the world, and some what William read to me waslovely, ma’am.”
Euphemia told me of this laughing, and then she became suddenly grave. “Do you know, dear,” she said, “Jane said one thing I did not like. She had been quiet for a minute, and then she suddenly remarked, ‘William is a lot above me, ma’am, ain’t he?’”
“I don’t see anything in that,” I said, though later my eyes were to be opened.
One Sunday afternoon about that time I was sitting at my writing-desk—possibly I was reading a good book—when a something went by the window. I heard a startled exclamation behind me, and saw Euphemia with her hands clasped together and her eyes dilated. “George,” she said in an awestricken whisper, “did you see?”
Then we both spoke to one another at the same moment, slowly and solemnly: “A silk hat! Yellow gloves! A new umbrella!”
“It may be my fancy, dear,” said Euphemia; “but his tie was very like yours. I believe Jane keeps him in ties. She told me a little while ago in a way that implied volumes about the rest of your costume, ‘The masterdowear pretty ties, ma’am.’ And he echoes all your novelties.”
The young couple passed our window again on their way to their customary walk. They were arm in arm. Jane looked exquisitely proud, happy, and uncomfortable, with new white cotton gloves, and William, in the silk hat, singularly genteel!
That was the culmination of Jane’s happiness. When she returned, “Mr. Maynard has been talking to William, ma’am,” she said, “and he is to servecustomers, just like the young shop gentlemen, during the next sale. And if he gets on, he is to be made an assistant, ma’am, at the first opportunity. He has got to be as gentlemanly as he can, ma’am; and if he ain’t, ma’am, he says it won’t be for want of trying. Mr. Maynard has took a great fancy to him.”
“Heisgetting on, Jane,” said my wife.
“Yes, ma’am,” said Jane thoughtfully, “heisgetting on.”
And she sighed.
That next Sunday, as I drank my tea, I interrogated my wife. “How is this Sunday different from all other Sundays, little woman? What has happened? Have you altered the curtains, or rearranged the furniture, or where is the indefinable difference of it? Are you wearing your hair in a new way without warning me? I clearly perceive a change in my environment, and I cannot for the life of me say what it is.”
Then my wife answered in her most tragic voice: “George,” she said, “that—that William has not come near the place to-day! And Jane is crying her heart out upstairs.”
There followed a period of silence. Jane, as I have said, stopped singing about the house, and began to care for our brittle possessions, which struck my wife as being a very sad sign indeed. The next Sunday, and the next, Jane asked to go out, “to walk with William,” and my wife, who never attempts to extort confidences, gave her permission, and asked no questions. On each occasion Jane came back lookingflushed and very determined. At last one day she became communicative.
“William is being led away,” she remarked abruptly, with a catching of the breath, apropos of tablecloths. “Yes, m’m. She is a milliner, and she can play on the piano.”
“I thought,” said my wife, “that you went out with him on Sunday.”
“Not out with him, m’m—after him. I walked along by the side of them, and told her he was engaged to me.”
“Dear me, Jane, did you? What did they do?”
“Took no more notice of me than if I was dirt. So I told her she should suffer for it.”
“It could not have been a very agreeable walk, Jane.”
“Not for no parties, ma’am.
“I wish,” said Jane, “I could play the piano, ma’am. But anyhow, I don’t mean to letherget him away from me. She’s older than him, and her hair ain’t gold to the roots, ma’am.”
It was on the August Bank Holiday that the crisis came. We do not clearly know the details of the fray, but only such fragments as poor Jane let fall. She came home dusty, excited, and with her heart hot within her.
The milliner’s mother, the milliner, and William had made a party to the Art Museum at South Kensington, I think. Anyhow, Jane had calmly but firmly accosted them somewhere in the streets, and asserted her right to what, in spite of the consensus of literature, she held to be her inalienable property.She did, I think, go so far as to lay hands on him. They dealt with her in a crushingly superior way. They “called a cab.” There was a “scene,” William being pulled away into the four-wheeler by his future wife and mother-in-law from the reluctant hands of our discarded Jane. There were threats of giving her “in charge.”
“My poor Jane!” said my wife, mincing veal as though she was mincing William. “It’s a shame of them. I would think no more of him. He is not worthy of you.”
“No, m’m,” said Jane. “Heisweak.”
“But it’s that woman has done it,” said Jane. She was never known to bring herself to pronounce “that woman’s” name or to admit her girlishness. “I can’t think what minds some women must have—to try and get a girl’s young man away from her. But there, it only hurts to talk about it,” said Jane.
Thereafter our house rested from William. But there was something in the manner of Jane’s scrubbing the front doorstep or sweeping out the rooms, a certain viciousness, that persuaded me that the story had not yet ended.
“Please, m’m, may I go and see a wedding to-morrow?” said Jane one day.
My wife knew by instinct whose wedding. “Do you think it is wise, Jane?” she said.
“I would like to see the last of him,” said Jane.
“My dear,” said my wife, fluttering into my room about twenty minutes after Jane had started, “Jane has been to the boot-hole and taken all the left-offboots and shoes, and gone off to the wedding with them in a bag. Surely she cannot mean”—
“Jane,” I said, “is developing character. Let us hope for the best.”
Jane came back with a pale, hard face. All the boots seemed to be still in her bag, at which my wife heaved a premature sigh of relief. We heard her go upstairs and replace the boots with considerable emphasis.
“Quite a crowd at the wedding, ma’am,” she said presently, in a purely conversational style, sitting in our little kitchen, and scrubbing the potatoes; “and such a lovely day for them.” She proceeded to numerous other details, clearly avoiding some cardinal incident.
“It was all extremely respectable and nice, ma’am; butherfather didn’t wear a black coat, and looked quite out of place, ma’am. Mr. Piddingquirk”—
“Who?”
“Mr. Piddingquirk—William thatwas, ma’am—had white gloves, and a coat like a clergyman, and a lovely chrysanthemum. He looked so nice, ma’am. And there was red carpet down, just like for gentlefolks. And they say he gave the clerk four shillings, ma’am. It was a real kerridge they had—not a fly. When they came out of church there was rice-throwing, and her two little sisters dropping dead flowers. And someone threw a slipper, and then I threw a boot”—
“Threw aboot, Jane!”
“Yes, ma’am. Aimed ather. But it hithim. Yes, ma’am, hard. Gev him a black eye, I shouldthink. I only threw that one. I hadn’t the heart to try again. All the little boys cheered when it hit him.”
After an interval—“I am sorry the boot hithim.”
Another pause. The potatoes were being scrubbed violently. “He alwayswasa bit above me, you know, ma’am. And he was led away.”
The potatoes were more than finished. Jane rose sharply, with a sigh, and rapped the basin down on the table.
“I don’t care,” she said. “I don’t care a rap. He will find out his mistake yet. It serves me right. I was stuck up about him. I ought not to have looked so high. And I am glad things are as things are.”
My wife was in the kitchen, seeing to the higher cookery. After the confession of the boot-throwing, she must have watched poor Jane fuming with a certain dismay in those brown eyes of hers. But I imagine they softened again very quickly, and then Jane’s must have met them.
“Oh, ma’am,” said Jane, with an astonishing change of note, “think of all thatmighthave been! Oh, ma’am, Icouldhave been so happy! I ought to have known, but I didn’t know.... You’re very kind to let me talk to you, ma’am ... for it’s hard on me, ma’am ... it’s har-r-r-r-d”—
And I gather that Euphemia so far forgot herself as to let Jane sob out some of the fulness of her heart on a sympathetic shoulder. My Euphemia, thank Heaven, has never properly grasped the importance of “keeping up her position.” And since that fit ofweeping, much of the accent of bitterness has gone out of Jane’s scrubbing and brush work.