FOOTNOTES:

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BERTRAM DOBELL

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SIDELIGHTS ON CHARLES LAMB

This work contains much new matter relating to Charles Lamb, his works and his friends. It comprises a number of essays, poems, and short articles, some of which are certainly by Lamb, while others are probably his. One of them, which is undoubtedly by Lamb, tells, under the guise of a humorous fiction, the story of a curious and hitherto unknown incident in the author's life. Other pieces contained in the volume, whether written by Lamb, or by imitators of his style, will be found to be of quite remarkable interest and curiosity.

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ROSEMARY AND PANSIES

"There's rosemary for you, that's for remembrance; pray, love, remember: and there's pansies, that's for thoughts."

Hamlet, Act iv. sc. 5.

"Mr. Dobell has a good ear, a pretty gift of language and versification, and his matter is always worthy and truthful, and not seldom at once profound and beautiful, though these latter qualities are not always found together."—The Reformer.

"Mr. Dobell's poems reach a high level of accomplishment, and reveal a very attractive and strenuous personality."—Sunday Times.

"Mr. Dobell's volume will be liked by all who value wit, humour, and sincerity in verse."—The Observer.

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THE POETICAL WORKS OF JAMES THOMSON ("B.V.")

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THE CITY OF DREADFUL NIGHT

AND OTHER POEMS (Selected)

By JAMES THOMSON ("B.V.")

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A PROSPECT OF SOCIETY

By OLIVER GOLDSMITH

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CENTURIES OF MEDITATION

By THOMAS TRAHERNE

Traherne is no less excellent as a prose writer than as a poet; indeed, I think it is not too much to say that his prose will bear comparison with that of any English writer of the seventeenth century. It is remarkable for its ease, spirit, eloquence, and suppleness—qualities which are not often found in combination in the writers of that period.

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THE POEMS OF WILLIAM STRODE

[1602-1645]

Now first collected from Manuscript and Printed Sources, together with his Play entitled

THE FLOATING ISLAND

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There is no more singular circumstance in the history of English literature than the fact that the writings of so fine a poet as William Strode should have remained for such a length of time neglected and forgotten. He had a great reputation in his lifetime, and his poems were largely circulated in manuscript among the literary circles of the time. His play, entitled "The Floating Island," which had been performed before Charles I. and his Court in 1636, was published in 1655, with a preface in which the editors promised that if it met with a good reception, more of the author's writings should follow. This promise, however, owing perhaps to the political disturbances of the time, was never fulfilled; and Strode has ever since remained a mere shadow so far as any knowledge of his writings and personality is concerned. With the publication of this volume he will take the place to which he is entitled besides such poets as Carew, Cartwright, Randolph and Corbet.

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GLEANINGS FROM MANUSCRIPTS

BEING POEMS AND DRAMATIC WORKSOF THE SIXTEENTH AND SEVENTEENTHCENTURIES

Now first printed from manuscripts, most of which are in my own possession.

This series, which will, I hope, extend to three or four volumes, will consist chiefly of unprinted matter which I have discovered in the course of my researches among manuscripts of the sixteenth and seventeenth centuries. The works of several authors not hitherto known to fame will be included in the contents of these volumes. Among them the names of Nicholas Oldisworth and M. Johnson may be particularly mentioned. Both of them are writers of very considerable merit, and are well worthy of being rescued from the obscurity in which they have so long rested. Another feature of the collection will be copies of the poems of many well-known writers, which will be printed because the manuscript versions which I possess exhibit many variations from the printed texts. Altogether, I venture to say that all scholars and students of our old literature will welcome these volumes and recognise their value.

For further particulars of the above works, and of others which I have in contemplation, see a Prospectus which is now ready, and which will be forwarded on application.

FOOTNOTES:[A]See "Archæologia," vol. xxxvii, p. 204.[B]"Roman Forgeries" must have had some popularity in its time, for it is, unlike "Christian Ethicks," a tolerably common book. Fifteen years after its publication Dean Comber, a writer of some note in his day, published a work of similar character, and with the same title. As Traherne's book was published anonymously, Dean Comber has usually received credit for that as well as for his own work. The Dean was a man of considerable ability, and he would hardly have been pleased had he been told that he would only be remembered in future times as the writer who helped himself to a striking title at the expense of one who was far superior to himself in character and genius.[C]See "Nova Solyma": an Anonymous Romance. With Introduction, Translation, &c., by the Rev. Walter Begley. (1903.)[D]"Nature is the great spendthrift. She will burn up the world some day to attain what will probably seem to us a very inadequate end; and in order to have things stated at their worst, once for all, in English, she took a splendid genius and made him—an army schoolmaster; starved his intellect, starved his heart, starved his body. All the adversity of the world smote him; and that nothing should be wanting to her purpose Nature took care that the very sun should smite him also! Time will avenge him: he is among the immortals."—John Davidson, in theSpeaker, June 17, 1899.[E]This poem is included in the "Oxford Book of English Verse"; and the Rev. Orby Shipley has included two of Traherne's poems in his "Carmina Mariana."[F]It is not only in "My Spirit" that we find traces of Traherne's Berkeleianism. See the "Hymn on St. Bartholomew's Day," "The Preparative," and various passages in other poems. I do not contend, however, that we have the idea in a clear and unmistakable form anywhere but in "My Spirit."[G]This title was probably the invention of the publisher—one Samuel Keble—and not of the author.[H]From certain indications in the folio manuscript, from which the bulk of the poems in the present volume are derived, it seems clear that there must be a considerable quantity of verse by Traherne which has not yet been recovered. Appended to several poems in the folio volume are references to other poems, as, for example, at the end of "Innocence," "An Infant Eye, p. 1," and "Adam, p. 12." Other poems thus mentioned are "News," "The Odor," "The Inheritance," "The Evidence," "The Center," and "Insatiableness." As the manuscript volume containing these pieces consisted of at least 142 pages, it seems likely that the present volume contains not more than one half of Traherne's poetical works. It may be hoped, but hardly expected, that the volume containing the poems mentioned above will some day be recovered. Possibly this mention of it may, if it still exists, lead to its eventual discovery.[I]In Traherne's "Centuries of Meditations" this poem is preceded by the following note: "Upon those pure and virgin apprehensions which I had in my infancy I made this Poem."[J]These five lines have an alternative reading:The Sun itself doth in its glory shine,And gold and silver out of very mire,And pearls and rubies out of earth refine;While herbs and flowers aspireTo touch and make our feet divine.[K]It is doubtful whether this poem is by Traherne.[L](?) Sparkle.[M]Several passages in other poems are thus marked. Usually where these marks appear—but not invariably so—there is a slight falling off in the author's inspiration. As these passages, however, could not be omitted without leaving palpablelacunæin the poems, I have taken no notice of them (save in one instance where I have suppressed a stanza which is clearly superfluous), preferring to leave the critical reader to discover such inequalities for himself.

[A]See "Archæologia," vol. xxxvii, p. 204.

[A]See "Archæologia," vol. xxxvii, p. 204.

[B]"Roman Forgeries" must have had some popularity in its time, for it is, unlike "Christian Ethicks," a tolerably common book. Fifteen years after its publication Dean Comber, a writer of some note in his day, published a work of similar character, and with the same title. As Traherne's book was published anonymously, Dean Comber has usually received credit for that as well as for his own work. The Dean was a man of considerable ability, and he would hardly have been pleased had he been told that he would only be remembered in future times as the writer who helped himself to a striking title at the expense of one who was far superior to himself in character and genius.

[B]"Roman Forgeries" must have had some popularity in its time, for it is, unlike "Christian Ethicks," a tolerably common book. Fifteen years after its publication Dean Comber, a writer of some note in his day, published a work of similar character, and with the same title. As Traherne's book was published anonymously, Dean Comber has usually received credit for that as well as for his own work. The Dean was a man of considerable ability, and he would hardly have been pleased had he been told that he would only be remembered in future times as the writer who helped himself to a striking title at the expense of one who was far superior to himself in character and genius.

[C]See "Nova Solyma": an Anonymous Romance. With Introduction, Translation, &c., by the Rev. Walter Begley. (1903.)

[C]See "Nova Solyma": an Anonymous Romance. With Introduction, Translation, &c., by the Rev. Walter Begley. (1903.)

[D]"Nature is the great spendthrift. She will burn up the world some day to attain what will probably seem to us a very inadequate end; and in order to have things stated at their worst, once for all, in English, she took a splendid genius and made him—an army schoolmaster; starved his intellect, starved his heart, starved his body. All the adversity of the world smote him; and that nothing should be wanting to her purpose Nature took care that the very sun should smite him also! Time will avenge him: he is among the immortals."—John Davidson, in theSpeaker, June 17, 1899.

[D]"Nature is the great spendthrift. She will burn up the world some day to attain what will probably seem to us a very inadequate end; and in order to have things stated at their worst, once for all, in English, she took a splendid genius and made him—an army schoolmaster; starved his intellect, starved his heart, starved his body. All the adversity of the world smote him; and that nothing should be wanting to her purpose Nature took care that the very sun should smite him also! Time will avenge him: he is among the immortals."—John Davidson, in theSpeaker, June 17, 1899.

[E]This poem is included in the "Oxford Book of English Verse"; and the Rev. Orby Shipley has included two of Traherne's poems in his "Carmina Mariana."

[E]This poem is included in the "Oxford Book of English Verse"; and the Rev. Orby Shipley has included two of Traherne's poems in his "Carmina Mariana."

[F]It is not only in "My Spirit" that we find traces of Traherne's Berkeleianism. See the "Hymn on St. Bartholomew's Day," "The Preparative," and various passages in other poems. I do not contend, however, that we have the idea in a clear and unmistakable form anywhere but in "My Spirit."

[F]It is not only in "My Spirit" that we find traces of Traherne's Berkeleianism. See the "Hymn on St. Bartholomew's Day," "The Preparative," and various passages in other poems. I do not contend, however, that we have the idea in a clear and unmistakable form anywhere but in "My Spirit."

[G]This title was probably the invention of the publisher—one Samuel Keble—and not of the author.

[G]This title was probably the invention of the publisher—one Samuel Keble—and not of the author.

[H]From certain indications in the folio manuscript, from which the bulk of the poems in the present volume are derived, it seems clear that there must be a considerable quantity of verse by Traherne which has not yet been recovered. Appended to several poems in the folio volume are references to other poems, as, for example, at the end of "Innocence," "An Infant Eye, p. 1," and "Adam, p. 12." Other poems thus mentioned are "News," "The Odor," "The Inheritance," "The Evidence," "The Center," and "Insatiableness." As the manuscript volume containing these pieces consisted of at least 142 pages, it seems likely that the present volume contains not more than one half of Traherne's poetical works. It may be hoped, but hardly expected, that the volume containing the poems mentioned above will some day be recovered. Possibly this mention of it may, if it still exists, lead to its eventual discovery.

[H]From certain indications in the folio manuscript, from which the bulk of the poems in the present volume are derived, it seems clear that there must be a considerable quantity of verse by Traherne which has not yet been recovered. Appended to several poems in the folio volume are references to other poems, as, for example, at the end of "Innocence," "An Infant Eye, p. 1," and "Adam, p. 12." Other poems thus mentioned are "News," "The Odor," "The Inheritance," "The Evidence," "The Center," and "Insatiableness." As the manuscript volume containing these pieces consisted of at least 142 pages, it seems likely that the present volume contains not more than one half of Traherne's poetical works. It may be hoped, but hardly expected, that the volume containing the poems mentioned above will some day be recovered. Possibly this mention of it may, if it still exists, lead to its eventual discovery.

[I]In Traherne's "Centuries of Meditations" this poem is preceded by the following note: "Upon those pure and virgin apprehensions which I had in my infancy I made this Poem."

[I]In Traherne's "Centuries of Meditations" this poem is preceded by the following note: "Upon those pure and virgin apprehensions which I had in my infancy I made this Poem."

[J]These five lines have an alternative reading:The Sun itself doth in its glory shine,And gold and silver out of very mire,And pearls and rubies out of earth refine;While herbs and flowers aspireTo touch and make our feet divine.

[J]These five lines have an alternative reading:

The Sun itself doth in its glory shine,And gold and silver out of very mire,And pearls and rubies out of earth refine;While herbs and flowers aspireTo touch and make our feet divine.

The Sun itself doth in its glory shine,And gold and silver out of very mire,And pearls and rubies out of earth refine;While herbs and flowers aspireTo touch and make our feet divine.

The Sun itself doth in its glory shine,And gold and silver out of very mire,And pearls and rubies out of earth refine;While herbs and flowers aspireTo touch and make our feet divine.

The Sun itself doth in its glory shine,

And gold and silver out of very mire,

And pearls and rubies out of earth refine;

While herbs and flowers aspire

To touch and make our feet divine.

[K]It is doubtful whether this poem is by Traherne.

[K]It is doubtful whether this poem is by Traherne.

[L](?) Sparkle.

[L](?) Sparkle.

[M]Several passages in other poems are thus marked. Usually where these marks appear—but not invariably so—there is a slight falling off in the author's inspiration. As these passages, however, could not be omitted without leaving palpablelacunæin the poems, I have taken no notice of them (save in one instance where I have suppressed a stanza which is clearly superfluous), preferring to leave the critical reader to discover such inequalities for himself.

[M]Several passages in other poems are thus marked. Usually where these marks appear—but not invariably so—there is a slight falling off in the author's inspiration. As these passages, however, could not be omitted without leaving palpablelacunæin the poems, I have taken no notice of them (save in one instance where I have suppressed a stanza which is clearly superfluous), preferring to leave the critical reader to discover such inequalities for himself.

Transriber's Note:All original spelling has been retained.


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