'I won't,' Margaret said; 'but I wonder why you have told me if you mean to keep it a secret!'
The veteran man of letters turned his sad grey eyes to hers, while his lips smiled.
'The world is not all bad,' he said. 'All men are not liars, and all women do not betray confidence.'
'It's very good to hear a man like you say that,' Margaret answered.'It means something.'
'Yes,' assented Griggs thoughtfully. 'It means a great deal to me to be sure of it, now that most of my life is lived.'
'Were you unhappy when you were young?'
She asked the question as a woman sometimes does who feels herself strongly drawn to a man much older than she. Griggs did not answer at once, and when he spoke his voice was unusually grave, and his eyes looked far away.
'A great misfortune happened to me,' he said. 'A great misfortune,' he repeated slowly, after a pause, and his tone and look told Margaret how great that calamity had been better than a score of big words.
'Forgive me,' Margaret said softly; 'I should have known.'
'No,' Griggs answered after a moment. 'You could not have known. It happened very long ago, perhaps ten years before you were born.'
Again he turned his sad grey eyes to hers, but no smile lingered now about the rather stern mouth. The two looked at each other quietly for five or six seconds, and that may seem a long time. When Margaret turned away from the elderly man's more enduring gaze, both felt that there was a bond of sympathy between them which neither had quite acknowledged till then. There was silence after that, and Margaret looked out of the window, while her hand unconsciously played with the book on her knee, lifting the cover a little and letting it fall again and again.
Suddenly she turned to Griggs once more and held the book out to him with a smile.
'I'm not an autograph-hunter,' she said, 'but will you write something on the fly-leaf? Just a word or two, without your name, if you like. Do you think I'm very sentimental?'
She smiled again, and he took the book from her and produced a pencil.
'It's a book I shall not throw away,' she went on, 'because the man who wrote it is a great friend of mine, and I have everything he has ever written. So, as I shall keep it, I want it to remind me that you and I grew to know each other better on this voyage.'
It occurred to the veteran that while this was complimentary to himself it was not altogether promising for Lushington, who was the old friend in question. A woman who loves a man does not usually ask another to write a line in that man's book. Griggs set the point of the pencil on the fly-leaf as if he were going to write; but then he hesitated, looked up, glanced at Margaret, and at last leaned back in the seat, as if in deep thought.
'I didn't mean to give you so much trouble,' Margaret said, still smiling. 'I thought it must be so easy for a famous author like you to write half-a-dozen words!'
'A "sentiment" you mean!' Griggs laughed rather contemptuously, and then was grave again.
'No!' Margaret said, a little disappointed. 'You did not understand me. Don't write anything at all. Give me back the book.'
She held out her hand for it; but as if he had just made up his mind, he put his pencil to the paper again, and wrote four words in a small clear hand. She leaned forwards a little to see what he was writing.
'You know enough Latin to read that,' he said, as he gave the book back to her.
She read the words aloud, with a puzzled expression.
'"Credo in resurrectionem mortuorum."' She looked at him for some explanation.
'Yes,' he said, answering her unspoken question. '"I believe in the resurrection of the dead."'
'It means something especial to you—is that it?'
'Yes.' His eyes were very sad again as they met hers.
'My voice?' she asked. 'Some one—who sang like me? Who died?'
'Long before you were born,' he answered gently.
There was another little pause before she spoke again, for she was touched.
'Thank you,' she said. 'Thank you for writing that.'
Mr. Van Torp arrived in London alone, with one small valise, for he had sent his man with his luggage to the place in Derbyshire. At Euston a porter got him a hansom, and he bargained with the cabman to take him and his valise to the Temple for eighteenpence, a sum which, he explained, allowed sixpence for the valise, as the distance could not by any means be made out to be more than two miles.
Such close economy was to be expected from a millionaire, travelling incognito; what was more surprising was that, when the cab stopped before a door in Hare Court and Mr. Van Torp received his valise from the roof of the vehicle, he gave the man half-a-crown, and said it was 'all right.'
'Now, my man,' he observed, 'you've not only got an extra shilling, to which you had no claim whatever, but you've had the pleasure of a surprise which you could not have bought for that money.'
The cabman grinned as he touched his hat and drove away, and Mr. Van Torp took his valise in one hand and his umbrella in the other and went up the dark stairs. He went up four flights without stopping to take breath, and without so much as glancing at any of the names painted in white letters on the small black boards beside the doors on the right and left of each landing.
The fourth floor was the last, and though the name on the left had evidently been there a number of years, for the white lettering was of the tint of a yellow fog, it was still quite clear and legible.
That was the name, but the millionaire did not look at it any more than he had looked at the others lower down. He knew them all by heart. He dropped his valise, took a small key from his pocket, opened the door, picked up his valise again, and, as neither hand was free, he shut the door with his heel as he passed in, and it slammed behind him, sending dismal echoes down the empty staircase.
The entry was almost quite dark, for it was past six o'clock in the afternoon, late in March, and the sky was overcast; but there was still light enough to see in the large room on the left into which Mr. Van Torp carried his things.
It was a dingy place, poorly furnished, but some one had dusted the table, the mantelpiece, and the small bookcase, and the fire was laid in the grate, while a bright copper kettle stood on a movable hob. Mr. Van Torp struck a match and lighted the kindling before he took off his overcoat, and in a few minutes a cheerful blaze dispelled the gathering gloom. He went to a small old-fashioned cupboard in a corner and brought from it a chipped cup and saucer, a brown teapot, and a cheap japanned tea-caddy, all of which he set on the table; and as soon as the fire burned brightly, he pushed the movable hob round with his foot till the kettle was over the flame of the coals. Then he took off his overcoat and sat down in the shabby easy-chair by the hearth, to wait till the water boiled.
His proceedings, his manner, and his expression would have surprised the people who had been his fellow-passengers on theLeofric, and who imagined Mr. Van Torp driving to an Olympian mansion, somewhere between Constitution Hill and Sloane Square, to be received at his own door by gravely obsequious footmen in plush, and to drink Imperial Chinese tea from cups of Old Saxe, or Bleu du Roi, or Capo di Monte.
Paul Griggs, having tea and a pipe in a quiet little hotel in Clarges Street, would have been much surprised if he could have seen Rufus Van Torp lighting a fire for himself in that dingy room in Hare Court. Madame Margarita da Cordova, waiting for an expected visitor in her own sitting-room, in her own pretty house in Norfolk Crescent, would have been very much surprised indeed. The sight would have plunged her into even greater uncertainty as to the man's real character, and it is not unlikely that she would have taken his mysterious retreat to be another link in the chain of evidence against him which already seemed so convincing. She might naturally have wondered, too, what he had felt when he had seen that board beside the door, and she could hardly have believed that he had gone in without so much as glancing at the yellowish letters that formed the name of Bamberger.
But he seemed quite at home where he was, and not at all uncomfortable as he sat before the fire, watching the spout of the kettle, his elbows on the arms of the easy-chair and his hands raised before him, with the finger-tips pressed against each other, in the attitude which, with most men, means that they are considering the two sides of a question that is interesting without being very important.
Perhaps a thoughtful observer would have noticed at once that there had been no letters waiting for him when he had arrived, and would have inferred either that he did not mean to stay at the rooms twenty-four hours, or that, if he did, he had not chosen to let any one know where he was.
Presently it occurred to him that there was no longer any light in the room except from the fire, and he rose and lit the gas. The incandescent light sent a raw glare into the farthest corners of the large room, and just then a tiny wreath of white steam issued from the spout of the kettle. This did not escape Mr. Van Torp's watchful eye, but instead of making tea at once he looked at his watch, after which he crossed the room to the window and stood thoughtfully gazing through the panes at the fast disappearing outlines of the roofs and chimney-pots which made up the view when there was daylight outside. He did not pull down the shade before he turned back to the fire, perhaps because no one could possibly look in.
But he poured a little hot water into the teapot, to scald it, and went to the cupboard and got another cup and saucer, and an old tobacco-tin of which the dingy label was half torn off, and which betrayed by a rattling noise that it contained lumps of sugar. The imaginary thoughtful observer already mentioned would have inferred from all this that Mr. Van Torp had resolved to put off making tea until some one came to share it with him, and that the some one might take sugar, though he himself did not; and further, as it was extremely improbable, on the face of it, that an afternoon visitor should look in by a mere chance, in the hope of finding some one in Mr. Isidore Bamberger's usually deserted rooms, on the fourth floor of a dark building in Hare Court, the observer would suppose that Mr. Van Torp was expecting some one to come and see him just at that hour, though he had only landed in Liverpool that day, and would have been still at sea if the weather had been rough or foggy.
All this might have still further interested Paul Griggs, and would certainly have seemed suspicious to Margaret, if she could have known about it.
Five minutes passed, and ten, and the kettle was boiling furiously, and sending out a long jet of steam over the not very shapely toes of Mr. Van Torp's boots, as he leaned back with his feet on the fender. He looked at his watch again and apparently gave up the idea of waiting any longer, for he rose and poured out the hot water from the teapot into one of the cups, as a preparatory measure, and took off the lid to put in the tea. But just as he had opened the caddy, he paused and listened. The door of the room leading to the entry was ajar, and as he stood by the table he had heard footsteps on the stairs, still far down, but mounting steadily.
He went to the outer door and listened. There was no doubt that somebody was coming up; any one not deaf could have heard the sound. It was more strange that Mr. Van Torp should recognise the step, for the rooms on the other side of the landing were occupied, and a stranger would have thought it quite possible that the person who was coming up should be going there. But Mr. Van Torp evidently knew better, for he opened his door noiselessly and stood waiting to receive the visitor. The staircase below was dimly lighted by gas, but there was none at the upper landing, and in a few seconds a dark form appeared, casting a tall shadow upwards against the dingy white paint of the wall. The figure mounted steadily and came directly to the open door—a lady in a long black cloak that quite hid her dress. She wore no hat, but her head was altogether covered by one of those things which are neither hoods nor mantillas nor veils, but which serve women for any of the three, according to weather and circumstances. The peculiarity of the one the lady wore was that it cast a deep shadow over her face.
'Come in,' said Mr. Van Torp, withdrawing into the entry to make way.
She entered and went on directly to the sitting-room, while he shut the outer door. Then he followed her, and shut the second door behind him. She was standing before the fire spreading her gloved hands to the blaze, as if she were cold. The gloves were white, and they fitted very perfectly. As he came near, she turned and held out one hand.
'All right?' he inquired, shaking it heartily, as if it had been a man's.
A sweet low voice answered him.
'Yes—all right,' it said, as if nothing could ever be wrong with its possessor. 'But you?' it asked directly afterwards, in a tone of sympathetic anxiety.
'I? Oh—well—' Mr. Van Torp's incomplete answer might have meant anything, except that he too was 'all right.'
'Yes,' said the lady gravely. 'I read the telegram the next day. Did you get my cable? I did not think you would sail.'
'Yes, I got your cable. Thank you. Well—I did sail, you see. Take off your things. The water's boiling and we'll have tea in a minute.'
The lady undid the fastening at her throat so that the fur-lined cloak opened and slipped a little on her white shoulders. She held it in place with one hand, and with the other she carefully turned back the lace hood from her face, so as not to disarrange her hair. Mr. Van Torp was making tea, and he looked up at her over the teapot.
'I dressed for dinner,' she said, explaining.
'Well,' said Mr. Van Torp, looking at her, 'I should think you did!'
There was real admiration in his tone, though it was distinctly reluctant.
'I thought it would save half an hour and give us more time together,' said the lady simply.
She sat down in the shabby easy-chair, and as she did so the cloak slipped and lay about her waist, and she gathered one side of it over her knees. Her gown was of black velvet, without so much as a bit of lace, except at the sleeves, and the only ornament she wore was a short string of very perfect pearls clasped round her handsome young throat.
She was handsome, to say the least. If tired ghosts of departed barristers were haunting the dingy room in Hare Court that night, they must have blinked and quivered for sheer pleasure at what they saw, for Mr. Van Torp's visitor was a very fine creature to look at; and if ghosts can hear, they heard that her voice was sweet and low, like an evening breeze and flowing water in a garden, even in the Garden of Eden.
She was handsome, and she was young; and above all she had the freshness, the uncontaminated bloom, the subdued brilliancy of nature's most perfect growing things. It was in the deep clear eyes, in the satin sheen of her bare shoulders under the sordid gaslight; it was in the strong smooth lips, delicately shaded from salmon colour to the faintest peach-blossom; it was in the firm oval of her face, in the well-modelled ear, the straight throat and the curving neck; it was in her graceful attitude; it was everywhere. 'No doubt,' the ghosts might have said, 'there are more beautiful women in England than this one, but surely there is none more like a thoroughbred and a Derby winner!'
'You take sugar, don't you?' asked Mr. Van Torp, having got the lid off the old tobacco-tin with some difficulty, for it had developed an inclination to rust since it had last been moved.
'One lump, please,' said the thoroughbred, looking at the fire.
'I thought I remembered,' observed the millionaire. 'The tea's good,' he added, 'and you'll have to excuse the cup. And there's no cream.'
'I'll excuse anything,' said the lady, 'I'm so glad to be here!'
'Well, I'm glad to see you too,' said Mr. Van Torp, giving her the cup. 'Crackers? I'll see if there're any in the cupboard. I forgot.'
He went to the corner again and found a small tin of biscuits, which he opened and examined under gaslight.
'Mouldy,' he observed. 'Weevils in them, too. Sorry. Does it matter much?'
'Nothing matters,' answered the lady, sweet and low. 'But why do you put them away if they are bad? It would be better to burn them and be done with it.'
He was taking the box back to the cupboard.
'I suppose you're right,' he said reluctantly. 'But it always seems wicked to burn bread, doesn't it?'
'Not when it's weevilly,' replied the thoroughbred, after sipping the hot tea.
He emptied the contents of the tin upon the coal fire, and the room presently began to smell of mouldy toast.
'Besides,' he said, 'it's cruel to burn weevils, I suppose. If I'd thought of that, I'd have left them alone. It's too late now. They're done for, poor beasts! I'm sorry. I don't like to kill things.'
He stared thoughtfully at the already charred remains of the holocaust, and shook his head a little. The lady sipped her tea and looked at him quietly, perhaps affectionately, but he did not see her.
'You think I'm rather silly sometimes, don't you?' he asked, still gazing at the fire.
'No,' she answered at once. 'It's never silly to be kind, even to weevils.'
'Thank you for thinking so,' said Mr. Van Torp, in an oddly humble tone, and he began to drink his own tea.
If Margaret Donne could have suddenly found herself perched among the chimney-pots on the opposite roof, and if she had then looked at his face through the window, she would have wondered why she had ever felt a perfectly irrational terror of him. It was quite plain that the lady in black velvet had no such impression.
'You need not be so meek,' she said, smiling.
She did not laugh often, but sometimes there was a ripple in her fresh voice that would turn a man's head. Mr. Van Torp looked at her in a rather dull way.
'I believe I feel meek when I'm with you. Especially just now.'
He swallowed the rest of his tea at a gulp, set the cup on the table, and folded his hands loosely together, his elbows resting on his knees; in this attitude he leaned forward and looked at the burning coals. Again his companion watched his hard face with affectionate interest.
'Tell me just how it happened,' she said. 'I mean, if it will help you at all to talk about it.'
'Yes. You always help me,' he answered, and then paused. 'I think I should like to tell you the whole thing,' he added after an instant. 'Somehow, I never tell anybody much about myself.'
'I know.'
She bent her handsome head in assent. Just then it would have been very hard to guess what the relations were between the oddly assorted pair, as they sat a little apart from each other before the grate. Mr. Van Torp was silent now, as if he were making up his mind how to begin.
In the pause, the lady quietly held out her hand towards him. He saw without turning further, and he stretched out his own. She took it gently, and then, without warning, she leaned very far forward, bent over it and touched it with her lips. He started and drew it back hastily. It was as if the leaf of a flower had settled upon it, and had hovered an instant, and fluttered away in a breath of soft air.
'Please don't!' he cried, almost roughly. 'There's nothing to thank me for. I've often told you so.'
But the lady was already leaning back in the old easy-chair again as if she had done nothing at all unusual.
'It wasn't for myself,' she said. 'It was for all the others, who will never know.'
'Well, I'd rather not,' he answered. 'It's not worth all that. Now, see here! I'm going to tell you as near as I can what happened, and when you know you can make up your mind. You never saw but one side of me anyhow, but you've got to see the other sooner or later. No, I know what you're going to say—all that about a dual nature, and Jekyll and Hyde, and all the rest of it. That may be true for nervous people, but I'm not nervous. Not at all. I never was. What I know is, there are two sides to everybody, and one's always the business side. The other may be anything. Sometimes it's good, sometimes it's bad. Sometimes it cares for a woman, sometimes it's a collector of art things, Babylonian glass, and Etruscan toys and prehistoric dolls. It may gamble, or drink, or teach a Sunday school, or read Dante, or shoot, or fish, or anything that's of no use. But one side's always the business side. That's certain.'
Mr. Van Torp paused, and looked at his companion's empty cup. Seeing that he was going to get up in order to give her more, she herself rose quickly and did it for herself. He sat still and watched her, probably because the business side of his nature judged that he could be of no use. The fur-lined cloak was now lying in the easy-chair, and there was nothing to break the sweeping lines of the black velvet from her dazzling shoulders to her waist, to her knee, to her feet. Mr. Van Torp watched her in silence, till she sat down again.
'You know me well enough to understand that,' he said, going on. 'My outside's my business side, and that's what matters most. Now the plain truth is this. My engagement to Miss Bamberger was just a business affair. Bamberger thought of it first, and suggested it to me, and he asked her if she'd mind being engaged to me for a few weeks; and she said she wouldn't provided she wasn't expected to marry me. That was fair and square, anyway, on both sides. Wasn't it?'
'It depends on why you did it,' said the lady, going to the point directly.
'That was the business side,' answered her companion. 'You see, a big thing like the Nickel Trust always has a lot of enemies, besides a heap of people who want to get some of it cheap. This time they put their heads together and got up one of the usual stories. You see, Isidore H. Bamberger is the president and I only appear as a director, though most of it's mine. So they got up a story that he was operating on his own account to get behind me, and that we were going to quarrel over it, and there was going to be a slump, and people began to believe it. It wasn't any use talking to the papers. We soon found that out. Sometimes the public won't believe anything it's told, and sometimes it swallows faster than you can feed to it. I don't know why, though I've had a pretty long experience, but I generally do know which state it's in. I feel it. That's what's called business ability. It's like fishing. Any old fisherman can judge in half an hour whether the fish are going to bite all day or not. If he's wrong once, he'll be right a hundred times. Well, I felt talking was no good, and so did Bamberger, and the shares began to go down before the storm. If the big slump had come there'd have been a heap of money lost. I don't say we didn't let the shares drop a couple of points further than they needed to, and Bamberger bought any of it that happened to be lying around, and the more he bought the quicker it wanted to go down, because people said there was going to be trouble and an investigation. But if we'd gone on, lots of people would have been ruined, and yet we didn't just see how to stop it sharp, till Bamberger started his scheme. Do you understand all that?'
The lady nodded gravely.
'You make it clear,' she said.
'Well, I thought it was a good scheme,' continued her companion, 'and as the girl said she didn't mind, we told we were engaged. That settled things pretty quick. The shares went up again in forty-eight hours, and as we'd bought for cash we made the points, and the other people were short and lost. But when everything was all right again we got tired of being engaged, Miss Bamberger and I; and besides, there was a young fellow she'd a fancy for, and he kept writing to her that he'd kill himself, and that made her nervous, you see, and she said if it went on another day she knew she'd have appendicitis or something. So we were going to announce that the engagement was broken. And the very night before—'
He paused. Not a muscle of the hard face moved, there was not a change in the expression of the tremendous mouth, there was not a tremor in the tone; but the man kept his eyes steadily on the fire.
'Oh, well, she's dead now, poor thing,' he said presently. 'And that's what I wanted to tell you. I suppose it's not a very pretty story, is it? But I'll tell you one thing. Though we made a little by the turn of the market, we saved a heap of small fry from losing all they'd put in. If we'd let the slump come and then bought we should have made a pile; but then we might have had difficulty in getting the stock up to anywhere near par again for some time.'
'Besides,' said the lady quietly, 'you would not have ruined all those little people if you could help it.'
'You think I wouldn't?' He turned his eyes to her now.
'I'm sure you would not,' said the lady with perfect confidence.
'I don't know, I'm sure,' answered Mr. Van Torp in a doubtful tone. 'Perhaps I wouldn't. But it would only have been business if I had. It's not as if Bamberger and I had started a story on purpose about our quarrelling in order to make things go down. I draw the line there. That's downright dishonest, I call it. But if we'd just let things slide and taken advantage of what happened, it would only have been business after all. Except for that doubt about getting back to par,' he added, as an afterthought. 'But then I should have felt whether it was safe or not.'
'Then why did you not let things slide, as you call it?'
'I don't know, I'm sure. Maybe I was soft-hearted. We don't always know why we do things in business. There's a great deal more in the weather where big money is moving than you might think. For instance, there was never a great revolution in winter. But as for making people lose their money, those who can't keep it ought not to have it. They're a danger to society, and half the time it's they who upset the market by acting like lunatics. They get a lot of sentimental pity sometimes, those people; but after all, if they didn't try to cut in without capital, and play the game without knowing the rules, business would be much steadier and there would be fewer panics. They're the people who get frightened and run, not we. The fact is, they ought never to have been there. That's why I believe in big things myself.'
He paused, having apparently reached the end of his subject.
'Were you with the poor girl when she died?' asked the lady presently.
'No. She'd dined with a party and was in their box, and they were the last people who saw her. You read about the explosion. She bolted from the box in the dark, I was told, and as she couldn't be found afterwards they concluded she had rushed out and taken a cab home. It seemed natural, I suppose.'
'Who found her at last?'
'A man called Griggs—the author, you know. He carried her to the manager's room, still alive. They got a doctor, and as she wanted to see a woman, they sent for Cordova, the singer, from her dressing-room, and the girl died in her arms. They said it was heart failure, from shock.'
'It was very sad.'
'I'm sorry for poor Bamberger,' said Mr. Van Torp thoughtfully. 'She was his only child, and he doted on her. I never saw a man so cut up as he looked. I wanted to stay, but he said the mere sight of me drove him crazy, poor fellow, and as I had business over here and my passage was taken, I just sailed. Sometimes the kindest thing one can do is to get out. So I did. But I'm very sorry for him. I wish I could do anything to make it easier for him. It was nobody's fault, I suppose, though I do think the people she was with might have prevented her from rushing out in the dark.'
'They were frightened themselves. How could any one be blamed for her death?'
'Exactly. But if any one could be made responsible, I know Bamberger would do for him in some way. He's a resentful sort of man if any one does him an injury. Blood for blood is Bamberger's motto, every time. One thing I'm sure of. He'll run down whoever was responsible for that explosion, and he'll do for him, whoever he is, if it costs one million to get a conviction. I wouldn't like to be the fellow!'
'I can understand wishing to be revenged for the death of one's only child,' said the lady thoughtfully. 'Cannot you?'
The American turned his hard face to her.
'Yes,' he said, 'I can. It's only human, after all.'
She sighed and looked into the fire. She was married, but she was childless, and that was a constant regret to her. Mr. Van Torp knew it and understood.
'To change the subject,' he said cheerfully, 'I suppose you need money, don't you?'
'Oh yes! Indeed I do!'
Her momentary sadness had already disappeared, and there was almost a ripple in her tone again as she answered.
'How much?' asked the millionaire smiling.
She shook her head and smiled too; and as she met his eyes she settled herself and leaned far back in the shabby easy-chair. She was wonderfully graceful and good to look at in her easy attitude.
'I'm afraid to tell you how much!' She shook her head again, as she answered.
'Well,' said Mr. Van Torp in an encouraging tone, 'I've brought some cash in my pocket, and if it isn't enough I'll get you some more to-morrow. But I won't give you a cheque. It's too compromising. I thought of that before I left New York, so I brought some English notes from there.'
'How thoughtful you always are for me!'
'It's not much to do for a woman one likes. But I'm sorry if I've brought too little. Here it is, anyway.'
He produced a large and well-worn pocket-book, and took from it a small envelope, which he handed to her.
'Tell me how much more you'll need,' he said, 'and I'll give it to you to-morrow. I'll put the notes between the pages of a new book and leave it at your door. He wouldn't open a package that was addressed to you from a bookseller's, would he?'
'No,' answered the lady, her expression changing a little, 'I think he draws the line at the bookseller.'
'You see, this was meant for you,' said Mr. Van Torp. 'There are your initials on it.'
She glanced at the envelope, and saw that it was marked in pencil with the letters M.L. in one corner.
'Thank you,' she said, but she did not open it.
'You'd better count the notes,' suggested the millionaire. 'I'm open to making mistakes myself.'
The lady took from the envelope a thin flat package of new Bank of England notes, folded together in four. Without separating them she glanced carelessly at the first, which was for a hundred pounds, and then counted the others by the edges. She counted four after the first, and Mr. Van Torp watched her face with evident amusement.
'You need more than that, don't you?' he asked, when she had finished.
'A little more, perhaps,' she said quietly, though she could not quite conceal her disappointment, as she folded the notes and slipped them into the envelope again. 'But I shall try to make this last. Thank you very much.'
'I like you,' said Mr. Van Torp. 'You're the real thing. They'd call you a chief's daughter in the South Seas. But I'm not so mean as all that. I only thought you might need a little cash at once. That's all.'
A loud knocking at the outer door prevented the lady from answering.
She looked at Mr. Van Torp in surprise.
'What's that?' she asked, rather anxiously.
'I don't know,' he answered. 'He couldn't guess that you were here, could he?'
'Oh no! That's quite out of the question!'
'Then I'll open the door,' said the millionaire, and he left the sitting-room.
The lady had not risen, and she still leaned back in her seat. She idly tapped the knuckles of her gloved hand with the small envelope.
The knocking was repeated, she heard the outer door opened, and the sound of voices followed directly.
'Oh!' Mr. Van Torp exclaimed in a tone of contemptuous surprise, 'it's you, is it? Well, I'm busy just now. I can't see you till to-morrow.'
'My business will not keep till to-morrow,' answered an oily voice in a slightly foreign accent.
At the very first syllables the lady rose quickly to her feet, and resting one hand on the table she leant forward in the direction of the door, with an expression that was at once eager and anxious, and yet quite fearless.
'What you call your business is going to wait my convenience,' said Mr. Van Torp. 'You'll find me here to-morrow morning until eleven o'clock.'
From the sounds the lady judged that the American now attempted to shut the door in his visitor's face, but that he was hindered and that a scuffle followed.
'Hold him!' cried the oily voice in a tone of command. 'Bring him in!Lock the door!'
It was clear enough that the visitor had not come alone, and that Mr. Van Torp had been overpowered. The lady bit her salmon-coloured lip angrily and contemptuously.
A moment later a tall heavily-built man with thick fair hair, a long moustache, and shifty blue eyes, rushed into the room and did not stop till there was only the small table between him and the lady.
'I've caught you! What have you to say?' he asked.
'To you? Nothing!'
She deliberately turned her back on her husband, rested one elbow on the mantelpiece and set one foot upon the low fender, drawing up her velvet gown over her instep. But a moment later she heard other footsteps in the room, and turned her head to see Mr. Van Torp enter the room between two big men who were evidently ex-policemen. The millionaire, having failed to shut the door in the face of the three men, had been too wise to attempt any further resistance.
The fair man glanced down at the table and saw the envelope with his wife's initials lying beside the tea things. She had dropped it there when she had risen to her feet at the sound of his voice. He snatched it away as soon as he saw the pencilled letters on it, and in a moment he had taken out the notes and was looking over them.
'I should like you to remember this, please,' he said, addressing the two men who had accompanied him. 'This envelope is addressed to my wife, under her initials, in the handwriting of Mr. Van Torp. Am I right in taking it for your handwriting?' he inquired, in a disagreeably polite tone, and turning towards the millionaire.
'You are,' answered the American, in a perfectly colourless voice and without moving a muscle. 'That's my writing.'
'And this envelope,' continued the husband, holding up the notes before the men, 'contains notes to the amount of four thousand one hundred pounds.'
'Five hundred pounds, you mean,' said the lady coldly.
'See for yourself!' retorted the fair man, raising his eyebrows and holding out the notes.
'That's correct,' said Mr. Van Torp, smiling and looking at the lady. 'Four thousand one hundred. Only the first one was for a hundred, and the rest were thousands. I meant it for a little surprise, you see.'
'Oh, how kind! How dear and kind!' cried the lady gratefully, and with amazing disregard of her husband's presence.
The two ex-policemen had not expected anything so interesting as this, and their expressions were worthy of study. They had been engaged, through a private agency, to assist and support an injured husband, and afterwards to appear as witnesses of a vulgar clandestine meeting, as they supposed. It was not the first time they had been employed on such business, but they did not remember ever having had to deal with two persons who exhibited such hardened indifference; and though the incident of the notes was not new to them, they had never been in a case where the amount of cash received by the lady at one time was so very large.
'It is needless,' said the fair man, addressing them both, 'to ask what this money was for.'
'Yes,' said Mr. Van Torp coolly. 'You needn't bother. But I'll call your attention to the fact that the notes are not yours, and that I'd like to see them put back into that envelope and laid on that table before you go. You broke into my house by force anyhow. If you take valuables away with you, which you found here, it's burglary in England, whatever it may be in your country; and if you don't know it, these two professional gentlemen do. So you just do as I tell you, if you want to keep out of gaol.'
The fair man had shown a too evident intention of slipping the envelope into his own pocket, doubtless to be produced in evidence, but Mr. Van Torp's final argument seemed convincing.
'I have not the smallest intention of depriving my wife of the price of my honour, sir. Indeed, I am rather flattered to find that you both value it so highly.'
Mr. Van Torp's hard face grew harder, and a very singular light came into his eyes. He moved forwards till he was close to the fair man.
'None of that!' he said authoritatively. 'If you say another word against your wife in my hearing I'll make it the last you ever said to anybody. Now you'd better be gone before I telephone for the police. Do you understand?'
The two ex-policemen employed by a private agency thought the case was becoming more and more interesting; but at the same time they were made vaguely nervous by Mr. Van Torp's attitude.
'I think you are threatening me,' said the fair man, drawing back a step, and leaving the envelope on the table.
'No,' answered his adversary, 'I'm warning you off my premises, and if you don't go pretty soon I'll telephone for the police. Is that a threat?'
The last question was addressed to the two men.
'No, sir,' answered one of them.
'It would hardly be to your advantage to have more witnesses of my wife's presence here,' observed the fair man coldly, 'but as I intend to take her home we may as well go at once. Come, Maud! The carriage is waiting.'
The lady, whose name was now spoken for the first time since she had entered Mr. Van Torp's lodging, had not moved from the fireplace since she had taken up her position there. Women are as clever as Napoleon or Julius Caesar in selecting strong positions when there is to be an encounter, and a fireplace, with a solid mantelpiece to lean against, to strike, to cry upon or to cling to, is one of the strongest. The enemy is thus reduced to prowling about the room and handling knick-knacks while he talks, or smashing them if he is of a violent disposition.
The lady now leant back against the dingy marble shelf and laid one white-gloved arm along it, in an attitude that was positively regal. Her right hand might appropriately have been toying with the orb of empire on the mantelpiece, and her left, which hung down beside her, might have loosely held the sceptre. Mr. Van Torp, who often bought large pictures, was reminded of one recently offered to him in America, representing an empress. He would have bought the portrait if the dealer could have remembered which empress it represented, but the fact that he could not had seemed suspicious to Mr. Van Torp. It was clearly the man's business to know empresses by sight.
From her commanding position the Lady Maud refused her husband's invitation to go home with him.
'I shall certainly not go with you,' she said. 'Besides, I'm dining early at the Turkish Embassy and we are going to the play. You need not wait for me. I'll take care of myself this evening, thank you.'
'This is monstrous!' cried the fair man, and with a peculiarly un-English gesture he thrust his hand into his thick hair.
The foreigner in despair has always amused the genuine Anglo-Saxon. Lady Maud's lip did not curl contemptuously now, she did not raise her eyebrows, nor did her eyes flash with scorn. On the contrary, she smiled quite frankly, and the sweet ripple was in her voice, the ripple that drove some men almost crazy.
'You needn't make such a fuss,' she said. 'It's quite absurd, you know. Mr. Van Torp is an old friend of mine, and you have known him ever so long, and he is a man of business. You are, are you not?' she asked, looking to the American for assent.
'I'm generally thought to be that,' he answered.
'Very well. I came here, to Mr. Van Torp's rooms in the Temple, before going to dinner, because I wished to see him about a matter of business, in what is a place of business. It's all ridiculous nonsense to talk about having caught me—and worse. That money is for a charity, and I am going to take it before your eyes, and thank Mr. Van Torp for being so splendidly generous. Now go, and take those persons with you, and let me hear no more of this!'
Thereupon Lady Maud came forward from the mantelpiece and deliberately took from the table the envelope which contained four thousand one hundred pounds in new Bank of England notes; and she put it into the bosom of her gown, and smiled pleasantly at her husband.
Mr. Van Torp watched her with genuine admiration, and when she looked at him and nodded her thanks again, he unconsciously smiled too, and answered by a nod of approval.
The fair-haired foreign gentleman turned to his two ex-policemen with considerable dignity.
'You have heard and seen,' he said impressively. 'I shall expect you to remember all this when you are in the witness-box. Let us go.' He made a sweeping bow to his wife and Mr. Van Torp. 'I wish you an agreeable evening,' he said.
Thereupon he marched out of the room, followed by his men, who each made an awkward bow at nothing in particular before going out. Mr. Van Torp followed them at some distance towards the outer door, judging that as they had forced their way in they could probably find their way out. He did not even go to the outer threshold, for the last of the three shut the door behind him.
When the millionaire came back Lady Maud was seated in the easy-chair, leaning forward and looking thoughtfully into the fire. Assuredly no one would have suspected from her composed face that anything unusual had happened. She glanced at her friend when he came in, but did not speak, and he began to walk up and down on the other side of the table, with his hands behind him.
'You've got pretty good nerves,' he said presently.
'Yes,' answered Lady Maud, still watching the coals, 'they really are rather good.'
A long silence followed, during which she did not move and Mr. VanTorp steadily paced the floor.
'I didn't tell a fib, either,' she said at last. 'It's charity, in its way.'
'Certainly,' assented her friend. 'What isn't either purchase-money or interest, or taxes, or a bribe, or a loan, or a premium, or a present, or blackmail, must be charity, because it must be something, and it isn't anything else you can name.'
'A present may be a charity,' said Lady Maud, still thoughtful.
'Yes,' answered Mr. Van Torp. 'It may be, but it isn't always.'
He walked twice the length of the room before he spoke again.
'Do you think it's really to be war this time?' he asked, stopping beside the table. 'Because if it is, I'll see a lawyer before I go to Derbyshire.'
Lady Maud looked up with a bright smile. Clearly she had been thinking of something compared with which the divorce court was a delightful contrast.
'I don't know,' she answered. 'It must come sooner or later, because he wants to be free to marry that woman, and as he has not the courage to cut my throat, he must divorce me—if he can!'
'I've sometimes thought he might take the shorter way,' said Van Torp.
'He?' Lady Maud almost laughed, but her companion looked grave.
'There's a thing called homicidal mania,' he said. 'Didn't he shoot a boy in Russia a year ago?'
'A young man—one of the beaters. But that was an accident.'
'I'm not so sure. How about that poor dog at the Theobalds' lastSeptember?'
'He thought the creature was mad,' Lady Maud explained.
'He knows as well as you do that there's no rabies in the British Isles,' objected Mr. Van Torp. 'Count Leven never liked that dog for some reason, and he shot him the first time he got a chance. He's always killing things. Some day he'll kill you, I'm afraid.'
'I don't think so,' answered the lady carelessly. 'If he does, I hope he'll do it neatly! I should hate to be maimed or mangled.'
'Do you know it makes me uncomfortable to hear you talk like that? I wish you wouldn't! You can't deny that your husband's half a lunatic, anyway. He was behaving like one here only a quarter of an hour ago, and it's no use denying it.'
'But I'm not denying anything!'
'No, I know you're not,' said Mr. Van Torp. 'If you don't know how crazy he is, I don't suppose any one else does. But your nerves are better than mine, as I told you. The idea of killing anything makes me uncomfortable, and when it comes to thinking that he really might murder you some day—well, I can't stand it, that's all! If I didn't know that you lock your door at night I shouldn't sleep, sometimes. You do lock it, always, don't you?'
'Oh yes!'
'Be sure you do to-night. I wonder whether he is in earnest about the divorce this time, or whether the whole scene was just bluff, to get my money.'
'I don't know,' answered Lady Maud, rising. 'He needs money, I believe, but I'm not sure that he would try to get it just in that way.'
'Too bad? Even for him?'
'Oh dear, no! Too simple! He's a tortuous person.'
'He tried to pocket those notes with a good deal of directness!' observed Mr. Van Torp.
'Yes. That was an opportunity that turned up unexpectedly, but he didn't know it would. How could he? He didn't come here expecting to find thousands of pounds lying about on the table! It was easy enough to know that I was here, of course. I couldn't go out of my own house on foot, in a dinner-gown, and pick up a hansom, could I? I had one called and gave the address, and the footman remembered it and told my husband. There's nothing more foolish than making mysteries and giving the cabman first one address and then another. If Boris is really going to bring a suit, the mere fact that there was no concealment as to where I was going this evening would be strong evidence, wouldn't it? Evidence he cannot deny, too, since he must have learnt the address from the footman, who heard me give it! And people who make no secret of a meeting are not meeting clandestinely, are they?'
'You argue that pretty well,' said Mr. Van Torp, smiling.
'And besides,' rippled Lady Maud's sweet voice, as she shook out the folds of her black velvet, 'I don't care.'
Her friend held up the fur-lined cloak and put it over her shoulders. She fastened it at the neck and then turned to the fire for a moment before leaving.
'Rufus,' she said gravely, after a moment's pause, and looking down at the coals, 'you're an angel.'
'The others in the game don't think so,' answered Mr. Van Torp.
'No one was ever so good to a woman as you've been to me,' said Maud.
And all at once the joyful ring had died away from her voice and there was another tone in it that was sweet and low too, but sad and tender and grateful, all at once.
'There's nothing to thank me for,' answered Mr. Van Torp. 'I've often told you so. But I have a good deal of reason to be grateful to you for all you've given me.'
'Nonsense!' returned the lady, and the sadness was gone again, but not all the tenderness. 'I must be going,' she added a moment later, turning away from the fire.
'I'll take you to the Embassy in a hansom,' said the millionaire, slipping on his overcoat.
'No. You mustn't do that—we should be sure to meet some one at the door. Are you going anywhere in particular? I'll drop you wherever you like, and then go on. It will give us a few minutes more together.'
'Goodness knows we don't get too many!'
'No, indeed!'
So the two went down the dismal stairs of the house in Hare Court together.
The position of a successful lyric primadonna with regard to other artists and the rest of the world is altogether exceptional, and is not easy to explain. Her value for purposes of advertisement apparently exceeds that of any other popular favourite, not to mention the majority of royal personages. A respectable publisher has been known to bring out a book in which he did not believe, solely because a leading lyric soprano promised him to say in an interview that it was the book of the year. Countless brands of cigars, cigarettes, wines and liquors, have been the fashion with the flash crowd that frequents public billiard-rooms and consumes unlimited tobacco and drink, merely because some famous 'Juliet' or 'Marguerite' has 'consented' to lend her name to the articles in question; and half the grog-shops on both sides of the Atlantic display to the admiring street the most alarming pink and white caricatures, or monstrously enlarged photographs, of the three or four celebrated lyric sopranos who happen to be before the public at any one time. In the popular mind those artists represent something which they themselves do not always understand. There is a legend about each; she is either an angel of purity and light, or a beautiful monster of iniquity; she has turned the heads of kings—'kings' in a vaguely royal plural—completely round on their shoulders, or she has built out of her earnings a hospital for crippled children; the watery-sentimental eye of the flash crowd in its cups sees in her a Phryne, a Mrs. Fry, or a Saint Cecilia. Goethe said that every man must be either the hammer or the anvil; the billiard-room public is sure that every primadonna is a siren or a martyred wife, or else a public benefactress, unless she is all three by turns, which is even more interesting.
In any case, the reporters are sure that every one wants to know just what she thinks about everything. In the United States, for instance, her opinion on political matters is often asked, and is advertised with 'scare-heads' that would stop a funeral or arrest the attention of a man on his way to the gallows.
Then, too, she has her 'following' of 'girls,' thousands of whom have her photograph, or her autograph, or both, and believe in her, and are ready to scratch out the eyes of any older person who suggests that she is not perfection in every way, or that to be a primadonna like her ought not to be every girl's highest ambition. They not only worship her, but many of them make real sacrifices to hear her sing; for most of them are anything but well off, and to hear an opera means living without little luxuries, and sometimes without necessaries, for days together. Their devotion to their idol is touching and true; and she knows it and is good-natured in the matter of autographs for them, and talks about 'my matinée girls' to the reporters, as if those eleven thousand virgins and more were all her younger sisters and nieces. An actress, even the most gifted, has no such 'following.' The greatest dramatic sopranos that ever sing Brunhilde and Kundry enjoy no such popularity. It belongs exclusively to the nightingale primadonnas, whose voices enchant the ear if they do not always stir the blood. It may be explicable, but no explanation is at all necessary, since the fact cannot be disputed.
To this amazing popularity Margaret Donne had now attained; and she was known to the matinée girls' respectful admiration as Madame Cordova, to the public generally and to her comrades as Cordova, to sentimental paragraph-writers as Fair Margaret, and to her friends as Miss Donne, or merely as Margaret. Indeed, from the name each person gave her in speaking of her, it was easy to know the class to which each belonged.
She had bought a house in London, because in her heart she still thought England the finest country in the world, and had never felt the least desire to live anywhere else. She had few relations left and none whom she saw; for her father, the Oxford scholar, had not had money, and they all looked with disapproval on the career she had chosen. Besides, she had been very little in England since her parents' death. Her mother's American friend, the excellent Mrs. Rushmore, who had taken her under her wing, was now in Versailles, where she had a house, and Margaret actually had the audacity to live alone, rather than burden herself with a tiresome companion.
Her courage in doing so was perhaps mistaken, considering what the world is and what it generally thinks of the musical and theatrical professions; and Mrs. Rushmore, who was quite powerless to influence Margaret's conduct, did not at all approve of it. The girl's will had always been strong, and her immense success had so little weakened her belief in herself, or softened her character, that she had grown almost too independent. The spirit of independence is not a fault in women, but it is a defect in the eyes of men. Darwin has proved that the dominant characteristic of male animals is vanity; and what is to become of that if women show that they can do without us? If the emancipation of woman had gone on as it began when we were boys, we should by this time be importing wives for our sons from Timbuctoo or the Friendly Islands. Happily, women are practical beings who rarely stray far from the narrow path along which usefulness and pleasure may still go hand in hand; for considering how much most women do that is useful, the amount of pleasure they get out of life is perfectly amazing; and when we try to keep up with them in the chase after amusement we are surprised at the number of useful things they accomplish without effort in twenty-four hours.
But, indeed, women are to us very like the moon, which has shown the earth only one side of herself since the beginning, though she has watched and studied our world from all its sides through uncounted ages. We men are alternately delighted, humiliated, and terrified when women anticipate our wishes, perceive our weaknesses, and detect our shortcomings, whether we be frisky young colts in the field or sober stagers plodding along between the matrimonial shafts in harness and blinkers. We pride ourselves on having the strength to smash the shafts, shake off the harness, and kick the cart to pieces if we choose, and there are men who can and do. But the man does not live who knows what the dickens women are up to when he is going quietly along the road, as a good horse should. Sometimes they are driving us, and then there is no mistake about it; and sometimes they are just sitting in the cart and dozing, and we can tell that they are behind us by their weight; but very often we are neither driven by them nor are we dragging them, and we really have not the faintest idea where they are, so that we are reduced to telling ourselves, with a little nervousness which we do not care to acknowledge, that it is noble and beautiful to trust what we love.
A part of the great feminine secret is the concealment of that independence about which there has been so much talk in our time. As for suffrage, wherever there is such a thing, the woman who does not vote always controls far more men's votes than the woman who goes to the polls, and has only her own vote to give.
Margaret, the primadonna, did not want to vote for or against anything; but she was a little too ready to assert that she could and would lead her own life as she pleased, without danger to her good name, because she had never done anything to be ashamed of. The natural consequence was that she was gradually losing something which is really much more worth having than commonplace, technical independence. Her friend Lushington realised the change as soon as she landed, and it hurt him to see it, because it seemed to him a great pity that what he had thought an ideal, and therefore a natural manifestation of art, should be losing the fine outlines that had made it perfect to his devoted gaze. But this was not all. His rather over-strung moral sense was offended as well as his artistic taste. He felt that Margaret was blunting the sensibilities of her feminine nature and wronging a part of herself, and that the delicate bloom of girlhood was opening to a blossom that was somewhat too evidently strong, a shade too vivid and more brilliant than beautiful.
There were times when she reminded him of his mother, and those were some of the most painful moments of his present life. It is true that compared with Madame Bonanni in her prime, as he remembered her, Margaret was as a lily of the valley to a giant dahlia; yet when he recalled the sweet and healthy English girl he had known and loved in Versailles three years ago, the vision was delicate and fairy-like beside the strong reality of the successful primadonna. She was so very sure of herself now, and so fully persuaded that she was not accountable to any one for her doings, her tastes, or the choice of her friends! If not actually like Madame Bonanni, she was undoubtedly beginning to resemble two or three of her famous rivals in the profession who were nearer to her own age. Her taste did not run in the direction of white fox cloaks, named diamonds, and imperial jade plates; she did not use a solid gold toothbrush with emeralds set in the handle, like Ismail Pacha; bridge did not amuse her at all, nor could she derive pleasure from playing at Monte Carlo; she did not even keep an eighty-horse-power motor-car worth five thousand pounds. Paul Griggs, who was old-fashioned, called motor-cars 'sudden-death carts,' and Margaret was inclined to agree with him. She cared for none of these things.
Nevertheless there was a quiet thoroughgoing luxury in her existence, an unseen private extravagance, such as Rufus Van Torp, the millionaire, had never dreamt of. She had first determined to be a singer in order to support herself, because she had been cheated of a fortune by old Alvah Moon; but before she had actually made herdébuta handsome sum had been recovered for her, and though she was not exactly what is now called rich, she was at least extremely well off, apart from her professional earnings, which were very large indeed. In the certainty that if her voice failed she would always have a more than sufficient income for the rest of her life, and considering that she was not under the obligation of supporting a number of poor relations, it was not surprising that she should spend a great deal of money on herself.
It is not every one who can be lavish without going a little beyond the finely-drawn boundary which divides luxury from extravagance; for useless profusion is by nature as contrary to what is aesthetic as fat in the wrong place, and is quite as sure to be seen. To spend well what rich people are justified in expending over and above an ample provision for the necessities and reasonable comforts of a large existence is an art in itself, and the modest muse of good taste loves not the rich man for his riches, nor the successful primadonna for the thousands she has a right to throw away if she likes.
Mr. Van Torp vaguely understood this, without at all guessing how the great artist spent her money. He had understood at least enough to hinder him from trying to dazzle her in the beginning of the New York season, when he had brought siege against her.
A week after her arrival in London, Margaret was alone at her piano and Lushington was announced. Unlike the majority of musicians in real fiction she had not been allowing her fingers to 'wander over the keys,' a relaxation that not seldom leads to outer darkness, where the consecutive fifth plays hide-and-seek with the falling sub-tonic to superinduce gnashing of teeth in them that hear. Margaret was learning her part in theElisir d'Amore, and instead of using her voice she was whistling from the score and playing the accompaniment. The old opera was to be revived during the coming season with her and the great Pompeo Stromboli, and she was obliged to work hard to have it ready.
The music-room had a polished wooden floor, and the furniture consisted chiefly of a grand piano and a dozen chairs. The walls were tinted a pale green; there were no curtains at the windows, because they would have deadened sound, and a very small wood fire was burning in an almost miniature fireplace quite at the other end of the room. The sun had not quite set yet, and as the blinds were still open, a lurid glare came in from the western sky, over the houses on the opposite side of the wide square. There had been a heavy shower, but the streets were already drying. One shaded electric lamp stood on the desk of the piano, and the rest of the room was illuminated by the yellowish daylight.
Margaret was very much absorbed in her work, and did not hear the door open; but the servant came slowly towards her, purposely making his steps heard on the wooden floor in order to attract her attention. When she stopped playing and whistling, and looked round, the man said that Mr. Lushington was downstairs.
'Ask him to come up,' she answered, without hesitation.
She rose from the piano, went to the window and looked out at the smoky sunset.
Lushington entered the room in a few moments and saw only the outline of her graceful figure, as if she were cut out in black against the glare from the big window. She turned, and a little of the shaded light from the piano fell upon her face, just enough to show him her expression, and though her glad smile welcomed him, there was anxiety in her brown eyes. He came forward, fair and supernaturally neat, as ever, and much more self-possessed than in former days. It was not their first meeting since she had landed, for he had been to see her late in the afternoon on the day of her arrival, and she had expected him; but she had felt a sort of constraint in his manner then, which was new to her, and they had talked for half an hour about indifferent things. Moreover, he had refused a second cup of tea, which was a sure sign that something was wrong. So she had asked him to come again a week later, naming the day, and she had been secretly disappointed because he did not protest against being put off so long. She wondered what had happened, for his letters, his cable to her when she had left America, and the flowers he had managed to send on board the steamer, had made her believe that he had not changed since they had parted before Christmas.
As she was near the piano she sat down on the stool, while he took a small chair and established himself near the corner of the instrument, at the upper end of the keyboard. The shaded lamp cast a little light on both their faces, as the two looked at each other, and Margaret realised that she was not only very fond of him, but that his whole existence represented something she had lost and wished to get back, but feared that she could never have again. For many months she had not felt like her old self till a week ago, when he had come to see her after she had landed.
They had been in love with each other before she had begun her career, and she would have married him then, but a sort of quixotism, which was highly honourable if nothing else, had withheld him. He had felt that his mother's son had no right to marry Margaret Donne, though she had told him as plainly as a modest girl could that she was not of the same opinion. Then had come Logotheti's mad attempt to carry her off out of the theatre, after the dress rehearsal before her début, and Madame Bonanni and Lushington between them had spirited her away just in time. After that it had been impossible for him to keep up the pretence of avoiding her, and a sort of intimacy had continued, which neither of them quite admitted to be love, while neither would have called it mere friendship.
The most amazing part of the whole situation was that Margaret had continued to see Logotheti as if he had not actually tried to carry her off in his motor-car, very much against her will. And in spite of former jealousies and a serious quarrel Logotheti and Lushington spoke to each other when they met. Possibly Lushington consented to treat him civilly because the plot for carrying off Margaret had so completely failed that its author had got himself locked up on suspicion of being a fugitive criminal. Lushington, feeling that he had completely routed his rival on that occasion, could afford to be generous. Yet the man of letters, who was a born English gentleman on his father's side, and who was one altogether by his bringing up, was constantly surprised at himself for being willing to shake hands with a Greek financier who had tried to run away with an English girl; and possibly, in the complicated workings of his mind and conflicting sensibilities, half Anglo-Saxon and half Southern French, his present conduct was due to the fact that Margaret Donne had somehow ceased to be a 'nice English girl' when she joined the cosmopolitan legion that manoeuvres on the international stage of 'Grand Opera.' How could a 'nice English girl' remain herself if she associated daily with such people as Pompeo Stromboli, Schreiermeyer, Herr Tiefenbach and Signorina Baci-Roventi, the Italian contralto who could pass for a man so well that she was said to have fought a real duel with sabres and wounded her adversary before he discovered that she was the very lady he had lately left for another—a regular Mademoiselle de Maupin! Had not Lushington once seen her kiss Margaret on both cheeks in a moment of enthusiastic admiration? He was not the average young man who falls in love with a singer, either; he knew the stage and its depths only too well, for he had his own mother's life always before him, a perpetual reproach.
Though Margaret had at first revolted inwardly against the details of her professional surroundings, she had grown used to them by sure and fatal degrees, and things that would once have disgusted her were indifferent to her now. Men who have been educated in conditions of ordinary refinement and who have volunteered in the ranks or gone to sea before the mast have experienced something very like what befell Margaret; but men are not delicately nurtured beings whose bloom is damaged by the rough air of reality, and the camp and the forecastle are not the stage. Perhaps nothing that is necessary shocks really sensible people; it is when disagreeable things are perfectly useless and quite avoidable—in theory—that they are most repugnant to men like Edmund Lushington. He had warned Margaret of what was in store for her, before she had taken the final step; but he had not warned himself that in spite of her bringing-up she might get used to it all and end by not resenting it any more than the rest of the professionals with whom she associated. It was this that chilled him.