Chapter 14

Fig.29.—The Stream of Consciousness.

It takes time to utter the phrase. Let the horizontal line in Fig. 29 represent time. Every part of it will then stand for a fraction, every point for an instant, of the time. Of course the thought hastime-parts. The part 2-3 of it, though continuous with 1-2, is yet a different part from 1-2. Now I say of these time-parts that we cannot take any one of them so short that it will not after some fashion or other be a thought of the whole object 'the pack of cards is on the table.' They melt into each other like dissolving views, and no two of them feel the object just alike, but each feels the total object in a unitary undivided way. This is what I mean by denying that in the thought any parts can be found corresponding to the object's parts. Time-parts are not such parts.

Now let the vertical dimensions of the figure stand for the objects or contents of the thoughts. A line vertical to any point of the horizontal, as1-1', will then symbolize the object in the mind at the instant 1; a space above the horizontal, as 1-1'-2'-2, will symbolize all that passes through the mind during the time 1-2 whose line it covers. The entire diagram from 0 to 0' represents a finite length of thought's stream.

Can we now define the psychic constitution of each vertical section of this segment? We can, though in a very rough way. Immediately after 0, even before we have opened our mouths to speak, the entire thought is present to our mind in the form of an intention to utter that sentence. This intention, though it has no simple name, and though it is a transitive state immediately displaced by the first word, is yet a perfectly determinate phase of thought, unlike anything else (seep. 253). Again, immediately before 0', after the last word of the sentence is spoken, all will admit that we again think its entire content as we inwardly realize its completed deliverance. All vertical sections made through any other parts of the diagram will be respectively filled with other ways of feeling the sentence's meaning. Through 2, for example, the cards will be the part of the object most emphatically present to the mind; through 4, the table. The stream is made higher in the drawing at its end than at its beginning, because the final way of feeling the content is fuller and richer than the initial way. As Joubert says, "we only know just what we meant to say, after we have said it." And as M. V. Egger remarks, "before speaking, one barely knows what one intends to say, but afterwards one is filled with admiration and surprise at having said and thought it so well."

This latter author seems to me to have kept at much closer quarters with the facts than any other analyst of consciousness.[252]But even he does not quite hit the mark, for, as I understand him, he thinks that each word as it occupies the minddisplacesthe rest of the thought's content. He distinguishes the 'idea' (what I have called the totalobjector meaning) from the consciousness of the words, calling the former a very feeble state, and contrasting it with the liveliness of the words, even when these are only silently rehearsed. "The feeling," he says, "of the words makes ten or twenty times more noise in our consciousness than the sense of the phrase, which for consciousness is a very slight matter."[253]And having distinguished these two things, he goes on to separate them in time, saying that the idea may either precede or follow the words, but that it is a 'pure illusion' to suppose them simultaneous.[254]Now I believe that in all cases where the words areunderstood, the total idea may be and usually is present not only before and after the phrase has been spoken, but also whilst each separate word is uttered.[255]It is the overtone, halo, or fringe of the word,as spoken in that sentence. It is never absent; no word in an understood sentence comes to consciousness as a mere noise. We feel its meaning as it passes; and although our object differs from one moment to another as to its verbal kernel or nucleus, yet it issimilarthroughout the entire segment of the stream. The same object is known everywhere, now from the point of view, if we may so call it, of this word, now from the point of view of that. And in our feeling of each word there chimes an echo or foretaste of every other. The consciousness of the 'Idea'and that of the words are thus consubstantial. They are made of the same 'mind-stuff,' and form an unbroken stream. Annihilate a mind at any instant, cut its thought through whilst yet uncompleted, and examine the object present to the cross-section thus suddenly made; you will find, not the bald word in process of utterance, but that word suffused with the whole idea. The word may be so loud, as M. Egger would say, that we cannottelljust how its suffusion, as such, feels, or how it differs from the suffusion of the next word. But it does differ; and we maybe sure that, could we see into the brain, we should find the same processes active through the entire sentence in different degrees, each one in turn becoming maximally excited and then yielding the momentary verbal 'kernel,' to the thought's content, at other times being only sub-excited, and then combining with the other sub-excited processes to give the overtone or fringe.[256]

The pack of cards is on the table.Fig.30.

The pack of cards is on the table.Fig.31.

The pack of cards is on the table.Fig.32.

We may illustrate this by a farther development of the diagram onp. 279. Let the objective content of any vertical section through the stream be represented no longer by a line, but by a plane figure, highest opposite whatever part of the object is most prominent in consciousness at the moment when the section is made. This part, in verbal thought, will usually be some word. A series of sections 1-1', taken at the moments 1, 2, 3, would then look like this: horizontal breadth stands for the entire object in each of the figures; the height of the curve above each part of that object marks the relative prominence of that part in the thought. At the moment symbolized by the first figurepackis the prominent part; in the third figure it istable, etc.

We can easily add all these plane sections together to make a solid, one of whose solid dimensions will represent time, whilst a cut across this at right angles will give the thought's content at the moment when the cut is made. Let it be the thought, 'I am the same I that I was yesterday.' If at the fourth moment of time we annihilate the thinker and examine how the last pulsation of his consciousness was made, we find that it was an awareness of the whole content withsamemost prominent, and the other parts of the thing known relatively less distinct. With each prolongation of the scheme in the time-direction, the summit of the curve of section would come further towards the end of the sentence. If we make a solid wooden frame with the sentence written on its front, and the time-scale on one of its sides, if we spread flatly a sheet of India rubber over its top, on which rectangular co-ordinates are painted, and slide a smooth ball under the rubber in the direction from 0 to 'yesterday,' the bulging of the membrane along this diagonal at successive moments will symbolize the changing of the thought's content in a way plain enough, after what has been said, to call for no more explanation. Or to express it in cerebral terms, it will show the relative intensities, at successive moments, of the several nerve-processes to which the various parts of the thought-object correspond.

Fig.33.

The last peculiarity of consciousness to which attention is to be drawn in this first rough description of its stream is that

The phenomena of selective attention and of deliberative will are of course patent examples of this choosing activity. But few of us are aware how incessantly it is at work in operations not ordinarily called by these names. Accentuation and Emphasis are present in every perception we have. We find it quite impossible to disperse our attention impartially over a number of impressions. A monotonous succession of sonorous strokes is broken up into rhythms, now of one sort, now of another, by the different accent which we place on different strokes. The simplest of these rhythms is the double one, tick-tóck, tick-tóck, tick-tóck. Dots dispersed on a surface are perceived in rows and groups. Lines separate into diverse figures. The ubiquity of the distinctions,thisandthat, hereandthere, nowandthen, in our minds is the result of our laying the same selective emphasis on parts of place and time.

But we do far more than emphasize things, and unite some, and keep others apart. We actuallyignoremost of the things before us. Let me briefly show how this goes on.

To begin at the bottom, what are our very senses themselves but organs of selection? Out of the infinite chaos of movements, of which physics teaches us that the outer world consists, each sense-organ picks out those which fall within certain limits of velocity. To these it responds, but ignores the rest as completely as if they did not exist. It thus accentuates particular movements in a manner for which objectively there seems no valid ground; for, as Lange says, there is no reason whatever to think that the gap in Nature between the highest sound-waves and the lowest heat-waves is an abrupt break like that of our sensations; or that the difference between violet and ultra-violet rays has anything like the objective importance subjectively represented by that between light and darkness. Out of what is in itself an undistinguishable, swarmingcontinuum, devoid of distinction or emphasis, our senses make for us, by attending to this motion and ignoring that,a world full of contrasts, of sharp accents, of abrupt changes, of picturesque light and shade.

If the sensations we receive from a given organ have their causes thus picked out for us by the conformation of the organ's termination, Attention, on the other hand, out of all the sensations yielded, picks out certain ones as worthy of its notice and suppresses all the rest. Helmholtz's work on Optics is little more than a study of those visual sensations of which common men never become aware—blind spots,muscæ volitantes, after-images, irradiation, chromatic fringes, marginal changes of color, double images, astigmatism, movements of accommodation and convergence, retinal rivalry, and more besides. We do not even know without special training on which of our eyes an image falls. So habitually ignorant are most men of this that one may be blind for years of a single eye and never know the fact.

Helmholtz says that we notice only those sensations which are signs to us ofthings. But what are things? Nothing, as we shall abundantly see, but special groups of sensible qualities, which happen practically or æsthetically to interest us, to which we therefore give substantive names, and which we exalt to this exclusive status of independence and dignity. But in itself, apart from my interest, a particular dust-wreath on a windy day is just as much of an individual thing, and just as much or as little deserves an individual name, as my own body does.

And then, among the sensations we get from each separate thing, what happens? The mind selects again. It chooses certain of the sensations to represent the thing mosttruly, and considers the rest as its appearances, modified by the conditions of the moment. Thus my table-top is namedsquare, after but one of an infinite number of retinal sensations which it yields, the rest of them being sensations of two acute and two obtuse angles; but I call the latterperspectiveviews, and the four right angles thetrueform of the table, and erect the attribute squareness; into the table's essence, for æsthetic reasons of my own. In like manner, the real form of the circle is deemed to be the sensation it gives when the line of vision is perpendicularto its centre—all its other sensations are signs of this sensation. The real sound of the cannon is the sensation it makes when the ear is close by. The real color of the brick is the sensation it gives when the eye looks squarely at it from a near point, out of the sunshine and yet not in the gloom; under other circumstances it gives us other color-sensations which are but signs of this—we then see it looks pinker or blacker than it really is. The reader knows no object which he does not represent to himself by preference as in some typical attitude, of some normal size, at some characteristic distance, of some standard tint, etc., etc. But all these essential characteristics, which together form for us the genuine objectivity of the thing and are contrasted with what we call the subjective sensations it may yield us at a given moment, are mere sensations like the latter. The mind chooses to suit itself, and decides what particular sensation shall be held more real and valid than all the rest.

Thus perception involves a twofold choice. Out of all present sensations, we notice mainly such as are significant of absent ones; and out of all the absent associates which these suggest, we again pick out a very few to stand for the objective realitypar excellence. We could have no more exquisite example of selective industry.

That industry goes on to deal with the things thus given in perception. A man's empirical thought depends on the things he has experienced, but what these shall be is to a large extent determined by his habits of attention. A thing may be present to him a thousand times, but if he persistently fails to notice it, it cannot be said to enter into his experience. We are all seeing flies, moths, and beetles by the thousand, but to whom, save an entomologist, do they say anything distinct? On the other hand, a thing met only once in a lifetime may leave an indelible experience in the memory. Let four men make a tour in Europe. One will bring home only picturesque impressions—costumes and colors, parks and views and works of architecture, pictures and statues. To another all this will be non-existent; and distances and prices, populations and drainage-arrangements, door- and window-fastenings, and other useful statistics will taketheir place. A third will give a rich account of the theatres, restaurants, and public balls, and naught beside; whilst the fourth will perhaps have been so wrapped in his own subjective broodings as to tell little more than a few names of places through which he passed. Each has selected, out of the same mass of presented objects, those which suited his private interest and has made his experience thereby.

If, now, leaving the empirical combination of objects, we ask how the mind proceedsrationallyto connect them, we find selection again to be omnipotent. In a future chapter we shall see that all Reasoning depends on the ability of the mind to break up the totality of the phenomenon reasoned about, into parts, and to pick out from among these the particular one which, in our given emergency, may lead to the proper conclusion. Another predicament will need another conclusion, and require another element to be picked out. The man of genius is he who will always stick in his bill at the right point, and bring it out with the right element—'reason' if the emergency be theoretical, 'means' if it be practical—transfixed upon it. I here confine myself to this brief statement, but it may suffice to show that Reasoning is but another form of the selective activity of the mind.

If now we pass to its æsthetic department, our law is still more obvious. The artist notoriously selects his items, rejecting all tones, colors, shapes, which do not harmonize with each other and with the main purpose of his work. That unity, harmony, 'convergence of characters,' as M. Taine calls it, which gives to works of art their superiority over works of nature, is wholly due toelimination. Any natural subject will do, if the artist has wit enough to pounce upon some one feature of it as characteristic, and suppress all merely accidental items which do not harmonize with this.

Ascending still higher, we reach the plane of Ethics, where choice reigns notoriously supreme. An act has no ethical quality whatever unless it be chosen out of several all equally possible. To sustain the arguments for the good course and keep them ever before us, to stifle ourlonging for more flowery ways, to keep the foot unflinchingly on the arduous path, these are characteristic ethical energies. But more than these; for these but deal with the means of compassing interests already felt by the man to be supreme. The ethical energypar excellencehas to go farther and choose whichinterestout of several, equally coercive, shall become supreme. The issue here is of the utmost pregnancy, for it decides a man's entire career. When he debates, Shall I commit this crime? choose that profession? accept that office, or marry this fortune?—his choice really lies between one of several equally possible future Characters. What he shallbecomeis fixed by the conduct of this moment. Schopenhauer, who enforces his determinism by the argument that with a given fixed character only one reaction is possible under given circumstances, forgets that, in these critical ethical moments, what consciouslyseemsto be in question is the complexion of the character itself. The problem with the man is less what act he shall now choose to do, than what being he shall now resolve to become.

Looking back, then, over this review, we see that the mind is at every stage a theatre of simultaneous possibilities. Consciousness consists in the comparison of these with each other, the selection of some, and the suppression of the rest by the reinforcing and inhibiting agency of attention. The highest and most elaborated mental products are filtered from the data chosen by the faculty next beneath, out of the mass offered by the faculty below that, which mass in turn was sifted from a still larger amount of yet simpler material, and so on. The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest. Just so the world of each of us, howsoever different our several views of it may be, all lay embedded in the primordial chaos of sensations, which gave the merematterto the thought of all of us indifferently. We may, if we like, by our reasonings unwind things back to thatblack and jointless continuity of space and moving clouds of swarming atoms which science calls the only real world. But all the while the worldwefeel and live in will be that which our ancestors and we, by slowly cumulative strokes of choice, have extricated out of this, like sculptors, by simply rejecting certain portions of the given stuff. Other sculptors, other statues from the same stone! Other minds, other worlds from the same monotonous and inexpressive chaos! My world is but one in a million alike embedded, alike real to those who may abstract them. How different must be the worlds in the consciousness of ant, cuttle-fish, or crab!

But in my mind and your mind the rejected portions and the selected portions of the original world-stuff are to a great extent the same. The human race as a whole largely agrees as to what it shall notice and name, and what not. And among the noticed parts we select in much the same way for accentuation and preference or subordination and dislike. There is, however, one entirely extraordinary case in which no two men ever are known to choose alike. One great splitting of the whole universe into two halves is made by each of us; and for each of us almost all of the interest attaches to one of the halves; but we all draw the line of division between them in a different place. When I say that we all call the two halves by the same; names, and that those names are 'me' and 'not-me' respectively, it will at once be seen what I mean. The altogether unique kind of interest which each human mind feels in those parts of creation which it can callmeorminemay be a moral riddle, but it is a fundamental psychological fact. No mind can take the same interest in his neighbor'smeas in his own. The neighbor's me falls together with all the rest of things in one foreign mass, against which his ownmestands out in startling relief. Even the trodden worm, as Lotze somewhere says, contrasts his own suffering self with the whole remaining universe, though he have no clear conception either of himself or of what the universe may be. He is for me a mere part of the world;for him it is I who am the mere part. Each of us dichotomizes the Kosmos in a different place.

Descending now to finer work than this first general sketch, let us in the next chapter try to trace the psychology of this fact of self-consciousness to which we have thus once more been led.

[215]A good deal of this chapter is reprinted from an article 'On some Omissions of Introspective Psychology' which appeared in 'Mind' for January 1884.

[216]B. P. Bowne: Metaphysics, p. 362.

[217]L'Automatisme Psychologique, p. 318.

[218]Cf. A. Constans: Relation sur une Épidémie d'hystéro-démonopathie en 1861. 2me ed. Paris, 1863.—Chiap e Franzolin: L'Epidemia d'istero-demonopatie in Verzegnis. Reggio, 1879.—See also J. Kerner's little work: Nachricht von dem Vorkommen des Besessenseins. 1836.

[219]For the Physiology of this compare the chapter on the Will.

[220]Loc. cit.p. 316.

[221]The Philosophy of Reflection, i, 248, 290.

[222]Populäre Wissenschaftliche Vorträge, Drittes Heft (1876). p. 72.

[223]Fick, in L. Hermann's Handb. d. Physiol., Bd. iii, Th. i, p. 225.

[224]It need of course not follow, because a total brain-state does not recur, that nopointof the brain can ever be twice in the same condition. That would be as improbable a consequence as that in the sea a wave-crest should never come twice at the same point of space. What can hardly come twice is an identicalcombinationof wave-forms all with their crests and hollows reoccupying identical places. For such a total combination as this is the analogue of the brain-state to which our actual consciousness at any moment is due.

[225]The accurate registration of the 'how long' is still a little mysterious.

[226]Cf. Brentano; Psychologie, vol. i, pp. 219-20. Altogether this chapter of Brentano's on the Unity of Consciousness is as good as anything with which I am acquainted.

[227]Honor to whom honor is due! The most explicit acknowledgment I have anywhere found of all this is in a buried and forgotten paper by the Rev. Jas. Wills, on 'Accidental Association,' in the Transactions of the Royal Irish Academy, vol xxi, part i (1846). Mr. Wills writes:"At every instant of conscious thought there is a certain sum of perceptions, or reflections, or both together, present, and together constituting one whole state of apprehension. Of this some definite portion may be far more distinct than all the rest; and the rest be in consequence proportionally vague, even to the limit of obliteration. But still, within this limit, the most dim shade of perception enters into, and in some infinitesimal degree modifies, the whole existing state. This state will thus be in some way modified by any sensation or emotion, or act of distinct attention, that may give prominence to any part of it; so that the actual result is capable of the utmost variation, according to the person or the occasion.... To any portion of the entire scope here described there may be a special direction of the attention, and this special direction is recognized as strictly what isrecognizedas the idea present to the mind. This idea is evidently not commensurate with the entire state of apprehension, and much perplexity has arisen from not observing this fact. However deeply we may suppose the attention to be engaged by any thought, any considerable alteration of the surrounding phenomena would still be perceived; the most abstruse demonstration in this room would not prevent a listener, however absorbed, from noticing the sudden extinction of the lights. Our mental states have always anessential unity, such that each state of apprehension, however variously compounded, is a single whole, of which every component is, therefore, strictly apprehended (so far as it is apprehended) as a part. Such is the elementary basis from which all our intellectual operations commence."

"At every instant of conscious thought there is a certain sum of perceptions, or reflections, or both together, present, and together constituting one whole state of apprehension. Of this some definite portion may be far more distinct than all the rest; and the rest be in consequence proportionally vague, even to the limit of obliteration. But still, within this limit, the most dim shade of perception enters into, and in some infinitesimal degree modifies, the whole existing state. This state will thus be in some way modified by any sensation or emotion, or act of distinct attention, that may give prominence to any part of it; so that the actual result is capable of the utmost variation, according to the person or the occasion.... To any portion of the entire scope here described there may be a special direction of the attention, and this special direction is recognized as strictly what isrecognizedas the idea present to the mind. This idea is evidently not commensurate with the entire state of apprehension, and much perplexity has arisen from not observing this fact. However deeply we may suppose the attention to be engaged by any thought, any considerable alteration of the surrounding phenomena would still be perceived; the most abstruse demonstration in this room would not prevent a listener, however absorbed, from noticing the sudden extinction of the lights. Our mental states have always anessential unity, such that each state of apprehension, however variously compounded, is a single whole, of which every component is, therefore, strictly apprehended (so far as it is apprehended) as a part. Such is the elementary basis from which all our intellectual operations commence."

[228]Compare the charming passage in Taine on Intelligence (N. Y. ed.), i, 83-4.

[229]E.g.: "The stream of thought is not a continuous current, but a series of distinct ideas, more or less rapid in their succession; the rapidity being measurable by the number that pass through the mind in a given time." (Bain: E. and W., p. 29.)

[230]Few writers have admitted that we cognize relations through feeling. The intellectualists have explicitly denied the possibility of such a thing—e.g., Prof. T. H. Green ('Mind,' vol. vii, p. 28): "No feeling, as such or as felt, is [of?] a relation.... Even a relation between feelings is not itself a feeling or felt." On the other hand, the sensationists have either smuggled in the cognition without giving any account of it, or have denied the relations to be cognized, or even to exist, at all. A few honorable exceptions, however, deserve to be named among the sensationists. Destutt de Tracy, Laromiguière, Cardaillac, Brown, and finally Spencer, have explicitly contended for feelings of relation, consubstantial with our feelings or thoughts of the terms 'between' which they obtain. Thus Destutt de Tracy says (Éléments d'Idéologie, T. Ier, chap. iv): "The faculty of judgment is itself a sort of sensibility, for it is the faculty of feeling the relations among our ideas; and to feel relations is to feel." Laromiguière writes (Leçons de Philosophie, IIme Partie, 3me Leçon):"There is no one whose intelligence does not embrace simultaneously many ideas, more or less distinct, more or less confused. Now, when we have many ideas at once, a peculiar feeling arises in us: we feel, among these ideas, resemblances, differences, relations. Let us call this mode of feeling, common to us all, the feeling of relation, or relation-feeling (sentiment-rapport). One sees immediately that these relation-feelings, resulting from the propinquity of ideas, must be infinitely more numerous than the sensation-feelings (sentiments-sensations) or the feelings we have of the action of our faculties. The slightest knowledge of the mathematical theory of combinations will prove this....Ideasof relation originate in feelings of relation. They are the effect of our comparing them and reasoning about them."Similarly, de Cardaillac (Études Élémentaires de Philosophie, Section i, chap. vii):"By a natural consequence, we are led to suppose that at the same time that we have several sensations or several ideas in the mind, we feel the relations which exist between these sensations, and the relations which exist between these ideas.... If the feeling of relations exists in us,... it is necessarily the most varied and the most fertile of all human feelings: 1°, the most varied, because, relations being more numerous than beings, the feelings of relation must be in the same proportion more numerous than the sensations whose presence gives rise to their formation; 2°, the most fertile, for the relative ideas of which the feeling-of-relation is the source ... are more important than absolute ideas, if such exist.... If we interrogate common speech, we find the feeling of relation expressed there in a thousand different ways. If it is easy to seize a relation, we say that it issensible, to distinguish it from one which, because its terms are too remote, cannot be as quickly perceived. A sensible difference, or resemblance.... What is taste in the arts, in intellectual productions? What but the feeling of those relations among the parts which constitutes their merit?... Did we not feel relations we should never attain to true knowledge,... for almost all our knowledge is of relations.... We never have an isolated sensation;... we are therefore never without the feeling of relation.... Anobjectstrikes our senses; we see in it only a sensation.... The relative is so near the absolute, the relation-feeling so near the sensation-feeling, the two are so intimately fused in the composition of the object, that the relation appears to us as part of the sensation itself. It is doubtless to this sort of fusion between sensations and feelings of relation that the silence of metaphysicians as to the latter is due; and it is for the same reason that they have obstinately persisted in asking from sensation alone those ideas of relation which it was powerless to give."Dr. Thomas Brown writes (Lectures, xlv,init.): "There is an extensive order of our feelings which involve this notion of relation, and which consist indeed in the mere perception of a relation of some sort.... Whether the relation be of two or of many external objects, or of two or many affections of the mind, the feeling of this relation ... is what I term a relative suggestion; that phrase being the simplest which it is possible to employ, for expressing, without any theory, the mere fact of the rise of certain feelings of relation, after certain other feelings which precede them; and therefore, as involving no particular theory, and simply expressive of an undoubted fact.... That the feelings of relation are states of the mind essentially different from our simple perceptions, or conceptions of the objects,... that they are not what Condillac termstransformed sensations, I proved in a former lecture, when I combated the excessive simplification of that ingenious but not very accurate philosopher. There is an original tendency or susceptibility of the mind, by which, on perceiving together different objects, we are instantly, without the intervention of any other mental process, sensible of their relation in certain respects, as truly as there is an original tendency or susceptibility by which, when external objects are present and have produced a certain affection of our sensorial organ, we are instantly affected with the primary elementary feelings of perception; and, I may add, that as our sensations or perceptions are of various species, so are there various species of relations;—the number of relations, indeed, even of external things, being almost infinite, while the number of perceptions is, necessarily, limited by that of the objects which have the power of producing some affection of our organs of sensation.... Without that susceptibility of the mind by which it has the feeling of relation, our consciousness would be as truly limited to a single point, as our body would become, were it possible to fetter it to a single atom."Mr. Spencer is even more explicit. His philosophy is crude in that he seems to suppose that it is only in transitive states that outward relations are known; whereas in truth space-relations, relations of contrast, etc., are felt along with their terms, in substantive states as well as in transitive states, as we shall abundantly see. Nevertheless Mr. Spencer's passage is so clear that it also deserves to be quoted in full (Principles of Psychology, § 65):"The proximate components of Mind are of two broadly-contrasted kinds—Feelings and the relations between feelings. Among the members of each group there exist multitudinous unlikenesses, many of which are extremely strong; but such unlikenesses are small compared with those which distinguish members of the one group from members of the other. Let us, in the first place, consider what are the characters which all Feelings have in common, and what are the characters which all Relations between feelings have in common."Each feeling, as we here define it, is any portion of consciousness which occupies a place sufficiently large to give it a perceivable individuality; which has its individuality marked off from adjacent portions of consciousness by qualitative contrasts; and which, when introspectively contemplated, appears to be homogeneous. These are the essentials. Obviously if, under introspection, a state of consciousness is decomposable into unlike parts that exist either simultaneously or successively, it is not one feeling but two or more. Obviously if it is indistinguishable from an adjacent portion of consciousness, it forms one with that portion—is not an individual feeling, but part of one. And obviously if it does not occupy in consciousness an appreciable area, or an appreciable duration, it cannot be known as a feeling."A Relation between feelings is, on the contrary, characterized by occupying no appreciable part of consciousness. Take away the terms it unites, and it disappears along with them; having no independent place, no individuality of its own. It is true that, under an ultimate analysis, what we call a relation proves to be itself a kind of feeling—the momentary feeling accompanying the transition from one conspicuous feeling to an adjacent conspicuous feeling. And it is true that, notwithstanding its extreme brevity, its qualitative character is appreciable; for relations are (as we shall hereafter see) distinguishable from one another only by the unlikenesses of the feelings which accompany the momentary transitions. Each relational feeling may, in fact, be regarded as one of those nervous shocks which we suspect to be the units of composition of feelings; and, though instantaneous, it is known as of greater or less strength, and as taking place with greater or less facility. But the contrast between these relational feelings and what we ordinarily call feelings is so strong that we must class them apart. Their extreme brevity, their small variety, and their dependence on the terms they unite, differentiate them in an unmistakable way."Perhaps it will be well to recognize more fully the truth that this distinction cannot be absolute. Besides admitting that, as an element of consciousness, a relation is a momentary feeling, we must also admit that just as a relation can have no existence apart from the feelings which form its terms, so a feeling can exist only by relations to other feelings which limit it in space or time or both. Strictly speaking, neither a feeling nor a relation is an independent element of consciousness: there is throughout a dependence such that the appreciable areas of consciousness occupied by feelings can no more possess individualities apart from the relations which link them, than these relations can possess individualities apart from the feelings they link. The essential distinction between the two, then, appears to be that whereas a relational feeling is a portion of consciousness inseparable into parts, a feeling, ordinarily so called, is a portion of consciousness that admits imaginary division into like parts which are related to one another in sequence or coexistence. A feeling proper is either made up of like parts that occupy time, or it is made up of like parts that occupy space, or both. In any case, a feeling proper is an aggregate of related like parts, while a relational feeling is undecomposable. And this is exactly the contrast between the two which must result if, as we have inferred, feelings are composed of units of feelings, or shocks."

"There is no one whose intelligence does not embrace simultaneously many ideas, more or less distinct, more or less confused. Now, when we have many ideas at once, a peculiar feeling arises in us: we feel, among these ideas, resemblances, differences, relations. Let us call this mode of feeling, common to us all, the feeling of relation, or relation-feeling (sentiment-rapport). One sees immediately that these relation-feelings, resulting from the propinquity of ideas, must be infinitely more numerous than the sensation-feelings (sentiments-sensations) or the feelings we have of the action of our faculties. The slightest knowledge of the mathematical theory of combinations will prove this....Ideasof relation originate in feelings of relation. They are the effect of our comparing them and reasoning about them."

Similarly, de Cardaillac (Études Élémentaires de Philosophie, Section i, chap. vii):

"By a natural consequence, we are led to suppose that at the same time that we have several sensations or several ideas in the mind, we feel the relations which exist between these sensations, and the relations which exist between these ideas.... If the feeling of relations exists in us,... it is necessarily the most varied and the most fertile of all human feelings: 1°, the most varied, because, relations being more numerous than beings, the feelings of relation must be in the same proportion more numerous than the sensations whose presence gives rise to their formation; 2°, the most fertile, for the relative ideas of which the feeling-of-relation is the source ... are more important than absolute ideas, if such exist.... If we interrogate common speech, we find the feeling of relation expressed there in a thousand different ways. If it is easy to seize a relation, we say that it issensible, to distinguish it from one which, because its terms are too remote, cannot be as quickly perceived. A sensible difference, or resemblance.... What is taste in the arts, in intellectual productions? What but the feeling of those relations among the parts which constitutes their merit?... Did we not feel relations we should never attain to true knowledge,... for almost all our knowledge is of relations.... We never have an isolated sensation;... we are therefore never without the feeling of relation.... Anobjectstrikes our senses; we see in it only a sensation.... The relative is so near the absolute, the relation-feeling so near the sensation-feeling, the two are so intimately fused in the composition of the object, that the relation appears to us as part of the sensation itself. It is doubtless to this sort of fusion between sensations and feelings of relation that the silence of metaphysicians as to the latter is due; and it is for the same reason that they have obstinately persisted in asking from sensation alone those ideas of relation which it was powerless to give."

Dr. Thomas Brown writes (Lectures, xlv,init.): "There is an extensive order of our feelings which involve this notion of relation, and which consist indeed in the mere perception of a relation of some sort.... Whether the relation be of two or of many external objects, or of two or many affections of the mind, the feeling of this relation ... is what I term a relative suggestion; that phrase being the simplest which it is possible to employ, for expressing, without any theory, the mere fact of the rise of certain feelings of relation, after certain other feelings which precede them; and therefore, as involving no particular theory, and simply expressive of an undoubted fact.... That the feelings of relation are states of the mind essentially different from our simple perceptions, or conceptions of the objects,... that they are not what Condillac termstransformed sensations, I proved in a former lecture, when I combated the excessive simplification of that ingenious but not very accurate philosopher. There is an original tendency or susceptibility of the mind, by which, on perceiving together different objects, we are instantly, without the intervention of any other mental process, sensible of their relation in certain respects, as truly as there is an original tendency or susceptibility by which, when external objects are present and have produced a certain affection of our sensorial organ, we are instantly affected with the primary elementary feelings of perception; and, I may add, that as our sensations or perceptions are of various species, so are there various species of relations;—the number of relations, indeed, even of external things, being almost infinite, while the number of perceptions is, necessarily, limited by that of the objects which have the power of producing some affection of our organs of sensation.... Without that susceptibility of the mind by which it has the feeling of relation, our consciousness would be as truly limited to a single point, as our body would become, were it possible to fetter it to a single atom."

Mr. Spencer is even more explicit. His philosophy is crude in that he seems to suppose that it is only in transitive states that outward relations are known; whereas in truth space-relations, relations of contrast, etc., are felt along with their terms, in substantive states as well as in transitive states, as we shall abundantly see. Nevertheless Mr. Spencer's passage is so clear that it also deserves to be quoted in full (Principles of Psychology, § 65):

"The proximate components of Mind are of two broadly-contrasted kinds—Feelings and the relations between feelings. Among the members of each group there exist multitudinous unlikenesses, many of which are extremely strong; but such unlikenesses are small compared with those which distinguish members of the one group from members of the other. Let us, in the first place, consider what are the characters which all Feelings have in common, and what are the characters which all Relations between feelings have in common.

"Each feeling, as we here define it, is any portion of consciousness which occupies a place sufficiently large to give it a perceivable individuality; which has its individuality marked off from adjacent portions of consciousness by qualitative contrasts; and which, when introspectively contemplated, appears to be homogeneous. These are the essentials. Obviously if, under introspection, a state of consciousness is decomposable into unlike parts that exist either simultaneously or successively, it is not one feeling but two or more. Obviously if it is indistinguishable from an adjacent portion of consciousness, it forms one with that portion—is not an individual feeling, but part of one. And obviously if it does not occupy in consciousness an appreciable area, or an appreciable duration, it cannot be known as a feeling.

"A Relation between feelings is, on the contrary, characterized by occupying no appreciable part of consciousness. Take away the terms it unites, and it disappears along with them; having no independent place, no individuality of its own. It is true that, under an ultimate analysis, what we call a relation proves to be itself a kind of feeling—the momentary feeling accompanying the transition from one conspicuous feeling to an adjacent conspicuous feeling. And it is true that, notwithstanding its extreme brevity, its qualitative character is appreciable; for relations are (as we shall hereafter see) distinguishable from one another only by the unlikenesses of the feelings which accompany the momentary transitions. Each relational feeling may, in fact, be regarded as one of those nervous shocks which we suspect to be the units of composition of feelings; and, though instantaneous, it is known as of greater or less strength, and as taking place with greater or less facility. But the contrast between these relational feelings and what we ordinarily call feelings is so strong that we must class them apart. Their extreme brevity, their small variety, and their dependence on the terms they unite, differentiate them in an unmistakable way.

"Perhaps it will be well to recognize more fully the truth that this distinction cannot be absolute. Besides admitting that, as an element of consciousness, a relation is a momentary feeling, we must also admit that just as a relation can have no existence apart from the feelings which form its terms, so a feeling can exist only by relations to other feelings which limit it in space or time or both. Strictly speaking, neither a feeling nor a relation is an independent element of consciousness: there is throughout a dependence such that the appreciable areas of consciousness occupied by feelings can no more possess individualities apart from the relations which link them, than these relations can possess individualities apart from the feelings they link. The essential distinction between the two, then, appears to be that whereas a relational feeling is a portion of consciousness inseparable into parts, a feeling, ordinarily so called, is a portion of consciousness that admits imaginary division into like parts which are related to one another in sequence or coexistence. A feeling proper is either made up of like parts that occupy time, or it is made up of like parts that occupy space, or both. In any case, a feeling proper is an aggregate of related like parts, while a relational feeling is undecomposable. And this is exactly the contrast between the two which must result if, as we have inferred, feelings are composed of units of feelings, or shocks."

[231]M. Paulhan (Revue Philosophique, xx, 455-6), after speaking of the faint mental images of objects and emotions, says: "We find other vaguer states still, upon which attention seldom rests, except in persons who by nature or profession are addicted to internal observation. It is even difficult to name them precisely, for they are little known and not classed; but we may cite as an example of them that peculiar impression which we feel when, strongly preoccupied by a certain subject, we nevertheless are engaged with, and have our attention almost completely absorbed by, matters quite disconnected therewithal. We do not then exactly think of the object of our preoccupation; we do not represent it in a clear manner; and yet our mind is not as it would be without this preoccupation. Its object, absent from consciousness, is nevertheless represented there by a peculiar unmistakable impression, which often persists long and is a strong feeling, although so obscure for our intelligence." "A mental sign of the kind is the unfavorable disposition left in our mind towards an individual by painful incidents erewhile experienced and now perhaps forgotten. The sign remains, but is not understood; its definite meaning is lost." (P. 458.)

[232]Mozart describes thus his manner of composing: First bits and crumbs of the piece come and gradually join together in his mind; then the soul getting warmed to the work, the thing grows more and more, "and I spread it out broader and clearer, and at last it gets almost finished in my head, even when it is a long piece, so that I can see the whole of it at a single glance in my mind, as if it were a beautiful painting or a handsome human being; in which way I do not hear it in my imagination at all as a succession—the way it must come later—but all at once, as it were. If is a rare feast! All the inventing and making goes on in me as in a beautiful strong dream. But the best of all is thehearing of it all at once."

[233]Mental Physiology, § 236. Dr. Carpenter's explanation differs materially from that given in the text.

[234]Cf. also S. Stricker: Vorlesungen über allg. u. exp. Pathologie (1879), pp. 462-3, 501, 547; Romanes: Origin of Human Faculty, p. 82. It is so hard to make one's self clear that I may advert to a misunderstanding of my views by the late Prof. Thos. Maguire of Dublin (Lectures on Philosophy, 1885). This author considers that by the 'fringe' I mean some sort of psychic material by which sensations in themselves separate are made to cohere together, and wittily says that I ought to "see that uniting sensations by their 'fringes' is more vague than to construct the universe out of oysters by platting their beards" (p. 211). But the fringe, as I use the word, means nothing like this; it is part of theobject cognized,—substantivequalitiesandthingsappearing to the mind in afringe of relations. Some parts—the transitive parts—of our stream of thought cognize the relations rather than the things; but both the transitive and the substantive parts form one continuous stream, with no discrete 'sensations' in it such as Prof. Maguire supposes, and supposes me to suppose, to be there.

[235]George Campbell: Philosophy of Rhetoric, book ii, chap. vii.

[236]Substantialism or Philosophy of Knowledge, by 'Jean Story' (1879).

[237]M. G. Tarde, quoting (in Delbœuf, Le Sommeil et les Rêves (1885), p. 226) some nonsense-verses from a dream, says they show "how prosodic forms may subsist in a mind from which logical rules are effaced.... I was able, in dreaming, to preserve the faculty of finding two words which rhymed, to appreciate the rhyme, to fill up the verse as it first presented itself with other words which, added, gave the right number of syllables, and yet I was ignorant of the sense of the words.... Thus we have the extraordinary fact that the words called each other up, without calling up their sense.... Even when awake, it is more difficult to ascend to the meaning of a word than to pass from one word to another; or to put it otherwise,it is harder to be a thinker than to be a rhetorician, and on the whole nothing is commoner than trains of words not understood."

[238]We think it odd that young children should listen with such rapt attention to the reading of stories expressed in words half of which they do not understand, and of none of which they ask the meaning. But their thinking is in form just what ours is when it is rapid. Both of us make flying leaps over large portions of the sentences uttered and we give attention only to substantive starting points, turning points, and conclusions here and there. All the rest, 'substantive' and separately intelligible as it maypotentiallybe, actually serves only as so much transitive material. It isinternodalconsciousness, giving us the sense of continuity, but having no significance apart from its mere gap-filling function. The children probably feel no gap when through a lot of unintelligible words they are swiftly carried to a familiar and intelligible terminus.

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