VII

Madame Beattie was near, and had that morning telegraphed Esther. The message was explicit, and, in the point of affection, diffuse. Old-fashioned, too: she longed to hold her niece in her arms. A more terrified young woman could not easily have been come on that day than Esther Blake, as she opened the envelope, afraid of detectives, of reporters, of anything connected with a husband lately returned from jail. But this was worse than she could have guessed. In face of an ordinary incursion she might shut herself up in her room and send Sophy to tell smooth fictions at the door. Reporters could hardly get at her, and her husband himself, if he should try, could presumably be routed. Aunt Patricia Beattie was another matter. Esther was so panicky that she ran upstairs with the telegram and tapped at grandmother's door. Rhoda Knox came in answer. She was a large woman of a fine presence, red cheekbones with high lights, and smooth black hair brushed glossy and carefully coiled. She was grandmother's attendant, helplessly hated by grandmother but professionally unmoved by it, a general who carried on intricate calculations to avoid what she called "steps." In the matter of steps, she laid bonds on high and low. A deed that would have taken her five minutes to do she passed on to the next available creature, even if it required twenty minutes' planning to hocus him into accepting it. She had the intent look of the schemer: yet she was one who meant well and simply preferred by nature tobe stationary. Grandmother feared her besides hating her, though loving the order she brought to pass.

Esther slipped by her, and went to the bed where grandmother was lying propped on pillows, an exceedingly small old woman who was even to life-long friends an enigma presumably without an answer. She had the remote air of hating her state of age, which did not seem a natural necessity but a unique calamity, a trap sprung on her and, after the nature of traps, most unexpectedly. When she was young she had believed the old walked into the trap deliberately because it was provided on a path they were tired of. But she wasn't tired, and yet the trap had clutched her. She had a small face beautifully wrought upon by lines, as if she had given a cunning artificer the preparation of a mask she was paying dearly for and yet didn't prize at all. An old-fashioned nightcap with a frill covered her head, and she had tied herself so tightly into it that he must be a bold adventurer who would get at the thoughts inside. Her little hands were shaded by fine frills. She looked, on the whole, like a disenchanted lingerer in the living world, a useless creature for whom fostering had done so much that you might ask: "What is this illustration of a clean old woman? What is it for? What does it teach?"

Esther, with her telegram, stood beside the bed.

"Grandmother," said she, in the perfect tone she used toward her, clear and not too loud, "Aunt Patricia Beattie is coming."

Grandmother lifted large black eyes dulled by the broken surface of age, to Esther's face. There was no envy in the gaze but wonder chiefly.

"Is that youth?" the eyes inquired. "Useless, not especially admirable—but curious."

Esther, waiting there for recognition, felt the discomfort grandmother always seemed to stir into her mood. Her rose-touched skin was a little more suffused, though not beyond a furtherance of beauty.

"Aunt Patricia is coming," she repeated. "When I heard from her last she was in Poland."

"Her name is Martha," said grandmother. "Don't let her come in here." She had a surprising voice, of a barbaric quality, the ring of metal. Hearing it you were mentally translated for an instant, and thought of far-off, palm-girt islands and savages beating strange instruments and chanting to them uncouth syllables. "Rhoda Knox, don't let her get up here."

"How can I keep her out?" asked Esther. "You'll have to see her. I can't live down there alone with her. I couldn't make her happy."

A satirical light shivered across grandmother's eyes.

"Where is your husband?" she inquired. "Here?"

"Here?" repeated Esther. "In this house?"

"Yes."

"He isn't coming here. It would be very painful for him."

The time had been when grandmother, newer to life, would have asked, "Why?" But she knew Esther minutely now; all her turns of speech and habits of thought were as a tale long told. Once it had been a mildly fascinating game to see through what Esther said to what she really meant. It was easy, once you had the clue, too easy, all certainties, with none of the hazards of a game. Esther, she knew, lived with a lovely ideal of herself. The imaginary Esther was all sympathy; she was even self-sacrificing. No shining quality lay in the shop window of the world's praise but the real Esther snatched it and adorned herself with it. The Esther that was talked in the language of the Esther that ought to be. If she didn't wantto see you, she told you it would be inconvenient for you to come. If she wanted to tell you somebody had praised the rose of her cheek, she told you she was so touched by everybody's goodness in loving to give pleasure; then she proved her point by naive repetition of the pretty speech. Sometimes she even, in the humility of the other Esther, deprecated the flattery as insincere; but not before she had told you what it was.

"I haven't seen her since—I haven't seen her for years," she said. "She wasn't happy with me then. She'll be much less likely to be now."

"Older," said grandmother. "More difficult. Keep her out of here."

It seemed to Esther there was no sympathy for her in the world, even if she got drum and fife and went out to beat it up. One empty victory she had achieved: grandmother had at least spoken to her. Sometimes she turned her face to the wall and lay there, not even a ruffle quivering. Esther moved away, but Rhoda Knox was beforehand with her. Rhoda held a letter.

"Mrs. Blake, could you take this down?" she asked, in a faultless manner, and yet implacably. "And let it go out when somebody is going?"

Esther accepted the letter helplessly. She knew how Rhoda sat planning to get her errands done. Yet there was never any reason why you should not do them. She ran downstairs carrying the letter, hating it because it had got itself carried against her will, and went at once to the telephone. And there her voice had more than its natural appeal, because she was so baffled and angry and pitied herself so much.

"Could you come in? I'm bothered. Yes," in answer to his question, "in trouble, I'm afraid."

Alston Choate came at once; her voice must have toldhim moving things, for he was full of warm concern. Esther met him with a dash of agitation admirably controlled. She was not the woman to alarm a man at the start. Let him get into a run, let him forget the spectators by the way, and even the terrifying goal where he might be crowned victor even before he chose. Only whip up his blood until the guidance of them both was hers, not his. So he felt at once her need of him and at the same time her distance from him. It was a wonderfully vivifying call: nothing to fear from her, but exhilarating feats to be undertaken for her sake.

"I'm frightened at last," she told him. That she was a brave woman the woman she had created for her double had persuaded her. "I had to speak to somebody."

Choate looked really splendid in the panoply of his simplicity and restraints and courtesy. A man can be imposing in spite of a broken nose.

"What's gone wrong?" he asked.

"Aunt Patricia is coming."

Choate had quite forgotten Aunt Patricia. She had been too far in the depths of Poland for Esther to summon up her shade. Possibly it was a dangerous shade to summon, lest the substance follow. But now she sketched Aunt Patricia with hesitating candour, but so that he lost none of her undesirability, and he listened with a painstaking courtesy.

"You say you're afraid of her?" he said, at the end. "Let her come. She may not want to stay."

"She is so—different," faltered Esther. She looked at him with humid eyes. It was apparent that Aunt Patricia was different in a way not to be commended.

Now Choate thought he saw how it was.

"You mean she's been banging about Europe," he said, "living inpensions, trailing round with second-rate professionals. I get that idea, at least. Am I right?"

"She's frightfully bohemian, of course," said Esther. "Yes, that's what I did mean."

"But she's not young, you know," said Choate, in an indulgent kindliness Esther was quite sure he kept for her alone. "She won't be very rackety. People don't want the same things after they're sixty."

"She smokes," said Esther, in a burst of confidence. "She did years ago when nice women weren't doing it."

He smiled at this, but tenderly. He didn't leave Addington very often, but he did know what a blaze the vestals of the time keep up.

"No matter," said he, "so long as you don't."

"She drinks brandy," said Esther, "and tells things. I can't repeat what she tells. She's different from anybody I ever met—and I don't see how I can make her happy."

By this time Choate saw there was nothing he could do about Aunt Patricia, and dismissed her from his orderly mind. She was not absolutely pertinent to Esther's happiness. But he looked grave. There was somebody, he knew, who was pertinent.

"I haven't succeeded in seeing Jeff yet," he began, with a slight hesitation. It seemed to him it might be easier for her to hear that name than the formal words, "your husband". She winced. Choate saw it and pitied her, as she knew he would. "Is he coming—here?"

She looked at him with large, imploring eyes.

"Must I?" he heard her whispering, it seemed really to herself.

"I don't see how you can help it, dear," he answered. The last word surprised him mightily. He had never called her "dear". She hadn't even been "Esther" to him. But the warmth of his compassion and an irritation that had been working in him with Jeff's returnsomething like jealousy, it might even be—drove the little word out of doors and bade it lodge with her and so betray him. Esther heard the word quite clearly and knew what volumes of commentary it carried; but Choate, relieved, thought it had passed her by. She was still beseeching him, even caressing him, with the liquid eyes.

"You see," she said, "he and I are strangers—almost. He's been away so long."

"You haven't seen him," said Choate, like an accusation. He had often had to bruise that snake. He hoped she'd step on it for good.

"No," said Esther. "He didn't wish it."

Choate's sane sense told him that no man could fail to wish it. If Jeff had forbidden her to come at the intervals when he could see his kin, she should have battered down his denials and gone to him. She should have left on his face the warm touch of hers and the cleansing of her tears. Choate had a tremendous idea of the obligations of what he called love. He hid what he thought of it in the fastnesses of a shy heart, but he took delight and found strength, too, in the certainty that there is unconquerable love, and that it laughs at even the locksmiths that fasten prison doors. He knew what a pang it would have been to him if he had seen Esther Blake going year after year to carry her hoarded sweetness to another man. But he wished she had done it. Some hardy, righteous fibre in him would have been appeased.

"He's happier away from me," said Esther, shaking her head. "His father understands him. I don't. Why, before he went away we weren't so very happy. Didn't you know that?"

Choate was glad and sorry.

"Weren't you?" he responded. "Poor child!"

"No. We'd begun to be strangers, in a way. And it'sgone on and on, and of course we're really strangers now."

The Esther she meant to be gave her a sharp little prick here—that Esther seemed to carry a needle for the purpose of these occasional pricks, though she used it less and less as time went on—and said to her, "Strangers before he went away? Oh, no! I'd like to think that. It makes the web we're spinning stronger. But I can't. No. That isn't true."

"So you see," said the real Esther to Choate, "I can't do anything. I sit here alone with my hands tied, and grandma upstairs—of course I can't leave grandma—and I can't do anything. Do you think—" she looked very challenging and pure—"do you think it would be wicked of me to dream of a divorce?"

Choate got up and walked to the fireplace. He put both hands on the mantel and gripped it, and Esther, with that sense of implacable mastery women feel at moments of sexual triumph, saw the knuckles whiten.

"Wouldn't it be better," she said, "for him? I don't care for myself, though I'm very lonely, very much at sea; but it does seem to me it would be better for him if he could be free and build his life up again from the beginning."

Choate answered in a choked voice that made him shake his head impatiently:

"It isn't better for any man to be free."

"Not if he doesn't care for his wife?" the master torturer proceeded, more and more at ease now she saw how tight she had him.

Choate turned upon her. His pale face was scarred with an emotion as deep as the source of tears, though she exulted to see he had no tears to show her. Men should, she felt, be strong.

"Don't you know you mustn't say that kind of thing tome?" he asked her. "Don't you see it's a temptation? I can't listen to it. I can't consider it for a minute."

"Is it a temptation?" she asked, in a whisper, born, it seemed, of unacknowledged intimacies between them. The whisper said, "If it is a temptation, it is not a temptation to you alone."

Choate was not looking at her, but he saw her, with the eyes of the mind: the brown limpid look, the uplift of her quivering face, the curve of her throat and the long ripple to her feet. He walked out of the room; it was the only thing for a decent man to do, in the face of incarnate appeal, challenge, a vitality so intense, and yet so unconscious of itself, he knew, that it was, in its purity, almost irresistible. In the street he was deaf to the call of a friend and passed another without seeing him. They chaffed him about it afterward. He was, they told him, thinking of a case.

Esther went about the house in an exhilarated lightness. She sang a little, in a formless way. She could not manage a tune, but she had a rhythmic style of humming that was not unpleasant to hear and gave her occasional outlet. It was the animal in the desert droning and purring to itself in excess of ease. She felt equal to meeting Aunt Patricia even.

About dusk Aunt Patricia came in the mediæval cab with Denny driving. There was no luggage. Esther hoped a great deal from that. But it proved there was too much to come by cab, and Denny brought it afterward, shabby trunks of a sophisticated look, spattered with labels. Madame Beattie alighted from the cab, a large woman in worn black velvet, with a stale perfume about her. Esther was at the door to meet her, and even in this outer air she could hardly help putting up her nose a little at the exotic smell. Madame Beattie was swarthy and strong-featuredwith a soft wrinkled skin unnatural from over-cherishing. She had bright, humorously satirical eyes; and her mouth was large. Therefore you were surprised at her slight lisp, a curious childishness which Esther had always considered pure affectation. She had forgotten it in these later years, but now the sound of it awakened all the distaste and curiosity she had felt of old. She had always believed if Aunt Patricia spoke out, the lisp would go. The voice underneath the lisp was a sad thing when you remembered it had once been "golden ". It was raucous yet husky, a gin voice, Jeffrey had called it, adding that she had a gin cough. All this Esther remembered as she went forward prettily and submitted to Aunt Patricia's perfumed kiss. The ostrich feathers in the worn velvet travelling hat cascaded over them both, and bangles clinked in a thin discord with curious trinkets hanging from her chatelaine. Evidently the desire to hold her niece in her arms had been for telegraphic purposes only.

When they had gone in and Aunt Patricia was removing her gloves and accepting tea—she said she would not take her hat off until she went upstairs—she asked, with a cheerful boldness:

"Where's your husband?"

Esther shrank perceptibly. No one but Lydia had felt at liberty to pelt her with the incarcerated husband, and she was not only sensitive in fact but from an intuition of the prettiest thing to do.

"Oh, I knew he was out," said Madame Beattie. "I keep track of your American papers. Isn't he here?"

"He's in town," said Esther, in a low voice. Her cheeks burned with hatred of the insolence of kin which could force you into the open and strip you naked.

"Where?"

"With his father."

"Does his father live alone?"

"No. He has step-daughters."

"Children of that woman that married him out of hand when he was over sixty? Ridiculous business! Well, what's Jeff there for? Why isn't he with you?"

Madame Beattie had a direct habit of address, and, although she spoke many other languages fluently, in the best of English. There were times when she used English with an extreme of her lisping accent, but that was when it seemed good business so to do. This she modified if she found herself cruising where New England standards called for plain New England speech.

"Why isn't he with you?" she asked again.

The tea had come and Madame Beattie lifted her cup in a manner elegantly calculated to display, though ingenuously, a hand loaded with rings.

"Dear auntie," said Esther, widening eyes that had been potent with Alston Choate but would do slight execution among a feminine contingent, "Jeffrey wouldn't be happy with me."

"Nonsense," said Aunt Patricia, herself taking the teapot and strengthening her cup. "What do you mean by happy?"

"He is completely estranged," said Esther. "He is a different man from what he used to be."

"Of course he's different. You're different. So am I. He can't take up things where he left them, but he's got to take them up somewhere. What's he going to do?"

"I don't know," said Esther. She drank her tea nervously. It seemed to her she needed a vivifying draught. "Auntie, you don't quite understand. We are divorced in every sense."

That sounded complete, and she hoped for some slight change of position on the part of the inquisitor.

"Of course you went to see him while he was in prison?" auntie pursued inexorably.

"No," said Esther, in a voice thrillingly sweet. "He didn't wish it."

Auntie helped herself to tea. Esther made a mental note that an extra quantity must be brewed next time.

"You see," said Madame Beattie, putting her cup down and settling back into her chair with an undue prominence of frontal velvet, "you have to take these things like a woman of the world. What's all this talk about feelings, and Jeff's being unhappy and happy? He's married you, and it's a good thing for you both you've got each other to turn to. This kind of sentimental talk does very well before marriage. It has its place. You'd never marry without it. But after the first you might as well take things as they come. There was my husband. I bore everything from him. Then I kicked over the traces and he bore everything from me. But when we found everybody was doing us and we should be a great deal stronger together than apart, we came together again. And he died very happily."

Esther thought, in her physical aversion to auntie, that he must indeed have been happy in the only escape left open to him.

"Where is Susan?" auntie inquired, after a brief interlude of coughing. It could never be known whether her coughs were real. She had little dry coughs of doubt, of derision, of good-natured tolerance; but perhaps she herself couldn't have said now whether they had their origin in any disability.

"Grandma is in her room," said Esther faintly. She felt a savage distaste for facing the prospect of them together, auntie who would be sure to see grandmother, and grandmother who would not be seen. "She lies in bed."

"All the time?"

"Yes."

"Not all the time!"

"Why, yes, auntie, she lies in bed all the time."

"What for? Is she crippled, or paralysed or what?"

"She says she is old."

"Old? Susan is seventy-six. She's a fool. Doesn't she know you don't have to give up your faculties at all unless you stop using them?"

"She says she is old," repeated Esther obstinately. It seemed to her a sensible thing for grandmother to say. Being old kept her happily in retirement. She wished auntie had a similar recognition of decencies.

"I'll go to my room now," said Madame Beattie. "What a nice house! This is Susan's house, isn't it?"

"Yes." Esther had now retired to the last defences. She saw auntie settling upon them in a jovial ease. It might have been different, she thought, if Alston Choate had got her a divorce years ago and then married her. "Come," she said, with an undiminished sweetness, "I'll take you to your room."

Addington, so Jeffrey Blake remembered when he came home to it, was a survival. Naïve constancies to custom, habits sprung out of old conditions and logical no more, and even the cruder loyalties to the past, lived in it unchanged. This was as his mind conceived it. His roots had gone deeper here than he knew while he was still a part of it, a free citizen. The first months of his married life had been spent here, but as his prosperity burned the more brilliantly, he and Esther had taken up city life in winter, and for the summer had bought a large and perfectly equipped house in a colony at the shore. That, in the crash of his fortunes, had gone with other wreckage, and now he never thought of it with even a momentary regret. It belonged to that fevered time when he was always going fast and faster, as if life were a perpetual speeding in a lightning car. But of Addington he did think, in the years that were so much drear space for reflection, and though he felt no desire to go back, the memory of it was cool and still. The town had distinct social strata, the happier, he felt, in that. There were the descendants of old shipbuilders and merchants who drew their sufficient dividends and lived on the traditions of times long past. All these families knew and accepted one another. Their peculiarities were no more to be questioned than the eccentric shapes of clouds. The Daytons, who were phenomenally ugly in a bony way, were the Daytons. Their long noses with the bulb at the base were Dayton noses. The Madisons, in the line of male descent from distinguishedblood, drank to an appalling extent; but they were Madisons, and you didn't interdict your daughters' marrying them. The Mastertons ate no meat, and didn't believe in banks. They kept their money in queer corners, and there was so much of it that they couldn't always remember where, and the laundress had orders to turn all stockings before wetting, and did indeed often find bills in the toe. But the laundress, being also of Addington, though of another stratum, recognised this as a Masterton habit, and faithfully sought their hoarded treasure for them, and delivered it over with the accuracy of an accountant. She wouldn't have seen how the Mastertons could help having money in their clothes unless they should cease being Mastertons. Nor was it amazing to their peers, meeting them in casual talk, to realise that they were walking depositories of coin and bills. A bandit on a lonely road would, if he were born in Addington, have forborne to rob them. These and other personal eccentricities Jeffrey Blake remembered and knew he should find them ticking on like faithful clocks. It was all restful to recall, but horrible to meet. He knew perfectly what the attitude of Addington would be to him. Because he was Addington born, it would stand by him, and with a double loyalty for his father's sake. That loyalty, beautiful or stupid as you might find it, he could not bear. He hoped, however, to escape it by making his father the briefest visit possible and then getting off to the West. Anne had reminded him that Alston Choate had called, and he had commented briefly:

"Oh! he's a good old boy."

But she saw, with her keen eyes gifted to read the heart, that he was glad he had not seen him. The first really embarrassing caller came the forenoon after Madame Beattie had arrived at Esther's, Madame Beattie herself in thevillage hack with Denny, uncontrollably curious, on the box. Madame Beattie paid twenty-five cents extracted from the tinkling chatelaine, and dismissed Denny, but he looked over his shoulder regretfully until he had rounded the curve of the drive. Meantime she, in her plumes and black velvet, was climbing the steps, and Jeffrey, who was on the side veranda, heard her and took down his feet from the rail, preparatory to flight. But she was aware of him, and stepped briskly round the corner. Before he reached the door she was on him.

"Here, Jeff, here!" said she peremptorily and yet kindly, as you might detain a dog, and Jeff, pausing, gazed at her in frank disconcertment and remarked as frankly:

"The devil!"

Madame Beattie threw back her head on its stout muscular neck and laughed, a husky laugh much like an old man's wheeze.

"No! no!" said she, approaching him and extending an ungloved hand, "not so bad as that. How are you? Tell its auntie."

Jeffrey laughed. He took the hand for a brief grasp, and returned to the group of chairs, where he found a comfortable rocker for her.

"How in the deuce," said he, "did you get here so quick?"

Madame Beattie rejected the rocker and took a straight chair that kept her affluence of curves in better poise.

"Quick after what?" she inquired, with a perfect good-nature.

Jeffrey had seated himself on the rail, his hands, too, resting on it, and he regarded her with a queer terrified amusement, as if, in research, he had dug up a strange object he had no use for and might find it difficult to place. Not to name: he could name her very accurately.

"So quick after I got here," he replied, with candour. "I tell you plainly, Madame Beattie, there isn't a cent to be got out of me. I'm done, broke, down and out."

Madame Beattie regarded him with an unimpaired good-humour.

"Bless you, Jeff," said she, "I know that. What are you going to do, now you're out?"

The question came as hard as a stroke after the cushioned assurance preceding it. Jeff met it as he might have met such a query from a man to whom he owed no veilings of hard facts.

"I don't know," said he. "If I did know I shouldn't tell you."

Madame Beattie seemed not to suspect the possibility of rebuff.

"Esther hasn't changed a particle," said she.

Jeff scowled, not at her, but absently at the side of the house, and made no answer.

"Aren't you coming down there?" asked Madame Beattie peremptorily, with the air of drumming him up to some task that would have to be reckoned with in the end. "Come, Jeff, why don't you answer? Aren't you coming down?"

Jeffrey had ceased scowling. He had smoothed his brows out with his hand, indeed, as if their tenseness hurt him.

"Look here," said he, "you ask a lot of questions."

She laughed again, a different sort of old laugh, a fat and throaty one.

"Did I ever tell you," said she, "what the Russian grand duke said when I asked him why he didn't marry?"

"No," said Jeff, quite peaceably now. She was safer in the company of remembered royalties.

Madame Beattie sought among the jingling decorationsof her person for a cigarette, found it and offered him another.

"Quite good," she told him. "An Italian count keeps me supplied. I don't know where the creature gets them."

Then, after they had lighted up, she returned to her grand duke, and Jeff found the story sufficiently funny and laughed at it, and she pulled another out of her well-stored memory, and he laughed at that. Madame Beattie told her stories excellently. She knew how little weight they carry smothered in feminine graces and coy obliquities from the point. Graces had long ceased to interest her as among the assets of a life where man and woman have to work to feed themselves. Now she sat down with her brother man and emulated him in ready give and take. Jeffrey forsook the rail which had subtly marked his distance from her; he took a chair, and put his feet up on the rail. Madame Beattie's neatly shod and very small feet went up on a chair, and she tipped the one she was sitting in at a dangerous angle while she exhaled luxuriously, and so Lydia, coming round the corner in a simple curiosity to know who was there, found them, laughing uproariously and dim with smoke. Lydia had her opinions about smoking. She had seen women indulge in it at some of the functions where she and Anne danced, but she had never found a woman of this stamp doing it with precisely this air. Indeed, Lydia had never seen a woman of Madame Beattie's stamp in her whole life. She stopped short, and the two could not at once get hold of themselves in their peal of accordant mirth. But Lydia had time to see one thing for a certainty. Jeff's face had cleared of its brooding and its intermittent scowl. He was enjoying himself. This, she thought, in a sudden rage of scorn, was the kind of thing he enjoyed: not Farvie, not Anne's gentle ministrations, but the hooting of a horrible oldwoman. Madame Beattie saw her and straightened some of the laughing wrinkles round her eyes.

"Well, well!" said she. "Who's this?"

Then Jeffrey, becoming suddenly grave, as if, Lydia thought, he ought to be ashamed of laughing in such company, sprang to his feet, and threw away his cigarette.

"Madame Beattie," said he, "this is Miss Lydia French."

Madame Beattie did not rise, as who, indeed, so plumed and black-velveted should for a slip of a creature trembling with futile rage over a brother proved wanting in ideals? She extended one hand, while the other removed the cigarette from her lips and held it at a becoming distance.

"And who's Miss Lydia French?" said she. Then, as Lydia, pink with embarrassment and disapproval, made no sign, she added peremptorily, "Come here, my dear."

Lydia came. It was true that Madame Beattie had attained to privilege through courts and high estate. When she herself had ruled by the prerogative of a perfect throat and a mind attuned to it, she had imbibed a sense of power which was still dividend-paying even now, though the throat was dead to melody. When she really asked you to do anything, you did it, that was all. She seldom asked now, because her attitude was all careless tolerance, keen to the main chance but lax in exacting smaller tribute, as one having had such greater toll. But Lydia's wilful hesitation awakened her to some slight curiosity, and she bade her the more commandingly. Lydia was standing before her, red, unwillingly civil, and Madame Beattie reached forward and took one of her little plump work-roughened hands, held it for a moment, as if in guarantee of kindliness, and then dropped it.

"Now," said she, "who are you?"

Jeffrey, seeing Lydia so put about, answered for heragain, but this time in terms of a warmth which astonished him as it did Lydia.

"She is my sister Lydia."

Madame Beattie looked at him in a frank perplexity.

"Now," said she, "what do you mean by that? No, no, my dear, don't go." Lydia had turned by the slightest movement. "You haven't any sisters, Jeff. Oh, I remember. It was that romantic marriage." Lydia turned back now and looked straight at her, as if to imply if there were any qualifying of the marriage she had a word to say. "Wasn't there another child?" Madame Beattie continued, still to Jeff.

"Anne is in the house," said he.

He had placed a chair for Lydia, with a kindly solicitude, seeing how uncomfortable she was; but Lydia took no notice. Now she straightened slightly, and put her pretty head up. She looked again as she did when the music was about to begin, and her little feet, though they kept their decorous calm, were really beating time.

"Well, you're a pretty girl," said Madame Beattie, dropping her lorgnon. She had lifted it for a stare and taken in the whole rebellious figure. "Esther didn't tell me you were pretty. You know Esther, don't you?"

"No," said Lydia, in a wilful stubbornness; "I don't know her."

"You've seen her, haven't you?"

"Yes, I've seen her."

"You don't like her then?" said Madame astutely. "What's the matter with her?"

Something gave way in Lydia. The pressure of feeling was too great and candour seethed over the top.

"She's a horrid woman."

Or was it because some inner watchman on the tower told her Jeff himself had better hear again what one person thought of Esther? Madame Beattie threw back her plumed head and laughed, the same laugh she had used to annotate the stories. Lydia immediately hated herself for having challenged it. Jeffrey, she knew, was faintly smiling, though she could not guess his inner commentary:

"What a little devil!"

Madame Beattie now turned to him.

"Same old story, isn't it?" she stated. "Every woman of woman born is bound to hate her."

"Yes," said Jeff.

Lydia walked away, expecting, as she went, to be called back and resolving that no inherent power in the voice of aged hatefulness should force her. But Madame Beattie, having placed her, had forgotten all about her. She rose, and brushed the ashes from her velvet curves.

"Come," she was saying to Jeffrey, "walk along with me."

He obediently picked up his hat.

"I sha'n't go home with you," said he, "if that's what you mean."

She took his arm and convoyed him down the steps, leaning wearily. She had long ago ceased to exercise happy control over useful muscles. They even creaked in her ears and did strange things when she made requests of them.

"You understand," said Jeffrey, when they were pursuing a slow way along the street, he with a chafed sense of ridiculous captivity. "I sha'n't go into the house. I won't even go to the door."

"Stuff!" said the lady. "You needn't tell me you don't want to see Esther."

Jeff didn't tell her that. He didn't tell her anything. He stolidly guided her along.

"There isn't a man born that wouldn't want to see Esther if he'd seen her once," said Madame Beattie.

But this he neither combated nor confirmed, and at the corner nearest Esther's house he stopped, lifted the hand from his arm and placed it in a stiff rigour at her waist. He then took off his hat, prepared to stand while she went on. And Madame Beattie laughed.

"You're a brute," said she pleasantly, "a dear, sweet brute. Well, you'll come to it. I shall tell Esther you love her so much you hate her, and she'll send out spies after you. Good-bye. If you don't come, I'll come again."

Jeffrey made no answer. He watched her retreating figure until it turned in at the gate, and then he wheeled abruptly and went back. An instinct of flight was on him. Here in the open street he longed for walls, only perhaps because he knew how well everybody wished him and their kindness he could not meet.

Madame Beattie found Esther at the door, waiting. She was an excited Esther, bright-eyed, short of breath.

"Where have you been?" she demanded.

Madame Beattie took off her hat and stabbed the pin through it. Her toupée, deranged by the act, perceptibly slid, but though she knew it by the feel, that eccentricity did not, in the company of a mere niece, trouble her at all. She sank into a chair and laid her hat on the neighbouring stand.

"Where have you been?" repeated Esther, a pulse of something like anger beating through the words.

Madame Beattie answered idly: "Up to see Jeff."

"I knew it!" Esther breathed.

"Of course," said Madame Beattie carelessly. "Jeff and I were quite friends in old times. I was glad I went. It cheered him up."

"Did he—" Esther paused.

"Ask for you?" supplied Madame Beattie pleasantly. "Not a word."

Here Esther's curiosity did whip her on. She had to ask:

"How does he look?"

"Oh, youngish," said Madame. "Rather flabby. Obstinate. Ugly, too."

"Ugly? Plain, do you mean?"

"No. American for ugly—obstinate, sore-headed. He's hardened. He was rather a silly boy, I remember. Had enthusiasms. Much in love. He isn't now. He's no use for women."

Esther looked at her in an arrested thoughtfulness. Madame Beattie could have laughed. She had delivered the challenge Jeff had not sent, and Esther was accepting it, wherever it might lead, to whatever duelling ground. Esther couldn't help that. A challenge was a challenge. She had to answer. It was a necessity of type. Madame Beattie saw the least little flickering thought run into her eyes, and knew she was involuntarily charting the means of summons, setting up the loom, as it were, to weave the magic web. She got up, took her hat, gave her toupée a little smack with the hand, and unhinged it worse than ever.

"You'll have to give him up," she said.

"Give him up!" flamed Esther. "Do you think I want—"

There she paused and Madame Beattie supplied temperately:

"No matter what you want. You couldn't have him."

Then she went toiling upstairs, her chained ornaments clinking, and only when she had shut the door upon herself did she relax and smile over the simplicity of even a feminine creature so versed in obliquity as Esther. For Esther might want to escape the man who had brought disgrace upon her, but her flying feet would do her no good, so long as the mainspring of her life set her heart beating irrationally for conquest. Esther had to conquer even when the event would bring disaster: like a chieftain who would enlarge his boundaries at the risk of taking in savages bound to sow the dragon's teeth.

That evening the Blake house had the sound and look of social life, voices in conversational interchange and lights where Mary Nellen excitedly arrayed them. Alston Choate had come to call, and following him appeared an elderly lady whom Jeffrey greeted with more outward warmth than he had even shown his father. Alston Choate had walked in with a simple directness as though he were there daily, and Anne impulsively went forward to him. She felt she knew him very well. They were quite friends. Alston, smiling at her and taking her hand on the way to the colonel and Jeff, seemed to recognise that, and greeted her less formally than the others. The colonel was moved at seeing him. The Choates were among the best of local lineage, men and women distinguished by clear rigidities of conduct. Their friendship was a promissory note, bound to be honoured to the full. Lydia was for some reason abashed, and Jeff, both she and Anne thought, not adequately welcoming. But how could he be, Anne considered. He was in a position of unique loneliness. He lacked fellowship. Nobody but Alston, in their stratum at least, had come in person. No wonder he looked warily, lest he assume too much.

Before they settled down, the elderly lady, with a thud of feet softly shod, walked through the hall and stood at the library door regarding them benignantly. And then Jeff, with an outspoken sound of pleasure and surprise, got up and drew her in, and Choate smiled upon her as if she weredelightfully unlike anybody else. The colonel, with a quick, moved look, just said her name:

"Amabel!"

She gave warm, quick grasps from a firm hand, gave them all round, not seeming to know she hadn't met Anne and Lydia, and at once took off her bonnet. It had strings and altogether belonged to an epoch at least twenty years away. The bonnet she "laid aside" on a table with a certain absent care, as ladies were accustomed to treat bonnets before they got into the way of jabbing them with pins. Then she sat down, earnestly solicitous and attentive as at a consultation. Anne thought she was the most beautiful person she had ever seen. It was a pity Miss Amabel Bracebridge could not have known that impetuous verdict. It would have brought her a surprised, spontaneous laugh: nothing could have convinced her it was not delicious foolery. She was tall and broad and heavy. When she stood in the doorway, she seemed to fill it. Now that she sat in the chair, she filled that, a soft, stout woman with great shoulders and a benign face, a troubled face, as if she were used to soothing ills, yet found for them no adequate recompense. Her dark grey dress was buttoned in front, after the fashion of a time long past. It was so archaic in cut, with a little ruffle at neck and sleeves, that it did more than adequate service toward maturing her. Indeed, there was no youth about Miss Amabel, except the youth of her eyes and smile. There were childlike wistfulness and hope, but experience chiefly, of life, of the unaccounted for, the unaccountable. She had, above all, an expression of well-wishing. Now she sat and looked about her.

"Dear me!" she said, "how pleasant it is to see this house open again."

"But it's been open," Lydia impulsively reminded her.

"Yes," said Miss Amabel. "But not this way." She turned to Jeff and regarded him anxiously. "Don't you smoke?" she asked.

He laughed again. He was exceedingly pleased, Anne saw, merely at seeing her. Miss Amabel was exactly as he remembered her.

"Yes," said he. "Want us to?"

She put up her long eyebrows and smiled as if in some amusement at herself.

"I've learned lately," she said, "that gentlemen are so devoted to it they feel lost without it."

"Light up, Choate," said Jeffrey. "My sisters won't mind. Will you?" He interrogated Anne. "They get along with me."

No, Anne didn't mind, and she rose and brought matches and little trays. Lydia often wondered how Anne knew the exact pattern of man's convenience. But though Choate accepted a cigar, he did not light it.

"Not now," he said, when Jeffrey offered him a light; he laid the cigar down, tapping it once or twice with his fine hand, and Anne thought he refrained in courtesy toward her and Lydia.

"This is very pleasant," said the colonel suddenly. "It's good to see you, Amabel. Now I feel myself at home."

But what, after the first settling was over, had they to say? The same thought was in all their minds. What was Jeffrey going to do? He knew that, and moved unhappily. Whatever he was going to do, he wouldn't talk about it. But Miss Amabel was approaching him with the clearest simplicity.

"Jeff, my dear," she said, "I can't wait to hear about your ideal republic."

And then, all his satisfaction gone and his scowl comeback, Jeff shook his head as if a persistent fly had lighted on him, and again he disclaimed achievement.

"Amabel," said he, "I'm awfully sick of that, you know."

"But, dear boy, you revolutionised—" she was about to add, "the prison," but stumbled lamely—"the place."

"The papers told us that," said Choate. It was apparent he was helping somebody out, but whether Jeff or Miss Amabel even he couldn't have said.

"It isn't revolutionised," said Jeff. He turned upon Choate brusquely. "It's exactly the same."

"They say it's revolutionised," Miss Amabel offered anxiously.

"Who says so?" he countered, now turning on her.

"The papers," she told him. "You didn't write me about it. I asked you all sorts of questions and you wouldn't say a word."

"But you wrote me," said Jeff affectionately, "every week. I got so used to your letters I sha'n't be able to do without them; I shall have to see you every day."

"Of course we're going to see each other," she said. "And there's such a lot you can do."

She looked so earnestly entreating that Choate, who sat not far from her, gave a murmured: "Ah, Miss Amabel!" In his mind the half-despairing, wholly loving thought had been: "Good old girl! You're spending yourself and all your money, but it's no use—no use."

She was going on with a perfect clarity of purpose.

"Oh, you know, Jeff can do more for us than anybody else."

"What do you want done for you?" he inquired.

His habit of direct attack gave Lydia a shiver. She was sure people couldn't like it, and she was exceedinglyanxious for him to be liked. Miss Amabel turned to Farvie.

"You see," she said, "Addington is waking up. I didn't dwell very much on it," she added, now to Jeff, "when I wrote you, because I thought you'd like best to think of it as it was. But now—"

"Now I'm out," said Jeff brutally, "you find me equal to it."

"I think," said Miss Amabel, "you can do so much for us." Nothing troubled her governed calm. It might almost be that, having looked from high places into deep ones, no abyss could dizzy her. "Weedon Moore feels as I do."

"Weedon Moore?" Jeffrey repeated, in a surprised and most uncordial tone. He looked at Choate.

"Yes," said Choate, as if he confirmed not only the question but Jeff's inner feeling, "he's here. He's practising law, and besides that he edits theArgosy."

"Owns it, too, I think," said Farvie. "They told me so at the news-stand."

"Well," said Choate pointedly, "it's said Miss Amabel owns it."

"Then," said Jeff, including her abruptly, "you've the whip-hand. You can get Moore out of it. What's he in it for anyway? Did you have to take him over with the business?"

Miss Amabel was plainly grieved.

"Now why should you want to turn him out of it?" she asked, really of Choate who had started the attack. "Mr. Moore is a very able young man, of the highest ideals."

Jeff laughed. It was a kindly laugh. Anne was again sure he loved Miss Amabel.

"I can't see Moore changing much after twenty-five," he said to Choate, who confirmed him briefly:

"Same old Weedie."

"Mr. Moore is not popular," said Miss Amabel, with dignity, turning now to Farvie. "He never has been, here in Addington. He comes of plain people."

"That's not it, Miss Amabel," said Choate gently. "He might have been spawned out of the back meadows or he might have been—a Bracebridge." He bowed to her with a charming conciliation and Miss Amabel sat a little straighter. "If we don't accept him, it's because he's Weedon Moore."

"We were in school with him, you know: in college, too," said Jeff, with that gentleness men always accorded her, men of perception who saw in her the motherhood destined to diffuse itself, often to no end: she was so noble and at the same time so helpless in the crystal prison of her hopes. "We knew Weedie like a book."

Miss Amabel took on an added dignity, proportioned to the discomfort of her task. Here she was defending Weedon Moore whom her outer sensibilities rejected the while his labelled virtues moved her soul. Sometimes when she found herself with people like these to-night, manifestly her own kind, she was tired of being good.

"I don't know any one," said she, "who feels the prevailing unrest more keenly than Weedon Moore."

At that instant, Mary Nellen, her eyes brightening as these social activities increased, appeared in the doorway, announcing doubtfully:

"Mr. Moore."

Jeffrey, as if actually startled, looked round at Choate who was unaffectedly annoyed. Anne, rising to receive the problematic Moore, thought they had an air of wondering how they could repel unwarranted invasion. Miss Amabel, in a sort of protesting, delicate distress, was loyally striving to make the invader's path plain.

"I told him I was coming," she said. "It seems he had thought of dropping in." Then Anne went out on the heels of Mary Nellen, hearing Miss Amabel conclude, as she left, with an apologetic note unfamiliar to her soft voice, "He wants you to write something, Jeff, for theArgosy."

Anne, even before seeing him, became conscious that Mary Nellen regarded the newcomer as undesirable; and when she came on him standing, hat in hand, she agreed that Weedon Moore was, in his outward integument, exceedingly unpleasant: a short, swarthy, tubby man, always, she was to note, dressed in smooth black, and invariably wearing or carrying, with the gravity of a funeral mourner, what Addington knew as a "tall hat". When the weather gave him countenance, he wore a black coat with a cape. One flashing ring adorned his left hand, and he indulged a barbaric taste in flowing ties. Seeing Anne, he spoke at once, and if she had not been prepared for him she must have guessed him to be a man come on a message of importance. There was conscious emphasis in his voice, and there needed to be if it was to accomplish anything: a high voice, strident, and, like the rest of him, somehow suggesting insect life. He held out his hand and Anne most unwillingly took it.

"Miss French," said he, with no hesitation before her name, "how is Jeff?"

The mere inquiry set Anne vainly to hoping that he need not come in. But he gave no quarter.

"I said I'd run over to-night, paper or no paper. I'm frightfully busy, you know, cruelly, abominably busy. But I just wanted to see Jeff."

"Won't you come in?" said Anne.

Even then he did not abandon his hat. He kept his hold on it, bearing it before him in a way that made Annethink absurdly of shields and bucklers. When, in the library, she turned to present him, as if he were an unpleasant find she had got to vouch for somehow, the men were already on their feet and Jeff was setting forward a chair. She could not help thinking it was a clever stage business to release him from the necessity of shaking hands. But Moore did not abet him in that informality. His small hand was out, and he was saying in a sharp, strained voice, exactly as if he were making a point of some kind, an oratorical point:

"Jeff, my dear fellow! I'm tremendously glad to see you."

Anne thought Jeff might not shake hands with him at all. But she saw him steal a shamefaced look at Miss Amabel and immediately, as if something radical had to be done when it came to the friend of a beloved old girl like her, strike his hand into Moore's, with an emphasis the more pronounced for his haste to get it over. Moore seemed enraptured at the handshake and breathless over the occasion. Having begun shaking hands he kept on with enthusiasm: the colonel, Miss Amabel and Lydia had to respond to an almost fervid greeting.

Only Choate proved immune. He had vouchsafed a cool: "How are you, Weedie?" when Moore began, and that seemed all Moore was likely to expect. Then they all sat down and there was, Lydia decided, as she glanced from one to another, no more pleasure in it. There was talk. Moore chatted so exuberantly, his little hands upon his fattish knees, that he seemed to squeeze sociability out of himself in a rapture of generous willingness to share all he had. He asked the colonel how he liked Addington, and was not abashed at being reminded that the colonel had known Addington for a good many years.

"Still it's changed," said Moore, regarding him almostarchly. "Addington isn't the place it was even a year ago."

"I hope we've learned something," said Miss Amabel earnestly and yet prettily too.

"My theory of Addington," said Choate easily, "is that we all wish we were back in the Addington of a hundred years ago."

"You'd want to be in the dominant class," said Moore. There was something like the trammels of an unwilling respect over his manner to Choate; yet still he managed to be rallying. "When the old merchants were coming home with china and bales of silk and Paris shoes for madam. And think of it," said he, raising his sparse eyebrows and looking like a marionette moulded to express something and saying it with painful clumsiness, almost grotesquerie, "the ships are bringing human products now. They're bringing us citizens, bone and sinew of the republic, and we cry back to china and bales of silk."

"I didn't answer you, Moore," said Choate, turning to him and speaking, Lydia thought, with the slightest arrogance. "I should have wanted to belong to the governing class—of course."

"Now!" said Miss Amabel. She spoke gently, and she was, they saw, pained at the turn the talk had taken. "Alston, why should you say that?"

"Because I mean it," said Alston. His quietude seemed to carry a private message to Moore, but he turned to her, as he spoke and smiled as if to ask her not to interpret him harshly. "Of course I should have wanted to be in the dominant class. So does everybody, really."

"No, my dear," said Miss Amabel.

"No," agreed Choate, "you don't. The others like you didn't. I won't embarrass you by naming them. You want to sit submerged, you others, and be chokedby slime, if you must be, and have the holy city built up on your shoulders. But the rest of us don't. Moore here doesn't, do you, Weedie?"

Weedon gave a quick embarrassed laugh.

"You're so droll," said he.

"No," said Choate quietly, "I'm not being droll. Of course I want to belong to the dominant class. So does the man that never dominated in his life. He wants to overthrow the over-lords so he can rule himself. He wants to crowd me so he can push into a place beside me."

Moore laughed with an overdone enjoyment.

"Excellent," he said, squeezing the words out of his knees. "You're such a humourist."

If he wanted to be offensive, that was the keenest cut he could have delivered.

"I have often thought," said the colonel, beginning in a hesitating, deferent way that made his utterance rather notable, "that we saddle what we call the lower orders with motives different from our own."

"Precisely," Choate clipped in. "We used to think, when they committed a perfectly logical crime, like stealing a sheep or a loaf of bread, that it was absolutely different from anything we could have done. Whereas in their places we should have tried precisely the same thing. Just as cleanliness is a matter of bathtubs and temperature. We shouldn't bathe if we had to break the ice over a quart of water and then go out and run a trolley car all day."

Lydia's face, its large eyes fixed upon him, said so plainly "I don't believe it" that he laughed, with a sudden enjoyment of her, and, after an instant of wider-eyed surprise, she laughed too.

"And here's Miss Amabel," Choate went on, in the voice it seemed he kept for her, "going to the outer extreme andbelieving, because the labouring man has been bled, that he's incapable of bleeding you. Don't you think it, Miss Amabel. He's precisely like the rest of us. Like me. Like Weedon here. He'll sit up on his platform and judge me like forty thousand prophets out of Israel; but put him where I am and he'll cling with his eyelids and stick there. Just as I shall."

Miss Amabel looked deeply troubled and also at a loss.

"I only think, Alston," she said, "that so much insight, so much of the deepest knowledge comes of pain. And the poor have suffered pain so many centuries. They've learned things we don't know. Look how they help one another. Look at their self-sacrifice."

"Look at your own self-sacrifice," said Choate.

"Oh, but they know," said she. The flame of a great desire was in her face. "I don't know what it is to be hungry. If I starved myself I shouldn't know, because in somebody's pantry would be the bread-box I could put my hand into. They know, Alston. It gives them insight. When they remember the road they've travelled, they're not going to make the mistakes we've made."

"Oh, yes, they are," said Choate. "Pardon me. There are going to be robbers and pirates and Napoleons and get-rich-quicks born for quite a while yet. And they're not going to be born in my class alone—nor Weedon's."

Weedon squirmed at this, and even Jeff thought it rather a nasty cut. But Jeff did not know yet how well Choate knew Weedon in the ways of men. And Weedon accepted no rebuff. He turned to Jeff, distinctly leaving Choate as one who would have his little pleasantries.

"Jeff," he said, "I want you to do something for theArgosy."

Jeff at once knew what.

"Queer," he said, "how you all think I've got copy out of jail."

Anne resented the word. It was not jail, she thought, a federal prison where gentlemen, when they have done wrong or been, like Jeff, falsely accused, may go with dignity.

"My dear," said Miss Amabel, in a manner at once all compassion and inexorable demand, "you've got so much to tell us. You men in that—place," she stumbled over the word and then accepted it—"discussed the ideal republic. You made it, by discussing it."

"Yes," said Choate, in voice of curious circumspection as if he hardly knew what form even of eulogy might hurt, "it was an astonishing piece of business. You can't expect people not to notice a thing like that."

"I can't help it," said Jeff. "I don't want such a row made over it."

Whether the thing was too intimate, too near his heart still beating sluggishly it might be, from prison air, could not be seen. But Miss Amabel, exquisitely compassionate, was yet inexorable, because he had something to give and must not withhold.

"The wonderful part of it is," she said, "that when you have built up your ideal government, prison ceases to be prison. There won't be punishment any more."

"Oh, don't you make that mistake," said Jeff, instantly, moved now too vitally to keep out of it. "There are going to be punishments all along the line. The big punishment of all, when you've broken a law, is that you're outside. If it's a small break, you're not much over the sill. If it's a big break, you're absolutely out. Outside, Amabel, outside!" He never used the civil prefix before her name, andAnne wondered again whether the intimacy of the letters accounted for this sweet informality. "You're banished. What's worse than that?"

"Oh, but," said she, her plain, beautiful face beaming divinity on him as one of the children of men, "I don't want them to be banished. If anybody has sinned—has broken the law—I want him to be educated. That's all."

"Look here," said Jeff, He bent forward to her and laid the finger of one trade-stained hand in the other palm. "You're emasculating the whole nation. Let us be educated, but let us take our good hard whacks."

"Hear! hear!" said Choate, speaking mildly but yet as a lawyer, who spent his life in presenting liabilities for or against punishment. "That's hot stuff."

"I believe in law," said Jeff rapidly. "Sometimes I think that's all I believe in now."

Anne and Lydia looked at him in a breathless waiting upon his words. He had begun to justify himself to their crescent belief in him, the product of the years. His father also waited, but tremulously. Here was the boy he had wanted back, but he had not so very much strength to accord even a fulfilled delight. Jeff, forgetful of everybody but the old sybil he was looking at, sure of her comprehension if not her agreement, went on.

"I'd rather have bad laws than no laws. I believe in Sparta. I believe in the Catholic Church, if only because it has fasts and penances. We've got to toe the mark. If we don't, something's got to give it to us good and hard, the harder the better, too. Are we children to be let off from the consequences of what we've done? No, by God! We're men and we've got to learn."

Suddenly his eyes left Miss Amabel's quickened face and he glanced about him, aware of the startled tensity of gazeamong the others. Moore, with a little book on his knee, was writing rapidly.

"Notes?" Jeff asked him shortly. "No, you don't."

He got up and extended his hand for the book, and Moore helplessly, after a look at Miss Amabel, as if to ask whether she meant to see him bullied, delivered it. Jeff whirled back two leaves, tore them out, crumpled them in his hand and tossed them into the fireplace.

"You can't do that, Moore," he said indifferently, and Choate murmured a monosyllabic assent.

Moore never questioned the bullying he so prodigally got. He never had at college even; he was as ready to fawn the next day. It seemed as if the inner man were small, too small for sound resentment. Jeff sat down again. He looked depressed, his countenance without inward light. But Lydia and Anne had rediscovered him. Again he was their hero, reclothed indeed in finer mail. Miss Amabel rose at once. She shook hands with the colonel, and asked Anne and Lydia to come to see her.

"Don't you do something, you two girls?" she asked, with her inviting smile. "I'm sure Jeff wrote me so."

"We dance," said Lydia, in a bubbling bright voice, as if she had run forward to be sure to get the chance of answering. "Let us come and dance for you. We can dance all sorts of things."

And Lydia was so purely childlike and dear, after this talk of punishments and duties, that involuntarily they all laughed and she looked abashed.

"Perhaps you know folk-dances," said Miss Amabel.

"Oh, yes," said Lydia, getting back her spirit. "There isn't one we don't know."

And they laughed again and Miss Amabel tied on her bonnet and went away attended by Choate, with WeedonMoore a pace behind, holding his hat, until he got out of the house, as it might be at a grotesque funeral.

Miss Amabel had called back to Lydia:

"You must come and train my classes in their national dancing."

Lydia, behind the colonel and Jeff as they stood at the front door, seized Anne's hand and did a few ecstatic little steps.

The colonel was bright-eyed and satisfied with his evening. "Jeff," said he, before they turned to separate, "I always thought you were meant for a writer."

Jeff looked at him in a dull denial, as if he wondered how any man, life being what it is, could seek to bound the lot of another man. His face, flushed darkly, was seamed with feeling.

"Father," said he, in a voice of mysterious reproach, "I don't know what I was meant to be."


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