The late autumn had a profusion of exhilarating days. The crops kept Jeff in the garden and brought his father out for his quota of pottering care. When the land was cleared for ploughing and even the pile of rubbish burned, Jeff got to feeling detached again, discontented even, and went for long tramps, sometimes with Alston Choate. Esther, seeing them go by, looked after them in a consternation real enough to blanch her damask cheek. What was the bond between them? Whatever bond they had formed must be to the exclusion of her and her dear wishes, and their amity enraged her.
Once, in walking, she saw Jeff turn in at Miss Amabel's gate, and she did not swerve but actually finished her walk and came back that way praying, with the concentration of thought which is an assault of will, that he might be coming out and meet her. And it happened according to her desire. There, at the gate was Jeff, handsomer, according to a woman's jealous eye, than she had ever seen him, fresh-coloured, his face set in a determination that was not feigned, hard, fit for any muscular task more than the average man might do. Esther was looking her prettiest. She continued to look her prettiest now, so far as woman's art could serve her, for she could not know what moment might summon her to bring her own special strength to bear. Jeff, at sight of her, took off his hat, but stopped short standing inside the gate. Esther understood. He wasn't going to commit her towalk with him where Addington might see. She, too, stopped, her heart beating as fast as she could have desired and giving her a bright accession of colour. Esther greatly prized her damask cheek.
Jeff, feeling himself summoned, then came forward. He looked at her gravely, and he was at a loss. How to address her! But Esther, with a beguiling accent of gentleness, began.
"Isn't it strange?" she said, wistfully and even humbly, as if it were not a question but a reflection of her own, not necessarily to be answered.
"What is strange?" asked Jeff, with a kindly note she found reassuring.
"You and me," said Esther, "standing here, when—I don't believe you were going to speak."
Her poor little smile looked piteous to him and the lift of her brows. Jeff was sorry for her, sorry for them both. At that moment he was not summoning energy to distrust her, and this was as she hoped.
"I'm sorry, Esther," he said impulsively. "I did mean to speak. It wasn't that. I only don't mean to make you—in other folks' eyes, you know—seem to be having anything to do with me when—when you don't want to."
"When I don't want to!" Esther repeated. There was musing in the soft voice, a kind of wonder.
"It's an infernal shame," said Jeff. He was glad to tell her he hated the privation she had to bear of having cast him off and yet facing her broken life without him. "I know what kind of time you have as well as you could tell me. You've got Madame Beattie quartered on you. There's grandmother upstairs. No comfort in her. No companionship. I've often thought you don't go out as much as you might for fear of meeting me. You needn'tfeel that. If I see it's going to happen I can save you that, at least."
Esther stood looking up at him, her lips parted, as if she drank what he had to say through them, and drank it thirstily.
"How good you are!" she said. "O Jeff, how good! When I've—" There she paused, still watching him. But Esther had the woman's instinctive trick of being able to watch accurately while she did it passionately.
Jeff flushed to his hair, but her cleverness did not lead her to the springs of his emotion. He was ashamed, not of her, but of himself.
"You're off," he said, "all wrong. I do want to save you from this horrible mix-up I've made for you. But I'm not good, Esther. I'm not the faithful chap it makes me seem. I'm different. You wouldn't know me. I don't believe we ever knew each other very well."
Something like terror came into her beautiful eyes. Was he, that inner terror asked her, trying to explain that she had lost him? Although she might not want him, she had always thought he would be there.
"You mean—" she began, and strove to keep a grip on herself and decide temperately whether this would be best to say. But some galled feeling got the better of her. The smart was too much. Hurt vanity made her wince and cry out with the passion of a normal jealousy. "You mean," she continued, "you are in love with another woman."
It was a hit. He had deserved it, he knew, and he straightened under it. Let him not, his alarmed senses told him, even think of Lydia, lest these cruelly clever eyes see Lydia in his, Lydia in his hurried breath, even if he could keep Lydia from his tongue.
"Esther," he said, "don't say such a thing. Don'tthink it. What right have I to look at another woman while you are alive? How could I insult a woman—" He stopped, his own honest heart knocking against his words. He had dared. He had swept his house of life and let Lydia in.
"Yes," said Esther thoughtfully, and, it seemed, hurt to the soul, "you love somebody else. O Jeff, I didn't think—" She lifted widened eyes to his. Afterward he could have sworn they were wet with tears. "I stand in your way, don't I? What can I do, not to stand in your way?"
"Do?" said Jeff, in a rage at all the passions between men and women. "Do? You can stop talking sentiment about me and putting words into my mouth. You can make over your life, if you know how, and I'll help you do it, if I can. I thought you were trying to free yourself. You can do that. I won't lift a hand. You can say you're afraid of me, as you have before. God knows whether you are. If you are, you're out of your mind. But you can say it, and I won't deny you've just cause. You mustn't be a prisoner to me."
"Jeff!" said Esther.
"What is it?" he asked.
She spoke tremblingly, weakly really as if she had not the strength to speak, and he came a step nearer and laid his hand on the granite gatepost. It was so hard it gave him courage. There were blood-red vines on it, and when he disturbed their stems they loosened leaves and let them drift over his hand.
"Now I see," said Esther, "how really alone I am. I thought I was when you were away, but it was nothing to this."
She walked on, listlessly, aimlessly even though she kept the path and she was going on her way as she hadelected to before she saw him. But to Jeff she seemed to be a drifting thing. A delicate butterfly floated past him, weakened by the coldness of last night and fluttering on into a night as cold.
"Esther," he called, and hurried after her. "You don't want me to walk with you?" he asked impatiently. "You don't want Addington to say we've made it up?"
"I don't care about Addington," said Esther. "It can say what it pleases—if you're kind to me."
"Kind!" said Jeff. "I could have you trounced. You don't play fair. What do you mean by mixing me all up with pity and things—" Esther's lids were not allowed to lift, but her heart gave a little responsive bound. So she had mixed him up!—"Getting the facts all wrong," Jeff went on irritably. "You ignore everything you've felt before to-day. And you begin to-day and say I've not been kind to you."
Now Esther looked at him. She smiled.
"Scold away," she said. "I've wanted you to scold me. I haven't been so happy for months."
"Of course I scold you," said Jeff. "I want to see you happy. I want to see you rid of me and beginning your life all over, so far as you can. You're not the sort to live alone. It's an outrage against nature. A woman like you—"
But Esther never discovered what he meant by "a woman like you." He had gone a little further than her brain would take her. Did he mean a woman altogether charming, like her—or? She dropped the inquiry very soon, because it seemed to lead nowhere and it was pleasanter to think the things that do not worry one.
Jeff remembered afterward that he had known from the beginning of the walk with her that they should meet all Addington. But it was not the Addington he had irritably dreaded. It was Lydia. His heart died as he saw her coming, and his brain called on every reserve within him to keep Esther from knowing that here was his heart's lady, this brave creature whose honour was untainted, who had a woman's daring and a man's endurance. He even, after that first alarm of a glance, held his eyes from seeing her and he kept on scolding Esther.
"What's the use," he said, "talking like that?" And then his mind told him there must be no confusion in what he said. He was defending Lydia. He was pulling over her the green leaves of secrecy. "I advise you," he said, "to get away from here. Get away from Madame Beattie—get away from grandmother—" Lydia was very near now. He felt he could afford to see her. "Ah, Lydia!" he said casually, and took off his hat.
They were past her, but not before Esther had asked, in answer:
"Where shall we go? I mean—" she caught herself up from her wilful stumbling—"where could I go—alone?"
They were at her own gate, and Jeff stopped with her. Since they left Lydia he had held his hat in his hand, and Esther, looking up at him saw that he had paled under his tan. The merciless woman in her took stock of that, rejoicing. Jeff smiled at her faintly, he was so infinitely glad to leave her.
"We must think," he said. "You must think. Esther, about money, I'll try—I don't know yet what I can earn—but we'll see. Oh, hang it! these things can't be said."
He turned upon the words and strode off and Esther, without looking after him, went in and at once upstairs.
"Good girl!" Madame Beattie called to her, from her room. "Well begun is half done."
Esther did not answer. Neither did she take the trouble to hate Aunt Patricia for saying it. She went instantly to her glass, and smiled into it. The person who smiled back at her was young and very engaging. Esther liked her. She thought she could trust her to do the best thing possible.
Jeff went home and stood just inside his gateway to wait for Lydia. He judged that she had been going to Amabel's, and now, her thoughts thrown out of focus by meeting him with Esther, she would give up her visit and come home to be sad a little by herself. He was right. She came soon, walking fast, after her habit, a determined figure. He had had time to read her face before she drew its veil of proud composure, and he found in it what he had expected: young sorrow, the anguish of the heart stricken and with no acquired power of staunching its own wounds. When she saw him her face hardly changed, except that the mournful eyes sought his. Had Esther got power over him? the eyes asked, and not out of jealousy, he believed. The little creature was like a cherishing mother. If Esther had gained power she would fight it to the uttermost, not to possess him but to save his intimate self. Esther might pursue it into fastnesses, but it should be saved. To Jeff, in that instant of meeting the questioning eyes, she seemed an amazing person, capable of exacting a tremendous loyalty. He didn't feel like explaining to her that Esther hadn't got him in the least. The clarity of understanding between them was inexpressibly precious to him. He wouldn't break it by muddling assertions.
"I've been to Amabel's," he said. "You were going there, too, weren't you?"
Lydia's face relaxed and cleared a little. She looked relieved, perhaps from the mere kindness of his voice.
"I didn't go," she said. "I didn't feel like it."
"No," said Jeff. "But now we're home again, both of us, and we're glad. Couldn't we cut round this way and sit under the wall a little before Anne sees us and makes us eat things?"
He took her hand, this time of intention to make her feel befriended in the intimacy of their common home, and they skirted the fence and went across the orchard to the bench by the brick wall. As they sat there and Jeff gave back her little hand he suddenly heard quick breaths from her and then a sob or two.
"Lydia," said he. "Lydia."
"I know it," said Lydia.
She sought out her handkerchief and seemed to attack her face with it, she was so angry at the tears.
"You're not hurt," said Jeff. "Truly you're not hurt, Lydia. There's been nothing to hurt you."
Soon her breath stopped catching, and she gave her eyes a final desperate scrub. By that time Jeff had begun to talk about the land and what he hoped to do with it next year. He meant at least to prune the orchard and maybe set out dwarfs. At first Lydia did not half listen, knowing his purpose in distracting her. Then she began to answer. Once she laughed when he told her the colonel, in learning to dig potatoes, had sliced them with the hoe. Father, he told her, was what might be called a library agriculturist. He was reading agricultural papers now. He could answer almost any question you asked. As for bugs and their natural antidotes, he knew them like a book. He even called himself an agronomist. But when it came to potatoes! By and by they were talking together and he had succeeded in giving her that homely sense of intimacy he had been striving for. She forgot the pang that pierced her when she saw him walking beside the woman who owned him through the law. He was theirs, hers and her father's and Anne's, because they knew him as he was and were desperately seeking to succour his maimed life.
But as she was going to sleep a curious question asked itself of Lydia. Didn't she want him to go back to his wife and be happy with her, if that could be? Lydia had no secrets from herself, no emotional veilings. She told herself at once that she didn't want it at all. No Esther made good as she was fair, by some apt miracle, could be trusted with the man she had hurt. According to Lydia, Esther had not in her even the seeds of such compassion as Jeff deserved.
When the cold weather came and Alston Choate and Weedon Moore became rival candidates for the mayoralty of Addington, strange things began to happen. Choate, cursing his lot inwardly, but outwardly deferential to his mother who had really brought it on him, began to fulfil every last requirement of the zealous candidate. He even learned to make speeches, not the lucid exponents of the law that belonged to his court career, but prompt addresses, apparently unconsidered, at short notice. The one innovation he drew the line at was the flattering recognition of men he had never, in the beaten way of life, recognised before. He could not, he said, kiss babies. But he would tell the town what he thought it needed, coached, he ironically added when he spoke the expansive truth at home, by his mother and Jeff. They were ready to bring kindling to boil the pot, Mrs. Choate in her grand manner of beckoning the ancient virtues back, Jeff, as Alston told, him, hammer and tongs. Jeff also began to make speeches, because, at one juncture when Alston gave out from hoarseness—his mother said it was a psychological hoarseness at a moment when he realised overwhelmingly how he hated it all—Jeff had taken his place and "got" the men, labourers all of them, as Alston never had.
"It's a mistake," said Mrs. Choate afterward when he came to the house to report, and ask how Alston was, and the three sat eating one of Mary's quick suppers. "You're really the candidate. Those men know it. They know it's you behind Alston, and they're going totake him patiently because you tell them to. But they don't half want him."
Jeff was very fine now in his robustness, fit and strong, no fat on him and good blood racing well. He was eating bread and butter heartily, while he waited for Mary to serve him savoury things, and Mrs. Choate looked discontentedly at Mary bending over his plate, all hospitality, with the greater solicitude because he was helping Alston out. Mrs. Choate wished the nugatory Esther were out of the way, and she could marry Mary off to Jeff. Mary, pale, yet wholesome, fair-haired, with the definite Choate profile, and dressed in her favourite smoke colour and pale violet, her mother loved conscientiously, if impatiently. But she wished Mary, who had not one errant inclination, might come to her some day and say, "Mother, I am desperately enamoured of an Italian fruit-seller with Italy in his eyes." Mrs. Choate would have explained to her, with a masterly common-sense, that such vagrom impulses meant, followed to conclusions, shipwreck on the rocks of class misunderstanding; but it would have warmed her heart to Mary to have so to explain. But here was Mary to whom no eccentricity ever had to be elucidated. She could not even have imagined a fruit-seller outside his heaven-decreed occupation of selling fruit. Mrs. Choate smiled a little to herself, wondering what Mary would say if she could know her mother was willing to consign the inconvenient Esther to perpetual limbo and marry her to handsome Jeff. "Mother!" she could imagine her horrified cry. It would all be in that.
Jeff was more interested in his eating than in answering Mrs. Choate with more than an encouraging:
"We've got 'em, I think. But I wish," he said, "we had more time to follow up Weedie. What's he saying to 'em?"
"Ask Madame Beattie," said Alston, with more distaste than he could keep out of his voice. "I saw her last night on the outskirts of his crowd, sitting in Denny's hack."
"Speaking?" asked Jeff. "She'd have spoken, if she got half a chance."
Alston laughed quietly.
"Moore got the better of her. He was in his car. All he had to do was to make off. She made after him, but he's got the whip-hand, with a car."
The next night, doubtless taught the advisability of vying with her enemy, Madame Beattie, to the disgust of Esther, came down cloaked and muffled to the chin and took the one automobile to be had for hire in Addington. She was whirled away, where Esther had no idea. She was whirled back again at something after ten, hoarse yet immensely tickled. But Reardon knew what she had done and he telephoned it to Esther. She was making speeches of her own, stopping at street corners wherever she could gather a group, but especially running down to the little streets by the water where the foreign labourers came swarming out and cheered her.
"It's disgraceful," said Esther, almost crying into the telephone. "What is she saying to them?"
"Nobody knows, except it's political. We assume that," said Reardon. "All kinds of lingo. They tell me she knows more languages than a college professor."
"Find out," Esther besought him. "Ask her. Ask whom you shall vote for. It'll get her started."
That seemed to Reardon a valuable idea, and he actually did ask her, lingering before the door one night when she came out to take her car. He put her into it with a florid courtesy she accepted as her due—it wasthe best, she thought, the man had to offer—and then said to her jocosely:
"Well, Madame Beattie, who shall I vote for?"
Madame Beattie looked at him an instant with a quizzical comprehension it was too dark for him to see.
"I can tell whom you'd better not vote for," she said. "Don't vote for Esther. Tell him to go on."
Reardon did tell the man and then stood there on the pavement a moment, struck by the certainty that he had been warned. She seemed to him to know everything. She must know he was somehow likely to get into trouble over Esther. Reardon was bewitched with Esther, but he did so want to be safe. Nevertheless, led by man's destiny, he walked up to the door and Esther, as before, let him in. He thought it only fair to tell her he had found out nothing, and he meant, in a confused way, to let her see that things must be "all right" between them. By this he meant that they must both be safe. But once within beside her perfumed presence—yet Esther used no vulgar helps to provoke the senses—he forgot that he must be safe, and took her into his arms. He had been so certain of his stability, after his recoil from Madame Beattie, that he neglected to resist himself. And Esther did not help him. She clung to him and the perfume mounted to his brain. What was it? Not, even he knew, a cunning of the toilet; only the whole warm breath of her.
"Look here," said Reardon, shaken, "what we going to do?"
"You must tell me," she whispered. "How could I tell you?"
Reardon afterward had an idea that he broke into rough beseeching of her to get free, to take his money, everything he had, and buy her freedom somehow. Then, he said, in an awkwardness he cursed himself for, they couldbegin to talk. And as she withdrew from him at sound of Rhoda Knox above, he opened the door and ran away from her, to the ordered seclusion of his own house. Once there he wiped his flustered brow and cursed a little, and then telephoned her. But Sophy answered that Mrs. Blake was not well. She had gone to her room.
Reardon had a confused multitude of things to say to her. He wanted to beg her to understand, to assure her he was thinking of her and not himself, as indeed he was. But meantime as he rehearsed the arguments he had at hand, he was going about the room getting things together. His papers were fairly in order. He could always shake them into perfect system at an hour's notice. And then muttering to himself that, after all, he shouldn't use it, he telephoned New York to have a state-room reservation made for Liverpool. The office was closed, and he knew it would be, yet it somehow gave him a dull satisfaction to have tried; and next day he telephoned again.
Within a week Jeff turned his eyes toward a place he had never thought of, never desired for a moment, and yet now longed for exceedingly. A master in a night school founded by Miss Amabel had dropped out, and Jeff went, hot foot, to Amabel and begged to take his place. How could she refuse him? Yet she did warn him against propaganda.
"Jeff, dear," she said, moving a little from the open fire where he sat with her, bolt upright, eager, forceful, exactly like a suppliant for a job he desperately needs, "you won't use it to set the men against Weedon Moore?"
Jeff looked at her with a perfectly open candour and such a force of persuasion in his asking eyes that she believed he was bringing his personal charm to influence her, and shook her head at him despairingly.
"I won't in that building or the school session," he said. "Outside I'll knife him if I can."
"Jeff," said Miss Amabel, "if you'd only work together."
"We can't," said Jeff, "any more than oil and water. Or alkali and acid. We'd make a mighty fizz. I'm in it for all I'm worth, Amabel. To bust Weedie and save Addington."
"Weedon Moore is saving Addington," said she.
"Do you honestly believe that? Think how Addington began. Do you suppose a town that old boy up there helped to build—" he glanced at his friend, the judge—"do you think that little rat can do much for it? I don't."
"Perhaps Addington doesn't need his kind of help now, or yours. Addington is perfectly comfortable, except its working class. And it's the working man Weedon Moore is striving for."
"Addington is comfortable on a red-hot crater," said Jeff. "She's like all the rest of America. She's sat here sentimentalising and letting the crater get hotter and hotter under her, and unless we look out, Amabel, there isn't going to be any America, one of these days. Mrs. Choate says it's going to be the spoil of damned German efficiency. She thinks the Huns are waking up and civilisations going under. But I don't. I believe we're going to be a great unwieldy, industrial monster, no cohesion in us and no patriotism, no citizenship."
"No patriotism!" Miss Amabel rose involuntarily and stood there trembling. Her troubled eyes sought the pictured eyes of the old Judge. "Jeff, you don't know what you're saying."
"I do," said Jeff, "mighty well. Sit down, dear, or I shall have to salute the flag, too, and I'm too lazy."
She sat down, but she was trembling.
"And I'm going to save Addington, if I can," said Jeff. "I haven't the tongue of men and angels or I'd go out and try to salvage the whole business. But I can't. Addington's more my size. If there were invasion, you know, a crippled man couldn't do more than try to defend his own dooryard. Dear old girl, we've got to save Addington."
"I'm trying," said she. "Jeff, dear, I'm trying. And I've a lot of money. I don't know how it rolled up so."
"Don't give it to Weedon Moore, that's all," he ventured, and then, in the stiffening of her whole body, he saw it was a mistake even to mention Moore. Her large charity made her fiercely partisan. He ventured the audacious personal appeal. "Give me some, Amabel, if you've really got so much. Let me put on some plays, in a simple way, and try to make your workmen see what we're at, when we talk about home and country. They despise us, Amabel, except on pay day. Let's hypnotise 'em, please 'em in some other way besides shorter hours and easier strikes. Let's make 'em fall over themselves to be Americans."
Miss Amabel flushed all over her soft face, up to the line of her grey hair.
"Jeff," she said.
"What'm?"
"I have always meant when you were at liberty again—" that seemed to her a tolerable euphemism—"to turn in something toward your debt."
"To the creditors?" Jeff supplied cheerfully. "Amabel, dear, I don't believe there are any little people suffering from my thievery. It's only the big people that wanted to be as rich as I did. Anne and Lydia are suffering in a way. But that's my business. I'm going toconfess to you. Dear sister superior, I'm going to confess."
She did not move, hardly by an eyelash. She was afraid of choking his confidence, and she wanted it to come abundantly. Jeff sat for a minute or two frowning and staring into the fire. He had to catch himself back from what threatened to become silent reverie.
"I've thought a good deal about this," he said, "when I've had time to think, these last weeks. I'd give a lot to stand clear with the world. I'd like to do a spectacular refunding of what I stole and lost. But I'd far rather pitch in and save Addington. Maybe it means I'm warped somehow about money, standards lowered, you know, perceptions blunted, that sort of thing. Well, if it's so I shall find it out sometime and be punished. We can't escape anything, in spite of their doctrine of vicarious atonement."
She moved slightly at this, and Jeff smiled at her.
"Yes," said he, "we have to be punished. Sometimes I suppose the full knowledge of what we've done is punishment enough. Now about me. If anybody came to me to-day and said, 'I'll make you square with the world,' I should say, 'Don't you do it. Save Addington. I'd rather throw my good name into the hopper and let it grind out grist for Addington.'"
Miss Amabel put out the motherly hand and he grasped it.
"And I assure you," he said again, "I don't know whether that's common-sense—tossing the rotten past into the abyss and making a new deal—or whether it's because I've deteriorated too much to see I've deteriorated. You tell, Amabel."
She took out her large handkerchief—Amabel had a convenient pocket—and openly wiped her eyes.
"I'll give you money, Jeff," she said, "and you can put it into plays. I'd like to pay you something definite for doing it, because I don't see how you're going to live."
"Lydia'll help me do it," said Jeff, "she and Anne. They're curiously wise about plays and dances. No, Amabel, I sha'n't eat your money, except what you pay me for evening school. And I have an idea I'm going to get on. I always had the devil's own luck about things, you know. Look at the luck of getting you to fork out for plays you've never heard the mention of. And I feel terrible loquacious. I think I shall write things. I think folks'll take 'em. They've got to. I want to hand over a little more to Esther."
Even to her he had never mentioned the practical side of Esther's life. Miss Amabel looked at him sympathetically, inquiringly.
"Yes," he said, "she's having a devil of a time. I want to ease it up somehow—send her abroad or let her get a divorce or something."
"You couldn't—" said Amabel. She stopped.
His brows were black as thunder.
"No," said he, "no. Esther and I are as far apart as—" he paused for a simile. Then he smiled at her. "No," he said. "It wouldn't do."
As he went out he stopped a moment more and smiled at her with the deprecating air of asking for indulgence that was his charm when he was good. His eyes were the soft bright blue of happy seas.
"Amabel," said he, "I don't want to cry for mercy, though I'd rather have mercy from you than 'most anybody. Blame me if you've got to, but don't make any mistake about me. I'm not good and I'm not all bad. I'm nothing but a confusion inside. I've got to pitch inand do the best thing I know. I'm an undiscovered country."
"You're no mystery to me," she said. "You're a good boy, Jeff."
He went straight home and called Lydia and Anne to council, the colonel sitting by, looking over his glasses in a benevolent way.
"I've been trying to undermine Weedie," said Jeff, "with Amabel. I can't quite do it, but I've got her to promise me some of her money. For plays, Lydia, played by Mill End. What do you say?"
"She hasn't money enough for real plays," said Lydia. "All she's got wouldn't last a minute."
"Not in a hall?" asked Jeff. "Not with scenery just sketched in, as it were? But all of it patriotic. Teach them something. Ram it down their throats. English language."
Lydia made a few remarks, and Jeff sat up and stared at her. The colonel and Anne, endorsing her, were not surprised. They had heard it all before. It seems Lydia had a theory that the province of art is simply not to be dull. If you could charm people, you could make them do anything. The kite of your aspirations might fly among the stars. But you couldn't fly it if it didn't look well flying. The reason nobody really learns anything by plays intended to teach them something, Lydia said, is because the plays are generally dull. Nobody is going to listen to "argufying" if he can help it. If you tell people what it is beneficial for them to believe they are going home and to bed, unchanged. But they'll yawn in your faces first. Lydia had a theory that you might teach the most extraordinary lessons if you only made them bewitching enough. Look at the Blue Bird. How many people who loved to see Bread cut a slice off hisstomach and to follow the charming pageant of the glorified common things of life, thought anything save that this was a "show" with no appeal beyond the visual one? Yet there it was, the big symbolism beating in its heart and keeping it alive. The Children of Light could see the symbolism quick as a wink. Still the Children of Darkness who never saw any symbolism at all and who were the ones to yawn and go home to bed, helped pay for tickets and keep the thing running. We must bewitch them also. Jeff inquired humbly if she would advise taking up Shakespeare with the Mill Enders and found she still wouldn't venture on it at once. She'd do some fairy plays, quite easy to write on new lines. Everything was easy if you had "go" enough, Lydia said. Jeff ventured to inquire about scenic effects, and discovered, to his enlightenment, that Lydia had the greatest faith in the imagination of any kind of audience. Do a thing well enough, she said, and the audience would forget whether it was looking at a painted scene or not. It could provide its own illusion. Think of the players, she reminded him, who, when they gave the Trojan Women on the road, and sought for a little Astyanax, were forbidden by an asinine city government to bring on a real child. Think how the actors crouched protectingly over an imaginary Astyanax, and how plainly every eye saw the child who was not there. Perhaps every woman's heart supplied the vision of her dream-child, of the child she loved. Think of the other play where the kettle is said to be hissing hot and everybody shuns it with such care that onlookers wince too. Lydia thought she could write the fairy plays and the symbolic plays, all American, if Jeff liked, and he might correct the grammar.
Just then Mary Nellen, passionately but silently grieved to have lost such an intellectual feast, came in on the tailof these remarks. She brought Jeff a letter. It was a publisher's letter, and the publisher would print his book about prisoners. It said nothing whatever of trying to advertise him as a prisoner. Jeff concluded the man was a decent fellow. He swaggered a little over the letter and told the family he had to, it was such luck.
They were immensely proud and excited at once. The colonel called him "son" with emphasis, and Lydia got up and danced a little by herself. She invited Anne to join her, but Anne sat, soft-eyed and still, and was glad that way. Jeff thought it an excellent moment to tell them he was going to teach in the evening school, upon which Lydia stopped dancing.
"But I want to," he said to her, with a smile for her alone. "Won't you let me if I want to?"
"I want you to write," said Lydia obstinately.
"I shall. I shall write. And talk. It's a talking age. Everybody's chattering, except the ones that are shrieking. I'm going to see if I can't down some of the rest."
A carnival of motor cars kept on whirling to all parts of the town where Madame Beattie was likely to speak. She spoke in strange places: at street corners, in a freight station, at the passenger station when the incoming train had brought a squad of workmen from the bridge repairing up the track. It was always to workmen, and always they knew, by some effective communication, where to assemble. The leisure class, too, old Addingtonians, followed her, as if it were all the best of jokes, and protested they sometimes understood what she said. But nobody did, except the foreigners and not one of them would own to knowing. Weedon Moore made little clipped bits of speeches, sliced off whenever her car appeared and his audience turned to her in a perfect obedience and glowing interest. Jeff, speaking for Alston, now got a lukewarm attention, the courtesy born out of affectionate regard. None of the roars and wild handclappings were for him. Madame Beattie was eating up all the enthusiasm in town. Once Jeff, walking along the street, came on her standing in her car, haranguing a group of workmen, all intent, eager, warm to her with a perfect sympathy and even a species of adoration.
He stepped up in the car beside her. He had an irritated sense that, if he got near enough, he might find himself inside the mystic ring. She turned to him with a gracious and dramatic courtesy. She even put a hand on his arm, and he realised, with more exasperation, that he was supporting her while she talked. The crowd cheered, and, it appeared, they were cheering him.
"What are you saying?" he asked her, in an irascible undertone. "Talk English for ten minutes. Play fair."
But she only smiled on him the more sympathetically, and the crowd cheered them both anew. Jeff stuck by, that night. He stayed with her until, earlier than usual because she had tired her voice, she told the man to drive home.
"I am taking you with me to see Esther," she mentioned unconcernedly, as they went.
"No, you're not," said Jeff. "I'm not going into that house."
"Very well," said Madame Beattie. "Then tell him to stop here a minute, while we talk."
Jeff hesitated, having no desire to talk, and she herself gave the order.
"Poor Esther!" said Jeff, when the chauffeur had absented himself to a sufficient distance, and, according to Madame Beattie's direction, was walking up and down. "Isn't it enough for you to pester her without bringing me into it? Why are you so hard on her?"
"I've been quite patient," said Madame Beattie, "with both of you. I've sat down and waited for you to make up your minds what is going to be done about my necklace. You're doing nothing. Esther's doing nothing. The little imp that took it out of Esther's bag is doing nothing. I've got to be paid, among you. If I am not paid, the little dirty man is going to have the whole story to publish: how Esther took the necklace, years ago, how the little imp took it, and how you said you took it, to save her."
"I have told Weedon Moore," said Jeff succinctly, "in one form or another that I'll break his neck if he touches the dirty job."
"You have?" said Madame Beattie. She breathed adramatic breath, whether of outraged pride or for calculated effect he could not tell. "Jeff, I can assure you if the little man refuses to do it—and I doubt whether he will—I'll have it set up myself in leaflets, and I'll go through the town distributing them from this car. Jeff, I must have money. I must have it."
He sat back immovable, arms folded, eyes on the distance, and frowningly thought. What use to blame her who acted after her kind and was no more to be stirred by appeals than a wild creature red-clawed upon its prey?
"Madame Beattie," said he, "if I had money you should have it. Right or wrong you should have it if it would buy you out of here. But I haven't got it."
"It's there you are a fool," she said, moved actually now by his numbness to his own endowment. "I could beat my head and scream, when I think how you're throwing things away, your time, in that beastly night school, your power, your personal charm. Jeff, you've the devil's own luck. You were born with it. And you simply won't use it."
He had said that himself in a moment of hope not long before: that he had the devil's own luck. But he wasn't going to accept it from her.
"You talk of luck," he said, "to a man just out of jail."
"You needn't have been in jail," she was hurling at him in an unpleasant intensity of tone, as if she would have liked to scream it and the quiet street denied her. "If you hadn't pleaded guilty, if you hadn't handed over every scrap of evidence, if you had been willing to take advantage of what that clerk was ready to swear—why, you might have got off and kept on in business and be a millionaire to-day."
How she managed to know some of the things she didhe never fathomed. He had never seen anybody of the direct and shameless methods of Madame Beattie, willing to ask the most intimate questions, make the most unscrupulous demands. He remembered the young clerk who had wanted to perjure himself for his sake.
"That would have made a difference, I suppose," he said, "young Williams' testimony. I wonder how he happened to think of it."
"He thought of it because I went to him," said Madame Beattie. "I said, 'Isn't there anything you could swear to that would help him?' He knew at once. He turned white as a sheet. 'Yes,' he said, 'and I'll swear to it.' I told him we'd make it worth his while."
"You did?" said Jeff. "Well, there's another illusion gone. I took a little comfort in young Williams. I thought he was willing to perjure himself because he had an affection for me. So you were to make it worth his while."
She laughed a little, indifferently, with no bitterness, but in retrospect of a scene where she had been worsted.
"You needn't mourn that lost ideal," she said. "Young Williams showed me the door. It was in your office, and he actually did show me the door. He was glad to perjure himself, he said, for you. Not for money. Not for me."
Jeff laughed out.
"Well," he said, "that's something to the good anyway. We haven't lost young Williams. He wrote to me, not long ago. When I answer it, I'll tell him he's something to the good."
But Madame Beattie was not going to waste time on young Williams.
"It ought to be a criminal offence," she said rapidly, "to be such a fool. You had the world in your hand.You've got it still. You and Esther could run such a race! think what you've got, both of you, youth, beauty, charm. You could make your way just by persuasion, persuading this man to one thing and that man to another. How Esther could help you! Don't you see she's an asset? What if you don't love her? Love! I know it from the first letter to the last, and there's nothing in it, Jeff, nothing. But if you make money you can buy the whole world."
Her eager old face was close to his, the eyes, greedy, ravenous, glittered into his and struck their base messages deeper and deeper into his soul. The red of nature had come into her cheeks and fought there with the overlying hue of art. Jeff, from an instinct of blind courage, met her gaze and tried to think he was defying it bravely. But he was overwhelmed with shame for her because she was avowedly what she was. Often he could laugh at her good-tempered cynicism. Over her now, for he actually did have a kind of affection for her, he could have cried.
"Don't!" he said involuntarily, and she misunderstood him. His shame for her disgrace she had taken for yielding and she redoubled the hot torrent of temperamental persuasion.
"I will," she said fiercely, "until you get on your legs and act like a man. Go to Esther. Go to her now, this night. Come with me. Make love to her. She's a pretty woman. Sweep her off her feet. Tell her you're going to make good and she's going to help you."
Jeff rose and stepped out of the car. The ravenous old hand still dragged at his arm, but he lifted it quietly and gave it back to her. He stood there a moment, his hat off, and signalled the chauffeur. Madame Beattie leaned over to him until her eyes were again glittering into his.
"Is that it?" she asked. "Are you going to run away?"
"Yes," said Jeff, quietly. "I'm going to run away."
The man came and Jeff stood there, hat still in hand, until the car had started. He felt like showing her an exaggerated courtesy. Jeff thought he had never been so sorry for anybody in his life as for Madame Beattie.
Madame Beattie drew her cloak the closer, sunk her chin in it and concluded Jeff was done with her. She was briefly sorry though not from shame. It scarcely disconcerted her to find he liked her even less than she had thought. Where was his large tolerance, she might have asked, the moral neutrality of the man of the world?
He had made it incumbent on her merely to take other measures, and next day, seeing Lydia walk past the house, she went to call on Anne. Her way was smooth. Anne herself came to the door in the neighbourly Addington fashion when help was busy, and took her into the library, expressing regret that her father was not there. The family had gone out on various errands. This she offered in her gentle way, even with a humorous ruefulness, Madame Beattie would find her so inadequate. To Anne, Madame Beattie was exotic as some strange eastern flower, not less impressive because it was a little wilted and showed the results of brutal usage.
Madame Beattie composedly took off her cloak and put her feet up on the fender, an attitude which perilously tipped her chair. On this Anne solicitously volunteered to move the fender and did it, bringing the high-heeled shoes comfortably near the coals. Then Madame Beattie, wasting no time in preliminaries, began, with great circumspection and her lisp, and told Anne the later story of the necklace. To her calm statement of Esther's thievery Anne paid a polite attention though no credence. She had not believed it when Lydia told her. Why should she be the more convinced from these withered lisping lips? But Madame Beattie went on explicitly, through the picturesque tale of Lydia and the necklace and the bag. Then Anne looked at her in unaffected horror. She sat bolt upright, her slender figure tense with expectation, her hands clasped rigidly. Madame Beattie enjoyed this picture of a sympathetic attention, a nature played upon by her dramatic mastery. Anne had no backwardness in believing now, the deed was so exactly Lydia's. She could see the fierce impulse of its doing, the reckless haste, no pause for considering whether it were well to do. She could appreciate Lydia's silence afterward. "Poor darling" she murmured, and though Madame Beattie interrogated sharply, "What?" she was not to hear. All the mother in Anne, faithfully and constantly brooding over Lydia, grew into passion. She could hardly wait to get the little sinner into her arms and tell her she was eternally befriended by Anne's love. Madame Beattie was coming to conclusions.
"The amount of the matter is," she said, "I must be paid for the necklace."
"But," Anne said, with the utmost courtesy, "I understand you have the necklace."
"That isn't the point," said Madame Beattie. "I have been given a great deal of annoyance, and I must be compensated for that. What use is a necklace that I can neither sell nor even pawn? I am in honour bound "—and then she went on with her story of the Royal Personage, to which Anne listened humbly enough now, since it seemed to touch Lydia. Madame Beattie came to her alternative: if nobody paid her money to ensure her silence,she would go to Weedon Moore and give him the story of Esther's thievery and of Lydia's. Anne rose from her chair.
"You have come to me," she said, "to ask a thing like that? To ask for money—"
"You are to influence Jeff," Madame Beattie lisped. "Jeff can do almost anything he likes if he doesn't waste himself muddling round with turnips and evening schools. You are to tell him his wife and the imp are going to be shown up. He wouldn't believe me. He thinks he can thrash Moore and there'll be an end of it. But it won't be an end of it, my dear, for there are plenty of channels besides Weedon Moore. You tell him. If he doesn't care for Esther he may for the little imp. He thinks she's very nice."
Madame Beattie here, in establishing an understanding, leered a little in the way of indicating a man's pliability when he thought a woman "very nice", and this finished the utter revolt of Anne, who stood, her hand on a chair back, gazing at her.
"I never," said Anne, in a choked way, "I never heard such horrible things in my life." Then, to her own amazement, for she hardly knew the sensation and never with such intensity as overwhelmed her now, Anne felt very angry. "Why," she said, in a tone that sounded like wonder, "you are a dreadful woman. Do you know what a dreadful woman you are? Oh, you must go away, Madame Beattie. You must go out of this house at once. I can't have you here."
Madame Beattie looked up at her in a pleasant indifference, as if it rather amused her to see the grey dove bristling for its young. Anne even shook the chair she held, as if she were shaking Madame Beattie.
"I mean it," she said. "I can't have you stay here.My father might come in and be civil to you, and I won't have anybody civil to you in this house. Lydia might come in, and Lydia likes you. Why, Madame Beattie, can you bear to think Lydia likes you, when you're willing to say the things you do?"
Madame Beattie was still not moved except by mild amusement. Anne left the chair and took a step nearer.
"Madame Beattie," she said, "you don't believe a word I say. But I mean it. You've got to go out of this house, or I shall put you out of it with my hands. With my hands, Madame Beattie—and I'm very strong."
Madame Beattie was no coward, but she was not young and she had a sense of physical inadequacy. About Anne there was playing the very spirit of tragic anger, none of it for effect, not in the least gauged by any idea of its efficiency. Those slender hands, gripping each other until the knuckles blanched, were ready for their act. The girl's white face was lighted with eyes of fire. Madame Beattie rose and slowly assumed her cloak.
"You're a silly child," she said. "When you're as old as I am you'll have more common-sense. You'd rather risk a scandal than tell Jeff he has a debt to pay. By to-morrow you'll see it as I do. Come to me in the morning, and we'll talk it over. I won't act before then."
She walked composedly to the door and Anne scrupulously held it for her. They went through the hall, Anne following and ready to open the last door also. But she closed it without saying good-bye, in answer to Madame Beattie's oblique nod over her shoulder and the farewell wave of her hand. For an instant Anne felt like slipping the bolt lest her adversary should return, but she reflected, with a grimness new to her gentle nature, that if Madame Beattie did return her own two hands were ready. She stood a moment, listening, and when the carriagewheels rolled away down the drive, she went to the big closet under the stairs and caught at her own coat and hat. She was going, as fast as her feet would carry her, to see Alston Choate.
Alston Choate was working, and he was alone. Anne, bright-eyed and anxious, came in upon him and brought him to his feet. Anne had learned this year that you should not knock at the door of business offices, but she still half believed you ought, and it gave her entrance something of deprecation and a pretty grace.
"I am so troubled," she said, without preliminary. "Madame Beattie has just been to see me."
Alston, smiling away her agitation, if he might, by a kind assumption that there was no conceivable matter that could not be at once put right, gave her a chair and himself went back to his judicial seat. Anne, not loosening her jacket, looked at him, her face pure and appealing above the fur about her throat, as if to beg him to be as kind as he possibly could, since it all involved Lydia.
"I've no doubt it's Madame Beattie," said Alston carelessly, even it might have been a little amused at the possibilities. "If there's a ferment anywhere north of Central America she's pretty certain to have set it brewing."
Anne told him her tale succinctly, and his unconcern crumbled. He frowned over the foolishness of it, and considered, while she talked, whether he had better be quite open with her, or whether it was sufficient to take the responsibility of the thing and settle it like a swaggering god warranted to rule. That was better, he concluded.
"I'll go to see Madame Beattie," he said. "Then I'll report to you. But you'd better not speak to Lydia about it. Or Jeff. Promise me."
"Oh, I'll promise," said Anne, a lovely rose flush on her face. "Only, if Lydia is in danger you must tell me in time to do something. I don't know what, but you know for Lydia I'd do anything."
"I will, too," said Alston. "Only it won't be for Lydia wholly. It'll be for you."
Then for an instant, though so alive to her, he seemed to withdraw into remote cogitation, and she wondered whether he was really thinking of the case at all. Because she was in a lawyer's office she called it a case, timorously; that made it much more serious. But Alston, in that instant, was thinking how strange it was that the shabby old office, witness of his unwilling drudgery and his life-saving excursions into the gardens of fiction, should be looking now on her, seated there in her earnestness and purity, and that he should at last be recognising her. She was a part of him, Alston thought, beloved, not because she was so different but so like. There was no assault of the alien nature upon his own, irresistible because so piquing. There were no unexplored tracts he couldn't at least fancy, green swards and clear waters where a man might be refreshed. Everything he found there would be, he knew, of the nature of the approaches to that gentle paradise. What a thing, remote, extraordinary to think of in his office while she brought him the details of a tawdry scandal. Yet the office bore, to his eyes, invisible traces of past occupancy: men and women out of books were there, absolutely vivid to his eyes, more alive than half the Addingtonians. The walls were hung with garlands of fancy, the windows his dreaming eyes had looked from were windows into space beyond Addington. No, these were no common walls, yet unfitting to gaze on while you told a client you loved her. After all, on rapid second thought, it might not seem so inapt seen through hismother's eyes, as she was betraying herself now in more than middle age. "Ask her wherever you find yourselves," he fancied his mother saying. "That is part of the adventure."
Alston looked at Anne and smiled upon her and involuntarily she smiled back, though she saw no cause for cheerfulness in the dismal errand she had come on. She started a little, too, for Alston, in the most matter of fact way, began with her first name.
"Anne," said he, "I have for a long time been—" he paused for a word. The ones he found were all too dignified, too likely to be wanted in a higher cause—"bewitched," he continued, "over Esther Blake."
The colour ran deeper into Anne's face.
"You don't want," she said, "to do anything that might hurt her? I shouldn't want to, either. But it isn't Esther we're talking about. It's Madame Beattie."
"I know," said Alston, "but I want you to know I have been very much—I've made a good deal of a fool of myself over Mrs. Blake."
Still he obstinately would not say he had been in love. Anne, looking at him with the colour rising higher and higher, hardly seemed to understand. But suddenly she did.
"You don't mean—" she stammered. "Mr. Choate, she's married, you know, even if she and Jeff aren't together any more. Esther is married."
"I know it," said Alston drily. "I've wished they weren't married. I've wished I could ask her to marry me. But I don't any longer. You won't understand at all why I say it now. Sometime I'll tell you when you've noticed how I have to stand up against my cut and dried ways. Anne, I'm talking to you."
She had got on her feet and was fumbling with theupper button of her coat which had not been unloosed. But that she didn't remember now. She was in a mechanical haste of making ready to go. Alston rose, too, and was glad to find he was the taller. It gave him a mute advantage and he needed all he could get.
"I'm telling you something quite important," he said, in a tone that set her momentarily and fallaciously at ease. "It's going to be very important to both of us. Dear Anne! darling Anne!" He broke down and laughed, her eyes were so big with the surprise of it, almost, it might be, with fright. "That's because I'm in love with you," said Alston. "I've forgotten every other thing that ever happened to me, all except this miserable thing I've just told you. I had to tell you, so you'd know the worst of me. Darling Anne!" He liked the sound of it.
"I must go," said Anne.
"You'd better," said Alston. "It'll be much nicer to ask you the rest of it in a proper place. Anne, I've had so much to do with proper places I'm sick of 'em. That's why I've begun to say it here. Nothing could be more improper in all Addington. Think about it. Be ready to tell me when I come, though that won't be for a long time. I'm going to write you things, for fear, if I said them, you'd say no. And don't really think. Just remember you're darling Anne."
She gave him a grave look—Alston wondered afterward if it could possibly be a reproving one—and, with a fine dignity, walked to the door. Since he had begun to belie his nature, mischief possessed him. He wanted to go as far as he audaciously could and taste the sweet and bitter of her possible kindness, her almost certain blame.
"Good-bye," he said, "darling Anne."
This was as the handle of the door was in his graspready to be turned for her. Anne, still inexplicably grave, was looking at him.
"Good-bye," she said, "Mr. Choate."
He watched her to the head of the stairs, and then shut the door on her with a click. Alston was conscious of having, for the joy of the moment, really made a fool of himself. But he didn't let it depress him. He needed his present cleverness too much to spend a grain of it on self-reproach. He went to his safe and took out a paper that had been lying there ready to be used, slipped it into his pocket and went, before his spirit had time to cool, to see Madame Beattie.
Sophy admitted him and left him in the library, while she went to summon her. And Madame Beattie came, finding him at the window, his back turned on the warm breathing presences of Esther's home. If he had penetrated, for good cause, to Circe's bower, he didn't mean to drink in its subtle intimacies. At the sound of a step he turned, and Madame Beattie met him peaceably, with outstretched hand. Alston dropped the hand as soon as possible. Lydia might swear she was clean and that her peculiarily second-hand look was the effect of overworn black, but Alston she had always impressed as much-damaged goods that had lost every conceivable inviting freshness. She indicated a chair conveniently opposite her own and he sat down and at once began.
"Madame Beattie, I have come to talk over this unfortunate matter of the necklace."
"Oh," said Madame Beattie, with a perfect affability and no apparent emotion, "Anne French has been chattering to you."
"Naturally," said Choate. "I am their counsel, hers and her sister's."
"These aren't matters of law," said Madame Beattie."They are very interesting personal questions, and I advise you to let them alone. You won't find any precedent for them in your books."
"I have been unpardonably slow in coming to you," said Alston. "And my coming now hasn't so very much to do with Lydia and Anne. I might have come just the same if you hadn't begun to annoy them."
"Well," said Madame Beattie impatiently. She wanted her nap, for she was due that evening at street corners in Mill End. "Get to the point, if you please."
"The point is," said Alston, "that some months ago when you began to make things unpleasant for a number of persons—"
"Nonsense!" said Madame Beattie briskly. "I haven't made things unpleasant. I've only waked this town out of its hundred years' sleep. You'd better be thankful to me, all of you. Trade is better, politics are most exciting, everything's different since I came."
"I sent at once to Paris," said Alston, with an impartial air of conveying information they were equally interested in, "for the history of the Beattie necklace. And I've got it. I've had it a week or more, waiting to be used." He looked her full in the face to see how she took it. He would have said she turned a shade more unhealthy, in a yellow way, but not a nerve in her seemed to blench.
"Well," said she, "have you come to tell me the history of the Beattie necklace?"
"Briefly," said Alston, "it was given the famous singer, as she states, by a certain Royal Personage. We are not concerned with his identity, his nationality even. But it was a historic necklace, and he'd no business to give it to her at all. There were some rather shady transactions before he could get his hands on it. And the Royal Family never ceased trying to get it back. The Royal Personage was a young man when he gave it to her, but by the time the family'd begun to exert pressure he wasn't so impetuous, and he, too, wanted it back. His marriage gave the right romantic reason, which he used. He actually asked the famous singer to return it to him, and at the same time she was approached by some sort of agent from the family who offered her a fat compensation."
"It was a matter of sentiment," said Madame Beattie loftily. "You've no right to say it was a question of money. It is extremely bad taste."
"She had ceased singing," said Alston. "Money meant more to her than the jewels it would have been inexpedient to display. For by that time, she didn't want to offend any royal families whatever. So she was bought off, and she gave up the necklace."
"It is not true," said she. "If it was money I wanted, I could have sold it."
"Oh, no, I beg your pardon. There would have been difficulties in the way of selling historic stones; besides there were so many royal personages concerned in keeping them intact. It might have been very different when the certain Royal Personage was young enough and impetuous enough to swear he stood behind you. He'd got to the point where he might even have sworn he never gave them to you."
She uttered a little hoarse exclamation, a curse, Alston could believe, in whatever tongue.
"Besides," he continued, "as I just said, Madame Beattie wasn't willing, on the whole, to offend her royal patrons, though she wasn't singing any longer. She had a good many favours to ask of the world, and she didn't want Europe made too hot to hold her."
He paused to rest a moment from his thankless task,and they looked at each other calmly, yet quite recognising they were at grips.
"You forget," said she, "that I have the necklace at this moment in my possession. You have seen it and handled it."
"No," said Alston, "I have never seen the necklace. Nobody has seen it on this side the water. When you came here years ago and got Jeff into difficulties you brought another necklace, a spurious one, paste, stage jewels, I daresay, and none of us were clever enough to know the difference. You said it was the Beattie necklace, and Esther was hypnotised and—"
"And stole it," Madame Beattie put in, with a real enjoyment now.
"And Jeff was paralysed by loving Esther so much that he didn't look into it. And as soon as he was out of prison you came here and hypnotised us all over again. But it's not the necklace."
Madame Beattie put back her head and burst into hoarse and perfectly spontaneous laughter.
"And it was for you to find it out," she said. "I didn't think you were so clever, Alston Choate. I didn't know you were clever at all. You refresh me. God bless us! to think not one of them had the sense, from first to last, to guess the thing was paste."
Alston enjoyed his brief triumph, a little surprised at it himself. He had no idea she would back down instantly, nor indeed, though it were hammered into her, that she would own the game was up. The same recoil struck her and she ludicrously cocked an eye.
"I shall give you a lot of trouble yet though. The necklace may be a dead issue, but I'm a living dog, Alston Choate. Don't they say a living dog is better than a dead lion? Well, I'm living and I'm here."
He saw her here indefinitely, rolling about in hacks, in phaetons, in victorias, in motors, perpetually stirring two houses at least to nervous misery. There would be no running away from her. They would have her absurdly tied about their necks forever.
"Madame Beattie!" said he. This was Alston's great day, he reflected, with a grimace all to himself. He had never put so much impetuosity, so much daring to the square inch, into any day before. He lounged back a little in his chair, put his hands in his pockets and tried to feel swaggering and at ease. Madame Beattie, he knew, wouldn't object to swagger. And if it would help him dramatically, so much the better. "Madame Beattie," he repeated, "I've a proposition to make to you. I thought of it within the last minute."
Her eyes gleamed out at him expectantly, avariciously, with some suspicion, too. She hoped it concerned money, but it seemed unlikely, so chill a habit of life had men of Addington.
"It is absolutely my own idea," said Alston. "Nobody has suggested it, nobody has anything whatever to do with it. If I give myself time to think it over I sha'n't make it at all. What would you take to leave Addington, lock, stock and barrel, cut stick to Europe and sign a paper never to come back? There'd be other things in the paper. I should make it as tight as I knew how."
Madame Beattie set her lips and looked him over, from his well-bred face and his exceedingly correct clothes to his feet. She would never have suspected an Addington man of such impetus, no one except perhaps Jeff in the old days. What was the utmost an Addington man would do? She had been used to consider them a meagre set.
"Well?" said Alston.
Madame Beattie blinked a little, and her mind came back.
"Ten thousand," she tossed him at a venture, in a violence of haste.
Alston shook his head.
"Too much," said he.
Madame Beattie, who had not known a tear for twenty years at least, could have cried then, the money had seemed so unreasonably, so incredibly near.
"You've got oceans of money," said she, in a passion of eagerness, "all you Addington bigwigs. You put it away and let it keep ticking on while you eat noon dinners and walk down town. What is two thousand pounds to you? In another year you wouldn't know it."
"I sha'n't haggle," said Alston. "I'll tell you precisely what I'll put into your hand—with conditions—if you agree to make this your farewell appearance. I'll give you five thousand dollars. And as a thrifty Addingtonian—you know what we are—I advise you to take it. I might repent."
She leaned toward him and put a shaking hand on his knee.
"I'll take it," she said. "I'll sign whatever you say. Give me the money now. You wouldn't ask me to wait, Alston Choate. You wouldn't play a trick on me."
Alston drew himself up from his lounging ease, and as he lifted the trembling old hand from his knee, gave it a friendly pressure before he let it fall.
"I can't give it to you now," he said. "Not this minute. Would you mind coming to my office to-morrow, say at ten? We shall be less open to interruption."
"Of course I'll come," she said, almost passionately.
He had never seen her so shaken or indeed actuallymoved from her cynical calm. She was making her way out of the room without waiting for his good-bye. At the door she turned upon him, her blurred old face a sad sight below the disordered wig. Esther, coming downstairs, met her in the hall and stopped an instant to stare at her, she looked so terrible. Then Esther came on to Alston Choate.
"What is it?" she began.
"I was going to ask for you," said Alston. "I want to tell you what I have just been telling Madame Beattie. Then I must see Jeff and his sisters." This sounded like an afterthought and yet he was conscious that Anne was in his mind like a radiance, a glow, a warm sweet wind. "Everybody connected with Madame Beattie ought to understand clearly what she can do and what she can't. She seems to have such an extraordinary facility for getting people into mischief."