"Not another word, old man! It's all right!"
Murgatroyd was visibly affected.
"Thank you," he said simply; and then added: "Only one thing more remains to be done. Mrs. Challoner, I must ask you to break these seals."
Miriam demurred.
"Oh, no, Mr. Murgatroyd!" she said. "Surely you must know that I believe you!"
But Murgatroyd insisted; and obeying him finally, Miriam broke the seals, and presently she showed to them the securities, undisturbed, just as Murgatroyd had taken them, dollar for dollar, bond and bond.
Suddenly Murgatroyd felt a touch on the arm.
"And I believe you, Billy," said Shirley contritely.
An enigmatical smile passed across the prosecutor's face.
"Do you, indeed?" he said dryly; and added: "That's, perhaps, more than I had any right to expect."
A slight pucker showed on Miss Bloodgood's beautiful brow, but she replied, quite unruffled:—
"Why, of course, I do. After all, you were honest, weren't you?" And not waiting for his answer, added ingenuously: "You were not a thief!"
Instantly the expression on Murgatroyd's face became a very serious one.
"Yes, I was," he protested, "I was a thief." And with that he turned to Challoner and said in a voice of great feeling: "Challoner, this money is your wife's. Take it. And great God, man," he groaned, "don't, don't forget what it did to you—what it made you, years ago."
Mrs. Challoner shivered at the prosecutor's earnestness; but Challoner, hesitating for a moment only, advanced and said:—
"We'll take it. I'm not a bit afraid now, Murgatroyd—for Iknow." And then holding out his hand, he continued kindly: "Billy, if you hadn't taken it—where would I have been to-day?"
"Free—free as you are now," said the other man in a low, strained tone.
"Yes," assented Challoner, "out of prison, but——"
Mrs. Challoner quickly rose and put an end to the conversation going on between the men.
"Come, Laurie," she said abruptly; and holding out her hand, "good-bye, Mr. Murgatroyd! I'm afraid we have taken up altogether too much of your time."
Murgatroyd shook hands with the Challoners; but on Shirley making her adieus, he said:—
"May I have a moment with you, Miss Bloodgood? Won't you wait, please?"
Mrs. Challoner answered for the girl:—
"Shirley, don't be in any hurry. Laurie and I will wait for you in the ante-room—" And as they passed out Challoner called: "Wait until you see that concrete hospital, Murgatroyd!"
For moments that seemed hours Shirley and Murgatroyd stood facing each other, neither having the courage to speak, the girl filled with shame at the great wrong she had done to the man she loved; while he, feeling as if the burden that had rested upon his soul had at last rolled away, was drawing deep breaths—breathing like a man who has suddenly come out of darkness into the daylight. Shirley was the first to break the silence; and now looking up at Murgatroyd, with a little shake of the head she asked:—
"Billy, do you care to know what I think of you?"
"Perhaps, if I had cared less, I——"
But not for a moment would Shirley listen now to his censuring himself further, and quickly she cut him off.
"I think it was a far finer thing to take the money and not touch it," she declared with true feminine logic, "than never to have taken it at all."
"But what if this habit should grow upon me," he retorted smilingly. "Evidently Miss Bloodgood doesn't know what graft awaits me in Washington?"
Shirley laughed softly.
"To think that you accomplished all this without money," she said happily.
"But the worst is yet to come," he observed quickly. "It means that one has to keep up the social game, the club game, the political game, and the Lord knows what other games on five thousand—or is it now seventy-five hundred a year? It means that an unmarried man must starve; and Heaven help the married senator! For he and his family must live on a back street in the capital and freeze. That's what it means to a senator who lives on his salary."
"But doesn't poverty always travel hand in hand with greatness," she remarked enthusiastically, and with superb disdain for anything that she may have said heretofore to the contrary.
Murgatroyd looked at her with admiration. Never before had her eyes seemed to him so blue and so lovely.
"There's one thing—one thing that I didn't tell Challoner and his wife," he said, lowering his voice almost to a whisper. "Can you guess what that something was that always made me keep my hands off those iron boxes?"
Shirley lifted her eyes to his in quick understanding.
"It was my love for the woman who wanted me to be great," he went on in a voice so shaken with emotion, that she scarcely recognised it as belonging to him. "That was the motive that beat down all others."
"And will you forgive the foolish lips that told you to go wrong?"
For answer he held out his arms to her and she came to them. Then he stooped down, and catching her face between his hands, raised it slowly, and kissed the lips tenderly, murmuring lovingly:—
"Her soul would not let me go wrong."
After a moment Shirley slowly drew herself out of his arms and placing a hand on each of his shoulders, asked laughingly, looking deep into his eyes:—
"And we'll go to Washington?"
"Yes, dear," he smiled back. "We're going to Washington—to freeze and starve together on that back street—Yes, my revenge is now complete."
Before he could kiss her a second time, Shirley darted to the door, opened it and called:—
"Miriam, Laurie, come here—come back!"
One look at the face of the girl that she had left in the office was sufficient to tell Miriam that she had great news to communicate. Nevertheless, she asked innocently:—
"What for, my dear? Are you going to lynch him?"
Blushing furiously, Shirley waved her hand at the boxes on the table and said:—
"Billy says that you've gone off and forgotten all your money!"
Circle, The. By Katherine Cecil Thurston (author of "The Masquerader," "The Gambler").
Colonial Free Lance, A. By Chauncey C. Hotchkiss.
Conquest of Canaan, The. By Booth Tarkington.
Courier of Fortune, A. By Arthur W. Marchmont.
Darrow Enigma, The. By Melvin Severy.
Deliverance, The. By Ellen Glasgow.
Divine Fire, The. By May Sinclair.
Empire Builders. By Francis Lynde.
Exploits of Brigadier Gerard. By A. Conan Doyle.
Fighting Chance, The. By Robert W. Chambers.
For a Maiden Brave. By Chauncey C. Hotchkiss.
Fugitive Blacksmith, The. By Chas. D. Stewart
God's Good Man. By Marie Corelli.
Heart's Highway, The. By Mary E. Wilkins.
Holladay Case, The. By Burton Egbert Stevenson.
Hurricane Island. By H. B. Marriott Watson.
In Defiance of the King. By Chauncey C. Hotchkiss.
Indifference of Juliet, The. By Grace S. Richmond.
Infelice. By Augusta Evans Wilson.
Lady Betty Across the Water. By C. N. and A. M. Williamson.
Lady of the Mount, The. By Frederic S. Isham.
Lane That Had No Turning, The. By Gilbert Parker.
Langford of the Three Bars. By Kate and Virgil D. Boyle.
Last Trail, The. By Zane Grey.
Leavenworth Case, The. By Anna Katharine Green.
Lilac Sunbonnet, The. By S. R. Crockett.
Lin McLean. By Owen Wister.
Long Night, The. By Stanley T. Weyman.
Maid at Arms, The. By Robert W. Chambers.
Man from Red Keg, The. By Eugene Thwing.
Marthon Mystery, The. By Burton Egbert Stevenson.
Memoirs of Sherlock Holmes. By A. Conan Doyle.
Millionaire Baby, The. By Anna Katharine Green.
Missourian, The. By Eugene P. Lyle, Jr.
Mr. Barnes, American. By A. C. Gunter.
Mr. Pratt. By Joseph C. Lincoln.
My Friend the Chauffeur. By C. N. and A. M. Williamson.
My Lady of the North. By Randall Parrish.
Mystery of June 13th. By Melvin L. Severy.
Mystery Tales. By Edgar Allan Poe.
Nancy Stair. By Elinor Macartney Lane.
Order No. 11. By Caroline Abbot Stanley.
Pam. By Bettina von Hutten.
Pam Decides. By Bettina von Hutten.
Partners of the Tide. By Joseph C. Lincoln.
Phra the Phoenician. By Edwin Lester Arnold.
President, The. By Alfred Henry Lewis.
Princess Passes, The. By C. N. and A. M. Williamson.
Princess Virginia, The. By C. N. and A. M. Williamson.
Prisoners. By Mary Cholmondeley.
Private War, The. By Louis Joseph Vance.
Prodigal Son, The. By Hall Caine.
Quickening, The. By Francis Lynde.
Richard the Brazen. By Cyrus T. Brady and Edw. Peple.
Rose of the World. By Agnes and Egerton Castle.
Running Water. By A. E. W. Mason.
Sarita the Carlist. By Arthur W. Marchmont.
Seats of the Mighty, The. By Gilbert Parker.
Sir Nigel. By A. Conan Doyle.
Sir Richard Calmady. By Lucas Malet.
Speckled Bird, A. By Augusta Evans Wilson.
The Shepherd of the Hills. By Harold Bell Wright.
Jane Cable. By George Barr McCutcheon.
Abner Daniel. By Will N. Harben.
The Far Horizon. By Lucas Malet.
The Halo. By Bettina von Hutten.
Jerry Junior. By Jean Webster.
The Powers and Maxine. By C. N. and A. M. Williamson.
The Balance of Power. By Arthur Goodrich.
Adventures of Captain Kettle. By Cutcliffe Hyne.
Adventures of Gerard. By A. Conan Doyle.
Adventures of Sherlock Holmes. By A. Conan Doyle.
Arms and the Woman. By Harold MacGrath.
Artemus Ward's Works (extra illustrated).
At the Mercy of Tiberius. By Augusta Evans Wilson.
Awakening of Helena Richie. By Margaret Deland.
Battle Ground, The. By Ellen Glasgow.
Belle of Bowling Green, The. By Amelia E. Barr.
Ben Blair. By Will Lillibridge.
Best Man, The. By Harold MacGrath.
Beth Norvell. By Randall Parrish.
Bob Hampton of Placer. By Randall Parrish.
Bob, Son of Battle. By Alfred Ollivant.
Brass Bowl, The. By Louis Joseph Vance.
Brethren, The. By H. Rider Haggard.
Broken Lance, The. By Herbert Quick.
By Wit of Women. By Arthur W. Marchmont.
Call of the Blood, The. By Robert Hitchens.
Cap'n Eri. By Joseph C. Lincoln.
Cardigan. By Robert W. Chambers.
Car of Destiny, The. By C. N. and A. M. Williamson.
Casting Away of Mrs. Lecks and Mrs. Aleshine. By Frank R. Stockton.
Cecilia's Lovers. By Amelia E. Barr.
Spirit of the Border, The. By Zane Grey.
Spoilers, The. By Rex Beach.
Squire Phin. By Holman F. Day.
Stooping Lady, The. By Maurice Hewlett.
Subjection of Isabel Carnaby. By Ellen Thorneycroft Fowler.
Sunset Trail, The. By Alfred Henry Lewis.
Sword of the Old Frontier, A. By Randall Parrish.
Tales of Sherlock Holmes. By A. Conan Doyle.
That Printer of Udell's. By Harold Bell Wright.
Throwback, The. By Alfred Henry Lewis.
Trail of the Sword, The. By Gilbert Parker.
Treasure of Heaven, The. By Marie Corelli.
Two Vanrevels, The. By Booth Tarkington.
Up From Slavery. By Booker T. Washington.
Vashti. By Augusta Evans Wilson.
Viper of Milan, The (original edition). By Marjorie Bowen.
Voice of the People, The. By Ellen Glasgow.
Wheel of Life, The. By Ellen Glasgow.
When Wilderness Was King. By Randall Parrish.
Where the Trail Divides. By Will Lillibridge.
Woman in Grey, A. By Mrs. C. N. Williamson.
Woman in the Alcove, The. By Anna Katharine Green.
Younger Set, The. By Robert W. Chambers.
The Weavers. By Gilbert Parker.
The Little Brown Jug at Kildare. By Meredith Nicholson.
The Prisoners of Chance. By Randall Parrish.
My Lady of Cleve. By Percy J. Hartley.
Loaded Dice. By Ellery H. Clark.
Get Rich Quick Wallingford. By George Randolph Chester.
The Orphan. By Clarence Mulford.
A Gentleman of France. By Stanley J. Weyman.
Purple Parasol, The. By George Barr McCutcheon.
Princess Dehra, The. By John Reed Scott.
Making of Bobby Burnit, The. By George Randolph Chester.
Last Voyage of the Donna Isabel, The. By Randall Parrish.
Bronze Bell, The. By Louis Joseph Vance.
Pole Baker. By Will N. Harben.
Four Million, The. By O. Henry.
Idols. By William J. Locke.
Wayfarers, The. By Mary Stewart Cutting.
Held for Orders. By Frank H. Spearman.
Story of the Outlaw, The. By Emerson Hough.
Mistress of Brae Farm, The. By Rosa N. Carey.
Explorer, The. By William Somerset Maugham.
Abbess of Vlaye, The. By Stanley Weyman.
Alton of Somasco. By Harold Bindloss.
Ancient Law, The. By Ellen Glasgow.
Barrier, The. By Rex Beach.
Bar 20. By Clarence E. Mulford.
Beloved Vagabond, The. By William J. Locke.
Beulah. (Illustrated Edition.) By Augusta J. Evans.
Chaperon, The. By C. N. and A. M. Williamson.
Colonel Greatheart. By H. C. Bailey.
Dissolving Circle, The. By Will Lillibridge.
Elusive Isabel. By Jacques Futrelle.
Fair Moon of Bath, The. By Elizabeth Ellis.
54-40 or Fight. By Emerson Hough.
Four Pool's Mystery, The. By Jean Webster.
Ganton and Co. By Arthur J. Eddy.
Heart of Jessy Laurie, The. By Amelia E. Barr.
Inez. (Illustrated Edition.) By Augusta J. Evans.
Into the Primitive. By Robert Ames Bennet.
Katrina. By Roy Rolfe Gilson.
King Spruce. By Holman Day.
Macaria. (Illustrated Edition.) By Augusta J. Evans.
Meryl. By Wm. Tillinghast Eldredge.
Old, Old Story, The. By Rosa Nouchette Carey.
Quest Eternal, The. By Will Lillibridge.
Silver Blade, The. By Charles E. Walk.
St. Elmo. (Illustrated Edition.) By Augusta J. Evans.
Uncle William. By Jennette Lee.
Under the Red Robe. By Stanley J. Weyman.
DARNLEY. A Romance of the times of Henry VIII. and Cardinal Wolsey. By G. P. R. James. With four illustrations by J. Watson Davis.
As a historical romance "Darnley" is a book that can be taken up pleasurably again and again, for there is about it that subtle charm which those who are strangers to the works of G. P. R. James have claimed was only to be imparted by Dumas.If there was nothing more about the work to attract especial attention, the account of the meeting of the kings on the historic "field of the cloth of gold" would entitle the story to the most favorable consideration of every reader.There is really but little pure romance in this story, for the author has taken care to imagine love passages only between those whom history has credited with having entertained the tender passion one for another, and he succeeds in making such lovers as all the world must love.
As a historical romance "Darnley" is a book that can be taken up pleasurably again and again, for there is about it that subtle charm which those who are strangers to the works of G. P. R. James have claimed was only to be imparted by Dumas.
If there was nothing more about the work to attract especial attention, the account of the meeting of the kings on the historic "field of the cloth of gold" would entitle the story to the most favorable consideration of every reader.
There is really but little pure romance in this story, for the author has taken care to imagine love passages only between those whom history has credited with having entertained the tender passion one for another, and he succeeds in making such lovers as all the world must love.
WINDSOR CASTLE. A Historical Romance of the Reign of Henry VIII. Catharine of Aragon and Anne Boleyn. By Wm. Harrison Ainsworth. With four illustrations by George Cruikshank.
"Windsor Castle" is the story of Henry VIII., Catharine, and Anne Boleyn. "Bluff King Hal," although a well-loved monarch, was none too good a one in many ways. Of all his selfishness and unwarrantable acts, none was more discreditable than his divorce from Catharine, and his marriage to the beautiful Anne Boleyn. The King's love was as brief as it was vehement. Jane Seymour, waiting maid on the Queen, attracted him, and Anne Boleyn was forced to the block to make room for her successor. This romance is one of extreme interest to all readers.
"Windsor Castle" is the story of Henry VIII., Catharine, and Anne Boleyn. "Bluff King Hal," although a well-loved monarch, was none too good a one in many ways. Of all his selfishness and unwarrantable acts, none was more discreditable than his divorce from Catharine, and his marriage to the beautiful Anne Boleyn. The King's love was as brief as it was vehement. Jane Seymour, waiting maid on the Queen, attracted him, and Anne Boleyn was forced to the block to make room for her successor. This romance is one of extreme interest to all readers.
HORSESHOE ROBINSON. A tale of the Tory Ascendency in South Carolina in 1780. By John P. Kennedy. With four illustrations by J. Watson Davis.
Among the old favorites in the field of what is known as historical fiction, there are none which appeal to a larger number of Americans than Horseshoe Robinson, and this because it is the only story which depicts with fidelity to the facts the heroic efforts of the colonists in South Carolina to defend their homes against the brutal oppression of the British under such leaders as Cornwallis and Tarleton.The reader is charmed with the story of love which forms the thread of the tale, and then impressed with the wealth of detail concerning those times. The picture of the manifold sufferings of the people, is never overdrawn, but painted faithfully and honestly by one who spared neither time nor labor in his efforts to present in this charming love story all that price in blood and tears which the Carolinians paid as their share in the winning of the republic.Take it all in all, "Horseshoe Robinson" is a work which should be found on every book-shelf, not only because it is a most entertaining story, but because of the wealth of valuable information concerning the colonists which it contains. That it has been brought out once more, well illustrated, is something which will give pleasure to thousands who have long desired an opportunity to read the story again, and to the many who have tried vainly in these latter days to procure a copy that they might read it for the first time.
Among the old favorites in the field of what is known as historical fiction, there are none which appeal to a larger number of Americans than Horseshoe Robinson, and this because it is the only story which depicts with fidelity to the facts the heroic efforts of the colonists in South Carolina to defend their homes against the brutal oppression of the British under such leaders as Cornwallis and Tarleton.
The reader is charmed with the story of love which forms the thread of the tale, and then impressed with the wealth of detail concerning those times. The picture of the manifold sufferings of the people, is never overdrawn, but painted faithfully and honestly by one who spared neither time nor labor in his efforts to present in this charming love story all that price in blood and tears which the Carolinians paid as their share in the winning of the republic.
Take it all in all, "Horseshoe Robinson" is a work which should be found on every book-shelf, not only because it is a most entertaining story, but because of the wealth of valuable information concerning the colonists which it contains. That it has been brought out once more, well illustrated, is something which will give pleasure to thousands who have long desired an opportunity to read the story again, and to the many who have tried vainly in these latter days to procure a copy that they might read it for the first time.
THE PEARL OF ORR'S ISLAND. A story of the Coast of Maine. By Harriet Beecher Stowe. Illustrated.
Written prior to 1862, the "Pearl of Orr's Island" is ever new; a book filled with delicate fancies, such as seemingly array themselves anew each time one reads them. One sees the "sea like an unbroken mirror all around the pine-girt, lonely shores of Orr's Island," and straightway comes "the heavy, hollow moan of the surf on the beach, like the wild angry howl of some savage animal."Who can read of the beginning of that sweet life, named Mara, which came into this world under the very shadow of the Death angel's wings, without having an intense desire to know how the premature bud blossomed? Again and again one lingers over the descriptions of the character of that baby boy Moses, who came through the tempest, amid the angry billows, pillowed on his dead mother's breast.There is no more faithful portrayal of New England life than that which Mrs. Stowe gives in "The Pearl of Orr's Island."
Written prior to 1862, the "Pearl of Orr's Island" is ever new; a book filled with delicate fancies, such as seemingly array themselves anew each time one reads them. One sees the "sea like an unbroken mirror all around the pine-girt, lonely shores of Orr's Island," and straightway comes "the heavy, hollow moan of the surf on the beach, like the wild angry howl of some savage animal."
Who can read of the beginning of that sweet life, named Mara, which came into this world under the very shadow of the Death angel's wings, without having an intense desire to know how the premature bud blossomed? Again and again one lingers over the descriptions of the character of that baby boy Moses, who came through the tempest, amid the angry billows, pillowed on his dead mother's breast.
There is no more faithful portrayal of New England life than that which Mrs. Stowe gives in "The Pearl of Orr's Island."
RICHELIEU. A tale of France in the reign of King Louis XIII. By G. F. R. James. With four illustrations by J. Watson Davis.
In 1829 Mr. James published his first romance, "Richelieu," and was recognized at once as one of the masters of the craft.In this book he laid the story during those later days of the great cardinal's life, when his power was beginning to wane, but while it was yet sufficiently strong to permit now and then of volcanic outbursts which overwhelmed foes and carried friends to the topmost wave of prosperity. One of the most striking portions of the story is that of Cinq Mar's conspiracy; the method of conducting criminal cases, and the political trickery resorted to by royal favorites, affording a better insight into the statecraft of that day than can be had even by an exhaustive study of history. It is a powerful romance of love and diplomacy, and in point of thrilling and absorbing interest has never been excelled.
In 1829 Mr. James published his first romance, "Richelieu," and was recognized at once as one of the masters of the craft.
In this book he laid the story during those later days of the great cardinal's life, when his power was beginning to wane, but while it was yet sufficiently strong to permit now and then of volcanic outbursts which overwhelmed foes and carried friends to the topmost wave of prosperity. One of the most striking portions of the story is that of Cinq Mar's conspiracy; the method of conducting criminal cases, and the political trickery resorted to by royal favorites, affording a better insight into the statecraft of that day than can be had even by an exhaustive study of history. It is a powerful romance of love and diplomacy, and in point of thrilling and absorbing interest has never been excelled.
A COLONIAL FREE-LANCE. A story of American Colonial Times. By Chauncey C. Hotchkiss. With four illustrations by J. Watson Davis.
A book that appeals to Americans as a vivid picture of Revolutionary scenes. The story is a strong one, a thrilling one. It causes the true American to flush with excitement, to devour chapter after chapter, until the eyes smart, and it fairly smokes with patriotism. The love story is a singularly charming idyl.
A book that appeals to Americans as a vivid picture of Revolutionary scenes. The story is a strong one, a thrilling one. It causes the true American to flush with excitement, to devour chapter after chapter, until the eyes smart, and it fairly smokes with patriotism. The love story is a singularly charming idyl.
THE TOWER OF LONDON. A Historical Romance of the Times of Lady Jane Grey and Mary Tudor. By Wm. Harrison Ainsworth. With four illustrations by George Cruikshank.
This romance of the "Tower of London" depicts the Tower as palace, prison and fortress, with many historical associations. The era is the middle of the sixteenth century.The story is divided into two parts, one dealing with Lady Jane Grey, and the other with Mary Tudor as Queen, introducing other notable characters of the era. Throughout the story holds the interest of the reader in the midst of intrigue and conspiracy, extending considerably over a half a century.
This romance of the "Tower of London" depicts the Tower as palace, prison and fortress, with many historical associations. The era is the middle of the sixteenth century.
The story is divided into two parts, one dealing with Lady Jane Grey, and the other with Mary Tudor as Queen, introducing other notable characters of the era. Throughout the story holds the interest of the reader in the midst of intrigue and conspiracy, extending considerably over a half a century.
IN DEFIANCE OF THE KING. A Romance of the American Revolution. By Chauncey C. Hotchkiss. With four illustrations by J. Watson Davis.
Mr. Hotchkiss has etched in burning words a story of Yankee bravery, and true love that thrills from beginning to end, with the spirit of the Revolution. The heart beats quickly, and we feel ourselves taking a part in the exciting scenes described. His whole story is so absorbing that you will sit up far into the night to finish it. As a love romance it is charming.
Mr. Hotchkiss has etched in burning words a story of Yankee bravery, and true love that thrills from beginning to end, with the spirit of the Revolution. The heart beats quickly, and we feel ourselves taking a part in the exciting scenes described. His whole story is so absorbing that you will sit up far into the night to finish it. As a love romance it is charming.
GARTHOWEN. A story of a Welsh Homestead. By Allen Raine. With four illustrations by J. Watson Davis.
"This is a little idyl of humble life and enduring love, laid bare before us, very real and pure, which in its telling shows us some strong points of Welsh character—the pride, the hasty temper, the quick dying out of wrath.... We call this a well-written story, interesting alike through its romance and its glimpses into another life than ours. A delightful and clever picture of Welsh village life. The result is excellent."—Detroit Free Press.
"This is a little idyl of humble life and enduring love, laid bare before us, very real and pure, which in its telling shows us some strong points of Welsh character—the pride, the hasty temper, the quick dying out of wrath.... We call this a well-written story, interesting alike through its romance and its glimpses into another life than ours. A delightful and clever picture of Welsh village life. The result is excellent."—Detroit Free Press.
MIFANWY. The story of a Welsh Singer. By Allan Raine. With four illustrations by J. Watson Davis.
"This is a love story, simple, tender and pretty as one would care to read. The action throughout is brisk and pleasing; the characters, it is apparent at once, are as true to life as though the author had known them all personally. Simple in all its situations, the story is worked up in that touching and quaint strain which never grows wearisome, no matter how often the lights and shadows of love are introduced. It rings true, and does not tax the imagination."—Boston Herald.
"This is a love story, simple, tender and pretty as one would care to read. The action throughout is brisk and pleasing; the characters, it is apparent at once, are as true to life as though the author had known them all personally. Simple in all its situations, the story is worked up in that touching and quaint strain which never grows wearisome, no matter how often the lights and shadows of love are introduced. It rings true, and does not tax the imagination."—Boston Herald.
THE SPIRIT OF THE BORDER. A Romance of the Early Settlers in the Ohio Valley. By Zane Grey. With four illustrations by J. Watson Davis.
A book rather out of the ordinary is this "Spirit of the Border." The main thread of the story has to do with the work of the Moravian missionaries in the Ohio Valley. Incidentally the reader is given details of the frontier life of those hardy pioneers who broke the wilderness for the planting of this great nation. Chief among these, as a matter of course, is Lewis Wetzel, one of the most peculiar, and at the same time the most admirable of all the brave men who spent their lives battling with the savage foe, that others might dwell in comparative security.Details of the establishment and destruction of the Moravian "Village of Peace" are given at some length, and with minute description. The efforts to Christianize the Indians are described as they never have been before, and the author has depicted the characters of the leaders of the several Indian tribes with great care, which of itself will be of Interest to the student.By no means least among the charms of the story are the vivid word pictures of the thrilling adventures, and the intense paintings of the beauties of nature, as seen in the almost unbroken forests.It is the spirit of the frontier which is described, and one can by it, perhaps, the better understand why men, and women, too, willingly braved every privation and danger that the westward progress of the star of empire might be the more certain and rapid. A love story, simple and tender, runs throughout the book.
A book rather out of the ordinary is this "Spirit of the Border." The main thread of the story has to do with the work of the Moravian missionaries in the Ohio Valley. Incidentally the reader is given details of the frontier life of those hardy pioneers who broke the wilderness for the planting of this great nation. Chief among these, as a matter of course, is Lewis Wetzel, one of the most peculiar, and at the same time the most admirable of all the brave men who spent their lives battling with the savage foe, that others might dwell in comparative security.
Details of the establishment and destruction of the Moravian "Village of Peace" are given at some length, and with minute description. The efforts to Christianize the Indians are described as they never have been before, and the author has depicted the characters of the leaders of the several Indian tribes with great care, which of itself will be of Interest to the student.
By no means least among the charms of the story are the vivid word pictures of the thrilling adventures, and the intense paintings of the beauties of nature, as seen in the almost unbroken forests.
It is the spirit of the frontier which is described, and one can by it, perhaps, the better understand why men, and women, too, willingly braved every privation and danger that the westward progress of the star of empire might be the more certain and rapid. A love story, simple and tender, runs throughout the book.
CAPTAIN BRAND, OF THE SCHOONER CENTIPEDE. By Lieut. Henry A. Wise, U. S. N. (Harry Gringo). With four illustrations by J. Watson Davis.
The re-publication of this story will please those lovers of sea yarns who delight in so much of the salty flavor of the ocean as can come through the medium of a printed page, for never has a story of the sea and those "who go down in ships" been written by one more familiar with the scenes depicted.The one book of this gifted author which is best remembered, and which will be read with pleasure for many years to come, is "Captain Brand," who, as the author states on his title page, was a "pirate of eminence in the West Indies." As a sea story pure and simple, "Captain Brand" has never been excelled, and as a story of piratical life, told without the usual embellishments of blood and thunder, it has no equal.
The re-publication of this story will please those lovers of sea yarns who delight in so much of the salty flavor of the ocean as can come through the medium of a printed page, for never has a story of the sea and those "who go down in ships" been written by one more familiar with the scenes depicted.
The one book of this gifted author which is best remembered, and which will be read with pleasure for many years to come, is "Captain Brand," who, as the author states on his title page, was a "pirate of eminence in the West Indies." As a sea story pure and simple, "Captain Brand" has never been excelled, and as a story of piratical life, told without the usual embellishments of blood and thunder, it has no equal.
NICK OF THE WOODS. A story of the Early Settlers of Kentucky. By Robert Montgomery Bird. With four illustrations by J. Watson Davis.
This most popular novel and thrilling story of early frontier life in Kentucky was originally published in the year 1837. The novel, long out of print, had in its day a phenomenal sale, for its realistic presentation of Indian and frontier life in the early days of settlement in the South, narrated in the tale with all the art of a practiced writer. A very charming love romance runs through the story. This new and tasteful edition of "Nick of the Woods" will be certain to make many new admirers for this enchanting story from Dr. Bird's clever and versatile pen.
This most popular novel and thrilling story of early frontier life in Kentucky was originally published in the year 1837. The novel, long out of print, had in its day a phenomenal sale, for its realistic presentation of Indian and frontier life in the early days of settlement in the South, narrated in the tale with all the art of a practiced writer. A very charming love romance runs through the story. This new and tasteful edition of "Nick of the Woods" will be certain to make many new admirers for this enchanting story from Dr. Bird's clever and versatile pen.
GUY FAWKES. A Romance of the Gunpowder Treason. By Wm. Harrison Ainsworth. With four illustrations by George Cruikshank.
The "Gunpowder Plot" was a modest attempt to blow up Parliament, the King and his Counsellors. James of Scotland, then King of England, was weak-minded and extravagant. He hit upon the efficient scheme of extorting money from the people by imposing taxes on the Catholics. In their natural resentment to this extortion, a handful of bold spirits concluded to overthrow the government. Finally the plotters were arrested, and the King put to torture Guy Fawkes and the other prisoners with royal vigor. A very intense love story runs through the entire romance.
The "Gunpowder Plot" was a modest attempt to blow up Parliament, the King and his Counsellors. James of Scotland, then King of England, was weak-minded and extravagant. He hit upon the efficient scheme of extorting money from the people by imposing taxes on the Catholics. In their natural resentment to this extortion, a handful of bold spirits concluded to overthrow the government. Finally the plotters were arrested, and the King put to torture Guy Fawkes and the other prisoners with royal vigor. A very intense love story runs through the entire romance.
TICONDEROGA: A Story of Early Frontier Life in the Mohawk Valley. By G. P. R. James. With four page illustrations by J. Watson Davis.
The setting of the story is decidedly more picturesque than any ever evolved by Cooper: The frontier of New York State, where dwelt an English gentleman, driven from his native home by grief over the loss of his wife, with a son and daughter. Thither, brought by the exigencies of war, comes an English officer, who is readily recognized as that Lord Howe who met his death at Ticonderoga. As a most natural sequence, even amid the hostile demonstrations of both French and Indians, Lord Howe and the young girl find time to make most deliciously sweet love, and the son of the recluse has already lost his heart to the daughter of a great sachem, a dusky maiden whose warrior-father has surrounded her with all the comforts of a civilized life.The character of Captain Brooks, who voluntarily decides to sacrifice his own life in order to save the son of the Englishman, is not among the least of the attractions of this story, which holds the attention of the reader even to the last page. The tribal laws and folk lore of the different tribes of Indians known as the "Five Nations," with which the story is interspersed, shows that the author gave no small amount of study to the work in question, and nowhere else is it shown more plainly than by the skilful manner in which he has interwoven with his plot the "blood" law, which demands a life for a life, whether it be that of the murderer or one of his race.A more charming story of mingled love and adventure has never been written than "Ticonderoga."
The setting of the story is decidedly more picturesque than any ever evolved by Cooper: The frontier of New York State, where dwelt an English gentleman, driven from his native home by grief over the loss of his wife, with a son and daughter. Thither, brought by the exigencies of war, comes an English officer, who is readily recognized as that Lord Howe who met his death at Ticonderoga. As a most natural sequence, even amid the hostile demonstrations of both French and Indians, Lord Howe and the young girl find time to make most deliciously sweet love, and the son of the recluse has already lost his heart to the daughter of a great sachem, a dusky maiden whose warrior-father has surrounded her with all the comforts of a civilized life.
The character of Captain Brooks, who voluntarily decides to sacrifice his own life in order to save the son of the Englishman, is not among the least of the attractions of this story, which holds the attention of the reader even to the last page. The tribal laws and folk lore of the different tribes of Indians known as the "Five Nations," with which the story is interspersed, shows that the author gave no small amount of study to the work in question, and nowhere else is it shown more plainly than by the skilful manner in which he has interwoven with his plot the "blood" law, which demands a life for a life, whether it be that of the murderer or one of his race.
A more charming story of mingled love and adventure has never been written than "Ticonderoga."
ROB OF THE BOWL: A Story of the Early Days of Maryland. By John P. Kennedy. With four page illustrations by J. Watson Davis.
It was while he was a member of Congress from Maryland that the noted statesman wrote this story regarding the early history of his native State, and while some critics are inclined to consider "Horse Shoe Robinson" as the best of his works, it is certain that "Rob of the Bowl" stands at the head of the list as a literary production and an authentic exposition of the manners and customs during Lord Baltimore's rule. The greater portion of the action takes place in St. Mary's—the original capital of the State.As a series of pictures of early colonial life in Maryland, "Rob of the Bowl" has no equal, and the book, having been written by one who had exceptional facilities for gathering material concerning the individual members of the settlements in and about St. Mary's, is a most valuable addition to the history of the State.The story is full of splendid action, with a charming love story, and a plot that never loosens the grip of its interest to its last page.
It was while he was a member of Congress from Maryland that the noted statesman wrote this story regarding the early history of his native State, and while some critics are inclined to consider "Horse Shoe Robinson" as the best of his works, it is certain that "Rob of the Bowl" stands at the head of the list as a literary production and an authentic exposition of the manners and customs during Lord Baltimore's rule. The greater portion of the action takes place in St. Mary's—the original capital of the State.
As a series of pictures of early colonial life in Maryland, "Rob of the Bowl" has no equal, and the book, having been written by one who had exceptional facilities for gathering material concerning the individual members of the settlements in and about St. Mary's, is a most valuable addition to the history of the State.
The story is full of splendid action, with a charming love story, and a plot that never loosens the grip of its interest to its last page.
BY BERWEN BANKS. By Allen Raine.
It is a tender and beautiful romance of the idyllic. A charming picture of life in a Welsh seaside village. It is something of a prose-poem, true, tender and graceful.
It is a tender and beautiful romance of the idyllic. A charming picture of life in a Welsh seaside village. It is something of a prose-poem, true, tender and graceful.
IN DEFIANCE OF THE KING. A romance of the American Revolution. By Chauncey C. Hotchkiss. With four illustrations by J. Watson Davis.
The story opens in the month of April, 1775, with the provincial troops hurrying to the defense of Lexington and Concord. Mr. Hotchkiss has etched in burning words a story of Yankee bravery and true love that thrills from beginning to end with the spirit of the Revolution. The heart beats quickly, and we feel ourselves taking a part in the exciting scenes described. You lay the book aside with the feeling that you have seen a gloriously true picture of the Revolution. His whole story is so absorbing that you will sit up far into the night to finish it. As a love romance it is charming.
The story opens in the month of April, 1775, with the provincial troops hurrying to the defense of Lexington and Concord. Mr. Hotchkiss has etched in burning words a story of Yankee bravery and true love that thrills from beginning to end with the spirit of the Revolution. The heart beats quickly, and we feel ourselves taking a part in the exciting scenes described. You lay the book aside with the feeling that you have seen a gloriously true picture of the Revolution. His whole story is so absorbing that you will sit up far into the night to finish it. As a love romance it is charming.