wherein it is shown that, as an ancient greek poet said, "nothing is sweeter than aphrodite the golden"
wherein it is shown that, as an ancient greek poet said, "nothing is sweeter than aphrodite the golden"
LTHOUGH he had enjoyed Madame des Aubels' favours for six whole months, Maurice still loved her. True they had had to separate during the summer. For lack of funds of his own he had had to go to Switzerland with his mother, and then to stop with the whole family at the Château d'Esparvieu. She had spent the summer with her mother at Niort, and the autumn with her husband at a little Normandy seaside place, so that they had hardly seen each other four or five times. But since the winter, kindly to lovers, had brought them back to town again, Maurice had been receiving her twice a week in his little flat in the Rue de Rome, and received no one else. No other woman had inspired him with feelings of such constancy and fidelity. What augmented his pleasure was that he believed himself loved, and indeed he was not unpleasing.
LTHOUGH he had enjoyed Madame des Aubels' favours for six whole months, Maurice still loved her. True they had had to separate during the summer. For lack of funds of his own he had had to go to Switzerland with his mother, and then to stop with the whole family at the Château d'Esparvieu. She had spent the summer with her mother at Niort, and the autumn with her husband at a little Normandy seaside place, so that they had hardly seen each other four or five times. But since the winter, kindly to lovers, had brought them back to town again, Maurice had been receiving her twice a week in his little flat in the Rue de Rome, and received no one else. No other woman had inspired him with feelings of such constancy and fidelity. What augmented his pleasure was that he believed himself loved, and indeed he was not unpleasing.
He thought that she did not deceive him, notthat he had any reason to think so, but it appeared right and fitting that she should be content with him alone. What annoyed him was that she always kept him waiting, and was unpunctual in coming to their meeting-place; she was invariably late,—at times very late.
Now on Saturday, January 30th, since four o'clock in the afternoon, Maurice had been awaiting Madame des Aubels in the little pink room, where a bright fire was burning. He was gaily clad in a suit of flowered pyjamas, smoking Turkish cigarettes. At first he dreamt of receiving her with long kisses, with hitherto unknown caresses. A quarter of an hour having passed, he meditated serious and affectionate reproaches, then after an hour of disappointed waiting he vowed he would meet her with cold disdain.
At length she appeared, fresh and fragrant.
"It was scarcely worth while coming," he said bitterly, as she laid her muff and her little bag on the table and untied her veil before the wardrobe mirror.
Never, she told her beloved, had she had such trouble to get away. She was full of excuses, which he obstinately rejected. But no sooner had she the good sense to hold her tongue than he ceased his reproaches, and then nothing detracted from the longing with which she inspired him.
The curtains were drawn, the room was bathedin warm shadows lit by the dancing gleams of the fire. The mirrors in the wardrobe and on the chimney-piece shone with mysterious lights. Gilberte, leaning on her elbow, head on hand, was lost in thought. A little jeweller, a trustworthy and intelligent man, had shown her a wonderfully pretty pearl and sapphire bracelet; it was worth a great deal, and was to be had for a mere nothing. He had got it from acocottedown on her luck, who was in a hurry to dispose of it. It was a rare chance; it would be a huge pity to let it slip.
"Would you like to see it, darling? I will ask the little man to let me have it to show you."
Maurice did not actually decline the proposal. But it was clear that he took no interest in the wonderful bracelet. "When small jewellers come across a great bargain, they keep it to themselves, and do not allow their customers to profit by it. Moreover, jewellery means nothing just now. Well-bred women have given up wearing it. Everyone goes in for sport, and jewellery does not go with sport."
Maurice spoke thus, contrary to truth, because having given his mistress a fur coat, he was in no hurry to give her anything more. He was not stingy, but he was careful with his money. His people did not give him a very large allowance, and his debts grew bigger every day. By satisfying the wishes of his inamorata too promptly he feared toarouse others still more pressing. The bargain seemed less wonderful to him than to Gilberte; besides, he liked to take the initiative in choosing his gifts. Above all, he thought that if he gave her too many presents he would be no longer sure of being loved for himself.
Madame des Aubels felt neither contempt nor surprise at this attitude; she was gentle and temperate, she knew men, and judged that one must take them as one found them, that for the most part they do not give very willingly, and that a woman should know how to make them give.
Suddenly a gas lamp was lighted in the street, and shone through the gaps in the curtains.
"Half-past six," she said. "We must be on the move."
Pricked by the touch of Time's fleeting wing, Maurice was conscious of reawakened desires and reanimated powers. A white and radiant offering, Gilberte, with her head thrown back, her eyes half closed, her lips apart, sunk in dreamy languor, was breathing slowly and placidly, when suddenly she started up with a cry of terror.
"Whatever is that?"
"Stay still," said Maurice, holding her back in his arms.
In his present mood, had the sky fallen it would not have troubled him. But in one bound she escaped from him. Crouching down, her eyes filledwith terror, she was pointing with her finger at a figure which appeared in a corner of the room, between the fire-place and the wardrobe with the mirror. Then, unable to bear the sight, and nearly fainting, she hid her face in her hands.
which far surpasses in audacity the imaginative flights of dante and milton
which far surpasses in audacity the imaginative flights of dante and milton
AURICE at length turned his head, saw the figure, and perceiving that it moved, was also frightened. Meanwhile, Gilberte was regaining her senses. She imagined that what she had seen was some mistress whom her lover had hidden in the room. Inflamed with anger and disgust at the idea of such treachery, boiling with indignation, and glaring at her supposed rival, she exclaimed:
AURICE at length turned his head, saw the figure, and perceiving that it moved, was also frightened. Meanwhile, Gilberte was regaining her senses. She imagined that what she had seen was some mistress whom her lover had hidden in the room. Inflamed with anger and disgust at the idea of such treachery, boiling with indignation, and glaring at her supposed rival, she exclaimed:
"A woman ... a naked woman too! You bring me into a room where you allow your women to come, and when I arrive they have not had time to dress. And you reproach me with arriving late! Your impudence is beyond belief! Come, send the creature packing. If you wanted us both here together, you might at least have asked me whether it suited me...."
Maurice, wide-eyed and groping for a revolver that had never been there, whispered in her ear:
"Be quiet ... it is no woman. One can scarcely see, but it is more like a man."
She put her hands over her eyes again and screamed harder than ever.
"A man! Where does he come from? A thief. An assassin! Help! Help! Kill him.... Maurice, kill him! Turn on the light. No, don't turn on the light...."
She made a mental vow that should she escape from this danger she would burn a candle to the Blessed Virgin. Her teeth chattered.
The figure made a movement.
"Keep away!" cried Gilberte. "Keep away!"
She offered the burglar all the money and jewels she had on the table if he would consent not to stir. Amid her surprise and terror the idea assailed her that her husband, dissembling his suspicions, had caused her to be followed, had posted witnesses, and had had recourse to the Commissaire de Police. In a flash she distinctly saw before her the long painful future, the glaring scandal, the pretended disdain, the cowardly desertion of her friends, the just mockery of society, for it is indeed ridiculous to be found out. She saw the divorce, the loss of her position and of her rank. She saw the dreary and narrow existence with her mother, when no one would make love to her, for men avoid women who fail to give them the security of the married state. And all this, why? Why this ruin, thisdisaster? For a piece of folly, for a mere nothing. Thus in a lightning flash spoke the conscience of Gilberte des Aubels.
"Have no fear, Madame," said a very sweet voice.
Slightly reassured, she found strength to ask:
"Who are you?"
"I am an angel," replied the voice.
"What did you say?"
"I am an angel. I am Maurice's guardian angel."
"Say it again. I am going mad. I do not understand...."
Maurice, without understanding either, was indignant. He sprang forward and showed himself; with his right hand armed with a slipper he made a threatening gesture, and said in a rough voice:
"You are a low ruffian; oblige me by going the way you came."
"Maurice d'Esparvieu," continued the sweet voice, "He whom you adore as your Creator has stationed by the side of each of the faithful a good angel, whose mission it is to counsel and protect him; it is the invariable opinion of the Fathers, it is founded on many passages in the Bible, the Church admits it unanimously, without, however, pronouncing anathema upon those who hold a contrary opinion. You see before you one of these angels, yours, Maurice. I was commanded towatch over your innocence and to guard your chastity."
"That may be," said Maurice; "but you are certainly no gentleman. A gentleman would not permit himself to enter a room at such a moment. To be plain, what the deuce are you doing here?"
"I have assumed this appearance, Maurice, because, having henceforth to move among mankind, I have to make myself like them. The celestial spirits possess the power of assuming a form which renders them apparent to the eye and to the touch. This shape is real, because it is apparent, and all the realities in the world are but appearances."
Gilberte, pacified at length, was arranging her hair on her forehead.
The Angel pursued:
"The celestial spirits adopt, according to their fancy, one sex or the other, or both at once. But they cannot disguise themselves at any moment, according to their caprice or fantasy. Their metamorphoses are subject to constant laws, which you would not understand. Thus I have neither desire nor power to transform myself under your eyes, for your amusement or my own, into a lion, a tiger, a fly, or into a sycamore-shaving like the young Egyptian whose story was found in a tomb. I cannot change myself into an ass as did Lucius with the pomade of the youthful Photis.For in my wisdom I had fixed beforehand the hour of my apparition to mankind, nothing could hasten or delay it."
Impatient for enlightenment, Maurice asked for the second time:
"Still, what are you up to here?"
Joining her voice to his, Madame des Aubels asked: "Yes, indeed, what are you doing here?"
The Angel replied:
"Man, lend your ear. Woman, hear my voice. I am about to reveal to you a secret on which hangs the fate of the Universe. In rebellion against Him whom you hold to be the Creator of all things visible and invisible, I am preparing the Revolt of the Angels."
"Do not jest," said Maurice, who had faith and did not allow holy things to be played with.
But the Angel answered reproachfully: "What makes you think, Maurice, that I am frivolous and given to vain words?"
"Come, come," said Maurice, shrugging his shoulders. "You are not going to revolt against——"
He pointed to the ceiling—not daring to finish.
But the Angel continued:
"Do you not know that the sons of God have already revolted and that a great battle took place in the heavens?"
"That was a long time ago," said Maurice, putting on his socks.
Then the Angel replied:
"It was before the creation of the world. But nothing has changed since then in the heavens. The nature of the Angels is no different now from what it was originally. What they did then they could do again now."
"No! It is not possible. It is contrary to faith. If you were an angel, a good angel as you make out you are, it would never occur to you to disobey your Creator."
"You are in error, Maurice, and the authority of the Fathers condemns you. Origen lays it down in his homilies that good angels are fallible, that they sin every day and fall from Heaven like flies. Possibly you may be tempted to reject the authority of this Father, despite his knowledge of the Scriptures, because he is excluded from the Canon of the Saints. If this be so, I would remind you of the second chapter of Revelation, in which the Angels of Ephesus and Pergamos are rebuked for that they kept not ward over their church. You will doubtless contend that the angels to whom the Apostle here refers are, properly speaking, the Bishops of the two cities in question, and that he calls them angels on account of their ministry. It may be so, and I cede the point. But with what arguments, Maurice, would you counter the opinion of all those Doctors and Pontiffs whose unanimous teaching it is that angels may fall from good into evil? Such is thestatement made by Saint Jerome in his Epistle to Damasus...."
"Monsieur," said Madame des Aubels, "go away, I beg you."
But the Angel hearkened not, and continued:
"Saint Augustine, in hisTrue Religion, Chapter XIII; Saint Gregory, in hisMorals, Chapter XXIV; Isidore——"
"Monsieur, let me get my things on; I am in a hurry."
"In his treatise onThe Greatest Good, Book I, Chapter XII; Bede on Job——"
"Oh, please, Monsieur ..."
"Chapter VIII; John of Damascus onFaith, Book II, Chapter III. Those, I think, are sufficiently weighty authorities, and there is nothing for it, Maurice, but to admit your error. What has led you astray is that you have not duly considered my nature, which is free, active, and mobile, like that of all the angels, and that you have merely observed the grace and felicity with which you deem me so richly endowed. Lucifer possessed no less, yet he rebelled."
"But what on earth are you rebelling for?" asked Maurice.
"Isaiah," answered the child of light, "Isaiah has already asked, before you: 'Quomodo cecidisti de cœlo, Lucifer, qui mane oriebaris?' Hearken, Maurice. Before Time was, the Angels rose up towin dominion over Heaven, the most beautiful of the Seraphim revolted through pride. As for me, it is science that has inspired me with the generous desire for freedom. Finding myself near you, Maurice, in a house containing one of the vastest libraries in the world, I acquired a taste for reading and a love of study. While, fordone with the toils of a sensual life, you lay sunk in heavy slumber, I surrounded myself with books, I studied, I pondered over their pages, sometimes in one of the rooms of the library, under the busts of the great men of antiquity, sometimes at the far end of the garden, in the room in the summer-house next to your own."
On hearing these words, young d'Esparvieu exploded with laughter and beat the pillow with his fist, an infallible sign of uncontrollable mirth.
"Ah ... ah ... ah! It was you who pillaged papa's library and drove poor old Sariette off his head. You know, he has become completely idiotic."
"Busily engaged," continued the Angel, "in cultivating for myself a sovereign intelligence, I paid no heed to that inferior being, and when he thought to offer obstacles to my researches and to disturb my work I punished him for his importunity.
"One particular winter's night in the abode of the philosophers and globes I let fall a volume of great weight on his head, which he tried to tearfrom my invisible hand. Then more recently, raising, with a vigorous arm composed of a column of condensed air, a precious manuscript of Flavius Josephus, I gave the imbecile such a fright, that he rushed out screaming on to the landing and (to borrow a striking expression from Dante Alighieri) fell even as a dead body falls. He was well rewarded, for you gave him, Madame, to staunch the blood from his wound, your little scented handkerchief. It was the day, you may remember, when behind a celestial globe you exchanged a kiss on the mouth with Maurice."
"Monsieur," said Madame des Aubels, with a frown, "I cannot allow you...."
But she stopped short, deeming it was an inopportune moment to appear over-exacting on a matter of decorum.
"I had made up my mind," continued the Angel impassively, "to examine the foundations of belief. I first attacked the monuments of Judaism, and I read all the Hebrew texts."
"You know Hebrew, then?" exclaimed Maurice.
"Hebrew is my native tongue: in Paradise for a long time we have spoken nothing else."
"Ah, you are a Jew. I might have deduced it from your want of tact."
The Angel, not deigning to hear, continued in his melodious voice: "I have delved deep into Oriental antiquities and also into those of Greeceand Rome. I have devoured the works of theologians, philosophers, physicists, geologists, and naturalists. I have learnt. I have thought. I have lost my faith."
"What? You no longer believe in God?"
"I believe in Him, since my existence depends on His, and if He should fail to exist, I myself should fall into nothingness. I believe in Him, even as the Satyrs and the Mænads believed in Dionysus and for the same reason. I believe in the God of the Jews and the Christians. But I deny that He created the world; at the most He organised but an inferior part of it, and all that He touched bears the mark of His rough and unforeseeing touch. I do not think He is either eternal or infinite, for it is absurd to conceive of a being who is not bounded by space or time. I think Him limited, even very limited. I no longer believe Him to be the only God. For a long time He did not believe it Himself; in the beginning He was a polytheist; later, His pride and the flattery of His worshippers made Him a monotheist. His ideas have little connection; He is less powerful than He is thought to be. And, to speak candidly, He is not so much a god as a vain and ignorant demiurge. Those who, like myself, know His true nature, call Him Ialdabaoth."
"What's that you say?"
"Ialdabaoth."
"Ialdabaoth. What's that?"
"I have already told you. It is the demiurge whom, in your blindness, you adore as the one and only God."
"You're mad. I don't advise you to go and talk rubbish like that to Abbé Patouille."
"I am not in the least sanguine, my dear Maurice, of piercing the dense night of your intellect. I merely tell you that I am going to engage Ialdabaoth in conflict with some hopes of victory."
"Mark my words, you won't succeed."
"Lucifer shook His throne, and the issue was for a moment in doubt."
"What is your name?"
"Abdiel for the angels and saints, Arcade for mankind."
"Well, my poor Arcade, I regret to see you going to the bad. But confess that you are jesting with us. I could at a pinch understand your leaving Heaven for a woman. Love makes us commit the greatest follies. But you will never make me believe that you, who have seen God face to face, ultimately found the truth in old Sariette's musty books. No, you will never get me to believe that!"
"My dear Maurice, Lucifer was face to face with God, yet he refused to serve Him. As to the kind of truth one finds in books, it is a truth that enables us sometimes to discern what things are not, without ever enabling us to discover what theyare. And this poor little truth has sufficed to prove to me that He in whom I blindly believed is not believable, and that men and angels have been deceived by the lies of Ialdabaoth."
"There is no Ialdabaoth. There is God. Come, Arcade, do the right thing. Renounce these follies, these impieties, dis-incarnate yourself, become once more a pure Spirit, and resume your office of guardian angel. Return to duty. I forgive you, but do not let us see you again."
"I should like to please you, Maurice. I feel a certain affection for you, for my heart is soft. But fate henceforth calls me elsewhere towards beings capable of thought and action."
"Monsieur Arcade," said Madame des Aubels, "withdraw, I implore you. It makes me horribly shy to be in this position before two men. I assure you I am not accustomed to it."
recounts in what manner the angel, attired in the cast-off garments of a suicide, leaves the youthful maurice without a heavenly guardian
recounts in what manner the angel, attired in the cast-off garments of a suicide, leaves the youthful maurice without a heavenly guardian
EASSURE yourself, Madame," replied the apparition, "your position is not as risky as you say. You are not confronted with two men, but with one man and an angel."She examined the stranger with an eye which, piercing the gloom, was anxiously surveying a vague but by no means negligible indication, and asked:
EASSURE yourself, Madame," replied the apparition, "your position is not as risky as you say. You are not confronted with two men, but with one man and an angel."
She examined the stranger with an eye which, piercing the gloom, was anxiously surveying a vague but by no means negligible indication, and asked:
"Monsieur, is it quite certain that you are an angel?"
The apparition prayed her to have no doubt about it, and gave some precise information as to his origin.
"There are three hierarchies of celestial spirits, each composed of nine choirs; the first comprises the Seraphim, Cherubim, and the Thrones; the second, the Dominations, the Virtues, and thePowers; the third, the Principalities, the Archangels, and the Angels properly so called. I belong to the ninth choir of the third hierarchy."
Madame des Aubels, who had her reasons for doubting this, expressed at least one:
"You have no wings."
"Why should I, Madame? Am I bound to resemble the angels on your holy-water stoups? Those feathery oars that beat the waves of the air in rhythmic cadences are not always worn by the heavenly messengers on their shoulders. Cherubim may be apterous. That all too beautiful angelic pair who spent an anxious night in the house of Lot compassed about by an Oriental horde—they had no wings! No, they appeared just like men, and the dust of the road covered their feet, which the patriarch washed with pious hand. I would beg you to observe, Madame, that according to the Science of Organic Metamorphosis created by Lamarck and Darwin, the wings of birds have been successively transformed into fore-feet in the case of quadrupeds and into arms in the case of the Linnæan primates. And you may remember, Maurice, that by a rather annoying reversion to type, Miss Kate, your English nurse, who used to be so fond of giving you a whipping, had arms very like the pinions of a plucked fowl. One may say, then, that a being possessing both arms and wings is a monster and belongs to the department ofTeratology. In Paradise we have Cherubim and Kerûbs in the shape of winged bulls, but those are the clumsy inventions of an inartistic god. It is nevertheless true, quite true, that the Victories of the Temple of Athena Nike on the Athenian Acropolis are beautiful, and possess both arms and wings; it is also true that the Victory of Brescia is beautiful, with her outstretched arms and her long wings folded on her mighty loins. It is one of the miracles of Greek genius to have known how to create harmonious monsters. The Greeks never err. The Moderns always."
"Yet on the whole," said Madame des Aubels, "you have not the look of a pure Spirit."
"Nevertheless, I am one, Madame, if ever there was one. And it ill becomes you, who have been baptised, to doubt it. Several of the Fathers, such as St. Justin, Tertullian, Origen, and Clement of Alexandria thought that the Angels were not purely spiritual, but possessed a body formed of some subtile material. This opinion has been rejected by the Church; hence I am merely Spirit. But what is spirit and what is matter? Formerly they were contrasted as being two opposites, and now your human science tends to reunite them as two aspects of the same thing. It teaches that everything proceeds from ether and everything returns to it, that the same movement transforms the wavesof air into stones and minerals, and that the atoms scattered throughout illimitable space, form, by the varying speed of their orbits, all the substance of this material world."
But Madame des Aubels was not listening. She had something on her mind, and to put an end to her suspense, she asked:
"How long have you been here?"
"I came with Maurice."
"Well—that's a nice thing!" said she, shaking her head. But the Angel continued with heavenly serenity:
"Everything in the Universe is circular, elliptical, or hyperbolic, and the same laws which rule the stars govern this grain of dust. In the original and native movement of its substance, my body is spiritual, but it may affect, as you perceive, this material state, by changing the rhythm of its elements."
Having thus spoken he sat down in a chair on Madame des Aubels' black stockings.
A clock struck outside.
"Good heavens, seven o'clock!" exclaimed Gilberte. "What am I to say to my husband? He thinks I am at that tea-party in the Rue de Rivoli. We are dining with the La Verdelières to-night. Go away immediately, Monsieur Arcade. I must get ready to go. I have not a second to lose."
The Angel replied that he would have willingly obeyed Madame des Aubels had he been in a state to show himself decently in public, but that he could not dream of appearing out of doors without any clothes. "Were I to walk naked in the street," he added, "I should offend a nation attached to its ancient habits, habits which it has never examined. They are the basis of all moral systems. Formerly," he added, "the angels, in revolt like myself, manifested themselves to Christians under grotesque and ridiculous appearances, black, horned, hairy, and cloven-footed. Pure stupidity! They were the laughing-stock of people of taste. They merely frightened old women and children and met with no success."
"It is true he cannot go out as he is," said Madame des Aubels with justice.
Maurice tossed his pyjamas and his slippers to the celestial messenger. Regarded as outdoor habiliments they were not adequate. Gilberte pressed her lover to run at once in quest of other clothes. He proposed to go and get some from the concierge. She was violently opposed to this. It would, she said, be madly imprudent to drag the concierge into such an affair.
"Do you want them to know that ..." she exclaimed.
She pointed to the Angel and was silent.
Young d'Esparvieu went out to seek a clothes-shop.
Meanwhile, Gilberte, who could not delay any longer for fear of causing a horrible society scandal, turned on the light and dressed before the Angel. She did it without any awkwardness, for she knew how to adapt herself to circumstances; and she took it that in such an unheard-of encounter in which heaven and earth were mingled in unutterable confusion it was permissible to retrench in modesty.
Moreover, she knew that she possessed a good figure and had garments as dainty as the fashion demanded. As the apparition's sense of delicacy would not permit him to don Maurice's pyjamas, Gilberte could not help observing by the lamp-light that her suspicions were well-founded, and that angels have the same appearance as men. Curious to know if the appearance were real or imaginary she asked the child of light if Angels were like monkeys, who, to win women, merely lack money.
"Yes, Gilberte," replied Arcade, "Angels are capable of loving mortals. It is the teaching of the Scriptures. It is said in the Seventh Book of Genesis, 'When men became numerous on the face of the earth, and daughters were born to them, the sons of God saw that the daughters of men were beautiful, and they took as wives all those which pleased them.'"
"Good heavens," cried Gilberte all at once, "Ishall never be able to fasten my dress; it hooks down the back."
When Maurice entered the room he found the Angel on his knees tying the shoes of the woman taken inflagrante delicto.
Taking her muff and her bag off the table she said:
"I have not forgotten anything? No. Good-night, Monsieur Arcade. Good-night, Maurice. I shall not forget to-day." And she vanished like a dream.
"Here," said Maurice, throwing the Angel a bundle of clothes.
The young man, having seen some dismal rags lying among clarionettes and clyster-pipes in the window of a second-hand shop, had bought for nineteen francs the cast-off suit of some wretched sable-clad mortal who had committed suicide. The Angel, with native majesty, took the garments and put them on. Worn by him, they took on an unexpected elegance. He took a step to the door.
"So you are leaving me," said Maurice. "It's settled, then? I very much fear that, some day, you will bitterly regret this hasty action."
"I must not look back. Adieu, Maurice."
Maurice timidly slipped five louis into his hand.
"Adieu, Arcade."
But when the Angel had passed through the door,and all that was to be seen of him in the door-way was his uplifted heel, Maurice called him back.
"Arcade! I never thought of it! I have no guardian angel now!"
"Quite true, Maurice, you have one no longer."
"Then what will become of me? One must have a guardian angel. Tell me,—are there not grave drawbacks,—is there no danger in not having one?"
"Before replying, Maurice, I must ask you if you wish me to speak to you according to your belief, which formerly was my own, according to the teaching of the Church and the Catholic faith, or according to natural philosophy."
"I don't care a straw for your natural philosophy. Answer me according to the religion I believe in, and which I profess, and in which I wish to live and die."
"Very well, my dear Maurice. The loss of your guardian angel will probably deprive you of certain spiritual succour, of certain celestial grace. I am expressing to you the unvarying opinion of the Church on the matter. You will lack an assistance, a support, a consolation which would have guided and confirmed you in the way of salvation. You will have less strength to avoid sin, and as it was you hadn't much. In fact, in spiritual matters, you will be without strength and without joy. Adieu,Maurice; when you see Madame des Aubels, please remember me to her."
"You are going?"
"Farewell."
Arcade disappeared, and Maurice in the depths of an arm-chair sat for a long time with his head in his hands.
wherein it is set forth how the angel mirar, when bearing grace and consolation to those dwelling in the neighbourhood of the champs élysées in paris, beheld a music-hall singer named bouchotte and fell in love with her
wherein it is set forth how the angel mirar, when bearing grace and consolation to those dwelling in the neighbourhood of the champs élysées in paris, beheld a music-hall singer named bouchotte and fell in love with her
HROUGH streets filled with brown fog, pierced with white and yellow lights, where horses exhaled their smoking breath and motors radiated their rapid search-lights, the angel made his way, and, mingling with the black flood of foot-passengers which rolled unceasingly along, proceeded across the town from north to south till he came to the lonely boulevards on the left bank of the river. Not far from the old walls of Port Royal, a small restaurant flings night by night athwart the pavement the clouded rays of its streaming windows. Coming to a halt there, Arcade entered a room full of warm, savoury odours, pleasing to the unfortunate beings faint with cold and hunger. Glancing round him he beheld Russian Nihilists, Italian Anarchists, refugees, conspirators, revolutionaries from every quarter of the globe, picturesque old faces with tumbled masses of hair and beard that swept downwards even as the torrent and the waterfall sweep over their rocky bed. There were young faces of virginal coldness, expressions sombre and wild, pale eyes of infinite sweetness, drawn faces, and, in a corner, there were two Russian women, one extremely lovely, the other hideous, but both resembling each other in their indifference to ugliness and to beauty. But failing to find the face he sought, for there were no angels in the room, he sat down at a small vacant marble table.
HROUGH streets filled with brown fog, pierced with white and yellow lights, where horses exhaled their smoking breath and motors radiated their rapid search-lights, the angel made his way, and, mingling with the black flood of foot-passengers which rolled unceasingly along, proceeded across the town from north to south till he came to the lonely boulevards on the left bank of the river. Not far from the old walls of Port Royal, a small restaurant flings night by night athwart the pavement the clouded rays of its streaming windows. Coming to a halt there, Arcade entered a room full of warm, savoury odours, pleasing to the unfortunate beings faint with cold and hunger. Glancing round him he beheld Russian Nihilists, Italian Anarchists, refugees, conspirators, revolutionaries from every quarter of the globe, picturesque old faces with tumbled masses of hair and beard that swept downwards even as the torrent and the waterfall sweep over their rocky bed. There were young faces of virginal coldness, expressions sombre and wild, pale eyes of infinite sweetness, drawn faces, and, in a corner, there were two Russian women, one extremely lovely, the other hideous, but both resembling each other in their indifference to ugliness and to beauty. But failing to find the face he sought, for there were no angels in the room, he sat down at a small vacant marble table.
Angels, when driven by hunger, eat as do the animals of this earth, and their food, transformed by digestive heat, becomes one with their celestial substance. Seeing three angels under the oaks of Mamre, Abraham offered them cakes, kneaded by Sarah, an whole calf, butter and milk, and they ate. Lot, on receiving two angels in his house, ordered unleavened bread to be baked, and they did eat. Arcade was given a tough beef-steak by a seedy waiter, and he did eat. Nevertheless, his dreams were of the sweet leisure, of the repose, of the delightful studies he had quitted, of the heavy task he had undertaken, of the toil, the weariness, the perils which he would have to endure, and his soul was sad and his heart troubled.
As he was finishing his modest repast, a youngman of poor appearance and thinly clad entered the room, and rapidly surveying the tables approached the angel and greeted him by the name of Abdiel, because he himself was a celestial spirit.
"I knew you would answer my call, Mirar," replied Arcade, addressing his angelic brother in his turn by the name he formerly bore in heaven. But Mirar was remembered no more in heaven since he, an Archangel, had left the service of God. He was called Théophile Belais on earth, and to earn his bread gave music lessons to small children in the day-time and at night played the violin in dancing saloons.
"It is you, dear Abdiel?" replied Théophile. "So here we are reunited in this sad world. I am pleased to see you again. All the same I pity you, for we lead a hard life here."
But Arcade answered:
"Friend, your exile draws to an end. I have great plans. I will confide them to you and associate you with them."
And Maurice's guardian angel, having ordered two coffees, revealed his ideas and his projects to his companion: he told how, during his visit on earth, he had abandoned himself to researches little practised by celestial spirits and had studied theologies, cosmogonies, the system of the Universe, theories of matter, modern essays on the transformation and loss of energy. Having, he explained,studied Nature, he had found her in perpetual conflict with the teachings of the Master he served. This Master, greedy of praise, whom he had for a long time adored, appeared to him now as an ignorant, stupid, and cruel tyrant. He had denied Him, blasphemed Him, and was burning to combat Him. His plan was to recommence the revolt of the angels. He wished for war, and hoped for victory.
"But," he added, "it is necessary above all to know our strength and that of our adversary." And he asked if the enemies of Ialdabaoth were numerous and powerful on earth.
Théophile looked wonderingly at his brother. He appeared not to understand the questions addressed him.
"Dear compatriot," he said, "I came at your invitation because it was the invitation of an old comrade. But I do not know what you expect of me, and I fear I shall be unable to help you in anything. I take no hand in politics, neither do I stand forth as a reformer. I am not like you, a spirit in revolt, a freethinker, a revolutionary. I remain faithful, in the depths of my soul, to the Celestial Creator. I still adore the Master I no longer serve, and I lament the days when shrouding myself with my wings I formed with the multitude of the children of light a wheel of flame around His throne of glory. Love, profane love has aloneseparated me from God. I quitted heaven to follow a daughter of men. She was beautiful and sang in music-halls."
They rose. Arcade accompanied Théophile, who was living at the other end of the town, at the corner of the Boulevard Rochechouart and the Rue de Steinkerque. While walking through the deserted streets he who loved the singer told his brother of his love and his sorrows.
His fall, which dated from two years back, had been sudden. Belonging to the eighth choir of the third hierarchy he was a bearer of grace to the faithful who are still to be found in large numbers in France, especially among the higher ranks of the officers of the army and navy.
"One summer night," he said, "as I was descending from Heaven, to distribute consolations, the grace of perseverance and of good deaths to divers pious persons in the neighbourhood of the Étoile, my eyes, although well accustomed to immortal light, were dazzled by the fiery flowers with which the Champs Élysées were sown. Great candelabra, under the trees, marking the entrances to cafés and restaurants, gave the foliage the precious glitter of an emerald. Long garlands of luminous pearl surrounded the open-air enclosures where a crowd of men and women sat closely packed listening to the sounds of a lively orchestra, whose strains reached my ears confusedly.
"The night was warm, my wings were beginning to grow tired. I descended into one of the concerts and sat down, invisible, among the audience. At this moment, a woman appeared on the stage, clad in a short spangled frock. Owing to the reflection of the footlights and the paint on her face all that was visible of the latter was the expression and the smile. Her body was supple and voluptuous.
"She sang and danced.... Arcade, I have always loved dancing and music, but this creature's thrilling voice and insidious movements created in me an uneasiness I had never known before. My colour came and went. My eyelids drooped, my tongue clove to my mouth. I could not leave the spot."
And Théophile related, groaning, how, possessed by desire for this woman, he did not return to Heaven again, but, taking the shape of a man, lived an earthly life, for it is written: "In those days the sons of God saw that the daughters of men were beautiful."
A fallen angel, having lost his innocence along with the vision of God, Théophile at heart still retained his simplicity of soul. Clad in rags, filched from the stall of a Jewish hawker, he went to seek the woman he loved. She was called Bouchotte and lodged in a small house in Montmartre. He flung himself at her feet and told her she was adorable, that she sang delightfully, that he lovedher madly, that, for her, he would renounce his family and his country, that he was a musician and had nothing to eat. Touched by such youthful ingenuousness, candour, poverty, and love, she fed, clothed, and loved him.
However, after long and painful struggles, he procured employment as a music-teacher, and made some money, which he brought to his mistress, keeping nothing for himself. From that time forward she loved him no longer. She despised him for earning so little and did not conceal her indifference, weariness, and disgust. She overwhelmed him with reproaches, irony, and abuse, in spite of which she kept him, for she had had experience of worse partners and was used to domestic quarrels. For the rest, she led a busy, serious, and rather hard life as artist and woman. Théophile loved her as he had loved her the first night, and he suffered.
"She overworks herself," he told his celestial brother, "that is what makes her so hard to please, but I am certain she loves me. I hope soon to give her more comfort."
And he spoke at length of an operetta at which he was working and which he hoped to have brought out at a Paris theatre. A young poet had given him the libretto. It was the story of Aline, queen of Golconda, after an eighteenth-century tale.
"I am strewing it profusely with melodies," said Théophile; "my music comes from my heart. Myheart is an inexhaustible source of melody. Unfortunately nowadays people like recondite arrangements, difficult scoring. They accuse me of being too fluid, too limpid, of not imparting enough colour to my style, not aiming at stronger effects in harmony and more vigorous contrasts. Harmony, harmony!... No doubt it has given its merits, but it does not appeal to the heart. It is melody which carries us away and ravishes us and brings smiles and tears to our eyes." At these words he smiled and wept to himself. Then he continued with emotion:
"I am a fountain of melody. But the orchestration! there's the rub! In Paradise, you know, Arcade, in the matter of instruments, we only possess the harp, the psaltery, and the hydraulic organ."
Arcade was only listening to him with half an ear. He was meditating plans which filled his soul and swelled his heart.
"Do you know any angels in revolt?" he asked his companion. "As for me, I know only one, Prince Istar, with whom I have exchanged a few letters and who offered to share his attic with me while I was finding a lodging in this town, where I believe rents are very high."
Of angels in revolt Théophile knew none. When he met a fallen spirit who had formerly been one of his comrades he shook him by the hand, for he was a faithful friend. Sometimes he saw PrinceIstar. But he avoided all those bad angels who shocked him by the violence of their opinions and whose conversations plagued him to death.
"Then you don't approve of me?" asked the impulsive Arcade.
"Friend, I neither approve of you nor blame you. I understand nothing of the ideas which trouble you. Neither do I think it good for an artist to concern himself with politics. One has quite sufficient to occupy oneself with one's art."
He loved his profession, and had hopes of "arriving" one day, but theatrical ways disgusted him. The only chance he saw of having his piece played was to take one or two—perhaps three—collaborators, who, without having done any work, would sign their names and share the profits. Soon Bouchotte would fail to find engagements. When she offered her services in some small hall the manager began by asking her how many shares she was taking in the business. Such customs, thought Théophile, were deplorable.