Corey thought of the words he had overheard from Lapham to the girl. But he said, "She seems to be kept pretty busy."
"Oh yes," said Walker; "there ain't much loafing round the place, in any of the departments, from the old man's down. That's just what I say. He's got to work just twice as hard, if he wants to keep everything in his own mind. But he ain't afraid of work. That's one good thing about him. And Miss Dewey has to keep step with the rest of us. But she don't look like one that would take to it naturally. Such a pretty girl as that generally thinks she does enough when she looks her prettiest."
"She's a pretty girl," said Corey, non-committally. "But I suppose a great many pretty girls have to earn their living."
"Don't any of 'em like to do it," returned the book-keeper. "They think it's a hardship, and I don't blame 'em. They have got a right to get married, and they ought to have the chance. And Miss Dewey's smart, too. She's as bright as a biscuit. I guess she's had trouble. I shouldn't be much more than half surprised if Miss Dewey wasn't Miss Dewey, or hadn't always been. Yes, sir," continued the book-keeper, who prolonged the talk as they walked back to Lapham's warehouse together, "I don't know exactly what it is,--it isn't any one thing in particular,--but I should say that girl had been married. I wouldn't speak so freely to any of the rest, Mr. Corey,--I want you to understand that,--and it isn't any of my business, anyway; but that's my opinion."
Corey made no reply, as he walked beside the book-keeper, who continued--
"It's curious what a difference marriage makes in people. Now, I know that I don't look any more like a bachelor of my age than I do like the man in the moon, and yet I couldn't say where the difference came in, to save me. And it's just so with a woman. The minute you catch sight of her face, there's something in it that tells you whether she's married or not. What do you suppose it is?"
"I'm sure I don't know," said Corey, willing to laugh away the topic. "And from what I read occasionally of some people who go about repeating their happiness, I shouldn't say that the intangible evidences were always unmistakable."
"Oh, of course," admitted Walker, easily surrendering his position. "All signs fail in dry weather. Hello! What's that?" He caught Corey by the arm, and they both stopped.
At a corner, half a block ahead of them, the summer noon solitude of the place was broken by a bit of drama. A man and woman issued from the intersecting street, and at the moment of coming into sight the man, who looked like a sailor, caught the woman by the arm, as if to detain her. A brief struggle ensued, the woman trying to free herself, and the man half coaxing, half scolding. The spectators could now see that he was drunk; but before they could decide whether it was a case for their interference or not, the woman suddenly set both hands against the man's breast and gave him a quick push. He lost his footing and tumbled into a heap in the gutter. The woman faltered an instant, as if to see whether he was seriously hurt, and then turned and ran.
When Corey and the book-keeper re-entered the office, Miss Dewey had finished her lunch, and was putting a sheet of paper into her type-writer. She looked up at them with her eyes of turquoise blue, under her low white forehead, with the hair neatly rippled over it, and then began to beat the keys of her machine.
LAPHAM had the pride which comes of self-making, and he would not openly lower his crest to the young fellow he had taken into his business. He was going to be obviously master in his own place to every one; and during the hours of business he did nothing to distinguish Corey from the half-dozen other clerks and book-keepers in the outer office, but he was not silent about the fact that Bromfield Corey's son had taken a fancy to come to him. "Did you notice that fellow at the desk facing my type-writer girl? Well, sir, that's the son of Bromfield Corey--old Phillips Corey's grandson. And I'll say this for him, that there isn't a man in the office that looks after his work better. There isn't anything he's too good for. He's right here at nine every morning, before the clock gets in the word. I guess it's his grandfather coming out in him. He's got charge of the foreign correspondence. We're pushing the paint everywhere." He flattered himself that he did not lug the matter in. He had been warned against that by his wife, but he had the right to do Corey justice, and his brag took the form of illustration. "Talk about training for business--I tell you it's all in the man himself! I used to believe in what old Horace Greeley said about college graduates being the poorest kind of horned cattle; but I've changed my mind a little. You take that fellow Corey. He's been through Harvard, and he's had about every advantage that a fellow could have. Been everywhere, and talks half a dozen languages like English. I suppose he's got money enough to live without lifting a hand, any more than his father does; son of Bromfield Corey, you know. But the thing was in him. He's a natural-born business man; and I've had many a fellow with me that had come up out of the street, and worked hard all his life, without ever losing his original opposition to the thing. But Corey likes it. I believe the fellow would like to stick at that desk of his night and day. I don't know where he got it. I guess it must be his grandfather, old Phillips Corey; it often skips a generation, you know. But what I say is, a thing has got to be born in a man; and if it ain't born in him, all the privations in the world won't put it there, and if it is, all the college training won't take it out."
Sometimes Lapham advanced these ideas at his own table, to a guest whom he had brought to Nantasket for the night. Then he suffered exposure and ridicule at the hands of his wife, when opportunity offered. She would not let him bring Corey down to Nantasket at all.
"No, indeed!" she said. "I am not going to have them think we're running after him. If he wants to see Irene, he can find out ways of doing it for himself."
"Who wants him to see Irene?" retorted the Colonel angrily.
"I do," said Mrs. Lapham. "And I want him to see her without any of your connivance, Silas. I'm not going to have it said that I put my girls at anybody. Why don't you invite some of your other clerks?"
"He ain't just like the other clerks. He's going to take charge of a part of the business. It's quite another thing."
"Oh, indeed!" said Mrs. Lapham vexatiously. "Then you ARE going to take a partner."
"I shall ask him down if I choose!" returned the Colonel, disdaining her insinuation.
His wife laughed with the fearlessness of a woman who knows her husband.
"But you won't choose when you've thought it over, Si." Then she applied an emollient to his chafed surface. "Don't you suppose I feel as you do about it? I know just how proud you are, and I'm not going to have you do anything that will make you feel meeching afterward. You just let things take their course. If he wants Irene, he's going to find out some way of seeing her; and if he don't, all the plotting and planning in the world isn't going to make him."
"Who's plotting?" again retorted the Colonel, shuddering at the utterance of hopes and ambitions which a man hides with shame, but a woman talks over as freely and coolly as if they were items of a milliner's bill.
"Oh, not you!" exulted his wife. "I understand what you want. You want to get this fellow, who is neither partner nor clerk, down here to talk business with him. Well, now, you just talk business with him at the office."
The only social attention which Lapham succeeded in offering Corey was to take him in his buggy, now and then, for a spin out over the Mill-dam. He kept the mare in town, and on a pleasant afternoon he liked to knock off early, as he phrased it, and let the mare out a little. Corey understood something about horses, though in a passionless way, and he would have preferred to talk business when obliged to talk horse. But he deferred to his business superior with the sense of discipline which is innate in the apparently insubordinate American nature. If Corey could hardly have helped feeling the social difference between Lapham and himself, in his presence he silenced his traditions, and showed him all the respect that he could have exacted from any of his clerks. He talked horse with him, and when the Colonel wished he talked house. Besides himself and his paint Lapham had not many other topics; and if he had a choice between the mare and the edifice on the water side of Beacon Street, it was just now the latter. Sometimes, in driving in or out, he stopped at the house, and made Corey his guest there, if he might not at Nantasket; and one day it happened that the young man met Irene there again. She had come up with her mother alone, and they were in the house, interviewing the carpenter as before, when the Colonel jumped out of his buggy and cast anchor at the pavement. More exactly, Mrs. Lapham was interviewing the carpenter, and Irene was sitting in the bow-window on a trestle, and looking out at the driving. She saw him come up with her father, and bowed and blushed. Her father went on up-stairs to find her mother, and Corey pulled up another trestle which he found in the back part of the room. The first floorings had been laid throughout the house, and the partitions had been lathed so that one could realise the shape of the interior.
"I suppose you will sit at this window a good deal," said the young man.
"Yes, I think it will be very nice. There's so much more going on than there is in the Square."
"It must be very interesting to you to see the house grow."
"It is. Only it doesn't seem to grow so fast as I expected."
"Why, I'm amazed at the progress your carpenter has made every time I come."
The girl looked down, and then lifting her eyes she said, with a sort of timorous appeal--
"I've been reading that book since you were down at Nantasket."
"Book?" repeated Corey, while she reddened with disappointment. "Oh yes. Middlemarch. Did you like it?"
"I haven't got through with it yet. Pen has finished it."
"What does she think of it?"
"Oh, I think she likes it very well. I haven't heard her talk about it much. Do you like it?"
"Yes; I liked it immensely. But it's several years since I read it."
"I didn't know it was so old. It's just got into the Seaside Library," she urged, with a little sense of injury in her tone.
"Oh, it hasn't been out such a very great while," said Corey politely. "It came a little before DANIEL DERONDA."
The girl was again silent. She followed the curl of a shaving on the floor with the point of her parasol.
"Do you like that Rosamond Vincy?" she asked, without looking up.
Corey smiled in his kind way.
"I didn't suppose she was expected to have any friends. I can't say I liked her. But I don't think I disliked her so much as the author does. She's pretty hard on her good-looking"--he was going to say girls, but as if that might have been rather personal, he said--"people."
"Yes, that's what Pen says. She says she doesn't give her any chance to be good. She says she should have been just as bad as Rosamond if she had been in her place."
The young man laughed. "Your sister is very satirical, isn't she?"
"I don't know," said Irene, still intent upon the convolutions of the shaving. "She keeps us laughing. Papa thinks there's nobody that can talk like her." She gave the shaving a little toss from her, and took the parasol up across her lap. The unworldliness of the Lapham girls did not extend to their dress; Irene's costume was very stylish, and she governed her head and shoulders stylishly. "We are going to have the back room upstairs for a music-room and library," she said abruptly.
"Yes?" returned Corey. "I should think that would be charming."
"We expected to have book-cases, but the architect wants to build the shelves in."
The fact seemed to be referred to Corey for his comment.
"It seems to me that would be the best way. They'll look like part of the room then. You can make them low, and hang your pictures above them."
"Yes, that's what he said." The girl looked out of the window in adding, "I presume with nice bindings it will look very well."
"Oh, nothing furnishes a room like books."
"No. There will have to be a good many of them."
"That depends upon the size of your room and the number of your shelves."
"Oh, of course! I presume," said Irene, thoughtfully, "we shall have to have Gibbon."
"If you want to read him," said Corey, with a laugh of sympathy for an imaginable joke.
"We had a great deal about him at school. I believe we had one of his books. Mine's lost, but Pen will remember."
The young man looked at her, and then said, seriously, "You'll want Greene, of course, and Motley, and Parkman."
"Yes. What kind of writers are they?"
"They're historians too."
"Oh yes; I remember now. That's what Gibbon was. Is it Gibbon or Gibbons?"
The young man decided the point with apparently superfluous delicacy. "Gibbon, I think."
"There used to be so many of them," said Irene gaily. "I used to get them mixed up with each other, and I couldn't tell them from the poets. Should you want to have poetry?"
"Yes; I suppose some edition of the English poets."
"We don't any of us like poetry. Do you like it?"
"I'm afraid I don't very much," Corey owned. "But, of course, there was a time when Tennyson was a great deal more to me than he is now."
"We had something about him at school too. I think I remember the name. I think we ought to have ALL the American poets."
"Well, not all. Five or six of the best: you want Longfellow and Bryant and Whittier and Holmes and Emerson and Lowell."
The girl listened attentively, as if making mental note of the names.
"And Shakespeare," she added. "Don't you like Shakespeare's plays?"
"Oh yes, very much."
"I used to be perfectly crazy about his plays. Don't you think 'Hamlet' is splendid? We had ever so much about Shakespeare. Weren't you perfectly astonished when you found out how many other plays of his there were? I always thought there was nothing but 'Hamlet' and 'Romeo and Juliet' and 'Macbeth' and 'Richard III.' and 'King Lear,' and that one that Robeson and Crane have--oh yes! 'Comedy of Errors.'"
"Those are the ones they usually play," said Corey.
"I presume we shall have to have Scott's works," said Irene, returning to the question of books.
"Oh yes."
"One of the girls used to think he was GREAT. She was always talking about Scott." Irene made a pretty little amiably contemptuous mouth. "He isn't American, though?" she suggested.
"No," said Corey; "he's Scotch, I believe."
Irene passed her glove over her forehead. "I always get him mixed up with Cooper. Well, papa has got to get them. If we have a library, we have got to have books in it. Pen says it's perfectly ridiculous having one. But papa thinks whatever the architect says is right. He fought him hard enough at first. I don't see how any one can keep the poets and the historians and novelists separate in their mind. Of course papa will buy them if we say so. But I don't see how I'm ever going to tell him which ones." The joyous light faded out of her face and left it pensive.
"Why, if you like," said the young man, taking out his pencil, "I'll put down the names we've been talking about."
He clapped himself on his breast pockets to detect some lurking scrap of paper.
"Will you?" she cried delightedly. "Here! take one of my cards," and she pulled out her card-case. "The carpenter writes on a three-cornered block and puts it into his pocket, and it's so uncomfortable he can't help remembering it. Pen says she's going to adopt the three-cornered-block plan with papa."
"Thank you," said Corey. "I believe I'll use your card." He crossed over to her, and after a moment sat down on the trestle beside her. She looked over the card as he wrote. "Those are the ones we mentioned, but perhaps I'd better add a few others."
"Oh, thank you," she said, when he had written the card full on both sides. "He has got to get them in the nicest binding, too. I shall tell him about their helping to furnish the room, and then he can't object." She remained with the card, looking at it rather wistfully.
Perhaps Corey divined her trouble of mind. "If he will take that to any bookseller, and tell him what bindings he wants, he will fill the order for him."
"Oh, thank you very much," she said, and put the card back into her card-case with great apparent relief. Then she turned her lovely face toward the young man, beaming with the triumph a woman feels in any bit of successful manoeuvring, and began to talk with recovered gaiety of other things, as if, having got rid of a matter annoying out of all proportion to its importance, she was now going to indemnify herself.
Corey did not return to his own trestle. She found another shaving within reach of her parasol, and began poking that with it, and trying to follow it through its folds. Corey watched her a while.
"You seem to have a great passion for playing with shavings," he said. "Is it a new one?"
"New what?"
"Passion."
"I don't know," she said, dropping her eyelids, and keeping on with her effort. She looked shyly aslant at him. "Perhaps you don't approve of playing with shavings?"
"Oh yes, I do. I admire it very much. But it seems rather difficult. I've a great ambition to put my foot on the shaving's tail and hold it for you."
"Well," said the girl.
"Thank you," said the young man. He did so, and now she ran her parasol point easily through it. They looked at each other and laughed. "That was wonderful. Would you like to try another?" he asked.
"No, I thank you," she replied. "I think one will do."
They both laughed again, for whatever reason or no reason, and then the young girl became sober. To a girl everything a young man does is of significance; and if he holds a shaving down with his foot while she pokes through it with her parasol, she must ask herself what he means by it.
"They seem to be having rather a long interview with the carpenter to-day," said Irene, looking vaguely toward the ceiling. She turned with polite ceremony to Corey. "I'm afraid you're letting them keep you. You mustn't."
"Oh no. You're letting me stay," he returned.
She bridled and bit her lip for pleasure. "I presume they will be down before a great while. Don't you like the smell of the wood and the mortar? It's so fresh."
"Yes, it's delicious." He bent forward and picked up from the floor the shaving with which they had been playing, and put it to his nose. "It's like a flower. May I offer it to you?" he asked, as if it had been one.
"Oh, thank you, thank you!" She took it from him and put it into her belt, and then they both laughed once more.
Steps were heard descending. When the elder people reached the floor where they were sitting, Corey rose and presently took his leave.
"What makes you so solemn, 'Rene?" asked Mrs. Lapham.
"Solemn?" echoed the girl. "I'm not a BIT solemn. What CAN you mean?"
Corey dined at home that evening, and as he sat looking across the table at his father, he said, "I wonder what the average literature of non-cultivated people is."
"Ah," said the elder, "I suspect the average is pretty low even with cultivated people. You don't read a great many books yourself, Tom."
"No, I don't," the young man confessed. "I read more books when I was with Stanton, last winter, than I had since I was a boy. But I read them because I must--there was nothing else to do. It wasn't because I was fond of reading. Still I think I read with some sense of literature and the difference between authors. I don't suppose that people generally do that; I have met people who had read books without troubling themselves to find out even the author's name, much less trying to decide upon his quality. I suppose that's the way the vast majority of people read."
"Yes. If authors were not almost necessarily recluses, and ignorant of the ignorance about them, I don't see how they could endure it. Of course they are fated to be overwhelmed by oblivion at last, poor fellows; but to see it weltering all round them while they are in the very act of achieving immortality must be tremendously discouraging. I don't suppose that we who have the habit of reading, and at least a nodding acquaintance with literature, can imagine the bestial darkness of the great mass of people--even people whose houses are rich and whose linen is purple and fine. But occasionally we get glimpses of it. I suppose you found the latest publications lying all about in Lapham cottage when you were down there?"
Young Corey laughed. "It wasn't exactly cumbered with them."
"No?"
"To tell the truth, I don't suppose they ever buy books. The young ladies get novels that they hear talked of out of the circulating library."
"Had they knowledge enough to be ashamed of their ignorance?"
"Yes, in certain ways--to a certain degree."
"It's a curious thing, this thing we call civilisation," said the elder musingly. "We think it is an affair of epochs and of nations. It's really an affair of individuals. One brother will be civilised and the other a barbarian. I've occasionally met young girls who were so brutally, insolently, wilfully indifferent to the arts which make civilisation that they ought to have been clothed in the skins of wild beasts and gone about barefoot with clubs over their shoulders. Yet they were of polite origin, and their parents were at least respectful of the things that these young animals despised."
"I don't think that is exactly the case with the Lapham family," said the son, smiling. "The father and mother rather apologised about not getting time to read, and the young ladies by no means scorned it."
"They are quite advanced!"
"They are going to have a library in their Beacon Street house."
"Oh, poor things! How are they ever going to get the books together?"
"Well, sir," said the son, colouring a little, "I have been indirectly applied to for help."
"You, Tom!" His father dropped back in his chair and laughed.
"I recommended the standard authors," said the son.
"Oh, I never supposed your PRUDENCE would be at fault, Tom!"
"But seriously," said the young man, generously smiling in sympathy with his father's enjoyment, "they're not unintelligent people. They are very quick, and they are shrewd and sensible."
"I have no doubt that some of the Sioux are so. But that is not saying that they are civilised. All civilisation comes through literature now, especially in our country. A Greek got his civilisation by talking and looking, and in some measure a Parisian may still do it. But we, who live remote from history and monuments, we must read or we must barbarise. Once we were softened, if not polished, by religion; but I suspect that the pulpit counts for much less now in civilising."
"They're enormous devourers of newspapers, and theatre-goers; and they go a great deal to lectures. The Colonel prefers them with the stereopticon."
"They might get a something in that way," said the elder thoughtfully. "Yes, I suppose one must take those things into account--especially the newspapers and the lectures. I doubt if the theatre is a factor in civilisation among us. I dare say it doesn't deprave a great deal, but from what I've seen of it I should say that it was intellectually degrading. Perhaps they might get some sort of lift from it; I don't know. Tom!" he added, after a moment's reflection. "I really think I ought to see this patron of yours. Don't you think it would be rather decent in me to make his acquaintance?"
"Well, if you have the fancy, sir," said the young man. "But there's no sort of obligation. Colonel Lapham would be the last man in the world to want to give our relation any sort of social character. The meeting will come about in the natural course of things."
"Ah, I didn't intend to propose anything immediate," said the father. "One can't do anything in the summer, and I should prefer your mother's superintendence. Still, I can't rid myself of the idea of a dinner. It appears to me that there ought to be a dinner."
"Oh, pray don't feel that there's any necessity."
"Well," said the elder, with easy resignation, "there's at least no hurry."
"There is one thing I don't like," said Lapham, in the course of one of those talks which came up between his wife and himself concerning Corey, "or at least I don't understand it; and that's the way his father behaves. I don't want to force myself on any man; but it seems to me pretty queer the way he holds off. I should think he would take enough interest in his son to want to know something about his business. What is he afraid of?" demanded Lapham angrily. "Does he think I'm going to jump at a chance to get in with him, if he gives me one? He's mightily mistaken if he does. I don't want to know him."
"Silas," said his wife, making a wife's free version of her husband's words, and replying to their spirit rather than their letter, "I hope you never said a word to Mr. Corey to let him know the way you feel."
"I never mentioned his father to him!" roared the Colonel. "That's the way I feel about it!"
"Because it would spoil everything. I wouldn't have them think we cared the least thing in the world for their acquaintance. We shouldn't be a bit better off. We don't know the same people they do, and we don't care for the same kind of things."
Lapham was breathless with resentment of his wife's implication. "Don't I tell you," he gasped, "that I don't want to know them? Who began it? They're friends of yours if they're anybody's."
"They're distant acquaintances of mine," returned Mrs. Lapham quietly; "and this young Corey is a clerk of yours. And I want we should hold ourselves so that when they get ready to make the advances we can meet them half-way or not, just as we choose."
"That's what grinds me," cried her husband. "Why should we wait for them to make the advances? Why shouldn't we make 'em? Are they any better than we are? My note of hand would be worth ten times what Bromfield Corey's is on the street to-day. And I made MY money. I haven't loafed my life away."
"Oh, it isn't what you've got, and it isn't what you've done exactly. It's what you are."
"Well, then, what's the difference?"
"None that really amounts to anything, or that need give you any trouble, if you don't think of it. But he's been all his life in society, and he knows just what to say and what to do, and he can talk about the things that society people like to talk about, and you--can't."
Lapham gave a furious snort. "And does that make him any better?"
"No. But it puts him where he can make the advances without demeaning himself, and it puts you where you can't. Now, look here, Silas Lapham! You understand this thing as well as I do. You know that I appreciate you, and that I'd sooner die than have you humble yourself to a living soul. But I'm not going to have you coming to me, and pretending that you can meet Bromfield Corey as an equal on his own ground. You can't. He's got a better education than you, and if he hasn't got more brains than you, he's got different. And he and his wife, and their fathers and grandfathers before 'em, have always had a high position, and you can't help it. If you want to know them, you've got to let them make the advances. If you don't, all well and good."
"I guess," said the chafed and vanquished Colonel, after a moment for swallowing the pill, "that they'd have been in a pretty fix if you'd waited to let them make the advances last summer."
"That was a different thing altogether. I didn't know who they were, or may be I should have waited. But all I say now is that if you've got young Corey into business with you, in hopes of our getting into society with his father, you better ship him at once. For I ain't going to have it on that basis."
"Who wants to have it on that basis?" retorted her husband.
"Nobody, if you don't," said Mrs. Lapham tranquilly.
Irene had come home with the shaving in her belt, unnoticed by her father, and unquestioned by her mother. But her sister saw it at once, and asked her what she was doing with it.
"Oh, nothing," said Irene, with a joyful smile of self-betrayal, taking the shaving carefully out, and laying it among the laces and ribbons in her drawer.
"Hadn't you better put it in water, 'Rene? It'll be all wilted by morning," said Pen.
"You mean thing!" cried the happy girl. "It isn't a flower!"
"Oh, I thought it was a whole bouquet. Who gave it to you?"
"I shan't tell you," said Irene saucily.
"Oh, well, never mind. Did you know Mr. Corey had been down here this afternoon, walking on the beach with me?"
"He wasn't--he wasn't at all! He was at the house with ME. There! I've caught you fairly."
"Is that so?" drawled Penelope. "Then I never could guess who gave you that precious shaving."
"No, you couldn't!" said Irene, flushing beautifully. "And you may guess, and you may guess, and you may guess!" With her lovely eyes she coaxed her sister to keep on teasing her, and Penelope continued the comedy with the patience that women have for such things.
"Well, I'm not going to try, if it's no use. But I didn't know it had got to be the fashion to give shavings instead of flowers. But there's some sense in it. They can be used for kindlings when they get old, and you can't do anything with old flowers. Perhaps he'll get to sending 'em by the barrel."
Irene laughed for pleasure in this tormenting. "O Pen, I want to tell you how it all happened."
"Oh, he DID give it to you, then? Well, I guess I don't care to hear."
"You shall, and you've got to!" Irene ran and caught her sister, who feigned to be going out of the room, and pushed her into a chair. "There, now!" She pulled up another chair, and hemmed her in with it. "He came over, and sat down on the trestle alongside of me----"
"What? As close as you are to me now?"
"You wretch! I will GIVE it to you! No, at a proper distance. And here was this shaving on the floor, that I'd been poking with my parasol----"
"To hide your embarrassment."
"Pshaw! I wasn't a bit embarrassed. I was just as much at my ease! And then he asked me to let him hold the shaving down with his foot, while I went on with my poking. And I said yes he might----"
"What a bold girl! You said he might hold a shaving down for you?"
"And then--and then----" continued Irene, lifting her eyes absently, and losing herself in the beatific recollection, "and then----Oh yes! Then I asked him if he didn't like the smell of pine shavings. And then he picked it up, and said it smelt like a flower. And then he asked if he might offer it to me--just for a joke, you know. And I took it, and stuck it in my belt. And we had such a laugh! We got into a regular gale. And O Pen, what do you suppose he meant by it?" She suddenly caught herself to her sister's breast, and hid her burning face on her shoulder.
"Well, there used to be a book about the language of flowers. But I never knew much about the language of shavings, and I can't say exactly----"
"Oh, don't--DON'T, Pen!" and here Irene gave over laughing, and began to sob in her sister's arms.
"Why, 'Rene!" cried the elder girl.
"You KNOW he didn't mean anything. He doesn't care a bit about me. He hates me! He despises me! Oh, what shall I do?"
A trouble passed over the face of the sister as she silently comforted the child in her arms; then the drolling light came back into her eyes. "Well, 'Rene, YOU haven't got to do ANYthing. That's one advantage girls have got--if it IS an advantage. I'm not always sure."
Irene's tears turned to laughing again. When she lifted her head it was to look into the mirror confronting them, where her beauty showed all the more brilliant for the shower that had passed over it. She seemed to gather courage from the sight.
"It must be awful to have to DO," she said, smiling into her own face. "I don't see how they ever can."
"Some of 'em can't--especially when there's such a tearing beauty around."
"Oh, pshaw, Pen! you know that isn't so. You've got a real pretty mouth, Pen," she added thoughtfully, surveying the feature in the glass, and then pouting her own lips for the sake of that effect on them.
"It's a useful mouth," Penelope admitted; "I don't believe I could get along without it now, I've had it so long."
"It's got such a funny expression--just the mate of the look in your eyes; as if you were just going to say something ridiculous. He said, the very first time he saw you, that he knew you were humorous."
"Is it possible? It must be so, if the Grand Mogul said it. Why didn't you tell me so before, and not let me keep on going round just like a common person?"
Irene laughed as if she liked to have her sister take his praises in that way rather than another.
"I've got such a stiff, prim kind of mouth," she said, drawing it down, and then looking anxiously at it.
"I hope you didn't put on that expression when he offered you the shaving. If you did, I don't believe he'll ever give you another splinter."
The severe mouth broke into a lovely laugh, and then pressed itself in a kiss against Penelope's cheek.
"There! Be done, you silly thing! I'm not going to have you accepting ME before I've offered myself, ANYWAY." She freed herself from her sister's embrace, and ran from her round the room.
Irene pursued her, in the need of hiding her face against her shoulder again. "O Pen! O Pen!" she cried.
The next day, at the first moment of finding herself alone with her eldest daughter, Mrs. Lapham asked, as if knowing that Penelope must have already made it subject of inquiry: "What was Irene doing with that shaving in her belt yesterday?"
"Oh, just some nonsense of hers with Mr. Corey. He gave it to her at the new house." Penelope did not choose to look up and meet her mother's grave glance.
"What do you think he meant by it?"
Penelope repeated Irene's account of the affair, and her mother listened without seeming to derive much encouragement from it.
"He doesn't seem like one to flirt with her," she said at last. Then, after a thoughtful pause: "Irene is as good a girl as ever breathed, and she's a perfect beauty. But I should hate the day when a daughter of mine was married for her beauty."
"You're safe as far as I'm concerned, mother."
Mrs. Lapham smiled ruefully. "She isn't really equal to him, Pen. I misdoubted that from the first, and it's been borne in upon me more and more ever since. She hasn't mind enough." "I didn't know that a man fell in love with a girl's intellect," said Penelope quietly.
"Oh no. He hasn't fallen in love with Irene at all. If he had, it wouldn't matter about the intellect."
Penelope let the self-contradiction pass.
"Perhaps he has, after all."
"No," said Mrs. Lapham. "She pleases him when he sees her. But he doesn't try to see her."
"He has no chance. You won't let father bring him here."
"He would find excuses to come without being brought, if he wished to come," said the mother. "But she isn't in his mind enough to make him. He goes away and doesn't think anything more about her. She's a child. She's a good child, and I shall always say it; but she's nothing but a child. No, she's got to forget him."
"Perhaps that won't be so easy."
"No, I presume not. And now your father has got the notion in his head, and he will move heaven and earth to bring it to pass. I can see that he's always thinking about it."
"The Colonel has a will of his own," observed the girl, rocking to and fro where she sat looking at her mother.
"I wish we had never met them!" cried Mrs. Lapham. "I wish we had never thought of building! I wish he had kept away from your father's business!"
"Well, it's too late now, mother," said the girl. "Perhaps it isn't so bad as you think."
"Well, we must stand it, anyway," said Mrs. Lapham, with the grim antique Yankee submission.
"Oh yes, we've got to stand it," said Penelope, with the quaint modern American fatalism.
IT was late June, almost July, when Corey took up his life in Boston again, where the summer slips away so easily. If you go out of town early, it seems a very long summer when you come back in October; but if you stay, it passes swiftly, and, seen foreshortened in its flight, seems scarcely a month's length. It has its days of heat, when it is very hot, but for the most part it is cool, with baths of the east wind that seem to saturate the soul with delicious freshness. Then there are stretches of grey westerly weather, when the air is full of the sentiment of early autumn, and the frying, of the grasshopper in the blossomed weed of the vacant lots on the Back Bay is intershot with the carol of crickets; and the yellowing leaf on the long slope of Mt. Vernon Street smites the sauntering observer with tender melancholy. The caterpillar, gorged with the spoil of the lindens on Chestnut, and weaving his own shroud about him in his lodgment on the brick-work, records the passing of summer by mid-July; and if after that comes August, its breath is thick and short, and September is upon the sojourner before he has fairly had time to philosophise the character of the town out of season.
But it must have appeared that its most characteristic feature was the absence of everybody he knew. This was one of the things that commended Boston to Bromfield Corey during the summer; and if his son had any qualms about the life he had entered upon with such vigour, it must have been a relief to him that there was scarcely a soul left to wonder or pity. By the time people got back to town the fact of his connection with the mineral paint man would be an old story, heard afar off with different degrees of surprise, and considered with different degrees of indifference. A man has not reached the age of twenty-six in any community where he was born and reared without having had his capacity pretty well ascertained; and in Boston the analysis is conducted with an unsparing thoroughness which may fitly impress the un-Bostonian mind, darkened by the popular superstition that the Bostonians blindly admire one another. A man's qualities are sifted as closely in Boston as they doubtless were in Florence or Athens; and, if final mercy was shown in those cities because a man was, with all his limitations, an Athenian or Florentine, some abatement might as justly be made in Boston for like reason. Corey's powers had been gauged in college, and he had not given his world reason to think very differently of him since he came out of college. He was rated as an energetic fellow, a little indefinite in aim, with the smallest amount of inspiration that can save a man from being commonplace. If he was not commonplace, it was through nothing remarkable in his mind, which was simply clear and practical, but through some combination of qualities of the heart that made men trust him, and women call him sweet--a word of theirs which conveys otherwise indefinable excellences. Some of the more nervous and excitable said that Tom Corey was as sweet as he could live; but this perhaps meant no more than the word alone. No man ever had a son less like him than Bromfield Corey. If Tom Corey had ever said a witty thing, no one could remember it; and yet the father had never said a witty thing to a more sympathetic listener than his own son. The clear mind which produced nothing but practical results reflected everything with charming lucidity; and it must have been this which endeared Tom Corey to every one who spoke ten words with him. In a city where people have good reason for liking to shine, a man who did not care to shine must be little short of universally acceptable without any other effort for popularity; and those who admired and enjoyed Bromfield Corey loved his son. Yet, when it came to accounting for Tom Corey, as it often did in a community where every one's generation is known to the remotest degrees of cousinship, they could not trace his sweetness to his mother, for neither Anna Bellingham nor any of her family, though they were so many blocks of Wenham ice for purity and rectangularity, had ever had any such savour; and, in fact, it was to his father, whose habit of talk wronged it in himself, that they had to turn for this quality of the son's. They traced to the mother the traits of practicality and common-sense in which he bordered upon the commonplace, and which, when they had dwelt upon them, made him seem hardly worth the close inquiry they had given him.
While the summer wore away he came and went methodically about his business, as if it had been the business of his life, sharing his father's bachelor liberty and solitude, and expecting with equal patience the return of his mother and sisters in the autumn. Once or twice he found time to run down to Mt. Desert and see them; and then he heard how the Philadelphia and New York people were getting in everywhere, and was given reason to regret the house at Nahant which he had urged to be sold. He came back and applied himself to his desk with a devotion that was exemplary rather than necessary; for Lapham made no difficulty about the brief absences which he asked, and set no term to the apprenticeship that Corey was serving in the office before setting off upon that mission to South America in the early winter, for which no date had yet been fixed.
The summer was a dull season for the paint as well as for everything else. Till things should brisk up, as Lapham said, in the fall, he was letting the new house take a great deal of his time. AEsthetic ideas had never been intelligibly presented to him before, and he found a delight in apprehending them that was very grateful to his imaginative architect. At the beginning, the architect had foreboded a series of mortifying defeats and disastrous victories in his encounters with his client; but he had never had a client who could be more reasonably led on from one outlay to another. It appeared that Lapham required but to understand or feel the beautiful effect intended, and he was ready to pay for it. His bull-headed pride was concerned in a thing which the architect made him see, and then he believed that he had seen it himself, perhaps conceived it. In some measure the architect seemed to share his delusion, and freely said that Lapham was very suggestive. Together they blocked out windows here, and bricked them up there; they changed doors and passages; pulled down cornices and replaced them with others of different design; experimented with costly devices of decoration, and went to extravagant lengths in novelties of finish. Mrs. Lapham, beginning with a woman's adventurousness in the unknown region, took fright at the reckless outlay at last, and refused to let her husband pass a certain limit. He tried to make her believe that a far-seeing economy dictated the expense; and that if he put the money into the house, he could get it out any time by selling it. She would not be persuaded.
"I don't want you should sell it. And you've put more money into it now than you'll ever get out again, unless you can find as big a goose to buy it, and that isn't likely. No, sir! You just stop at a hundred thousand, and don't you let him get you a cent beyond. Why, you're perfectly bewitched with that fellow! You've lost your head, Silas Lapham, and if you don't look out you'll lose your money too."
The Colonel laughed; he liked her to talk that way, and promised he would hold up a while.
"But there's no call to feel anxious, Pert. It's only a question what to do with the money. I can reinvest it; but I never had so much of it to spend before."
"Spend it, then," said his wife; "don't throw it away! And how came you to have so much more money than you know what to do with, Silas Lapham?" she added.
"Oh, I've made a very good thing in stocks lately."
"In stocks? When did you take up gambling for a living?"
"Gambling? Stuff! What gambling? Who said it was gambling?"
"You have; many a time."
"Oh yes, buying and selling on a margin. But this was a bona fide transaction. I bought at forty-three for an investment, and I sold at a hundred and seven; and the money passed both times."
"Well, you better let stocks alone," said his wife, with the conservatism of her sex. "Next time you'll buy at a hundred and seven and sell at forty three. Then where'll you be?"
"Left," admitted the Colonel.
"You better stick to paint a while yet." The Colonel enjoyed this too, and laughed again with the ease of a man who knows what he is about. A few days after that he came down to Nantasket with the radiant air which he wore when he had done a good thing in business and wanted his wife's sympathy. He did not say anything of what had happened till he was alone with her in their own room; but he was very gay the whole evening, and made several jokes which Penelope said nothing but very great prosperity could excuse: they all understood these moods of his.
"Well, what is it, Silas?" asked his wife when the time came. "Any more big-bugs wanting to go into the mineral paint business with you?"
"Something better than that."
"I could think of a good many better things," said his wife, with a sigh of latent bitterness. "What's this one?"
"I've had a visitor."
"Who?"
"Can't you guess?"
"I don't want to try. Who was it?"
"Rogers."
Mrs. Lapham sat down with her hands in her lap, and stared at the smile on her husband's face, where he sat facing her.
"I guess you wouldn't want to joke on that subject, Si," she said, a little hoarsely, "and you wouldn't grin about it unless you had some good news. I don't know what the miracle is, but if you could tell quick----"
She stopped like one who can say no more.
"I will, Persis," said her husband, and with that awed tone in which he rarely spoke of anything but the virtues of his paint. "He came to borrow money of me, and I lent him it. That's the short of it. The long----"
"Go on," said his wife, with gentle patience.
"Well, Pert, I was never so much astonished in my life as I was to see that man come into my office. You might have knocked me down with--I don't know what."
"I don't wonder. Go on!"
"And he was as much embarrassed as I was. There we stood, gaping at each other, and I hadn't hardly sense enough to ask him to take a chair. I don't know just how we got at it. And I don't remember just how it was that he said he came to come to me. But he had got hold of a patent right that he wanted to go into on a large scale, and there he was wanting me to supply him the funds."
"Go on!" said Mrs. Lapham, with her voice further in her throat.
"I never felt the way you did about Rogers, but I know how you always did feel, and I guess I surprised him with my answer. He had brought along a lot of stock as security----"
"You didn't take it, Silas!" his wife flashed out.
"Yes, I did, though," said Lapham. "You wait. We settled our business, and then we went into the old thing, from the very start. And we talked it all over. And when we got through we shook hands. Well, I don't know when it's done me so much good to shake hands with anybody."
"And you told him--you owned up to him that you were in the wrong, Silas?"
"No, I didn't," returned the Colonel promptly; "for I wasn't. And before we got through, I guess he saw it the same as I did."
"Oh, no matter! so you had the chance to show how you felt."
"But I never felt that way," persisted the Colonel. "I've lent him the money, and I've kept his stocks. And he got what he wanted out of me."
"Give him back his stocks!"
"No, I shan't. Rogers came to borrow. He didn't come to beg. You needn't be troubled about his stocks. They're going to come up in time; but just now they're so low down that no bank would take them as security, and I've got to hold them till they do rise. I hope you're satisfied now, Persis," said her husband; and he looked at her with the willingness to receive the reward of a good action which we all feel when we have performed one. "I lent him the money you kept me from spending on the house."
"Truly, Si? Well, I'm satisfied," said Mrs. Lapham, with a deep tremulous breath. "The Lord has been good to you, Silas," she continued solemnly. "You may laugh if you choose, and I don't know as I believe in his interfering a great deal; but I believe he's interfered this time; and I tell you, Silas, it ain't always he gives people a chance to make it up to others in this life. I've been afraid you'd die, Silas, before you got the chance; but he's let you live to make it up to Rogers."
"I'm glad to be let live," said Lapham stubbornly, "but I hadn't anything to make up to Milton K. Rogers. And if God has let me live for that----"
"Oh, say what you please, Si! Say what you please, now you've done it! I shan't stop you. You've taken the one spot--the one SPECK--off you that was ever there, and I'm satisfied."
"There wa'n't ever any speck there," Lapham held out, lapsing more and more into his vernacular; "and what I done I done for you, Persis."
"And I thank you for your own soul's sake, Silas."
"I guess my soul's all right," said Lapham.
"And I want you should promise me one thing more."
"Thought you said you were satisfied?"
"I am. But I want you should promise me this: that you won't let anything tempt you--anything!--to ever trouble Rogers for that money you lent him. No matter what happens--no matter if you lose it all. Do you promise?"
"Why, I don't ever EXPECT to press him for it. That's what I said to myself when I lent it. And of course I'm glad to have that old trouble healed up. I don't THINK I ever did Rogers any wrong, and I never did think so; but if I DID do it--IF I did--I'm willing to call it square, if I never see a cent of my money back again."
"Well, that's all," said his wife.
They did not celebrate his reconciliation with his old enemy--for such they had always felt him to be since he ceased to be an ally--by any show of joy or affection. It was not in their tradition, as stoical for the woman as for the man, that they should kiss or embrace each other at such a moment. She was content to have told him that he had done his duty, and he was content with her saying that. But before she slept she found words to add that she always feared the selfish part he had acted toward Rogers had weakened him, and left him less able to overcome any temptation that might beset him; and that was one reason why she could never be easy about it. Now she should never fear for him again.
This time he did not explicitly deny her forgiving impeachment. "Well, it's all past and gone now, anyway; and I don't want you should think anything more about it."
He was man enough to take advantage of the high favour in which he stood when he went up to town, and to abuse it by bringing Corey down to supper. His wife could not help condoning the sin of disobedience in him at such a time. Penelope said that between the admiration she felt for the Colonel's boldness and her mother's forbearance, she was hardly in a state to entertain company that evening; but she did what she could.
Irene liked being talked to better than talking, and when her sister was by she was always, tacitly or explicitly, referring to her for confirmation of what she said. She was content to sit and look pretty as she looked at the young man and listened to her sister's drolling. She laughed and kept glancing at Corey to make sure that he was understanding her. When they went out on the veranda to see the moon on the water, Penelope led the way and Irene followed.
They did not look at the moonlight long. The young man perched on the rail of the veranda, and Irene took one of the red-painted rocking-chairs where she could conveniently look at him and at her sister, who sat leaning forward lazily and running on, as the phrase is. That low, crooning note of hers was delicious; her face, glimpsed now and then in the moonlight as she turned it or lifted it a little, had a fascination which kept his eye. Her talk was very unliterary, and its effect seemed hardly conscious. She was far from epigram in her funning. She told of this trifle and that; she sketched the characters and looks of people who had interested her, and nothing seemed to have escaped her notice; she mimicked a little, but not much; she suggested, and then the affair represented itself as if without her agency. She did not laugh; when Corey stopped she made a soft cluck in her throat, as if she liked his being amused, and went on again.
The Colonel, left alone with his wife for the first time since he had come from town, made haste to take the word. "Well, Pert, I've arranged the whole thing with Rogers, and I hope you'll be satisfied to know that he owes me twenty thousand dollars, and that I've got security from him to the amount of a fourth of that, if I was to force his stocks to a sale."
"How came he to come down with you?" asked Mrs. Lapham.
"Who? Rogers?"
"Mr. Corey."
"Corey? Oh!" said Lapham, affecting not to have thought she could mean Corey. "He proposed it."
"Likely!" jeered his wife, but with perfect amiability.
"It's so," protested the Colonel. "We got talking about a matter just before I left, and he walked down to the boat with me; and then he said if I didn't mind he guessed he'd come along down and go back on the return boat. Of course I couldn't let him do that."
"It's well for you you couldn't."
"And I couldn't do less than bring him here to tea."
"Oh, certainly not."
"But he ain't going to stay the night--unless," faltered Lapham, "you want him to."
"Oh, of course, I want him to! I guess he'll stay, probably."
"Well, you know how crowded that last boat always is, and he can't get any other now."
Mrs. Lapham laughed at the simple wile. "I hope you'll be just as well satisfied, Si, if it turns out he doesn't want Irene after all."
"Pshaw, Persis! What are you always bringing that up for?" pleaded the Colonel. Then he fell silent, and presently his rude, strong face was clouded with an unconscious frown.
"There!" cried his wife, startling him from his abstraction. "I see how you'd feel; and I hope that you'll remember who you've got to blame."
"I'll risk it," said Lapham, with the confidence of a man used to success.
From the veranda the sound of Penelope's lazy tone came through the closed windows, with joyous laughter from Irene and peals from Corey.
"Listen to that!" said her father within, swelling up with inexpressible satisfaction. "That girl can talk for twenty, right straight along. She's better than a circus any day. I wonder what she's up to now."
"Oh, she's probably getting off some of those yarns of hers, or telling about some people. She can't step out of the house without coming back with more things to talk about than most folks would bring back from Japan. There ain't a ridiculous person she's ever seen but what she's got something from them to make you laugh at; and I don't believe we've ever had anybody in the house since the girl could talk that she hain't got some saying from, or some trick that'll paint 'em out so't you can see 'em and hear 'em. Sometimes I want to stop her; but when she gets into one of her gales there ain't any standing up against her. I guess it's lucky for Irene that she's got Pen there to help entertain her company. I can't ever feel down where Pen is."
"That's so," said the Colonel. "And I guess she's got about as much culture as any of them. Don't you?"
"She reads a great deal," admitted her mother. "She seems to be at it the whole while. I don't want she should injure her health, and sometimes I feel like snatchin' the books away from her. I don't know as it's good for a girl to read so much, anyway, especially novels. I don't want she should get notions."
"Oh, I guess Pen'll know how to take care of herself," said Lapham.
"She's got sense enough. But she ain't so practical as Irene. She's more up in the clouds--more of what you may call a dreamer. Irene's wide-awake every minute; and I declare, any one to see these two together when there's anything to be done, or any lead to be taken, would say Irene was the oldest, nine times out of ten. It's only when they get to talking that you can see Pen's got twice as much brains."
"Well," said Lapham, tacitly granting this point, and leaning back in his chair in supreme content. "Did you ever see much nicer girls anywhere?"
His wife laughed at his pride. "I presume they're as much swans as anybody's geese."
"No; but honestly, now!"
"Oh, they'll do; but don't you be silly, if you can help it, Si."
The young people came in, and Corey said it was time for his boat. Mrs. Lapham pressed him to stay, but he persisted, and he would not let the Colonel send him to the boat; he said he would rather walk. Outside, he pushed along toward the boat, which presently he could see lying at her landing in the bay, across the sandy tract to the left of the hotels. From time to time he almost stopped in his rapid walk, as a man does whose mind is in a pleasant tumult; and then he went forward at a swifter pace. "She's charming!" he said, and he thought he had spoken aloud. He found himself floundering about in the deep sand, wide of the path; he got back to it, and reached the boat just before she started. The clerk came to take his fare, and Corey looked radiantly up at him in his lantern-light, with a smile that he must have been wearing a long time; his cheek was stiff with it. Once some people who stood near him edged suddenly and fearfully away, and then he suspected himself of having laughed outright.