That night, after his guests had retired, Colonel Musgrave smoked a cigarette on the front porch of Matocton. The moon, now in the zenith, was bright and chill. After a while, Musgrave raised his face toward it, and laughed.
"Isn't it—isn't it funny?" he demanded, echoing Anne's query ruefully.
"Eh, well! perhaps I still retained some lingering hope; in a season of discomfort, most of us look vaguely for a miracle. And, at times, it comes, but, more often, not; life isn't always a pantomime, with a fairy god-mother waiting to break through the darkness in a burst of glory and reunite the severed lovers, and transform their enemies into pantaloons. In this case, it is certain that the fairy will not come. I am condemned to be my own god in the machine."
Having demonstrated this to himself, Musgrave went into the house anddrugged his mind correcting proofsheets—for theLichfield HistoricalAssociation's Quarterly Magazine—and brought down to the year 1805 his"List of Wills Recorded in Brummell County."
The night was well advanced when Charteris stepped noiselessly into the room. The colonel was then sedately writing amid a host of motionless mute watchers, for at Matocton most of the portraits hang in the East Drawing-room.
Thus, above the great marble mantel,—carved with thyrsi, and supported by proud deep-bosomed caryatides,—you will find burly Sebastian Musgrave, "the Speaker," an all-overbearing man even on canvas. "Paint me among dukes and earls with my hat on, to show I am in all things a Republican, and the finest diamond in the Colony shall be yours," he had directed the painter, and this was done. Then there is frail Wilhelmina Musgrave—that famed beauty whose two-hundred-year-old story all Lichfield knows, and no genealogist has ever cared to detail—eternally weaving flowers about her shepherd hat. There, too, is Evelyn Ramsay, before whose roguish loveliness, as you may remember, the colonel had snapped his fingers in those roseate days when he so joyously considered his profound unworthiness to be Patricia's husband. There is also the colonial governor of Albemarle—a Van Dyck this—two Knellers, and Lely's portrait of Thomas Musgrave, "the poet," with serious blue eyes and flaxen hair. The painting of Captain George Musgrave, who distinguished himself at the siege of Cartagena, is admittedly an inferior piece of work, but it has vigor, none the less; and below it hangs the sword which was presented to him by the Lord High Admiral.
So quietly did Charteris come that the colonel was not aware of his entrance until the novelist had coughed gently. He was in a dressing-gown, and looked unusually wizened.
"I saw your light," he said. "I don't seem to be able to sleep, somehow. It is so infernally hot and still. I suppose there is going to be a thunderstorm. I hate thunderstorms. They frighten me." The little man was speaking like a peevish child.
"Oh, well—! it will at least clear the air," said Rudolph Musgrave."Sit down and have a smoke, won't you?"
"No, thanks." Charteris had gone to the bookshelves and was gently pushing and pulling at the books so as to arrange their backs in a mathematically straight line. "I thought I would borrow something to read—Why, this is the Tennyson you had at college, isn't it? Yes, I remember it perfectly."
These two had roomed together through their college days.
"Yes; it is the old Tennyson. And yonder is the identical Swinburne you used to spout from, too. Lord, Jack, it seems a century since I used to listen by the hour toThe Triumph of Time and Dolores!"
"Ah, but you didn't really care for them—not even then." Charteris reached up, his back still turned, and moved a candlestick the fraction of an inch. "There is something so disgustingly wholesome about you, Rudolph. And it appears to be ineradicable. I can't imagine how I ever came to be fond of you."
The colonel was twirling his pen, his eyes intent upon it. "And yet—wewerefond of each other, weren't we, Jack?"
"Why, I positively adored you. You were such a strong and healthy animal. Upon my word, I don't believe I ever missed a single football game you played in. In fact, I almost learned to understand the game on your account. You see—it was so good to watch you raging about with touzled hair, like the only original bull of Bashan, and the others tumbling like ninepins. It used to make me quite inordinately proud."
The colonel smoked. "But, Lord! how proudIwas when you got medals!"
"Yes—I remember."
"Even if I did bully you sometimes. Remember how I used to twist your arm to make you write my Latin exercises, Jack?"
"I liked to have you do that," Charteris said, simply. "It hurt a great deal, but I liked it."
He had come up behind the colonel, who was still seated. "Yes, that was a long while ago," said Charteris. "It is rather terrible—isn't it?—to reflect precisely how long ago it was. Why, I shall be bald in a year or two from now. But you have kept almost all your beautiful hair, Rudolph."
Charteris touched the colonel's head, stroking his hair ever so lightly once or twice. It was in effect a caress.
The colonel was aware of the odor of myrrh which always accompaniedCharteris and felt that the little man was trembling.
"Isn't there—anything you want to tell me, Jack?" the colonel said. He sat quite still.
There was the tiniest pause. The caressing finger-tips lifted from Musgrave's head, but presently gave it one more brief and half-timid touch.
"Why, onlyau revoir, I believe. I am leaving at a rather ungodly hour to-morrow and won't see you, but I hope to return within the week."
"I hope so, Jack."
"And, after all, it is too late to be reading. I shall go back to bed and take more trional. And then, I dare say, I shall sleep. So good-by, Rudolph."
"Good-night, Jack."
"Oh, yes—! I meant good-night, of course."
The colonel sighed; then he spoke abruptly:
"No, just a moment, Jack. I didn't ask you to come here to-night; but since you have come, by chance, I am going to follow the promptings of that chance, and strike a blow for righteousness with soiled weapons. Jack, do you remember suggesting that my father's correspondence during the War might be of value, and that his desk ought to be overhauled?"
"Why, yes, of course. Mrs. Musgrave was telling me she began the task," said Charteris, and smiled a little.
"Unluckily; yes—but—well! in any event, it suggested to me that old letters are dangerous. I really had no idea what that desk contained. My father had preserved great stacks of letters. I have been going through them. They were most of them from women—letters which should never have been written in the first place, and which he certainly had no right to keep."
"What! and is 'Wild Will's' love-correspondence still extant? I fancy it made interesting reading, Rudolph."
"There were some letters which in a measure concern you, Jack." The colonel handed him a small packet of letters. "If you will read the top one it will explain. I will just go on with my writing."
He wrote steadily for a moment or two…. Then Charteris laughed musically.
"I have always known there was a love-affair between my mother and 'Wild Will.' But I never suspected until to-night that I had the honor to be your half-brother, Rudolph—one of 'Wild Will's' innumerable bastards." Charteris was pallid, and though he seemed perfectly composed, his eyes glittered as with gusty brilliancies. "I understand now why my reputed father always made such a difference between my sister and myself. I never liked old Alvin Charteris, you know. It is a distinct relief to be informed I have no share in his blood, although of course the knowledge comes a trifle suddenly."
"Perhaps I should have kept that knowledge to myself. I know it would have been kinder. I had meant to be kind. I loathe myself for dabbling in this mess. But, in view of all things, it seemed necessary to let you know I am your own brother in the flesh, and that Patricia is your brother's wife."
"I see," said Charteris. "According to your standards that would make a great difference. I don't know, speaking frankly, that it makes much difference with me." He turned again to the bookshelves, so that Musgrave could no longer see his face. Charteris ran his fingers caressingly over the backs of a row of volumes. "I loved my mother, Rudolph. I never loved anyone else. That makes a difference." Then he said, "We Musgraves—how patly I catalogue myself already!—we Musgraves have a deal to answer for, Rudolph."
"And doesn't that make it all the more our duty to live clean and honest lives? to make the debt no greater than it is?" Both men were oddly quiet.
"Eh, I am not so sure." John Charteris waved airily toward Sebastian Musgrave's counterfeit, then toward the other portraits. "It was they who compounded our inheritances, Rudolph—all that we were to have in this world of wit and strength and desire and endurance. We know their histories. They were proud, brave and thriftless, a greedy and lecherous race, who squeezed life dry as one does an orange, and left us the dregs. I think that it is droll, but I am not sure it places us under any obligation. In fact, I rather think God owes us an apology, Rudolph."
He spoke with quaint wistfulness. The colonel sat regarding him in silence, with shocked, disapproving eyes. Then Charteris cocked his head to one side and grinned like a hobgoblin.
"What wouldn't you give," he demanded, "to know what I am really thinking of at this very moment while I talk so calmly? Well, you will never know. And for the rest, you are at liberty to use your all-important documents as you may elect. I am John Charteris; whatever man begot my body, he is rotten bones to-day, and it is as such I value him. I was never anybody's son—or friend or brother or lover,—but just a pen that someone far bigger and far nobler than John Charteris writes with occasionally. Whereas you—but, oh, you are funny, Rudolph!" And then, "Good-night, dear brother," Charteris added, sweetly, as he left the room.
* * * * *
And Rudolph Musgrave could not quite believe in the actuality of what had just happened. In common with most of us, he got his general notions concerning the laws of life from reading fiction; and here was the material for a Renaissance tragedy wasted so far as any dénouement went. Destiny, once more, was hardly rising to the possibilities of the situation. The weapon chance had forged had failed Rudolph Musgrave utterly; and, indeed, he wondered now how he could ever have esteemed it formidable. Jack was his half-brother. In noveldom or in a melodrama this discovery would have transformed their mutual dealings; but as a workaday world's fact, Musgrave would not honestly say that it had in any way affected his feelings toward Jack, and it appeared to have left Charteris equally unaltered.
"I am not sure, though. We can only guess where Jack is concerned. He goes his own way always, tricky and furtive and lonelier than any other human being I have ever known. It is loneliness that looks out of his eyes, really, even when he is mocking and sneering," the colonel meditated.
Then he sighed and went back to the tabulation of his lists of wills.
The day was growing strong in the maple-grove behind Matocton. As yet, the climbing sun fired only the topmost branches, and flooded them with a tempered radiance through which birds plunged and shrilled vague rumors to one another. Beneath, a green twilight lingered—twilight which held a gem-like glow, chill and lucent and steady as that of an emerald. Vagrant little puffs of wind bustled among the leaves, with a thin pretense of purpose, and then lapsed, and merged in the large, ambiguous whispering which went stealthily about the grove.
Rudolph Musgrave sat on a stone beside the road that winds through the woods toward the railway station, and smoked, nervously. He was disheartened of the business of living, and, absurdly enough, as it seemed to him, he was hungry.
"It has to be done quietly and without the remotest chance of Anne's ever hearing of it, and without the remotest chance of its ever having to be done again. I have about fifteen minutes in which to convince Patricia both of her own folly and of the fact that Jack is an unmitigated cad, and to get him off the place quietly, so that Anne will suspect nothing. And I never knew any reasonable argument to appeal to Patricia, and Jack will be a cornered rat! Yes, it is a large contract, and I would give a great deal—a very great deal—to know how I am going to fulfil it."
At this moment his wife and Mr. Charteris, carrying two portmanteaux, came around a bend in the road not twenty feet from Musgrave. They were both rather cross. In the clean and more prosaic light of morning an elopement seemed almost silly; moreover, Patricia had had no breakfast, and Charteris had been much annoyed by his wife, who had breakfasted with him, and had insisted on driving to the station with him. It was a trivial-seeming fact, but, perhaps, not unworthy of notice, that Patricia was carrying her own portmanteau, as well as an umbrella.
The three faced one another in the cool twilight. The woods stirred lazily about them. The birds were singing on a wager now.
"Ah," said Colonel Musgrave, "so you have come at last. I have been expecting you for some time."
Patricia dropped her portmanteau, sullenly. Mr. Charteris placed his with care to the side of the road, and said, "Oh!" It was perhaps the only observation that occurred to him.
"Patricia," Musgrave began, very kindly and very gravely, "you are about to do a foolish thing. At the bottom of your heart, even now, you know you are about to do a foolish thing—a thing you will regret bitterly and unavailingly for the rest of time. You are turning your back on the world—our world—on the one possible world you could ever be happy in. You can't be happy in the half-world, Patricia; you aren't that sort. But you can never come back to us then, Patricia; it doesn't matter what the motive was, what the temptation was, or how great the repentance is—you cannot ever return. That is the law, Patricia; perhaps, it isn't always a just law. We didn't make it, you and I, but it is the law, and we must obey it. Our world merely says that, leaving it once, you cannot ever return: such is the only punishment it awards you, for it knows, this wise old world of ours, that such is the bitterest punishment which could ever be devised for you. Our world has made you what you are; in every thought and ideal and emotion you possess, you are a product of our world. You couldn't live in the half-world, Patricia; you are a product of our world that can never take root in that alien soil. Come back to us before it is too late, Patricia!"
Musgrave shook himself all over, rather like a Newfoundland dog coming out of the water, and the grave note died from his voice. He smiled, and rubbed his hands together.
"And now," said he, "I will stop talking like a problem play, and we will say no more about it. Give me your portmanteau, my dear, and upon my word of honor, you will never hear a word further from me in the matter. Jack, here, can take the train, just as he intended. And—and you and I will go back to the house, and have a good, hot breakfast together. Eh, Patricia?"
She was thinking, unreasonably enough, how big and strong and clean her husband looked in the growing light. It was a pity Jack was so small. However, she faced Musgrave coldly, and thought how ludicrously wide of the mark were all these threats of ostracism. She shudderingly wished he would not talk of soil and taking root and hideous things like that, but otherwise the colonel left her unmoved. He was certainly good-looking, though.
Charteris was lighting a cigarette, with a queer, contented look. He knew the value of Patricia's stubbornness now; still, he appeared to be using an unnecessary number of matches.
"I should have thought you would have perceived the lack of dignity, as well as the utter uselessness, in making such a scene," Patricia said. "We aren't suited for each other, Rudolph; and it is better—far better for both of us—to have done with the farce of pretending to be. I am sorry that you still care for me. I didn't know that. But, for the future, I intend to live my own life."
Patricia's voice faltered, and she stretched out her hands a little toward her husband in an odd gust of friendliness. He looked so kind; and he was not smiling in that way she never liked. "Surely that isn't so unpardonable a crime, Rudolph?" she asked, almost humbly.
"No, my dear," he answered, "it is not unpardonable—it is impossible. You can't lead your own life, Patricia; none of us can. Each life is bound up with many others, and every rash act of yours, every hasty word of yours, must affect to some extent the lives of those who are nearest and most dear to you. But, oh, it is not argument that I would be at! Patricia, there was a woman once—She was young, and wealthy, and—ah, well, I won't deceive you by exaggerating her personal attractions! I will serve up to you no praises of her sauced with lies. But fate and nature had combined to give her everything a woman can desire, and all this that woman freely gave to me—to me who hadn't youth or wealth or fame or anything! And I can't stand by, for that dear dead girl's sake, and watch your life go wrong, Patricia!"
"You are just like the rest of them, Olaf"—and when had she used that half-forgotten nickname last, he wondered. "You imagine you are in love with a girl because you happen to like the color of her eyes, or because there is a curve about her lips that appeals to you. That isn't love, Olaf, as we women understand it."
And wildly hideous and sad, it seemed to Colonel Musgrave—this dreary parody of their old love-talk. Only, he dimly knew that she had forgotten John Charteris existed, and that to her this moment seemed no less sardonic.
Charteris inhaled, lazily; yet, he did not like the trembling about Patricia's mouth. Her hands, too, opened and shut tight before she spoke.
"It is too late now," she said, dully. "I gave you all there was to give. You gave me just what Grandma Pendomer and all the others had left you able to give. That remnant isn't love, Olaf, as we women understand it. And, anyhow, it is too late now."
Yet Patricia was remembering a time when Rudolph's voice held always that grave, tender note in speaking to her; it seemed a great while ago. And he was big and manly, just like his voice, Rudolph was; and he looked very kind. Desperately, Patricia began to count over the times her husband had offended her. Hadn't he talked to her in the most unwarrantable manner only yesterday afternoon?
"Too late!—oh, not a bit of it!" Musgrave cried. His voice sank persuasively. "Why, Patricia, you are only thinking the matter over for the first time. You have only begun to think of it. Why, there is the boy—our boy, Patricia! Surely, you hadn't thought of Roger?"
He had found the right chord at last. It quivered and thrilled under his touch; and the sense of mastery leaped in his blood. Of a sudden, he knew himself dominant. Her face was red, then white, and her eyes wavered before the blaze of his, that held her, compellingly.
"Now, honestly, just between you and me," the colonel said, confidentially, "was there ever a better and braver and quainter and handsomer boy in the world? Why, Patricia, surely, you wouldn't willingly—of your own accord—go away from him, and never see him again? Oh, you haven't thought, I tell you! Think, Patricia! Don't you remember that first day, when I came into your room at the hospital and he—ah, how wrinkled and red and old-looking he was then, wasn't he, little wife? Don't you remember how he was lying on your breast, and how I took you both in my arms, and held you close for a moment, and how for a long, long while there wasn't anything left of the whole wide world except just us three and God smiling down upon us? Don't you remember, Patricia? Don't you remember his first tooth—why, we were as proud of him, you and I, as if there had never been a tooth before in all the history of the world! Don't you remember the first day he walked? Why, he staggered a great distance—oh, nearly two yards!—and caught hold of my hand, and laughed and turned back—to you. You didn't run away from him then, Patricia. Are you going to do it now?"
She struggled under his look. She had an absurd desire to cry, just that he might console her. She knew he would. Why was it so hard to remember that she hated Rudolph! Of course, she hated him; she loved that other man yonder. His name was Jack. She turned toward Charteris, and the reassuring smile with which he greeted her, impressed Patricia as being singularly nasty. She hated both of them; she wanted—in that brief time which remained for having anything—only her boy, her soft, warm little Roger who had eyes like Rudolph's.
"I—I—it's too late, Rudolph," she stammered, parrot-like. "If you had only taken better care of me, Rudolph! If—No, it's too late, I tell you! You will be kind to Roger. I am only weak and frivolous and heartlesss. I am not fit to be his mother. I'm not fit, Rudolph! Rudolph, I tell you I'm not fit! Ah, let me go, my dear!—in mercy, let me go! For I haven't loved the boy as I ought to, and I am afraid to look you in the face, and you won't let me take my eyes away—you won't let me! Ah, Rudolph, let me go!"
"Not fit?" His voice thrilled with strength, and pulsed with tender cadences. "Ah, Patricia, I am not fit to be his father! But, between us—between us, mightn't we do much for him? Come back to us, Patricia—to me and the boy! We need you, my dear. Ah, I am only a stolid, unattractive fogy, I know; but you loved me once, and—I am the father of your child. My standards are out-of-date, perhaps, and in any event they are not your standards, and that difference has broken many ties between us; but I am the father of your child. You must—youmustcome back to me and the boy!" Musgrave caught her face between his hands, and lifted it toward his. "Patricia, don't make any mistake! There is nothing you care for so much as that boy. You can't give him up! If you had to walk over red-hot ploughshares to come to him, you would do it; if you could win him a moment's happiness by a lifetime of poverty and misery and degradation, you would do it. And so would I, little wife. That is the tie which still unites us; that is the tie which is too strong ever to break. Come back to us, Patricia—to me and the boy."
"I—Jack, Jack, take me away!" she wailed helplessly.
Charteris came forward with a smile. He was quite sure of Patricia now.
"Colonel Musgrave," he said, with a faint drawl, "if you have entirely finished your edifying and, I assure you, highly entertaining monologue, I will ask you to excuse us. I—oh, man, man!" Charteris cried, not unkindly, "don't you see it is the only possible outcome?"
Musgrave faced him. The glow of hard-earned victory was pulsing in the colonel's blood, but his eyes were chill stars. "Now, Jack," he said, equably, "I am going to talk to you. In fact, I am going to discharge an agreeable duty toward you."
Musgrave drew close to him. Charteris shrugged his shoulders; his smile, however, was not entirely satisfactory. It did not suggest enjoyment.
"I don't blame you for being what you are," Musgrave went on, curtly. "You were born so, doubtless. I don't blame a snake for being what it is. But, when I see a snake, I claim the right to set my foot on its head; when I see a man like you—well, this is the right I claim."
Thereupon Rudolph Musgrave struck his half-brother in the face with his open hand. The colonel was a strong man, physically, and, on this occasion, he made no effort to curb his strength.
"Now," Musgrave concluded, "you are going away from this place very quickly, and you are going alone. You will do this because I tell you to do so, and because you are afraid of me. Understand, also—if you will be so good—that the only reason I don't give you a thorough thrashing is that I don't think you are worth the trouble. I only want Patricia to perceive exactly what sort of man you are."
The blow staggered Charteris. He seemed to grow smaller. His clothes seemed to hang more loosely about him. His face was paper-white, and the red mark showed plainly upon it.
"There would be no earthly sense in my hitting you back," he said equably. "It would only necessitate my getting the thrashing which, I can assure you, we are equally anxious to avoid. Of course you are able to knock me down and so on, because you are nearly twice as big as I am. I fail to see that proves anything in particular. Come, Patricia!" And he turned to her, and reached out his hand.
She shrank from him. She drew away from him, without any vehemence, as if he had been some slimy, harmless reptile. A woman does not like to see fear in a man's eyes; and there was fear in Mr. Charteris's eyes, for all that he smiled. Patricia's heart sickened. She loathed him, and she was a little sorry for him.
"Oh, you cur, you cur!" she gasped, in a wondering whisper. Patricia went to her husband, and held out her hands. She was afraid of him. She was proud of him, the strong animal. "Take me away, Rudolph," she said, simply; "take me away from that—that coward. Take me away, my dear. You may beat me, too, if you like, Rudolph. I dare say I have deserved it. But I want you to deal brutally with me, to carry me away by force, just as you threatened to do the day we were married—at the Library, you remember, when the man was crying 'Fresh oranges!' and you smelt so deliciously of soap and leather and cigarette smoke."
Musgrave took both her hands in his. He smiled at Charteris.
The novelist returned the smile, intensifying its sweetness. "I fancy, Rudolph," he said, "that, after all, I shall have to take that train alone."
Mr. Charteris continued, with a grimace: "You have no notion, though, how annoying it is not to possess an iota of what is vulgarly considered manliness. But what am I to do? I was not born with the knack of enduring physical pain. Oh, yes, I am a coward, if you like to put it nakedly; but I was born so, willy-nilly. Personally, if I had been consulted in the matter, I would have preferred the usual portion of valor. However! the sanctity of the hearth has been most edifyingly preserved—and, after all, the woman is not worth squabbling about."
There was exceedingly little of the mountebank in him now; he kicked Patricia's portmanteau, frankly and viciously, as he stepped over it to lift his own. Holding this in one hand, John Charteris spoke, honestly:
"Rudolph, I had a trifle underrated your resources. For you are a brave man—we physical cowards, you know, admire that above all things—and a strong man and a clever man, in that you have adroitly played upon the purely brutal traits of women. Any she-animal clings to its young and looks for protection in its mate. Upon a higher ground I would have beaten you, but as an animal you are my superior. Still, a thing done has an end. You have won back your wife in open fight. I fancy, by the way, that you have rather laid up future trouble for yourself in doing so, but I honor the skill you have shown. Colonel Musgrave, it is to you that, as the vulgar phrase it, I take off my hat."
Thereupon, Mr. Charteris uncovered his head with perfect gravity, and turned on his heel, and went down the road, whistling melodiously.
Musgrave stared after him, for a while. The lust of victory died; the tumult and passion and fervor were gone from Musgrave's soul. He could very easily imagine the things Jack Charteris would say to Anne concerning him; and the colonel knew that she would believe them all. He had won the game; he had played it, heartily and skilfully and successfully; and his reward was that the old bickerings with Patricia should continue, and that Anne should be taught to loathe him. He foresaw it all very plainly as he stood, hand in hand with his wife.
But Anne would be happy. It was for that he had played.
They came back to Matocton almost silently. The spell of the dawn was broken; it was honest, garish day now, and they were both hungry.
Patricia's spirits were rising, as a butterfly's might after a thunderstorm. Since she had only a few months to live, she would at least not waste them in squabbling. She would be conscientiously agreeable to everybody.
"Ah, Rudolph, Rudolph!" she cooed, "if I had only known all along that you loved me!"
"My dear," he protested, fondly, "it seemed such a matter of course." He was a little tired, perhaps; the portmanteau seemed very heavy.
"A woman likes to be told—a woman likes to be told every day. Otherwise, she forgets," Patricia murmured. Then her face grew tenderly reproachful. "Ah, Rudolph, Rudolph, see what your carelessness and neglect has nearly led to! It nearly led to my running away with a man like—like that! It would have been all your fault, Rudolph, if I had. You know it would have been, Rudolph."
And Patricia sighed once more, and then laughed and became magnanimous.
"Yes—yes, after all, you are the boy's father." She smiled up at him kindly and indulgently. "I forgive you, Rudolph," said Patricia.
He must have shown that pardon from Patricia just now was not unflavored with irony, for she continued, in another voice: "Who, after all, is the one human being you love? You know that it's the boy, and just the boy alone. I gave you that boy. You should remember that, I think—"
"I do remember it, Patricia—"
"I bore the child. I paid the price, not you," Patricia said, very quiet. "No, I don't mean the price all women have to pay—" She paused in their leisurely progress, and drew vague outlines in the roadway with the ferrule of her umbrella before she looked up into Rudolph Musgrave's face. She appraised it for a long while and quite as if her husband were a stranger.
"Yes, I could make you very sorry for me, if I wanted to." Her thoughts ran thus. "But what's the use? You could only become an interminable nuisance in trying to soothe my dying hours. You have just obstinately squatted around in Lichfield and devoted all your time to being beautiful and good and mooning around women for I don't know how many years. You make me tired, and I have half a mind to tell you so right now. And there really is no earthly sense in attempting to explain things to you. You have so got into the habit of being beautiful and good that you are capable of quoting Scripture after I have finished. Then I would assuredly box your jaws, because I don't yearn to be a poor stricken dear and weep on anybody's bosom. And I don't particularly care about your opinion of me, anyway."
Aloud she said: "Oh, well! let's go and get some breakfast."
And thus the situation stayed. Patricia told him nothing. And Rudolph Musgrave, knowing that according to his lights he had behaved not unhandsomely, was the merest trifle patronizing and rather like a person speaking from a superior plane in his future dealings with Patricia. Moreover, he was engrossed at this time by his scholarly compilation of Lichfield Legislative Papers prior to 1800, which was printed the following February.
She told him nothing. She was a devoted mother for two days' space, and then candidly decided that Roger was developing into the most insufferable of little prigs.
"And, besides, if he had never been born I would quite probably have lived to keep my teeth in a glass of water at night. And I can't help thinking of that privilege being denied me whenever I look at him."
She told Rudolph Musgrave nothing. She was finding it mildly amusing to note how people came and went at Matocton, and to appraise these people disinterestedly, because she would never see them again.
Patricia was drawing her own conclusions as to Lichfield's aristocracy. These people—for the most part a preposterously handsome race—were the pleasantest of companions and their manners were perfection; but there was enough of old Roger Stapylton's blood in Patricia's veins to make her feel, however obscurely, that nobody is justified in living without even an attempt at any personal achievement. The younger men evinced a marked tendency to leave Lichfield, to make their homes elsewhere, she noted, and they very often attained prominence; there was Joe Parkinson, for instance, who had lunched at Oyster Bay only last Thursday, according to theLichfield Courier-Herald. And, meanwhile, the men of her husband's generation clung to their old mansions, and were ornamental, certainly, and were, very certainly, profoundly self-satisfied; for they adhered to the customs of yesterday under the comfortable delusion that this was the only way to uphold yesterday's ideals. But what, in heaven's name, had any of these men of Rudolph Musgrave's circle ever done beyond enough perfunctory desk-work, say, to furnish him food and clothes?
"A hamlet of Hamlets," was Patricia's verdict as to Lichfield—"whose actual tragedy isn't that their fathers were badly treated, but that they themselves are constitutionally unable to do anything except talk about how badly their fathers were treated."
No, it was not altogether that these men were indolent. Rudolph and Rudolph's peers had been reared in the belief that when any manual labor became inevitable, you as a matter of course entrusted its execution to a negro; and, forced themselves to labor, they not unnaturally complied with an ever-present sense of unfair treatment, and, in consequence, performed the work inefficiently. Lichfield had no doubt preserved a comely manner of living; but it had produced in the last half-century nothing of real importance except John Charteris.
For Charteris was important. Patricia was rereading all the books that Charteris had published, and they engrossed her with an augmenting admiration.
But it is unnecessary to dilate upon the marvelous and winning pictures of life in Lichfield before the War between the States which Charteris has painted in his novels. "Even as the king of birds that with unwearied wing soars nearest to the sun, yet wears upon his breast the softest down,"—as we learn from no less eminent authority than that of theLichfield Courier-Herald—"so Mr. Charteris is equally expert in depicting the derring-do and tenderness of those glorious days of chivalry, of fair women and brave men, of gentle breeding, of splendid culture and wholesome living."
Patricia was not a little puzzled by these books. The traditional Lichfield, she decided in the outcome, may very possibly have been just the trick-work of a charlatan's cleverness; but, even in that event, here were the tales of life in Lichfield—ardent, sumptuous and fragrant throughout with the fragrance of love and roses, of rhyme and of youth's lovely fallacies; and for the pot-pourri, if it deserved no higher name, all who believed that living ought to be a uniformly noble transaction could not fail to be grateful eternally.
Esthetic values apart—and, indeed, to all such values Patricia accorded a provisional respect—what most impressed her Stapyltonian mind was the fact that these books represented, in a perfectly tangible way, success. Patricia very heartily admired success when it was brevetted as such by the applause of others. And while to be a noted stylist, and even to be reasonably sure of annotated reissuement for the plaguing of unborn schoolchildren, was all well enough, in an unimportant, high-minded way, Patricia was far more vividly impressed by the blunt figures which told how many of John Charteris's books had been bought and paid for. She accepted these figures as his publishers gave them forth, implicitly; and she marveled over and took odd joy in these figures. They enabled her to admire Charteris's books without reservation.
By this time Mrs. Ashmeade had managed, in the most natural manner, to tell Patricia a deal concerning Charteris. No halo graced the portrait Mrs. Ashmeade painted…. But, indeed, Patricia now viewed John Charteris, considered as a person, without any particular bias. She did not especially care—now—what the man had done or had omitted to do.
But the venerable incongruity of the writer and his work confronted her intriguingly. A Charteris writesIn Old Lichfield;a Cockney drug-clerk writesThe Eve of St. Agnes;a genteel printer evolves a Lovelace; and a cutpurse pens theBallad of Dead Ladiesin a brothel. It is manifestly impossible; and it happens.
So here, then, was a knave who held, somehow, the keys to a courtlier and nobler world. These tales made living seem a braver business, for all that they were written by a poltroon. Was it pure posturing? Patricia, at least, thought it was not. At worst, such dexterous maintenance of a pose was hardly despicable, she considered. And, anyhow, she preferred to believe that Charteris had by some miracle put the best of himself into these books, had somehow clarified the abhorrent mixture of ability and evil which was John Charteris; and the best in him she found, on this hypothesis, to be a deal more admirable than the best in Rudolph Musgrave.
"Itisa part of Jack," she fiercely said. "It is, because I know it is. All this is part of him—as much a part of him as the cowardice and the trickery. So I don't really care if he is a liar and a coward. I ought to, I suppose. But at the bottom of my heart I admire him. He has made something; he has created these beautiful books, and they will be here when we are all dead. He doesn't leave the world just as he found it. That is the only real cowardice, I think—especially as I am going to do it——"
And later she said, belligerently: "If I had been a man I could have at least assassinated somebody who was prominent. I do wish Rudolph was not such a stick-in-the-mud. And I wish I liked Rudolph better. But on the whole I prefer the physical coward to the moral one. Rudolph simply bores me stiff with his benevolent airs. He just walks around the place forgiving me sixty times to the hour, and if he doesn't stop it I am going to slap him."
Thus Patricia.
The world knows how Charteris was killed in Fairhaven by Jasper Hardress—the husband of "that flighty Mrs. Hardress" Anne had spoken of.
"And I hardly know," said Mrs. Ashmeade, "whether more to admire the justice or the sardonic humor of the performance. Here after hundreds of entanglements with women, John Charteris manages to be shot by a jealous maniac on account of a woman with whom—for a wonder—his relations were proven to be innocent. The man needed killing, but it is asking too much of human nature to put up with his being made a martyr of."
She cried a little, though. "It—it's because I remember him when he was turning out his first mustache," she explained, lucidly.
* * * * *
But with the horror and irony of John Charteris's assassination the biographer of Rudolph Musgrave has really nothing to do save in so far as this event influenced the life of Rudolph Musgrave.
It was on the day of Charteris's death—a fine, clear afternoon in late September—that Rudolph Musgrave went bass-fishing with some eight of his masculine guests. Luncheon was brought to them in a boat about two o'clock, along with the day's mail.
"I say—! But listen, everybody!" cried Alfred Chayter, whose mail included a morning paper—theLichfield Courier-Herald, in fact.
He read aloud.
"I wish I could be with Anne," thought Colonel Musgrave. "It may be I could make things easier."
But Anne was in Lichfield now….
He had just finished dressing for supper when it occurred to him that since their return from the river he had not seen Patricia. He was afraid that Patricia, also, would be upset by this deplorable news.
As he crossed the hall Virginia came out of Patricia's rooms. The colonel raised his voice in speaking to her, for with age Virginia was growing very deaf.
"Yaas, suh," she said, "I'm doin' middlin' well, suh, thank yeh, suh. Jus' took the evenin' mail to Miss Patricy, like I always do, suh." She went away quietly, her pleasant yellow face as imperturbable as an idol's.
He went into Patricia's bedroom. Patricia had been taking an afternoon nap, and had not risen from the couch, where she lay with three or four unopened letters upon her breast. Two she had opened and dropped upon the floor. She seemed not to hear him when he spoke her name, and yet she was not asleep, because her eyes were partly unclosed.
There was no purple glint in them, as once there had been always. Her countenance, indeed, showed everywhere less brightly tinted than normally it should be. Her heavy copper-colored hair, alone undimmed, seemed, like some parasitic growth (he thought), to sustain its beauty by virtue of having drained Patricia's body of color and vitality.
There was a newspaper in her right hand, with flamboyant headlines, because to Lichfield the death of John Charteris was an event of importance.
Patricia seemed very young. You saw that she had suffered. You knew it was not fair to hurt a child like that.
But, indeed, Rudolph Musgrave hardly realized as yet that Patricia was dead. For Colonel Musgrave was thinking of that time when this same Patricia had first come to him, fire-new from the heart of an ancient sunset, and he had noted, for the first time, that her hair was like the reflection of a sunset in rippling waters, and that her mouth was an inconsiderable trifle, a scrap of sanguine curves, and that her eyes were purple glimpses of infinity.
"This same Patricia!" he said, aloud.
"You have chosen the love 'that lives sans murmurings,Sans passion,' and incuriously enduresThe gradual lapse of time. You have chosen as yoursA level life of little happenings;And through the long autumnal eveningsLord Love, no doubt, is of the company,And hugs your ingleside contentedly,Smiles at old griefs, and rustles needless wings.
"And yet I think that sometimes memoriesOf divers trysts, of blood that urged like wineOn moonlit nights, and of that first long kissWhereby your lips were first made one with mine,Awake and trouble you, and loving isOnce more important and perhaps divine."
ALLEN ROSSITER.Two in October.
To those who knew John Charteris only through the medium of the printed page it must have appeared that the novelist was stayed in mid-career by an accident of unrelieved and singular brutality. And truly, thus extinguished by the unfounded jealousy of a madman, the force of Charteris's genius seemed, and seems to-day, as emphasized by that sinister caprice of chance which annihilated it.
But people in Lichfield, after the manner of each prophet's countrymen, had their own point of view. The artist always stood between these people and the artist's handiwork, in part obscuring it.
In any event, it was generally agreed in Lichfield that Anne Charteris's conduct after her husband's death was not all which could be desired. To begin with, she attended the funeral, in black, it was true, but wearing only the lightest of net veils pinned under her chin—"more as if she were going somewhere on the train, you know, than as if she were in genuine bereavement."
"Jack didn't approve of mourning. He said it was a heathen survival."That was the only explanation she offered.
It seemed inadequate to Lichfield. It was preferable, as good taste went, for a widow to be too overcome to attend her husband's funeral at all. And Mrs. Charteris had not wept once during the church ceremony, and had not even had hysterics during the interment at Cedarwood; and she had capped a scandalous morning's work by remaining with the undertaker and the bricklayers to supervise the closing of John Charteris's grave.
"Why, but of course. It is the last thing I will ever be allowed to do for him," she had said, in innocent surprise. "Why shouldn't I?"
Her air was such that you were both to talk to her about appearances.
"Because she isn't a bit like a widow," as Mrs. Ashmeade pointed out. "Anybody can condole with a widow, and devote two outer sheets to explaining that you realize nothing you can say will be of any comfort to her, and begin at the top of the inside page by telling her how much better off he is to-day—which I have always thought a double-edged assertion when advanced to a man's widow. But you cannot condole with a lantern whose light has been blown out. That is what Anne is."
Mrs. Ashmeade meditated and appeared dissatisfied. "And John Charteris of all people!"
Anne was presently about the Memorial Edition of her husband's collected writings. It was magnificently printed and when marketed achieved a flattering success. Robert Etheridge Townsend was commissioned to write the authorizedLife of John Charterisand to arrange the two volumes ofLetters.
Anne was considered an authority on literature and art in general, through virtue of reflected glory. And in the interviews she granted various journalists it was noticeable that she no longer referred to "Jack" or to "Mr. Charteris," but to "my husband." To have been his wife was her one claim on estimation. And, for the rest, it is inadequate to love the memory of a martyr. Worship is demanded; and so the wife became the priestess.
Into Colonel Musgrave's mental processes during this period it will not do to pry too closely. The man had his white nights and his battles, in part with real grief and regret, and in part with sundry emotions which he took on faith as the emotions he ought to have, and, therefore, manifestly, suffered under…. "Patricia was my wife, Jack was my brother," ran his verdict in the outcome; and beyond that he did not care to go.
For death cowed his thoughts. In the colonel's explicit theology dead people were straightway conveyed to either one or the other of two places. He had very certainly never known anybody who in his opinion merited the torments of his orthodox Gehenna; so that in imagination he vaguely populated its blazing corridors with Nero and Judas and Caesar Borgia and Henry VIII, and Spanish Inquisitors and the aboriginal American Indians—excepting of course his ancestress Pocahontas—and with Benedict Arnold and all the "carpet-baggers" and suchlike other eminent practitioners of depravity. For no one whom Rudolph Musgrave had ever encountered in the flesh had been really and profoundly wicked, Rudolph Musgrave considered; and so, he always gravely estimated this-or-that acquaintance, after death, to be "better off, poor fellow"—as the colonel phrased it, with a tinge of self-contradiction—even if he actually refrained in fancy from endowing the deceased with aureate harps and crowns and footgear. In fine, death cowed the colonel's thoughts; beyond the grave they did not care to venture, and when confronted with that abyss they decorously balked.
Patricia and Jack were as a matter of course "better off," then—and, miraculously purged of faults, with all their defects somehow remedied, the colonel's wife and brother, with Agatha and the colonel's other interred relatives, were partaking of dignified joys in bright supernal iridescent realms, which the colonel resignedly looked forward to entering, on some comfortably remote day or another, and thus rejoining his transfigured kindred…. Such was the colonel's charitable decision, in the forming whereof logic was in no way implicated. For religion, as the colonel would have told you sedately, was not a thing to be reasoned about. Attempting to do that, you became in Rudolph Musgrave's honest eyes regrettably flippant.
Meanwhile Cousin Lucy Fentnor was taking care of the colonel and little Roger. And Lichfield, long before the lettering on Patricia's tombstone had time to lose its first light dusty gray, had accredited Cousin Lucy Fentnor with illimitable willingness to become Mrs. Rudolph Musgrave, upon proper solicitation, although such tittle-tattle is neither here nor there; for at worst, a widowed, childless and impoverished second-cousin, discreetly advanced in her forties, was entitled to keep house for the colonel in his bereavement, as a jointly beneficial arrangement, without provoking scandal's tongue to more than a jocose innuendo or two when people met for "auction"—that new-fangled perplexing variant of bridge, just introduced, wherein you bid on the suits…. And, besides, Cousin Lucy Fentnor (as befitted any one born an Allardyce) was to all accounts a notable housekeeper, famed alike for the perilous glassiness of her hardwood floors, her dexterous management of servants, her Honiton-braid fancy-work (familiar to every patron of Lichfield charity bazaars), and her unparalleled calves-foot jelly. Under Cousin Lucy Fentnor's systematized coddling little Roger grew like the proverbial ill weed, and the colonel likewise waxed perceptibly in girth.
Thus it was that accident and a woman's intervention seemed once more to combine in shielding Rudolph Musgrave from discomfort. And in consequence it was considered improbable that at this late day the colonel would do the proper thing by Clarice Pendomer, as, at the first tidings of Patricia's death, had been authentically rumored among the imaginative; and, in fact, Lichfield no longer considered that necessary. The claim of outraged morality against these two had been thrown out of court, through some unworded social statute of limitation, as far as Lichfield went. Of course it was interesting to note that the colonel called at Mrs. Pendomer's rather frequently nowadays; but, then, Clarice Pendomer had all sorts of callers now—though not many in skirts—and she played poker with men for money until unregenerate hours of the night, and was reputed with a wealth of corroborative detail to have even less discussable sources of income: so that, indeed, Clarice Pendomer was now rather precariously retained within the social pale through her initial precaution of having been born a Bellingham…. But all such tittle-tattle, as has been said, is quite beside the mark, since with the decadence of Clarice Pendomer this chronicle has, in the outcome, as scant concern as with the marital aspirations of Cousin Lucy Fentnor.
And, moreover, the colonel—in colloquial phrase at least—went everywhere. After the six months of comparative seclusion which decency exacted of his widowerhood—and thereby afforded him ample leisure to complete and publish hisLichfield Legislative Papers prior to 1800—the colonel, be it repeated, went everywhere; and people found him no whit the worse company for his black gloves and the somber band stitched to his coatsleeve. So Lichfield again received him gladly, as the social triumph of his generation. Handsome and trim and affable, no imaginable tourist could possibly have divined—for everybody in Lichfield knew, of course—that Rudolph Musgrave had rounded his half-century; and he stayed, as ever, invaluable to Lichfield matrons alike against the entertainment of an "out-of-town" girl, the management of a cotillon, and the prevention of unpleasant pauses among incongruous dinner-companies.
But of Anne Charteris he saw very little nowadays. And, indeed, it was of her own choice that Anne lived apart from Lichfieldian junketings, contented with her dreams and her pride therein, and her remorseful tender memories of the things she might have done for Jack and had not done—lived upon exalted levels nowadays, to which the colonel's more urbane bereavement did not aspire.
"Charteris" was engraved in large, raised letters upon the granite coping over which Anne stepped to enter the trim burial-plot wherein her dead lay.
The place to-day is one of the "points of interest" in Cedarwood. Tourists, passing through Lichfield, visit it as inevitably as they do the graves of the Presidents, the Southern generals and the many other famous people which the old cemetery contains; and the negro hackmen of Lichfield are already profuse in inaccurate information concerning its occupant. In a phrase, the post card which pictures "E 9436—Grave of John Charteris" is among the seven similar misinterpretations of localities most frequently demanded in Lichfieldian drugstores and news-stands.
Her victoria had paused a trifle farther up the hill, where two big sycamores overhung the roadway. She came into the place alone, walking quickly, for she was unwarrantably flustered by her late encounter. And when she found, of all people, Rudolph Musgrave standing by her husband's grave, as in a sort of puzzled and yet reverent meditation, she was, and somehow as half-guiltily, assuring herself there was no possible reason for the repugnance—nay, the rage,—which a mere glimpse of trudging, painted and flamboyant Clarice Pendomer had kindled. Yet it must be recorded that Anne had always detested Clarice.
Now Anne spoke, as the phrase runs, before she thought. "She came with you!"
And he answered, as from the depths of an uncalled-for comprehension which was distinctly irritating:
"Yes. And Harry, too, for that matter. Only our talk got somehow to be not quite the sort it would be salutary for him to take an interest in. So we told Harry to walk on slowly to the gate, and be sure not to do any number of things he would never have thought of if we hadn't suggested them. You know how people are with children——"
"Harry is—her boy?" Anne, being vexed, had almost added—"and yours?"
"Oh——! Say thefons et origoof the Pendomer divorce case, poor little chap. Yes, Harry is her boy."
Anne said, and again, as she perceived within the moment, a thought too expeditiously: "I wish you wouldn't bring them here, Colonel Musgrave."
Indeed, it seemed to her flat desecration that Musgrave should have brought his former mistress into this hallowed plot of ground. She did not mind—illogically, perhaps—his bringing the child.
"Eh——? Oh, yes," said Colonel Musgrave. He was sensibly nettled. "You wish 'Colonel Musgrave' wouldn't bring them here. But then, you see, we had been to Patricia's grave. And we remembered how Jack stood by us both when—when things bade fair to be even more unpleasant for Clarice and myself than they actually were. You shouldn't, I think, grudge even such moral reprobates the privilege of being properly appreciative of what he did for both of us. Besides, you always come on Saturdays, you know. We couldn't very well anticipate that you would be here this afternoon."
So he had been at pains to spy upon her! Anne phrased it thus in her soul, being irritated, and crisply answered:
"I am leaving Lichfield to-morrow. I had meant this to be my farewell to them until October."
Colonel Musgrave had glanced toward the little headstone, with its rather lengthy epitaph, which marked the resting-place of this woman's only child; and then to the tall shaft whereon was engraved just "John Charteris." The latter inscription was very characteristic of her view-point, he reflected; and yet reasonable, too; as one might mention a Hector or a Goethe, say, without being at pains to disclaim allusion to the minor sharers of either name.
"Yes," he said. "Well, I shall not intrude."
"No—wait," she dissented.
Her voice was altered now, for there had come into it a marvelous gentleness.
And Colonel Musgrave remained motionless. The whole world was motionless, ineffably expectant, as it seemed to him.
Sunset was at hand. On one side was the high wooden fence which showed the boundary of Cedarwood, and through its palings and above it, was visible the broad, shallow river, comfortably colored, for the most part, likecafé au lait, but flecked with many patches of foam and flat iron-colored rocks and innumerable islets, some no bigger than a billiard-table, but with even the tiniest boasting a tree or two. On the other—westward—was a mounting vista of close-shaven turf, and many copings, like magnified geometrical problems, and a host of stunted growing things—with the staid verdancy of evergreens predominant—and a multitude of candid shafts and slabs and crosses and dwarfed lambs and meditant angels.
Some of these thronged memorials were tinged with violet, and others were a-glitter like silver, just as the ordered trees shaded them or no from the low sun. The disposition of all worldly affairs, the man dimly knew, was very anciently prearranged by an illimitable and, upon the whole, a kindly wisdom.
She was considering the change in him. Anne was recollecting thatColonel Musgrave had somewhat pointedly avoided her since her widowhood.He seemed almost a stranger nowadays.
And she could not recognize in the man any resemblance to the boy whom she remembered—so long ago—excepting just his womanish mouth, which was as in the old time very full and red and sensitive. And, illogically enough, both this great change in him and this one feature that had never changed annoyed her equally.
She was also worried by his odd tone of flippancy. It jarred, it vaguely—for the phrase has no equivalent—"rubbed her the wrong way." Here at a martyr's tomb it was hideously out-of-place, and yet she did not see her way clear to rebuke. So she remained silent.
But Rudolph Musgrave was uncanny in some respects. For he said within the moment, "I am not a bit like John Charteris, am I?"
"No," she answered, quietly. It had been her actual thought.
Anne stayed a tiny while quite motionless. Her eyes saw nothing physical. It was the attitude, Colonel Musgrave reflected, of one who listens to a far-off music and, incommunicably, you knew that the music was of a martial sort. She was all in black, of course, very slim and pure and beautiful. The great cluster of red roses, loosely held, was like blood against the somber gown.
The widow of John Charteris, in fine, was a very different person from that Anne Willoughby whom Rudolph Musgrave had loved so long and long ago. This woman had tasted of tonic sorrows unknown to Rudolph Musgrave, and had got consolation too, somehow, in far half-credible uplands unvisited by him. But, he knew, she lived, and was so exquisite, mainly by virtue of that delusion which he, of all men, had preserved; Anne Charteris was of his creation, his masterpiece; and viewing her, he was aware of great reverence and joy.
Anne was happy. It was for that he had played.
But aloud, "I am envious," Rudolph Musgrave declared. "He is the single solitary man I ever knew whose widow was contented to be simply his relict for ever and ever, amen. For you will always be just the woman John Charteris loved, won't you? Yes, if you lived to be thirty-seven years older than Methuselah, and every genius and potentate in the world should come a-wooing in the meantime, it never would occur to you that you could possibly be anything, even to an insane person, except his relict. And he has been dead now all of three whole years! So I am envious, just as we ordinary mortals can't help being of you both; and—may I say it?—I am glad."